- Apr 2024
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web.archive.org web.archive.org
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If people have no awareness of history, and society suffers because of it, they also have no awareness of art history. So no awareness of cabaret history either. Werner Schneyder
Werber Schneyder on Cabaret, art and history.
German-German history as reflected in political cabaret': ridiculed separately and laughed together. Cover poster: Klaus Staeck. The poster texts are accompanied by text panels. A version in Polish is available.
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- Jan 2024
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Der Einfluss der Automobilindustrie ist einer der Hauptgründe dafür, dass die Verkehrsemissionen in Deutschland nicht zurückgehen. Gründlicher Artikel der taz über Lobbyismus der deutschen Automobilfirmen vor allem in der Ära Merkel und auch über die Parteispenden dieser Branche. https://taz.de/Einfluss-der-Autobranche-auf-Klimaschutz/!5982041/
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- Oct 2023
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twitter.com twitter.com
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If you look at George Ellis’s Google Scholar, it’s clear that he has gone down the deep end a while ago. What is it with these cosmologists? (Ahem, Penrose). Suddenly they discover quantum physics and it’s the solution to consciousness. Or gravity makes wavefunctions collapse.
quote from Christoph Adami at https://twitter.com/ChristophAdami/status/1711583362647814485
Re: George Ellis https://www.nature.com/articles/d41586-023-03061-y
Physicists and quantum mechanics as solution to consciousness.
See also: Physics in Mind: A Quantum View of the Brain by Werner R. Loewenstein
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- Sep 2023
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en.wikipedia.org en.wikipedia.org
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Spiral Dynamics (SD) is a model of the evolutionary development of individuals, organizations, and societies. It was initially developed by Don Edward Beck and Christopher Cowan based on the emergent cyclical theory of Clare W. Graves, combined with memetics as proposed by Richard Dawkins and further developed by Mihaly Csikszentmihalyi.
https://en.wikipedia.org/wiki/Spiral_Dynamics
related to ideas I've had with respect to Werner R. Loewenstein?
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- Apr 2023
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www.golem.de www.golem.de
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Größtes Windrad von Vestas liefert erstmals volle Leistung
von Werner Pluta vom 04.04.2023
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- Mar 2023
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ia800603.us.archive.org ia800603.us.archive.org
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Werner, in his suites ofcolours, has left out the terms Purple andOrange, and given them under those ofBlue and Yellow
Sobre los colores Azul, Amarillo, Naranja y Morado
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omenclature of his own inhis description of minerals
Uso de Nomenclatura en Minerales
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Werner's suitesof colours extend to seventy-nine tints
79 colores
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To re-move the present confusion in the namesof colours, and establish a standard thatmay be useful in general science, parti-cularly those branches, viz. Zoology, Bo-tany, Mineralogy, Chemistry, and Mor-bid Anatomy,
Nombres de Colores en diferentes ramas de la Biología actual.
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- Jan 2023
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forum.zettelkasten.de forum.zettelkasten.de
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Note 9/8j says - "There is a note in the Zettelkasten that contains the argument that refutes the claims on every other note. But this note disappears as soon as one opens the Zettelkasten. I.e. it appropriates a different number, changes position (or: disguises itself) and is then not to be found. A joker." Is he talking about some hypothetical note? What did he mean by disappearing? Can someone please shed some light on what he really meant?
On the Jokerzettel
9/8j Im Zettelkasten ist ein Zettel, der das Argument enthält, das die Behauptungen auf allen anderen Zetteln widerlegt.
Aber dieser Zettel verschwindet, sobald man den Zettelkasten aufzieht.
D.h. er nimmt eine andere Nummer an, verstellt sich und ist dann nicht zu finden.
Ein Joker.
—Niklas Luhmann, ZK II: Zettel 9/8j
Translation:
9/8j In the slip box is a slip containing the argument that refutes the claims on all the other slips. But this slip disappears as soon as you open the slip box. That is, he assumes a different number, disguises himself and then cannot be found. A joker.
Many have asked about the meaning of this jokerzettel over the past several years. Here's my slightly extended interpretation, based on my own practice with thousands of cards, about what Luhmann meant:
Imagine you've spent your life making and collecting notes and ideas and placing them lovingly on index cards. You've made tens of thousands and they're a major part of your daily workflow and support your life's work. They define you and how you think. You agree with Friedrich Nietzsche's concession to Heinrich Köselitz that “You are right — our writing tools take part in the forming of our thoughts.” Your time is alive with McLuhan's idea that "The medium is the message." or in which his friend John Culkin said, "We shape our tools and thereafter they shape us."
Eventually you're going to worry about accidentally throwing your cards away, people stealing or copying them, fires (oh! the fires), floods, or other natural disasters. You don't have the ability to do digital back ups yet. You ask yourself, can I truly trust my spouse not to destroy them?,What about accidents like dropping them all over the floor and needing to reorganize them or worse, the ghost in the machine should rear its head?
You'll fear the worst, but the worst only grows logarithmically in proportion to your collection.
Eventually you pass on opportunities elsewhere because you're worried about moving your ever-growing collection. What if the war should obliterate your work? Maybe you should take them into the war with you, because you can't bear to be apart?
If you grow up at a time when Schrodinger's cat is in the zeitgeist, you're definitely going to have nightmares that what's written on your cards could horrifyingly change every time you look at them. Worse, knowing about the Heisenberg Uncertainly Principle, you're deathly afraid that there might be cards, like electrons, which are always changing position in ways you'll never be able to know or predict.
As a systems theorist, you view your own note taking system as a input/output machine. Then you see Claude Shannon's "useless machine" (based on an idea of Marvin Minsky) whose only function is to switch itself off. You become horrified with the idea that the knowledge machine you've painstakingly built and have documented the ways it acts as an independent thought partner may somehow become self-aware and shut itself off!?!
https://www.youtube.com/watch?v=gNa9v8Z7Rac
And worst of all, on top of all this, all your hard work, effort, and untold hours of sweat creating thousands of cards will be wiped away by a potential unknowable single bit of information on a lone, malicious card and your only recourse is suicide, the unfortunate victim of dataism.
Of course, if you somehow manage to overcome the hurdle of suicidal thoughts, and your collection keeps growing without bound, then you're sure to die in a torrential whirlwind avalanche of information and cards, literally done in by information overload.
But, not wishing to admit any of this, much less all of this, you imagine a simple trickster, a joker, something silly. You write it down on yet another card and you file it away into the box, linked only to the card in front of it, the end of a short line of cards with nothing following it, because what could follow it? Put it out of your mind and hope your fears disappear away with it, lost in your box like the jokerzettel you imagined. You do this with a self-assured confidence that this way of making sense of the world works well for you, and you settle back into the methodical work of reading and writing, intent on making your next thousands of cards.
Tags
- Niklas Luhmann's zettelkasten
- Lila
- Heisenberg Uncertainty Principle
- death by zettelkasten
- jokerzettel
- Claude Shannon
- Ghostbusters
- Schrödinger's cat
- fear uncertainty and doubt
- Erwin Schrödinger
- Niklas Luhmann
- ghost in the machine
- fears
- note collection loss and damage
- Werner Heisenberg
- dataism
- useless machines
Annotators
URL
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- Nov 2022
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infiniteconversation.com infiniteconversation.com
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https://infiniteconversation.com/
an AI generated, never-ending discussion between Werner Herzog and Slavoj Žižek. Everything you hear is fully generated by a machine. The opinions and beliefs expressed do not represent anyone. They are the hallucinations of a slab of silicon.
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- Jul 2022
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www.google.com www.google.com
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fly·wheel/ˈflīˌ(h)wēl/ Learn to pronounce nounnoun: flywheel; plural noun: flywheels; noun: fly-wheel; plural noun: fly-wheelsa heavy revolving wheel in a machine that is used to increase the machine's momentum and thereby provide greater stability or a reserve of available power during interruptions in the delivery of power to the machine.
A potential word to describe some of my theory for evolution, DNA, and complexity
Used often in business to describe increasing momentum
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- Dec 2021
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Likewise, the filing cabinet cannot feed itself without user collaboration; indeed, without a user, the filing cabinet cannot even start its combinatory po-tential. Nevertheless, the card index is used as a true ‘communicative partner’ because it has proper autonomy. In a sense, the card index is fully dependent on and fully independent of the user. The inner structure is methodically ar-ranged so that the users, whoever they may be, can in principle use it; entries are linked so that once the combinatory potential begun, combinations repro-duce themselves and increase the available complexity in unexpected ways.34
There is an interesting analogy here worth pursuing:
This idea and its structure have lots of similarities to those of growth and evolution in Werner R. Loewenstein's The Touchstone of Life: Molecular Information, Cell Communication, and the Foundations of Life. What if we reframe RNA or mitochondria in the role of the filing cabinet? What emergent properties occur in these processes? What do these processes have in common?
I need at least some shorthand idea or word for talking about the circular evolving processes of life in Loewenstein's book. Maybe evolution spirals?
Think inputs and outputs.
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- Feb 2020
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www.rogerebert.com www.rogerebert.com
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There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.
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- Nov 2019
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variety.com variety.com
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Do you watch any television? I do, I watch the news from different sources. Sometimes I see things that are completely against my cultural nature. I was raised with Latin and Ancient Greek and poetry from Greek antiquity, but sometimes, just to see the world I live in, I watch “WrestleMania.”
WrestleMania! This has to be the quote of the year from Werner Hertzog.
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