- Apr 2024
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I have my work cut out for me withHemingway, since he used many type-writers: a gigantic Royal No. 10 desk-top with glass side panels from his earlyKey West days, an Underwood Noise-less that helped him fi nish For Whomthe Bell Tolls and fi le dispatches fromhotel rooms while he was a World WarII correspondent, and black matte Roy-als from the early 1940s—especiallythe Quiet DeLuxe and Arrow—he fa-vored while at Finca Vigía in Cuba.
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Deluxe Noiseless on display at MarjorieK innan Rawlings’s screened frontporch at Cross Creek, Florida; Flan-nery O’Connor’s 1930s Royal Stan-dard; Faulkner’s famed UnderwoodUniversal; Hemingway’s 1940 RoyalArrow; and the tiny, folding CoronaNo. 3 favored by both Ernie Pyle andIsak Dinesen.
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- Sep 2023
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Tiago Forte makes a “Hemingway bridge” for his projects
- see zk on trails of interest
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- Jul 2023
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www.newyorker.com www.newyorker.com
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As socialist realism was imposed on Soviet writers, one form of permissible resistance, of finding an inner freedom, was to read translations of foreign writers. No private library was complete without Hemingway, Faulkner, London, Fitzgerald, Steinbeck, Salinger—all officially permitted as “progressive writers” exposing the “ulcers of the capitalist world.”
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“Hemingway read Garnett’s Dostoyevsky and he said it influenced him,” he continued. “But Hemingway was just as influenced by Constance Garnett as he was by Fyodor Dostoyevsky. Garnett breaks things into simple sentences, she Hemingwayizes Dostoyevsky, if you see what I mean.”
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- Jun 2023
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Ernest Hemingway’s idea of the ‘crap detector’
source?
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- Nov 2022
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Novelists Ernest Hemingway and Wil-liam Faulkner, for example, went backand forth about the virtues of simplic-ity in writing. Faulkner once criticizedHemingway, who he said “had nocourage, never been known to use aword that might send the reader to thedictionary.” “Poor Faulkner,” Heming-way responded, “Does he really thinkbig emotions come from big words?He thinks I don’t know the ten-dollarwords. I know them all right. But thereare older and simpler and better words,and those are the ones I use.”15
15 A.E. Hotchner , PAPA heminGwAy 69-70 (1966) (quoting Hemingway).
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- Aug 2022
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docdrop.org docdrop.org
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ErnestHemingway once said that good prose is architecture,not interior decorating.
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- Jun 2022
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Local file Local file
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Ernest Hemingway was one of the most recognized and influentialnovelists of the twentieth century. He wrote in an economical,understated style that profoundly influenced a generation of writersand led to his winning the Nobel Prize in Literature in 1954.
Forte is fairly good at contextualizing people and proving ethos for what he's about to present. Essentially saying, "these people are the smart, well-known geniuses, so let's imitate them".
Humans are already good at imitating. Are they even better at it or more motivated if the subject of imitation is famous?
See also his sections on Twyla Tharp and Taylor Swift...
link to : - lone genius myth: how can there be a lone genius when the majority of human history is littered with imitation?
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Hemingway Bridge.” He wouldalways end a writing session only when he knew what came next inthe story. Instead of exhausting every last idea and bit of energy, hewould stop when the next plot point became clear. This meant thatthe next time he sat down to work on his story, he knew exactlywhere to start. He built himself a bridge to the next day, using today’senergy and momentum to fuel tomorrow’s writing.
It's easier to write when you know where you're going. As if to underline this Ernest Hemingway would end his writing sessions when he knew where he was going the following day so that it would be easier to pick up the thread of the story and continue on. (sourcing?)
(Why doesn't Forte have a source for this Hemingway anecdote? Where does it come from? He footnotes or annotates far more obscure pieces, why not this?!)
link to - Stephen Covey quote “begin with the end in mind” (did this prefigure the same common advice in narrative circles including Hollywood?)
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- Mar 2021
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science.sciencemag.org science.sciencemag.org
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Thorp, H. Holden. ‘Gradually, Then Suddenly’. Science 370, no. 6517 (6 November 2020): 639–639. https://doi.org/10.1126/science.abf5396.
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- Mar 2016
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jakupsclass.wikispaces.com jakupsclass.wikispaces.com
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“Beer.” He drew that beer and cut it off
"Beer", Tom said. I was unsure whether the bartender truly noticed our appearance. Without further notice, he reacted on Tom's inquiry, drew the beer and cut it off. He seemed oddly absent, as if his mind where somewhere far away.
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Every one was very respectful to the peroxide blonde, who said all this in a high stagey way, but Alice was beginning to shake again. I felt it sitting by her.
Everyone of teen titans was fighting the evil, but yet very respectful old blonde enemy called The Peroxide Blonde, who said: "jingle bells, jingle bells, jingle all the way", in a high pitched and powerfull voice, but big fat Alice, which was the greatest superhero of them all, was beginning to shake her milkshake to gain street credit to obtain the blue diamond's powers. I could feel the power increasing jumping on the trampolin next to her.
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“Did you know him?” one of the men asked.
"Did you know him?" one of the men asked, more out of naked curiosity than of an actual interest in the emotional relations of a whore.
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The bartender didn’t answer him. He just looked over our heads and said, “What’s yours?” to a man who’d come in. “Rye,” the man said. The bartender put out the bottle and glass and a glass of water. Tom reached over and took the glass off the free-lunch bowl. It was a bowl of pickled pig’s feet and there was a wooden thing that worked like a scissors, with two wooden forks at the end to pick them up with. “No,” said the bartender and put the glass cover back on the bowl. Tom held the wooden scissors fork in his hand. “Put it back,” said the bartender.
The bartender didn't answer him even though Tom asked very directly with a potent tone. He just looked absent-minded over our heads and spitted, "What's yours?" to a tall stranger who'd come in. "Rye," the funny looking tall fellow said. The bartender scooped the bottle and glass over the bar counter, and poured a glass of ice cold water.
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“I’m ninety-six and he’s sixty-nine,” Tommy said. “Ho! Ho! Ho!” the big whore shook with laughing. She had a really pretty voice. The other whores didn’t smile.
"I'm ninety-six and he's sixty-nine," Tommy said in a joking tone.
"Ho! Ho! Ho!", the big whore were almost shaking of laughter. "She has a really pretty voice" I thought to myself. The other whores sat with blank stares and didn't seem find Tommy's joke funny at all.
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“It’s a lie,” Peroxide said proudly.
"It's a lie", the peroxide blonde repeated, refusing to let Alice get away with accusing her of such a thing. She was proud of what she had said.
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“It’s true,” said Alice in her nice voice. “And it doesn’t make any difference to me whether you believe it or not.” She wasn’t crying any more and she was calm.
"It's true" said Alice in her nice voice which was the only thing nice about her. "And it doesn't make any difference to me whether you believe it or not because it's my belief and that is individual." She wasn't crying anymore because she just realized this herself while saying it out loud. She was calm because she had found comfort in the truth of her own words.
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“The other way from you,” Tom told him.
Tom was rude, and said: "The other way from you", in an arrogant voice. He walked away without looking back, annoyed with everyone at the station.
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“You can interfere with this one,” he looked at the cook. “He likes it.”
"You can interfere with this one," said the man and turned his eyes towards the cook. "He likes it," he said, obviously indicating that the cook was sexually disoriented.
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