- Nov 2024
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www.youtube.com www.youtube.com
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something like Gangam Style has been viewed to the tune of like almost or over two billion times and when you just when you count just the data coming out of Google servers let alone all the links we're dealing with something close to 500 pedabytes of data that's a lot for a video right I mean this is clearly an issue there's no reason we should be moving around all of this data constantly through the network
for - internet limitations - inefficient bandwidth use - example - music video - Gangam Style
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- Oct 2024
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www.youtube.com www.youtube.com
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Celebrities with funny music clips (before they were famous). Video of Haaland commenting on it: https://www.youtube.com/watch?v=zqlSeZMRnCE
Reminds me of the Timothee Chalamet musicc video statistics: https://www.youtube.com/watch?v=BvWefB4NGGI
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www.youtube.com www.youtube.com
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This guy discovers music through Beatport.
Main principle: Look through artists, producers and labels of music you like.
This way you discover new but similar music to what you already like and increase your awareness.
Custom edits can be useful too, but requires more domain know-how
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www.youtube.com www.youtube.com
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Great video about listening to music "professionally"
It's about emotion & intent (context) over the theory, usually.
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www.youtube.com www.youtube.com
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Ways to discover music organically: - 1) Check out the producer of the song - 2) Check out artist features (who features on them and who they feature for. - 3) Check out playlists by favorite artist. - 4) Keep up with critics/publications of music - 5) Genre Reddit communities - 6) Rate Your Music -> IMDB for music - 7) AlbumOfTheYear - 8) Physical Record Stores - 9) Discover Music through Friends Warning: Not for Loners!!! - 10) Local Music Venues
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www.youtube.com www.youtube.com
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Getting Started with the Tin Whistle by [[whistletutor]]
Starter flutes: - Gary Humphrey - Feadóg Original Irish Whistle - Terry McGee - Windward
Beginner Tunes:<br /> - Down by the Sally Gardens - Raglan Road
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www.youtube.com www.youtube.com
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Put tracks between each pair of songs to highlight the journey with a natural flow.
About four landmarks for an hour long playlist.
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Go from the end to the beginning. Tell a story
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Excellent vid on playlists
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www.youtube.com www.youtube.com
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Some worked examples of working song transitions.
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www.youtube.com www.youtube.com
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Best methods for mixing: - Same number, same letter - Same number, different letter This is the absolute best method for mixing compatibility for a tonal shift - Same letter, 1 difference in number (+1/-1)
Other Methods (less reliable but still useful at times): - Semitone Shift (+7 number, same letter) - Full tone shift (+/- 2 number, same letter) - Compatible tone shift: -3 number, different letter - Diagonal switch (+/- 1 number, different letter
All this is due to the overlap in notes within the respective scales. Most of this is also dependent on the tracks being played and their notes.
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Best video I have seen on the camelot wheel and mixing keys.
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An example of this would be if you were mixing in F-major, which is 7B on the Camelot Wheel, you can transition by 3 spaces to its counterpart to F-minor, which is 4A on the Camelot system. In other words, to get from F-Major to F-minor, you subtract 3 and switch letters.
Subtract (or add) 3 and switch letters
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A simple technique when it comes to harmonic mixing is by simply going from a major key to a minor, or a minor to a major key, whilst staying in the same relative key. For example, if a DJ is mixing in the key of 8B-C major, then he/she can transition to 8A-A minor or vice versa. Just keep the number the same (in this example it is 8) whilst changing the letter (B to A).
Number same, letter different.
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www.britannica.com www.britannica.com
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The dancehall deejays of the 1980s and ’90s who refined the practice of “toasting” (rapping over instrumental tracks) were heirs to reggae’s politicization of music. These deejays influenced the emergence of hip-hop music in the United States and extended the market for reggae into the African American community. At the beginning of the 21st century, reggae remained one of the weapons of choice for the urban poor, whose “lyrical gun,” in the words of performer Shabba Ranks, earned them a measure of respectability.
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“Lover’s rock,” a style of reggae that celebrated erotic love, became popular through the works of artists such as Dennis Brown, Gregory Issacs, and Britain’s Maxi Priest.
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During this period of reggae’s development, a connection grew between the music and the Rastafarian movement, which encourages the relocation of the African diaspora to Africa, deifies the Ethiopian emperor Haile Selassie I (whose precoronation name was Ras [Prince] Tafari), and endorses the sacramental use of ganja (marijuana). Rastafari (Rastafarianism) advocates equal rights and justice and draws on the mystical consciousness of kumina, an earlier Jamaican religious tradition that ritualized communication with ancestors.
Diaspora: the jews living outside Israel (https://www.merriam-webster.com/dictionary/diaspora)
Interesting musical roots for Reggae... Wonder if this is still present?
Mystical roots.
(Note, I give this the fiction tag because I might want to look into this mystical religion for fiction writing as inspiration)
Logical that marijuana (a drug) is correlated with the mystical concept of communicating with diseased spirits for marijuana makes you hallucinate (or perhaps it's demonic in nature?)
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the music became a voice for the poor and dispossessed
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Among those who pioneered the new reggae sound, with its faster beat driven by the bass, were Toots and the Maytals, who had their first major hit with “54-46 (That’s My Number)” (1968), and the Wailers—Bunny Wailer, Peter Tosh, and reggae’s biggest star, Bob Marley—who recorded hits at Dodd’s Studio One and later worked with producer Lee (“Scratch”) Perry. Another reggae superstar, Jimmy Cliff, gained international fame as the star of the movie The Harder They Come (1972).
Main early pioneers: - Toots and the Maytals (band) - Wailers (band)
Notable members of these bands: Toots and Maytals - Paul Douglas - Radcliffe "Dougie" Bryan - Jackie Jackson - Carl Harvey - Marie "Twiggi" Gitten - Stephen Stewart - Charles Farquarson - Frederick "Toots" Hibbert - Henry "Raleigh" Gordon - Nathaniel "Jerry" Matthias - Hux Brown - Harold Butler - Michelle Eugene - Winston Wright - Winston Grennan - Andy Bassford - Leba Hibbert - Thomas Copied from: https://en.wikipedia.org/wiki/Toots_and_the_Maytals
Wailers: * Aston Barrett Jr. * Owen "Dreadie" Reid * Josh David Barrett * Glen DaCosta * Andres Lopez * Junior Jazz * Aston "Familyman" Barrett * Donald Kinsey * Junior Marvin * Carlton Barrett * Alvin "Seeco" Patterson * Tyrone Downie * Earl "Wire" Lindo * Al Anderson * Gary "Nesta" Pine * Joe Yamanaka * Elan Atias * Anthony Watson * Chico Chin * Everald Gayle * Irvin "Carrot" Jarrett * Brady Walters * Basil Creary * Keith Sterling * Kevin "Yvad" Davy * Ras Mel Glover * "Drummie Zeb" Williams * Audley Chisholm * Koolant Brown * Dwayne Anglin * Ceegee Victory * Javaughn Bond * Shema McGregor Copied from: https://en.wikipedia.org/wiki/The_Wailers_Band
Other notable pioneers: - Bob Marley
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Reggae evolved from these roots and bore the weight of increasingly politicized lyrics that addressed social and economic injustice.
Reggae is known to have depth and meaning to its tracks due to tackling of social and economic issue as well as injustice in general.
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In the mid-1960s, under the direction of producers such as Duke Reid and Coxsone Dodd, Jamaican musicians dramatically slowed the tempo of ska, whose energetic rhythms reflected the optimism that had heralded Jamaica’s independence from Britain in 1962
Reggae came to be during a time of subjugation to Britain?
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reggae, style of popular music that originated in Jamaica in the late 1960s
Emerged in Jamaica
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By the 1970s it had become an international style that was particularly popular in Britain, the United States, and Africa. It was widely perceived as a voice of the oppressed.
Mainstream perception of Reggae Music
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- 1980s
- Mysticism
- Genres
- 1960s
- Sexuality
- Rastafarian Movement
- Diaspora
- Subjugation
- Music
- 1990s
- Erotic Love
- Fiction
- Dancehall
- Oppression
- Musical Roots
- Hallucination
- Kumina
- Social Issues
- Meaning
- Occultism
- Toots and the Maytals
- Conquest
- Politics
- Haile Selassie I (Ras Tafari)
- Jamaica
- Injustice
- 1970s
- Reggae
- The Wailers
- Lover's Rock
- United Kingdom
- Depth
- Poverty
- Marijuana
- 2000s
- Music Categorization
- Drugs
- War
- Communicating with the Dead
- Bob Marley
- Hip-Hop
- African Religion
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www.youtube.com www.youtube.com
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This guy learns music creation efficiently, by learning the theory first and really analyzing worked examples (the masters). Positively surprises me. I rarely come across a non-learning expert who intuitively uses proper processes for skill acquisition.
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Levels of understanding genres: - 0) No understanding Like the song, never heard anything like it before, but no idea about anything. - 1) Basic Understanding Knowing a bit about the name of the genre and subgenres, but you can be wrong. - 2) Immersion Really dive into subgenres and flavors of the main genre... Also a bit of history about the genre. Research. - 3) Structure Breaking down the structure of the tracks in the genre. For example through DAW. Basically first-principles thinking.
To level 1: Song Analyzer tools (for example musicstax or AI). The author recommends everynoise.com too to gain a basic understanding of genres.
To level 2: Find similar songs and artists for your playlists with that genre. Perhaps playlists. Important to understand the origin of the genre.
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www.youtube.com www.youtube.com
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It is important to create a shit tag (literally), to keep track of songs to delete.
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Can mix by energy and key... Have software show related key and bpm. Filter by your own energy tags.
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Chris M. recommends to use a layered system for music categorization:
- Layer 1) Genres / Subgenres
- Layer 2) Energy
- Layer 3) Vibe
Genre itself is the main overall (and broad) genre. Subgenres are tag-like and related to when you want to play it more granularly.
Energy is a measurement of the average energy of the song.
Vibes refer to the emotions and memories it brings up to you and potentially others you play it for. Some questions he asks: - 1) How does it make me feel? - 2) What does it remind me of? - 3) Where would I play it? - 4) When would I play it? - 5) Why would I play it? - 6) Who would I play it for?
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When looking for songs in the library, it's very important to answer a few questions to filter. Not just to save storage space, but also to ensure the quality of one's library.
Chris M. recommends a SHORT LIST... Music you come across that you like and think about downloading, you put in there. Then wait for 24h before listening again to it. Finally, ask 3 questions before deciding to add it: - 1) Do I still like it? - 2) Would I play it out? - 3) Would I pay money for it?
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Great video about music library organization.
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www.youtube.com www.youtube.com
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Chris M. suggests to keep track of emotions/vibes to build certain kinds of playlists easier.
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Can also categorize by time... Mostly related to music energy.
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Chris M. suggests to start building a playlist with the end in mind. This is logical because it's easier to backtrack transitions then to do it forward.
Edit: This he suggested in a different video, not this one.
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Playing into the idea of transitions... Perhaps it's useful to keep small playlists with only a handful of songs (3-5) that are PERFECT together. This can be used as a sort of repository for the creation of larger playlists later to save time.
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Good videos about playlists.
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www.youtube.com www.youtube.com
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Transitions he mentions: - A) Instant RAGE Slower Song -> Instant Drop Instant Drop = a song that immediately pulls up the speed. - B) Slow Down, Speed Up Hype song with a gradual slow down, leading into an immediate speed up. Kick or beat drop from track 2. - C) Vibez to Vibez Track 1 to Track 2 while remaining energy (energy the same) but switching the genres. - D) Get up and Dance Weird ending that you CAN'T dance to leading into something that you HAVE to dance to. - E) The SLOW DOWN Song pace doesn't matter. Slow Ending to a Slow Beginning. - F) The Lit Switch Lead one LIT song seamlessly into another LIT song, regardless of genre. It maintains hype level. - G) Is that the same X Have a similar sounding X playing at the end of track 1 and at the beginning of track 2... X can be anything, for example an instrument/guitar. - H) Weird BUT Effective Track 2 starts with a sound effect and you use that to transition seamlessly with track 1. - I) The Dip/The Rip Track A with decent pace to Track B (slowest song of the 3) to Track C which starts slow but picks up the pace again Can be reversed into the hip... Then the middle song is the fastest song.
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The distinguisher between a great playlist and a normal playlist is the flow between each songs. In other words, the transitions.
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Excellent video on the creation of playlists.
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www.reddit.com www.reddit.com
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Watch My Typewriter (Not Me) https://old.reddit.com/r/typewriters/comments/1g2ybw4/watch_my_typewriter_not_me/
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library.vcvrack.com library.vcvrack.com
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LibraryManualSupportRegister / Log in Cart Checkout PayPal Library/Patch & Tweak Subscribe Unsubscribe Add all Remove all 5 modules in plugin
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www.youtube.com www.youtube.com
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Nostalgische videoclip van Adje. Circa 12 jaar terug. Toen ik op de middelbare zat?
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- Sep 2024
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Local file Local file
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Sometimes Rita will hum, while kneading or peeling: a wordless humming,tuneless, unfathomable
Even when all is outlawed in Gilead, this is a sort of passive rebellion, songs. So much can happen in music.
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en.wikipedia.org en.wikipedia.org
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www.youtube.com www.youtube.com
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``` 57:27 58:11 check this out 58:33 58:55 düdü deedee 59:39 1:00:45 düdü 1:02:12 down 1:02:36 back 1:02:58 back!! 1:03:22 1:03:42 1:03:53
1:04:04 new track ```
... some "chapters" of this mix
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- Aug 2024
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www.loudersound.com www.loudersound.com
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VId
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www.youtube.com www.youtube.com
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VId
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www.youtube.com www.youtube.com
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Patience reaction video
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www.youtube.com www.youtube.com
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Patience reaction video
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www.youtube.com www.youtube.com
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Reaction vid on patience
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www.youtube.com www.youtube.com
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Reaction vid of pateinec
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www.youtube.com www.youtube.com
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Patience reaction vid
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www.youtube.com www.youtube.com
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Reaction vid on patience
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www.youtube.com www.youtube.com
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Reaction vid to patience
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www.youtube.com www.youtube.com
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Patience reaction vid
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www.youtube.com www.youtube.com
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Patience reaction vid
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www.youtube.com www.youtube.com
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Reaction vid to pateince
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www.youtube.com www.youtube.com
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Patience reaction vid
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www.youtube.com www.youtube.com
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Reaction video on "Patience"
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www.youtube.com www.youtube.com
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One of the greatest Christian songs I know.
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www.youtube.com www.youtube.com
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Great song by a beautiful woman. Full of energy. Love the speech by the guy also.
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www.youtube.com www.youtube.com
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Beautiful performance. Still to this day.
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www.youtube.com www.youtube.com
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Favorite song of mine by For King and Country.
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www.youtube.com www.youtube.com
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Great song.
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www.youtube.com www.youtube.com
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One of the most beautiful versions of the Internationale Song I have ever heard/seen
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- Jul 2024
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blog.datalad.org blog.datalad.org
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www.youtube.com www.youtube.com
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Excellent song
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www.youtube.com www.youtube.com
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Great song by Joshua Aaron.
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www.youtube.com www.youtube.com
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Great song by Joshua Aaron.
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www.youtube.com www.youtube.com
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Great song. Might want to have it performed live on my own wedding.
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docdrop.org docdrop.org
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I would really argue there hasn't been a better time to make music and there hasn't been a better time to consume and listen to music
for - question - Is music worse because entry level is lower? - Musicians response - Bernth's response
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For more meaning on the song: https://songmeanings.com/songs/view/3530822107858830191/
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One of the greatest songs ever.
Much meaning. Depth.
Patience.
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- Jun 2024
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docdrop.org docdrop.org
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quite frankly a lot of artists and 00:21:16 producers are probably using it just for that they come up with something inspiration they go they make something new
for - Generative AI music - producers and artists using for inspiration
comment I would agree with this. Especially since the AI music currently sounds lo-fi
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what if a band decides to take one of the udio generated songs and re-record it entirely will they own the full copy rate to that very new recording now if I 00:21:03 was udio the answer probably be like no you made that thing using our platform
for - AI music issues - rerecording an AI music generated song - copyright question
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the AI created Music learned from got inspiration from the hit songs and came up with a great new hit song for you and then kind of you 00:13:21 know what we'll call those those artifacts or the little similarities here and there might get picked up by Content ID on YouTube
for - AI music - youtube content ID algorithms can identify it
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here's a way to do direct to 00:16:46 Consumer sell and can make some money and don't just be like so worried about being on the music platform streaming and now you're diluted because the AI
for - new music sales model - direct to consumer - helps mitigate AI music
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now there's going to be even more AI music pouring 00:09:04 into platforms which saturated Market in an already oversaturated Market
for - progress trap - AI music - oversaturated market
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these conversations are having daily people are scrambling trying to like we're trying to keep up 00:07:32 with AI in real time scrambling to find out what we're going to do think about all the different businesses that are affected from this
for - AI Disruption - Realtime - music industry is scrambling
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Google deep mind they're coming up their new Google AI sound boox that and it is making Loops from prompts and they have wav Jean
for - AI music - Google Deep Mind - Google AI Soundbox - Wycliff Jean endorsing
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backstory of udio like I didn't know that willim IM and United Masters were like investors in udio
for - AI music - Udio - investors - Will.I.Am - United Masters
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Spotify rolled out its discovery mode
for - example - music platforms bleeding producers - Spotify - discovery mode
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deluding the general royalty pool
for - progress trap - AI music - dilution of general royalty pool - due to large volume
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the volume of how much music is being created over 800,000 00:01:56 tracks a day are being created using udio
for - stats - AI music platform Udio - tracks created per day - over 800000
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terms of service which is the contract that you sign when you get on their platform does say that you can monetize what you make so meaning you can put into distribution 00:00:41 the music that you make
for - AI music - Udio - terms of service - users can sell the music made on Udio
Tags
- example - music platforms bleeding producers - Spotify - discovery mode
- AI music - Udio - terms of service - users can sell the music made on Udio
- progress trap - AI music - oversaturated market
- AI music - Google Deep Mind - Google AI Soundbox - Wycliff Jean endorsing
- generative AI music - producers and artists using for inspiration
- AI music - youtube content ID algorithms can identify it
- AI Disruption - Realtime - music industry is scrambling
- progress trap - AI music - dilution of general royalty pool - due to large volume
- stats - AI music platform Udio - tracks created per day - over 800000
- AI music issues - rerecording an AI music generated song - copyright question
- new music sales model - direct to consumer - helps mitigate AI music
- AI music - Udio - investors - Will.I.Am - United Masters
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docdrop.org docdrop.org
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for - progress trap - AI music - critique - Folia Sound Studio - to - P2P Foundation - Michel Bauwens - Commons Transition Plan - Netarchical Capitalism - Predatory Capitalism
to - P2P Foundation - Michel Bauwens - Commons Transition Plan - Netarchical Capitalism - Predatory Capitalism https://hyp.is/o-Hp-DCAEe-8IYef613YKg/wiki.p2pfoundation.net/Commons_Transition_Plan
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I think that Noam chsky said exactly a year ago in New York Times around a year ago that generative AI is not any 00:18:37 intelligence it's just a plagiarism software that learned stealing human uh work transform it and sell it as much as possible as cheap as possible
for - AI music theft - citation - Noam Chomsky - quote - Noam Chomsky - AI as plagiarism on a grand scale
to - P2P Foundation - commons transition plan - Michel Bauwens - netarchical capitalism - predatory capitalism - https://wiki.p2pfoundation.net/Commons_Transition_Plan#Solving_the_value_crisis_through_a_social_knowledge_economy
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- AI music theft - citation - Noam Chomsky
- to - P2P Foundation - Michel Bauwens - netarchical capitalism - predatory capitalism
- progress trap - AI music - critique
- to - P2P Foundation - Michel Bauwens - Commons Transition Plan - Netarchical Capitalism - Predatory Capitalism
- quote - Noam Chomsky - AI as plagiarism on a grand scale
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wiki.p2pfoundation.net wiki.p2pfoundation.net
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from - youtube - Folia Sound Studio critique of AI music tools - Suno - Udio https://hyp.is/NGScyjB_Ee-rSYNhe9Fuug/docdrop.org/video/wEQ9Vg2YKcU/
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for - AI - replicating music - AI - music app - Udio
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www.youtube.com www.youtube.comYouTube1
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Great performance
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www.youtube.com www.youtube.com
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Excellent performance.
Goosebump-giving
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- May 2024
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I started to use in the 00:58:01 little book the music of Life a way of exploring that metaphor
for - follow up - book - The Music of Life - Biology Beyond Genes
to - book - The Music of Life - Biology Beyond Genes - https://hyp.is/OI8RVBYIEe-t-rObPCPKoQ/www.univ.ox.ac.uk/book/the-music-of-life-biology-beyond-genes/
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theinformed.life theinformed.life
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07:30 At the root of cybernetics and Chris his research lies the question of communication. This combines his interests of mnemonics, orality, cybernetics, et al. (literacy, indigenous people)
08:12 Even music and dance can be used to transmit information from one generation to the other.
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docdrop.org docdrop.org
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theworksprescribed in earlier years were much easier and written as lead sheets rather than detailed notations for both hands, which gave the performers the opportunity to rely more on their improvisational and arrangement skills rather than their reading skills to successfullyinterpret the works.
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Articulation specifications such as the staccatomarkings in Ballad for Thomas(Example 2.2.2) and sempre legato in Two Studies for Piano(Example 2.2.3). •Scale patterns in the left hand in Example 2.2.1 bar 30 and Example 2.2.3 bar 2-4 in Two Studies for Piano. •The similarity of sudden change in time signature, which can be found throughoutAfrican Funk for Felix, Ballad for Thomas and Lutoslawski’s Two Studies forPiano.
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Reddy use Western art music notation devices similar to those used by Lutoslawski in Two Studies for Piano no.1(Example 2.2.3):•There are detailed dynamic markings in both Ballad for Thomas and Lutoslawski’s Two Studies for Piano, although African Funk for Felix does not have any dynamic markings. It is important to note that Reddy states in the preface to Ballad for Thomasthat the dynamic markings are a mere suggestion (Reddy 2005c).•The use of Italian expressions, for example crescendoin Ballad for Thomas (Example 2.2.2) and sempre legatoin Two Studies for Piano(Example 2.2.3).
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african-composers-edition.co.za african-composers-edition.co.za
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Surendran recorded two solo CDs in Johannesburg, Ready, Steady, Go! (1994) and Rough’n Reddy (1996), wonderfully illustrate his crossover style, one of the conventions of which (as with playing Chopin) is maintaining a steady beat in the left hand “while the right hand moves rhapsodically, and with possibilities of rubato, above it” (‘Composer’s Note’).
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- Apr 2024
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for - podcast channel, youtube channel - Andrew Huberman - neuroscience - theme - science-based tools for everyday life - interview with - music producer Rick Ruben - podcast title - How to access your creativity
summary - Although Rick Ruben's field is music production, he shares his perspective on creativity
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www.google.com www.google.com
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search results returned and explored - .New Interfaces for Musical Expression https://www.nime.org › nim...PDF - Towards the Concept of “Digital Dance and Music Instrument” by J Tragtenberg · Cited by 11 — ABSTRACT. This paper discusses the creation of instruments in which music is intentionally generated by dance. We introduce the. - https://viahtml.hypothes.is/proxy/https://www.nime.org/url?sa=t&source=web&rct=j&opi=89978449&url=https://www.nime.org/proceedings/2019/nime2019_paper018.pdf&ved=2ahUKEwiu2JrmjtyFAxVVMlkFHQ7lClA4ChAWegQICBAB&usg=AOvVaw0wVrH8px0_May--FiZOk6X - dead link - Arm Tracks: All-Body-Controlled Ableton Live, with Kinect, Brings ... - Jul 12, 2012 — This is achieved with a 3D sensor (Kinect) able to map the joints of a human body, then tracking their movements which are translated to musical - dead link - University of California, Irvine https://music.arts.uci.edu › S...PDF Gestural Control of Music using the Vicon Motion Capture System by F Bevilacqua · Cited by 9 — Music control from 3D motion capture of dance ... electronic music triggered by dancer gestures, ... The use of the Vicon motion capture - dead link - https://music.arts.uci.edu/url?sa=t&source=web&rct=j&opi=89978449&url=https://music.arts.uci.edu/dobrian/motioncapture/SoundControl_MotionCapture.pdf&ved=2ahUKEwiu2JrmjtyFAxVVMlkFHQ7lClA4ChAWegQIBBAB&usg=AOvVaw0OnQTekJ_Ev3scqkCOV079l
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Local file Local file
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A book is morelike the score of a piece of music thanit is like a painting.
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www.ramotion.com www.ramotion.com
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. Additionally, designers should use attractive colors for children of lower age groups.
the importance of colours
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www.linkedin.com www.linkedin.com
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there are universal similarities and effects of music and sound on individuals from diverse cultural backgrounds
key finding - body responses to music are universal
for - BEing journey
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webgrafikk.com webgrafikk.com
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The text is © Roger Stormo, unless otherwise noted.
This is who is involved with this website
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- Mar 2024
- Feb 2024
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www.youtube.com www.youtube.com
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03:47 2 No sap chantar - Jaufré Rudel, XII cent.
This is one of the most beautiful songs I've ever heard.
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URL
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- Jan 2024
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archive.org archive.org
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shrewdies.com shrewdies.com
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Spirit Break Out
The post is a cover of the gospel song "Spirit Break Out" by William McDowell, with the author discussing the message of the song and the importance of being vulnerable and trusting in god for guidance and support.
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Spirit Break Out
- Who: The author, @vickoly, is the one showcasing their creativity by singing a cover of a gospel song by William McDowell titled "Spirit Breakout."
- What: The post is a cover of the song "Spirit Breakout" by William McDowell. The author explains their love and admiration for the song, particularly its lyrics and message. They also mention the importance of being vulnerable to their maker and trusting in God for guidance and support.
- Why: The author wants to showcase their talent and creativity, as well as share the message of the song with others.
- When: The post was made on a Sunday, which is a designated day for showcasing creativity in the hive learner community.
- How: The author sings a cover of the song and shares it with the readers. They also provide a link to the song lyrics on Genius and credit the design of the thumbnails to Canva.
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www.dropbox.com www.dropbox.com
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TheoryofAfricanMusic
Theory of African Music Vol 1 Kubik, G 1994
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docdrop.org docdrop.org
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Theory of African MusicVOLUME II
https://docdrop.org/pdf/Kubik---Unknown---Theory-of-African-Music-2jc8t.pdf/
Theory of African Music - Vol. II Kubik, G 2010
(Vol 1 is too large to upload - see it in hyp-jazz folder on gdrive.
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www.rachaelschroeder.com www.rachaelschroeder.com
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- for: Deep Humanity music BEing journeys, BEing journey - music, Rachel Shroeder
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- Dec 2023
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musicbrainz.org musicbrainz.org
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Welcome to MusicBrainz!MusicBrainz is an open music encyclopedia that collects music metadata and makes it available to the public.MusicBrainz aims to be:
MusicBrainz Database
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- Nov 2023
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www.theelephant.info www.theelephant.info
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- for: music that unites, music as a force, Jerusalema
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robertbreen.com robertbreen.com
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When Jimmy Buffett has an idea for a song — sometimes just a phrase — he writes it down on any available scrap of paper and stuffs it into an old sea chest. When he’s ready to write some new music, he sits down and pulls out all those scribbles, which I imagine must be torn off bar napkins and beer coasters, and sorts through them, one by one. He says many of his most popular songs marinated in his sea chest before emerging as lyrics.
Source for this?
Sounds very similar to Eminem's "stacking ammo".
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soundcloud.com soundcloud.com
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bjork.bandcamp.com bjork.bandcamp.com
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bjork.bandcamp.com bjork.bandcamp.com
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podcast.ausha.co podcast.ausha.co
- Oct 2023
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lapl.org lapl.org
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ArtistWorks provides world-class instruction for the most popular string and band instruments through self-paced video lessons from professional musicians.
Under "Extras" in the Libby app: https://libbyapp.com
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soundcloud.com soundcloud.com
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soundcloud.com soundcloud.com
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soundcloud.com soundcloud.com
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www.mixcloud.com www.mixcloud.com
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soundcloud.com soundcloud.comN.E.M.1
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soundcloud.com soundcloud.com
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It is said these two songs spring from the same tune - but with different lyrics applied in the American west... Separated by hundreds of years and the Atlantic Ocean, I alternate the verses of the two songs here, showing the similarity..
There's a close similarity between the Streets of Laredo and the sean-nós ballad Bard of Armagh.
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djfricktion.bandcamp.com djfricktion.bandcamp.com
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djfricktion.bandcamp.com djfricktion.bandcamp.com
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soundcloud.com soundcloud.comJogi1
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docdrop.org docdrop.org
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https://docdrop.org/pdf/Towards-a-Global-Music-Theory-Practical-Concepts-and-Methods-3kjpw.pdf/
Towards a Global Music Theory: Practical comcepts and methods for the analysis of music across human cultures
Hijleh, M 2012
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theheatwave.bandcamp.com theheatwave.bandcamp.com
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jamaldefsquad.bandcamp.com jamaldefsquad.bandcamp.com
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www.mixcloud.com www.mixcloud.com
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dj-smoke.bandcamp.com dj-smoke.bandcamp.com
- Sep 2023
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swoose.bandcamp.com swoose.bandcamp.com
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soundcloud.com soundcloud.com
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overmono.bandcamp.com overmono.bandcamp.com
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soundcloud.com soundcloud.com
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1:18:00 goosebumps, using media as inspiration and self-discovery, using as visualisation
1:20:00 Goggins listening to one song for 17 hours “going to distance”
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support.apple.com support.apple.com
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Passengers must have an iPhone with iOS 17 or later, but don’t need to have an Apple Music subscription.
Well, now I've confirmed the most crucial answer I needed answering about iOS 17...
...now just to figure out how I'm going to make this happen.
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docdrop.org docdrop.org
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musicbrainz.org musicbrainz.org
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coverartarchive.org coverartarchive.org
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moderat.bandcamp.com moderat.bandcamp.com
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moderat.bandcamp.com moderat.bandcamp.com
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soundcloud.com soundcloud.com
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docdrop.org docdrop.org
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Melodic composition
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soundcloud.com soundcloud.com
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podcast.ausha.co podcast.ausha.co
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soundcloud.com soundcloud.com
- Aug 2023
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www.independent.co.uk www.independent.co.uk
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Cuthbertson, Anthony. “Musician Uses Algorithm to Generate Every Possible Melody to Prevent Copyright Lawsuits.” The Independent, February 28, 2020, sec. Tech. https://www.independent.co.uk/tech/music-copyright-algorithm-lawsuit-damien-riehl-a9364536.html.
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Working with programmer Noah Rubin, Damien Riehl built software capable of generating 300,000 melodies each second, creating a catalogue of 68 billion 8-note melodies.
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soundcloud.com soundcloud.com
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moochinaboutltd.bandcamp.com moochinaboutltd.bandcamp.com
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moochinaboutltd.bandcamp.com moochinaboutltd.bandcamp.com
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www.mixcloud.com www.mixcloud.com
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soundcloud.com soundcloud.com
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audiusproject.github.io audiusproject.github.io
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odesli.co odesli.co
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soundcloud.com soundcloud.com
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bonpote.com bonpote.com
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For largely financial reasons, the intensity of bookings is increasing (the number of artists scheduled to perform per year, per season, etc.) and the bookings themselves are growing more and more extensive (the kilometres/miles travelled by artists continue to rise with fewer and fewer performance dates in each region)
- for: music industry - touring economics, concert booking arms race, unsustainable booking
- the intensity of bookings ( number of artists scheduled to perform per year or per season) is increasing
- the average booking is becoming more geographically widespread ( more kilometers travelled per artist) with fewer performance dates per region
- increase in artistic fees and technical requirements force organizers to attract more audiences who come from further away, creating a concert booking arms race
- for: music industry - touring economics, concert booking arms race, unsustainable booking
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artists are complicit in
- for: carbon emissions of the 1%, carbon inequality, carbon emissions - artists, high carbon lifestyle
- comment
- top tier entertainers are conditioned to a high carbon lifestyle. This is a challenge to overcome.
- example given
- DJ who flew to perform in four different EU cities in the same evening!
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Most renowned artists and the trades and professions around them (producers, broadcasters, booking agents, distributors, internet platforms…) are today dependent on hyper-intensive energy-consuming models.
- for: carbon footprint - music industry, carbon footprint - concerts, carbon footprint - touring
- paraphrase
- Most renowned artists and the trades and professions around them
- producers,
- broadcasters,
- booking agents,
- distributors, internet platforms
- studios
- equipment and service providers
- are today dependent on hyper-intensive energy-consuming models.
- Music or showbusiness artists, for example, depend more and more on touring and festivals.
- Namely because with a remuneration of 0,0034 dollars per listened music track,
- only 1% of music artists receive a minimum wage through streaming and
- because, in the meantime, sales in the physical media market (CD, vinyl) have collapsed,
- and streaming has not made up for loss of value.
- Unsurprisingly, the artists who are most successful at making a living receive the quasi-totality of their revenue from the tours they do via concerts or festivals
- (which incur high travel carbon footprint)
- And those have a tendency to increase at an unchecked rate.
- To attract the largest crowd possible, these artists demand
- more and more top billings
- with equally
- increasing fees and
- technical requirements.
- example
- Coldplay travels with no less than 2 kits of 32 articulated lorries on the road (for their “ecological” tour),
- Rammstein accounts for
- almost 100 articulated lorries
- 7 cargo planes for their tours and
- burns no less than 1000 litres of heating oil for their pyrotechnical effects at each concert (something the group proudly displays on social media).
- Most renowned artists and the trades and professions around them
- noteworthy
- due to loss of product sales, touring and concerts is the only way musicians can make money, and that comes at high carbon emission cost
Tags
- concert booking arms race
- high carbon lifestyle
- carbon footprint - concerts
- music industry - touring economics
- carbon emissions - music industry
- carbon emissions - DJ
- carbon emissions - cultural sector
- carbon footprint - music industry
- carbon emissions - culture
- carbon footprint - touring
- unsustainable booking
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cleanscene.club cleanscene.club
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- for: carbon emissions - DJ, carbon footprint - DJ, carbon emissions - music industry, carbon emission - cultural sector, research study - carbon emissions - DJ
- noteworthy
- some DJ's fly to perform in four European cities in a single evening!
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soundcloud.com soundcloud.com
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soundcloud.com soundcloud.com
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soundcloud.com soundcloud.com
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bilge.world bilge.world
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Please note that this was written long before Epic Game's acquisition of Bandcamp, which you can read more about in Pitchfork, The New York Times and/or Bandcamp's own blog post.
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soundcloud.com soundcloud.com
- Jul 2023
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soundcloud.com soundcloud.com