Research in HCI has illustrated how this notion of immedi-acy is upheld through the social conventions associated with technologies, as well as through their design. For ex-ample, Harper et al. [16] have described the lived experi-ence (or durée, following Bergson [6]) of Facebook as be-ing located firmly in the now, and have noted that this ne-cessitates a particular approach to the performance of iden-tity on the site by its users. They observe that interactions privilege the present and underpin an impression of events unfolding as they happen (even if this is not the case in terms of spatial time, or Bergson’s temps). Because of this, the performance of identity is one of the moment: users reported feeling it inappropriate to post old content, and were similarly aggrieved when others uploaded photos that surfaced ‘out of time’.

Research by narrative theorist Ruth Page [35] (a co-author on the above paper) considers fur-ther how Facebook users learn to interpret social media posts when reading the newsfeed. While the series of snip-pets of ‘breaking news’ posted by a variety of members of one’s social network do not offer a typical narrative, readers nevertheless draw their own story-like experience, using their knowledge of those posting content to build a backsto-ry, whilst imagining what may happen next.

In this sense, allusion and other intertextual references ‘should be distinguished from the customary rhetorical situation in which texts are considered by artists and audience alike to be mimetic analogs or representations of real-life people, places, or things.’31By drawing attention to itself, intruding on the conventional narrative flow, systematically deployed allusion continually reminds audiences that they are dealing with an artificial construct.

"new crops, big changes."

But as Kentaro Toyama

"a 1,000-pound gorilla."

avec le vieillissement relatif de la population, la concentration territoriale des difficultés sociales et la pression financière que les « dépenses contraintes » font peser sur la majorité des foyers renforcent le désenchantement du monde thématisé voici un siècle par Max Weber 1 . Une pauvreté durable pour beaucoup et un monde social marqué pour la plupart par l’emprise des données que nous consommons et émettons par tous les canaux d’information, et qui augmentent en permanence l’inquiétude de l’avenir. Tout nous incite à tenir les biens immatériels qui sont au cœur du social pour des instanc

We first emphasize that technology is not neutral. The design of products, applications, and services embodies choices, largely made in early development stages by equipment producers and service providers, about how devices ought to be used, by whom and for what purpose. A technology’s architecture embodies power relationships between equipment makers, service providers, and users. Relationships between various stakeholders have social and economic implications

SAMUEL TENENBAUMCarl R. Rogers and Non-Directive Teaching

devServer.contentBase - Assuming you don't generate index.html dynamically and prefer to maintain it yourself in a specific directory, you need to point WDS to it. contentBase accepts either a path (e.g., 'build') or an array of paths (e.g., ['build', 'images']). This defaults to the project root.

dogs, cats and primates that together comprise just 1 percent of the total

Meryl Streep Wins Supporting Actress: 1980 Oscars

indissolubility

To me, this is what OER for the web should start to reflect.

diverse learning.

business

They suggested that the CHA’s heat infra-structures conjoined wastefulness and neglect in ways that encouraged tenants’attachments to heat and, with respect to heat consumption, placed them perma-nently beyond practices of self-sufficiency

Non-Traditional Students: The New Majority

(SF)

The innate qualities of intellectual pr operty, however, in combination with INTELLECTUAL PROPERTY: POLICY FOR INNOVATION 15   strong economic motivations have led U.S. intellectual property policy to operate according to rights - based, non - utilitarian theory, possibly as a result of lobbying (capture theory).

Fisher points out that the rights - based, non - utilitarian theory is greatly influenced by two concepts: (1) the western ideology of property from Locke (that people are entitled to own the fruits of their labors, and should be rewarded in proportion to their contributions); and (2) the “romantic conception of authorship” of the divinely inspired individual genius or artist (1999, Sect. II. B).

The critical difference comes out in the details, especially the amount of time rights are protected and the scope of rights allowed

This is understatement to be sure, but the debate has been principally between two theories: a utilitarian policy theory, and a rights - based , non - utilitarian property theory (Long, 1995, n.pag.) .

The proportion of part-time and non-tenure track teachers went from less than half of total faculty, before 1975, to over two-thirds now.

T h e k e y t o r e s o l v i n g t h e t e n s i o n l i e s i n u n d e r s t a n d i n g w h y f a c t s a r e n o t c o p y r i g h t a b l e . T h e s i n e q u a n o n o f c o p y r i g h t i s o r i g i n a l i t y . T o q u a l i f y f o r c o p y r i g h t p r o t e c t i o n , a w o r k m u s t b e o r i g i n a l t o t h e a u t h o r . S e e H a r p e r & R o w , s u p r a , a t 5 4 7 - 5 4 9 . O r i g i n a l , a s t h e t e r m i s u s e d i n c o p y r i g h t , m e a n s o n l y t h a t t h e w o r k w a s i n d e p e n d e n t l y c r e a t e d b y t h e a u t h o r ( a s o p p o s e d t o c o p i e d f r o m o t h e r w o r k s ) , a n d t h a t i t p o s s e s s e s a t l e a s t s o m e m i n i m a l d e g r e e o f c r e a t i v i t y . 1 M . N i m m e r & D . N i m m e r , C o p y r i g h t § § 2 . 0 1 [ A ] , [ B ] ( 1 9 9 0 ) ( h e r e i n a f t e r N i m m e r ) . T o b e s u r e , t h e r e q u i s i t e l e v e l o f c r e a t i v i t y i s e x t r e m e l y l o w ; e v e n a s l i g h t a m o u n t w i l l s u f f i c e . T h e v a s t m a j o r i t y o f w o r k s m a k e t h e g r a d e q u i t e e a s i l y , a s t h e y p o s s e s s s o m e c r e a t i v e s p a r k , " n o m a t t e r h o w c r u d e , h u m b l e o r o b v i o u s " i t m i g h t b e . I d . , § 1 . 0 8 [ C ] [ 1 ] .