243 Matching Annotations
  1. Last 7 days
    1. Harrison’s Karteikasten hingegen ist eine Maschine (Harrison selbst definiert ihn so), die Wissenenthält, das als Erinnerungswürdiges und Bewahrenswertes ausgewählt (das heißt selektiert) wordenist.

      Harrison defined his Ark of Studies as a machine.

    2. Die erste Neuerung besteht darin, dass Harrison’s Karteikasten so aufgebaut ist, dass er als ein ech-tes Zweitgedächtnis fungiert.

      Cevolini seems to be saying that it was an innovation of Harrison's Ark of Studies that it served as a second memory.

      Surely my translation is "off" as the use of a variety of notes and writing long prior to this were used in this way.

    3. Cevolini, Alberto. “Die Erfindung des Zettelkastens als Vergessensmaschine: Eine historische und wissenssoziologische Einführung.” Polarisierte Welten. Verhandlungen des 41. Kongresses der Deutschen Gesellschaft für Soziologie in Bielefeld 2022 41 (September 29, 2023). https://publikationen.soziologie.de/index.php/kongressband_2022/article/view/1564.

  2. Nov 2023
    1. Cut/Copy/Paste explores the relations between fragments, history, books, and media. It does so by scouting out fringe maker cultures of the seventeenth century, where archives were cut up, “hacked,” and reassembled into new media machines: the Concordance Room at Little Gidding in the 1630s and 1640s, where Mary Collett Ferrar and her family sliced apart printed Bibles and pasted the pieces back together into elaborate collages known as “Harmonies”; the domestic printing atelier of Edward Benlowes, a gentleman poet and Royalist who rode out the Civil Wars by assembling boutique books of poetry; and the nomadic collections of John Bagford, a shoemaker-turned-bookseller who foraged fragments of old manuscripts and title pages from used bookshops to assemble a material history of the book. Working across a century of upheaval, when England was reconsidering its religion and governance, each of these individuals saved the frail, fragile, frangible bits of the past and made from them new constellations of meaning. These fragmented assemblages resist familiar bibliographic and literary categories, slipping between the cracks of disciplines; later institutions like the British Library did not know how to collate or catalogue them, shuffling them between departments of print and manuscript. Yet, brought back together in this hybrid history, their scattered remains witness an emergent early modern poetics of care and curation, grounded in communities of practice. Stitching together new work in book history and media archaeology via digital methods and feminist historiography, Cut/Copy/Paste traces the lives and afterlives of these communities, from their origins in early modern print cultures to the circulation of their work as digital fragments today. In doing so, this project rediscovers the odd book histories of the seventeenth century as a media history with an ethics of material making—one that has much to teach us today.
    1. The example of maps he shows here discusses a social interaction component which allows for an interdisciplinary approach to the knowledge scaffolding (especially if students shared their work with each other).

      Are there other non-social affordances in this system? Affordances that would let an individual go further/faster by themselves?

  3. Oct 2023
    1. The reader should keep in mind that, for Alter, the Hebrew Bible is not one seamless book but a haphazard collection of texts.

      !!

      Perhaps not "haphazard", but they are definitely written by different authors over a large span of time, often each with their own political point of view. Bruce seems to be playing at the common misconception that the books were written as a cohesive whole supporting only one outcome.

      There is some massive historical contextual collapse going on here, particularly in a broader culture in which multiple gods were the norm. Each author certainly had their own idea of what "God" was when writing.

    1. More toward the notes in the video themselves (I'm more in media studies and far less conversant in theater studies): from my own zettelkasten on the live nature/immediacy of performance subject, I've seen how some older cultures (ancient Greeks and all sorts of Indigenous peoples, including modern Australian indigenous) use(d) their associative memories in ways we don't generally today, and as such would have been able to "re-live" performances which have occurred in the past without modern recording tools. Perhaps it's been explored previously, but if it's of interest to you and your current work or perhaps post-Ph.D., Lynne Kelly's Knowledge & Power in Prehistoric Societies: Orality, Memory and the Transmission of Culture (Cambridge, 2015) may be helpful along with the supporting works of Milman Parry, Albert Lord, and Walter J. Ong (esp. Orality and Literacy; Methuen, 1982). If you really want to spelunk this area, there are some additional explorations of these in the overlap of Frances Yates' (1966) discussion of memory theaters in Western culture.

      Robert Kanigel's "Hearing Homer's Song: The Brief Life and Big Idea of Milman Parry (Knopf, 2021), may provide a quick/fun (audiobook available) non-technical introduction into Milman's work on Homer for those who haven't come across it before and are interested in early performance techniques. It provides an intriguing and entertaining detective story on multiple fronts.

      As ever, thanks for sharing your notes and the fascinating references within them... 🗃❤

    1. David Lynch's films are a personally structured output of his zettelkasten of ideas comprised of words, sounds, images, music, sound, people, and moods.

  4. Sep 2023
    1. Parchment has two distinguishable sides:<br /> hair, which is usually darker and may show follicles (and even hair itself when poorly scraped) and<br /> flesh, which is usually lighter.

      Most planned manuscripts' bindings have the hair side of the parchment facing hair sides of opposing leaf and similarly the flesh facing flesh.

      Because of additions and potential mistakes in binding there are places in LJS 101 in which hair faces flesh and vice-versa. This "mistake" can provide an indication of binding procedures or mistakes in them.

    2. Periermenias Aristotelis

      Notes from event on 2023-09-07

      Used as part of the Carolingian educational program (rhetoric)

      As of 2023, it's the oldest codex manuscript in Philadelphia

      Formerly part of the (Thomas) Phillipps Collection (MSS Phillips appears on p1); see: https://en.wikipedia.org/wiki/Thomas_Phillipps

      There is some green highlighting on portions of the text

      contains some marginalia and interlineal notations

      Periermenias is the Greek title

      Underdotting of some of the letters is used to indicate deletion of the text (used like striking out text today)

      There are two sets of Carolingian script in the book, likely by different hands/times.

      Shows prick marks in parchment for drawing lines to write evenly.

      Has a few diagrams: squares of opposites (philosophy); color was added in XI C or possibly later

      folio 45 switch to newer MS copy to continue text

      Poem in last few lines with another text following it

      parchment is smaller in one section at the end.

      Another poem and then a letter to an abbott with a few pages in between (likely misbound) - quire of 12

      Book starts with grammar, then Boethius translation of Aristotle, and then a letter. This could be an example of the trivium put together purposely for pedagogy sake, though we're missing all of their intended purpose (it wasn't written down).

    3. https://libcal.library.upenn.edu/event/11148297

      9th-century copy of Boethius's Latin translation of Aristotle's De interpretatione, referred to in the manuscript as Periermenias, with the shorter of two commentaries that Boethius wrote on that work. Replacement leaves added in the 11th century to the beginning (f. 1-4) and end (f. 45-64) of the manuscript, in addition to providing the beginning and end of the Boethius (which is probably lacking 2 gatherings between extant gatherings 6 and 7), include the Periermeniae attributed to Apuleius in the medieval period, a poem by Decimus Magnus Ausonius on the seven days of Creation, a sample letter of a monk to an abbot with interlinear and marginal glosses, and other miscellaneous verses, definitions, and excerpts. Dot Porter, University of Pennsylvania, has determined that two groups of leaves are misbound; leaves 5-12 (the original order appears to have been 5, 9, 10, 6, 7, 11, 12, 8) and leaves 53-64 (the original order of the leaves appears to have been 61, 62, 53-60, 63, 64).

    1. Recent work has revealed several new and significant aspects of the dynamics of theory change. First, statistical information, information about the probabilistic contingencies between events, plays a particularly important role in theory-formation both in science and in childhood. In the last fifteen years we’ve discovered the power of early statistical learning.

      The data of the past is congruent with the current psychological trends that face the education system of today. Developmentalists have charted how children construct and revise intuitive theories. In turn, a variety of theories have developed because of the greater use of statistical information that supports probabilistic contingencies that help to better inform us of causal models and their distinctive cognitive functions. These studies investigate the physical, psychological, and social domains. In the case of intuitive psychology, or "theory of mind," developmentalism has traced a progression from an early understanding of emotion and action to an understanding of intentions and simple aspects of perception, to an understanding of knowledge vs. ignorance, and finally to a representational and then an interpretive theory of mind.

      The mechanisms by which life evolved—from chemical beginnings to cognizing human beings—are central to understanding the psychological basis of learning. We are the product of an evolutionary process and it is the mechanisms inherent in this process that offer the most probable explanations to how we think and learn.

      Bada, & Olusegun, S. (2015). Constructivism Learning Theory : A Paradigm for Teaching and Learning.

  5. Aug 2023
    1. Imagine the younger generation studying great books andlearning the liberal arts. Imagine an adult population con-tinuing to turn to the same sources of strength, inspiration,and communication. We could talk to one another then. Weshould be even better specialists than we are today because wecould understand the history of our specialty and its relationto all the others. We would be better citizens and better men.We might turn out to be the nucleus of the world community.

      Is the cohesive nature of Hutchins and Adler's enterprise for the humanities and the Great Conversation, part of the kernel of the rise of interdisciplinarity seen in the early 2000s onward in academia (and possibly industry).

      Certainly large portions are the result of uber-specialization, particularly in spaces which have concatenated and have allowed people to specialize in multiple areas to create new combinatorial creative possibilities.

  6. Jun 2023
    1. Carbon Capture and Storage wird von der fossilindustrie, unter anderem vom Präsidenten der Cop28, Sultan Al Jaber, als Methode dargestellt, fossile Energien CO2 frei zu machen. Eine Studie über zwei experimentelle CCS-Projekte in Norwegen stellt in Frage, ob die Speicherung von CO2 unter dem Meeresboden überhaupt sicher zu realisieren ist. In beiden Fällen wurden geologische Besonderheiten entdeckt, die zu völlig anderen Entwicklungen in den Lagerstätten führte, als man es angenommen hatte.

      https://www.liberation.fr/environnement/climat/pourquoi-le-stockage-sous-terrain-du-co2-ne-pourra-pas-sauver-le-climat-20230617_SC3OYESGYNE3JB2IKHHA5XSG2E/?redirected=1variable:

    1. Communication studies is a science that studies messages effectively from the sender of the message to the message’s recipient through various platforms. In this department, you will research communication at multiple levels, from an individual, media, advertising/publicity, intercultural communication, to social media communication.
  7. May 2023
    1. Wolf, Mark, ed. The Routledge Companion to Media Technology and Obsolescence. 1st ed. 63 vols. Routledge Media and Cultural Studies Companions. New York: Routledge, 2019.

    Tags

    Annotators

  8. Apr 2023
    1. It is difficult to see interdependencies This is especially true in the context of learning something complex, say economics. We can’t read about economics in a silo without understanding psychology, sociology and politics, at the very least. But we treat each subject as though they are independent of each other.

      Where are the tools for graphing inter-dependencies of areas of study? When entering a new area it would be interesting to have visual mappings of ideas and thoughts.

      If ideas in an area were chunked into atomic ideas, then perhaps either a Markov monkey or a similar actor could find the shortest learning path from a basic idea to more complex ideas.

      Example: what is the shortest distance from an understanding of linear algebra to learn and master Lie algebras?

      Link to Garden of Forking Paths

      Link to tools like Research Rabbit, Open Knowledge Maps and Connected Papers, but for ideas instead of papers, authors, and subject headings.


      It has long been useful for us to simplify our thought models for topics like economics to get rid of extraneous ideas to come to basic understandings within such a space. But over time, we need to branch out into related and even distant subjects like mathematics, psychology, engineering, sociology, anthropology, politics, physics, computer science, etc. to be able to delve deeper and come up with more complex and realistic models of thought.Our early ideas like the rational actor within economics are fine and lovely, but we now know from the overlap of psychology and sociology which have given birth to behavioral economics that those mythical rational actors are quaint and never truly existed. To some extent, to move forward as a culture and a society we need to rid ourselves of these quaint ideas to move on to more complex and sophisticated ones.

  9. books.google.com books.google.com
    1. Amidst a number of very gendered advertisements in issue 4 of volume 24 of LIFE magazine from 1948 is a short piece on the pending release of The Encyclopædia Britannica's Great Books of the Western World.

      The piece starts out talking about the 432 classical works written by 71 men and highlights the fact that "Woman, not a main idea, is included [with] in [the topical category] Family Man and Love." The piece goes on by way of example of the work to excerpt portions on Idea number 51: "Man". To show the flexibility of the included Syntopicon categorization they elaborate with 15 excerpted passages from authors from Plato to Freud on Idea 51, subdivision 6b: "Men and Women: their equality or inequality".

      It provides a fantastic mini-study on the emerging conversation on gender studies as seen in a mainstream magazine in 1948.


      Were there any follow up letters to the editor on this topic in subsequent issues? How was this broader piece received with respect to the idea of gender at the time?

  10. Mar 2023
    1. However, as a parent, you will always be your child to be self-reliant and at the same time you will also be concerned about their progress and safety in a new country. Call, his article will help you provide a guide on how to prepare your child for USA studies.
    1. DeRosa, Robin. Interdisciplinary Studies: A Connected Learning Approach. Rebus Communities, 2016. https://press.rebus.community/idsconnect/.


      found via <br /> Sheridan, Victoria. “A Pedagogical Endeavor.” Inside Higher Ed, August 9, 2017. https://www.insidehighered.com/digital-learning/article/2017/08/09/robin-derosas-oer-pedagogical-endeavor.

      On first blush it looks like I've read portions of some of these chapters as blogposts on the authors' original websites. Should be interesting to see how those are linked/credited.

      Given the writing contained in the book it would be interesting to see Pressbooks and/or the Rebus Community allow support for having the lead of a project be credited as an "editor" on the front page rather than to default them as an "author".

    1. Structures and Transformations of the Vocabulary of the Egyptian Language: Text and Knowledge Culture in Ancient Egypt. “Altägyptisches Wörterbuch: Berlin-Brandenburgische Akademie der Wissenschaften 1999,” 2007. https://web.archive.org/web/20180627163317/https://aaew.bbaw.de/wbhome/Broschuere/index.html.

    2. Die schiere Menge sprengt die Möglichkeiten der Buchpublikation, die komplexe, vieldimensionale Struktur einer vernetzten Informationsbasis ist im Druck nicht nachzubilden, und schließlich fügt sich die Dynamik eines stetig wachsenden und auch stetig zu korrigierenden Materials nicht in den starren Rhythmus der Buchproduktion, in der jede erweiterte und korrigierte Neuauflage mit unübersehbarem Aufwand verbunden ist. Eine Buchpublikation könnte stets nur die Momentaufnahme einer solchen Datenbank, reduziert auf eine bestimmte Perspektive, bieten. Auch das kann hin und wieder sehr nützlich sein, aber dadurch wird das Problem der Publikation des Gesamtmaterials nicht gelöst.

      Google translation:

      The sheer quantity exceeds the possibilities of book publication, the complex, multidimensional structure of a networked information base cannot be reproduced in print, and finally the dynamic of a constantly growing and constantly correcting material does not fit into the rigid rhythm of book production, in which each expanded and corrected new edition is associated with an incalculable amount of effort. A book publication could only offer a snapshot of such a database, reduced to a specific perspective. This too can be very useful from time to time, but it does not solve the problem of publishing the entire material.


      While the writing criticism of "dumping out one's zettelkasten" into a paper, journal article, chapter, book, etc. has been reasonably frequent in the 20th century, often as a means of attempting to create a linear book-bound context in a local neighborhood of ideas, are there other more complex networks of ideas which we're not communicating because they don't neatly fit into linear narrative forms? Is it possible that there is a non-linear form(s) based on network theory in which more complex ideas ought to better be embedded for understanding?

      Some of Niklas Luhmann's writing may show some of this complexity and local or even regional circularity, but perhaps it's a necessary means of communication to get these ideas across as they can't be placed into linear forms.

      One can analogize this to Lie groups and algebras in which our reading and thinking experiences are limited only to local regions which appear on smaller scales to be Euclidean, when, in fact, looking at larger portions of the region become dramatically non-Euclidean. How are we to appropriately relate these more complex ideas?

      What are the second and third order effects of this phenomenon?

      An example of this sort of non-linear examination can be seen in attempting to translate the complexity inherent in the Wb (Wörterbuch der ägyptischen Sprache) into a simple, linear dictionary of the Egyptian language. While the simplicity can be handy on one level, the complexity of transforming the entirety of the complexity of the network of potential meanings is tremendously difficult.

    3. Die schiere Menge sprengt die Möglichkeiten der Buchpublikation, die komplexe, vieldimensionale Struktur einer vernetzten Informationsbasis ist im Druck nicht nachzubilden, und schließlich fügt sich die Dynamik eines stetig wachsenden und auch stetig zu korrigierenden Materials nicht in den starren Rhythmus der Buchproduktion, in der jede erweiterte und korrigierte Neuauflage mit unübersehbarem Aufwand verbunden ist. Eine Buchpublikation könnte stets nur die Momentaufnahme einer solchen Datenbank, reduziert auf eine bestimmte Perspektive, bieten. Auch das kann hin und wieder sehr nützlich sein, aber dadurch wird das Problem der Publikation des Gesamtmaterials nicht gelöst.

      link to https://hypothes.is/a/U95jEs0eEe20EUesAtKcuA

      Is this phenomenon of "complex narratives" related to misinformation spread within the larger and more complex social network/online network? At small, local scales, people know how to handle data and information which is locally contextualized for them. On larger internet-scale communication social platforms this sort of contextualization breaks down.

      For a lack of a better word for this, let's temporarily refer to it as "complex narratives" to get a handle on it.

    1. Paris on the Amazon?: Postcolonial Interrogations of Benjamin’s European Modernism (pp. 216-245) Willi Bolle From: A Companion to the Works of Walter Benjamin, Camden House (2009) Edition: NED - New edition https://www.jstor.org/stable/10.7722/j.ctt14brv7g

      ...and complete but constitutes an open repertoire, always in movement, expressing and stimulating the spirit of experimentation and invention. Let us remember that Benjamin, in his early work Einbahnstraße (One-Way Street, 1923/28), argued in favor of direct communication between the “ Zettelkasten ” (card box...

      communication between?! though it is 2009 and after Luhmann's reference to communication with slip boxes....

    1. When they were inducted into the army, soldiers and junior officers had to swear elaborate oaths of loyalty tothe Great King, including a bringing down of curses on their heads if they were disloyal.

      Some of the oaths taken by Hatti warriors involved mutton fat and melted wax on one's hands. Another version indicated that the breaking of the oath would turn them into women, their troops into women, and their weapons destroyed and replaced with weaving sticks and mirrors.

    Tags

    Annotators

    1. The institutionalization of scholarship led to the formation of disciplines that cre-ated artificial borders between fields of knowledge. Historians were now largelyseparated from scholars in other areas, such as philosophers and linguists, as wellas from fields of study that were historically oriented at that time, such as musi-cology, art, literature, and theology.
  11. Feb 2023
    1. Vismann, Cornelia. Files: Law and Media Technology. Stanford University Press, 2008.

      This looks intriguing...

      autocomplete tells me I've seen her before....

      update: it's a Rowan Wilken reference! https://hypothes.is/a/xwRnzr-REeyvvDd7YBbLVA

    1. Hesiod’s depictionof humans in the myth of Prometheus and Pandora. We consider theimplications of this myth for the Greek view of society and particularly of

      women and gender roles.

      If my perception of mythology and orality is correct, can we look at Indigenous stories, myth, and knowledge and draw parallels from their knowledge about women and gender to similar stories in the Western canon which have lost linkage to their narratives? What would this show us potentially about Western mythology and gender studies?

    1. Tissues were then frozen in optimum cutting temperature embedding medium and cryosectioned for direct GFP visualization (brain was sectioned at 30 μm, and other tissues at 8 μm). Images were acquired with a Nikon Eclipse Ti-E fluorescence microscope.

      I was initially critical of the sample size they described earlier but reading through this specific protocol makes it seem extremely tedious to collect data. Has anyone here performed these types of studies on neurons and/or brain tissue? How tedious does this get?

    1. Are there symbols for 'supported by' or 'contradicted by' etc. to show not quite formal logical relations in a short hand?

      reply to u/stjeromeslibido at https://www.reddit.com/r/Zettelkasten/comments/10qw4l5/are_there_symbols_for_supported_by_or/

      In addition to the other excellent suggestions, I don't think you'll find anything specific that that was used historically for these, but there are certainly lots of old annotation symbols you might be able to co-opt for your personal use.

      Evina Steinova has a great free cheat sheet list of annotation symbols: The Most Common Annotation Symbols in Early Medieval Western Manuscripts (a cheat sheet).

      More of this rabbit hole:

      (Nota bene: most of my brief research here only extends to Western traditions, primarily in Latin and Greek. Obviously other languages and eras will have potential ideas as well.)

      Tironian shorthand may have something you could repurpose as well: https://en.wikipedia.org/wiki/Tironian_notes

      Some may find the auxiliary signs of the Universal Decimal Classification useful for some of these sorts of notations for conjoining ideas.


      Given the past history of these sorts of symbols and their uses, perhaps it might be useful for us all to aggregate a list of common ones we all use as a means of re-standardizing some of them in modern contexts? Which ones does everyone use?

      Here are some I commonly use:

      Often for quotations, citations, and provenance of ideas, I'll use Maria Popova and Tina Roth Eisenberg's Curator's Code:

      • ᔥ for "via" to denote a direct quotation/source— something found elsewhere and written with little or no modification or elaboration (reformulation notes)
      • ↬ for "hat tip" to stand for indirect discovery — something for which you got the idea at a source, but modified or elaborated on significantly (inspiration by a source, but which needn't be cited)

      Occasionally I'll use a few nanoformats, from the microblogging space, particularly

      • L: to indicate location

      For mathematical proofs, in addition to their usual meanings, I'll use two symbols to separate biconditionals (necessary/sufficient conditions)

      • (⇒) as a heading for the "if" portion of the proof
      • (⇐) for the "only if" portion

      Some historians may write 19c to indicate 19th Century, often I'll abbreviate using Roman numerals instead, so "XIX".

      Occasionally, I'll also throw drolleries or other symbols into my margins to indicate idiosyncratic things that may only mean something specifically to me. This follows in the medieval traditions of the ars memoria, some of which are suggested in Cornwell, Hilarie, and James Cornwell. Saints, Signs, and Symbols: The Symbolic Language of Christian Art 3rd Edition. Church Publishing, Inc., 2009. The modern day equivalent of this might be the use of emoji with slang meanings or 1337 (leet) speak.

  12. Jan 2023
    1. “She is likely our earliest Black female ethnographic filmmaker,” says Strain, who also teaches documentary history at Wesleyan University.

      Link to Robert J. Flaherty

      Where does she sit with respect to Robert J. Flaherty and Nanook of the North (1922)? Would she have been aware of his work through Boaz? How is her perspective potentially highly more authentic for such a project given her context?

    1. I have a bit of a soft spot for Niklas Luhmann ever since David Seidl introduced me to his ideas. I think it was at an EGOS conference in the early 2000s.

      https://petersmith.org/blog/2022/12/10/zettelkasten/

      Peter Smith was introduced to Niklas Luhmann at an European Group for Organizational Studies (EGOS) Conference in the early 2000s, ostensibly a business related group.


      I came across this via an IndieWeb reference and webmention.

    1. Ryan Randall @ryanrandall@hcommons.socialEarnest but still solidifying #pkm take:The ever-rising popularity of personal knowledge management tools indexes the need for liberal arts approaches. Particularly, but not exclusively, in STEM education.When people widely reinvent the concept/practice of commonplace books without building on centuries of prior knowledge (currently institutionalized in fields like library & information studies, English, rhetoric & composition, or media & communication studies), that's not "innovation."Instead, we're seeing some unfortunate combination of lost knowledge, missed opportunities, and capitalism selectively forgetting in order to manufacture a market.

      https://hcommons.social/@ryanrandall/109677171177320098

    1. Transcriptions taken from Goitein’s publications were corrected according to handwrittennotes on his private offprints. The nature of Goitein’s “typed texts” is as follows. Goitein tran-scribed Geniza documents by hand from the originals or from photostats. These handwrittentranscriptions were later typed by an assistant and usually corrected by Goitein. When Goiteindied in 1985, the transcriptions were photocopied in Princeton before the originals were sentto the National Library of Israel, where they can be consulted today. During the followingdecades, the contents of most of these photocopies were entered into a computer, and period-ically the files had to be converted to newer digital formats. The outcome of these repeatedprocesses of copying and conversion is that transcription errors and format glitches are to beexpected. As the Princeton Geniza Project website states: “Goitein considered his typed texts‘drafts’ and always restudied the manuscripts and made revisions to his transcriptions beforepublishing them.” See also Goitein, “Involvement in Geniza Research,” 143. It is important tokeep in mind that only the transcriptions that were typed were uploaded to the project website.Therefore, e.g., Goitein’s transcriptions of documents in Arabic scripts are usually not foundthere. The National Library of Israel and the Princeton Geniza Lab also hold many of Goitein’sdraft English translations of Geniza documents, many of which were intended for his plannedanthology of Geniza texts in translation, Mediterranean People.

      Much like earlier scribal errors, there are textual errors inserted into digitization projects which may have gone from documentary originals, into handwritten (translated) copies, which then were copied manually via typewriter, and then copied again into some digital form, and then changed again into other digital forms as digital formats changed.

      As a result it is often fruitful to be able to compare the various versions to see the sorts of errors which each level of copying can introduce. One might suppose that textual errors were only common when done by scribes using manual techniques, but it is just as likely for errors to be inserted between digital copies as well.

    2. Benjamin Richler’s Guide to Hebrew Manuscript Collections is the basicreference work for navigating the different libraries and collections of He-brew manuscript collections

      Benjamin Richler, A Guide to Hebrew Manuscript Collections (Jerusalem, 1994), 2nd rev. ed. (Jerusalem, 2014). For an entry on the Geniza, see ibid., 79–81. See also entries for specific libraries and collections.

    1. Books and Presentations Are Playlists, so let's create a NeoBook this way.

      https://wiki.rel8.dev/co-write_a_neobook

      A playlist of related index cards from a Luhmann-esque zettelkasten could be considered a playlist that comprises an article or a longer work like a book.

      Just as one can create a list of all the paths through a Choose Your Own Adventure book, one could do something similar with linked notes. Ward Cunningham has done something similar to this programmatically with the idea of a Markov monkey.

  13. Dec 2022
    1. Paper was imported to Europe before the fourteenth century, often fromDamascus, hence it was known as “charta damascena.” It was expensive,but, as production developed in Europe, the price fell and it graduallyreplaced parchment.
    2. If we narrow the process oftransmission down to a single, hypothetical strand, it is feasible thatPtolemy originally wrote The Almagest on a papyrus scroll insecond-century Alexandria. That scroll would have had to berecopied at least twice for it to survive until the sixth century, at whichpoint it might well have been copied onto parchment and bound intoa book. This, too, would need to be recopied every few hundredyears to ensure that it survived (again assuming that it escaped theusual pests, damage and disasters) and was available to scholars in1500. It is therefore likely that The Almagest had to be recopied atthe very least five times during the period 150–1500.
    3. Atbest, papyrus only lasts for a couple of hundred years before the textneeds to be recopied onto a new scroll.
    1. Musk appears to be betting that the spectacle is worth it. He’s probably correct in thinking that large swaths of the world will not deem his leadership a failure either because they are ideologically aligned with him or they simply don’t care and aren’t seeing any changes to their corner of the Twitterverse.

      How is this sort of bloodsport similar/different to the news media coverage of Donald J. Trump in 2015/2016?

      The similarities over creating engagement within a capitalistic framing along with the need to only garner at least a minimum amount of audience to support the enterprise seem to be at play.

      Compare/contrast this with the NBAs conundrum with the politics of entering the market in China.

    2. A lot has changed about our news media ecosystem since 2007. In the United States, it’s hard to overstate how the media is entangled with contemporary partisan politics and ideology. This means that information tends not to flow across partisan divides in coherent ways that enable debate.

      Our media and social media systems have been structured along with the people who use them such that debate is stifled because information doesn't flow coherently across the political partisan divide.

    1. “I first make a plan of what I am going to write,and then take from the note cabinet what I can use.”60

      source:

      60 Hans-Georg Moeller, The Radical Luhmann (New York: Columbia University Press, 2011), 11.

      I rather like the phrase "note cabinet" which isn't used often enough in the zettelkasten space. Something more interesting than filing cabinet which feels like where things are stored to never be seen again versus a note cabinet which is temporary and directed location storage specifically meant for things to actively be reused.

  14. Nov 2022
    1. For whom do we make knowledge and why? This question could not be timelier as humanists and administrators seek to make disciplines appear more relevant to students, applicable to social problems, and attendant to political, social, and economic exigencies” (2019, p. 351)
    1. When we are collecting new data to address a research question addressed in another context, it can be near impossible to re-create ex-act contexts with participants; researchers simply do not have that sort of control over any research context. This suggests that reproduction, rather than replication, may be a more useful goal.

      reproduction rather than replication may be a more useful goal for research work setting.

  15. Oct 2022
    1. By teaching them all to read, we have left them atthe mercy of the printed word.

      Knowing how to read without the associated apparatus of the trivium, leaves people open to believing just about anything. You can read words, but knowing what to do with those words, endow them with meaning, and reason with them. (summarization)


      Oral cultures with knowledge systems engrained into them would likely have included trivium-esque structures to allow their users to not only better remember to to better think and argue.

    1. Jason Lustig is a Harry Starr Fellow in Judaica at Harvard University’s Center for Jewish Studies, and the Gerald Westheimer Early Career Fellow at the Leo Baeck Institute. He completed his PhD at UCLA in 2017, where his dissertation examined 20th-century struggles over Jewish archives and the control of culture and memory in Germany, the USA and Israel/Palestine.
  16. Sep 2022
    1. More effective structured note-taking systems,such as Cornell Notes or REAP, increase students' critical readingskills, including synthesis, analysis, and evaluation (Ahmad, 2019)

      More effective than what? Just highlighting? What does Ahmad show? Is there a hierarchy of strategies that have been cross tested with larger groups? What effect does a depth and breadth of neurodiverse subjects show, for example?


      This is the my first encounter with REAP.

      REAP is an acronym for Read, Encode, Annotate, Ponder.


      Has anyone done direct research on commonplacing or zettelkasten techniques to show concrete data to compare them with other currently more popular techniques like Cornell notes or REAP?

      Read for potential methods and set up for a potential meta study: Ahmad, S. Z. (2019). Impact of Cornell Notes vs. REAP on EFL secondary school students’ critical reading skills. International Education Studies, 12(10), 60-74

  17. Aug 2022
    1. level 2hog8541ssOp · 15 hr. agoVery nice! I am a pastor so I am researching Antinet being used along with Bible studies.

      If you've not come across the examples, one of the precursors of the slip box tradition was the widespread use of florilegia from the 8th through the 13th centuries and beyond, and they were primarily used for religious study, preaching, and sermon writing.

      A major example of early use was by Philip Melanchthon, who wrote a very popular handbook on how to keep a commonplace. He's one of the reasons why many Lutheran books are called or have Commonplace in the title.

      A fantastic example is that of American preacher Jonathan Edwards which he called by an alternate name of Miscellanies which is now digitized and online, much the way Luhmann's is: http://edwards.yale.edu/research/misc-index Apparently he used to pin slips with notes on his coat jacket!

      If I recall, u/TomKluender may have some practical experience in the overlap of theology and zettelkasten.

      (Moved this comment to https://www.reddit.com/r/antinet/comments/wth5t8/bible_study_and_zettelkasten/ as a better location for the conversation)

    1. The death-knell of philosophical grammar was soundedwith the remarkable successes of comparative Indo-European studies, whichsurely rank among the outstanding achievements of nineteenth-century science.
    2. And in thenineteenth and twentieth centuries, as linguistics, philosophy, and psychologyhave uneasily tried to go their separate ways, the classical problems of languageand mind have inevitably reappeared and have served to link these divergingfields and to give direction and significance to their efforts.

      cross-disciplinary studies are becoming a thing for these areas

    1. Otto Karl Wilhelm Neurath (German: [ˈnɔʏʀaːt]; 10 December 1882 – 22 December 1945) was an Austrian-born philosopher of science, sociologist, and political economist. He was also the inventor of the ISOTYPE method of pictorial statistics and an innovator in museum practice. Before he fled his native country in 1934, Neurath was one of the leading figures of the Vienna Circle.
  18. Jul 2022
    1. https://www.zylstra.org/blog/2022/06/spring-83/

      I've been thinking about this sort of thing off and on myself.

      I too almost immediately thought of Fraidyc.at and its nudge at shifting the importance of content based on time and recency. I'd love to have a social reader with additional affordances for both this time shifting and Ton's idea of reading based on social distance.

      I'm struck by the seemingly related idea of @peterhagen's LindyLearn platform and annotations: https://annotations.lindylearn.io/new/ which focuses on taking some of the longer term interesting ideas as the basis for browsing and chewing on. Though even here, one needs some of the odd, the cutting edge, and the avant garde in their balanced internet diet. Would Spring '83 provide some of this?

      I'm also struck by some similarities this has with the idea of Derek Siver's /now page movement. I see some updating regularly while others have let it slip by the wayside. Still the "board" of users exists, though one must click through a sea of mostly smiling and welcoming faces to get to it the individual pieces of content. (The smiling faces are more inviting and personal than the cacophony of yelling and chaos I see in models for Spring '83.) This reminds me of Stanley Meyers' frequent assertion that he attempted to design a certain "sense of quiet" into the early television show Dragnet to balance the seeming loudness of the everyday as well as the noise of other contemporaneous television programming.

      The form reminds me a bit of the signature pages of one's high school year book. But here, instead of the goal being timeless scribbles, one has the opportunity to change the message over time. Does the potential commercialization of the form (you know it will happen in a VC world crazed with surveillance capitalism) follow the same trajectory of the old college paper facebook? Next up, Yearbook.com!

      Beyond the thing as a standard, I wondered what the actual form of Spring '83 adds to a broader conversation? What does it add to the diversity of voices that we don't already see in other spaces. How might it be abused? Would people come back to it regularly? What might be its emergent properties?

      It definitely seems quirky and fun in and old school web sort of way, but it also stresses me out looking at the zany busyness of some of the examples of magazine stands. The general form reminds me of the bargain bins at book stores which have the promise of finding valuable hidden gems and at an excellent price, but often the ideas and quality of what I find usually isn't worth the discounted price and the return on investment is rarely worth the effort. How might this get beyond these forms?

      It also brings up the idea of what other online forms we may have had with this same sort of raw experimentation? How might the internet have looked if there had been a bigger rise of the wiki before that of the blog? What would the world be like if Webmention had existed before social media rose to prominence? Did we somehow miss some interesting digital animals because the web rose so quickly to prominence without more early experimentation before its "Cambrian explosion"?

      I've been thinking about distilled note taking forms recently and what a network of atomic ideas on index cards look like and what emerges from them. What if the standard were digital index cards that linked and cross linked to each other, particularly in a world without adherence to time based orders and streams? What does a new story look like if I can pull out a card either at random or based on a single topic and only see it or perhaps some short linked chain of ideas (mine or others) which come along with it? Does the choice of a random "Markov monkey" change my thinking or perspective? What comes out of this jar of Pandora? Is it just a new form of cadavre exquis?

      This standard has been out for a bit and presumably folks are experimenting with it. What do the early results look like? How are they using it? Do they like it? Does it need more scale? What do small changes make to the overall form?


      For more on these related ideas, see: https://hypothes.is/search?q=tag%3A%22spring+%2783%22

  19. Jun 2022
    1. Lois Weber<br /> - First woman accepted to Motion Picture Director's Association, precursor of Director's Guild<br /> - First directors committee of the Academy of Motion Picture Arts and Sciences<br /> - Mayor of Universal City<br /> - One of the highest paid and most influential directors in Hollywood of her day<br /> - one of first directors to form her own production company

      See also: - https://en.wikipedia.org/wiki/Lois_Weber

    2. Where are My Children?, Universal's top film of 1916, written and directed by their top director Lois Weber, discussed abortion and birth control. It was added to the National Film Registry in 1993.

      See also - Stamp, Shelley. Lois Weber in Early Hollywood. University of California Press, May 2015. ISBN 9780520284463


      Watched this last night

      https://www.kcet.org/shows/lost-la/episodes/dream-factory

  20. May 2022
    1. This cross-disciplinary approach allowed him tomake connections across seemingly unrelated subjects, whilecontinuing to follow his sense of curiosity

      For someone like Feynman who worked in areas beyond theoretical physics, tacitly practicing the Llullan combinatorial arts will allow them to apply their knowledge in a more cross-disciplinary way.

      But why apply this sort of thinking to just one person? Abstract it up a few levels. What if multiple people can apply this technique simultaneously?

      Currently it's happening in academic circles with people collaborating across disciplines, but it's more likely happening by oral transmission by holding conversations about the work at hand and combinatorial brainstorming being the engine. What if they were keeping a collective zettelkasten to encourage their work? This presents the issue of the histories of separate knowledge bases and potential context collapse. They still need to have some sort of intervening interface (typically personal presence for memory/reference) to encourage it as search may not be as useful or much more time consuming.

      How might anagora.org act as a potential model for brining these ideas into fruition?

      link directly to portions of https://hypothes.is/a/GZ5kkuAyEeyfDx9azj0VAw

    2. new result, test it against each of your twelve problems to seewhether it helps. Every once in a while there will be a hit, andpeople will say, “How did he do it? He must be a genius!”

      You have to keep a dozen of your favorite problems constantly present in your mind, although by and large they will lay in a dormant state. Every time you hear or read a new trick or a

      Gian-Carlo Rota, Indiscrete Thoughts (Boston: Birkhäuser Boston, 1997), 202.

      Richard Feynman indicated in an interview that he kept a dozen of his favorite problems at the top of his mind. As he encountered new results and tricks, he tried applying them to those problems in hopes of either solving them or in coming up with new ideas. Over time by random but combinatorial chance, solutions or ideas would present themselves as ideas were juxtaposed.

      One would suspect that Feynman hadn't actually read Raymond Llull, but this technique sounds very similar to the Llullan combinatorial arts from centuries earlier, albeit in a much more simplified form.

      Can we find evidence of Feynman having read or interacted with Llull? Was it independently created or was he influenced?

      I had an example of this on 2022-05-28 in Dan Allosso's book club on Equality in the closing minutes where a bit of inspiration hit me to combine the ideas of memes, evolution, and Indigenous knowledge and storytelling to our current political situation. Several of them are problems and ideas I've been working with over years or months, and they came together all at once to present a surprising and useful new combination. #examples

      Link this also to the idea of diffuse thinking as a means of solving problems. One can combine the idea of diffuse thinking with combinatorial creativity to super-charge one's problem solving and idea generation capacity this way. What would one call this combination? It definitely needs a name. Llullan combinatorial diffusion, perhaps? To some extent Llull was doing this already as part of his practice, it's just that he didn't know or write explicitly about the diffuse thinking portion (to my knowledge), though this doesn't mean that he wasn't the beneficiary of it in actual practice, particularly when it's known that many of his time practiced lectio divina and meditated on their ideas. Alternately meditating on ideas and then "walking away" from them will by force cause diffuse thinking to be triggered.

      Are there people for whom diffuse thinking doesn't work from a physiological perspective? What type of neurodiversity does this cause?

    1. Why is the title of the book “The medium is the massage” and not “The medium is the message”? Actually, the title was a mistake. When the book came back from the typesetter’s, it had on the cover “Massage” as it still does. The title was supposed to have read “The Medium is the Message” but the typesetter had made an error. When Marshall saw the typo he exclaimed, “Leave it alone! It’s great, and right on target!” Now there are four possible readings for the last word of the title, all of them accurate: “Message” and “Mess Age,” “Massage” and “Mass Age.”

      Quote from the Commonly Asked Questions (and Answers) on https://marshallmcluhan.com/common-questions/ with answers written by Dr. Eric McLuhan, Marshall McLuhan's eldest son.

    1. A few weeks back I joined the Schoenberg Institute's ongoing series "Coffee with a Codex" which featured two manuscripts the Penn Libraries have relating to Rhetorica ad Herennium. One is MS Codex 1630, a 15th century copy of the text itself, and MS Codex 1629 which is a 14th century commentary on Rhetorica.

      As a few here are interested in some of the older memory texts and having access to older copies from the Renaissance is rare, I thought I'd share some of the resources from that session including photos, descriptions, and the videos themselves which have recently been posted online. For those who are interested in these spaces, I hope this is as much of a treat as I thought it was.

      A blog post with some details, links, and great photos: https://schoenberginstitute.org/2022/03/09/ms-codex-1630-ms-codex-1629-rhetoric/

      A short video introduction to the MS Codex 1630: https://www.youtube.com/watch?v=4XpFbbHgNQ4

      And here's the full 30 minute video of the walk through session of both manuscripts: https://www.youtube.com/watch?v=vT6Qdgz93Ec&list=PL8e3GREu0zuC-jTFRF27a88SzTQ6fSISy&index=8

      Full digital copies of both books and bibliographic details for them can be found below: Ms. Codex 1630: https://franklin.library.upenn.edu/catalog/FRANKLIN_9958935643503681

      Ms. Codex 1629: https://franklin.library.upenn.edu/catalog/FRANKLIN_9958752123503681

  21. Apr 2022
    1. The historian in me always wants to look back at how this sort of media control has played out historically, so thinking about examples like William Randolph Hearst, Henry Luce, David Sarnoff, Axel Springer, Kerry Packer, or Rupert Murdoch across newspapers, radio, television, etc. might be interesting. See also: https://en.wikipedia.org/wiki/Media_proprietor

      Tim Wu's The Master Switch is pretty accessible in this area.


      On the intercultural front, the language (very careful public relations and "corporate speak") used in this leaked audio file of the most recent Twitter All Hands phone call might be fascinating and an interesting primary source for some of the questions you might be looking at on such an assignment. https://peertube.dk/w/2q8cdKR1mTCW7RyMQhcBEx

      Who are the multiple audiences (acknowledged and unacknowledged) being addressed? (esp. as they address leaks of information in the call.)

    1. An interesting study came out recently

      Preprint of study: Broockman, D., & Kalla, J. (2022, April 1). The manifold effects of partisan media on viewers’ beliefs and attitudes: A field experiment with Fox News viewers. https://doi.org/10.31219/osf.io/jrw26

    1. Roberts, B. (2006) ‘Cinema as Mnemotechnics’, Angelaki, 11 (1):55-63.

      this looks interesting and based on quotes in this paper in the final pages might be interesting or useful with respect to pulling apart memory and orality

    2. QuotingFriedrich Kittler, Thorn explains that the aim of such an all-encompassing approach to media is to focus on the ‘networks oftechnologies and institutions that allow a given culture to select,store, and process relevant data’ (cited in Thorn, 2008: 7).

      Has media studies looked at primary orality and the ideas of space repetition, art, dance, and mnemonics as base layers of media by which cultures created networks of knowledge and culture that they might use to select, store, process, copy, and pass along their knowledge?

    3. What Iam alluding to here is well drawn out in Walter Benjamin’s reflectionin his Moscow Diary on how we ‘grasp’ a visual image. ‘One does notin any way enter into its space’, he writes. Rather, ‘It opens up to usin corners and angles in which we believe we can localise crucialexperiences of the past; there is something inexplicably familiarabout these spots’ (Benjamin, 1985: 42).
    1. Medieval manuscripts did not include title pages, and bibliographers identify them by incipit or opening words: no special markers were needed to recognize a book that one had commissioned and waited for while it was copied.185 By contrast, a printed book needed to ap-peal to buyers who had no advance knowledge of the book, so the title page served as an advertisement, announcing title and author, printer and/or book-seller (where the book could be purchased), generally a date of publication, and also additional boasts about useful features—“very copious indexes” or a “cor-rected and much augmented” text. T
    2. A later version of this concordance survives in eighty manu-scripts made between 1280 and 1330—these are large, handsome volumes with rubrication to facilitate use, a few of which show signs of having been used as exemplars to be copied by university students according to the pecia system (in which students would rent from a stationer successive sections of the exemplar for copying, so that each student would end up with his own new copy of the ex-emplar).120

      The pecia system was one in which university students would rent portions of manuscripts from stationers and then manually copy them to ultimately end up with their own full copies of the books they were reading or studying.

      Some copies of extant manuscripts have indicators that they were used or produced by this pecia system.

    3. On leaf numbering in the Middle Ages, see Saenger (1996), 258, 275–76, and Stoneman (1999), 6. Saenger notes nonetheless that printing created the context in which leaf numbering flourished in both print and manuscript.

      Leaf numbering was seen in the Middle Ages, but printing in the Renaissance greatly increased the number of books with page numbers.