11 Matching Annotations
  1. Jul 2022
    1. Famously, Luswig Wittgenstein organized his thoughts this way. Also famously, he never completed his 'big book' - almost all of his books (On Certainty, Philosophical Investigations, Zettel, etc.) were compiled by his students in the years after his death.

      I've not looked directly at Wittgenstein's note collection before, but it could be an interesting historical example.


      Might be worth collecting examples of what has happened to note collections after author's lives. Some obviously have been influential in scholarship, but generally they're subsumed by the broader category of a person's "papers" which are often archived at libraries, museums, and other institutions.

      Examples: - Vincentius Placcius' collection used by his students - Niklas Luhmann's zettelkasten which is being heavily studied by Johannes F.K. Schmidt - Mortimer J. Adler - was his kept? where is it stored?

      Posthumously published note card collections - Ludwig Wittgenstein - Walter Benjamin's Arcades Project - Ronald Reagan's collection at his presidential library, though it is more of an commonplace book collection of quotes which was later published - Roland Barthes' Mourning Diary - Vladimir Nabokov's The Original of Laura - others...


      Just as note collections serve an autobiographical function, perhaps they may also serve as an intellectual autobiographical function? Wittgenstein never managed to complete his 'big book', but in some sense, doesn't his collection of note cards serve this function for those willing to explore it all?


      I'd previously suggested that Scott P. Scheper publish not only his book on note taking, but to actually publish his note cards as a stand-alone zettelkasten example to go with them. What if this sort of publishing practice were more commonplace? The modern day equivalent is more likely a person's blog or their wiki. Not enough people are publicly publishing their notes to see what this practice might look like for future generations.

    1. I wonder if Scott P. Scheper has done any videos on his writing/composing process for getting material out of his card file for creating his book for which I've seen portions of a few chapters floating around. I've loosely followed his YouTube channel and his r/antinet community on Reddit, but I haven't seen this portion of his process in any detail.

      This (export) part also seems like one of the more intense, manual, and heaving lifting pieces of the process. I've yet to see any digital tools which automate or make this portion of the work easier.

      Perhaps a graph view of connected nodes with titles in which one can highlight nodes as a selection method and then export them in some process to a space where they might be potentially reordered or shuffled into a linear order for further editing and ultimately publishing, might be useful? Even saying this takes forever much less doing it easily with an inspiring user interface..

      Link to: https://hyp.is/9PV1jP5OEeyPumNKyckR1A/danallosso.substack.com/p/zettelkasten-on-paper

      Syndication links: - https://danallosso.substack.com/p/zettelkasten-on-paper/comment/7610486

  2. Jun 2022
    1. u/sscheper in writing your book, have you thought about the following alternative publishing idea which I'm transcribing from a random though I put on a card this morning?

      I find myself thinking about people publishing books in index card/zettelkasten formats. Perhaps Scott Scheper could do this with his antinet book presented in a traditional linear format, but done in index cards with his numbers, links, etc. as well as his actual cards for his index at the end so that readers could also see the power of the system by holding it in their hands and playing with it?

      It could be done roughly like Edward Powys Mathers' Cain's Jawbone or Henry Korn's Pontoon Manifesto? Perhaps numbered consecutively to make it easier to bring back into that format, but also done with your zk numbering so that people could order it and use it that way too? This way you get the book as well as a meta artifact of what the book is about as an example of how to do such a thing for yourself. Maybe even make a contest for a better ordering for the book than the one you published it in ?

      Link to: - https://hyp.is/6IBzkPfeEeyo9Suq-ZmCKg/www.scientificamerican.com/article/reading-paper-screens/

    1. The Antinet’s permanent-address scheme, with its shifting nature, gives the system a unique personality. The Antinet’s unique personality stands as one of the most integral aspects of the system. A key component that enables insightful communication with a human being is the human’s personality–the person’s unique way of communicating with you based on their unique perspectives and interpretations. The Numeric-alpha addresses provide the Zettelkasten with a unique personality. Over time, unique structures form due to Numeric-alpha addresses. This is important because it allows one to communicate with the Antinet, transforming it into a communication experience with a second mind, a doppelgänger, or a ghost in a box, as Luhmann called it. (5)5 This is the entity Luhmann referred to when he titled his paper, Communicating with Noteboxes. Numeric-alpha addresses make all of this possible.

      Scheper seems to indicate that it is the addressing system alone which provides the "personality" of a zettelkasten, whereby he's actively providing personification of a paper and pencil system by way of literacy. We need to look more closely, however at the idea of what communication truly is to discern this. A person might be able to read an individual card and have a conversation with just it, but this conversation will be wholly one sided, and stops at the level of that single card. We also need the links between that individual card and multiple others to fill in the rest of the resulting potential conversation. Or we will rely on the reader of the card extending the idea or linking it to others of their ideas (and that of the zettelkasten), to grow the system and thereby its "personality".

      Thus the personality is part that of the collection of cards using their addresses and the links between them. This personality, however, isn't immediate. It might grow over time reaching some upper limit at the length of time of the user's life, but much of its personality is contingent upon the knowledge of the missing context of the system that is contained in or by its creator. Few zettelkasten will be so well composed as to provide full context. (cross reference: https://hyp.is/5gWedOs7Eeyrg2cTFW4iCg/niklas-luhmann-archiv.de/bestand/Zettelkasten/zettel/ZK_2_NB_9-8_V).

      The question we might want to look at: Is there a limiting upper bound (a la a Shannon Limit) to the amount of information that a zettelkasten might contain or transmit, even beyond the life of an initial creator? Could it converse with itself without the assistance of an outside actor of some sort? What pieces are missing that might help us to define communication or even life itself?

    2. The four principles Niklas Luhmann used to build his notebox system are: Analog Numeric-alpha Tree Index The first letters of those four principles (A, N, T, I) are what comprise an Antinet. An Antinet Zettelkasten is a network of these four principles.

      The four principles Niklas Luhmann used to build his notebox system are:

      1. Analog
      2. Numeric-alpha
      3. Tree
      4. Index

      The first letters of those four principles (A, N, T, I) are what comprise an Antinet. An Antinet Zettelkasten is a network of these four principles.

  3. May 2022