“The time we were opened to that world is when we talk to other bands. People who are great people, amazing musicians. Then they release a new song, and I’m like, ‘That’s not them. I’ve been on tour with them for months, that’s something they would not do. That’s where we’ve seen it the most, honestly.” When it is suggested those artists drank the Kool-Aid, Joseph adjusts the metaphor, replacing “drank” with “served.” “They weren’t given a choice. They were painted into a situation where they were going to get shelved or a plug was going to get pulled, by people in control who think they know [what works].”

For the sixteen-track album, the band invented fifteen fictional personas, each with its own sound, aesthetic, and backstory that draw from different decades of club culture. Genres range from Studio 1 reggae to indie rock, under pseudonyms like Burning Phlegm, White Virgins, and Noah's Dark.

Apple Music now has 15 million paid subscribers,

Going to One Wedding Brings on Another?

Nuno & The End - Plain

Nuno & The End - Jupiter's Orbit

Fade To Grey covered by Nuno & The End

Nuno & The End - Daydreaming And Then...

Now fintech platform OpenLedger and Danish bitcoin exchange CCEDK are joining forces with MUSE, a music-tailored blockchain, to make monetizing music as easy as new peer-to-peer (P2P) platforms made distributing it 15 years ago.

It was not so very long ago that people thought that semiconductors were part-time orchestra leaders and microchips were very, very small snack foods. --Geraldine A. Ferraro

Audio in general is not reliable,

Maria Anna (called Marianne and nicknamed Nannerl) was – like her younger brother – a child prodigy. The children toured most of Europe (including an 18-month stay in London in 1764-5) performing together as “wunderkinder”. There are contemporaneous reviews praising Nannerl, and she was even billed first. Until she turned 18. A little girl could perform and tour, but a woman doing so risked her reputation.

The supermarket giant, which has been selling CDs for decades, will stock a small selection of classic albums as well as a few new titles by the likes of Coldplay and George Ezra. LPs by The Beatles, Radiohead, Bruce Springsteen, Bob Marley and Elvis Presley be available, priced between £12 and £20.

Frequency

64hz-131072hz

but what’s lost is the maven class that infuses the culture with informed enthusiasm

The Stanley Clarke Band is an album by jazz bassist Stanley Clarke. It was released by Heads Up Record in June 2010 and was produced by Clarke and Lenny White. Band members include Ruslan Sirota on keyboard, Ronald Bruner, Jr. on drums and Hiromi on piano.

Three Songs

This is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 1306 genres by The Echo Nest. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.

One thing that was happening at that time was the media was portraying punk as this extremely self-destructive, nihilistic kind of sadomasochist kind of nonsense. Which then really created a lot of unpleasantness in terms of straight society towards punks. But even worse, people who were really into nihilistic and sadomasochistic and self-destructive tendencies said, “Oh I must be a punk!” and started coming to shows.

If the Riemann hypothesis is true, Im tn = 0 for all n, and the function f(u), constructed from the primes, has a discrete spectrum; that is, the support of its Fourier transform is discrete. If the Riemann hypothesis is false, this is not the case. The frequencies tn are reminiscent of the decomposition of a musical sound into its constituent harmonics. Therefore there is a sense in which we can give a one-line nontechnical statement of the Riemann hypothesis: "The primes have music in them."

In use these should be united, so that the same oration can expound purely, speak ornately, and express thought wisely. However, the precepts of pure diction, ornate delivery, and intelligent treatment must be kept separate and should not be confused.

Such is undoubtedly the case unless we suppose, perchance, that a regular structure and smooth combination of words is requisite only in poems and songs, and is superfluous in making a speech; or that composition and modulation are not to be varied in speaking, as in music, according to the nature of the subject.

In oratory, accordingly, the raising, lowering, or other inflection of the voice tends to move the feelings of the bearers. We try to excite the indignation of the judges in one modulation of phrase and voice (that I may again use the same term), and their pity in another, for we see that minds are affected in different ways even by musical instruments, though no words cannot be uttered by them.

music is united with the knowledge of divine things

But let us consider what peculiar advantage he who is to be an orator may expect from music. Music has two kinds of measures, the one in the sounds of the voice, the other in the motions of the body, for in both a certain due regulation is required.

Nature herself, indeed, seems to have given music to us as a benefit, to enable us to endure labors with greater facility, for musical sounds cheer even the rower