In late 2006, Eno released 77 Million Paintings, a program of generative video and music specifically for home computers. As its title suggests, there is a possible combination of 77 million paintings where the viewer will see different combinations of video slides prepared by Eno each time the program is launched. Likewise, the accompanying music is generated by the program so that it's almost certain the listener will never hear the same arrangement twice.

“People always say of great athletes that they have a sixth sense,” Malcolm Gladwell says in Miracle and Wonder: Conversations with Paul Simon. “But it’s not a sixth sense. It’s memory.” Gladwell then analogizes James’ exacting memory to Simon’s. In the way James has precise recall of basketball game situations, Simon has it of sounds and songs. “Simon’s memory is prodigious,” Gladwell says. “There were thousands of songs in his head. And thousands more bits of songs—components—which appeared to have been broken down and stacked like cordwood in his imagination.”

Debaser987 May 8, 2017Reportreferencing Electr-O-Pura (CD, Album) OLE 132-2This is my favorite record of all time. Equal parts tender and fierce, this record challenges me as much as it entertains. Ira's shimmering guitar lines crackle with subtle complexities. Georgia's drumming is right in the pocket with James' hypnotic baselines. I've been getting lost in this record for years and every time I listen I find something new beneath the carefully crafted sonic layers. The songwriting is meditative, intimate, personal, and immediate. Pablo and Andrea is an absolute gem of a pop song. The virtuosic guitar solo on My Heart's Reflection equally melodic as it atonal. Tom Courtenay should be THE anthem of awkward indie kids everywhere. This record somehow manages to find balances between contradictions - harmony and dissonance, simplicity and complexity, chaos and order - and makes you believe they were never opposites in the first place.

"You Oughta Know" signaled Morissette's departure from bubblegum pop to alternative rock, and features guitarist Dave Navarro and bassist Flea of Red Hot Chili Peppers

Mick Jagger contributed uncredited backing vocals for the song. When asked how this collaboration occurred, Simon said: He happened to call at the studio. … I said "We're doing some backup vocals on a song of mine, why don't you come down and sing with us?"[35]

In 1983, she said the song was not about Mick Jagger,[9] who contributed uncredited backing vocals to it.[10

“La evolución de las costumbres”, incluso con una lírica de nuevo bastante elevada (“se hacen ferias de muestras de la modernidad, a los cuentos de niños se les cambia el final, son los tiempos modernos, que nos tocan vivir, se aplazó el sueño eterno, es mejor no reir”) y con el aura del post-rock

Mario Gil, simultaneando sus quehaceres en Un pingüino en mi ascensor, arranca un nuevo proyecto, en 2005, que lleva por nombre Kill Bill G, en la onda electrónica de Aviador Dro, a quienes, poco tiempo después se uniría.

Tras la disolución, Mario Gil inicia carrera como músico de sesión y colaborando con diversos grupos con Un Pingüino en mi Ascensor, así como componiendo sintonías para espacios televisivos, como la de El Precio Justo, o incluso musicando programas de televisión, como El Informal.

Education University of Miami MusicPiano 1982 - 1984 Classical and Jazz, Composition, Arrangements Bournemouth, England Music masterMusic Major 1978 - 1981 Classical Piano

Espiando a mi vecina, Juegas con mi corazón y El Sendero Luminoso (me persigue sin reposo).

Un Pingüino en mi Ascensor es un grupo musical español formado en los años 80 por el publicista José Luis Moro, cantante y compositor del grupo

El tema La evolución de las costumbres es considerado uno de los mejores temas del dark wave hecho en España.

At the time he was selling, Jay-Z was also coming up with rhymes. He normally wrote down his material in a green notebook he carried around with him — but he never took the notebook with him on the streets, he says. "I would run into the corner store, the bodega, and just grab a paper bag or buy juice — anything just to get a paper bag," he says. "And I'd write the words on the paper bag and stuff these ideas in my pocket until I got back. Then I would transfer them into the notebook. As I got further and further away from home and my notebook, I had to memorize these rhymes — longer and longer and longer. ... By the time I got to record my first album, I was 26, I didn't need pen or paper — my memory had been trained just to listen to a song, think of the words, and lay them to tape." Since his first album, he says, he's never written down any of his lyrics. "I've lost plenty of material," he says. "It's not the best way. I wouldn't advise it to anyone. I've lost a couple albums' worth of great material. ... Think about when you can't remember a word and it drives you crazy. So imagine forgetting an entire rhyme. 'What's that? I said I was the greatest something?' "

"I feel like I'm Gucci Mane in 2006All these diamonds dancing on my f**king neck cost like four bricksAnd the way that I be toting on that strap don’t make no senseHe a million dollar n***a but be posted in the bricks, uh"

The Tegos Tapes is an interesting example of an obscure and heretofore unreleased Vangelis soundtrack unknown by many of even his most devoted fans.The Tegos Tapes were produced originally by the Greek medical professional Dr. Stergios Tegos, and contain educational examples of his microneurosurgery work. This VHS set of tapes was not intended for general release to the Public as these training videos were mainly intended for student surgeons in training or offered to other microneurosurgeons via Dr. Tegos exclusively.Dr. Tegos asked his close friend Vangelis to create a background soundtrack to accompany these videos and Vangelis agreed, composing nearly 8 hours of some of his more pleasing and ambient music. Dr. Tegos thought that a background musical score composed and performed by Vangelis himself would ease the monotony and dryness of the subject matter and help the viewer to focus more effectively.