I think this sentence is important because I have gathered sources I enjoy in the past and tried really hard to make one work when I could have just set it aside and picked a different source.

Nonfiction book written for a general audience vs scholarly books or scientific studies are written for an audience with specialized knowledge. That's good to know.

Some other examples upon a google search include: -Orginal documents and records. Ex: Birth Certificate, Marriage Record, Census Data.

Check the model in the lecture slides about this!!

Like Nerval’s fragmented account of his dreams, the Waste Land is a sort of dreamscape with a patchwork of seemingly random images, which all share a similar intention and background. “Unreal City” begins line 60 of The Waste Land, and Eliot leaves a footnote in French, nearly translating to “SWARMING city, city full of dreams, Where in a full day the spectre walks and speaks.” That quote in the footnote is from Baudelaire’s “The Seven Old Men,” which explores the shifting definition of beauty in nature, especially while Paris is rapidly industrializing. The city of Paris is labeled “Unreal City,” as a place built up by dreams and romanticized images, while industrialization begins to degrade the city.

The experience of reading the poem is similar to slipping in and out of consciousness, as literary, cultural, and historical references wash over the reader. So, “dreams” serve here as those of sleeping and those of hopes for the future. The concept of dreams as a whole is repeated throughout "The Burial of the Dead,” so ending the section with a direct connection to De Nerval’s account of dreams is symbolic for the poem’s overall structure. So, if we theorize that, here, this constant flow of people crossing the bridge are on a similar hell-like journey as the people who are neither here nor there in Dante (the uncommitted, unclassified , outcasts, etc.) The inscription in Dante on the gates of Hell translates to “"Abandon all hope, ye who enter here,” suggesting that this characterization of The Waste Land is one of abandoned hopes and dreams, leaving people to wade through the dreamscape (or nightmare) that is a fragmented modern society.

TL;DR: Most interesting to me is the mirrored structure which exists both thematically and structurally within this section—and within all its references. At first glance I thought it might indicate a doubling or twinning of sorts; but I’ve now understood this “mirror” to be more of a replication (or regression).

Midway through the stanza comes the line “With a dead sound on the final stroke of nine.” Upon my initial reading two significant features revealed themselves. First, there is numerical weight to the chosen number “nine.” In Baudelaire's poem the unnamed narrator watches seven old men, all identical in misery and form, tread somberly before him, before at last arriving at the terrible understanding that he himself is the “awful eighth.” And so of course the natural progression is to uncover a ninth member in this hellish parade; and obligingly Eliot supplies us with one. The ninth is, of course, himself, or perhaps the reader; either way the mention of the number “nine” suggests that this repetitive pattern has not yet ceased. In the original Les Fleurs Du Mal, Baudelaire plays with the notion of what I initially thought was doubling: there is the “spectre” of self which walks and speaks in our “city full of dreams,” the hypocritical Reader decried as Baudelaire’s “second self—[his] brother,” and, of course, the seven (or eight) old men, whose presence compels the narrator to double back and flee home. But at the very end there is a line which suggests that—as I’ve come to realize—that this doubling is more of a regression: “In vain my reason tried to cross the bar,/ The whirling strom but drove her back again”. And so in this way Baudelaire introduces another creation story for the ‘doubled’ men, in which they are not copies of one another but one and the same, forced back along the same path after having failed to “cross the bar”. So what is this “bar” which cannot be crossed? Eliot appears to suggest it is death itself. It seems to me that “a dead sound on the final stroke of nine” is operating as a threshold of sorts, or the “bar” in question: the line cleaves the stanza into two exact halves, each of which can be considered a “double” of the other. In this way it becomes clear that the “doubles” we are dealing with are the stanza’s halves, each of which depict an eerily similar motif. The first half of the stanza (lines 1-8) pays homage to Dante. The line “undone by death” comes from a section of the Inferno in which Dante meets the Uncommitted, a group of souls who reside neither in hell nor out of it. But interposed over this image of dead souls in limbo is the living, since Eliot roots this classical reference in a visual description of modern London. And so through this overlay Eliot melts any barrier between the living and the dead, perhaps suggesting that they are one and the same (a suggestion, it is worth noting, somewhat loosely put forth in De Nerval’s dream writings). The second half of the stanza is much the same. Eliot introduces the image of the deathly bloom, where the narrator expects mysterious flowers to erupt from planted corpses. This description seems to be most obviously an allegory for the afterlife: flowers growing from corpses are, after all, a continuation of life after death. But interestingly, the afterlife appears to be inaccessible. The lines “'Or has the sudden frost disturbed its bed?/'Oh keep the Dog far hence, that’s friend to men,/'Or with his nails he’ll dig it up again!” suggest that small discrepancies are capable of disrupting our entire future (which, again, is the plot of De Nerval’s writings—he spends the entire excerpt ranting about how our lives are the sum product of infinitely small moments and knick-knacks); and the questions marks suggest that as a result of these discrepancies, the flowers’ ability to bloom, or our ability to access the afterlife, has been compromised. Looping back to Baudelaire’s model of duplication—in which doubles are produced by a ‘doubling back,’ or re-walking of the same path—we can see how the stanza’s halves inform our understanding of the poem as a whole. Both parts reference our inability to move into the afterlife: the first half speaks of life and death as another doubled pair, implying that the dead souls ‘double back’ onto the living (aka they hit a dead end, cannot move past into the afterlife, so turn around and go back into the realm of the living); and the second half’s tie to the continuation of life post-death has already been thoroughly explained. This understanding gives new resonance to “a dead sound on the final stroke of nine”. Yes, the line references death as a threshold; but importantly, it frames death as the “bar” we fail to cross. There exists “a dead sound,” suggesting a sudden impact or some unsuccessful attempt. I think what Eliot is trying to say is that nothing ever changes; having died, we fail over and over again to access the afterlife, instead ‘doubling back’ onto life. As a consequence all future generations become copies of the past; and we get this weird circularity that Eliot flirts with for the rest of the poem.

I think the notion of orientation is really important here. Addie suggests that the "Fishing" metaphor alludes to the Fisher King, positioned so that his back is facing hell. Her analysis sinks into a particularly relevant section from Weston's essay: ‘the Fish was sacred to those deities who were supposed to lead men back from the shadows of death to life,' and is brilliant enough that I was sufficiently convinced that the Fisher King does, indeed, face away from hell. Hurling ourselves back in time to the segment on Death by Water -- where the threshold of death is, thematically, embodied by water itself -- we can thus see that we find ourselves (as MacLeish scholars past have noted, shoutout Jeannie + Addie!) in the exact same position from which we began. We are at the edge of death. Water is before, us, and behind us is hell. And so what is the way forward? If the Waste Land is said to have a central conflict, it would be the struggle to escape the repetition of human life. Life flows into death flows back into the life; and in this way it appears that in Eliot's world, no souls have ever successfully reached the afterlife. And so at the end of the poem we find ourself faced with this exact same dilemma: we have effectively traversed through hell, and are standing before the Death: will we cross the bar into the afterlife? Or will we descend into the fated spiral once more?

Props to Quisha for drawing a connection between these lines and Bradley's Appearance and Reality. In her annotation she isolated a specific line from his essay: “In either case my experience falls within my own circle, a circle closed on the outside; and, with all its elements alike, every sphere is opaque to the others which surround it." I find this quote extremely revealing. In my past annotations I have loosely discussed how TS Eliot appears to be presenting the thematic motif of DOUBLING, and as such, has constructed two separate worlds: the world in reality and the world of perspective. The world in perspective collides resoundingly with the concepts of Tarot and orientation; that is, how our own internal worlds can shape our perception of the environments around us, and as such, potentially imprint upon them. The world in fact, however, is far bleaker - this is the waste land of which Eliot speaks, populated entirely by vast tracts of infertile land and a cacophony of disembodied voices. Upon reading Bradley’s essay, I was most struck by the notion of a soul truly “knowing” another - and the rarity of that occurrence. I think part of the Waste Land’s pessimism is birthed from the notion that while our perceptions can filter the external world in a way which infuses it with hope, our perceptions are exactly that: OURS. There is no guarantee that any one else will ever see into your soul, or has a soul similar to yours; and there is also no way to ensure that a communication is as accurate as you desire it to be. “The key”, then, is turned only when all these factors miraculously unite: when the world of perspective and reality are guaranteed to be identical.

Last year, Addie annotated this exact section and described how Eliot purposefully confuses the reader's sense of right-side-up and upside-down. In an especially insightful section of analysis she claims that if the reader were to orient herself with respect to Dracula (whom "crawled head downward down a blackened wall"), the tower down which he crawls becomes inverted - and the corresponding Tarot Card, the Dark Tower, is similarly flipped. Nested in this idea is a broader understanding: that in the chaos and turbulency of the modern world, the only form of agency we truly have is our perspective. When Dracula is flipped upside down, the world appears to him inverted; and though in fact it remains exactly the same as it always was, in his mind's eye all has been reoriented. That's precisely Eliot's point. Though the world itself may be a wasteland, there exists a copy of this world - a world of shadows, of impressions, of perspectives and opinions - which is completely up to interpretation. I think he invokes Tarot as a way of imbuing this doppelganger realm with purpose and value: Tarot is all about perspective. Your interpretation of the card, and what it tells you about your life in this theoretical duplicate of reality, informs the way you act in the real physical world - and so perhaps our agency, though constrained to our own perspectives, is more powerful than we think. The following two lines are relevant insofar as they condense several central thematic discussions: the voices, time, familiarity and remembrance, and water. All of these strands weave together a picture of reality IN FACT: that is, a world in which people are consigned to make the same mistakes over and over, a world where several voices overlap but never really hear one another, a world analogous to a dry rock. I think Eliot piles up all these images to drive home the fact that though our perspectives may change (though the Dark Tower may become inverted, or vice versa), objective reality is constant. In this way he DOES put a pessimistic constraint on the extent to which our conception of life can actually influence the events occuring around us; but nevertheless I do think there are some shards of positivity embedded in there.

To Olivia: I agree! I think that gender fluidity is a big thematic motif throughout this section. Expanding that a bit further, I think there's a way to rope in Donne into how Eliot plays with male-female binaries. In his Elegy XIX, Donne describes the male desire for possession of the female body, or more specifically, the female soul. Initially it seems that Donne is simply illustrating the basic desire for ownership inherently embedded within sexual relations; but there exists another reading too, in which sexual yearning is a product of Man's intense wanting to be Woman. The elegy begins; "Come, madam, come, all rest my powers defy,/ Until I labor, I in labor lie." Of course there is the most obvious understanding of these lines as "Come to my bed, because I cannot rest until I can make love to you!" - but this is far too tame. I think there is an equally plausible interpretation in which Donne is saying he cannot rest until he not only makes love to Woman, but BECOMES a woman. "Labor" is here taken to mean work (sexual work, presumably), but one cannot help but think of its second meaning; that is, childbirth. In this way labor, being a biological capability that only woman possess, becomes a replacement for womanhood itself; and when Donne writes that he cannot rest until he lies "in labor," he is actually suggesting that he cannot rest before experiencing womanhood. This analysis colors the rest of the elegy in a different shade. The narrator's visceral descriptions of an undressing woman become not a product of sexual desire, but rather a deep-rooted envy of her femininity; and in this way Donne reframes love, lust, and hatred for the female figure as a function of Man's desire to be Woman.

To Lucas - I completely agree, but I also think there's an alternate meaning of the thrush in which the barren wasteland not only becomes hopeful, but grows un-wasted. You are definitely right to say that the thrush preaches a life of simplicity, and of thriving off of scant resources. If you've only ever lived off nothing, than something--even the smallest of crumbs--seems enormous to you. But there is another subtlety to Keats's poem as well: as he writes, "He who saddens/ At thought of idleness cannot be idle,/ And he's awake who thinks himself asleep." I think what he means here is that THINKING itself is something: having the thought of idleness inherently means that you are not idle, and the fact that you are thinking about being asleep proves that you are not, in fact, asleep. Similarly, thinking about the waste-land proves that the wasteland is not, in fact, wasted. Though there may be no water, nor soil, and perhaps just a rock, there nevertheless are THOUGHTS: and these thoughts are material growths in of themselves, proving that something in fact has grown out of this barren world. Thus, the wasteland cannot be wasted - it really just depends on the way you think about it. Perhaps this is Eliot's way of suggesting that all the spectres that he references - shadow selves, twins, the "sound" of water, thoughts - constitute something valuable? Something that, in a world of waste, has worth?

Death by Water represents the convergence of two central motifs: the twins and the voices. In the Inferno, Dante encounters two sinners who are being burned together in a double flame: that is, "who are twinned within a single fire." The identicality of their hellish fate stems from the fact that their sins were wrought together, or similarly; in this way the twins become a generalizable metaphor for the repetitive nature of the human race. Prone to the same errors, we live the same lives. Interestingly, one of these sinners (Ulysses) explains his final journey, in which he hit a underwater whirlwind and died via drowning. The convergence of these images - of fire after death, of water AS death, and of the whirlpool being life itself funneling towards death - mirror Phlebas's narrative structure exactly. How does this relate to Dante, you may ask? I am of the opinion that Eliot roots Phlebas's arc in the "twin" sinners as a way of indicating that Phlebas (much like Sybil with the voices) represents not one person, but many. Having been "a fortnight dead," he is presumably burning in hell; but if his Inferno counterparts are Ulysses and Diomedes, he must have twin counterparts too. Eliot helpfully introduces us to his double: the reader. The final line ("Consider Phlebas, who was once handsome and tall as you") uses a visual comparison to directly frame the reader as Phlebas's twin. In this way it becomes clear what Eliot is really trying to get at: that we as humans are doomed to repeat the same sins over and over, and as a result, will burn together in a "twinned flame." What that flame is we do not yet know.

“Moisture is the essence of wetness, and wetness is the essence of beauty,” says Derek Zoolander, dead serious. Keats would agree. His world glistened—wine, nightingale, sleep, feeling itself was fluid. Eliot’s isn’t. In What the Thunder Said, language cracks open: “Here is no water but only rock.” The Romantic current congeals to dust. Keats seeps into forest; Eliot splinters in desert. The thunder stutters where the nightingale once sang. “If there were water”, the words twitch, dehydrated prayer. Keats drinks. Eliot chokes on sand.

“Why is the rum gone?” Jack Sparrow asks, staring out at an empty sea that feels both comic and mournful. That’s how Mr. Apollinax reads to me, a poem laughing at its own drowning. His laughter is submarine and profound, already half below the surface, intellect bubbling through the drawing room air like something that shouldn’t survive there. Beneath the teacups and lemon slices, coral and green silence are already rising. The scene is civil, but the tablecloth is soaked through. Years later, in The Waste Land, Eliot returns to that same sea, but the laughter has gone still. The descent is no longer metaphorical. What was once a philosopher’s joke about depth becomes Phlebas’s silence. The current that once worried the drowned now picks his bones clean. The wit has been replaced by ritual. In Mr. Apollinax, the drowning is intellectual—a mind so deep in abstraction it begins to suffocate itself. In The Waste Land, the body follows. Phlebas is the same figure, just further down. The philosopher’s laughter becomes a whisper, the thought turned to tide. Both poems trace the same descent. One plays with it, the other completes it. The drawing room and the sea are the same room, seen at two depths. The shift from irony to elegy, from chatter to current, is the sound of Eliot’s tone sinking. Phlebas is Apollinax returned to the water, his laughter dissolved into the sea that always waited beneath the surface.

What interests me most here is the question of power. It seems to be the fundamental resource beneath all male-female relations: does man overpower woman, or vice versa? In this instance the answer seems to be neither; for the first time we see a productive partnership between Man and Woman - Elizabeth and Leicester - in which they are united against the court of public opinion. The following line ("beating oars") reveals another facet to this partnership. This reference is preceded by a section on the Thames, and so visually, we can imagine Elizabeth and Leicester trapped together on a tiny rowboat, working furiously to fight against - or even, perhaps, to escape - the dirty Thames. This metaphor fits neatly into historical records: Elizabeth and Leicester were partners in crime when it came to escaping public scolding, which in some sense can be viewed as a dirty contaminant (like the Thames) threatening to lay waste to their reputations. Importantly, both of them were unsuccessful in escaping the waste. Despite their "beating oars," they never did escape the Thames; the two were never married, and public speculation concerning their relationship--and the foul play which it may have catalyzed--never ceased. Perhaps a moral generalizable to the larger poem: that it is impossible to flee the waste.

“Are we there yet?” Donkey whines in Shrek, somewhere between tedium and revelation. The question feels small, but it’s also about arrival—what it means to get somewhere, or never really arrive at all. Augustine writes, “To Carthage I came, where there sang all around me in my ears a cauldron of unholy loves.” The line is clean and chronological, a simple confession of arrival. Eliot adds one word: then. “To Carthage then I came.” That small word changes everything. In Augustine, the journey is complete; in Eliot, it feels ongoing. Then marks not only sequence but recurrence, as if the speaker is caught in the act of remembering and re-experiencing at once.The addition of then places the line in the voice of Tiresias, who exists across genders, times, and stories. For Tiresias, to see is always to relive; his vision folds every moment into one. The then mirrors that condition. He cannot witness without returning, cannot perceive without repeating. Augustine’s journey to Carthage happens once in time; Tiresias’s happens perpetually, in vision. Eliot’s then transforms a historical confession into an eternal one. It turns Augustine’s movement through sin into Tiresias’s endless cycle of seeing. “To Carthage then I came” is no longer an arrival in place, but a return in consciousness—a moment that Tiresias, who can never stop seeing, must witness forever.

This line is a modified version of Psalm 137: "By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion." The general plot of Psalm 137 revolves around the Babylonian exiles, who have been sent away from Zion (their home) and made to live, against their will, in a foreign land. The captors demand of them a happy song from Zion, and describing this demand, the captives write: "they that wasted us required of us mirth." In the Eliot-Psalm parallel, the Thames supplants Zion. This replacement is peculiar, since the Thames is neither traditionally "sweet" nor a homeland to be longed after, as Zion is for the exiles. Perhaps Eliot means this tongue-in-check reference to be a nod to the industrialization of the modern world: those who "wasted" society--that is, big business, factories, etc.--expect the public to sing mirthfully of the disgusting Thames, polluted and chemical-filled as it is. Interestingly, Eliot obliges: over the course of the next two lines it is revealed that he does in fact sing his song. In Psalm 137, the exiles refuse to sing a song of mirth out of principle: "How shall we sing the Lord's song in a strange land?" The fact that Eliot has no such hesitations, and sings willfully, suggests that perhaps this land is not so strange - he feels perfectly at home in this foreign land (and no sorrow at his home having been "wasted") simply because he comes from a wasteland also. And so perhaps the true optimism in the poem does not come from broad generalizations of "beauty in the waste" or promises that "we're all in this together"...rather, Eliot seems to take the most comfort in the understanding that we are all at home, always. No matter how bad the world gets or how wasted we become, we can still sing our songs of mirth - for after all, we come from the wasteland.

I suspect the "Goonight" is a nod back to one of Eliot's previous subtextual motifs; that is, the idea that life and death exist in an endless loop of repetition. Sofia theorized (in a fantastic annotation of her own) that Eliot believed small changes---aka waste (the tiny objects or moments which comprise our entire lives)---to be the reason behind massive changes in our destinies; in one of my own earlier annotations, I spoke very briefly about how these small changes are responsible for the cyclical nature of life and death (in which dead souls are repurposed into new ones, thus condemning the human race to an eternity of the same lives lived over and over again). Zooming into this section specifically, the dropping of the "d" in "Goodnight" represents one of these many "small changes." Perhaps Eliot means to parody the decay of great literature by directly contrasting the "Goonight" with the Shakespearian original below; but either way such a decay represents only one of the many ways in which human society signs its own death sentence.

You become better at detecting broad, low-detail (“coarse”) features — like shapes, movements, or sudden changes in the environment. This comes from increased activity in subcortical visual pathways (like the superior colliculus and amygdala) that specialize in quick, rough visual analysis. You become less focused on fine details (like facial features or small text), but more able to spot threat-relevant cues (like movement in your periphery, or something large approaching you).

oop

research-driven digital derive enabled by the internet

lol

... hyperlinks make it so people can browse at their own leisure, and choose what they click on

Esto se lo puede pensar desde el evolucionismo

Compromiso

between organization and human nature or to put the matter in another way the

divorce of the - economic motive from the - impulses of creation and possession

First lecture

Title

Authority and the in-divi-dual 1 I

From the projects, there will be dramatic changes in the chemistry and biology of the coming decades, even if its not as dramatic as reefs and shells actually dissolving. This is why teh planetary ounday is set at up to 80% of preindustrail average of 3.44 We're currently aruond 2.8, at 81% of preindustrail levels, 2.75 is the lowest it can go

When argonite saturation is greater than 1, aragonite favours precipation, less than favours dissolution Some parts of the ocean have historically low argonite saturdation levels, but most temperate and tropical oceans havevalues greater than 3. This can change over time, but much of the oceans are forecast to be below 3 by the end of 2000s. This will make the production of aragonite energetically more expensive.

• Considerando que parcela significativa é aquela que representa no mínimo 4% do valor global da contratação, será admitido a exigência da Administração de comprovação, por meio de certidões e atestados, que há capacidade de execução de, <u>no máximo</u>, 50% da referida significativa parcela.

Para fins de habilitação técnica, parcela de maior relevância ou de valor significativo será aquela que representar, ao menos, 4% do valor total da contratação.

Global picture of HP matches the patterns evident in GoM and Oregon Coastal zones which drain large areas of croplands into shallow seas are more prone

used to be episodic but human activity make HP worse. nurtirent offrun from land causes by this is polluting the ocean The mississippi runs into the ocean, through 40% of the USA's crops, over nurtirents in this water stimulates algal blooms - nurtrient loading Algal blooms then degrade, are consumed and low oxygen water is consumed - which creates an oxygen dead zone near the sea floor Stratification of water means the water layers don't mix (fresh and salty sit ontop of each other) oxygen is less soulble in temps - marine animals consume more oxygen in warm temps - leading to more stratifcation with global warming (open ocean) coastal areas is similar and nutrient loading is expected to rise with increased storms To manage this we need to reduce nurtrient loading in the large water sheds (gulf of mexico) narrow ganitz bay regulated sewage treatmnet plant water - HP reduced

Hypoxia is caused by a lack of oxygen Shellfish & worms get trapped and suffocate and die Brown shrimp in mexico was a big fisherie - optimal habitat reduced by 25% Hypoxia takes away a food source (veg) which has a chain reaction HP can effect the growth and reproductive potiental of some bottle dwelling fish, even with intermient exposure it's more sub-leathal affects which is an issue rather than death, as they cascade through the food chain Looks like it's causing a reduction in shrimp growth Fish & shirmp tend to stay on the ages when there's HP so fisherman might be taking the shrimp when they're young it has an adverse affect on the economy

I think that socialization for students with differences and disabilities can make a whole world of a difference. It will allow them to learn from their peers academically and behaviorally but also allow them to feel more included which is the whole point!

DOI: 10.3390/en15176486

Resource: None

Curator: @bandrow

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.1145/3219104.3219147

Resource: None

Curator: @bandrow

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.1145/3219104.3219113

Resource: None

Curator: @bandrow

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.1126/science.abb6310

Resource: None

Curator: @bandrow

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.1029/2022GL100913

Resource: None

Curator: @bandrow

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.1029/2022GL098274

Resource: None

Curator: @bandrow

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.1029/2021JA030249

Resource: None

Curator: @bandrow

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.1029/2019WR026853

Resource: None

Curator: @bandrow

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.1021/acs.jpclett.2c02391

Resource: None

Curator: @bandrow

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (ATCC Cat# CRL-3304, RRID:CVCL_II76)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_II76

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Sigma-Aldrich Cat# D9663, RRID:AB_2810235)

Curator: @scibot

SciCrunch record: RRID:AB_2810235

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Jackson ImmunoResearch Labs Cat# 711-575-152, RRID:AB_3095472)

Curator: @scibot

SciCrunch record: RRID:AB_3095472

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: HTSeq (RRID:SCR_005514)

Curator: @scibot

SciCrunch record: RRID:SCR_005514

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: DISCOVERY WORKBENCH (RRID:SCR_019192)

Curator: @scibot

SciCrunch record: RRID:SCR_019192

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: rna-star (RRID:SCR_004463)

Curator: @scibot

SciCrunch record: RRID:SCR_004463

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: BD FACSDiva Software (RRID:SCR_001456)

Curator: @scibot

SciCrunch record: RRID:SCR_001456

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: edgeR (RRID:SCR_012802)

Curator: @scibot

SciCrunch record: RRID:SCR_012802

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (MMRRC Cat# 034840-JAX,RRID:MMRRC_034840-JAX)

Curator: @scibot

SciCrunch record: RRID:MMRRC_034840-JAX

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: ImageJ (RRID:SCR_003070)

Curator: @scibot

SciCrunch record: RRID:SCR_003070

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: GraphPad Prism (RRID:SCR_002798)

Curator: @scibot

SciCrunch record: RRID:SCR_002798

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (MP Bio Cat# 08810133, RRID:AB_2335265)

Curator: @scibot

SciCrunch record: RRID:AB_2335265

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: Imaris (RRID:SCR_007370)

Curator: @scibot

SciCrunch record: RRID:SCR_007370

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Abcam Cat# ab126649, RRID:AB_3095985)

Curator: @scibot

SciCrunch record: RRID:AB_3095985

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Abcam Cat# ab178846, RRID:AB_2636859)

Curator: @scibot

SciCrunch record: RRID:AB_2636859

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (BioLegend Cat# 121602, RRID:AB_572021)

Curator: @scibot

SciCrunch record: RRID:AB_572021

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (R and D Systems Cat# F0111, RRID:AB_573127)

Curator: @scibot

SciCrunch record: RRID:AB_573127

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Cell Signaling Technology Cat# 97585, RRID:AB_2800282)

Curator: @scibot

SciCrunch record: RRID:AB_2800282

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: None

Curator: @scibot

SciCrunch record: RRID:AB_2535598

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (BioLegend Cat# 101207, RRID:AB_312790)

Curator: @scibot

SciCrunch record: RRID:AB_312790

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (BioLegend Cat# 101220, RRID:AB_493546)

Curator: @scibot

SciCrunch record: RRID:AB_493546

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (BioLegend Cat# 101301, RRID:AB_312800)

Curator: @scibot

SciCrunch record: RRID:AB_312800

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (BioLegend Cat# 103108, RRID:AB_312973)

Curator: @scibot

SciCrunch record: RRID:AB_312973

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Thermo Fisher Scientific Cat# A-21208, RRID:AB_2535794)

Curator: @scibot

SciCrunch record: RRID:AB_2535794

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (R and D Systems Cat# FAB17291P, RRID:AB_884528)

Curator: @scibot

SciCrunch record: RRID:AB_884528

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Thermo Fisher Scientific Cat# A-21202, RRID:AB_141607)

Curator: @scibot

SciCrunch record: RRID:AB_141607

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Thermo Fisher Scientific Cat# A10037, RRID:AB_11180865)

Curator: @scibot

SciCrunch record: RRID:AB_11180865

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Thermo Fisher Scientific Cat# A10042, RRID:AB_2534017)

Curator: @scibot

SciCrunch record: RRID:AB_2534017

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Molecular Probes Cat# A-21206 (also A21206), RRID:AB_2535792)

Curator: @scibot

SciCrunch record: RRID:AB_2535792

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Thermo Fisher Scientific Cat# A-11055, RRID:AB_2534102)

Curator: @scibot

SciCrunch record: RRID:AB_2534102

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Bio-Rad Cat# MCA1957, RRID:AB_322219)

Curator: @scibot

SciCrunch record: RRID:AB_322219

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Jackson ImmunoResearch Labs Cat# 711-175-152, RRID:AB_2340607)

Curator: @scibot

SciCrunch record: RRID:AB_2340607

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Cell Signaling Technology Cat# 91068, RRID:AB_2721119)

Curator: @scibot

SciCrunch record: RRID:AB_2721119

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Vector Laboratories Cat# PK-6102, RRID:AB_2336821)

Curator: @scibot

SciCrunch record: RRID:AB_2336821

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Thermo Fisher Scientific Cat# A-11015, RRID:AB_2534082)

Curator: @scibot

SciCrunch record: RRID:AB_2534082

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Sigma-Aldrich Cat# T9026, RRID:AB_477593)

Curator: @scibot

SciCrunch record: RRID:AB_477593

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Sigma-Aldrich Cat# A2066, RRID:AB_476693)

Curator: @scibot

SciCrunch record: RRID:AB_476693

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Thermo Fisher Scientific Cat# 81-1620, RRID:AB_2534006)

Curator: @scibot

SciCrunch record: RRID:AB_2534006

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Thermo Fisher Scientific Cat# 31460, RRID:AB_228341)

Curator: @scibot

SciCrunch record: RRID:AB_228341

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (R and D Systems Cat# AF1828, RRID:AB_2208689)

Curator: @scibot

SciCrunch record: RRID:AB_2208689

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Thermo Fisher Scientific Cat# 31430, RRID:AB_228307)

Curator: @scibot

SciCrunch record: RRID:AB_228307

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Millipore Cat# MAB1596, RRID:AB_2092365)

Curator: @scibot

SciCrunch record: RRID:AB_2092365

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Wako Cat# 019-19741, RRID:AB_839504)

Curator: @scibot

SciCrunch record: RRID:AB_839504

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Cell Signaling Technology Cat# 76765, RRID:AB_2799888)

Curator: @scibot

SciCrunch record: RRID:AB_2799888

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Millipore Cat# MAB377, RRID:AB_2298772)

Curator: @scibot

SciCrunch record: RRID:AB_2298772

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Abcam Cat# ab16659, RRID:AB_443419)

Curator: @scibot

SciCrunch record: RRID:AB_443419

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (Cell Signaling Technology Cat# 61788, RRID:AB_2799615)

Curator: @scibot

SciCrunch record: RRID:AB_2799615

What is this?

DOI: 10.1016/j.neuron.2025.09.032

Resource: (R and D Systems Cat# AF1729, RRID:AB_354956)

Curator: @scibot

SciCrunch record: RRID:AB_354956

What is this?

DOI: 10.1016/j.neuron.2025.09.027

Resource: (IMSR Cat# JAX_007004,RRID:IMSR_JAX:007004)

Curator: @areedewitt04

SciCrunch record: RRID:IMSR_JAX:007004

What is this?

DOI: 10.1016/j.neuron.2025.09.027

Resource: R Project for Statistical Computing (RRID:SCR_001905)

Curator: @scibot

SciCrunch record: RRID:SCR_001905

What is this?

DOI: 10.1016/j.neuron.2025.09.027

Resource: Python Programming Language (RRID:SCR_008394)

Curator: @scibot

SciCrunch record: RRID:SCR_008394

What is this?

DOI: 10.1016/j.neuron.2025.09.027

Resource: RRID:IMSR_JAX:037717

Curator: @scibot

SciCrunch record: RRID:IMSR_JAX:037717

What is this?

DOI: 10.1016/j.neuron.2025.09.027

Resource: Suite2P (RRID:SCR_016434)

Curator: @scibot

SciCrunch record: RRID:SCR_016434

What is this?

DOI: 10.1016/j.neuron.2025.09.027

Resource: (IMSR Cat# JAX_024742,RRID:IMSR_JAX:024742)

Curator: @scibot

SciCrunch record: RRID:IMSR_JAX:024742

What is this?

DOI: 10.1016/j.neuron.2025.09.027

Resource: RRID:Addgene_105553

Curator: @scibot

SciCrunch record: RRID:Addgene_105553

What is this?

DOI: 10.1016/j.neuron.2025.09.027

Resource: RRID:Addgene_59170

Curator: @scibot

SciCrunch record: RRID:Addgene_59170

What is this?

DOI: 10.1016/j.neuron.2025.09.027

Resource: RRID:Addgene_62723

Curator: @scibot

SciCrunch record: RRID:Addgene_62723

What is this?

DOI: 10.1016/j.neuron.2025.09.027

Resource: RRID:IMSR_JAX:000664

Curator: @scibot

SciCrunch record: RRID:IMSR_JAX:000664

What is this?

DOI: 10.1016/j.isci.2025.113805

Resource: (ICLC Cat# HTL95023, RRID:CVCL_0030)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_0030

What is this?

DOI: 10.1016/j.isci.2025.113805

Resource: (RRID:CVCL_0063)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_0063

What is this?

DOI: 10.1016/j.isci.2025.113805

Resource: RRID:Addgene_16330

Curator: @scibot

SciCrunch record: RRID:Addgene_16330

What is this?

DOI: 10.1016/j.isci.2025.113805

Resource: RRID:Addgene_69837

Curator: @scibot

SciCrunch record: RRID:Addgene_69837

What is this?

DOI: 10.1016/j.isci.2025.113805

Resource: None

Curator: @scibot

SciCrunch record: RRID:Addgene_186435

What is this?

DOI: 10.1016/j.isci.2025.113805

Resource: (Rockland Cat# 600-101-215, RRID:AB_218182)

Curator: @scibot

SciCrunch record: RRID:AB_218182

What is this?

DOI: 10.1016/j.isci.2025.113805

Resource: RRID:Addgene_41149

Curator: @scibot

SciCrunch record: RRID:Addgene_41149

What is this?

DOI: 10.1016/j.isci.2025.113805

Resource: (Thermo Fisher Scientific Cat# 13-2500, RRID:AB_2533008)

Curator: @scibot

SciCrunch record: RRID:AB_2533008

What is this?

DOI: 10.1016/j.isci.2025.113805

Resource: (Santa Cruz Biotechnology Cat# sc-7298, RRID:AB_627761)

Curator: @scibot

SciCrunch record: RRID:AB_627761

What is this?

DOI: 10.1016/j.isci.2025.113805

Resource: (Proteintech Cat# 12058-1-AP, RRID:AB_2156630)

Curator: @scibot

SciCrunch record: RRID:AB_2156630

What is this?

DOI: 10.1145/3332186.3332229

Resource: None

Curator: @bandrow

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.1016/j.celrep.2025.116448

Resource: (ATCC Cat# CRL-2914, RRID:CVCL_B057)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_B057

What is this?

DOI: 10.1016/j.celrep.2025.116443

Resource: RRID:Addgene_105558

Curator: @areedewitt04

SciCrunch record: RRID:Addgene_105558

What is this?

DOI: 10.1016/j.celrep.2025.116443

Resource: RRID:Addgene_100852

Curator: @areedewitt04

SciCrunch record: RRID:Addgene_100852

What is this?

DOI: 10.1016/j.celrep.2025.116441

Resource: RRID:IMSR_JAX:000664

Curator: @areedewitt04

SciCrunch record: RRID:IMSR_JAX:000664

What is this?

DOI: 10.1016/j.celrep.2025.116441

Resource: (IMSR Cat# JAX_029977,RRID:IMSR_JAX:029977)

Curator: @areedewitt04

SciCrunch record: RRID:IMSR_JAX:029977

What is this?

DOI: 10.1016/j.celrep.2025.116441

Resource: (IMSR Cat# JAX_002216,RRID:IMSR_JAX:002216)

Curator: @areedewitt04

SciCrunch record: RRID:IMSR_JAX:002216

What is this?

DOI: 10.1016/j.celrep.2025.116433

Resource: (RRID:CVCL_0063)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_0063

What is this?

DOI: 10.1016/j.celrep.2025.116433

Resource: (ATCC Cat# CRM-CRL-1420, RRID:CVCL_0428)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_0428

What is this?

DOI: 10.1016/j.celrep.2025.116433

Resource: (KCB Cat# KCB 200730YJ, RRID:CVCL_1119)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_1119

What is this?

DOI: 10.1016/j.celrep.2025.116433

Resource: (IMSR Cat# GPT_N000013,RRID:IMSR_GPT:N000013)

Curator: @areedewitt04

SciCrunch record: RRID:IMSR_GPT:N000013

What is this?

DOI: 10.1016/j.celrep.2025.116433

Resource: (ECACC Cat# 87092802, RRID:CVCL_0480)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_0480

What is this?

DOI: 10.1016/j.celrep.2025.116433

Resource: RRID:IMSR_GPT:D000521

Curator: @areedewitt04

SciCrunch record: RRID:IMSR_GPT:D000521

What is this?

DOI: 10.1016/j.celrep.2025.116433

Resource: (NCBI_Iran Cat# C558, RRID:CVCL_0152)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_0152

What is this?

DOI: 10.1016/j.celrep.2025.116433

Resource: (ATCC Cat# CRL-4036, RRID:CVCL_C467)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_C467

What is this?

DOI: 10.1016/j.celrep.2025.116433

Resource: (IZSLER Cat# BS TCL 4, RRID:CVCL_0186)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_0186

What is this?

DOI: 10.1016/j.cej.2025.169735

Resource: (CCLV Cat# CCLV-RIE 1035, RRID:CVCL_0023)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_0023

What is this?

DOI: 10.1016/j.cej.2025.169735

Resource: (ICLC Cat# HTL95023, RRID:CVCL_0030)

Curator: @areedewitt04

SciCrunch record: RRID:CVCL_0030

What is this?

DOI: 10.7191/jeslib.964

Resource: None

Curator: @scibot

SciCrunch record: RRID:SCR_011538

What is this?

DOI: 10.7191/jeslib.964

Resource: Oregon Health and Science University; Oregon; USA (RRID:SCR_009665)

Curator: @scibot

SciCrunch record: RRID:SCR_009665

What is this?

DOI: 10.7191/jeslib.964

Resource: None

Curator: @scibot

SciCrunch record: RRID:SCR_019299

What is this?

DOI: 10.7191/jeslib.964

Resource: LI-COR Odyssey Classic Imager (RRID:SCR_023765)

Curator: @scibot

SciCrunch record: RRID:SCR_023765

What is this?

DOI: 10.7191/jeslib.964

Resource: Florida State University; Florida; USA (RRID:SCR_011228)

Curator: @scibot

SciCrunch record: RRID:SCR_011228

What is this?

DOI: 10.1016/S1474-4422(25)00313-8

Resource: (Agilent Cat# IS64930-2, RRID:AB_2861415)

Curator: @scibot

SciCrunch record: RRID:AB_2861415

What is this?

DOI: 10.1016/S1474-4422(25)00313-8

Resource: None

Curator: @scibot

SciCrunch record: RRID:AB_1833336

What is this?

DOI: 10.1016/S1474-4422(25)00313-8

Resource: (Abcam Cat# ab34269, RRID:AB_732367)

Curator: @scibot

SciCrunch record: RRID:AB_732367

What is this?

DOI: 10.1016/S1474-4422(25)00313-8

Resource: (Thermo Fisher Scientific Cat# MN1020, RRID:AB_223647)

Curator: @scibot

SciCrunch record: RRID:AB_223647

What is this?

DOI: 10.1016/S1474-4422(25)00313-8

Resource: None

Curator: @scibot

SciCrunch record: RRID:AB_2564857

What is this?

DOI: 10.1016/S1474-4422(25)00313-8

Resource: (Agilent Cat# GA623 (also GA62361-2), RRID:AB_3073940)

Curator: @scibot

SciCrunch record: RRID:AB_3073940

What is this?

DOI: 10.1016/S1474-4422(25)00313-8

Resource: (Millipore Cat# MABN12, RRID:AB_10562244)

Curator: @scibot

SciCrunch record: RRID:AB_10562244

What is this?

DOI: 10.1016/j.ymthe.2025.10.036

Resource: RRID:Addgene_39174

Curator: @scibot

SciCrunch record: RRID:Addgene_39174

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: ImageJ (RRID:SCR_003070)

Curator: @scibot

SciCrunch record: RRID:SCR_003070

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: (BD Biosciences Cat# 550274, RRID:AB_393571)

Curator: @scibot

SciCrunch record: RRID:AB_393571

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: SPSS (RRID:SCR_002865)

Curator: @scibot

SciCrunch record: RRID:SCR_002865

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: None

Curator: @scibot

SciCrunch record: RRID:SCR_018620

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: (Abcam Cat# ab92486, RRID:AB_10562492)

Curator: @scibot

SciCrunch record: RRID:AB_10562492

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: (IMSR Cat# CRL_086,RRID:IMSR_CRL:086)

Curator: @scibot

SciCrunch record: RRID:IMSR_CRL:086

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: None

Curator: @scibot

SciCrunch record: RRID:AB_11211959

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: Chemotaxis and Migration Tool (RRID:SCR_022708)

Curator: @scibot

SciCrunch record: RRID:SCR_022708

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: (Abcam Cat# ab16667, RRID:AB_302459)

Curator: @scibot

SciCrunch record: RRID:AB_302459

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: (NCBI_Iran Cat# C596, RRID:CVCL_0153)

Curator: @scibot

SciCrunch record: RRID:CVCL_0153

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: (ECACC Cat# 92030501, RRID:CVCL_2537)

Curator: @scibot

SciCrunch record: RRID:CVCL_2537

What is this?

DOI: 10.1016/j.ymthe.2025.10.033

Resource: (RRID:CVCL_1085)

Curator: @scibot

SciCrunch record: RRID:CVCL_1085

What is this?

DOI: 10.1016/j.xhgg.2025.100532

Resource: (ECACC Cat# 05092802, RRID:CVCL_1045)

Curator: @scibot

SciCrunch record: RRID:CVCL_1045

What is this?

DOI: 10.1016/j.xgen.2025.101040

Resource: Integrated Islet Distribution Program (IIDP) (RRID:SCR_014387)

Curator: @scibot

SciCrunch record: RRID:SCR_014387

What is this?

DOI: 10.1016/j.xgen.2025.101040

Resource: (Miltenyi Biotec Cat# 130-090-853, RRID:AB_244346)

Curator: @scibot

SciCrunch record: RRID:AB_244346

What is this?

DOI: 10.1016/j.xgen.2025.101040

Resource: (Novus Cat# NBP1-18946C, RRID:AB_1723990)

Curator: @scibot

SciCrunch record: RRID:AB_1723990

What is this?

DOI: 10.1016/j.xgen.2025.101040

Resource: None

Curator: @scibot

SciCrunch record: RRID:AB_445799

What is this?

DOI: 10.1016/j.xgen.2025.101040

Resource: (Miltenyi Biotec Cat# 130-080-801, RRID:AB_244342)

Curator: @scibot

SciCrunch record: RRID:AB_244342

What is this?

DOI: 10.1016/j.talanta.2025.128978

Resource: (DSMZ Cat# ACC-633, RRID:CVCL_1896)

Curator: @scibot

SciCrunch record: RRID:CVCL_1896

What is this?

DOI: 10.1016/j.talanta.2025.128978

Resource: (CCTCC Cat# GDC0199, RRID:CVCL_U251)

Curator: @scibot

SciCrunch record: RRID:CVCL_U251

What is this?

DOI: 10.1016/j.phrs.2025.107997

Resource: (CLS Cat# 300483/p789_NCI-H295R, RRID:CVCL_0458)

Curator: @scibot

SciCrunch record: RRID:CVCL_0458

What is this?

DOI: 10.1016/j.molmet.2025.102269

Resource: (RCB Cat# RCB2767, RRID:CVCL_0594)

Curator: @scibot

SciCrunch record: RRID:CVCL_0594

What is this?

DOI: 10.1016/j.molmet.2025.102269

Resource: None

Curator: @scibot

SciCrunch record: RRID:CVCL_8566

What is this?

DOI: 10.1016/j.molcel.2025.09.025

Resource: RRID:Addgene_91792

Curator: @scibot

SciCrunch record: RRID:Addgene_91792

What is this?

DOI: 10.1016/j.molcel.2025.09.025

Resource: None

Curator: @scibot

SciCrunch record: RRID:AB_2296175

What is this?

DOI: 10.1016/j.molcel.2025.09.025

Resource: RRID:Addgene_42230

Curator: @scibot

SciCrunch record: RRID:Addgene_42230

What is this?

DOI: 10.1016/j.molcel.2025.09.025

Resource: (Sigma-Aldrich Cat# HPA040934, RRID:AB_10795495)

Curator: @scibot

SciCrunch record: RRID:AB_10795495

What is this?

DOI: 10.1016/j.molcel.2025.09.025

Resource: (Abcam Cat# ab22758, RRID:AB_776878)

Curator: @scibot

SciCrunch record: RRID:AB_776878

What is this?

DOI: 10.1016/j.molcel.2025.09.025

Resource: (Proteintech Cat# 15062-1-AP, RRID:AB_2278183)

Curator: @scibot

SciCrunch record: RRID:AB_2278183

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 101333, RRID:AB_2563692)

Curator: @scibot

SciCrunch record: RRID:AB_2563692

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 100243, RRID:AB_2563946)

Curator: @scibot

SciCrunch record: RRID:AB_2563946

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 101319, RRID:AB_1574973)

Curator: @scibot

SciCrunch record: RRID:AB_1574973

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 149502, RRID:AB_2565302)

Curator: @scibot

SciCrunch record: RRID:AB_2565302

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 130714 (also 130713), RRID:AB_2153642)

Curator: @scibot

SciCrunch record: RRID:AB_2153642

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 109821, RRID:AB_493730)

Curator: @scibot

SciCrunch record: RRID:AB_493730

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (Thermo Fisher Scientific Cat# 12-5965-80, RRID:AB_1257210)

Curator: @scibot

SciCrunch record: RRID:AB_1257210

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 151003, RRID:AB_2632608)

Curator: @scibot

SciCrunch record: RRID:AB_2632608

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BD Biosciences Cat# 566599, RRID:AB_2869790)

Curator: @scibot

SciCrunch record: RRID:AB_2869790

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 152006, RRID:AB_2632677)

Curator: @scibot

SciCrunch record: RRID:AB_2632677

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 117309, RRID:AB_313778)

Curator: @scibot

SciCrunch record: RRID:AB_313778

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 134307, RRID:AB_1626104)

Curator: @scibot

SciCrunch record: RRID:AB_1626104

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 108707, RRID:AB_313394)

Curator: @scibot

SciCrunch record: RRID:AB_313394

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BD Biosciences Cat# 553089, RRID:AB_394619)

Curator: @scibot

SciCrunch record: RRID:AB_394619

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 115507, RRID:AB_313642)

Curator: @scibot

SciCrunch record: RRID:AB_313642

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 127608, RRID:AB_1186099)

Curator: @scibot

SciCrunch record: RRID:AB_1186099

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 116207, RRID:AB_313708)

Curator: @scibot

SciCrunch record: RRID:AB_313708

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (IMSR Cat# JAX_005582,RRID:IMSR_JAX:005582)

Curator: @scibot

SciCrunch record: RRID:IMSR_JAX:005582

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 100205, RRID:AB_312662)

Curator: @scibot

SciCrunch record: RRID:AB_312662

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (IMSR Cat# JAX_025524,RRID:IMSR_JAX:025524)

Curator: @scibot

SciCrunch record: RRID:IMSR_JAX:025524

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BD Biosciences Cat# 560209, RRID:AB_1645615)

Curator: @scibot

SciCrunch record: RRID:AB_1645615

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 123149, RRID:AB_2564589)

Curator: @scibot

SciCrunch record: RRID:AB_2564589

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (IMSR Cat# JAX_002014,RRID:IMSR_JAX:002014)

Curator: @scibot

SciCrunch record: RRID:IMSR_JAX:002014

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 108103, RRID:AB_313340)

Curator: @scibot

SciCrunch record: RRID:AB_313340

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 108107, RRID:AB_313344)

Curator: @scibot

SciCrunch record: RRID:AB_313344

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BD Biosciences Cat# 562865, RRID:AB_2737851)

Curator: @scibot

SciCrunch record: RRID:AB_2737851

What is this?

DOI: 10.1016/j.isci.2025.113795

Resource: (BioLegend Cat# 117307, RRID:AB_313776)

Curator: @scibot

SciCrunch record: RRID:AB_313776

What is this?