2,296 Matching Annotations
  1. Last 7 days
    1. Platen colors are for Hardness. Here is the complete breakdown of typewriter platen colors, their hardness levels, and how they perform:## Typewriter Platen Color & Hardness Chart| Platen Color | Shore A Hardness | Typing Feel & Characteristics | Best Suited For... ||---|---|---|---|| Light Gray / Off-White | 85 – 87 (Soft) | Highly cushioned, muffled "thup" sound. Very quiet, but text imprint can look slightly less sharp. | Comfort typists, ultra-portable machines, and preventing paper piercing. || Teal / Muted Blue-Gray | 85 – 88 (Soft/Medium) | Iconic historic factory standard (e.g., Swiss Hermes 3000). Smooth, buttery feel with great acoustic dampening. | Vintage European portables and mid-century aesthetic restorations. || Bright Blue | 88 – 90 (Medium) | Modern custom synthetic rubber. Perfect "sweet spot" that yields a crisp print without loud impact noise. | Modern custom restorations, antique portables (like Corona 3 or Remington). || Standard Black | 88 – 92 (Medium/Firm) | Replicates the original factory specification for most classic manual typewriters. Excellent, crisp lettering. | Standard everyday manual typewriters (e.g., Smith-Corona, Underwood, Olympia). || Bright Orange / Red | 93 – 100+ (Hard) | Incredibly dense and solid strike backing. Controls heavy vibration but creates a very loud, sharp snap. | Electromechanical/electric typewriters (like the IBM Selectric) and heavy office machines. || DIY Heat-Shrink Blue/Black | 95 – 100+ (Rock Hard) | Often a cheap cosmetic cover-up over a dead platen. Feels like hard plastic, sounds deafening, and punches holes in paper. | Avoid for regular typing; requires a backing sheet if used. |

      via Mitchell Vassiliou at https://www.facebook.com/groups/TypewriterCollectors/posts/10164208015789678/

    1. This Olympia SM9 typewriter has a carriage lock on it indicated by the #1 in the diagram in the manual at https://site.xavier.edu/polt/typewriters/OlympiaSM9.pdf Engaging the lock will cause two teeth to engage with a set of matching holes in the carriage on the left hand side of the machine that will lock the carriage in the center. (You should be able to physically see this happen by looking straight down from above on the left side of the front of the carriage as you engage the lock.) The Carriage Release lever (#15 in diagram) will allow the carriage to be moved left or right to properly center & lock the carriage into place.

      Please ensure the typewriter is also properly seated into the hardware inside the case and locked so that it can't move and fill in any dead space in the case prior to shipment.

      These two precautions will help ensure safe shipment of the delicate internal mechanisms under the carriage.

      Thanks in advance for your assistance!

    1. When my agency job was outsourced to an LLM in 2024, I felt like it was only a matter of time before AI would permeate everything. I think the worst part of that isn’t the ubiquity, but the ease with which many people have just accepted it and made it part of their lives. Either that, or the tech companies are cramming it into every damned thing. It's hollow. Annoying. Disheartening. Way too distracting. It hurts my brain.
    2. We have a long way to go before this unit is ready to rock and roll again (if it ever will be), but it'll be a lot of fun working on it and finding out.

      The writer is definitely into the repair portion of the typewriter hobby space and despite some of the FUD he's spewing for lack of experience, he seems on the right track. He's discounting his lack of experience in the general space compared to his experience in computers, games, and guitar repair which he's obviously spent time. At least he can rely on this scaffolding to move forward in the typewriter repair space. Most others won't have this experience at all and that makes it even more difficult.

    3. I ended up first getting an antique typewriter for free and then finding myself back at the drawing board when it proved to be more of a “fixer-upper” than I wanted it to be.

      Example of someone getting an old typewriter as a "fixer-upper" and probably wishing they'd gotten one refurbished from a repair shop.

      Longer version of the story appears below the highlighted section.

    4. But, man, they’re a pain in the neck sometimes. They’re not exactly portable. Repairs can be difficult. Parts might be difficult to source. Plastic fatigue can destroy some parts of the machines. Pressing down on the keys can be a bit of a process at times. And if you get a machine where the rubber has turned to sticky sludge? God help you. The machines, while often beautiful, are absolutely not convenient in any way whatsoever. Also, you’d better be into some serious lubrication if you’re going to maintain an older model.

      Most of the FUD here is that people are too cheap to bother having their machines properly serviced anymore and this is compounded by the fact that they don't know how to do most of the basics by themselves.

    5. Some people feel that using a typewriter can enhance creativity. Makes sense. But I think the most obvious tech-related draw of these old machines is that they offer a way to create something genuine and avoid so-called artificial intelligence.

      There's a way to link this to the idea behind Friedrich Nietzsche's discussion about typewriters as tools and how that effects our work.

    6. There’s a reason why screen time, social media, and LLMs have such a massive conversation around them. So, I’d say that avoiding distraction is definitely a reason why people would want to use one right now. Most “typewriter enthusiast” articles and videos online like to use this as a talking point to convince folks to use them.

      Author noticing something I've experienced in typewriter articles.

      Perhaps it's time to aggregate some of the typewriter articles since the pandemic to see which categories they fall into?

      • typewriter nostalgia
      • distraction free writing
      • escape from AI
      • tinfoil hat crowd
    7. And before you say, “Well, why don’t you use an Ethernet cable and buy non-HP ink cartridges?” Well, I did, but that’s not the point. The point is, I bought a friggin’ printer and feel like I should be able to use the darn thing without a subscription or maintenance fee. I’m a firm believer in OWNING WHAT I PAY FOR. I’m not the only one who feels that way (Louis Rossman and the FULU Foundation are big on owning what you buy). I would rather deal with the hassle of typing up several pages on a typewriter than deal with a stupid subscription-based printer. The need to get away from the constant bombardment of ads, subscriptions, and owning nothing is a big part of why physical media is coming back, at least according to Rolling Stone. Streaming sucks, anyway.
    1. “I type very quickly, very badly, with many errors [ fautes],” Jacques Derrida confessed in a late interview. This paper proposes that the typographical error – usually viewed as a mere “accident” – may in fact be understood as a productive site for deconstructive reading and thought. Drawing on Nietzsche’s suggestion that the typewriter acts as a “collaborator” in thinking, this paper examines Derrida’s use of the typewriter, with particular attention to his typos. Following Derrida’s reading in the Geschlecht series and his own typographical practice, this paper argues that the typo should be thought of as the condition of possibility of every type – and as a defining difference between Derrida and Heidegger.

      Chenoweth, Katie. 2021. “Faute de Frappe: Derrida’s Typos.” Research in Phenomenology 51(1): 61–77. doi:10.1163/15691640-12341464.

    1. Reply to u/Bonkzzilla at https://reddit.com/r/typewriters/comments/1wx4l50/desk_pickiness/

      You'll be hard-pressed to find a modern desk with heights specifically for typewriters.

      Most mid-century typewriter specific furniture was designed to put the tabletop for a typewriter at 26 inches off of the floor, but the average modern desk is typically at 28 inches.

      Your best bet is either a wooden or metal executive tanker desk with either one or two pedestals. They often have writing drawers which pull out and you can put a typewriter on them to lose an inch or two. Some also had spring-loaded platforms which allowed you to open a door and pulling your typewriter up and out at a better/lower height. Other desks had a rotating desktop to which you could bolt your typewriter and allow you to flip the typewriter upside down for storage underneath the desk. Some also came with a desk return which was attached to the side at a height a few inches lower that had space for a typewriter.

      There are also some small vintage typewriter stands, usually with wheels to allow for some modest mobility. These can be found for about US$50 these days.

      Examples: - https://boffosocko.com/wp-content/uploads/2024/05/wp-17169128054434698029806415884065.jpg<br /> - https://substackcdn.com/image/fetch/w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F51bda2fe-c049-4b48-a057-87457a49e01a_902x882.png<br /> - https://www.google.com/search?q=typewriter+stand

    1. reply to u/orionis1 at https://reddit.com/r/typewriters/comments/1wxhe3q/bloquer_lavanc%C3%A9e_du_chariot_sur_une_underwood/

      I presume you're going the route in this video https://www.youtube.com/watch?v=1upTPepErTY and miming/pretending all the typing with the carriage stuck at a set point by setting the margins so that the carriage doesn't move at all? The typist is then the tenth chair percussionist who is really only playing a desk bell.

      I think the illusion is best when the bell is hidden from the audience in front of the typewriter and the typist actually only spaces and machine and does (quiet) carriage returns. The typing sound is then done by electronic keyboard and the carriage returns are played by wooden guiro, washboard or something similar.

      You'll notice by watching any dozens of versions of performances of Leroy Anderson's "The Typewriter" that they're ALWAYS CHEATNG on the actual use of a typewriter. As an example, the bell on the typewriter in your video has been disabled/removed and the performer is using a separate bell mounted on the table next to it. It appears that he's finger pecking only two keys and/or only using the spacebar which moves the carriage. Many performances don't even attempt to properly time the carriage returns to the sound. Half of the "performance" is the attempt at comedy in the playing or presentation . You're trying to one up Jerry Lewis in 1963's Who's Minding the Store, which is never easy.

      If you've got a practiced enough percussionist/typist, you can do the typing in reality though you may need to mic it up for volume/projection, but I recommend putting the paper up a few inches and not using the paper bale to get a louder percussion of the slug hitting the paper. If you go this route, I would recommend not using a machine with Perspex card guides, removing/disabling the paper fingers if there are any. It's impossible to get carriage returns done properly via sound as there are a few points at which the carriage hasn't moved enough to go more than a space or two.

  2. Oct 2026
    1. I recently got a 1924 Stoewer Elite with this gorgeous wooden case. The veneer survived the past 102 years remarkably well, apart from a small chip on one of the rear corners. The finish, however, was showing its age. The wood looked dull, with a couple of deep scratches and the nickel plated parts had started to rust. It needed some work, so I decided to refinish it. In a few places the veneer had started to lift slightly. I filled a syringe with wood glue and used a hypodermic needle to get the glue underneath it. This worked really well and avoided having to lift the veneer too much and risk breaking it. Luckily, the veneer was also thick enough to carefully use an orbital sander to remove the old finish and stain (low RPM, light pressure). I chose a mahogany stain that was quite close to the original, followed by six coats of shellac to bring out the wood grain. Finally, I buffed it with extra-fine steel wool and applied a coat of beeswax for some protection against moisture. It also smells very pleasant now! I’m really happy with how it turned out. It was a fun project, and the shellac/beeswax combination gave it a beautiful satin sheen.

      https://www.reddit.com/r/typewriters/comments/1wwrsir/refinishing_a_wooden_typewriter_case/

    1. I prefer older, manual typewriters, but I just bought a Smith-Corona Electra 210 from FB Marketplace for $20. I enjoyed typing on it, and the fact that my fingers didn't slip between the keys and the typebars didn't jam. However, using an electric typewriter feels a bit like "cheating" in terms of breaking away from our digital world. It's not strictly analog, so I'm ambivalent about using it. I'm interested in hearing your opinions on the topic.

      reply to u/Proud_Illustrator266 at https://reddit.com/r/typewriters/comments/1wvx18t/manual_vs_electric/

      We can't absolve you of your guilt, but you can choose to use what works best for you.

      Pretty much none of us are offline (look where we're discussing this). No one is really choosing to type with their heating or air conditioning off, or type by candlelight. You have options about where your analog line could be, just choose one and start banging away.

      If you want to talk about guilt, tell us about your 70 typewriters that you're constantly rotating because you feel guilty that they're not all getting enough use.

    1. A thermal typewriter will be the quietest option. As a high school teacher with typewriters in my room, here is my experience: kids are allowed to use them during passing time and if we have some independent time and they are done with their work, but they are too noisy to use for notes or during instruction. If a student wanted to use a regular manual typewriter during class, I would ask them to stop, because it would be too much of a distraction to the class (and me).

      https://www.reddit.com/r/typewriters/comments/1wvrlad/best_typewriters_for_school/

      Advice from a self-identified high school teacher with manual typewriters in their classroom.

    1. Ezra’s slightly mad typewriter-cleaning cocktail! After experimenting with various cleaners, this has become one of my favorites for grimy painted metal and bare metal parts: roughly 75% Simple Green, with the remaining 25% divided between isopropyl alcohol, white vinegar and lemon juice.

      With caveats, this is what Ezra Rosensaft uses for external typewriter cleaning using modest amounts on a clean damp cloth.

      https://www.facebook.com/groups/705152958470148/posts/1386689876983116

    2. The Gramercy mix: 1/3 409, 1/3 ammonia, 1/3 water.Like

      Andy Morris reports that Jay Schweitzer of Grammercy Typewriter uses this cleaning formula for cleaning the exterior of typewriters to be applied to a soft cotton cloth and not directly on the machine.

      Morris further suggests staying away from decals with this.

      Second hand advice, but no reason to doubt it. https://www.facebook.com/groups/705152958470148/posts/1386689876983116

    1. "That's the sound of typing. It's the cadence of creativity. It's the percussion of punctuation. <br /> That sound you'll get lost in it. It becomes a rhythm. It becomes a music that will not only tell you—and the other people in the other room—that you're working, it will also spur you on to other areas of imagination that you will eventually create and record forever on your typewriter."<br /> —Tom Hanks in _Secret Talent Theatre" episode "Tom Hanks Changes the Ribbon on a Typewriter" for Vanity Fair on 2018-02-28 [00:02:16]

    1. Reply to u/BigZibby at https://www.reddit.com/r/typewriters/comments/1wuaui0/serial_number_location/

      In fact, I do! You've probably asked the one person who's spent the time delving into the typewriter database to try to puzzle something out on this front.

      I've not seen it in official sources, but the following pattern seems to fit:

      Royal Standard serial numbers are generally of the form [MMM][P,E,S]-XX-YY-#######, where:

      • MMM is the model designator (X, KHM, KMM, KMG, HH, FP, etc.);
      • P is for 10 pitch/Pica, E is for 12 pitch/Elite, and S is for Special (typically special order typefaces);
      • XX is the platen length, when not the standard/default size;
      • YY is for other special features, typically the number of glyphs in the typeface; and
      • ######## is the serial number.

      Yours has a YY=86 which typically indicates that the machine has 86 glyphs on the slugs in the typeface and thus 86/2 = 43 character (typing) keys on the keyboard. There are also examples of other YY numbers like YY=88 with 44 keys and YY=92 or 46 keys versus the standard 42 keys. You may notice under your machine that the keyboard has a metal "comb" which may have some empty slots into which addition keylevers and typebar assemblies could be added. Often the YY designator is either for special order keyboards or keyboards for foreign languages which require additional keys.

      Thus the 86 means that your machine has an extra key (the +/=) not found on their standard issue keyboard at the time.

    1. Typebars are a 2 piece assembly a tipeface made from antimony hardened linotype type metals. And the bar itself. The two parts are soft soldered together. Since the soldering process is difficult to do exactly peening a crushing operation using a peeling pliers. The tool on the left. The tool on the right holds the type bar to prevent twisting. The typebar has a straight section below the typeface to for crushing to mive the typeface in the vertical plane.

      mive = move

      A description from repairman James Yearnd of using peening pliers on and an aligning wrench on a typebar to move the typeface in the vertical plane.

  3. Sep 2026
    1. Just wanted to share my excitement! I've been into typewriters for about 2 years and I started buying and repairing and selling typewriters just short of a year now. I have a small YT channel, an IG account and word of mouth around the village (pop. Aprox 1200 ppl) where a local grandpa asked to fix up his old Triumph, which was a freebie for experience and, not gonna charge grandpa! Last week, someone from across the island reached out to me, asking for assistance. They had recently purchased an Olivetti Letters 31, his first typewriter. We chatted and agreed on a price and a week later, it's now ready for pick-up. New ribbon, general degrease, clean and polish. The client is already excited and happy with the images and will collect it tomorrow. As far as I am aware, there is no "official" repair shop in Mallorca and from searches, I appear to be the only one (correct me if I'm wrong) but, the fact that someone found me and asked for my services, has made me extremely happy and excited and I'm hoping this will open the door to many new typewriters in look of TLC. Just wanted to share and thank all of you who have helped and given advice on repairs and general questions I've had which has led me to this point. Let's hope this is the start of something new and exciting.

      James Wood aka u/Wooden_Underpants has a small typewriter repair service in Mallorca.

      https://www.reddit.com/r/typewriters/comments/1wt5isk/my_first_official_client_and_thank_you/

    1. Reply to Orga A 38 1908 r!!<br /> by Neat_Substance_2084 at https://old.reddit.com/r/typewriters/comments/1wsmhar/orga_a_38_1908_r/

      From what I've seen, your only evidence of your claim are a poorly hand scratched marking and some metallurgic tests.

      You need a lot more evidence than what you're presenting to prove your claim, particularly given the decade and change of the passing of time.

      I can scratch a 1940 date onto my Olympia SM3, but it doesn't mean that it's a prototype from 13 years earlier. Your presumed date is also of the form of an accounting ledger and not one that a mechanic would have scratched in.

      Do you have any provenance on your machine? (Who owned it and when?)

      Do you have any paperwork from the designers? Patents?

      The material tests only show a difference in the metal content, they don't indicate a date of any sort. If they could, you'd need a lot more material research on manufacturing methods and timelines from the historical record to back it up. Typewriter manufacturers were constantly changing their manufacturing lines and designs to make them more efficient and less expensive to improve their bottom lines, so your material science differences would seem par for the course. Can you show similar changes in materials from the companies toy lines over the same period?

      You seem to be only sharing blurry photos of screens rather than direct documentation of your material difference claims. Where are the direct documents and which company did the testing?

      Given the tremendous amount of focus on design changes and patents in early typewriter manufacturing and sales, how does the design of your machine fit into the early aughts from 1900-1910 versus 1920 and on? Typewriter designs had settled down significantly by the early 1920s, so there should be some reasonably significant design differences between a 1908 machine and one from 1923. Where have you documented those?

      What company history physically exists? When did they begin design? When were they producing prototypes in general? 13 years of R&D is a tremendous amount of time to pass in typewriter design in the early 1900s before manufacturing of any sort, even if you discount stoppages for World War I. Are there extant notebooks or corporate papers from the time period you're claiming? They were manufacturing toys for decades prior, so surely they've got some reasonable corporate documentation and correspondence somewhere. Do any of the descendants have papers, receipts, or diaries that could be consulted? What were the market conditions that suggested to them that a move from toys to typewriters was a brilliant idea? Often in a prototype situation, a factor may not have all the manufacturing capabilities in-house or they'd need to make changes to equipment to make a new line. Are there pieces of your typewriter that were outsourced from other factories? Is there evidence that all the parts of the later machines were made in-house?

      Think like an archaeologist. Think like a historian. Bring some more research to bear if you want to convince anyone (experts or otherwise) of your claims. It should seem painfully obvious to you by now that what you're presenting is not nearly enough. No one is attacking you. We're just asking for more if we're going to be convinced.

    1. 1939 "The Gold Royal" Typewriter<br /> by Grant Zahajko for [[Antiques Roadshow]] on PBS<br /> accessed on 2026-09-27T22:28:49

      Presented 1940-09-01 to Vice President M.V. Miller in honor of 10 years of Sales Leadership by The Royal Typewriter Sales Organization.

      Copy of video at https://www.facebook.com/watch/?v=849718491497922

      A gold plated and Cartier engraved Royal KMM typewriter. It was engraved with 1054 names by Warner MacDonald in 1939 at cost of $5,000. It was exhibited at the 1939 Worlds Fair and presented to the owner's grandfather in 1940. He was ultimately the president of the company. Antiques Roadshow appraised it at $30,000 - 40,000.

      There are 2,257 parts in a Royal KMM.

      See newspaper article:<br /> ROYAL TYPEWRITER HONORS SALES HEAD; M.V. Miller Gets Gold Machine for Ten Years' Service - The New York Times<br /> by [[The New York Times]]<br /> accessed on 2026-09-27T22:32:07

    1. Evelyn Forevermore is that an aesthetic/dreamy “feeling” reply, or serious “has a purpose”? Serious question, as I know zero about this. Were all these fonts just aesthetic choices or are several considered apt for specific purposes and not for others. thanks!

      Reply to Louis Cornelia at https://www.facebook.com/groups/705152958470148/posts/1373494441635993/

      Most of it is marketing in nature. The vast majority of typewriters have a standard courier serifed typeface, but manufacturers sold italic and cursive faces for a more "personal" touch in your correspondence. Italics was particularly marketed toward business executives to the point that many have the name "Executive". Many banks and accounting applications preferred used Gothic or double gothic typefaces for accounting work. Some banks also had custom faces to make it more difficult for people to wash checks.

    1. LABODE: This artifact is a typewriter that belonged to Maya Angelou. She probably had it from the early 1980s until her death. It's an Adler typewriter. It's an electric typewriter that was manufactured in West Germany.

      This tracks with the Adler Meteor 12 from Soboroff's collection which is already documented on Richard Polt's page.

      https://www.npr.org/2026/09/26/nx-s1-5979931/at-the-smithsonian-maya-angelous-typewriter-holds-a-place-of-honor

    1. reply to u/Novembree at https://old.reddit.com/r/typewriters/comments/1hfncyz/had_a_typewriter_for_awhile_could_use_help/

      Welcome to the Royal KMM club! Seems like lots of these have been posted in the last day including one by u/betternatured and another by u/the-other-gusta along with a very similar Royal KMG by u/Jacki-san.

      The serial number puts yours down as a KMM with an 11 inch platen manufactured in 1945. Cross reference: https://typewriterdatabase.com/royal.72.typewriter-serial-number-database

      Manual: https://site.xavier.edu/polt/typewriters/RoyalKMM.pdf

      These were really popular and ubiquitous, standard (large desktop) typewriters in the mid-century that were the workhorse of many offices. Because they were so common and so heavy, they only go for $5-25 in the used market in either unknown or marginal condition. If they're cleaned up and well-serviced they can go for more with a cap of around $300-400 depending on the level of restoration. Some with special features (like special typefaces) or provenance may go for more.

      The Royal KMM was known to have been used by writers including: John Ashberry, Harry Ashmore, Russell Baker, Ray Bradbury, Richard Bratigan, Richard Brooks, Pearl S. Buck, Johnny Carson, Norman Corwin, Frank Herbert, Ken Kesey, G.W. Lee, Harper Lee, Ursula K. LeGuin, David McCullough, Margaret Mead, Grangland Rice, and Dorothy Parker. This was also the model famously used by Angela Landsbury's character on the TV show Murder, She Wrote.

      Spools and Ribbon:<br /> The spools for the standard Royal typewriters (Ten, H, KH, KHM, KMM, KMG, RP, HH, FP, Empress, 440, 660, etc.) have a custom metal mechanism for their auto-reverse. The spools are known as the T1 (which is the same as General Ribbon part # T1-77B , T1-77BR, and Nu-Kote B64.) If winding on universal ribbon onto them, remove the eyelette which isn't needed and may interfere with the auto reverse.

      If you're missing the original spools, Ribbons Unlimited carries them: https://www.ribbonsunlimited.com/6N064-Royal-Standard-Electric-Ribbon-64-p/6n064.htm or you might source an original metal pair from a local repair shop.

      Duane of Phoenix Typewriter has a video about how to change and spool up your Royal standard.

      Collector Sarah Everett can show you most of the functions on her YouTube Channel for Just My Typewriter: https://www.youtube.com/watch?v=v0Zvc1m-8aI.

      Depending on your level of typewriter knowledge try out some of the following short films which will also provide some tips, tricks, and maintenance advice common in the era of your machine:

      Happy Typing!

    1. I am scared by random people writing this and that with compressed air.We learned in typewriter school in the navy.1.remove rubber bumpers platen and feed rolls.2. Mix 1to 1 superagetine and mineral spirits. Stoddard solvent also works.3. Soak overnight.4. Drain and rinse with fresh solvent.5 air dry or bake @95°F.6 .cool and manually re oilNow a day oil only with synthetic 0 weight oil.7 .check and brush typefaces.8. Clean platten.Reinstall and type test, align typefaces. Only permanent align is peening typebars. This is the way I maintained 200 typewriters on an aircraft carrier.This what worked for me.Spring scale at .75 Lbs. For tape tension.Adjust the rail clamps and clean under if required. Carrage should slide with 3 oz or lessLike

      I am scared by random people writing this and that with compressed air.<br /> We learned in typewriter school in the navy.<br /> 1. remove rubber bumpers platen and feed rolls. 2. Mix 1to 1 superagetine and mineral spirits. Stoddard solvent also works.<br /> 3. Soak overnight.<br /> 4. Drain and rinse with fresh solvent.<br /> 5. air dry or bake @95°F.<br /> 6. cool and manually re oil<br /> Now a day oil only with synthetic 0 weight oil.<br /> 7. check and brush typefaces.<br /> 8. Clean platten.

      Reinstall and type test, align typefaces. Only permanent align is peening typebars.<br /> This is the way I maintained 200 typewriters on an aircraft carrier.<br /> This what worked for me.<br /> Spring scale at .75 Lbs. For tape tension.<br /> Adjust the rail clamps and clean under if required. Carrage should slide with 3 oz or less

      via professional Navy repairman James Yearnd at https://www.facebook.com/groups/705152958470148/posts/1382145190770918/

    1. https://www.facebook.com/groups/705152958470148/posts/1381074304211340/

      I was an IM rating in the Navy. As a instrument repairman I was responsible for repairing typewriters of all types regardless of the make or model as well as adding machines and the calculators of the time like the mighty Monroe 1000 gear long division moving carriage machine.<br /> I retained many special tools and books and have knowledge that will go away when I die

    1. Arne Lange10 Mar 2015, 16:23:00Thanks a lot for this article. I am looking forward to part 2! Olympia portables are my favourites.There is some interesting history behind the Colortip rebranding. Those typewriters were primarily sold by agents door by door, resulting in quite some scandals. The company that ended being renamed Colortip was run by Josef Haid, who at times ran a network of more than 4000 agents. Their practice was to sell contracts for typewriter telecourses - only that those contracts had a hidden clause that included the purchase of a typewriter. Different brands were involved over the years (Alpina typewriters also made some sales over this route). If you trust google translate, this German article from that time would be quite interesting: http://www.spiegel.de/spiegel/print/d-45140285.htmlWhat I find especially interesting about the Colortip machines is that there should be some modified later versions of Olympis SMs, that allowed to lock certain keys to make learning to type easier. As far as I know, they have an extra lever, that has three settings: program (lock all keys that are subsequently used), type (only the keys not locked before would budge) and reset. This lever would be unter the spool cover close to the left spool. I have been looking for those, but haven't found one yet. Also there is not much info to find about those....

      https://xoverit.blogspot.com/2015/02/olympia-sm-series-part-1-1948-1964.html?showComment=1426029814779#c1385367975247315702

    1. <br /> —via https://www.latercera.com/culto/2021/04/28/40-anos-de-cronica-de-una-muerte-anunciada-la-novela-que-garcia-marquez-consideraba-su-mejor-libro/<br /> Photo of Gabriel García Márquez in front of a standard typewriter with the brand name Underwood on the back.

      Not included in Richard Polt's collection of typers as of 2026-09-19

      This article has a variation of the same photo credited as "El escritor colombiano y premio Nobel Gabriel García Márquez / Foto: archivo Biblioteca Nacional de Colombia"


      Profile photo of Gabriel García Márquez at a 1970's version of a cartridge-based Smith-Corona electric typewriter. <br /> Potential variations of this typewriter are already in Richard Polt's collection of typers, but this particular photo is not as of 2026-09-19.

    1. In my experience, a Typewriter's soul reveals itself to the folks that are MEANT to be their custodian for a time. I find most objects that serve a creative purpose to be this way; They absolutely have voices, but only the right person(people?) can hear them. People don't find Typewriters. Typewriters find people.

      reply to Kirk Jackson aka u/NashvilleTypewriter at https://old.reddit.com/r/typewriters/comments/1wjidrf/what_words_could_we_use_to_better_describe_the/pal3wez/

      This is great. I find it to be the case as well.

      Watching other spaces like note taking applications (and methods), stationery, planners, notebooks, pencils, pens, fountain pens, etc. it repeats itself over and over. Some will really love a particular object which seems to work for them while others don't. Fora are filled with people asking, what do you like? how do you use it? when instead they ought to be attempting to figure out what they like and how they would use it.

      Some turn their love of a particular thing into a religion (Apple vs. IBM comes to mind) which also tends to make others doubt their own choices and what might work best for them. Instead of experimenting around a bit to see what works for them, they take the supposed "magic" propounded by others and wrongly try to make it work for themselves. This is one of the primary reasons I tell potential new typewriter stewards to visit shops or type-ins so that they can put their hands on a variety of machines to see which "speaks" or works best for them and their needs. There are so many people limping along out there on dreadfully maintained machines because they haven't tried others (or even cleaned, oiled, and well-adjusted ones) and don't know what they're missing.

      I was reading/listening to a series by APM recently called Sold a Story about how some academics and scientists created a "new method" for teaching reading and sold it as a products to school systems all over the country. While it managed to work for a terrifically small population, it was broadly wrong for the majority of people. Decades of harm was done to children and the educational space because everyone went with what these experts said (and which may have seemed logical) rather than doing some work, trusting testing and results, or continuing to experiment with a variety of strategies. Similarly, while computers and writing software may work for many, some of the older tried-and-true methods out there using tools like pencils, pens, loose paper, index cards, notebooks, notepads, and typewriters can provide dramatically different affordances in ways of working with them which are actually better for some of the things one might wish to accomplish with them. Some tools have the ability to speak to you in ways that others do not.

      (P.S. Thanks for your observation as this may become the kernel of the introduction to the book I'm slowly working on.)

    1. Typeface Identification

      It's a lot easier to identify typefaces of typewriters if you include a few things in your photos: <br /> - Full frontal picture of the machine with clear shot of one or more of the rulers (so one can attempt to determine pitch as well as more easily identify the make/model for cross referencing).<br /> - A full typed sample of all the characters, especially some of the more unique ones like Q, 3, 5, 4, 7, &, G, A, E, and W in both upper and lower case.<br /> - A close up shot of the slugs which clearly shows the foundry marks (generally found in the middle of the slug) of both letter slugs and special character/number slugs as sometimes the latter are different.

    2. Princess 300 with RaRo Elite Imperial typeface

      The "AR" foundry mark is a shorthand for Albert Rodrian, one half of RaRo. If you ever see an R inside an octagon that's the mark for the other half, Alfred Ransmayer.

      The "84" on the foundry mark is typical of RaRo's 12 pitch Elite Imperial which can be found with a sample at: https://typecast.munk.org/2023/02/04/1961-adler-typewriter-type-font-styles/

      You can also compare other known Princess typefaces at the database: https://typewriterdatabase.com/twdb.0.typefaces?mfr_search=70&model_search=100#

      If you put a ruler up to your type, you should find that there are 12 characters per inch.

      You can also cross reference the following: - the Hass catalog, page 3, row 1:<br /> https://archive.org/details/typewriter-foundry-marks-haas/page/n1/mode/2up<br /> - RaRo Catalogue Page B3-4 "Elite-Schatten Ro 84":<br /> https://www.sommeregger.name/typewriters/files/RaRo/rarotype_katalog_1980_OCR_20160523.pdf


      Reply to u/CaptainCulinary at https://old.reddit.com/r/typewriters/comments/1wjb0gk/princess_300_with_typeface/

    1. I got several reels with a special discount. Nylon 1005 yards was €60 each, Cotton red/black was 360 yard was €125. I got several reels. They gave me a big discount. I purchase often from them. They paid tariffs with the shipping.

      https://www.facebook.com/sameeranff/posts/pfbid0pvUFwLmTAA6tcmDHDCNVW88E3RYaar1bxHDcUJZCifKJfia2ubUXbbcaELBskULwl

      Sameera Sandaruwan Abeyrathna has had ribbon shipped from Europe before.

    1. The Royal Companion was a trim line name for Royal portables in the 40s and 50s along with variations like the Aristocrat and the Quiet De Luxe. For some of its life it's essentially a cheaper Quiet De Luxe which may be missing features like a tabulator, Magic Margins, card fingers, or a touch control. You'd have to cross check the manual and the typewriter database to see how yours may differ from the QDL at the time it was made. Often it was a $5-10 price differential at the time for the difference in features, but with inflation this would be the equivalent of $140 now.

      You could essentially use the list of QDL users from Polt's site and say that they all used a typewriter similar to your Companion. (Depending on the photos and angles, some of the listed Quiet De Luxe users may have really been using either a Companion or an Aristocrat, but it's incredibly difficult to discern unless you can see the specific feature differences between them.)

      See also: - https://boffosocko.com/2024/06/25/users-of-the-early-henry-dreyfuss-royal-quiet-de-luxe-portable-typewriters/<br /> - https://typewriterdatabase.com/royal.72.typewriter-serial-number-database<br /> - https://typewriterdatabase.com/Royal.Companion.72.bmys - Manuals at: https://site.xavier.edu/polt/typewriters/tw-manuals.html


      Reply to u/chocolate-sheep at https://old.reddit.com/r/typewriters/comments/1wi0jd6/writers_using_royal_companions/

    1. Yes, dust can be an issue over time, especially if your machine is over-oiled and even more if you're in high dust/pollution area of the world and leave windows open regularly or have pets with lots of hair and dander production.

      However, if uber-collector Martin Howard can be trusted, perhaps when designing your dream typewriter display room, dust isn't as horrible a problem as you might imagine. See: https://lumicrest.com/showcase-lighting-martin-howards-antique-typewriter-collection/ One imagines that occasional dusting and a can of compressed air will do the trick.

      You could also do a nicer dust cover/mat the way Tom Hanks does: https://boffosocko.com/2025/06/16/tom-hanks-ingenious-custom-typewriter-covers-mats/

      For my refurbished machines displayed in the house (where we have had a monster German Shepherd who sheds all year long and lots of exterior dust from Southern California pollution), if they're not in regular rotation, I'll drop a sheet of tinfoil or plastic wrap under the hood to prevent dust coming in through the hood and that seems to be more than enough protection while not covering up the entire machine.

      reply to u/harperjones at https://old.reddit.com/r/typewriters/comments/1whqodm/closed_cabinets_for_display/

    1. Why I Write Ads for Big Tech on a Typewriter

      The Inner Game of Tennis says that real focus and creative freedom isn't about focusing harder, it's about narrowing in on what's actually relevant to the task in front of you, whether that's the seams on a tennis ball or whatever detail is clear in your creativity. For me, turns out a 60-year-old machine it does that better than any app I use.

    1. https://www.facebook.com/reel/1632254748516251

      Beau L'Amour does a tour of his father Louis L'Amour's typewriters:<br /> - Brown Olympia SM3, used in the 50s, on a trip or in a car primarily<br /> - Small gray portable typewriter (Hermes ultraportable?) <br /> - IBM Model B, purchased in 58 or 59, the majority of his writing work was produced on this machine<br /> - IBM Selectric (II or III), this became his primary machine once it was released and he began using it <br /> - SMC Electra 120

    1. reply to u/InIt2WihnIt at https://reddit.com/r/typewriters/comments/1wba3iq/first_typewriterribbon_right/

      Kudos!

      Here's your manual: https://site.xavier.edu/polt/typewriters/SCMClassic12.pdf

      Try to put your paper straight down from the start and place it flush with the adjustable paper guide as you roll it in with the platen knob. If it's still crooked, use the paper release lever to remove tension on the platen and rollers and then re-align it using either the line indicator, the paper bail, or the paper table. Then roll the paper back to where you need it to be to start writing.

      See also: https://boffosocko.com/2025/08/17/the-uses-and-subtleties-of-the-line-indicator-on-a-typewriter/

    1. Ad poster for the Remington typewriters, made by Leonetto Cappiello (1875-1942), France, c. 1910

      Possibly inspired by the preface to the novel Penguin Island (L’Île des Pingouins. Calmann-Lévy, 1908) by Nobel prize laureate Anatole France, in which a scholar is drowned by an avalanche of index cards which formed a gigantic whirlpool streaming out of his card index (Zettelkasten)!? (See: https://boffosocko.com/2022/10/24/death-by-zettelkasten/)

    1. From what I read, the little bit of oil that can be used should only be on active machines. If it’s sitting for a long time it’s better to have them dry. Have you used oil? If so, any recommendations on brand?

      reply to u/grenierdave at https://reddit.com/r/typewriters/comments/1w86wy5/first_typewriter/

      I like this Sewing Parts oil because it's got a nice, long "zoom spout" for dispensing a drop at a time. https://www.amazon.com/dp/B0BV4G9R1Sypers.html

      I also sometimes use Rem Oil in a spray can, but that can be overly aggressive, so I follow it up with my air compressor at 75-90psi to blow off the excess.

      Using a toothpick, screwdriver with a long shank and flat blade, or a long q-tip saturated in oil, and doing a "drop" at a time on moving parts is an old-school trick as well. A 4 oz bottle of oil should last you nearly forever.

      Another trick some will use is to do a 10:1 mixture of mineral spirits to oil on their last treatment of a machine. The mineral spirits will flash off fairly quickly and leave an incredibly thin coat of oil on all the parts that need it (with exception to the segment.)

      A drop of oil on your carriage rails every couple of weeks is also useful for ongoing maintenance.

      See also:<br /> - https://boffosocko.com/2024/08/09/on-colloquial-advice-for-degreasing-cleaning-and-oiling-manual-typewriters/ - https://boffosocko.com/2025/06/06/typewriter-use-and-maintenance-for-beginning-to-intermediate-typists/

    1. reply to James Grooms at https://typewriterdatabase.com/show.21794.typewriter

      Notes on differentiating the Underwood SS/Rhythm Touch, SX-50, SX-100, and SX-150


      How was it that you identified your model here as an SX-50? Are there ads/photos/manuals for an SX-50?

      The SX-100 ads you show seem to have a similar 5 stripes of chrome on the side which is similar to the previous SS/Rhythm Touch Models, but this chrome detailing seems to be missing from your SX-50 as well as the SX-150 advertisement.

      Your SX-50 exemplar and the SX-150 advertisements also seem to have/show vertical touch adjustment and ribbon selector switches while the SS/Rhythm Touch and the ad for the SX-100 have horizontal sliders for the touch adjustment and a vertical ribbon selector.

      The main page of the database mentions an SX-50 and an SX-150 in July of 1953, but doesn't have a corresponding mention of an SX-100. It reads: "Oct. 1953: Model SX 150, SX 50 started (7500000)"

      Polt's site has an explicit manual for the SX-150 which may help to differentiate on both form and functionality: https://site.xavier.edu/polt/typewriters/Underwood150.pdf though there are no corresponding manuals for a 50 or a 100.

      This Tumbr identifies Sean Connery's machine in Finding Forrester as an SX-100: https://www.tumblr.com/typewriterspotting/16181699692/spotted-in-finding-forrester-2000-forrester-and <br /> Here's an extended clip from the film: https://www.youtube.com/watch?v=juko0sAndsA <br /> and some still photos of it from Robert Messenger's site: https://oztypewriter.blogspot.com/search?q=finding+forrester <br /> Given the appearance in the film, it might actually be an SS/Rhythm Touch, but it's difficult to distinguish this as well without a clear view of the front.

      The database still seems to have empty landing pages for the:<br /> - SX-50: https://typewriterdatabase.com/Underwood.SX-50.4.bmys <br /> - SX-50 11\": https://typewriterdatabase.com/Underwood.SX-50+11%22.4.bmys - SX-100: https://typewriterdatabase.com/Underwood.SX-100.4.bmys <br /> - SX-150: https://typewriterdatabase.com/Underwood.SX-150.4.bmys <br /> Presumably they existed previously, but without clear delineations of features/changes over time and were concatenated into the SX page?

      Additionally, I'm noticing that some of the SX exemplars at the bottom of the page at https://typewriterdatabase.com/Underwood.SX.4.bmys are really badged as Underwood Golden Touches!

    1. On receipt of orders from designated person in authority, destroy typewriters as completely as time, means, and personnel permit. Priority will be given to the obliteration or destruction of all unit identification lettering or markings, all serial numbers, and all manufacturer's nameplates. Smash typewriters and components with a sledge or other heavy instrument ; burn with kerosene, gasoline, fuel oil, flame thrower, or incendiary bomb; detonate with firearms, grenades, TNT, or other explosives. In the absence of other means, bury, sink, or scatter parts and components.

      Department of the Army. 1955. TM 10 601 Dept of the Army Technical Manual: Underwood Typewriter Maintenance and Repair. http://archive.org/details/TM10601.

      https://archive.org/details/TM10601/page/n65/mode/2up

  4. Aug 2026
    1. I am an old typewriter repairman. I worked at the underwood assembly plant in Hartford Connecticut for two years and became a typewriter service man for 20 years in St. Louis. I don’t own any typewriter’s I know the gray fives like the back of my hand. As well as the scriptors and forums. Still interested in those fabulous machines that I made a living off.

      via Jim Tuxbury on Facebook at https://www.facebook.com/groups/705152958470148/posts/1355024096816361

    1. Coke contains phosphoric acid, which chemically breaks down iron oxide (rust) into iron phosphate. And Diet Coke isn’t sticky like Coke. And aluminum loses electrons and oxidizes, while the iron oxide (rust) gains electrons. This chemical reduction fundamentally changes the rust back into a form that easily breaks away from the base metal.

      Craig French recommends soaking rusty typewriter springs in Diet Coke and then wiping them with aluminum foil to remove rust.

      https://www.facebook.com/groups/705152958470148/posts/1354433773542060

    1. I would be more than happy to help you fix it, or if you are just done with it, I have a large number of machines for sale. I have everything from the 1920's to the 1980s, Manual, electric, electronic. I have portables and ultra portables. I also sell mine for about 1/3 of normal shops because I do this for the fun of it, not for income. I have a large number of Royal Quiet Deluxe and can even custom paint one if you want. Depending on your location, I'd even take that one in trade.

      via Milton Solomon at https://www.facebook.com/groups/705152958470148/posts/1354754280176676/

    1. Of all coincidences, the post immediately after yours in the sub was for a refurbished Studio 44 out of Berkeley Typewriter Shop with a script typeface: https://www.reddit.com/r/typewriters/comments/1vtctas/will_i_regret_it_passing_on_this_olivetti_studio/

      The though thing is recognizing how to identify potential script machines in online auctions when they don't explicitly state or show the typeface. For many machines prior to 1970 the clue to a script machine may be a dedicated "1" key as script lower case "l" typically won't suffice to also stand in for the number 1 as it did for most other typefaces.

      If you'd like to scroll through some and do some research, the database has a section for typefaces: https://typewriterdatabase.com/typefaces.php If you log in there are also downloadable typeface catalogs you can browse through in addition to the resources Ted Munk has at https://typecast.munk.org/category/typewriter-typestylesfonts/

      On machines with stated script faces, you may need to be prepared to pay $100-150 on average above the cost of just the machine itself. Less common (and more expensive) variations are machines with Fraktur, Vertical Script, or Spencerian typefaces.

      Good luck in your hunt for one, they're definitely out there and not rare.

      Reply to u/Ganimor at https://old.reddit.com/r/typewriters/comments/1vtcpjz/cursive_typewriter/

    1. reply to u/rjekyllhyde at https://old.reddit.com/r/Libraries/comments/1vruija/typewriter_request/

      Librarian Suzanne LaPierre wrote an article last year about typewriters in libraries. I'll link it and some additional references below for those who are curious.

      The Los Angeles Public Library has recently been doing some events with LA poet laureate Brian Sonia-Wallace who creates on his typewriter: https://www.instagram.com/p/DXufGLmgRB3/

      There are more than a handful of typewriter enthusiasts who have been holding "Type-Ins" at libraries in the US over the past 5 or more years. I've held a couple of these at a nearby bookstore in Pasadena, CA and we had over 200 people stop by at both of them. (I'd have held them at a local library, but our main branch is undergoing a huge renovation and some of our other nearby branches have been affected by the Eaton Fire in January 2025.)

      I know one collector who recently did a display at a library: https://www.youtube.com/watch?v=CJqYPVOb2Ss

      I've run across one or two libraries that have typewriters as part of their Library of Things collections along with other analog materials like sewing machines, binoculars, and telescopes.

      There are still lots of reasons to want to use a typewriter including for creativity, distraction-free writing, getting away from screens and having a more analog writing experience. Woz Flint has a relatively recent book about using typewriters to create first drafts of writing projects. In the last five or so years a lot of children in the 7-21 year old bracket have been drawn to typewriters as a means of getting away from their computers and screens and allowing them to concentrate better on their writing work. Richard Polt, a typewriter collector and professor of philosophy at Rutgers, wrote a book about the resurgence of typewriters. A handful of college professors have recently been reintroducing typewriters to their pedagogy. Creating art with a typewriter is also still a thing. Taylor Swift has been using typewriters in her songs and videos which adds to the cool factor, especially for the kids.

      Is it worth mentioning that Ray Bradbury wrote Fahrenheit 451 on a typewriter at the UCLA Library which was coin operated?!?

      I've personally got a small collection of typewriters as well as a list of articles and resources on them for those who may be interested in considering them. I'm happy to chat with any librarians who might consider adding them to their collections.

      Happy typing!

      References:<br /> * LaPierre, Suzanne S. “BiblioTech: Typewriters in Libraries.” Computers in Libraries 45, no. 2 (March 2025): 24–26. https://www.infotoday.com/cilmag/mar25/index.shtml. * Polt, Richard. 2015. The Typewriter Revolution: A Typist’s Companion for the 21st Century. 1st ed. Woodstock, VT: Countryman Press. * Flint, Woz Delgado. 2023. The Distraction-Free First Draft. One Idea Press. https://www.oneideapress.com/product-page/the-distraction-free-first-draft.

    1. https://axminsterheritage.org/industry-commerce/

      J H Shand Ltd.<br /> From 1940 until the late 1980s J H Shand Ltd employed highly-skilled engineers and technicians, designing and manufacturing steel type used in office equipment and industrial marking systems; and the manufacture of tools and equipment for use by other manufacturing companies. The company’s original role was to supply individual letter type blocks to manufacturers of manual typewriters which they could build into their machines. As electric typewriters took over, the company specialised in the manufacture of plastic ‘daisy wheels’. As well as producing raised characters for use in typewriters etc , the company made embossing type to produce raised letters or numbers when pressed into metal or plastic. This technique was used to make credit cards, many millions of which have been issued. Another side to the business made larger equipment including precision machine tools.

    1. Example of female typist covering keyboard up with handkerchief to show how light the touch needed would be.

      "Note that the handkerchief is hardly ruffled."

      I feel like that time period and the century before, being able to do something through a thin piece of cloth was indicative of how little effort was required, or how dainty something could be. It definitely feels very gendered to me, but I'll have to find other historical examples to back this argument up.

    1. In the digital age, these typewriter superfans hold the keys<br /> by [[Victoria Hoffmann]], [[Mackenzie Farkus]], [[Melanie Stetson Freeman]] in The Christian Science Monitor CSMonitor.com<br /> accessed on 2026-08-15T16:33:28

      a mini history along with some reasons to use typewriters in the 21st century. nothing really new here...

    1. An article from American Machinist Magazine (January 4, 1923). The article, "The Organization and Management of a Medium Sized Plant," was written by Percy S. Brown, a Works Manager at The Corona Typewriter Company in Groton, NY. He would become vice-president of Corona in 1924. Here's a snippet on what went into making one Corona typewriter. "There are 671 parts on the typewriter, 139 on the case, 110 on the folding stand, a total of 920 parts. There are 355 different parts on the typewriter, 61 on the case and 37 on the stand, a total of 453 different parts. There are 1,999 manufacturing operations on the typewriter, 210 on the case, and 205 on the stand, a total of 2,414 operations, exclusive of inspection. To these must be added 38 subassembly operations and 15 assembly operations, a total of 53 assembly operations, and a grand total of 2,467 operations of all kinds, exclusive of inspection. If inspections are added, the total number of operations performed amount to approximately 4,600."

      via https://www.facebook.com/groups/TypewriterCollectors/posts/10163958948944678/

      check original source

    1. A typewriter contains approximately 1800 to 2000 parts, which require approximately 20,000 different operations to manufacture. An operator typing at the rate of sixty words per minute actually motivates, with his or her fingers, 10,000 to 12,000 parts per minute, approximating 200 moving parts per second.