21 Matching Annotations
  1. Oct 2021
    1. COPE

      Create Once, Publish Everywhere

      So when I talk about adaptive content, I popularized a case study from NPR in which they outlined their catchily-named approach to publishing web content, which they called COPE. It stands for Create Once, Publish Everywhere. And in NPR’s model, they maintain a single content model for their article form. So in this content structure, they would have for an article a title, a short title, a teaser, a short teaser, several images attached to the article, an audio file, the body text, whatever metadata was attached to the article, and they could serve up a different combination of that more granular content based on the type of device someone was using.

    2. Adaptive: Content, Context, and Controversy
    1. For myself, Symphony was a proving ground for the COPE approach to content strategy and content management championed by Karen McGrane: create once publish everywhere.
    1. COPE: Create Once, Publish Everywhere

      Adaptive Content

      COPE: Create Once, Publish Everywhere

      With the growing need and ability to be portable comes tremendous opportunity for content providers. But it also requires substantial changes to their thinking and their systems.

  2. getuikit.com getuikit.com
    1. WordPress & Joomla from the UIkit creators

      Run for Water

      I used one of these themes for the redesign of the Run for Water site. I transitioned away from Jamstack, because the organization is centred around volunteers, and it was important to empower them to easily make changes to the marketing front end of their organization. The WordPress theme has a beautiful interface for managing content. However, it goes against the philosophy of COPE (Create Once, Publish Everywhere), recommended by Karen McGrane in her presentations on Content in a Zombie Apocalypse.

      Symphony

      My interest in the subject of Adaptive Content goes back to the days when Symphony was my tool of choice.

  3. Sep 2021
  4. Jan 2021
    1. The courses span a suite of synthesis methods, including systematic review and systematic mapping, stakeholder engagement in evidence synthesis, and evidence synthesis technology.
    1. Because there is no time left for trial and error and since resources for organising a transformation into a carbon‐neutral world are inherently limited, decision‐making on climate solutions needs to be based on the best available evidence.
    1. Evidence synthesis, which collates, appraises, and summarises results from individual studies across an evidence base and makes them available for policy advice, is particularly well organised in the health sciences; a key role is played here by the global knowledge network Cochrane, founded in 1993 and seated in London. T
    1. Theemergence of the termcontent strategyitselfrepresents widespread recognition that componentcontent management was in great need of aroadmap.

      For me this is one of the key sentences of this paper. It is impossible to understand content strategy without taking component content management into consideration. For an academic approach to content strategy component content management is a key.

    2. In its most commondefinition, a genre is a rhetorical action that istypified and socially recognized based on recurrentsituations; members of organizations use genresfor specific communicative and collaborativepurposes [6], [7]

      This might be translated following the approach of semiotic practices defined by Fontanille et.al.

  5. Oct 2020
    1. Summary of Margot Bloomstein's talk "Designing for Trust in an uncertain world." (Recording of a similar talk on Vimeo)

    2. Mass media and our most cynical memes say we live in a post-fact era. So who can we trust — and how do our users invest their trust?

      Margot's starting point is what has been called the epistemic crisis.

    1. Furthermore, many designers have limited experi-ence working on projects that defy the boundaries of a typical cor-porate design brief.

      Was könnte das für eine Content strategy 4 degrowth bedeuten?

      1. Sie findet in einer heterogenen/hybriden Umgebung statt.
      2. Sie bezieht immer auch nichtmenschliche Stakeholder ein.
      3. Sie hängt von einer genauen Analyse der Situation ab, die diese nicht nur abbildet, sondern verändert.
      4. Sie ist auf Kollaboration angelegt.
  6. Sep 2020
    1. the

      Maybe similar to architects supervising the construction of a building

    2. Content designers have a strong slant to researching the UX of the content, then creating the content with that in mind. Content strategists develop systems, and the components

      To me this practice seems still broken. Content modelling, defining voice and tone etc. are strategic tasks depending on user research.

    3. Bush clearly understood the potential in managing content for a range of uses; unfortunately, the technology did not yet exist for his conceptual browsing machine. But it did sow the seeds for thinking about content in ways that we find familiar today.

      The reference to Bush shows, that content strategy and the history of hypertext are closely related.

  7. Aug 2020
    1. This is interesting for many reasons, and it is especially interesting for content strategists. It shows how closely different semiotic practices/forms of content are interrelated, e.g. emails and official statements. It also shows how difficult it is to distinguish between content strategy and propaganda. Via Jeff Jarvis auf Twitter