25 Matching Annotations
  1. Sep 2021
  2. May 2021
    1. Network science is now a mature research field, whose growth was catalysed by the introduction of the ‘small world’ network model in 1998. Networks give mathematical descriptions of systems containing containing many interacting components, including power grids, neuronal networks and ecosystems. This collection brings together selected research, comments and review articles on how networks are structured (Layers & structure); how networks can describe healthy and disordered systems (Brain & disorders); how dynamics unfold on networks (Dynamics & spread); and community structures and resilience in networks (Community & resilience).

      This is a great looking collection of articles on network science.

  3. Apr 2021
  4. Mar 2021
    1. DEFINITE ARTICLES

      bunta bithe door

      ganaar githe fowl

      jigeen jithe woman

      nit kithe person

      nda lithe water pot

      muus mithe cat

      suuf sithe earth

      ween withe breast


      xale yithe children

      nit ñithe people


      xale bithe child (right here)

      xale bathe child (over there)

      xale bu bon – the bad child (the child who is bad)


      ndaw sithe girlfriend

      ndaw lithe messenger

      doom jithe child

      doom bithe fruit


      (definite article - indefinite article)

      biab

      giag

      miam

      sias

      wiaw

      yiay

  5. Aug 2020
    1. Cluster 0 words: family, home, mother, war, house, dies, Cluster 0 titles: Schindler's List, One Flew Over the Cuckoo's Nest, Gone with the Wind, The Wizard of Oz, Titanic, Forrest Gump, E.T. the Extra-Terrestrial, The Silence of the Lambs, Gandhi, A Streetcar Named Desire, The Best Years of Our Lives, My Fair Lady, Ben-Hur, Doctor Zhivago, The Pianist, The Exorcist, Out of Africa, Good Will Hunting, Terms of Endearment, Giant, The Grapes of Wrath, Close Encounters of the Third Kind, The Graduate, Stagecoach, Wuthering Heights, Cluster 1 words: police, car, killed, murders, driving, house, Cluster 1 titles: Casablanca, Psycho, Sunset Blvd., Vertigo, Chinatown, Amadeus, High Noon, The French Connection, Fargo, Pulp Fiction, The Maltese Falcon, A Clockwork Orange, Double Indemnity, Rebel Without a Cause, The Third Man, North by Northwest, Cluster 2 words: father, new, york, new, brothers, apartments, Cluster 2 titles: The Godfather, Raging Bull, Citizen Kane, The Godfather: Part II, On the Waterfront, 12 Angry Men, Rocky, To Kill a Mockingbird, Braveheart, The Good, the Bad and the Ugly, The Apartment, Goodfellas, City Lights, It Happened One Night, Midnight Cowboy, Mr. Smith Goes to Washington, Rain Man, Annie Hall, Network, Taxi Driver, Rear Window, Cluster 3 words: george, dance, singing, john, love, perform, Cluster 3 titles: West Side Story, Singin' in the Rain, It's a Wonderful Life, Some Like It Hot, The Philadelphia Story, An American in Paris, The King's Speech, A Place in the Sun, Tootsie, Nashville, American Graffiti, Yankee Doodle Dandy, Cluster 4 words: killed, soldiers, captain, men, army, command, Cluster 4 titles: The Shawshank Redemption, Lawrence of Arabia, The Sound of Music, Star Wars, 2001: A Space Odyssey, The Bridge on the River Kwai, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Apocalypse Now, The Lord of the Rings: The Return of the King, Gladiator, From Here to Eternity, Saving Private Ryan, Unforgiven, Raiders of the Lost Ark, Patton, Jaws, Butch Cassidy and the Sundance Kid, The Treasure of the Sierra Madre, Platoon, Dances with Wolves, The Deer Hunter, All Quiet on the Western Front, Shane, The Green Mile, The African Queen, Mutiny on the Bounty,

      The top IMDB films fit into 2 basic clusters, and 4 main clusters (this project used K-means with a target of 5 but actually clusters 1 and 2 both fit the crime category, and all except Cluster 3 are centred around violence).

      1. War whilst with Family and at home (violence external whilst passively defending the safety of the self/family)
      2. Crime (violence on a smaller scale)
      3. New York crime family / mafia (violence in the family)
      4. Musicals (non-violence)
      5. War as soldiers (violence on a large scale on the front lines)

      If this list is representative of the human psyche we have only 2 basic modes of being: Violence / Musical.

  6. Jun 2020
  7. Dec 2019
    1. I would tell him the same statement as the men in truck who were beating him and at that moment I felt that I was the same. I was never raised to watch violence happen against innocent people so I put my ignorance to the side and decided to help.

      whereas some individuals may have radical beliefs but are not members of a radical movement, and do not carry out violent actions.

    2. I began to realize that if a small group of people do something bad then they do not represent the entire group of people.

      Practicing unconditional other acceptance, people accept that sometimes people do exceptionally bad things, as the terrorist and suicide bombers do, but still they are not what they do.

    1. I began to realize that if a small group of people do something bad then they do not represent the entire group of people

      Practicing unconditional other acceptance, people accept that sometimes people do exceptionally bad things, as the terrorist and suicide bombers do, but still they are not what they do.

    2. I would tell him the same statement as the men in truck who were beating him and at that moment I felt that I was the same. I was never raised to watch violence happen against innocent people so I put my ignorance to the side and decided to help.

      whereas some individuals may have radical beliefs but are not members of a radical movement, and do not carry out violent actions.

  8. Apr 2019
    1. Our culture is defined by the music we listen to, and the way it is portrayed in the media. Every culture around the world has a different style of song or dance that represents their traditions. Culture can not only be changed through popular songs, but is best represented through music. One of the best ways to understand a foreign culture is by listening to the music that is favorable among the people whose culture you are trying to understand. Music is one of the most powerful forms of art between cultures.

      Music has the power to redefine cultures. We can see this through generational differences between song preferences. For example, American country music back in the late 1900s has a much different feel and style compared to country music now in 2019. While keeping within the same genre, this style of music touches upon different subjects, and uses different instruments, sounds and lyrics. Even early hip-hop has evolved from its beginnings. Hip-hop music is considered the most popular music as of right now, but it has not always been that way. Each generation favors different types of genres of music, and it is clear which backgrounds over the years have favored certain genres of music. As much as music can differentiate cultures, and generations, music can bring people of completely different background together by its artistic flavor and general popularity throughout the mainstream media.

    1. Have you ever moved away from a website because it took too much time to load? Ever chosen a faster website over a slower one? You’re definitely not alone. When it comes to the elements to a robust digital marketing campaign, we give higher priority to the design factor, ad targeting or conversion rate optimization. But there’s another angle that we should not forget and that is the website speed. Website visitors these days don’t prefer waiting for a long time for the page to load. 46% people say that waiting for a website to load on their mobile phones is what they hate the most. Not to forget that 40% will desert your website for a faster one if it doesn’t load within 3 seconds. This clearly means one thing – one has to find faster, more effective ways to deliver content. Facebook’s native publishing platform, Facebook Instant Articles aimed at solving this problem of slow page load time on the mobile web. Let’s find out about them in detail.

      Have you ever moved away from a website because it took too much time to load? Ever chosen a faster website over a slower one? You’re definitely not alone.

  9. Jan 2019
    1. Most progress will instead occur as annotations on the article text. Articles already contain live links to referenced articles, and future annotations could, for example, indicate the level of support for a particular point, or flag citations to retracted articles.

      Wonderful to see thinking in this direction. I'm thinking many layers of annotations for different purposes--both human and machine readable.

  10. Oct 2018
  11. Feb 2018
    1. songs

      All that I have given up to this let them serve as examples of the way in which the Connaught peasant puts his love-thoughts into song and verse, whether it be hope or despair, grief or joy, that affect him. (147)

      In these final lines of the book, the reader is offered Hyde’s selection of songs as a faithful and complete insight into vernacular Connacht song about the theme of love. Moreover, Hyde suggests that in reading this anthology one achieves a good degree of familiarity with an idealized, essentially native ‘Connaught peasant’.

      Although speakers in the songs are variously male and female, and the reasons for separation from absent lovers differ, the experience of love is fairly uniform throughout. It is a sore experience of unrealized desire. That scenario produces a pronouncedly virtuous image of the ‘Connaught peasant’ for a number of reasons.

      The reader encounters deep loyalty where admiration is unstinted by forbiddance of love because of emigration, lack of requital, or death. ‘Úna Bhán,’ for example, is preceded by a long passage explaining how deeply a bereaved lover missed the fair Úna after, until he himself passed away. Also, Hyde’s anthology is particularly rich in its examples of similes drawn from the natural world. See ‘my love is of the colour of the blackberries’ (5) in ‘If I Were to Go West’, ‘I would not think the voice of a thrush more sweet’ (27) in ‘Long I Am Going,’ and ‘My love is like the blossom of the sloe on the brown blackthorn’ (31) in ‘An Droighneán Donn’. In the vivid rendering of these images, the beauty of the desired lover is stressed, and the delicate sensibility of the speaker is inherently implied. The Connaught peasant is thoroughly valorized as a result.

      Accounting for consistencies among what anthologies include, and among what they exclude, can highlight their organizing agenda. One obvious example in the area of Irish Studies is the Field Day Anthology controversy, detailed in depth by Caitríona Crowe in The Dublin Review: https://thedublinreview.com/article/testimony-to-a-flowering/

      In the case of Hyde’s Love Songs, consistencies among excluded material strengthen our perception of how actively he sought to contrive an estimable image of the Connaught peasant. Though Hyde claims his selection is emblematic of the love-thought of that idealized personage, he does not provide any examples of la chanson de la malmariée. This variety of song is so widespread that Seán Ó Tuama, who was the principal authority on the theme of love in Irish folksong, included it as one of five major genres in his article ‘Love in Irish Folksong’ (in the book Repossessions: Selected Essays on the Irish Literary Heritage. Such songs are an expression of grief by a young woman unhappily married to an elderly man.

      If we are to view the songs anthologized by Hyde in a broader context of Connacht songs about love, an awareness of the chanson de la malmariéé is required. Faoi Rothaí na Gréine (1999) is a relatively recently published collection of Connacht songs. The collecting work was done in Galway between 1927 and 1932 by Máirtín Ó Cadhain, and latterly edited by Professor Ríonach Uí Ógáin. ‘An Droigheán Donn’, ‘Úna Bhán’, and ‘Mal Dubh an Ghleanna’ are common to Faoi Rothaí na Gréine and Love Songs of Connacht. The inclusion in the former of two famous songs of the malmariée genre, ‘Dar Mo Mhóide Ní Phósfainn Thú’ (I Swear I Wouldn’t Marry You), and ‘Amhrán an Tae’ (The Tea Song) demonstrate the strong presence of that genre in the ‘love-thought’ of vernacular Connacht song.

      This way of framing discussion of Love Songs of Connacht invites close interrogation of Hyde’s biases. The choice of material for inclusion and exclusion is ideologically cohesive, to the specific end of creating a valorous image of the idealized native peasant. In my M.A. thesis, I might further refine the line of argument pursued in this annotation, and use it as the basis on which to build a discussion of Hyde’s particular ideological motivations.

    1. Search alphabetically by song title

      This website provides important context for the exploration of a research question I am addressing in my M.A. thesis preparation.

      The portrayal of female personages in revivalist literature sets them in signally passive roles. This is most clearly at issue in the work of that period’s two foremost dramatists. In W.B. Yeats’ Cathleen Ni Houlihane, the female protagonist does not pursue her own course of action, but rather serves to inspire male heroism (P.J. Mathews discusses the play’s portrayal of female passivity at length in a piece, see http://www.rte.ie/centuryireland/index.php/articles/literature-and-1916). In The Only Jealously of Emer and The Countess Cathleen the value of women to society is achieved through acts of self-sacrifice for the benefit of significant male others (Christina Wilson has argued similar points in great detail: http://chrestomathy.cofc.edu/documents/vol5/wilson.pdf).

      In John Millington Synge’s Riders to the Sea, we encounter a blending of the taste for passive female characters with a revival fascination with the rural west. Old Maurya’s reticence and stern faith in God, following the drowning of her five sons, established her as the moral centre of her native Aran community. Her monologue in the play’s ending concentrates our attention on the community’s willingness to surrender to tragic fate, which is always threatened by the danger of the sea (the play is available to read online at this link: http://www.one-act-plays.com/dramas/riders_to_the_sea.html).

      What is interesting to me is that images of a massive female subject, favoured by Abbey playwrights who sought to stress the cultural specificity of Ireland, differ strongly with some prominent portrayals of the female subject in vernacular literature in Irish. In my annotation of this archive, I will provide examples of some genres of folk song – composed by females, and traditionally sung by female singers – that contradict ideas of a female subject as passive sufferer of fate. Annotations will include translations to English.

      After highlighting these features of oral literature in Irish, I will have laid down substantial grounding for a discussion of the ideological motivations of revivalist authors’ depiction of female subjects. It is interesting that certain tropes of a national identity, which these authors consciously sought to create, can be seen as divergent with realities of the social group which was most fundamental to that identity. This observation encourages consideration of European intellectual currents which might have influenced revivalist writers, romantic nationalism in particular.

  12. Feb 2017
  13. Jan 2017
  14. Oct 2016
  15. Dec 2015
  16. edwardtufte.github.io edwardtufte.github.io
    1. Tufte’s style is known for its simplicity, extensive use of sidenotes, tight integration of graphics with text, and carefully chosen typography.

      CSS style dla pięknych artykółów

  17. Oct 2015
    1. The articles obtained to review Trick Your Brain into Thrift by Paying with Cash by Crack Articles is a theory that can be held at both ends. The articles provided have several brushed details of numerous researches that have been done that links the psychological human being into using credits card. Vis versa there is not much details on how to make, trick, or psychologically change one’s mind into purchasing with cash. The psychological research lead to how one views cash and a credit card or how the individual’s emotions are effected by their economic stand point when making purchases. The types of sources influence by the credit card companies to encouraging the public into using their credit card are endless, but the top mechanism used today is earning money back while spending. A real soother to human ear, when one does not like to see cash disappear from their wallet. Acknowledging, the basis of the title that Cracked Article uses is clearly avoiding using cash. The title shouldn’t be Trick Your Brain into Thrift by Paying with Cash, but the Tricks Your Brain Uses to Have You Pay with Credit Cards or When Not to Shop to Be Thrift.