No single volume can capture the entire scope of the music, but a good one to start with is Nick Tosches’ Where Dead Voices Gather.

So many of the prewar musicians that I admired, obscure and famous, all had experience playing in the medicine shows. This included black songsters like Frank Stokes and Pink Anderson, as well as seminal country artists like Jimmie Rodgers and Gene Autry. Even Hank Williams played the medicine shows.

There was ‘New Stop And Listen’ by the Mississippi Sheiks on Paramount 13134, one of the greatest violin blues records of all time—hell, it’s one of the greatest blues records, period.

Sam Charter’s LP anthology on Folkways, The Country Blues. This opened up a rabbit hole that still has no end. The LP was meant as a supplement to Charter’s book of the same name, although I didn’t read the book until much later. I first heard the album cold, with no historical context or biographical information. The music was stunning. ‘Careless Love’ by Lonnie Johnson I played over and over again. To this day I love Lonnie Johnson. There was ‘Fixin’ To Die’ by Bukka White and ‘Statesboro Blues’ by Blind Willie McTell. Masterpieces! These performances knocked my socks off. And Gus Cannon’s ‘Walk Right In’—I remembered that as a radio hit by the Rooftop Singers, only this was a thousand times better. The Country Blues anthology gave me an appetite to hear more of this stuff, and to find out more about these musicians.

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