8 Matching Annotations
  1. Sep 2018
    1. In 2003, an estimated 906,000 children were victims of abuse and neglect. Neglect was the most common form of maltreatment, with 60.9 percent of child victims suffering from neglect in 2003. Neglect was followed by physical abuse (18.9 percent of child victims), sexual abuse (9.9 percent of child victims), and psychological maltreatment (4.9 percent of child victims). In 2003, approximately 1,500 children died because of abuse or neglect.29 The largest percentage of perpetrators (83.9 percent) was parents, including birth parents, adoptive parents, and stepparents.30 How do fathers compare to mothers in the perpetration of child maltreatment? As discussed earlier, Federal data derived from CPS reports in 2003 indicate that in 18.8 percent of the substantiated cases, fathers were the sole perpetrators of maltreatment; in 16.9 percent of the cases, the fathers and the mothers were perpetrators; and in 1.1 percent of the cases, the father acted with someone else to abuse or neglect his child. Mothers were the sole perpetrators in 40.8 percent of the cases and acted with someone besides the father in 6.3 percent of the cases.31 This means that fathers were involved in 36.8 percent of child maltreatment cases and that mothers were involved in 64 percent of child maltreatment cases. Additionally, more than one-half of the male perpetrators were biological fathers, and, although recidivism rates were low, biological fathers were more likely to be perpetrators of maltreatment again than were most other male perpetrators. Th is may be due in part to the lack of permanence between a mother and her boyfriend or that the perpetrator may be excluded from the household before recidivism can occur.32 Mothers are almost twice as likely to be directly involved in child maltreatment as fathers.

      Aquí la referencia de 64% mamás y 36.8% papás.

  2. Jan 2018
    1. una parte esencial de cualquier trabajo feminista es la deconstrucción de la brecha colonial —la división entre ‘nosotros’ y ‘ellos’ introducida con la conquista de América, la esclavitud y el colonialismo y que sigue viva con la globalización modernizante y el desarrollo
  3. Sep 2017
    1. This rubric represents the legacy of two distinct gendered meanings built into the single word ‘craft’ by artisan communities (Adamson, 2010; Lippard, 2010 [1978]) and progressive era domestic DIY activity in the United States (Gelber, 1997). The first con-cerns feminized connotations positioning the quotidian as the place where power rela-tions can be voiced and contested. Feminist writing of the 1960s and 1970s exposed the historically gendered nature of craft and its ties to domesticity. According to art historian Glenn Adamson (2010), this scholarship reframed amateurism not as an acceptance of circumstance they needed to transcend but as a mechanism by which to judge the degree of gender prejudice. Feminist art historian Lucy Lippard (2010 [1978]) has argued that the category of craft even made possible the recognition of more female artists, expand-ing the realm of fine art to include quilts, textiles, and forms of material rehabilitation. Rehabilitation, Lippard claims, as a type of “inventive” patching (e.g. remaking clothes and recovering old furniture) becomes a mending of objects and public dignity.

      Interesante ver la noción de artesanía asociada al trabajo doméstico y desde la perspectiva de género y contestación.

    2. we show how the work of failure began to destabilize an established ontology of hacking, making room for feminist legacies of craft.

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  4. May 2017
    1. mujeres mujeres

      ¿Crees que el papel de la mujer en las relaciones de pareja ha cambiado en las últimas décadas?

      ¿Qué significado le darías a la duplicación de la palabra "mujeres" en el título del poema?

  5. Mar 2017
    1. Lloro cuando se quema el arroz

      A través del yo poético de "Autorretrato", Rosario Castellanos cita algunas de las costumbres que tiene en su vida cotidiana. ¿Por qué crees que da tantas explicaciones? ¿Qué imagen crees que ofrece como mujer?

    2. la mujer en la literatura

      La literatura femenina es la que está escrita por mujeres y la feminista, la que defiende los derechos de las mujeres.

      La ginocrítica estudia la literatura femenina, independientemente del tipo de voz que contenga.

      ¿Consideras que hay factores en la literatura que delatan si el autor es un hombre o una mujer? ¿Crees que esto puede ser de algún modo importante en el análisis literario?

  6. Jul 2016
    1. Reglas de juego

      El título del poema me parece significativo, ya que tradicionalmente los roles dentro de la pareja sentimental (las reglas del juego) han sido definidos por los hombres y, sin embargo, aquí es la mujer quien toma la iniciativa y establece sus propias normas.