"Why music causes memories to flood back"

https://www.jenniferackermanauthor.com/genius-ofbirds

Lynne Kelly mentioned that there might be some interesting research on birds and memory with respect to songlines-like activity.

https://threadreaderapp.com/thread/1547390915689566211.html via https://twitter.com/nicolas_gatien/status/1547390946156969984

Nicolas, I broadly agree with you that many of these factors of reading and writing for understanding and retention are at play and the research in memory and spaced repetition underlines a lot of this. However in practice, one needs to be revisiting and actively using their notes for some particular project to remember them better. The card search may help to create both visual and physical paths that assist in memory too.

Reliance solely on a physical zettelkasten however may not be enough without active use over time, particularly for the majority of users. It's unlikely that all or even many may undertake this long term practice. Saying that this is either the "best", "optimum", or "only" way would be disingenuous to the diversity of learners and thinkers.

Those who want to add additional strength to these effects might also use mnemonic methods from indigenous cultures that rely on primary orality. These could include color, images, doodles (drolleries anyone?), or other associative methods, many of which could be easily built into an (antinet) zettelkasten. Lynne Kelly's work in this area can be highly illuminating. For pure practical application and diversity of potential methods, I recommend her book Memory Craft https://amzn.to/3zdqqGp, but she's got much more academic and in depth work that is highly illustrative.

With this background on orality and memory in mind we might all broadly view wood and stone circles (Stonehenge), menhir, standing stones, songlines, and other mnemonic devices in the archaeological and sociological records as zettelkasten which one keeps entirely in their memory rather than writing them down. We might also consider, based on this and the historical record concerning Druids and their association with trees that the trees served a zettelkasten-like function for those ancient societies. This continues to extend to lots of other cultural and societal practices throughout history. Knowledge from Duane Hamacher et al's book The First Astronomers and Karlie Noone and Krystal De Napoli's Astronomy: Sky Country will underline these theories and practices in modern indigenous settings.

particularly:

but rather the game in and of itself, the constant shifting around of pawns, the circulation of cards, everything that contributes to the fact that the game--as opposed to a work of art--never stands still.

This reminds me of some of the mnemonic devices (cowrie shells) that Lynne Kelly describes in combinatorial mnemonic practice. These are like games or stories that change through time. And these are fairly similar to the statistical thermodynamics of life and our multitude of paths through it. Or stories which change over time.

Is life just a game?

there's a kernel of something interesting here, we'll just need to tie it all together.

Think also of combining various notes together in a zettelkasten.

Were these indigenous tribes doing combinatorial work in a more rigorous mathematical fashion?

Concentrating on the shape, motion, and placement of hand gestures dramatically help a learner to more concretely understand material and understanding in others.

Link this to the use of movement in dance with respect to memory in Lynne Kelly's work.

Gestures provide a powerful and immediate sense of how things look, feel, and move and provide facilities that can't be matched by spoken communication.

Link this to the idea of dance being used in oral cultures to communicate the movement of animals, particularly in preparation for hunting. cross reference: Songlines and Knowledge and Power by Lynne Kelly

Link to [[a picture is worth a thousand words]]

Reviewed Work: Knowledge and Power in Prehistoric Societies: Orality, Memory, and the Transmission of Culture by LYNNE KELLY Review by: Asa R. https://www.jstor.org/stable/26337970

What impact might this have on Lynne Kelly's thesis about memory in early societies with an imbalance of power?

Are there possibly any physical artifacts in physical archaeology that may fit into the structure of the thesis made by Lynne Kelly in Knowledge and Power in Prehistoric Societies?

What would we be looking for? Small mnemonic devices? Menhir? Standing stones? Wooden or stone circles? Other examples of extended ekphrasis similar to that of the shield of Achilles?

cf: Expanding Ekphrasis to the Broader Field of Mnemotechny: or How the Shield of Achilles Relates to a Towel, Car, and Water Buffalo

Lynne Kelly's excellent book Memory Craft (Pegasus, 2020) has 6 pages of Appendix A which lists 31 memory methods along with examples, what they might be used for, and references to where they're described in the book. It's one of the most comprehensive lists I've seen to date and in particular covers a variety of methods used by indigenous cultures which aren't discussed in many other (Western focused) texts.

This likely underlies some of the thoughts I've had about dance and movement and which are touched on by indigenous cultures as documented in Lynne Kelly's work.

I know I've read this before, but worth a revisit. I'll also note that I recall Michael Nielsen has a Twitter thread about the idea and people's reactions to the idea.

https://twitter.com/michael_nielsen/status/1144377697985892352

The internet isn't a new invention, it's just a more fixed version of the melange of text, ideas, and thought networks that have existed over human existence.

First there was just the memory and indigenous peoples all over the world creating vast memory palaces to interconnect their thoughts. (cross reference the idea of ancients thinking much the way we do now from the fist episode or so of Literature and History)

Then we invite writing and texts which help us in terms of greater storage without the work or relying solely on memory. This reaches it's pinnacle in the commonplace book and the ideas of Llull's combinatorial thought.

Finally we've built the Internet which interconnects so much more.

But now we need to go back and revisit the commonplace book and memory techniques to tie them altogether. Perhaps Lynne Kelly's concept of The Third Archive is what we should perfect next until another new instantiation comes to augment the system.

It looks to me like Andy and Michael are grasping at recreating with modern technology and tools what many (most? all?) indigenous cultures around the world used to ritually learn and memorize their culture's knowledge. Mnemonics, spaced repetition, graded initiation, orality, dance, and song were all used as a cohesive whole to do this.

The best introduction to many of these methods and their pedagogic uses is best described by Lynne Kelly's book Knowledge and Power in Prehistoric Societies: Orality, Memory, and the Transmission of Culture.

If they take her ideas as a basis and then layer on their own thinking, I think they'll get much further much quicker. Based on my reading of their work thus far, they're limiting themselves.

I ran across this 5 year old article courtesy of a few recent tweets:

This took me back to a time and something I’d forgotten writing, that has made me rethink where we are now: https://t.co/COgNQnutZr

— Kate Bowles (@KateMfD) April 25, 2020

“power is distributed very unevenly throughout the global network of higherEd institutions. If digital innovation is left to the market, we will continue to see scale and standardisation dressed up as personalisation and differentiation.” ⁦@KateMfD⁩ https://t.co/pqskuKPbQj

— Robin DeRosa (@actualham) April 25, 2020

What surprises me is that it's about education and pedagogy that starts off with a vignette in which Kate Bowles talks about the unknown purpose of Stonehenge.

But I've been doing some serious reading on the humanities relating to memory, history, and indigenous cultures over the last few years. It dawns on me:

I know what those stones are for!

A serious answer provided by Australian science and memory researcher Dr. Lynne Kelly indicates that Stonehenge and similar monolithic sites built by indigenous cultures across the world are--in fact--pedagogic tools!!

We've largely lost a lot of the roots of our ancient mnemonic devices through gradual mis- and dis-use as well as significant pedagogic changes by Petrus Ramus, an influential French dialectician, humanist, logician, and educational reformer. Scholar Frances Yates indicated in The Art of Memory that his influential changes in the mid-1500's disassociated memory methods including the method of loci, which dated back to ancient Greece, from the practice of rhetoric as a field of study. As a result we've lost a fantastic tradition that made teaching and the problem of memory far worse.

Fortunately Lynne Kelly gives a fairly comprehensive overview of indigenous cultures across human history and their use of these methods along with evidence in her book Memory Code which is based on her Ph.D. thesis. Even better, she didn't stop there and she wrote a follow up book that explores the use of these methods and places them into a modern pedagogy setting and provides some prescriptive uses.

I might suggest that instead of looking forward to technology as the basis of solutions in education, that instead we look back---not just to our past or even our pre-industrial past, but back to our pre-agrarian past.

Let's look back to the tremendous wealth of indigenous tribes the world over that modern society has eschewed as "superstitious" and "simple". In reality, they had incredibly sophisticated oral stories and systems that they stored in even more sophisticated memory techniques. Let's relearn and reuse those techniques to make ourselves better teachers and improve our student's ability to learn and retain the material with which they're working.

Once we've learned to better tap our own memories, we'll realize how horribly wrong we've been for not just decades but centuries.

This has been hard earned knowledge for me, but now that I've got it, I feel compelled to share it. I'm happy to chat with people about these ideas to accelerate their growth, but I'd recommend getting them from the source and reading Dr. Kelly's work directly. (Particularly her work with indigenous peoples of Australia, who helped to unlock a large piece of the puzzle for her.) Then let's work together to rebuild the ancient edifices that our ancestors tried so desperately to hand down, but we've managed to completely forget.

The historical and archaeological record: The Memory Code: The Secrets of Stonehenge, Easter Island and Other Ancient Monuments by Dr. Lynne Kelly

A variety of methods and teaching examples: Memory Craft: Improve Your Memory with the Most Powerful Methods in History by Dr. Lynne Kelly

These guys are going to have their skirts blown up when they come across the work of Lynne Kelly.