- Last 7 days
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www.youtube.com www.youtube.com
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George Carlin Gets Dark - Charlie Rose Interview 1996 by [[Charlie Rose]]
ᔥ @lazybear on Mastodon
"This idea goes with that one, and I never suspected it, and then to make something out of it that's bigger than the two of them"
Did #GeorgeCarlin used or knew #zettelkasten
?19:10 -> 19:15<br /> https://www.youtube.com/watch?v=N9OhMZYTS4E
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- Oct 2024
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www.youtube.com www.youtube.com
- Jun 2024
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disruptedjournal.postdigitalcultures.org disruptedjournal.postdigitalcultures.org
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from SenorG’s comment that began with the caveat “Allow me to push back a bit here,” and which inspired four replies from three other annotators, to actualham’s observation
Comment by chrisaldrich: There's something discordant here in a scholarly article about having academic participants with names like SenorG and actualham. It's almost like a 70's farce starring truckers with bizarre CB handles. It's even more bizarre since I know some of the researchers behind these screennames.
Is the pseudonymous nature of some of these handles useful in hiding the identity of the participants and thereby forcing one to grapple only with their ideas and not the personas, histories and contexts behind them?
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- May 2024
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buymeacoffee.com buymeacoffee.com
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Tom Baker
Thomas Stewart Baker (born 20 January 1934) is an English actor and writer. He played the fourth incarnation of the Doctor in the science fiction television series Doctor Who from 1974 to 1981.
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Doctor Whom
Doctor Who is a British science fiction television series broadcast by the BBC since 1963.
What's the joke?
The play on words is obvious.
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David Tennant
David John Tennant (né McDonald; born 18 April 1971) is a Scottish actor. He is best known for portraying the tenth incarnation of the Doctor in the sci-fi series Doctor Who
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Who's putting the "m" at the end? You know what I mean, no one anymore.
Over the last 200 years, the pronoun whom has been on a steady decline. Despite its waning use in speech and ongoing speculation about its imminent extinction, whom still holds a spot in the English language, particularly in formal writing.
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who
You use who in questions when you ask about the name or identity of a person or group of people.
Example sentences: * Who's there? * Who is the least popular man around here? * Who do you work for?
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whom
You use whom in questions when you ask about the name or identity of a person or group of people. Example sentences: * 'I want to send a telegram.'—'Fine, to whom?' * Whom did he expect to answer his phone? * 'You're too sensitive.'—'Too sensitive for whom?'
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Prince Charles
Charles, Prince of Wales is the former title of Charles III (born 1948), before his accession to the throne of the United Kingdom and the other Commonwealth realms.
https://en.wikipedia.org/wiki/Charles,Prince_of_Wales(disambiguation)
Charles III (Charles Philip Arthur George; born 14 November 1948) is King of the United Kingdom and the 14 other Commonwealth realms.
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Joe Pasquale
Joseph Ellis Pasquale (born 20 August 1961) is an English comedian, actor and television presenter.
[...]
He won the fourth series of I'm a Celebrity...Get Me Out of Here! in 2004 and participated in the eighth series of Dancing on Ice in 2013. He also hosted the revived version of the game show The Price is Right.
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Queen
Queen are a British rock band formed in London in 1970 by Freddie Mercury (lead vocals, piano), Brian May (guitar, vocals), and Roger Taylor (drums, vocals), later joined by John Deacon (bass).
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Brian May
Sir Brian Harold May CBE (born 19 July 1947) is an English musician, songwriter, record producer, animal rights activist and astrophysicist. He achieved worldwide fame as the lead guitarist and backing vocalist of the rock band Queen
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celebrity artifacts
The museum has over 300 restored exhibits of garden machinery from over the last 200 years, as well as a collection of lawnmowers previously owned by famous people including Prince Charles and Princess Diana, guitarist Brian May, performer and presenter Paul O'Grady, comedian Lee Mack, and Coronation Street actress Jean Alexander, who lived in Southport for many years.
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dibber
dibber definition
a tool used for making holes in soil when planting seeds or small plants
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trowel
Trowel definition
a small tool consisting of a flat metal blade joined to a handle, used for spreading building materials such as cement
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Famous tools
The word "tool" could mean different things:
Tool definitions:
a piece of equipment that you use with your hands to make or repair something
OR
(offensive) an insulting word for a person who you dislike very much or who behaves very stupidly
OR
(offensive) a penis. https://dictionary.cambridge.org/dictionary/english/tool
So "Famous tools" could mean:
Equipment (tools) that are recognised by many people.
OR
Famous people who are disliked very much or who behave very stupidly.
OR
Famous penises a.k.a. dicks, dongs, knobs...
Where's the joke?
I think the audience laughed because it sounds like Lee could be talking about looking for famous penises on a website (or I just have a dirty mind).
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Are you Fred Flintstone?
Frederick "Fred" Flintstone is the main character of the animated sitcom The Flintstones, which aired during prime-time on ABC during the original series' run from 1960 to 1966
[...]
Fred's trademark catchphrase yell is "yabba dabba doo!"
Listen to how Fred says Yabba Dabba Doo! on YouTube Where's the joke?
This catchphrase "yabba dabba doo" sounds similar to the question "What does your dibber do?".
Lee is asking Dale if he is Fred Flintstone because he sounded like him when he asked the question "What does your dibber do?"
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Inspector Morse
Inspector Morse is a British detective drama television series based on a series of novels by Colin Dexter.
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British Lawnmower Museum
The British Lawnmower Museum is a museum dedicated to the history of the lawnmowers in Southport, Merseyside, northern England.
The nation's foremost garden machinery collection, multi-award winning unique museum of over 250 restored machines.
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WILTY
Would I Lie to You?...
(abbreviated as WILTY) is a British comedy panel show aired on BBC One.
For each show, two celebrity guests join each of the team captains. The teams compete as each player reveals unusual facts and embarrassing personal tales for the evaluation of the opposing team. Some of these are true, some are not, and it is the panellists' task to decide which is which.
[...]
In all rounds, the scoring system is the same: teams gain a point for correctly guessing whether a statement is true or not, but if they guess incorrectly the opposing team gets a point.
https://en.wikipedia.org/wiki/Would_I_Lie_to_You%3F_(British_game_show)
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Possession
'possessions' element was introduced, in which the panellist takes an item out of a box and reads a statement from a card, and has to convince the opposing team that the possession genuinely belongs to them. https://en.wikipedia.org/wiki/Would_I_Lie_to_You%3F_(British_game_show)
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- Apr 2024
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web.archive.org web.archive.org
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My writing is directed against the indolence of the heart and the stubbornness of the mind.
Erich Kästner (1899-1974) was a "singer of the little man and the poet of the little freedoms” (Marcel Reich-Ranicki). With his witty and reflective verses that appear so simple, he guaranteed the continuity of the literary cabaret of the twenties into the postwar years. Following his first performances with his "utilitarian poetry” during the post-inflationary era of "new objectivity” prior to 1933 in Berlin cabarets such as Küka, the Tingel Tangel, Cabaret of the Comedians (Kabarett der Komiker) and Werner Finck’s Catacombs (Die Katakombe), he was only able to publish during the Third Reich with a special authorization or under a pseudonym. After the war, the pessimistic enlightener continued work of the Berlin era, now in Munich. With his melancholy and poetic songs, scenes, and sketches for the Showbooth (Schaubude) and Little Freedom (Kleine Freiheit), he influenced the cabaret of the years immediately following war until the foundation of two German states. His ideal of the cabaret as a moral and philosophical institution and a lyrical theater of the times anticipated the political and satirical ensemble cabarets of the fifties. "My writing is directed against the indolence of the heart and the stubbornness of the mind.” (Erich Kästner)
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“Not an entertainer, not a sentimentalist, nor a dry reciter of revolution, but rather a militant artist of our times. When Busch sings political songs, they retain their humor in all their seriousness, and their seriousness in their humor. They keep us alert. They are hits and others keep singing them.”
Ernst Busch (1900-1980) was the singer of the proletariat and of proletarian history, a nuanced king of the democratic worker’s song. As the “singing heart of the working class” (according to Hanns Eisler), he performed songs of Tucholsky and Kästner in the Berlin cabarets Stuff and Nonsense (Larifari), the Catacombs (Katakombe) and in the Cabaret of the Comedians (Kabarett der Komiker); he also sang at demonstrations and worker’s meetings. After emigrating in 1933, he took part in the Spanish Civil War, and when interned in France, he led the theater group at the camp Gurs and performed in Peter Pan’s cabaret. He was extradited to Germany in 1943 and sentenced to a life term in prison. After liberation, the “Gründgens of the GDR” revived his career as a powerful actor of the people in numerous films and in Berlin ensembles. “Not an entertainer, not a sentimentalist, nor a dry reciter of revolution, but rather a militant artist of our times. When Busch sings political songs, they retain their humor in all their seriousness, and their seriousness in their humor. They keep us alert. They are hits and others keep singing them.”
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web.archive.org web.archive.org
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I believe in the immortality of theater. It is the blissful hiding place of those who have put their childhood in their pockets and then left. Max Reinhardt
Max Reinhardt on Cabaret.
Cabaret as a form of satire, its literary, political, philosophical and poetic content are at the forefront of documentary interest; the ongoing collection and scientific utilization of its diverse manifestations is the central task of the German Cabaret Archive
The playful, satirical form of cabaret and its literary, philosophical, and poetic qualities are the focus of our documentary interest. The central task of the German Cabaret Archives is the continuous collection and the availability of these materials to academics and historians
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- Jan 2024
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www.sandpapersuit.com www.sandpapersuit.com
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David Letterman kept the Ed Sullivan Theater around 55 degrees F because the temperature keeps the audience alert.
Apparently back in the 80s, Dave experimented with different temperatures on different shows. He tried 75 one day. 65 another day. The day he went with 55, jokes really hit and from then on that was the temperature. http://www.sandpapersuit.com/2011/07/why-letterman-keeps-his-studio-so-cool.html
Some folks say David Letterman doesn’t want to break into a sweat during intense interviews under hot studio lights. But, according to George Clarke, Theater and Building Engineer for CBS, the cool air makes the sound crisper and keeps the audience more alert. “Crowd reaction is very important in this business, and the comedy stays fresh in the cold, too” says Clarke...
At about 5 o’clock each week night, Clarke and his boss, Joe Soldano, Building Manager, must make sure that the temperature of the Ed Sullivan Theater is pulled down to 50° F before the audience arrives. The MULTISTACK chiller has never failed to cool things down. “The stagehands call this place ‘the refrigerator’.” In the filming rooms everyone sits around in winter coats, hats and gloves. They, too, are kept crisp and alert by the cool temperature. via http://www.multistack.com/casestudies/david_letterman.aspx
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funnyhow.substack.com funnyhow.substack.com
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https://funnyhow.substack.com/p/how-chris-rock-and-jerry-seinfeld
Comedian Matt Ruby relates his personal experience watching Chris Rock workshopping his comedy writing in front of auciences at stress Factory in New Brunswick, New Jersey. Rock would show up unannounced and perform new material in front of small crowds to test it out. He'd read/perform material off of a yellow legal pad.
Peter Sims included some of it in the introduction of his book Little Bets.
This is broadly similar to my own experience seeing Rock at the Laugh Factory trying out material for the Academy Awards as well as Adam Sandler at the Improv on Melrose doing midnight sets reading straight off of a notebook.
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- Dec 2023
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Local file Local file
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relegate "quot homines, tot sen-tentie" back to the Latin comedy fromwhich.it emerged.
origin of the phrase? see: https://en.wiktionary.org/wiki/quot_homines_tot_sententi%C3%A6
apparently from Latin, echoing line 454 of Terence’s Phormio
Or the fuller quotation: - quot homines tot sententiae: suo’ quoique mos - as many men, so many minds: to every one his own way - There are as many opinions as there are people who hold them: each has his own correct way
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- Nov 2023
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www.youtube.com www.youtube.com
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I think you should all know that I did not come here tonight to make fun of Don Rickles. Neither did I come here to trade barbs, because it would take a comedian to do the first and a true wit to do the second.
Instead, I've come here tonight to say something nice about Don Rickles. And for that, you have to have an actor. —George C. Scott, at a roast of Don Rickles
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- Aug 2023
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austinkleon.com austinkleon.com
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Comedian Phyllis Diller had “gag file,” which is now housed at The Smithsonian: Phyllis Diller’s groundbreaking career as a stand-up comic spanned almost 50 years. Throughout her career she used a gag file to organize her material. Diller’s gag file consists of a steel cabinet with 48 drawers (along with a 3 drawer expansion) containing over 52,000 3-by-5 inch index cards, each holding a typewritten joke or gag.
A Zettelkasten for jokes!
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americanhistory.si.edu americanhistory.si.edu
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In the end, I numbered and scanned 52,569 individual note cards from the Phyllis Diller gag file.
Hanna BredenbeckCorp numbered and scanned 52,569 index cards from Phyllis Diller's gag file. Prior to this archival effort most estimates for the numbers of cards were in the 40-50,000 range.
Spanning the 1960s to the 1990s roughly. The index was donated in 2003, so there were certainly no
Exact dating on the cards may give a better range, particularly if the text can be searched or if there's a database that can be sorted by date.
Via https://hypothes.is/a/UbW8nERrEe6xjEseEEEy1w we can use the rough dates: 1955-2002 which are the bookends of her career.
This gives us a rough estimate of:<br /> 2002-1955 = 48 years (inclusive) or 17,520 days (at 365 days per year ignoring leap years)
52,569/17520 days gives 3.000513698630137 or almost exactly 3 cards (jokes) per day.
Going further if she was getting 12 laughs (jokes) per minute (her record, see: https://hypothes.is/a/MTLukkRpEe635oPT5lr7qg), then if continuously told, it would have taken her 52,569 jokes/12 jokes/minute = 4,380.75 minutes = 73.0125 hours or 3.0421875 days to tell every joke in her file.
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other jokes did not land because I did not know the movie star or celebrity referenced.
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The main thing I learned while reading through Phyllis Diller's jokes is that comedy has changed a lot since she started her career in the mid-1950s. Her comedy is focused on short one-liners that get laughs in quick succession, while today's comedy is more story-driven. Although a lot of her jokes are very time-bound due to their content, it was interesting to get a glimpse of what was happening at the time a joke was written. Each joke card has a date on it, and the cards span the 1960s to the 1990s. The topic of the jokes told a lot about what people were worried about or focused on at the time the joke was written, whether it was the inflation or student protests of the 1970s, a celebrity's many marriages, or gossip about the president at the time. While, like any comedian, some of her jokes fall flat, I appreciated Diller's hard work in meticulously recording, testing, and filing each joke in the gag file, along with her ability to make a joke about almost any topic.
evidence of comedy shift from 50s/60s of one liners to more story-based comedy of the 2000s onward. Some of this may come about through idea links or story links as seen in some of Diller's paperclipped cards (see https://hypothes.is/a/W9Wz-EXsEe6nZxew_8BUCg).
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www.smithsonianmag.com www.smithsonianmag.com
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Diller says that she always let the audience do the editing of her material for her. If people didn't laugh, or get it right away, the joke didn't survive. "You never blame the audience," she says. Thus, her advice to aspiring comics: "Go out and try it, and if you find out from the audience that you're not funny, quit."
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americanhistory.si.edu americanhistory.si.edu
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These index cards are organized alphabetically by subject ranging from accessories to world affairs and covering almost everything in between.
Phyllis Diller's gag file was arranged alphabetically by subject and ranged from "accessories" to "world affairs".
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This beige metal cabinet is Phyllis Diller’s gag file, a categorized archive of the jokes Diller used in her stand-up comedy routines throughout her half-century long career. A small three drawer expansion of the gag file is also in NMAH’s collection (Catalog Number 2003.0289.01.02). The 48 drawers of the gag file, along with the 3 drawer expansion, contain a total of 52,569 3-by-5 inch index cards, each holding a typewritten joke or gag.
52,569 3x5" index cards!
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americanhistory.si.edu americanhistory.si.edu
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Other comedians have maintained their material in joke files, among them Bob Hope, whose file is in the collections at the Library of Congress.
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transcription.si.edu transcription.si.edu
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Phyllis Diller Gag File - Drawer No. 49, Part 1
In this set, you will find cards from the following category: Lockhorns.
https://transcription.si.edu/project/9431
I had some collections of comic strips in my youth, but sadly didn't keep up the practice or them.
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www.si.edu www.si.edu
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BredenbeckCorp, Hanna. “The Evolution of Phyllis Diller’s Career in 7 Objects.” Smithsonian Institution (blog), March 13, 2017. https://www.si.edu/object/evolution-phyllis-dillers-career-7-objects%3Aposts_f0bf8f9142b02dbb88d3d720517f6697
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www.independent.co.uk www.independent.co.uk
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According to The Guinness Book of World Records, each time Phyllis Diller exploded onto a nightclub floor, she notched up 12 laughs per minute, twice as many as her mentor Bob ("Rapid Robert") Hope.
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www.npr.org www.npr.org
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“Phyllis Diller’s File Of 53,000 Jokes.” Weekend Edition Saturday. NPR, March 11, 2017. https://www.npr.org/2017/03/11/519807672/phyllis-diller-s-file-of-53-000-jokes.
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DILLER: And, you know, of course they always say to Californians that we don't have seasons. Of course, that is not true. We have fire, flood, mud and drought.
Was this originally hers? I've used a variation of it for decades myself....
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Light travels faster than sound. That's why some people seem bright until they speak.
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www.latimes.com www.latimes.com
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Liebenson, Donald. “Classic Hollywood: Remembering Phyllis Diller (and 52,569 of Her Jokes) at the Smithsonian.” Los Angeles Times, May 12, 2017, sec. Television. https://www.latimes.com/entertainment/tv/la-ca-st-phyllis-diller-smithsonian-20170512-story.html.
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Three weeks and 52,569 jokes later, the job was completed.
While many sources seem to indicate that Phyllis Diller had approximately 52,000 index cards with jokes, the ultimate tally after the completion of transcription for the Smithsonian Institution seems to have been 52,569 cards.
While the Los Angeles times lists this as the number of jokes, it's far more likely to be the number of cards as some cards I've seen have multiple jokes.
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“I admire her ability for organization too. My jokes are still mostly in my head. She got hers on paper in alphabetical order.
Quote from Roseanne Barr on Phyllis Diller's card index gag file.
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Later, she’s was doing jokes about racism, like, ‘The word bigot is a contraction for big idiot.’”
Joke quoted from Phyllis Diller's card index.
Actual origin?
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Hanna BredenbeckCorp, project assistant for the museum, was impressed. “It took me four months to scan all the joke cards,” she said with a laugh.
It took four months for Hanna BredenbeckCorp, a project assistant for the Smithsonian Institution, to scan all of Phyllis Diller's joke cards for subsequent transcription and creation of a searchable digital database.
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- Jul 2023
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www.reddit.com www.reddit.com
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https://www.reddit.com/r/bulletjournal/comments/14qu116/bullet_journals_for_six_hours/
bullet journals for six hours<br/> —u/FirstOpalize
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- Jun 2023
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comedycenter.org comedycenter.org
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via Joan Rivers: A Piece of Work.(Break Thru Films/IFC, 2010)
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National Comedy Center Becomes Home to Joan Rivers’ Career Archive<br /> by National Comedy Center
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comedycenter.org comedycenter.org
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Melissa Rivers also announced today the launch of a special edition 4-disc CD box set collection titled “Joan Rivers – The Diva Rides Again” that will feature five hours of never-before-released recordings of Joan’s comedy, including six decades worth of hilarious material and a special 16-page collector’s book of liner notes with never-before-seen photos. The box set is currently available for preorder on Amazon, Target.com and Walmart.com and will be released on August 18, 2023 on streaming platforms such as iTunes and Spotify. The set is produced and distributed by Comedy Dynamics in partnership with the Joan Rivers estate.
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564 jokes are filed under PARENTS HATED ME (see: NOT WANTED) and over 300 within the STEWARDESSES category.
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a file cabinet containing over 65,000 original jokes spanning from the start of her career in the 1950s to 2014 when she passed away.
The NY Times blew her obituary date of 2014 when they published material based on this press release.
Joan Rivers card index of jokes comprised 65,000 cards spanning the start of her career in the 1950s to 2014, when she passed away.
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www.nytimes.com www.nytimes.com
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The museum is in the planning stages of an interactive exhibition that will center on Joan Rivers’s card catalog of jokes and include material covering a vast swath of comedy history, from the 1950s to 2015. The show will allow visitors to explore the file in depth.
Very cool to have this!
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Zinoman, Jason. “A ‘Crown Jewel of Comedy’: The Joan Rivers Card Catalog of Jokes Finds a Home.” The New York Times, June 8, 2023, sec. Arts. https://www.nytimes.com/2023/06/08/arts/television/joan-rivers-archive.html.
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“And yeah, it goes on, and on, and on. And one day, we’re going to get a little intern who thinks they’re in show business and is going to sit and put each and every one of these cards onto a computer so that when I’m in England and I need a joke about doctors, I can just go into my computer and come up with a — oh, this is a tramp. This tramp donated all her organs for transplants, which should make the recipients happy because her body has never rejected anything. [LAUGHS]: So. But it just goes on, and on, and on. These are just jokes over the years, years, and years, and years of jokes. And when I die, I can sell this to some lucky, lucky comedian who will then, if they’re smart, have enough to keep them going for their whole life.”
standing in front of her card index for comedy, built into a wall of other files.
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In a scene from the documentary “Joan Rivers: A Piece of Work,” the comedian explains how she kept a record of her jokes and cross-indexed them.CreditCredit...Break Thru Films/IFC
In the documentary Joan Rivers: A Piece of Work, she explains how she kept and filed records of her jokes.
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Example typewritten jokes from Joan Rivers' card index of comedy:
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Rivers, who wrote gags at all hours, paid close attention to setups and punchlines, typing them up and cross-referencing them by categories like “Parents hated me” or “Las Vegas” or “No sex appeal.” The largest subject area is “Tramp,” which includes 1,756 jokes.
Joan Rivers card index of jokes is categorized by topical headings like "Parents hated me", "Las Vegas", and "No sex appeal". The largest subject category in her collection was "Tramp" with 1,756 jokes.
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In Carlin’s archives, by contrast, the jokes were “mainly scraps of paper organized into Ziploc baggies then put into a folder by topic.”
quote by Journey Gunderson, the executive director of the National Comedy Center
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When it comes to the Joan Rivers joke collection, “I don’t know that another exists that is nearly as vast,” Gunderson said.
Ignoring Bob Hope's collection or possibly that by Sid Caesar.
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Joan Rivers’s card catalog of jokes and include material covering a vast swath of comedy history, from the 1950s to 2015.
Joan Rivers card index of jokes spans material covering the 1950s to 2015.
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Instead, Rivers is donating the extensive collection to the National Comedy Center, the high-tech museum in Jamestown, N.Y., joining the archives of A-list comics like George Carlin and Carl Reiner. The fact that the jokes will be accessible is only one of the reasons for Melissa Rivers’s decision.
To avoid the Raiders of the Lost Ark problem, Melissa Rivers donated her mother's joke collection to the National Comedy Center so it would be on display and accessible. The New York-based museum is also home to the archives of George Carlin and Carl Reiner.
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Take a look at some of the artifacts from her archive, which includes 65,000 cross-referenced gags and is headed to the National Comedy Center.
Joan Rivers' card catalog of ~65,000 cross referenced jokes will be housed at the National Comedy Center, a museum in Jamestown, NY.
Tags
- Bob Hope
- National Comedy Center
- Raiders of the Lost Ark
- comedy
- read
- fashion
- topical headings
- documentaries
- Journey Gunderson
- XX
- jokes
- Ziploc bags
- Sid Caesar
- personal papers
- joke collections
- quotes
- Carl Reiner
- Raiders of the Lost Ark problem
- old age
- Jamestown NY
- career
- Melissa Rivers
- George Carlin's zettelkasten
- George Carlin
- no sex appeal
- Joan Rivers
- card index for comedy
- sex
Annotators
URL
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www.imdb.com www.imdb.com
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https://www.imdb.com/title/tt1568150/
Based on having watched the documentary Joan Rivers: A Piece of Work and the depictions of Rivers' card index in the film and using her hands and a lateral file for scale, her cards seem to have been 3 x 5" index cards.
cross reference: https://hypothes.is/a/RvLTZjCQEe2uuaNwpTBNuA
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- Feb 2023
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www.youtube.com www.youtube.com
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What screenwriting books recommend note cards for drafting/outlining? Do any go beyond the general outlining advice?
What is the overlap of this sort of writing practice with comedians who had a practice of writing jokes on index cards? (Ronald Reagan, Phyllis Diller, etc.?
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- Sep 2022
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www.reddit.com www.reddit.com
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Posted byu/piloteris16 hours agoCreative output examples .t3_xdrb0k._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } I am curious about examples, if any, of how an anti net can be useful for creative or artistic output, as opposed to more strictly intellectual articles, writing, etc. Does anyone here use an antinet as input for the “creative well” ? I’d love examples of the types of cards, etc
They may not necessarily specifically include Luhmann-esque linking, numbering, and indexing, but some broad interesting examples within the tradition include: Comedians: (see https://en.wikipedia.org/wiki/Zettelkasten for references/articles) - Phyllis Diller - Joan Rivers - Bob Hope - George Carlin
Musicians: - Eminem https://boffosocko.com/2021/08/10/55794555/ - Taylor Swift: https://hypothes.is/a/SdYxONsREeyuDQOG4K8D_Q
Dance: - Twyla Tharpe https://www.amazon.com/gp/product/B000SEOWBG/ (Chapter 6)
Art/Visual - Aby Warburg's Mnemosyne Atlas: https://warburg.sas.ac.uk/archive/archive-collections/verkn%C3%BCpfungszwang-exhibition/mnemosyne-materials
Creative writing (as opposed to academic): - Vladimir Nabokov https://www.openculture.com/2014/02/the-notecards-on-which-vladimir-nabokov-wrote-lolita.html - Jean Paul - https://www.tandfonline.com/doi/abs/10.1080/00168890.2018.1479240 - https://journals.co.za/doi/abs/10.10520/EJC34721 (German) - Michael Ende https://www.amazon.com/Michael-Endes-Zettelkasten-Skizzen-Notizen/dp/352271380X
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- Aug 2022
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www.janeausten.pludhlab.org www.janeausten.pludhlab.org
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he dropped the arms of both to hunt after a weasel which he had a momentary glance of, and they could hardly get him along at all.
Re-reading the novel after viewing Persuasion (2022), I was partly focused on finding the kind of comedy that Cracknell's adaptation foregrounds, which verges on slapstick at different moments, especially when Anne is involved. Anne's humor in the novel remains in the familiar realm of the satirical. But this scene with Charles Musgrove, Mary, and Anne is one of the few moments where it's possible to see some silliness in the narrative. The image of Charles chasing after this small animal to disengage himself from Mary's complaints is charming and makes him look quite silly: he is disarmed by her tenacious complaining and rather than endure them prefers to run after a small animal. The humor is turned against the couple, not at all an exemplar of marital respect. These two spouses might be found bickering but they are also conflict-averse, unable to enter into honest dialogue. The movie is inclined to giving Mary the upper hand. In the novel, Charles' possibly threatening masculinity is suggested through his persona as an avid sportsman. Hunting for weasels was not silly in and of itself at the time. These small and slender creatures had (and still do) a reputation for being ferocious predators. Thomas Bewick, who Austen would have known, describes them as follows in his A General History of Quadrupeds (1790): "The Weasel is very common, and well known in most parts of this country; is very destructive to young birds, poultry, rabbits, &c.; and is a keen devourer of eggs, which it sucks with great avidity" (219).
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- Mar 2022
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www.imdb.com www.imdb.com
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Director Brian Trencahrd-Smith in an interview has said of this film: ''I wanted to capture the spirit of the Ealing comedies and British films of the '50s and '60s that were clearly aimed at children and delivered action and fun in a largely cartoonish way. If you look at the basic premise of the plot, the crooks clearly want to or intend to kill the children at some point, so how do you disguise that and make that palatable to an audience of kids and parents? You make the crooks buffoonish, the gang that couldn't shoot straight, so that takes the curse off the underlying purpose.''
To make the action of a film where the bad guys' goal is to kill or harm young children, one can make the plot more palatable to viewers, particularly parents and their children, by making the heavies bumbling and buffonish like the gang that couldn't shoot straight.
A bit of this is also seen in some thriller/comedies like A Fish Called Wanda which has comedic threats.
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- Jan 2022
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www.thehindu.com www.thehindu.com
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As in Shakespeare’s plays, after an emotionally charged scene, there is dramatic relief in the form of comedy. A pastoral dance (Aychiyar Kuravai) performed by cowherd girls to ward off evil succeeds the death scene.
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- Sep 2021
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dailynous.com dailynous.com
- Jul 2021
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transcription.si.edu transcription.si.edu
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Phyllis Diller’s groundbreaking career as a stand-up comic spanned almost 50 years. Throughout her career she used a gag file to organize her material. Diller’s gag file consists of a steel cabinet with 48 drawers (along with a 3 drawer expansion) containing over 52,000 3-by-5 inch index cards, each holding a typewritten joke or gag. These index cards are organized alphabetically by subject, ranging from accessories to world affairs and covering almost everything in between.
Comedian Phyllis Diller collected over 52,000 3x5" index cards in a gag file. Each card contained a typewritten joke or gag of some sort which she organized alphabetically by subject.
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www.gq.com www.gq.com
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"I always get my jokes down on pieces of paper right away—backs of matchbos, whatever. No one is allowed to throw a piece of paper out in my house, because on the back of a laundry list there may be a joke."
For Joan Rivers scraps of paper, receipts, laundry lists, and matchbooks served the function as waste books. She would eventually transfer them to 3x5" index cards using a typewriter.
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For the past thirty-some years, Rivers has been filing each and every joke she's written (at this point she's amassed over a million) in a library-esque card cabinet housed in her Upper East Side apartment. The jokes—most typed up on three-by-five cards—are meticulously arranged by subject, which Rivers admits is the hardest part of organizing: "Does this one go under ugly or does it go under dumb?"
Joan Rivers kept a Zettelkasten of jokes in her Upper East Side apartment. They spanned over thirty years and over a million items, most of them typed on 3"x5" index cards and carefully arranged by subject.
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guides.loc.gov guides.loc.gov
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The Joke File has been scanned into an internal database that is accessible on-site in both the Recorded Sound and Moving Image Research Centers.
Bob Hope's commonplace book of jokes has been scanned digitally and available at the United States Library of Congress.
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www.loc.gov www.loc.gov
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To comedians, “material”—their jokes and stories—has always been precious, worthy of protecting and preserving.
Compare and contrast the materials of comedians versus magicians.
Collection was an important piece. Protection/secrecy was relatively similar, though with a joke, the item was as ephemeral as a magic act which would have been confounding on it's nature.
Link to Ricky Jay's collection of magic acts and pieces. Other comedy collections include George Carlin, Joan Rivers, etc.
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https://www.loc.gov/exhibits/bobhope/images/vcjokes1.jpg
Annie Leibovitz. Bob Hope in his joke vault. Photograph, July 17, 1995. Courtesy of Annie LeibovitzBob Hope amidst his commonplace book of jokes.
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For example, for radio programs Hope engaged a number of writers, divided the writers into teams, and required each team to complete an entire script. He then selected the best jokes from each script and pieced them together to create the final script.
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A description of how George Carlin collected material for his comedy. No discussion of how he further worked on or refined it.
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austinkleon.com austinkleon.com
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George Carlin’s file folders These filing systems are all analog examples, but one of my heroes, George Carlin, embraced an analog/digital system: I take a lot of single-page notes, little memo pad notes. I make a lot of notes on those things. For when I’m not near a little memo pad, I have a digital recorder… When I harvest the pieces of paper and I go through them and sort them, the one lucky thing I got in my genetic package was a great methodical left brain. I have a very orderly mind that wants to classify and index things and label them and store them according to that. I had a boss in radio when I was 18 years old, and my boss told me to write down every idea I get even if I can’t use it at the time, and then file it away and have a system for filing it away—because a good idea is of no use to you unless you can find it….[In my filing system there are files for all kinds of subjects] but then there are subfiles. Everything has subfiles….It’s like nested boxes, like the Russian dolls—it’s just folders within folders within folders. But I know how to navigate it very well, and I’m a Macintosh a guy and so Spotlight helps me a lot. I just get on Spotlight and say, let’s see, if I say “asshole” and “minister,” I then can find what I want find. “A lot of this,” Carlin said, “is discovery. A lot of things are lying around waiting to be discovered and that’s our job is to just notice them and bring them to life.”
George Carlin's file system for jokes and ideas.
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In the documentary Joan Rivers: A Piece of Work, the comedian showed off a similar “joke bank”: For the past thirty-some years, Rivers has been filing each and every joke she’s written (at this point she’s amassed over a million) in a library-esque card cabinet housed in her Upper East Side apartment. The jokes—most typed up on three-by-five cards—are meticulously arranged by subject, which Rivers admits is the hardest part of organizing: “Does this one go under ugly or does it go under dumb?”
another example of a joke Zettelkasten!
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- May 2021
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www.youtube.com www.youtube.com
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www.gwern.net www.gwern.net
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Origin of Lindy's Law or the Lindy effect.
A discussion of the life expectancy of a comic.
What they miss here is that it's easier to produce if you're also consuming a lot of material, particularly in a group. The output is proportion to the input, and at the time there was only so much input that one could take in in a much sparser media market in comparison to 2021.
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- Mar 2021
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journal.disruptivemedia.org.uk journal.disruptivemedia.org.uk
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from SenorG’s comment that began with the caveat “Allow me to push back a bit here,” and which inspired four replies from three other annotators, to actualham’s observation
There's something discordant here in a scholarly article about having academic participants with names like SenorG and actualham. It's almost like a 70's farce starring truckers with bizarre CB handles. It's even more bizarre since I know some of the researchers behind these screennames.
Is the pseudonymous nature of some of these handles useful in hiding the identity of the participants and thereby forcing one to grapple only with their ideas and not the personas, histories and contexts behind them?
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- Jan 2021
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www.uffizi.it www.uffizi.it
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Some great illustrations from Dante's Divine Comedy via https://www.openculture.com/2021/01/rarely-seen-illustrations-of-dantes-divine-comedy-are-now-free-online.html
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- Dec 2019
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frankensteinvariorum.github.io frankensteinvariorum.github.io
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Dante
Victor refers to Italian Dante Alighieri's (1265-1321) Divine Comedy in which the poet journeys through the nine circles of Hell.
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- Mar 2018
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engl22049.commons.gc.cuny.edu engl22049.commons.gc.cuny.eduTN.pdf1
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Some are born great, some achieve greatness, andsome have greatness thrust upon ’em.
Malvolio's self righteous personality is shown through this phrase. He mentions that "some have greatness thrust upon 'em," referring to his view that he is destined for nobility and eminence. He speaks of himself in third person displaying the egoism that he contains. After Malvolio finds the letter that he believes was written by Olivia, he automatically assumes that it is from Olivia and that its true that Olivia wants him to declare his love. This displays the theme of how desire can make someone a fool. Malvolio's egoism as well as his desire for Olivia makes him do all of the foolish things that the letter told him to.
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- Oct 2017
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educatorinnovator.org educatorinnovator.org
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various ways internet comedy and music keep alive the prospects of change in her home country, Egypt, encouraging young people to remain skeptical of entrenched power and ready to mobilize for revolutionary change when the moment is right.
Comedy/sarcasm/satire is often viewed as a means of avoiding real issues, but I agree that these can be key societal preparatory tools when revolutionary change is needed. Looking forward to Yomna's work!
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- Apr 2017
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medium.com medium.com
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As humanity’s greatest incubator of comedic gems, the internet has birthed a thousand kittens and inner-monologuing dogs.
Too true!
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- Mar 2017
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www.spiegel.de www.spiegel.de
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Man kann es aber auch schade finden, dass in "PussyTerror TV" der rote Haltungsfaden fehlt.
Sobald also Kebekus über Sachen herzieht, die Rützel nicht gut findet, fehlt Kebekus der rote Faden. Was erdreistet sich diese Kebekus eigentlich, ihren eigenen Humor zu haben, anstatt komplett auf Mainstream-Propaganda-Linie einzuschwenken? Frau Rützel, ihr Verständnis von Meinungsvielfalt ist wirklich bemerkenswert!
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static1.squarespace.com static1.squarespace.com
- Feb 2017
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static1.squarespace.com static1.squarespace.com
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We speak of a "snake": this designa-tion touches only upon its ability to twist itself and could therefore also fit a worm.1 What, arbi-trary differentiations!
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- Sep 2016
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www.theguardian.com www.theguardian.com
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Shakespeare followed in 1594, in The Comedy of Errors: “There’s not a man I meet but doth salute me/As if I were their well-acquainted friend”
Shakespeare uses they for singular in comedy of errors.
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