11 Matching Annotations
  1. Oct 2020
    1. ...conversations take random walks through events and ideas in a manner determined by the associative networks of the participants." --Douglas Hofstadter, Foreward, Sparse Distributed Memory

      This is reminiscent of Zegnat's mention during the Gardens and Streams session of remembering where things were in the IndieWeb wiki by remembering the pathways more so than the things themselves. This is very reminiscent of Australian songlines.

    1. Plotting the find sites on a map shows that these petrospheres were often located in the vicinity of Neolithic recumbent stone circles.
    2. They are usually round of reasonably uniform size at around 2.75 inches or 7 cm across. They can have from 3 to 160 protruding knob shapes on the surface. These carved stone balls are nearly all have been found in north-east Scotland, the majority in Aberdeenshire. As portable objects, they are straightforward to transport and have been found on Iona, Skye, Harris, Uist, Lewis, Arran, Hawick, Wigtownshire, and fifteen from Orkney. A similar distribution to that of Pictish symbols led to the early suggestion that carved stone balls are Pictish artifacts. However, examples have been found in Ireland and England.
    1. Similar lists of 100 words had been in circulation well before Celtis, however, those were not alphabetically designed.



    1. Based on all available forms, the hypothetical proto-Celtic word may be reconstructed as *dru-wid-s (pl. *druwides) meaning "oak-knower".

      With the early history of druids going into the 4th century BCE (and keeping in mind that Stonehenge's dates go to about 1600 BCE), is it possible that the druids used trees as the basis for their mnemonics in lieu of standing stones? Thus the name oak-knower is more specific to what they were doing than we give them credit for? To an outsider unaware of their ways, their ritual memory systems would have made it seem like they worshiped the trees in ways other cultures would not have?

    1. René Descartes designed a deck of playing cards that also functioned as flash cards to learn geometry and mechanics. (King of Clubs from The use of the geometrical playing-cards, as also A discourse of the mechanick powers. By Monsi. Des-Cartes. Translated from his own manuscript copy. Printed and sold by J. Moxon at the Atlas in Warwick Lane, London. Via the Beinecke Library, from which you can download the entire deck.)

      My immediate thought is that this deck of cards was meant as a memory palace. I'm curious what training in rhetoric/memory methods Descartes must have had?

  2. Oct 2019
    1. But the fact that so many patrons did not balk at the expense implies that many people considered these ridiculous monstrosities to be desirable, even valuable.  In the last 30 years or so, significant efforts have been made to understand marginalia in its proper context; there are many theories about its function and purpose (see for example Lillian Randall's Images in the Margins of Gothic Manuscripts or Michael Camille's Image on the Edge: The Margins of Medieval Art).
    2. Criticism of these kinds of images is nearly as old as the images themselves.  The most famous (and freqently cited) is that of Bernard of Clairvaux, who asked: 'What excuse can there be for these ridiculous monstrosities...? One could spend the whole day gazing fascinated at these things, one by one, instead of meditating on the law of God. Good Lord, even if the foolishness of it all occasion no shame, at least one might balk at the expense.' (Bernard of Clairvaux, Excerpts from the Apologia to Abbot William of St-Thierry, VII.30; see here for more). 

      mnemotechnics illuminated manuscripts

    1. Below are some versions from  the German Dominican Johann Host von Romberch who wrote about memory methods (among other things) around 1530.

      Add Johann Host von Romberch to my bibliography to read relating to mnemotechnics.

  3. Aug 2019
    1. The psychological Interpretation according to which the “I” has something ‘in the memory’ [“im Gedächtnis”] is at bottom a way of alluding to the existentially constitutive state of Being-in-the-world.

      Heidegger: inwardness of memory ["Gedächtnis"] as an allusion to "Being-in-the-world" ||

    1. The genetic/epigenetic relation is a dimension of différance qua the history of life. The question then is that of a specification of différance differing and deferred, of the possibility of such specification, if it is true that Leroi-Gourhan’s major point consists in putting into question a clear break between the animal and the human. His way of broaching this problem brings him back, in the final analysis, to the heart of a simple opposition, albeit one shifted to the also quite traditional level of faber/sapiens. He is brought back in the same stroke (the coup of the second origin) to the metaphysics of an opposition between the inside and the outside, the before and the after, of the animal human and the spiritual human, and so on. We are trying to preserve and to broach the aporetic impossibility of simply opposing the interior to the exterior in speaking of an instrumental maieutics that alone permits an understanding of how tools do not derive from a creation or from a consciousness present to itself, master of matter, but pursue a process engaged long before the rupture yet nevertheless constitute a rupture— a new organization of différance, a différance of différance. Now, if the central concept is in fact that of epiphylogenetic memory, allowing for both the contestation of oppositions and the description and preservation of differentiations, it does not seem to us to have any equivalent in grammatological deconstructions. We shall develop this question further on the level of linear writing. Without such a concept, it seems to us impossible to specify the différance, differing and deferring, with respect to différance in general qua the history of life in general, or to say what the human is or is not. We are left: with the ambiguity of the invention of the human, that is, of the subject of the verb “to invent,” that which holds together the who and the what, as being that which binds them while separating them; this is, then, différance— this double movement, this intersection of reflection, this reflecting whereby the who and the what are constituted as the twin faces of the same phenomenon.

      Stiegler: (partial) critique of "différance" || interested to know whether Derrida ever responds to this point directly