And that identity, like most of us was white, male, American, and vaguely libertarian. That's how the Internet got personified in those early days. Again, this wasn't everyone If you gathered all of us to talk about those early days, the women, the people of color, they would tell different stories. But it was most of us.

Instead of emphasizing the role of popular innovation and amateur invention, the dominant myths in internet history focus on the trajectory of a single military-funded experiment in computer networking: the Arpanet. Though fascinating, the Arpanet story excludes the everyday culture of personal computing and grassroots internetworking. In truth, the histories of Arpanet and BBS networks were interwoven—socially and materially—as ideas, technologies, and people flowed between them

Funnily enough one of the reasons I started looking into the decentralized social media space in 2016, which ultimately led me to go on to create Mastodon, were rumours that Twitter, the platform I’d been a daily user of for years at that point, might get sold to another controversial billionaire.

ʰᵉʳᵉ ᵃʳᵉ ᵗʰᵉ ᵈʳʸʷᵃˡˡ ʷᵉᵇˢᶤᵗᵉ ᵉᵃˢᵗᵉʳ ᵉᵍᵍˢ

I spend most of my day in iOS Notes app.

You.com’s big differentiating feature is that it lets people influence which sources they see. You can “upvote” and “downvote” specific categories, so when you run searches, you’ll see preferred sources first, neutral searches next, and downvoted sources last.

Binstock: You once referred to computing as pop culture. Kay: It is. Complete pop culture. I’m not against pop culture. Developed music, for instance, needs a pop culture. There’s a tendency to over-develop. Brahms and Dvorak needed gypsy music badly by the end of the nineteenth century. The big problem with our culture is that it’s being dominated, because the electronic media we have is so much better suited for transmitting pop-culture content than it is for high-culture content. I consider jazz to be a developed part of high culture. Anything that’s been worked on and developed and you [can] go to the next couple levels. Binstock: One thing about jazz aficionados is that they take deep pleasure in knowing the history of jazz. Kay: Yes! Classical music is like that, too. But pop culture holds a disdain for history. Pop culture is all about identity and feeling like you’re participating. It has nothing to do with cooperation, the past or the future—it’s living in the present. I think the same is true of most people who write code for money. They have no idea where [their culture came from]—and the Internet was done so well that most people think of it as a natural resource like the Pacific Ocean, rather than something that was man-made. When was the last time a technology with a scale like that was so error-free? The Web, in comparison, is a joke. The Web was done by amateurs.

They are often cited as the first website to feature banner ads.

The first Wired website, therefore, has a unique distinction of being an unofficial, amateur project led by two people from a different country uploading copyrighted content they didn’t own to a site that lacked any of the panache, glitz, or unconventional charm that had made Wired famous.

Huge web properties were started during this era including Yahoo, Google, Amazon, Facebook, LinkedIn, and YouTube. In the process, the importance of centralized platforms like AOL greatly diminished.

Netheads vs Bellheads

collaborative effort between a university professor and a government researcher (much like the collaborations at the beginnings of the Internet)

Docker eventually sold out to (I believe) Bell and the professors did just fine.

One of the earliest nonscience scholarly uses of this technology was the listHumanist,

Towards a More Postcolonial Internet for Learning