15 Matching Annotations
  1. Sep 2018
    1. BOOK 7 THE ARGUMENT Raphael at the request of Adam relates how and wherefore this world was first created; that God, after the expelling of Satan and his Angels out of Heaven, declar'd his pleasure to create another World and other Creatures to dwell therein; sends his Son with Glory and attendance of Angels to perform the work of Creation in six dayes: the Angels celebrate with Hymns the performance thereof, and his reascention into Heaven. DEscend from Heav'n Urania, by that name If rightly thou art call'd, whose Voice divine Following, above th' Olympian Hill I soare, Above the flight of Pegasean wing. The meaning, not the Name I call: for thou [ 5 ] Nor of the Muses nine, nor on the top Of old Olympus dwell'st, but Heav'nlie borne, Before the Hills appeerd, or Fountain flow'd, Thou with Eternal Wisdom didst converse,

      Adam tells Raphael the story of his own life and of his meeting with Eve. Milton invokes the Divine Voice from above the Olympian Hill to bestow upon him the Eternal Wisdom. It was very common among the Epic-Poets everywhere in the world. This Eternal wisdom gives the power to the poets.

  2. Feb 2018
    1. Allthings, therefore, which are as they ought to be, are conformed unto thissecond law eternal,

      This is the most overthought piece of information I have ever read in one passage, and for Richard Hooker to be able to discuss the ideas of the laws of ecclesiastical polity entirely amazes me. I still feel like no matter how much you analyse the text you would have a hard time coming to your conclusion.

  3. Jun 2017
    1. O Julius Caesar, thou art mighty yet! Thy spirit walks abroad, and turns our swords In our own proper entrails.

      In the play, Julius Caesar dies early on in a very mundane manner, with not much being revealed about his character to the audience, lest that he was extremely overconfident in his position and status, and believed his eternal status and power in public life could protect him against any dangers to his mortal life. Ironically, Caesar is killed only moments after he gives a speech about his mightiness and how he was the world’s only ‘constant man’.

      Though Caesar’s faith in his infallible power and status was incorrect, he was ultimately correct in his belief that his public position would remain eternal and everlasting. His spirit and others’ memory of him is used by Antony to rile up the crowd in Act3 Scene1, and his ghost appears to Brutus damning the conspirators for their actions. Brutus ultimately acknowledges his failure in separating Caesar from his clout and influence in Roman society in Act5 Scene3, when he states “Caesar, thou art mighty yet”. In fact, Caesar’s aura is seemingly elevated and boosted by his mortal body’s death. When Octavius later assumes absolute dictatorial power (After removing the other two members of the 2nd Triumvirate), he takes the title of ‘Caesar’, establishing Caesar into Roman society perpetually.

      Shakespeare uses Caesar to show how the most important aspect of a person is not their mortal self, but rather the memory of oneself, with how history and others remember a person the only lasting remnant of one’s character.

  4. May 2016
    1. In the Eternal there is no Time, or Space, or Individuality, and it is only by reason of thephenomenon of Thought being born from the womb of Mind into the world of Matter that theillusions of Time, Space and Individuality occur; the thought, or Creature, acquiring theconsciousness of separateness from its Thinker or Creator

      Time and space were created for individuality to occur, for creature to have a consciousness that it is separate from its Creator....

    2. Expressing what?What else could I express, if I AM All that Is, but My Self?You cannot yet see or comprehend when I inspire you with an Idea.Therefore, if I AM All there is, that Idea, which is direct from Me, must be part of or a phase ofMy Self in Being or Expression.Any Idea, once born within the realm of My Mind, as has been shown, immediately becomes aReality, for in the Eternality of My Being Time is not. With you, however, an Idea first createsDesire, a desire to express that Idea; then Desire compels Thinking, Thinking causes Action, andAction produces Results -- the Idea in actual outer manifestation.In Reality I have no Desire, for I AM All Things, and All Things are of Me. I need only to thinkand Speak the Word to produce results

      God is the very substance of all things............. expressing the very essence of substance........... all expression can only be God..........

    3. In the beginning, at the dawn of a new Cosmic Day, when the Word consciousness was justawakening and the stillness of Cosmic Night yet prevailed, I The THINKER, conceived MyIdea.This My Idea of My Self in manifestation in a new condition, called Earth expression, I sawcompletely pictured in the mirror of My Omniscient Mind. In this mirror I saw the real Earthshining forth brilliantly in the Cosmos, -- a perfect Sphere, where all the Infinite phases,attributes and powers of My Divine Nature were finding perfect expression through the mediumof Angels of Light, living Messengers of My Will, My Word in the Flesh, even as It is in theCelestial World of the Eternal.I saw My Self manifesting outwardly as Nature, and My Life as the vivifying and evolvingPrinciple back of all Manifestation. I saw Love, the Divine Creative Power, as the animating andvitalizing Force back of all Life, and My Desire to give perfect expression to that Love as thePotential and Real Cause and Reason of the birth of My Idea.All this I saw mirrored in My All-seeing and All-knowing Mind, which could see and reflectonly the Soul of things or their Reality. Therefore this that I saw pictured in My Mind was theReal Earth, in fact, its beginning, its conception into Cosmic being

      Gods inspiration .................

    4. "Be still! --- and KNOW --- I AM --- God."Yes, I AM that innermost part of you that sits within, and calmly waits and watches, knowingneither time nor space; for I AM the Eternal and fill all space.I watch and wait for you to be done with your petty human follies and weaknesses, with yourvain longings, ambitions and regrets, knowing that will come in time; and then you will turn toMe, weary, discouraged, empty and humble, and ask Me to take the lead, not realizing that I havebeen leading you all the time

      The part of which which is who I AM awaits....

  5. Apr 2016
    1. Things stayed civil because the system aligned incentives correctly.

      Sounds like there were many other reasons that most Internet-based initiatives stayed civil in their early days. Some of them have to do with human diversity.

  6. Nov 2015
    1. You must realize that you are an Eternal Being. The reappearance of the Christ is simply one of the events in the ongoing evolution of Life. You are experiencing a correlative point of growth to that which the earth and mankind are about to go through—that is a shift of dimension. That shift is normal. It is natural. However, because it involves a shift, it seems to be more dynamic at the time of the shift than it did before the shift, or than it will seem to be after the shift. Once again, keep in mind that the shift is as natural as the periods in between the shifts, and you will not be swept away by the way things appear.
    1. Everything fell apart because you couldn’t support it or correctly perceive it without transforming Yourself. The image reflected the Dying, that is the Birthing, that is the unbroken Eternal Constant called Existence.
    1. Remember not to get into the picture. Do not see yourself the way the three-dimensional frame of reference sees you and wants to convince you of. Remember that Being is Eternal. No single event in the Eternality of your conscious experience of Being takes precedence over that which is aware of it. You are not in it. It is not larger than you, and it is not controlling your Being.
  7. Oct 2015
    1. Raj, I am having trouble with that, since in Infinity and Eternity there is no such thing as “time” as I perceive it three-dimensionally. It is all the Eternal Now.
  8. May 2015
    1. Lethe (Leith)

      The River Lethe was one of the rivers of Hades in Greek mythology. Exposure to its waters was held to lead to loss of memory, or, more intriguingly, a state of "unmindfulness" and oblivion. From this origin, it has re-appeared throughout western culture, from Dante to Tony Banks's first solo album (River Lethe in popular culture, Wikipedia).

      By providing the alternative spelling of Leith, Alasdair Roberts 'doubles' this meaning with the Water of Leith, a river that runs through Edinburgh, and co-locates ancient Greek and contemporary Scots mythology.

      The idea of eternal return is bound up with memory, with cultures being compelled to repeat and confront the missteps of the past. So the oblivion of forgetfulness provided by the endless Lethe provides a form of antidote or escape.

    2. my sermons seven

      In interview with Tyler Wilcox in 2009, Alasdair Roberts referred to the

      specifically Jungian references to the "sermons seven" and mandalas... it's like a quest song against conflict and towards individuation. I know a lot of people with strong political or religious convictions whose musical and artistic practice is guided by that – in some ways I envy that kind of certitude, but I suppose my thing is always about flexibility, multiplicity, confusion wanting to reflect the turmoil of reality... always trying to remember that the oar in the ocean is a winnowing fan on dry land.'

    3. Eternal Return

      The concept of eternal return has a chequered history through philosophy and culture, but Alasdair Roberts is invoking the particular use of the term by the religious historian Mircea Eliade. The Wikipedia entry) says that Eliade's eternal return is "a belief, expressed... in religious behaviour, in the ability to return to the mythical age, to become contemporary with the events described in one's myths".

      Thus, through the medium of song, we are taken back to become contemporary with, among other things, the Crusades and the falls of Jericho and of Babylon.

      From Alasdair's interview by Tyler Wilcox in 2009:

      the first song in some ways explores the idea of “eternal return” – I was reading Mircea Eliade on the subject, and Nietzsche obviously wrote about it – I became obsessed with the idea and the various ways in which it could be configured. There’s obviously the classic image of the ouroboros serpent… but I was also think about it in terms of the myth of progress – when what we think of as progress is actually destruction. Like Kekulé’s ring, Benzene. And the fact that I personally constantly return to Song as a form of “expression” or creation rather than, say, improvisation or composition.