11 Matching Annotations
- Nov 2022
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delong.typepad.com delong.typepad.com
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And this is the art-the skill or craftthat we are talking about here.
We don't talk about the art of reading or the art of note making often enough as a goal to which students might aspire. It's too often framed as a set of rules and an mechanical process rather than a road to producing interesting, inspiring, or insightful content that can change humanity.
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- Nov 2020
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www.youtube.com www.youtube.com
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Moises Sanabria 1:19
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- Sep 2020
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uclaspecialevents.ucla.edu uclaspecialevents.ucla.edu
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How will artists help us through this? (n.d.). Retrieved September 3, 2020, from http://uclaspecialevents.ucla.edu/arts-resilience
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- Jan 2018
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electricliterature.com electricliterature.com
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Chiang: There’s a passage in Annie Dillard’s The Writing Life where she’s telling her neighbor that she hates writing and would rather do anything else, and her neighbor says, “That’s like a guy who works in a factory all day, and hates it.” Writing is so difficult for me that I have often wondered whether I’m actually suited for it, and I’ve had experiences with the publishing industry that made me quit writing for years. But I keep coming back to it because, I suppose, writing is an essential part of who I am. As for advice to slow writers, I’d say that writing is not a race. This isn’t a situation where only the most prolific writers get an audience; publish your story when you’re ready, and it will find readers.
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www.theguardian.com www.theguardian.com
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After winning the Forward prize, Vuong told the Guardian that he suspected dyslexia runs in his family, but felt it had positively affected his writing: “I think perhaps the disability helped me a bit, because I write very slowly and see words as objects. I’m always trying to look for words inside words. It’s so beautiful to me that the word laughter is inside slaughter.”
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Vuong, who now lives in Massachusetts and works as an assistant professor in the MFA Program for Poets and Writers at the University of Massachusetts, Amherst, only gained a taste for poetry in his 20s
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Born in Saigon, Vuong spent a year in a refugee camp as a baby and migrated to America when he was two years old, where he was raised by his mother, grandmother and aunt. Two aspects of Vuong’s life – his sexuality and the absence of his father – recur in his work
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- Jul 2017
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www.umakinoshita.com www.umakinoshita.com
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Handmade photobook with Japanese bookbinding and a hard cover.
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- Mar 2017
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www.facebook.com www.facebook.com
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Leporello book with cyanotypes and letterpressed introduction page.
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- Sep 2016
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www.pastemagazine.com www.pastemagazine.com
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I stopped being precious with everything, and I’m applying that to my life and the music that I make and the comics that I make. I don’t believe anymore in the hype machine or the strategy. I believe that you make something and then you share it. There’s no reason to wait.
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- Jan 2016
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www.jennifergaram.com www.jennifergaram.com
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When you write something, you never know who it is going to affect, or how it could help someone who’s struggling and feeling alone, or how in a low moment in their life, desperately searching on Google for answers, they will come upon your words when they need them most. And despite what our culture will have us believe—that metrics and stats matter above all else, that the number of clicks tells the whole story—somehow, in some calculation, impacting one human being has got to be worth more than all the unique page views and Shares and Likes in the world.
Jennifer Garam<br> https://twitter.com/writeouschick
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