1,256 Matching Annotations
  1. Jan 2016
  2. Dec 2015
  3. Nov 2015
    1. “When you see something that is technically sweet, you go ahead and do it, and you argue about what to do about it only after you have had your technical success.”

      Never heard this quote before, but it's great!

    2. When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.”

      One of my favorite quotes!

    3. “An ultraintelligent machine could design even better machines,” he wrote. “There would then unquestionably be an ‘intelligence explosion,’ and the intelligence of man would be left far behind. Thus the first ultraintelligent machine is the last invention that man need ever make, provided that the machine is docile enough to tell us how to keep it under control.

      An irreversible step.

    4. It is not far-fetched to suppose that there might be some possible technology which is such that (a) virtually all suffi­ciently advanced civilizations eventually discover it and (b) its discovery leads almost universally to existential disaster.”

      This is a pretty good point - but then why would we not see AI-based civilizations?

  4. Oct 2015
  5. Sep 2015
    1. Should you wish to learn more about the language, I am happy to recommend the following titles: JavaScript: The Definitive Guide by David Flanagan Eloquent JavaScript by Marijn Haverbeke JavaScript Patterns by Stoyan Stefanov Writing Maintainable JavaScript by Nicholas Zakas JavaScript: The Good Parts by Douglas Crockford
  6. Jul 2015
    1. a number of text-mining tools aimed at supporting biomedical text extraction, fact finding and text summarization. Some of the better-known or more widely used tools include EBIMed (4), CiteXplore (5) and GoPubMed (6)

      would be good to check these out

  7. Jun 2015
  8. May 2015
    1. The focus on "decoding" should send shivers down the spine of every English teacher who has ever had a student demand they just tell them what the poem means.

      I think Billy Collins captures this tortuous pedagogy well in "Intro to Poetry":

      But all they want to do is tie the poem to a chair with rope<br> and torture a confession out of it.

      They begin beating it with a hose<br> to find out what it really means.

    1. I first discovered the power of collaborative annotation

      Collins actually imagines a moment of shared marginalia in his poem. In a copy of A Catcher in the Rye that he borrows from a library as a boy, he finds the following: “Pardon the egg salad stains, but I’m in love.” The young Collins imagines the note to be written by a beautiful girl and feels himself in a sense falling in love with that other reader. Though we need not develop a dating service out of the modern technologies that allow for social reading, we can at least see the humanity that can be shared in the margin of a digital page: the teachable moments, the conversations that might occur. We have glimpsed such moments on other social media like Twitter and Facebook, but I argue they lack the depth of annotation, which brings together text, comment, and now, readers.

    2. it slows the reader down,

      It's interesting to think about this idea of "slow reading" in relation to collaborative online annotation. So many traditional humanists complain of the cursory of the digital--hashtags on Twitter replacing sentences, Wikipedia summaries are replacing "actual" research. But web annotation requires readers to pause and consider in the very ways we have always taught our students to do in English classes.

    1. Read closely

      Image Description

      Close reading is a major emphasis of the Common Core Standards, though most English teachers since New Critic I.A. Richards would probably agree that is it essential to any humanities curriculum. As the "Introduction" to the ELA section states:

      Students who meet the Standards readily undertake the close, attentive reading that is at the heart of understanding and enjoying great works of literature.

      Digital annotation, though, is close reading 2.0. The major activity of a service like hypothes.is is "annotation," the highlighting and noting of words, phrases, and sentences, which demands that students keep their thinking and writing "close" to the text and its evidence.

      Moreover, because digital annotation has the potential to be collaborative. It links this mandate for close reading with later calls in the Standards for collaboration. I like to think of hypothes.is as a "A Social Network for Close Reading." Could we make students obsess with annotations on the web like they obsess with Facebook and Twitter posts?...

  9. Apr 2015
  10. Mar 2015
    1. 1. books gave birth to copyright 2. books gave birth to industrialised knowledge production economics 3. books gave birth to the notion of the author genius

      Adam Hyde on proprietary knowledge culture

    1. SCENE I. Elsinore. A platform before the castle. FRANCISCO at his post. Enter to him BERNARDO BERNARDO Who's there? FRANCISCO Nay, answer me: stand, and unfold yourself.

      Image Description

      This has to be one of the most intense opening scenes in all of literature. We are immediately thrown into a moment of panic as each guard responds wearily to the other's approach. In general these opening lines set the tone of the play to be one of apprehension.

  11. Feb 2015
    1. The party in its original sense claims to articulate the general interest and will of the people. As an organizational form, the party is a sustainable structure that is here to stay regardless of its own fluctuations in the polls. But the party today is without passion and holds little relevance to people’s daily social lives and communication practices.

      This conclusion even accounts for the everyday rave in Berlin. A fatigue throughout devastated individuals is not to deny anymore.

  12. Nov 2014
  13. Sep 2014
  14. Aug 2014
    1. So I put myself through a sort of course, reading that literature, and that led me to utopianism. And that led me, through Kropotkin, into anarchism, pacifist anarchism. And at some point it occurred to me that nobody had written an anarchist utopia. We’d had socialist utopias and dystopias and all the rest, but anarchism—hey, that would be fun. So then I read all the anarchist literature I could get, which was quite a lot, if you went to the right little stores in Portland. INTERVIEWER Where you got your books in a brown paper bag? LE GUIN You had to get to know the owner of the store. And if he trusted you, he’d take you to the back room and show you this wealth of material, some of which was violent anarchism and would have been frowned on by the government. I swam around in that stuff for a couple years before I could approach my lump of concrete again, and I discovered it had fallen apart. I had my character, and he was a physicist, but he wasn’t who I thought he was. So that book started not with an idea but with a whole group of ideas coming together. It was a very demanding book to write, because I had to invent that society pretty much from scratch, with a lot of help from the anarchist writers, particularly Americans like Paul Goodman, who had actually tried to envision what an anarchist society might be like.
  15. Feb 2014
    1. Chapter 1, The Art of Community We begin the book with a bird’s-eye view of how communities function at a social science level. We cover the underlying nuts and bolts of how people form communities, what keeps them involved, and the basis and opportunities behind these interactions. Chapter 2, Planning Your Community Next we carve out and document a blueprint and strategy for your community and its future growth. Part of this strategy includes the target objectives and goals and how the community can be structured to achieve them. PREFACE xix Chapter 3, Communicating Clearly At the heart of community is communication, and great communicators can have a tremendously positive impact. Here we lay down the communications backbone and the best practices associated with using it

      Reading the first 3 chapters of AoC for discussion in #coasespenguin on 2013-02-11.

  16. Jan 2014
    1. This suggests that peer production will thrive where projects have three characteristi cs

      If thriving is a metric (is it measurable? too subjective?) of success then the 3 characteristics it must have are:

      • modularity: divisible into components
      • granularity: fine-grained modularity
      • integrability: low-cost integration of contributions

      I don't dispute that these characteristics are needed, but they are too general to be helpful, so I propose that we look at these three characteristics through the lens of the type of contributor we are seeking to motivate.

      How do these characteristics inform what we should focus on to remove barriers to collaboration for each of these contributor-types?

      Below I've made up a rough list of lenses. Maybe you have links or references that have already made these classifications better than I have... if so, share them!

      Roughly here are the classifications of the types of relationships to open source projects that I commonly see:

      • core developers: either hired by a company, foundation, or some entity to work on the project. These people care most about integrability.

      • ecosystem contributors: someone either self-motivated or who receives a reward via some mechanism outside the institution that funds the core developers (e.g. reputation, portfolio for future job prospects, tools and platforms that support a consulting business, etc). These people care most about modularity.

      • feature-driven contributors: The project is useful out-of-the-box for these people and rather than build their own tool from scratch they see that it is possible for the tool to work they way they want by merely contributing code or at least a feature-request based on their idea. These people care most about granularity.

      The above lenses fit the characteristics outlined in the article, but below are other contributor-types that don't directly care about these characteristics.

      • the funder: a company, foundation, crowd, or some other funding body that directly funds the core developers to work on the project for hire.

      • consumer contributors: This class of people might not even be aware that they are contributors, but simply using the project returns direct benefits through logs and other instrumented uses of the tool to generate data that can be used to improve the project.

      • knowledge-driven contributors: These contributors are most likely closest to the ecosystem contributors, maybe even a sub-species of those, that contribute to documentation and learning the system; they may be less-skilled at coding, but still serve a valuable part of the community even if they are not committing to the core code base.

      • failure-driven contributors: A primary source of bug reports and may also be any one of the other lenses.

      What other lenses might be useful to look through? What characteristics are we missing? How can we reduce barriers to contribution for each of these contributor types?

      I feel that there are plenty of motivations... but what barriers exist and what motivations are sufficient for enough people to be willing to surmount those barriers? I think it may be easier to focus on the barriers to make contributing less painful for the already-convinced, than to think about the motivators for those needing to be convinced-- I think the consumer contributors are some of the very best suited to convince the unconvinced; our job should be to remove the barriers for people at each stage of community we are trying to build.

      A note to the awesome folks at Hypothes.is who are reading our consumer contributions... given the current state of the hypothes.is project, what class of contributors are you most in need of?

    2. common appropriation regimes do not give a complete answer to the sustainability of motivation and organization for the truly open, large-scale nonproprietary peer production projects we see on the Internet.

      Towards the end of our last conversation the text following "common appropriation" seemed an interesting place to dive into further for our future discussions.

      I have tagged this annotation with "meta" because it is a comment about our discussion and where to continue it rather than an annotation focused on the content itself.

      In the future I would be interested in exploring the idea of "annotation types" that can be selectively turned on and off, but for now will handle that with ad hoc tags like "meta".

    3. The following selection from The Yale Law Journal is not paginated and should not be used for citation purposes.

      Note that this disclaimer only says the document should not be used for citation purposes, but doesn't say we can't use it for annotation purposes like testing out the Chrome PDF.js + Hypothes.is extension! :)

      You can install the extension from the Chrome Web Store with this link:

      https://chrome.google.com/webstore/detail/pdfjs-%2B-hypothesis/bipacimpfefoidapjkknffflfpfmjdog/related

    1. In the Middle Ages, just the opposite was true. Reading was generally done aloud, often to an audience. It was an active process, so active that Susan Noakes, in her analysis of medieval reading, points out “that it had been recommended by physicians, since classical times, as a mild form of exercise, like walking.”

      Reading in the Middle Ages considered a mild form of exercise.

  17. Nov 2013
    1. In a Literary Lab project on 18th-century novels, English students study a database of nearly 2,000 early books to tease out when “romances,” “tales” and “histories” first emerged as novels, and what the different terms signified.

      This may be a reference to the Eighteenth Century Collection Online-Text Creation Partnership (ECCO-TCP) project, which transcribed and marked up in XML ~2,200 eighteenth-century books from the Eighteenth Century Collections Online database (ECCO). The ECCO-TCP corpus is in the public domain and available for anyone to use: http://www.textcreationpartnership.org/tcp-ecco/

  18. Oct 2013
    1. I know it is an ordinary subject of inquiry whether more is contributed by writing, reading, or speaking. This question we should have to examine with careful attention, if we could confine ourselves to any one of those exercises. 2. But they are all so connected, so inseparably linked with one another that if any one of them is neglected, we labor in vain in the other two, for our speech will never become forcible and energetic unless it acquires strength from great practice in writing.

      Writing is essential to improve not only the way we speak, but how we organize our thoughts. It produces clarity