- Oct 2024
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libraryfutures.net libraryfutures.net
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- Feb 2024
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www.ebooksforus.com www.ebooksforus.com
- Dec 2023
- Nov 2023
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github.com github.com
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尝试过 HUGO 和 Notion 等方式、研究了 obsidian publish,也实践用 Notion 维护了一年的博客,但一直没有找到比较理想的方案。
想知道這些其他方案的缺點在哪。我自己用的是免費的Obsidian digital garden來Publish部落格。
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- Jun 2023
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www.theatlantic.com www.theatlantic.com
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a novel concept called Controlled Digital Lending (CDL).CDL, developed as a legal theory a bit more than a decade ago by the Georgetown University professor and law librarian Michelle Wu, asserts that libraries have a right to create digital surrogates for their collections, enabling each library to loan out either the digital version or the hard copy of any material it owns (but not both at the same time).
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- Dec 2022
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standardebooks.org standardebooks.org
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<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>awarm.space</span> in Making a modern ebook with Standard Ebooks (<time class='dt-published'>08/02/2021 12:08:19</time>)</cite></small>
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- Nov 2022
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www.iamabook.online www.iamabook.online
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https://www.iamabook.online/
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medium.com medium.com
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https://medium.com/@ben_fry/tracing-the-origin-65011dc20877
Could be interesting to apply this sort of process to a variety of texts over time. A draft of Mary Shelley's Frankenstein comes to mind.
How to view this through the lens of Thomas Kuhn's The Structure of Scientific Revolutions? particularly as this was the evolution of an idea by the same author over time...
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- Aug 2022
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quarto.org quarto.org
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Quarto® is an open-source scientific and technical publishing system built on Pandoc
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- May 2022
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www.lib.uchicago.edu www.lib.uchicago.edu
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The Perseus Project at Tufts, founded in 1985, includes both Greek and English versions of the Iliad and the Odyssey, along with commentaries.
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- Apr 2022
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read.bookcreator.com read.bookcreator.com
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https://read.bookcreator.com/mvPgY7WlzpZ0iB6KWCYbUdmFdOo2/csMtTr4PTQCk-jfc8U6ygQ
A Digital Librarian's Survival Toolkit
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In an ever-increasing sphere of digital print, why can't publishers provide readers a digitally programmed selection of footnote references in texts?
This digital version of Annie Murphy Paul's book has endnotes with links from the endnotes back to the original pages, but the opposite links from the reading don't go to the endnotes in an obvious way.
I'd love to be able to turn on/off a variety of footnote options so that I can see them on the pages they appear, as pop up modals, or browse through them in the end notes after-the-fact as I choose. This would allow me to have more choice and selection from a text based on what I want to get out of it rather than relying on a publisher to make that choice for me.
Often in publishing a text written for the broad public will "hide" the footnotes at the end of the text in unintuitive ways where as more scholarly presses will place them closer to their appearance within the text. Given the digital nature of texts, it should be possible to allow the reader to choose where these items appear to suit their reading styles.
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- Aug 2021
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shalabh.com shalabh.com
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Funnily enough, I've been on an intellectual bent in the other direction: that we've poisoned our thinking in terms of systems, for the worse. This shows up when trying to communicate about the Web, for example.
It's surprisingly difficult to get anyone to conceive of the Web as a medium suited for anything except the "live" behavior exhibited by the systems typically encountered today. (Essentially, thin clients in the form of single-page apps that are useless without a host on the other end for servicing data and computation requests.) The belief/expectation that content providers should be given a pass for producing brittle collections of content that should be considered merely transitory in nature just leads to even more abuse of the medium.
Even actual programs get put into a ruddy state by this sort of thinking. Often, I don't even care about the program itself, so much as I care about the process it's applying, but maintainers make this effectively inextricable from the implementation details of the program itself (what OS version by which vendor does it target, etc.)
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- Jul 2021
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There is no pressure to publish a perfect post in digital gardens as notes grow over time just like plants in a garden.
There is no "theoretical pressure", however it still exists. The goal is to minimize it, to move beyond it.
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- Jun 2021
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jonudell.net jonudell.net
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Some of the best customers of such a service will be academics.
Indeed. Web literacy among the masses is pitifully low. Browsermakers are certainly to blame for being poor stewards. Hot Valley startups are responsible as well. (See https://quoteinvestigator.com/2017/11/30/salary/.)
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- May 2021
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maggieappleton.com maggieappleton.com
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Think of it as a spectrum. Things we dump into private WhatsApp group chats, DMs, and cavalier Tweet threads are part of our chaos streams - a continuous flow of high noise / low signal ideas. On the other end we have highly performative and cultivated artefacts like published books that you prune and tend for years.Gardening sits in the middle. It's the perfect balance of chaos and cultivation.
There's something here that's reminiscent of Craig Mod's essay Post Artifact Books and Publishing.
Reminder to self: revisit this idea.
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digitalbookhistory.com digitalbookhistory.com
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One of the flaws of using Digital Mappa for projects like this appears to be that it acts more as a viewer (as a result of it's original use with maps) than as something for text. As a result, when looking at various pages, the URL of the page and it's attendant resources doesn't change, so one can't link to particular resources within the work, nor can one easily use digital tools (Hypothes.is for example), to anchor and annotate portions of the text.
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sims2.digitalmappa.org sims2.digitalmappa.orgDM1
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Amalarius's Bells: An Old English and Medieval Latin Edition
An example of a book in Digital Mappa
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vbd.humnet.unipi.it vbd.humnet.unipi.it
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This is a facsimile and diplomatic edition of Codex Vercellensis CXVII, Archivio e Biblioteca Capitolare di Vercelli.
An interesting example of a digitized version of a book.
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uw.digitalmappa.org uw.digitalmappa.orgDM1
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Old English Poetry in Facsimile: Restorative Editions
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- Apr 2020
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papyrus.bib.umontreal.ca papyrus.bib.umontreal.ca
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un ensemble hétérogène mais cohérent
en effet, cette harmonisation technique est nécessaire pour penser la filiation entre l'écriture et la production: écrire dans MS Word peut être aussi éloigné de l'objet de publication que le manuscrit rédigé à la main (pas de cohérence), alors que l'écriture en Markdown ou LaTeX s'inscrit dans la logique fluide d'un système de publication nativement numérique comme la chaîne de Quire ou de Stylo (cohérent du premier jet à la publication finale).
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Nous pouvons constater qu’il y a un lien entre les formes produites et les moyens mis en œuvre pour les produire.
dans une perspective nativement numérique, écrire et produire sont alors intrinsèquement liés.
par exemple: dans le modèle du manuscrit rédigé à la main ou tapé à la dactylo, le processus de production est au mieux analogue (consistant à reproduire des lettres que l'auteur a posées sur papier), au pire complètement hétérogène à l'acte d'écriture (il faut prendre le processus du début pour en faire un livre publiable).
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- Feb 2020
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metalabharvard.github.io metalabharvard.github.iomL(at)H1
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- Oct 2019
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www.mla.org www.mla.org
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Even more troubling is the state of evaluation for digital scholarship, now an extensively used resource for scholars across the humanities: 40.8% of departments indoctorate-granting institutions report no experience evaluating refereed articles in electronic format, and 65.7% report no experience evaluating monographs in electronic format.
This is startling!
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- Jul 2016
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hackeducation.com hackeducation.com
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qualitatively extend the notions of 'reading, writing, sharing, publishing, etc. of ideas' literacy to include the 'computer reading, writing, sharing, publishing of ideas
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- Mar 2016
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eng256spring16.wordpress.com eng256spring16.wordpress.com
- Jul 2015
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dash.harvard.edu dash.harvard.edu
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Digital writing is the first kind of writing that does not reduce recorded knowledge to a rivalrous object. If we all have the right equipment, then we can all have copies of the same digital text without excluding one another, without multiplying our costs, and without depleting our resources.
Suber, Peter. Open Access. Cambridge MA: MIT Press, 2013. 47.
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www.getty.edu www.getty.edu
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Moving Museum Catalogues Online: An Interim Report from the Getty Foundation"The Online Scholarly Catalogue Initiative *2012 interim report from the Getty Foundation regarding their activities moving towards digital publishing
- does this deal with issues of fair use, permissions, and copyright?
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- Jun 2014
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dx.doi.org dx.doi.org
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Anna von Veh
Other articles on fanfiction and publishing by Anna von Veh
von Veh, Anna. 12 June 2012. What Can Trade Publishers Learn from Fanfiction?. Publishing Perspectives. von Veh, Anna. 12 October 2012. Why Fanfics are Like Startups. Publishing Perspectives. von Veh, Anna. 25 June 2013. Kindle Worlds: Bringing Fanfiction Into Line But Not Online?.
Interviews
Lenz, Daniel. 31 May 2013. Anna von Veh über Perspektiven der „Kindle Worlds“. buchreport. Molinari, E, Draghi E. 11 February 2014. Anna von Veh: «Ecco perchè le fanfiction sono il prossimo business model per l'editoria»Giornale della Libreria. Frossard, Flavia. 29 January 2014. Digital Publishing Market and FanFiction – An Interview with Anna Von Veh. Widbook blog. Webb, Jen. 3 October 2011. The agile upside of XML. Interview with Anna von Veh and Mike McNamara. O'Reilly Tools of Change for Publishing.
Articles and posts on tech/art in publishing
von Veh, Anna. 10 May 2012. Let’s Improvise! Jazz as a Metaphor for Publishing Progress. Publishing Perspectives. von Veh, Anna. Musings on Digital: a collection of blog posts
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