Getting Started with the Tin Whistle by [[whistletutor]]

Starter flutes: - Gary Humphrey - Feadóg Original Irish Whistle - Terry McGee - Windward

Beginner Tunes:<br /> - Down by the Sally Gardens - Raglan Road

Insight Abrahamic Religions also places the human as an original sinner Demiurge This sounds like a Demiurge concept

for - comparison - Rupert Spira - limited human being striving for return to natural condition - Dasietz Suzuki - The elbow does not bend backwards - insight - freedom is our natural state - because in our contracted human form - we desire to return to our original expansive form - Rupert Spira comment - As Dasietz Suzuki observed, within the limitations of our form, there is a freedom - After listening for a 2nd or 3rd time, I noted something I missed on the 1st listening. A metaphor helps - My nickname reflects this desire to return to the original expansiveness. "Bottled up" and existing in a "contracted" human form, - we possess a natural desire to expand out of the contracted human form back into its original, primordial expansive state - This is indicated by our innate desire for freedom

About the originality of thought.

Reply to me:

Kathleen Spracklen An example would be useful there. Future video?

I am grappling the difficult concept of what constitutes an "original thought". I think it is easy to grasp conceptually, but once you start thinking about it formally and try to put it to words, it becomes very confusing.

Although this might be my own experience and not that of others.

The reason I am trying to think about it is for my current research project on intellectualism.

Adam and Eve Genesis

for - history - Mother's Day - idea - campaign - Mother's Day 2025

to - history of Mother's Day - https://hyp.is/NTOVfBFgEe-C-J_9uUgLsg/www.plough.com/en/topics/culture/holidays/mothers-day/the-original-mother-s-day-proclamation

for - history - mother's day - Julia Ward Howe - conflict resolution - idea - event - Mother's Day 2025 - original spirit

idea - Mother's Day 2025 - What about bringing back the original spirit of Mother's Day to Mother's Day 2025?

from - Post - Linked In - Julia Tew -https://www.linkedin.com/feed/update/urn:li:activity:7195408981052289025?utm_source=share&utm_medium=member_desktop

A stark statement that lays bare the original sin of Western thought.

From LAWLER 177: Was "I would never leave him till either he or I were dead" in the original manuscript. Omitted completely from the 1891 text.

From LAWLER 281: The original ending read "When they entered, they found on the wall the portrait of a young man of extraordinary personal beauty, their master as they had last seen him. Lying on the floor was a dead body, withered, wrinkled, and loathsome of visage with a knife in his heart." Wilde changed the ending to what it is now in the Lippincott's typescript.

From LAWLER 281: Wilde changed to this from "One of he maids was crying."

From LAWLER 280: Wilde originally had "He took it up and darted it into the canvas."

From LAWLER 277: Following this exclamation, Wilde originally had the following: "I have always been too much of a critic. I have been afraid of things wounding me, and have looked on." He canceled it in the typescript.

From LAWLER 277: Wilde originally had "of moments of anguish and regret" here.

From LAWLER 272: Following this sentence, Wilde originally had the following: "The pain in his forehead was less than it had been but he was shivering..."

From LAWLER 271: This paragraph originally ended with the following: "He tried to speak, but his tongue seemed to be paralyzed."

From LAWLER 270: Wilde cancelled the following from his manuscript for the typescript: "Had this happened three years ago, I might have consented to be your accomplice."

From LAWLER 266: Wilde wrote this in after completing the manuscript.

From LAWLER 266: Wilde's original choice was a volume of "sonnets by Verlaine."

Wilde cancelled the following lines in the manuscript: "Now, I will show you my soul. You shall see the thing you fancy only God can see."

From LAWLER 255: The original ending of this chapter read: "Lord Henry had given him one, and Basil Hallward had painted the other."

From LAWLER 255: Was originally "with Incest and Fratricide."

From LAWLER 251: This last phrase is Stoddart's. The original read, "till they almost drove him out in horror and had to be appeared with monstrous bribes."

From LAWLER 251: Wilde originally wrote "the Docks."

From LAWLER 247: Wilde added four paragraphs here in three long manuscript pages, beginning at "He discovered wonderful stories..." and ending at "luxury of the dead was wonderful." The following lines of the insert never appeared in print. Since there were no instructions from Stoddart or other editorial marks, the omission may have been a typesetting error or a deliberate omission to avoid an ambiguity of reference or syntax: "It was a pearl that Julius Caesar had given to Servilia when he loved her. Their child had been Brutus. [New paragraph] The young priest of the Sun, who while yet a boy had been slain for his sins, used to walk in jewelled shoes on dust of gold and silver."

From LAWLER 242: Cancelled in the manuscript: "twelfth and thirteenth chapters." No parallels seem to exist in these and other allusions between the contents of the yellow book and either A Rebours or Monsieur Venus except for similarities in tone, general subject matter, and angle of treatment.

From LAWLER 234: Wilde originally had the following before it was changed by Stoddart in the typescript: "There was something infinitely tragic in a romance that was at once so passionate and so sterile."

From LAWLER 234: The manuscript originally had "whom I had loved."

From LAWLER 233: Originally read "Perhaps you did not see it. But you suspected it. You were conscious of something you did not like."

From LAWLER 233: Wilde cancelled "He felt no romance for him" in the typescript.

From LAWLER 232: Stoddart changed Wilde's "should ever give" to this reading.

From LAWLER 215: This sentence was added in the typescript.

From LAWLER 206: This was written in the manuscript's margin, and the following sentence was added in the typescript.

From LAWLER 206: Wilde added this in the typescript.

From LAWLER 226: This paragraph was added in the typescript.

From LAWLER 221: After this sentence, Wilde originally had the following: "And besides, no one knows that you were at the theatre last night."

From LAWLER 220: Originally read "to sever their friendship at once."

From LAWLER 220: Wilde added this in the typescript.

From LAWLER 220: Wilde added these sentences in the typescript.

From LAWLER 220: Wilde had added these sentences in the typescript.

From LAWLER 219: Originally, the manuscript read, "He was strangely calm at this moment."

From LAWLER 218: In the manuscript, the valet was named Jacques. The conversation was in French, as it was whenever Dorian and Jacques spoke. Wilde changed this to English in stages: first, Dorian's speech in MS, then the name of the valet and his dialogue.

From LAWLER 216: In the manuscript, the following lines were cancelled at this point: "then he smiled to himself and went on into his bedroom. 'It is merely an effect of light,' he murmured. 'I did not know that the dawn was so unbecoming.'"

From LAWLER 215: Wilde had originally had these lines in the typescript, but crossed them out before publication: "A man with curious eyes had suddenly peered into his face and then dodged him with stealthily footsteps, passing and repassing him many times." It is likely that Sibyl's avenging brother, James, added in 1891, may have originated here.

From LAWLER 214: Was originally "If I died as Desdemona, I came back as Juliet."

From LAWLER 210: Wilde originally had "filled with tears."

From LAWLER 209: After this sentence, Wilde originally had the following: "Why she would loathe me if she thought I merely meant to use her till I grew weary of her and then threw her away." Wilde crossed this out in his manuscript.

From LAWLER 200: Was originally "your mistress," but Stoddart changed it. Wilde altered Stoddart's emendation in 1891, making it "I suppose she will belong to you some day."

ZABROUSKI: I found this specific change interesting, for it seems like such a minor alteration yet makes a big impact in the grand scheme of things. Lawler claimed that the 1891 alteration is "stronger" than what is here. Given the time this was published, that claim rings true; because Victorian women were typically viewed as property or arm candy rather than an actual partner, saying the phrase "belong to" would have been fitting for a heterosexual Victorian man.

From LAWLER 200: Stoddart altered this statement, for it was originally "How dare you suggest such a thing, Harry? It is horrible. Sibyl Vane is sacred!"

From LAWLER 179: J.M. Stoddart, Lippincott's editor changed the original reading "live with their wives," removing an expression inadmissible to the American public. Wilde let these and similar changes stand even though they are clearly inferior to the original.

From LAWLER 197: This sentence was added in the typescript.

From LAWLER 196: This well-known epigram was added to the typescript.

From LAWLER 194: Wilde added this to the typescript.

From LAWLER 193: Wilde added these sentences to the typescript.

From LAWLER 192: Was originally "Comme vous voulez, mon cher." (English Translation: "As you wish, my dear.")

From LAWLER 191: Originally "Sylvanus."

From COLLINS DICTIONARY: Sylvanus is the Roman god of the woodlands, fields and flocks. Its Greek counterpart is Pan, god of the wild.

From LAWLER 191: Wilde altered this passage each time he revised his text. After "dreadful," he cancelled the following: "Life will send its lines across my face. Passion will create it and thought twist it from its form." For the typescript of this edition, Wilde added the last sentence of this paragraph. In 1891, Wilde added another sentence at the paragraph's end: "I would give my soul for that."

LAWLER: Following this sentence, Wilde originally had the following: "Like priests, they terrify one at the prospect of certain eternity, attempt to terrify one, I should say."

From LAWLER 190: Following this sentence, Wilde originally had the following passage: Most modern portrait painting comes under the head of elegant fiction or if it aims at realism, gives one something between a caricature and a photograph. But this was different. It had all the mystery of life, and all the mystery of beauty. Within the world, as men know it, there is a finer world that only artists know of--artists or those to whom the temperament of the artist has been given. Creation within creation--that is what Basil Hallward named it, that is what he had attained to."

From LAWLER 188: These lines were originally spoken by Basil in the previous chapter. Wilde relocated them here and transferred them to Henry.

From LAWLER 188: Wilde cancelled the following line from his original manuscript: "If you set yourself to know life, you will look evil; if you are afraid of life, you will look common."

ZABROUSKI: The homoerotic undertone of this sentence wouldn't have gone unnoticed if it was included in this edition. Though Lord Henry seems to be talking about the changes in appearance through aging, if those lines were included in this edition, Lord Henry could've been implicitly addressing society's view on homosexual relations rather than society's view on physical appearance. The phrase "afraid of life" may suggest being afraid of acting on one's true desires, and the phrase looking "common" may suggest an unwanted submission to a heterosexual relationship.

From LALWER 185: Added from the original manuscript.

From LAWLER 183: The original conclusion of the chapter, cancelled in the manuscript, read: "'I don't suppose I shall care for him, and I am quite sure he won't care for me,' replied Lord Henry, smiling..."

From LAWLER 182: The following lines were cut from the original manuscript: "I am not afraid of things, but I am afraid of words. I cannot understand how it is that no prophecy has ever been fulfilled. None has I know. And yet it seems to me that to say a thing is to bring it to pass. Whatever has found expression becomes true, and what has not found expression can never happen. As for genius lasting longer than beauty, it is only the transitory that stirs me. What is permanent is monstrous and produces no effect. Our senses become dulled by what is always with us."

ZABROUSKI: ADD SOMETHING HERE

From LAWLER 181: The following lines were cancelled form the manuscript: "Who seems to take a real delight in giving me pain. I seem quite adjusted to it. I can imagine myself doing it. But not to him, not to him. Once or twice we have been away together. Then I have had him all to myself. I am horribly jealous of him, of course. I never let him talk to me of the people he knows. I like to isolate him from the rest of life and to think that he absolutely belongs to me. He does not, I know. But it gives me pleasure to think he does."

From LAWLER 181: Wilde altered this paragraph in every revision.

ZABROUSKI: In the 1891 version, Wilde wrote, “Because, without intending it, I have put into it some expression of all this curious artistic idolatry, of which, of course, I have never cared to speak to him. He knows nothing about it. He shall never know anything about it. But the world might guess it, and I will not bare my soul to their shallow prying eyes. My heart shall never be put under their microscope. There is too much of myself in the thing, Harry—too much of myself!” In the original manuscript, Wilde had (after "But the world might guess it") "where there is merely love, they would see something evil. Where there is spiritual passion, they would suggest something vile." If Wilde kept those two sentences in, it could be assumed that critics would have used it as fuel for their argument on what constitutes a moral vs immoral book.

From LAWLER 181: Wilde canceled the following at this point from the manuscript: "A curious smile crossed his face. He seemed like a man in a dream."

LAWLER 180: Henry's response in the manuscript is too heavily blotted to read fully, but he protests Basil's being in Dorian's power: "to make yourself the slave of your slave. It is worse than wicked, it is silly. I hate Dorian Gray!" In one stroke, Wilde rid himself of some silly dialogue and removed a clue, perhaps, to the nature of the relationship between Dorian and Basil as a form of homoerotic bondage so fashionable among the English that the French referred to it as le vice anglais.

ZABROUSKI: Wilde added "Some subtle influence passed from him to me, and for the first time in my life I saw in the plain woodland the wonder I had always looked for and always missed" to the end of this paragraph in 1891.

LAWLER 180: From the original manuscript, Wilde deleted "and as he leaned across to look at it, his lips touched my hand. The world becomes young to me when I hold his hand..." In 1891, Wilde added another sentence here (which I transcribed above) emphasizing Dorian's influence over Basil's art.

From LAWLER 180: "Lad" substituted for "boy" here and in several other places from the original manuscript. Additionally, Wilde removed "Through twenty summers have shown him roses less scarlet than his lips" from the manuscript.

From LAWLER 176: Wilde changed the original "passion" to "feeling."

From LAWLER 176: Wilde canceled the phrase "taking hold of his hand" from the original manuscript.

From LAWLER 175: Original manuscript had "to dog the steps of kings."

From LAWLER 174: Original manuscript had "and yet, you are quite right about it. It is my best work."

ZABROUSKI: Added in from the original manuscript.

ZABROUSKI: Removed "silent" before "slanting beams" from the original manuscript.

ZABROUSKI: Replaced "him" from original manuscript.

ZABROUSKI: Replaced "we are" from the original manuscript.

ZABROUSKI: Replaced "did" from the original manuscript.

ZABROUSKI: Removed "silent" before "slanting beams" from the original manuscript.

ZABROUSKI: Replaced "him" from original manuscript.

ZABROUSKI: Replaced "did" from the original manuscript.

ZABROUSKI: Replaced "we are" from the original manuscript.

From LAWLER 179: J.M. Stoddart, Lippincott's editor changed the original reading "live with their wives," removing an expression inadmissible to the American public. Wilde let these and similar changes stand even though they are clearly inferior to the original.

https://forums.zotero.org/discussion/63774/original-dates-of-publication

To include the original date of publication in a reference from within Zotero, add the following to the 'Extra field':

original-date: YYYY

This seems similar to the allegory of the cave, but here we see nature prevailing over the power of man.

https://mleddy.blogspot.com/2009/11/nabokovs-unfinished.html

Nice short review with some cultural touchstones which may have been alluded to in the text, but whose context may be missing in years to come.

https://mleddy.blogspot.com/2009/07/nabokovs-index-cards-coming-in-november.html

Renan, Essais de morale et de critique, p. 36

Nabokov's wishes were that his heirs burn the index cards on which he had handwritten the beginning of his unfinished novel The Original of Laura. His wife Vera, not able to destroy her husband's work, couldn't do it, so the decision fell to their son Dimitri. Having translated many of his father's works previously, Dimitri Nabokov ultimately allowed Penguin the right to publish the unfinished novel.

Elie Mystal writes in Allow Me to Retort: A Black Guy's Guide to the Constitution:

There was an original purpose to the Second Amendment, but it wasn't to keep people safe. It was to preserve white supremacy and slavery. (p36)

He indicates that there are quotes from Patrick Henry and George Mason, governor of Virginia. They needed the ability to raise an armed militia to put down slave revolts and didn't want to rely on the federal government to do it.

• [ ] Allow Me to Retort: A Black Guy's Guide to the Constitution by Elie Mystal #wanttoread

link to 1967 Mulford Act signed by Ronald Reagan see also: https://en.wikipedia.org/wiki/Mulford_Act

While note cards have a certain portability about them for writing almost anywhere, aren't notebooks just as easily portable? In fact, with a notebook, one doesn't need to worry about spilling and unordering the entire enterprise.

There are, however, other benefits. By using small atomic pieces on note cards, one can be far more focused on the idea and words immediately at hand. It's also far easier in a creative and editorial process to move pieces around experimentally.

Similarly, when facing Hemmingway's White Bull, the size and space of an index card is fall smaller. This may have the effect that Twitter's short status updates have for writers who aren't faced with the seemingly insurmountable burden of writing a long blog post or essay in other software. They can write 280 characters and stop. Of if they feel motivated, they can continue on by adding to the prior parts of a growing thread. Sadly, Twitter doesn't allow either editing or rearrangements, so the endeavor and analogy are lost beyond here.

Vladimir Nabokov died in 1977 leaving an unfinished manuscript in note card form for the novel The Original of Laura. Penguin later published the incomplete novel with in 2012 with the subtitle A Novel in Fragments. Unlike most manuscripts written or typewritten on larger paper, this one came in the form of 138 index cards. Penguin's published version recreated these cards in full-color reproductions including the smudges, scribbles, scrawlings, strikeouts, and annotations in English, French, and Russian. Perforated, one could tear the cards out of the book and reorganize in any way they saw fit or even potentially add their own cards to finish the novel that Nabokov couldn't.

Link to the idea behind Cain’s Jawbone by Edward Powys Mathers which had a different conceit, but a similar publishing form.

https://www.openculture.com/2014/02/the-notecards-on-which-vladimir-nabokov-wrote-lolita.html

Some basic information about Vladimir Nabokov's card file which he was using to write The Origin of Laura and a tangent on cards relating to Lolita.

Examples of notes focusing on one's original ideas and reflections rather than excerpts of others' works.

Omicron cases may be far higher than currently confirmed, variant marker analysis reveals. (2021, December 8). Inews.Co.Uk. https://inews.co.uk/news/health/omicron-covid-cases-may-be-seven-times-higher-than-confirmed-1341156

Choi et al. showed that a Beta-targeted booster shot broadened antibody-based immunity and boosted protection against circulating variants, the neutralizing response against the Beta variant was only slightly better.

@gerdosi thinks this points to Original Antigenic Sin.

Vaccinated individuals that experience a breakthrough infection do not develop antibodies to the parts of the virus that is not encoded by the vaccine.

Attributions for non original content can be handled many ways - due to the brevity and simulated nature of this example, I managed them this way. But as in the original OER, a full attributions page would eventually become necessary for clean attribution and decluttered document layout.

This would have been selected with SME. I wanted to demonstrate multiple means of representation and use an insert to demonstrate use of Code of Best Practices for Fair Use in OER.

This is where I would work out, with instructor, what license this revision should bear. I opted for CC BY for now, but that could change depending up on whether the instructor wanted to move into remixing more copyrighted/openly licensed content.

I culled the in-text citations to create a structured reference list, then placed it with the conclusions. Students are one click away from the extensively cited works while reading.

Providing attribution for source material

Full list of sources cited in this chapter. In real life, these would all be properly formatted citations with links to articles.

Indented and italicized to offset the quote for navigability and readability.

Maybe not technically a reference implementation. Maybe original implementation is a better term for this.

These instructions are about creating peace with ourselves, others, and the land. The idea of pacifism and hospitality were encouraged. These are teachings that are passed down generation to generation among many Indigenous groups.

Dass unter solchen Umständen die vorgetragenen Quartette die denkbar vollendetste Reproduction erfuhren, dass namentlich der eine ganze Welt tiefsten Seelenlebens umfassende Inhalt der Beethoven´schen Tondichtung eine hier vorher noch nie nur annäherend durchgeistigte, bis ins kleinste Detail hinein plastische Interpretations erfuhr, wird Jeder zugeben müssen, der diesem unvergesslichen Quartetteabend beiwohnte.

Reminds me of @KevinCarey1 describe the original university of Bologna, in his End of College. Don’t have the quote handy (one of many cases where #OpenAccess would allow for more thoughtful discussion), but the gist of that paragraph sounds similar to what @Downes is describing here

thanksgiving was more of a religious experience; one where the relationship between God and the people was reflected upon and strengthened.

interesting and important point: we often think thanksgiving was a concrete holiday in 1692, but Paul argues it was spearheaded more by Lincoln

Diese Zeilen sind im Originaletherpad durchgestrichen.

Truth = the original entities