- Feb 2021
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cubicmuse.com cubicmuse.com
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By focusing on the condition of the looking glass, Joyce suggests the artist does not start his work with a clean slate. Rather there is considerable baggage he or she must overcome. This baggage might include colonial conditions or biased assumptions. Form and context influence content.
This seems a bit analogous to Peggy McIntosh's Backpack of White Privilege I was looking at yesterday.
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- Feb 2018
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www.jstor.org www.jstor.org
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I am not concerned here to enter into debates about whether Joyce shoidd be considered a postcolonial writer nor whether Ireland can properly be located under the increasingly capacious umbrella of the postcolonial.4
It's interesting to me that there is a gray area surrounding Joyce as a postcolonial writer, in comparison to more traditional postcolonial authors, like Salman Rushdie or post-colonial theorist, Frantz Fanon.
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- Mar 2017
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static1.squarespace.com static1.squarespace.com
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And yes," says Molly, carrying Ulysses off be-yond any book and toward the new writing; "I said yes, I will Yes."
I was curious about this line, so I did a little searching and I found this particularly interesting, since Cixous did her dissertation on Joyce:
The episode both begins and ends with "yes," a word that Joyce described as "the female word" and that he said indicated "acquiescence, self-abandon, relaxation, the end of all resistance."
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- Oct 2016
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www.gutenberg.org www.gutenberg.org
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falling faintly through the universe and faintly falling
Chiasmus, cf. Portrait bird girl, "soft and slight, slight and soft."
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www.gutenberg.org www.gutenberg.org
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soft and slight, slight and soft
Chiasmus, cf. "The Dead" "falling faintly through the Universe and faintly falling."
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- Jul 2016
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digital.ucd.ie digital.ucd.ie
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TWO GALLANTS
Places named in the Joyce's story "Two Gallants" are charted sequentially and visualised in the StoryMap presentation at this location.
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