for - article - Why Human (Contributive) Labor remains the creative principle of human society - Michael Bauwens - PhD thesis - From Modes of Production to the Resurrection of the Body: A Labor Theory of Revolutionary Subjectivity & Religious Ideas (2016) - Benjamin Suriano - to - P2P Foundation - more detailed presentation of Benjamin Suriano's PhD paper

Summary - This is a review and high recommendation of the PhD dissertation of Benjamin Suriano by Michael Bauwens - The subject is the historical analysis of labour in medieval times, and - how Christian monasticism provided a third perspective on labour that was an important alternative to the false dichotomy of - cleric - warrior - that was inclusive of the alienated within class majority - a proposal for revival the spirit of this spiritual view of labour - as a means to mitigate modernity's meaning crisis as it relates to the lack of purpose usually associated with work in contemporary society

to - P2P Foundation - more detailed presentation of Benjamin Suriano's PhD paper - https://hyp.is/7PeMMIxtEe-NOmuU08T3jg/wiki.p2pfoundation.net/From_Modes_of_Production_to_the_Resurrection_of_the_Body

for - quote - roots of industrial capitalism - found in medieval monasticism - Michel Bauwens on Pierre Musso - question - what was the impact of monasticism on modern capitalism? How did it become so pathological,?

for - book - roots of capitalism in medieval monasticism - La Religion industrielle: Monastère, manufacture, usine. Une généalogie de l'entreprise- Pierre Musso

for - nondual approach - uniting and reconciling mind and body - in Medieval Christian monasticism - Peter Brown

https://www.youtube.com/watch?v=2WcIK_8f7oQ

Harl, Kenneth W. The Vikings: Course Guidebook. Vol. 3910. The Great Courses. Chantilly, VA: The Teaching Company, 2005.

Vikings. Streaming Video. Vol. 3910. The Great Courses. Chantilly, VA, 2005. https://www.thegreatcourses.com/courses/vikings.

annotation URL: urn:x-pdf:e17d7b3a22a4a56be07f2afb64548410<br /> search

Started 2023-09-18

La excavación arqueológica de las acequias de Mestalla y Petra junto al antiguo Molino de la Marquesa en la ciudad de Valencia.

https://sourcebooks.fordham.edu/source/courcon1.asp

Medieval Sourcebook: Robert de Courçon: Statutes for the University of Paris, 1215 The basic course was in the arts. Of the other faculties theology was best represented at Paris, law at Bologna, and medicine at Salerno. Robert de Courçon's statutes lay down the course in arts and enumerate the books to be studied. Students were expect to be able to teach as well as learn.

England: From the Fall of Rome to the Norman Conquest. Streaming Video. Vol. 30140. The Great Courses. Chantilly, VA: The Teaching Company, LLC, 2022. https://www.thegreatcourses.com/england-from-the-fall-of-rome-to-the-norman-conquest. https://www.wondrium.com/england-from-the-fall-of-rome-to-the-norman-conquest.

Paxton, Jennifer. England: From the Fall of Rome to the Norman Conquest. The Great Courses: Books. First. The Great Courses 30140. Chantilly, VA: The Teaching Company, 2022.

https://mittelalter.hypotheses.org/22292

reply to u/stjeromeslibido at https://www.reddit.com/r/Zettelkasten/comments/10qw4l5/are_there_symbols_for_supported_by_or/

In addition to the other excellent suggestions, I don't think you'll find anything specific that that was used historically for these, but there are certainly lots of old annotation symbols you might be able to co-opt for your personal use.

Evina Steinova has a great free cheat sheet list of annotation symbols: The Most Common Annotation Symbols in Early Medieval Western Manuscripts (a cheat sheet).

More of this rabbit hole:

• Steinová, Evina. Notam Superponere Studui: The Use of Annotation Symbols in the Early Middle Ages. Brepols, 2019.
• Cappelli, Adriano. The Elements of Abbreviation in Medieval Latin Paleography. University of Kansas Libr., 1984.
• Coulson, Frank, and Robert Babcock. The Oxford Handbook of Latin Palaeography. Oxford University Press, 2020.
• Lindsay, W. M. Notae Latinae. Cambridge University Press, 2013. https://archive.org/download/notaelatinaeacco00lindrich/notaelatinaeacco00lindrich.pdf.
• Bains, Doris. A Supplement to Notae Latinae (Abbreviations in Latin Mss. of 850 to 1050 A.D.). Cambridge [England] University Press, 1936. http://archive.org/details/supplementtonota0000bain.

(Nota bene: most of my brief research here only extends to Western traditions, primarily in Latin and Greek. Obviously other languages and eras will have potential ideas as well.)

Tironian shorthand may have something you could repurpose as well: https://en.wikipedia.org/wiki/Tironian_notes

Some may find the auxiliary signs of the Universal Decimal Classification useful for some of these sorts of notations for conjoining ideas.

Given the past history of these sorts of symbols and their uses, perhaps it might be useful for us all to aggregate a list of common ones we all use as a means of re-standardizing some of them in modern contexts? Which ones does everyone use?

Here are some I commonly use:

Often for quotations, citations, and provenance of ideas, I'll use Maria Popova and Tina Roth Eisenberg's Curator's Code:

• ᔥ for "via" to denote a direct quotation/source— something found elsewhere and written with little or no modification or elaboration (reformulation notes)
• ↬ for "hat tip" to stand for indirect discovery — something for which you got the idea at a source, but modified or elaborated on significantly (inspiration by a source, but which needn't be cited)

Occasionally I'll use a few nanoformats, from the microblogging space, particularly

• L: to indicate location

For mathematical proofs, in addition to their usual meanings, I'll use two symbols to separate biconditionals (necessary/sufficient conditions)

• (⇒) as a heading for the "if" portion of the proof
• (⇐) for the "only if" portion

Some historians may write 19c to indicate 19th Century, often I'll abbreviate using Roman numerals instead, so "XIX".

Occasionally, I'll also throw drolleries or other symbols into my margins to indicate idiosyncratic things that may only mean something specifically to me. This follows in the medieval traditions of the ars memoria, some of which are suggested in Cornwell, Hilarie, and James Cornwell. Saints, Signs, and Symbols: The Symbolic Language of Christian Art 3rd Edition. Church Publishing, Inc., 2009. The modern day equivalent of this might be the use of emoji with slang meanings or 1337 (leet) speak.

https://abbreviationes.net/

How does a medievalist reference "omnium gatherum" without an explicit mention of even florilegia which generally translates as "gatherings of flowers" as their method?!

Stages of annotation in the medieval period

When is Hypothes.is going to branch out into the business of professional readers to add aids to texts?! :)

Link this to the professional summary industry that reads books and summarizes them for busy executives

Link this to the annotations studied by Owen Gingerich in The Book Nobody Read.

Ainnurruvar ஐந்நூற்றுவர்

Gulf of Khambat

• importance of port trade in harsha and chalukya period

https://podcasts.ox.ac.uk/medieval-welsh

http://web.ceu.hu/medstud/manual/MMM/home.html

Most Medieval manuscripts specifically left wide columns of space to encourage readers to mark up their texts.

cross reference: Medieval notepads - Khan Academy

<small>Detail, London, British Library, Harley MS 3487 (13th century)—[source](http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMIN.ASP?Size=mid&IllID=16790)</small>

Amalarius's Bells: An Old English and Medieval Latin Edition

An example of a book in Digital Mappa

Margery's meeting with Julian

Victor refers to the legendary Knights of the Roundtable at the Court of King Arthur of Camelot. King Arthur and his Knights are the subject of the canonical medieval text Le Morte d'Arthur by Sir Thomas Mallory, published in 1485 by William Caxton.

In the 1831, this single reference to Mallory replaces a string of citations to chivalric romance in the 1818 edition: "Orlando, Robin Hood, Amadis, and St. George"--in both cases, these references serve to underline VIctor's fascination with the scientific imagination of the medieval period in the works of Agrippa, et al., through this earlier enchantment with the medieval literary imagination in his childhood.

Very surprising!

Everyone knows Newton

This website is a very comprehensive resource about medieval pottery in Italy. It is rather difficult to navigate properly since part of the original navigation was implemented with some scripting method that is now obsolete, but all pages should be reachable by means of normal href links. It was updated until circa 2004.