The apparent link of music to speech is because of a trait calledprosody, which seems to be a separate skill, also impacted by NF1.In linguistics, prosody is the difference between speaking in amonotone compared with adding expression by varying pitch,loudness, duration, stress and rhythms. People exaggerate theprosody in their speech when talking to young children because ofthe impact dynamic expression has on comprehension andengagement. Those with the NF1 disorder, most of whom suffermusical challenges, often don’t perceive prosody in speech. Thatsuggests that our fully functioning NF1 gene also helps us withprosody.
- Jan 2026
-
Local file Local file
-
-
Sacks describes the confusion hefeels when noting that people with amusia can be virtually normal intheir speech skills while profoundly disabled musically. He asks if thetwo can be so totally different, given that speech involves tonal andrhythmic changes which appear to have a musical basis. Maybe thisgenetic distinction offers a pathway to exploring his question.
-
sabelle Peretz and DominiqueVuvan conducted a large-scale sample in 2017, with 20,000participants drawn from the general public. They reported that ‘theprevalence of congenital amusia is only 1.5 per cent, with slightlymore females than males, unlike other developmental disorderswhere males often predominate’.11
I. Peretz & D. Vuvan, ‘Prevalence of congenital amusia’, European Journal of Human Genetics, vol. 25, 2017, p. 625.
-
All Indigenous cultures rely on music as a primaryknowledge technology.
-
People with the NF1 disorder are highly likely to sufferfrom amusia, an inability to hear differences in musical tones.
-
Dr Andrea Alveshere is an Associate Professor in Anthropology andChemistry at the Western Illinois University
-
one of the world’s leadingexperts on NF1, Dr Vincent Riccardi
-
neurofibromatosis
-
The Northern European Sámi drums are coveredin markings that look very like the mnemonic marks I had studiedelsewhere.
-
I hadbecome obsessed with Chinese handscrolls, a painted narrative formthat seemed to me to be cognitively the same as AustralianAboriginal sand talk.
-
I had been taken to some rock cairns which are atop some of themountains in south-eastern Alaska. What was this? Rocks in thoserock formations were used to help tell part of a story, and each rockcairn had different stories associated with it.After being taken to the rock cairns, I had been fascinated byother rock formations from around the world, such as Stonehenge. Ihad always wondered: who were the storytellers that usedStonehenge? What knowledge was shared? The decades passed butmy curiosity about rock formations found around the world neverwent away.
Link to the story of the talking rocks in the book Anthropology: Why It Matters by Tim Ingold
-
David KanoshYooḵis’kooḵéikTlingit Elder and storyteller,South-Eastern Alaska
.As we rode the ferry from Angoon to Sitka, they’d bring my attention to a location on a nearby island, highlighting features on the landscape, and I knew a story was about to begin.
David Kanosh reveals some of the overlap of other memory traditions with the Tlingit of Alaska
-
I made my own memory boards. As I glued each piece to theplywood, I thought about the stories I would tell with this memoryboard. I had spent an afternoon just putting on five pebbles! Howdid my grandmother make it look so easy? Practice. She’d been atthis for a while.
My grandmother picked up a piece of plywood that she had glued pebbles to and said simply, ‘You will remember.’ She then touched each piece as she recounted stories. To my young mind, what she was doing seemed like magic!
Cross reference: https://hypothes.is/a/uWo4NpJrEeui3Vu0XnQidA on Salish artwork
-
The beautifully carved totem poles, wooden carved ceremonialhats and even the wooden carved rattles. They are more than art.They serve a very practical purpose. Each had places orloci that Ihad used to elaborately encode information.
David Kanosh confirms that totem poles serve as mnemonic devices for Tlingit peoples
-
Kelly, Lynne. 2024. The Knowledge Gene: The Incredible Story of the Supergene That Gives Us Human Creativity. Sydney: Allen & Unwin.
Alternate annotation link urn:x-pdf:3031463436343238444144464241463243463944303945424439454235443934
Tags
- creativity
- Andrea Alveshere
- engagment
- Sámi drums
- Stonehenge
- amusia
- Coast Salish
- prosody
- definitions
- mnemonic devices
- storytelling
- mnemonic traditions
- songlines
- Indigenous knowledge
- anthropologists
- Tlingit
- quotes
- music as mnemonic
- talking rocks
- Chinese handscrolls
- speech
- rock formations
- Oliver Sachs
- memory boards
- totem poles
- memory palaces
- sand talk
- practice
- comprehension
- David Kanosh
- genetics
- music
- Indigenous music
- neurofibromatosis (NF1)
- References
- neurofibromatosis
- lukasa
- linguistics
- Lynne Kelly
- Vincent Raccardi
- knowledge transmission
Annotators
-
-
hypothes.is hypothes.is
-
laulima.hawaii.edu laulima.hawaii.edu
-
the Fisher King—the woundedman who cannot die and cannot be healed, whose land is lyingwaste because of his own sins, and who can be healed only by theHoly Grail.
Relationship of the Fisher King to Guigemar (Lais of Marie de France) who is wounded in the leg and can only be healed by a woman.
-
pre-Christian Celtic belief in the unity of the land andits ruler—when one is injured or wasting away, so is the other.
-
&KUpWLHQLVWKH¿UVWWRFRQQHFWWKHJUDLOWRWKH$UWKXULDQOHJHQGEXWwhen the procession passes through the hall of the Fisher King, hesays only that there is un grail, or “a grail,” meaning that it hadbecome a common enough term for a platter at this point, and therewasn’t yet any conception of a singular, unique Holy Grail.
Chrétien is the first to connect the grail to Arthurian legend, but when...
-
-
www.theguardian.com www.theguardian.com
-
What brings you trolling back, then?<br /> by [[Colin Richardson]] in The Guardian accessed on 2025-08-15T14:24:32
archival copy: https://web.archive.org/web/20120103154030/http://www.guardian.co.uk/world/2005/jan/17/gayrights.comment
-
-
www.statista.com www.statista.com
-
created: 2026-01-24T11:50:31 (UTC -08:00) tags: [] source: https://www.statista.com/statistics/281488/number-of-deaths-in-the-united-kingdom-uk/ author:
UK annual number of deaths 202<br /> by [[Statista]]<br /> accessed on 2026-01-24T11:50:31
-
-
www.reddit.com www.reddit.com
-
reply to u/Crafty-Shape2743 at https://reddit.com/r/typewriters/comments/1qjl76q/is_it_just_me_or/
Regardless of their current reaction, every single person here knows that they've done the EXACT SAME THING at least once if not hundreds of times. My bet is that most STILL do it tentatively because they can't keep their fingers off the keys.
I try to put stencil mode on for machines not actively in use to prevent ink from getting onto the platen and later smudging pages, but let's be honest that other than the ink, typing without paper isn't going to cause more damage to a machine than with it. Those who say it damages the platen will pound away with paper in and not care a whit. Those same people will also never bother to recover their platens with new material which dramatically improve the machine and the typing experience, so let's just get over ourselves on the issue of "protecting the platen"...
I'll bet dollars to donuts that none of those who are precious about not typing on paperless platens, are pulling their paper out without releasing the paper release lever thereby slowly sanding down their platens and don't bother to leave it disengaged when they're done thereby slowly damaging and flattening their rubber rollers.
-
-
www.nytimes.com www.nytimes.com
-
In a Typewriter Repair Shop, a Reporter Finds a Familiar Hum<br /> by [[Kurt Streeter]] in The New York Times accessed on 2026-01-23T15:00:26
-
The passing down of knowledge isn’t just a transfer — it’s a kind of love.
-
-
www.facebook.com www.facebook.com
-
www.thecrimson.com www.thecrimson.com
-
Lights, Camera and Algebraic Topology!<br /> by [[Simon W. Vozick-Levinson]] for The Harvard Crimson on 2003-10-23<br /> accessed on 2026-01-23T10:41:48
-
-
energized.edison.com energized.edison.com
-
Wildfire Recovery Compensation Program<br /> https://energized.edison.com/wildfire-recovery-compensation-program
-
-
-
Your guide to SoCal Edison's Eaton Fire payout plan<br /> https://laist.com/news/climate-environment/edison-payout-guide
-
-
laist.com laist.com
-
www.pasadenanow.com www.pasadenanow.com
-
Eaton Fire Anniversary Week: A Week of Events Marking Tragedy, Resilience and Hope<br /> https://www.pasadenanow.com/weekendr/eaton-fire-anniversary-week-a-week-of-events-marking-tragedy-resilience-and-hope/
-
-
www.hellofresh.com www.hellofresh.com
-
Hot Honey Garlic Chicken Sandwiches<br /> https://www.hellofresh.com/recipes/market/hot-honey-garlic-chicken-sandwiches-62d736a5e50bdd37fa0a23dc
-
-
www.reddit.com www.reddit.com
-
Firstly, there are two main versions of the Epic of Gilgamesh – the Old Babylonian and the Standard aka Akkadian.
-
-
www.youtube.com www.youtube.com
-
The Arabic We Never Got: Unified Arabic Script #shorts<br /> by [[Haithooomi]] on YouTube<br /> accessed on 2026-01-22T09:56:12
-
-
www.reddit.com www.reddit.com
-
reply to u/aleahey at https://reddit.com/r/typewriters/comments/1qjzgtq/remington_postal_telegraph_mill/
On the paper guide, it definitely looks like a bend it back into shape issue.
While your model is obviously decaled as "Postal Telegraph", it's not a traditional mill machine as those are generally marked by having no lower case characters and having uppercase only. Sometimes it was uppercase with some "filler character" (often a + on Remingtons, a ~ on Underwoods, and a double dot on Olivettis) or uppercase on both the top and bottom of the slug. Generally the zero character had a slash through it to distinguish it specifically from the letter "O".
There are only two other exemplars on the typewriter database, so please be sure to upload your photos and data when you get a chance. https://typewriterdatabase.com/Remington.10+Postal+Telegraph.42.bmys You'll notice that one of the examplars by u/jbhusker doesn't appear to be a traditional mill while the other is. Perhaps James has some unwritten research on his Remington Postal Telegraph?
If you sift through the typewriter database you'll find other examples and research (especially if you're looking at commentary under individual examples while you're logged in). As an example of mills from Underwood in their Western Union Special: https://typewriterdatabase.com/Underwood.Western+Union+Special.4.bmys
-
-
-
There's a mismatch between me and my writing tools. They seem to want something slightly different from what I want. I wonder if anyone else has this feeling? I mean there's plenty of people who are apparently on a life-long quest to find the perfect app, because they still haven't found what they're looking for. What's up with that? Well this article made things a lot clearer for me: Artificial Memory and Orienting Infinity | Kei Kreutler. Kreutler argues we've conflated all memory with computer memory. That's to say we've assumed everything can be stored and retrieved as data. But this misses something crucial, which is that the kind of memory that shapes worlds requires transmission, relationship, and context, and not just storage. And this got me thinking: doesn't this apply to our digital writing tools? They have to store our writing as data, but in doing so they change it in subtle ways we might not even notice, except as the kind of vague unease I've been feeling. Why your note-making tools don’t quite work the way you want them to - and what to do about it. So am I over-thinking it again, or have you too felt a gap between what you want to do and what your writing tools expect you to do?
reply to u/atomicnotes at https://reddit.com/r/Zettelkasten/comments/1qjrnp8/why_dont_my_notemaking_tools_work_the_way_i_want/
In older analog offices, the office worker stored things on paper in piles, in folders, in various locations within their office. Because humans have excellent spatial memory, the worker would have an idea of what he might want and would know in which pile on their desk or which filing cabinet it might be filed in. Despite what may look like a messy office, most will know exactly where certain papers are "hiding". This overlaps with older indigenous cultures and artificial memory with structures like songlines, talking rocks, and later techniques from ars memoriae like method of loci or memory palaces. For more on this cross reference Hudson & Thames' First Knowledges series edited by Margo Neale.
Entirely digital-based methods have erased a lot of these sorts of locational affordances.
-
-
www.printables.com www.printables.com
-
www.youtube.com www.youtube.com
-
https://www.youtube.com/watch?v=ZLw5Icbli54
disassembly of the Underwood 5
-
-
newrepublic.com newrepublic.com
-
Trump Embarrasses All of America in Slurred, Disjointed Davos Speech<br /> by [[Malcolm Ferguson]] for The New Republic accessed on 2026-01-21T10:19:18
embarrassment is the word for this... he can't even distinguish Greenland and Iceland, one of which he wants to take over and which he's spoken about repeatedly in the past months.
-
-
www.math.harvard.edu www.math.harvard.edu
-
In Memory of Professor Emeritus Benedict Gross<br /> by [[Anastasia Yefremova]] for Harvard Math<br /> accessed on 2026-01-21T10:12:59
-
-
www.theguardian.com www.theguardian.com
-
We ran high-level US civil war simulations. Minnesota is exactly how they start<br /> by [[Claire Finkelstein]] in The Guardian<br /> accessed on 2026-01-21T10:07:26
Tags
- Kristi Noem
- read
- United States Department of Defense
- U.S. Immigration and Customs Enforcement (ICE)
- constitutional crisis
- presidential immunity
- Department of Defense’s Rules for the Use of Force
- use of force
- Trump Administration
- Center for Ethics and the Rule of Law (CERL)
- Renee Nicole Good
Annotators
URL
-
-
www.facebook.com www.facebook.com
-
www.reddit.com www.reddit.com
-
reply to zk developer at https://reddit.com/r/Zettelkasten/comments/1qiwfp0/im_researching_why_zettelkasten_fails_for_a_lot/
Before you do this sort of user research, have you done the research on the dozens and dozens of apps that are already out there (prior art)? What do you think is good about them? Bad? Why are some doing well and others not?
You realize that at once a week since 2019, at least one app a week pops up in the zettelkasten, note taking, productivity/GTD space? Very, very few pass the 6 week mark, let alone the 6 month mark. Why do you want to reinvent the wheel? What are you hoping to get out of it?
Are you self-dogfooding/eating your own cooking? If you're not using and enjoying your own app, why would others?
Simply reading through this sub will give you most of the research and friction points you could want to know about without impinging on our time for something that I'd be willing to bet won't even reach alpha.
-
-
www.youtube.com www.youtube.com
-
Olympia SF Companion adjustments<br /> by [[Typewriter Justice]]
-
-
torontotypewriters.com torontotypewriters.com
-
https://torontotypewriters.com/products/black-dog-typewriter-ribbon-black-cotton
Holy shit, their typewriter ribbon is expensive! $21.00?!? They are giving you what look like 3-D printed spools with it, so that's where a lot of the value proposition is hiding.
-
-
searcharchives.bl.uk searcharchives.bl.uk
-
searcharchives.bl.uk searcharchives.bl.uk
-
https://searcharchives.bl.uk/catalog/040-002046807
Their scanned version is currently unavailable in 2026-01 due to a hack from 2023/24.
-
-
en.wikipedia.org en.wikipedia.org
-
www.reddit.com www.reddit.com
-
https://www.reddit.com/r/typewriters/comments/1qhokip/some_typewriter_customization_ideas/
Besides, why go the AI route when there are so many already available custom and chromed machines out there? There is way more creativity in reality.
Examples:
- Smith-Corona 5 series: https://mrmrsvintagetypewriters.com/en-us/products/chrome-plated-smith-corona-typewriter-part-of-david-rain-collection-tom-arden
- Richard Polt has photos of his Silver Surfer Hermes 3000, a paint stripped typewriter on page 291 of his book The Typewriter Revolution. Photo here: https://www.facebook.com/TypewriterRevolution/photos/a.1563333157165476/2155401697958616/?type=3
- Polt also talks about the process on one of his Smith-Coronas at https://writingball.blogspot.com/2011/08/sterling-silver-surfer.html
- A sterling silver Smith-Corona Sterling: https://oztypewriter.blogspot.com/2011/09/on-this-day-in-typewriter-history-civ.html
- Multiples here: https://www.reddit.com/r/typewriters/comments/1oouq6o/chrome_typewriters/
- A chromed Olympia SG1: https://www.facebook.com/groups/olympiasg1/posts/1549224696395939/
- A chrome/nickel finished Henry Dreyfuss: https://typewriterdatabase.com/1948-royal-quiet-de-luxe.25508.typewriter
- If you're really crazy, maybe a Candy Apple Green Metal Flake pin striped Hermes? https://typewriterdatabase.com/1956-hermes-2000.17456.typewriter
- A brown pin striped QDL: https://typewriterdatabase.com/1941-royal-quiet-de-luxe.19473.typewriter
- Maybe in custom "white cracked ice" https://typewriterdatabase.com/1946-royal-quiet-de-luxe.19914.typewriter
- A green hot rod? https://typewriterdatabase.com/1961-olympia-sm4.19353.typewriter
And to be honest, if you're going to lay out some money to chrome a machine, why do it with a flimsy Skyriter? Find something showy, something honest, something substantial. Why not a Royal KMG or FP, a Remington Super-Riter, or a solid Hermes Ambassador?
Nothing is more badass than Helen Gurley Brown's silver plated Royal Empress: https://site.xavier.edu/polt/typewriters/hgbrownroyal.jpg
-
-
www.youtube.com www.youtube.com
-
Typewriter Profile: Comparing the Olivetti Lettera 22, Lettera 32, and Studio 44<br /> by [[Damon Di Marco]] of CreateX3.com on YouTube<br /> accessed on 2026-01-19T11:32:11
Marcello Nizzoli designed the Olivetti Lettera 22, an ultra-portable, and the standard Lexicon 80. He used the automotive idea of press-forming steel to the Olivetti line.
In 1959, the Illinois Institute of Technology chose the Olivetti Lettera 22 as the best designed product of the last 100 years. It also won the Compasso D'Oro Award in 1954.
1963 Lettera 32 introduced<br /> Square keys
1965 Olivetti Studio 44 introduced<br /> Between the standard and the portable<br /> Comes with a case, but is heavier than many portables
Prefer original spools with spool nuts.
-
-
www.reddit.com www.reddit.com
-
https://old.reddit.com/r/typewriters/comments/1qh2cl7/1915_imperial_model_c_pictures/
per u/Koponewt:
Do you have the shift keys on both sides? The model C only has them on the left.

-
-
www.youtube.com www.youtube.com
-
This short has a great shot at 01:02 where they've removed the platen and rear of a typewriter and are filming the back of the typing point as the typebars fly up at the camera.
Tags
Annotators
URL
-
-
en.wikipedia.org en.wikipedia.org
-
The Gospel of Wealth<br /> https://en.wikipedia.org/wiki/The_Gospel_of_Wealth
-
-
collections.library.cornell.edu collections.library.cornell.edu
-
https://collections.library.cornell.edu/moa_new/browse.html Cornell University's Making of America Collection<br /> List of Late 1800s-early 1900s magazines and journals in America with links to resources on Hathi Trust repositories
-
-
www.reddit.com www.reddit.com
-
Nakajimas can be distinguished from having the margin release key on the right side whereas very similar looking Silver-Reed machines (and Brothers) have it on the left.
Advise for differentiating between Brother, Nakajima, and Silver-Reed late model typewriters.
-
-
oztypewriter.blogspot.com oztypewriter.blogspot.com
-
What Comes Around Goes Around: Typewriters Return to CFM<br /> by [[Robert Messenger]] on oz.Typewriter<br /> accessed on 2026-01-18T11:05:23
-
-
typewriterdatabase.com typewriterdatabase.com
-
https://typewriterdatabase.com/1912-underwood-western-union-special.3619.typewriter
-
The catalog states that all Model 4’s have 76 character sets, and all Model 5’s have 84 character sets.
https://typewriterdatabase.com/1912-underwood-western-union-special.3619.typewriter
-
-
badonoer.blogspot.com badonoer.blogspot.com
-
Backspace does not erase: What are front left foot numbers on an Underwood 5 ?<br /> by [[RobertG]]<br /> accessed on 2026-01-17T19:25:41
-
-
great.cwru.edu great.cwru.edu
-
Local file Local file
-
The contrast between the palace of themillionaire and the cottage of the laborer with us to-day meas-ures the change which has come with civilization.
-
NORTII AMERICAN REVIEW.No. CCCXCI.JUNE , 1889 .WEALTH.BY ANDREW CARNEGIE.
Carnegie, Andrew. 1889. “Wealth (aka Gospel of Wealth Part I)” ed. Allen Thorndike Rice. North American Review 148(391): 653–65. http://google.com/books/edition/The_North_American_Review/i5U2AQAAMAAJ?hl=en (January 17, 2027).
Tags
Annotators
-
-
www.americanyawp.com www.americanyawp.com
-
en.wikipedia.org en.wikipedia.org
-
www.gettyimages.ca www.gettyimages.ca
-
VS speed typist Albert Tangora typing on a typewriter on table..<br /> by [[Getty Images]]<br /> accessed on 2026-01-16T12:03:59
It's not just the speed at which, he's typing, but get a load of how fast he manages to change a sheet of paper!
-
-
www.youtube.com www.youtube.com
-
Albert Tangora sets a new record of typing of 141 words a minute in Chicago, Ill. <br /> accessed on 2026-01-16T11:57:49
Tags
Annotators
URL
-
-
en.wikipedia.org en.wikipedia.org
-
On October 22, 1923, Tangora set the 60-minute typing speed world record at 147 words per minute (WPM).
-
-
www.reddit.com www.reddit.com
-
https://www.reddit.com/r/typewriters/comments/1qej21g/bulk_ribbon_source/
We are a small typewriter shop based in the Netherlands.
Usually we would order bulk ribbon from USA and pay 100+ euro for shipping costs and duties. The shipping mostly cost us more than the product itself and made it much harder for us financially.
We would even combine orders with other local typewriter shops to cut the costs down.
So we now found an alternative. Make it ourselves.
After much testing we have found the perfect ink saturation. No bleeding. No oversaturation. Plus the ribbon should last 3-5 years when properly stored.
We are happy to now offer 320m cotton reels (black) for other typewriter enthusiasts and shops based in Europe (we do ship worldwide, it is just much more affordable to buy local).
A ribbon can make or break your typing. I really dislike light print or oversaturated ribbons. So zero compromise in quality.
-
-
peterhotez.org peterhotez.org
-
https://peterhotez.org/<br /> Peter Hotez
-
-
publichealthcollaborative.org publichealthcollaborative.org
-
Your Resource For Better Health Communication & Messaging<br /> by [[Public Health Communications Collaborative]]<br /> accessed on 2026-01-15T11:50:55
-
-
Local file Local file
-
A favorite image that kings chose forthemselves in statues from the Early Dynastic period shows themonarch with a basket of earth for construction on his head. Hemight be a mighty ruler, but he was also a builder, erectingmonuments to his gods and taking care of his people.
-
Surprisingly,though, the Mesopotamians rarely wrote about the afterlife. Literarydescriptions suggest that the netherworld was a gloomy place—dark, with bad food, and no way out—and there was little about itthat suggested either a reward or punishment. It simply existed.And yet, since these kings (and many commoners whose burials alsocontained gifts and food) took their worldly possessions with them,perhaps they believed that they could improve their lot in theafterlife.
-
The king of Kish even sometimes enforced order inSumer. For example, Enannatum’s son, Enmetena, wrote that theborder between Lagash and Umma had been determined by thegreat god Enlil himself and had been confirmed by the king of Kish:“Mesalim, king of Kish, at the command of (the god) Ishtaran,measured the field and set up a (boundary-) stone there.” Theauthority of the king of Kish was therefore acknowledged, at leasttemporarily, by both the king of Umma and the king of Lagash.
There is an interesting example of the mnemonic use of stone here in ancient Sumer. It serves as a boundary/border marker by its physical presence, but apart from any (other local) mnemonic uses, it also carries an inscription as a secondary form of long term written memory.
-
At around the same time that they invented inscriptions by which tocommunicate with gods and with future kings, the kings’ scribesbegan to use writing for addressing those at a different kind ofdistance from themselves—kings of other lands.
Note the shifts in potential audience(s) of early writing.
-
Not far from the Ibgal temple of Inanna where the dedicatory tabletwas found, archaeologists excavated the earliest known breweryanywhere in Mesopotamia (a tablet found there even mentioned thebrewer).
-
all of the 1,700administrative tablets that were found at the later capital of Lagash,called Girsu, came from the queen’s palace.
-
The kings had, however, begun to realizeits potential for extending communication, in an almost magical way,beyond what could be accomplished with the spoken word. Writingcould perpetually and eternally address an audience on a king’sbehalf; the words were always there, even when the king was notthinking about them. Given that the population was almost entirelyilliterate, such an audience was mostly made up of gods. Thestatuette of the king’s personal god (or sometimes of the kinghimself), inscribed with the same text as the tablet, could thereforepray continuously in a way that a real person could not.
Is there stronger evidence that this form of permanent writing to an audience of gods was being done? Sources?
-
The scribes did not, however, try toexpress every part of speech; their script was still a shorthandversion of language.
the shift from proto-cuneiform to early dynastic cuneiform showed greater complexity, but was still a variation of shorthand which didn't attempt to express all parts of speech as converted from spoken language. Verbs weren't always appropriately conjugated.
-
The tablet wasfound by archaeologists in the foundations of the temple of Inannain Lagash, called the Ibgal. This extensive complex was oval inshape, as were many Early Dynastic temples in other cities, with alarge courtyard and a platform on which Inanna’s temple wasconstructed.
What is the general history of oval-shaped architecture? Is there an explicit link between the Oval shape of the complex at Ibgal, the temple (or house) of Inanna in Lagash and the oval office at the White House?
Keep in mind that modern knowledge of large portions of the Ancient Near East only surfaced after the 1800s, so the tradition would have required intermediaries from the ANE into other cultures to be passed down to the building of the White House in 1792.
-
Lagash (modern Al Hiba in Iraq), hometo the god Ningirsu and to a dynasty of kings who squabbled forgenerations with their counterparts in the neighboring city-state ofUmma.
-
Every human alive, the king included, was just a servant to thegods, and those gods could choose to treat him or her however theywanted.
At what point in history did it seem apparent to a larger portion of the populace that "god(s) anointed the king" was no longer a presumed reality? When did it seem that way to the kings themselves? Or have they always believed the myth?
-
And just as professions tended to run in families, the kingmight have trained his son in the arts of leadership, grooming himfor the throne.
It certainly makes some sense that in a diversifying economy familial connections of passing down trades from father to son by dint of closeness, teaching, and familial connection that the job/title of king should be passed down in the same way.
-
The Sumerian term for king, “lugal,” literally meant “big man.”
-
Order was maintained in the universe because the king of the godspossessed an object called the “Tablet of Destinies” on which wereinscribed theme (pronounced “may”). Theseme were never writtendown on any earthly tablet, as far as we know, for humanedification. But they encompassed all that kept chaos at bay.
-
Eventhe gods themselves had a king—the great god Enlil, who lived inthe city of Nippur.
-
ngship seemed so obvious and right to the Mesopotamians thatthey believed that it had been invented by the gods, that it hadcome “down from heaven.” Some later scribes made a grand list ofall the kings from the beginning of time to their own era. Theycalled it “When kingship came down from heaven,” which was itsfirst line. To modern scholars it is the Sumerian King List.
-
Yet othersdeveloped the skills to carve intricate cylinder seals used bymembers of the elite to identify their goods.
-
Other men and womenwent off to distant lands and set up smaller versions of Uruk,certainly keeping in touch with home through messengers, andpresumably sending goods that could be useful to their mothercities.
Can one discern specific colonialist policies that the Uruk had as their culture spread in the Ancient Near East?
-
Whereas earlier peoples had manufactured their pottery by hand,adding eye-catching designs and glazes, the Uruk craftsmen mostlyproduced pottery on the newly invented wheel, rarely adding anyadornments. Quantity, now possible with a type of mass production,seems to have taken priority over quality in ceramic manufacture.
-
The sign for “food” (also for“bread”) in proto-cuneiform is the shape of a beveled-rim bowl.
-
A cylinder seal was a stone cylindrical beadcarved in relief with a scene, so that when rolled on a piece of clay itproduced an endless tiny frieze of figures or patterns.
-
The scribes do not seem to have thought of this scriptthat they had invented as a representation of language.
-
The people of Uruk started out with at least thirteen differentnumerical systems; they counted differently depending on what theywere counting, and the signs indicated different numbers fordifferent commodities. And about 30 percent of the signs they firstcreated to represent nouns had no later equivalents, so scholars donot know how to read them.
-
This proto-cuneiform tablet from Uruk includes signs forsheep and the goddess Inanna, but its meaning is unclear.
Potentially an early historic form of a receipt?
-
The investment of time and manpower devoted to the constructionof this complex would have resembled the work on a medievalcathedral. As early as 3600 BCE work had begun on the so-calledLimestone Temple in the Eanna precinct. Quarrymen and masonsremoved limestone from a rocky outcrop around fifty kilometers (31mi) to the southwest. Other men transported the stone to Uruk. Stillothers formed hundreds of thousands of mud bricks and clay cones,and set them out to harden in the sun. Others brought timber fromfar to the north for the roofs. Someone supervised all the workmenwho set the bricks and stones and mosaic cones in place. The menwould have been fed and provided for during the construction. Thebuilders were all probably residents of Uruk, united in their desire tocreate a magnificent home for their beloved divine queen.
Possibility that even with proto-cuneiform (writing) evolving here that such temples were local memory palaces for the culture of the inhabitants who would have been primary orality-based?
-
It is writtenin a script known as proto-cuneiform, a script that did not representsounds or even language at all; signs served as memory aids.
-
facts that no one couldconceivably commit to memory.
This statement belies the power of orality and the size of built communities without literacy. It's more a question of understanding how it was done and how communities either trusted (or didn't) those who memorized the materials.
Another factor is how long one needed to remember various facts, especially if for commerce and over what spaces?
Were there stratifications of society based on the power of memory here? Compare the anthropology and archaeology with the studies by Lynne Kelly.
-
Datesafter ca. 1400 BCE are fairly reliable and uncontroversial (the morerecent, the less controversial). For dates before 1500 BCE, however, adebate revolves around the Middle Chronology. Some scholars proposelower dates (from eight years to as much as a century later). But until aconsensus is reached, it seems best to use the dates that are familiar, ifprobably wrong.
-
The widely used Middle Chronology—which gives the dates ofHammurabi’s reign as 1792 to 1750 BCE—is followed in this book.
-
Later letters, inscriptions, and prayers, in which one mightexpect to see frequent references to flooding if it had been a majorconcern, mostly describe the rivers as a blessing.
-
cuneiform was occasionallyemployed in both Canaan and Egyp
-
These lands were Mesopotamia (modernIraq, with its variously named regions: Sumer, Akkad, Babylonia, andAssyria), Syria, Elam (part of what was later known as Persia), andAnatolia (modern Turkey).
-
The ancient Near East is defined here as comprising the “cuneiformlands,”
-
to the waysthat documents were organized in archives,
Find archaeological papers which described how Mesopotamians in the ANE organized their documents.
Mention via @Podany2013
-
Law, for example,once invented in Mesopotamia around 2100 BCE, was never forgotten,even though the actual laws of the Mesopotamians bear littleresemblance to those in use today.
-
For example, women in early times had many rights andfreedoms: they could own property, run businesses, and representthemselves in court.
-
The popularimage of history as a story of progress from primitive barbarism tomodern sophistication is completely belied by the study of the ancientNear East.
Statement in support of Graeber and Wengrow's thesis in The Dawn of Everything, though predating it.
-
Podany, Amanda H. 2013. The Ancient Near East: A Very Short Introduction. 1st ed. New York: Oxford University Press. https://www.amazon.com/Ancient-Near-East-Introduction-Introductions/dp/0195377990/ (January 1, 2026).
Tags
- mass production
- -XXI
- primogeniture
- semantics
- stone inscriptions
- queens
- Eanna ("house of heaven")
- colonialism
- afterlife
- Umma
- Enmetena (King)
- Ancient Near East
- kingship
- Rebus principle
- orality
- White House
- iconography
- geoforming
- Lagash
- Girsu (capital of Lagash)
- Mesopotamia
- food
- history
- political development
- Uruk
- ceramics manufacture
- leadership
- memory aids
- David Graeber
- commerce
- colonialist policies
- stelae
- cuneiform
- long distance memories
- kings
- Amanda H. Podany
- praying
- ovals
- writing as memory
- social stratification
- logograms
- Hammurabi
- Ibgal
- breweries
- orality transition to literacy
- diplomacy
- ideograms
- wheels
- References
- chaos
- myth
- The Oval Office
- stones for memory
- r/AYearOfMythology
- Mesopotamian art
- rivers
- laws, invention of
- Ningirsu
- number systems
- big men
- Great Man theory of history
- beveled-rim bowls
- early writing purposes
- gods
- definitions
- Mesopotamian religion
- history of alcohol
- Nippur
- Sumerian King List
- pottery
- bread
- House of Inanna
- Enlil
- ovals in architecture
- spoken language
- Egypt
- property
- proto-cuneiform
- Canaan
- divine right of kings
- cylinder seals
- The Dawn of Everything
- Tablet of Destinies
- construction
- potter's wheel
- the elite
- Mesalim (king of Kish)
- "cuneiform lands"
- inventions
- archaeological dating
- pictograms
- open questions
- Sumerian gods
- law
- receipts
- Middle Chronology
- filing methods
- writing to rulers
- audience
- primary orality
- temples
- memory palaces
- standing stones
- anti-oral perspectives
- alcohol
- laws
- Al Hiba, Iraq
- ownership
- early writing
- -XXXVIII to -XXXI
- builders
- feminism
- writing to gods
- administrative tablets
- political evolution
- literacy
Annotators
-
-
www.reddit.com www.reddit.com
-
Typebar Supplies from 1989 IBM Supplies Reference Catalogue
via https://reddit.com/r/typewriters/comments/1qaftye/finding_the_correct_ribbon_for_a_1973_ibm_model_d/

-
-
forum.zettelkasten.de forum.zettelkasten.de
-
reply to harr at https://forum.zettelkasten.de/discussion/3392/folgezettel-vs-duplex-numeric-arrangement
I'll shortly have a lot more to say on this very subtle historical subject, which I've been work at off and on over the past month or so. My analysis indicates entire lack of innovation on the fronts which you're indicating. Pages 178-180 show the period standard practice of the subject alphabetic filing you say Luhmann was innovating against, but the duplex-numeric is exactly what he was using. The method he chose had been recommended and in use since at least the 1910s—especially for law offices.
Your quotes from his 1981 paper, while interesting, create a false impression stemming from post hoc, ergo propter hoc analysis. You have to remember that by the 1980s, he's been practicing this for nearly 30 years and is providing a reflection on that practice, which is also heavily impacted by his systems theory work through those decades. I strongly suspect that his mid-century perspective didn't stray far from that Remington Rand outline or those of scores of other sources.
It bears noting that of the four potential methods suggested in the chapter, the last one is the Dewey Decimal method, which many who've been in the zettelkasten space have also very naturally tried using as a scaffolding for their filing work. Others have also reasonably suggested variations like the Universal Decimal Classification system or Wikipedia's Academic Outline of Disciplines.
One will also notice that the option of doing a "Variadex Alphabetic" arrangement hasn't ever (to my knowledge) been mentioned in the online zettelkasten space. It was given the pride of place as first in the list of options, but this stems primarily from the fact that it was a variation offered by Remington Rand as a paid product with the related accessories. Every filing cabinet company and major stationery company had variations on this theme with their own custom names and products.
-
-
www.youtube.com www.youtube.com
-
www.youtube.com www.youtube.com
-
3 Misconceptions About Using Index Cards #officesupplies #indexcards<br /> by [[Shannon Medisky]] on YouTube<br /> accessed on 2026-01-14T09:21:52
Shannon Medisky appreciates the "fidget friendl[iness]" of index cards which help her work out nervous energy and reduce her stress.
-
-
www.youtube.com www.youtube.com
-
An index card masterclass to kick start your writing.<br /> by [[Justin Hill]] on YouTube<br /> accessed on 2026-01-14T09:17:56
Justin Hill, a long form writer, uses index cards in his writing for taking notes, inspiration/prompts, as well as for outlining/organizing the plot of his material.
-
-
www.youtube.com www.youtube.com
-
How typewriters are making a comeback<br /> by [[CNN]] on YouTube<br /> accessed on 2026-01-14T09:01:22
-
-
www.reddit.com www.reddit.com
-
What's the diameter of the central hole? Checking if it's 4,5, or 6mm will help a lot in identifying which type of spool it is.
Could be made by some ribbon company like Alpad who sold Olivetti compatible ribbons/spools.
6mm diameter center holes on spools are indicative of a Gr4 typewriter spool.
via u/Koponewt at https://www.reddit.com/r/typewriters/comments/1qcocn1/does_anyone_recognise_this_spool/
-
-
www.reddit.com www.reddit.com
-
Model 50 has 42 keys, 60 has 46, so this is a Smith Premier 60.
via u/Koponewt at https://old.reddit.com/r/typewriters/comments/1qbwkp4/need_help_identifying_typewriters/
-
-
www.federalreserve.gov www.federalreserve.gov
-
Statement from Federal Reserve Chair Jerome H. Powell - Federal Reserve Board<br /> by [[Jerome H. Powell]] Chairman of the Federal Reserve <br /> accessed on 2026-01-11T22:52:25
-
-
makerworld.com makerworld.com
-
-
www.latimes.com www.latimes.com
-
'This is for the other people': Dawes hosts Eaton fire benefit with star lineup<br /> by [[Mikael Wood]] in Los Angeles Times<br /> accessed on 2026-01-09T10:18:16
-
-
www.tumblr.com www.tumblr.com
-
www.reddit.com www.reddit.com
-
Hermes typefaces by foundry mark:<br /> S TP = Techno Pica;<br /> S TE = Techno Elite;<br /> S PP = Petit Pica;<br /> S DE = Director Elite;<br /> S NO = Epoca;<br /> S 6 = Pica;<br /> S 7 = Elite

via https://old.reddit.com/r/typewriters/comments/1q8dabt/what_typeface_is_this_on_my_hermes_3000/
-
-
www.harleyofscotland.com www.harleyofscotland.com
-
https://www.harleyofscotland.com/
They white label to other companies.<br /> Bosie may be one of the better ones: https://bosie.co/collections/mens-shetland-sweaters-and-cardigans-1
-
-
-
Opinion - I’m the Mayor of Minneapolis. Trump Is Lying to You.<br /> by [[Jacob Frey]] mayor of Minneapolis in The New York Times<br /> accessed on 2026-01-08T22:05:59
-
-
www.reddit.com www.reddit.com
-
u/viktor72 has new old stock of the rectangular Royal badges for the KMM, KMG, etc. from a typewriter repairman.
https://www.reddit.com/r/typewriters/comments/1q7u6n2/going_back_and_forth_as_to_whether_or_not_i/

-
-
-
On Typewriters: Condition is King; Context is Queen.
It bears mentioning that an expert/professional repair person can only tell very little of the condition of a typewriter by photos. Does it look generally clean? Are the decals in tact? Does the segment look clean (a vague proxy for the potential condition of the internals)? Is anything obvious missing (knobs, return lever, keys)? Does it look cared for or has it been neglected in a barn for half a century? Most modern typewriters made after 1930 in unknown condition are worth about $5-25 and they peak at about $500 when purchased from a solid repair shop unless some Herculean additional restoration has taken place, they've got a rarer typeface, or are inherently actually rare. Hint: unless it's a pro repair shop or very high end collector with lots of experience, don't trust anyone saying that a typewriter is "rare", run the other direction. Run faster if they say it "works, but just needs a new ribbon" as—even at the most expensive—new ribbon is only $15 and their "rare" $600+ machine should have fresh, wet ribbon. The rule of thumb I use is that no one online selling a typewriter knows anything about it, including if it actually works. Worse, they've probably priced it at professional repair shop prices because they don't know that condition is king.
The least experienced typist will know far more about the condition of a machine by putting their hands on it and trying it out. Does it generally work? Does the carriage move the full length of its travel? Can you set the margins at the extremes and space reliably from one end to another? Does it skip? Is the inside clean or full of decades of dried oil, dust, and eraser crumbs? Does the margin release work? Does it backspace properly? If typing HHHhhhHHH are the letters all printed well and on the same baseline?
Presumably a typewriter at an antique store will meet these minimum conditions (though be aware that many don't as their proprietors have no idea about typewriters other than that if they wait long enough, some sucker will spend $150 on almost anything). They've done the work of finding a machine that (barely) works, housing it, and presenting it to the public for sale. This time and effort is worth something to the beginning typewriter enthusiast, but worth much, much less to the longer term practiced collector.
If everything is present and at least generally limping along, you've got yourself a $30 typewriter. Most people can spend a few hours watching YouTube videos and then manage to clean and lubricate a typewriter to get it functioning reasonably. You can always learn to do the adjustments from Youtube videos. (Or just take it to a repair shop and fork over $200-400 to get things squared.)
If you're getting into collecting, you'll make some useful mistakes by overpaying in the beginning and those mistakes will teach you a lot.
Maybe you're a tinkerer and looking for a project? If so, then find the cheapest machine you can get your hands on (maybe a Royal KMM for $9 at thrift) and work your way through a home study course.
Otherwise, if you're just buying one or two machines to use—by far—the best value you'll find is to purchase a cleaned, oiled, and well-adjusted machine from a repair shop. Sure it might cost $350-600, but what you'll save in time, effort, heartache, repair, etc. will more than outweigh the difference. Additionally you'll have a range of machines to choose from aesthetically and you can test out their feel to find something that works best for you.
Or, you could buy a reasonable machine like this for $70 and find out it needs cleaning, oiling, and adjusting and potentially a few repairs. The repair tab might run you an additional $450. Is it worth it when a repair shop would have sold you the same or a very similar machine in excellent condition for $350?
Remember in asking about the cost and value of a typewriter, you're actually attempting to maximize a wide variety of variables including, but not limited to: upfront money, information about the current state of the market, information/knowledge about the machine itself, information about how to clean it, information about oiling it, information about adjusting, information about repairing it, cost and availability of tools and repair parts, and the time involved for both learning and doing all of these. The more time you've spent learning and doing all of these, the better "deals" you'll find, but gaining this expertise is going to cost you a few years of life. What is all this "worth" when you just want to type on a machine that actually works?
Most of the prognostication you'll find in fora like this will be generally useless to you because you're not readily aware of the context and background of the respondents with respect to all of the variables above. Similarly they're working with no context about you, your situation, where you live, what's available in your area, your level of typewriter knowledge, or your budget. You don't know what you don't know. At the end of the day, you're assuredly just as well off to use a bit of your intuition and putting your hands on a machine and trying it out. Then ask: "What is it worth to you?"
If you're simply asking: "Is this highway robbery?", the answer is no.
More resources (and some of my own context) if you need them: https://boffosocko.com/research/typewriter-collection/
Happy typing.
Reply to u/NeverTheNess at https://reddit.com/r/typewriters/comments/1q7eho6/spotted_a_royal_at_an_antique_store_good/<br /> RE: run-of-the-mill late 70s plastic Litton/Royal typewriter
-
-
www.reddit.com www.reddit.com
-
www.reddit.com www.reddit.com
-
A pen nib found inside a typewriter.<br /> https://www.reddit.com/r/typewriters/comments/1q72sk7/what_is_this_piece/
-
-
www.youtube.com www.youtube.com
-
Smith Corona Skyriter Typewriter Draw Band String Rope Repaired Mainspring Wound<br /> by [[Phoenix Typewriter]] on YouTube<br /> accessed on 2026-01-07T15:56:18
-
-
www.reddit.com www.reddit.com
-
For the average office-type chair, the sweet spot you're looking for is a tabletop about 26 inches off of the floor.
Most modern desks have their tabletops at 28-29" off of the floor which is too high for comfortably typing on a typewriter. The larger old school typewriter desks (double and single pedestals) often had a flip top or spring loaded side compartment that brought the surface that the typewriter sat on down to a more comfortable 26" off of the floor. Similarly you'll see desk returns for these desks which are an inch or two shorter to allow for a typewriter off to the side. Many of the same tanker desks had writing drawers that pulled out to provide space over the other drawers for writing and these also make great surfaces for typewriters to be an inch or two lower than the standard height. These desks usually are heavy and take up some significant floor space.
From the 1920s, a variety of manufacturers made stand-alone typewriter stands, typically with two drop leaves on either side and wheels to give one easy space for their typewriter that didn't take up a huge footprint and could be moved around the office or home as needed. Similar to these in the modern furniture space, you might find a variety of side tables or occasional tables with tabletops at a more comfortable 26-27" for your typing.
For off-label use cases, you could try a counter-height stool (24-26") as a temporary typewriter stand to pair with most standard office chairs. Generally bar stools are much taller in the 36" range, so don't do this unless it's your intention to type standing up.
I've got a 20 drawer library card catalog with a tabletop height of 36.5" that makes an excellent height for a standing desk for typing.
reply to u/The-Wolf-Bandit at https://old.reddit.com/r/typewriters/comments/1q6e8oo/what_do_you_guys_have_your_typewriters_on/
-
-
typewriterdatabase.com typewriterdatabase.com
-
Montgomery-Ward rebranding of the Underwood 450 which was never branded as an Olivetti.
https://typewriterdatabase.com/1973-montgomery-ward-olivetti-escort-66.1649.typewriter
-
-
www.reddit.com www.reddit.com
-
www.reddit.com www.reddit.com
-
https://old.reddit.com/r/typewriters/comments/1q2dmj8/can_anyone_help_me_identify_mikes_typewriter/
Stranger Things (finale)

-
-
danallosso.substack.com danallosso.substack.com
-
Corporate Personhood<br /> by [[Dan Allosso]] in MakingHistory<br /> accessed on 2026-01-05T16:51:28
-
Ironically, like Roger Taney’s opining in Dred Scott, it first raises its head in a “headnote” to a case not dealing with the issue. In remarks setting the scene for their decision in Santa Clara County v. Southern Pacific Railroad (1886), the court remarked, “The court does not wish to hear argument on the question whether the provision in the Fourteenth Amendment to the Constitution, which forbids a State to deny to any person within its jurisdiction the equal protection of the laws, applies to these corporations. We are all of the opinion that it does.” This statement, that the court were “all of the opinion” that “any person” applied to the fictional entities created by state charters, precluded any formal challenge by telegraphing the outcome. Thus, in a sneaky way, the court avoided having to actually produce a decision of an actual case to establish this principle. Talk about legislating from the bench!
-
In the same way, the Fourteenth Amendment’s repeated use of the term “any person” in the Citizenship, Due Process, and Equal Protection Clauses has notoriously created a legal precedent for corporate personhood.
-
-
archive.org archive.org
-
Bookkeeping and Accounting<br /> by [[Burton Holmes Films, Inc.]] in 1945 on Internet Archive<br /> accessed on 2026-01-05T16:31:49
-
-
www.wired.com www.wired.com
-
Did Gates Really Say 640K is Enough For Anyone?<br /> by [[Jon Katz]] in WIRED<br /> accessed on 2026-01-05T16:22:13
-
-
en.wikipedia.org en.wikipedia.org
-
www.presidency.ucsb.edu www.presidency.ucsb.edu
-
I tell this story to illustrate the truth of the statement I heard long ago in the Army: Plans are worthless, but planning is everything. There is a very great distinction because when you are planning for an emergency you must start with this one thing: the very definition of "emergency" is that it is unexpected, therefore it is not going to happen the way you are planning. So, the first thing you do is to take all the plans off the top shelf and throw them out the window and start once more. But if you haven't been planning you can't start to work, intelligently at least. That is the reason it is so important to plan, to keep yourselves steeped in the character of the problem that you may one day be called upon to solve--or to help to solve.
Dwight D. Eisenhower, Remarks at the National Defense Executive Reserve Conference Online by Gerhard Peters and John T. Woolley, The American Presidency Project https://www.presidency.ucsb.edu/node/233951
-
-
drive.google.com drive.google.com
-
en.wikipedia.org en.wikipedia.org
-
santafe.edu santafe.edu
-
In memoriam: Philip Anderson<br /> by [[Santa Fe Institute]]<br /> accessed on 2026-01-05T10:20:05
-
Describing Anderson’s approach to physics, Yu recalled him saying, “Theoretical physics is not just doing calculations. It's setting up the problem so that any fool could do the calculation.”
-
“It is hard to overstate the importance of the ideas of Phil Anderson to the science of SFI and complexity in general," said Santa Fe Institute President David Krakauer. "His 'More is Different' article from Science in 1972 was the most important and rigorous refutation of the foolishness of reductionism for complex systems yet published. Not only did Phil articulate why confusing parts for the whole was a problem, but in the process, he explained why different fields of inquiry – from genetics to economics – needed to exist. This was a supreme act of intellectual modesty and generosity."
-
-
en.wikipedia.org en.wikipedia.org
-
https://en.wikipedia.org/wiki/Philip_W._Anderson Philip W. Anderson
-
-
en.wikipedia.org en.wikipedia.org
-
forum.zettelkasten.de forum.zettelkasten.de
-
Martin → chrisaldrich Yes, Chris, I even came across this site. Porstmanns Karteikunde was actually the publication that inspired my early Zettelkasten activities back when I was still a schoolboy, nearly half a century ago. And of course, Luhmann would have learned this kind of administrative practice in his first job, since it was widely used in offices at the time. I’ve always wondered whether he ever taught anything about it while working in Speyer.
Martin reports having used Porstmanns Karteikunde in his youth circa 1975 when it was widely used in offices.
Open question: Did Luhmann teach zettelkasten practices while at Speyer?
-
-
www.theatlantic.com www.theatlantic.com
-
Frank, Adam. 2025. “The Truth Physics Can No Longer Ignore.” The Atlantic. https://www.theatlantic.com/science/2025/12/physics-life-reductionism-complexity/685257/ (January 4, 2026).
-
the sole agreed-upon source of general intelligence: life.
-
Complexity, by contrast, recognizes that once lots of particles come together to produce macroscopic things—such as organisms—knowing everything about particles isn’t enough to understand reality. An early pioneer of this approach was the physicist Philip W. Anderson, who succinctly framed the nascent anti-reductionist perspective with the phrase “More is different.”
-
-
writings.stephenwolfram.com writings.stephenwolfram.com
-
What Is ChatGPT Doing … and Why Does It Work?<br /> by [[Stephen Wolfram]]<br /> accessed on 2026-01-04T16:29:29
-
-
www.youtube.com www.youtube.com
-
https://www.youtube.com/watch?v=i7ydo7H_1TA Starts out with details for properly threading film projector
-
“NFORMATION RETRIEVAL” 1961 IBM BUSINESS COMPUTER PROMO MAINFRAME PUNCHCARD COMPUTERS SM10435<br /> by [[Periscope Film]] on YouTube <br /> accessed on 2026-01-04T15:56:12
Some great visuals hiding in here.<br /> Starts out with details for properly threading film projector<br /> keywords - indexing methods<br /> Key Word in Context (KWIC)<br /> inverted file (aka lookup file)<br /> Notice this is a few years after Desk Set (1957)<br /> Selective dissemination of information<br /> Fake company name: Alamer
-
-
www.youtube.com www.youtube.com
-
" KEYS TO THE LIBRARY " 1950s EDUCATIONAL FILM CARD CATALOGS, ENCYCLOPEDIAS & DEWEY DECIMAL XD71644<br /> by [[Periscope Film]] on YouTube<br /> accessed on 2026-01-04T15:53:51
-
-
www.cosmopolitan.com www.cosmopolitan.com
-
And the Fetish of the Year Is...Gooning! By Kayla Kibbe for Cosmopolitan Published: Dec 9, 2025
-
-
atkinsbookshelf.wordpress.com atkinsbookshelf.wordpress.com
-
“This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one; the being a force of Nature instead of a feverish, selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy. “ “I am of the opinion that my life belongs to the whole community, and as long as I live it is my privilege to do for it whatsoever I can. I want to be thoroughly used up when I die, for the harder I work the more I live. I rejoice in life for its own sake. Life is no ‘brief candle’ for me. It is a sort of splendid torch, which I have got hold of for the moment; and I want to make it burn as brightly as possible before handing it on to future generations.” The first paragraph is from the play Man and Superman (1903) by Irish playwright, critic, and political activist George Bernard Shaw (1856-1950). It appears in the eloquent, thought-provoking (and lengthy: more than 11,400 words!) dedication, “Epistle Dedicatory to Arthur Bingham Walkley,” of the play. The second paragraph comes from one of his speeches (found in George Bernard Shaw: His Life and His Works by Archibald Henderson). Interestingly, as the Internet has a tendency to do, the first and second paragraphs are erroneously combined, as if they were one thought written by Shaw. This cobbled-together quotation, taken from two completely separate works, appears in dozens of books, all — of course — without proper attribution. American actor Jeff Goldblum is quite fond of this quote and often recites it (most recently, for example, on The Late Show with Stephen Colbert, February 15, 2019) as if it were one long paragraph, perpetuating the mistake.
two separate quotes at the top
-
-
www.reddit.com www.reddit.com
-
https://www.reddit.com/r/math/comments/1pz0owy/statistical_investigation_of_diamond_mining_in/<br /> Statistical investigation of diamond mining in Minecraft
-
-
en.wikipedia.org en.wikipedia.org
-
www.autonews.com www.autonews.com
-
James Moylan obituary: Ford designer who invented fuel arrow<br /> by [[David Phillips]] Automotive News on 2025-12-23<br /> accessed on 2026-01-04T12:46:35
-
-
broadviewpress.com broadviewpress.com
-
https://broadviewpress.com/ I've heard rumors that they publish great annotated editions of classics.
-
-
-
Podany, Amanda H. 2018. Ancient Mesopotamia: Life in the Cradel of Civilization - Course Guidebook. Chantilly, VA: The Teaching Company.
-
-
www.reddit.com www.reddit.com
-
www.reddit.com www.reddit.com
-
web.archive.org web.archive.org
-
Kuehn, Manfred. 2014. “Some Idiosyncratic Reflections on Note-Taking in General and ConnectedText in Particular.” ConnectedText - The Personal Wiki System. https://web.archive.org/web/20140215043743/http://www.connectedtext.com/manfred.php (January 3, 2026).
-
E. B. White (of "Strunk and White" fame) claimed that "writing is one way to go about thinking."
original source?
-
Isaac Asimov is said to have said "Writing to me is simply thinking through my fingers."
original source?
-
It has become a "thinking environment" for me;
Manfred Kuehn talking about his use of ConnectedText as a note taking application.
-
But I am sure that hierarchies can get in the way, especially at the beginning.
Wanting to come up with and use knowledge hierarchies seems almost endemic to the beginning note taker. Kuehn's observation here closely matches my experience in watching newcomers to the note taking/zettelkasten space on Reddit.com and other fora over the past 8 years or so.
-
Just as any other good system of notes, ConnectedText will lead to what Luhmann called a "Zweitgedächtnis" or a secondary memory that might be described with Luhmann as a "chaos (Unordnung) of non-arbitrary internal structure."[14] When we consult this external or artificial memory, we will often be surprised by what we find. In fact, the more information we have fed into the system, the more we will be surprised. Luhmann, who had an interesting concept of "communication," had no problem to call this serendipitous interaction with his notes, communication.
surprise, communication, chaos, secondary memory (Zweitgedächtnis) = combinatorial creativity
-
The number of scholars who have used the index card method is legion, especially in sociology and anthropology, but also in many other subjects. Claude Lévy-Strauss learned their use from Marcel Mauss and others, Roland Barthes used them, Charles Sanders Peirce relied on them, and William Van Orman Quine wrote his lectures on them, etc.
I'm pretty sure I've come across all these examples before, many from Kuehn in other contexts...
I HAVE read this before, but Hypothes.is isn't showing the matching document. See: https://hypothes.is/users/chrisaldrich?q=url%3A%22https%3A%2F%2Fwww.connectedtext.com%2Fmanfred.php%22
-
Beatrice Webb, the famous sociologist and political activist, reported in 1926: "'Every one agrees nowadays', observe the most noted French writers on the study of history, 'that it is advisable to collect materials on separate cards or slips of paper. . . . The advantages of this artifice are obvious; the detachability of the slips enables us to group them at will in a host of different combinations; if necessary, to change their places; it is easy to bring texts of the same kind together, and to incorporate additions, as they are acquired, in the interior of the groups to which they belong.'" [6] Relationships and classification can come in at any time, but it is not of prime importance that we observe them in note-taking, at least at first.
I love Kuehn's reading/understanding of Webb's work here:
"Relationships and classification can come in at any time, but it is not of prime importance that we observe them in note-taking, at least at first."
-
A wiki allows one to build increasingly more complex relationships between what might appear to be at first unrelated bits and pieces of information. The motto that characterizes this approch is: "It's not the data, it's the relationship" and it certainly rings true for me in the context of note-taking.
-
It was my discovery of wiki technology some time in 2002 that ended this undirected search and constituted the other fundamental change in the way I dealt with information. What I liked about it from the beginning was that it allows of easily linking bits of information and favors the braking down of large chunks of information into smaller bits. This emphasis on the granularity of information reminded me not only of the old index card method, but it also convinced me almost immediately that it was a significant improvement over the paper-based system. I adopted this technology and I have never looked back.
Movement from index cards to wikis in early 2002 by Manfred Kuehn.
-
a hybrid system, as I kept these notes in close connection with Ecco Pro, which I used to keep an index of the notebook material.
Manfred Kuehn used Ecco Pro to index his notebooks in a hybrid analog/digital system.
-
I accumulated altogether between 5.000 and 6.000 note cards from 1974 to 1985, most of which I still keep for sentimental reasons and sometimes actually still consult.
5,500 note cards / (11 years * 365 days/year) = approximately 1.4 notes per day
-
In writing my dissertation and working on my first book, I used an index card system, characterized by the "one fact, one card" maxim, made popular by Beatrice Webb.
-
In other words, this is just a testimony in which I offer some personal reflections on the role ConnectedText plays in my own research, backed up by some reflections on the way this is related to the way in which I and many other scholars have used card indexes and journals during the precious century for keeping or making notes.
Some observations on digital note taking with an app from someone who'd previously spent time using card indexes.
Tags
- one fact, one card
- ConnectedText
- card index for research
- hierarchy
- card index as database
- ars excerpendi
- thinking environments
- combinatorial creativity
- note taking advice
- tools for thought
- embodied cognition
- Isaac Asimov
- relationships
- digital notebooks
- E. B. White
- read
- quote
- writing as thinking
- quotes
- note taking
- atomic notes
- notebooks
- notes per day
- wikis
- network effects
- filing methods
- idea links
- hybrid note taking systems
- zettelkasten are idiosyncratic
- note taking methods
- zettelkasten examples
- Beatrice Webb
- Niklas Luhmann
- Ecco Pro
- References
- extended mind
- note taking practices
- Manfred Kuehn
Annotators
URL
-
-
en.wikipedia.org en.wikipedia.org
-
ECCO version 3.0 was released in the summer of 1995 with an updated user interface based on a ring binder.[11]
Interesting example of a digital tool mimicking a well known analog tool for its user interface.
-
https://en.wikipedia.org/wiki/Ecco_Pro<br /> Ecco Pro
-
-
www.npr.org www.npr.org
-
E-books are expensive for libraries. Some states are trying to change that<br /> by [[Clare McGrane]] for NPR<br /> accessed on 2026-01-03T19:44:28
-
The last time a state tried to regulate this industry was Maryland in 2021. A federal court said it violated copyright law because it banned publishers from selling books in Maryland altogether, unless they lowered prices for libraries.
-
That's why advocates have put forward blueprint legislation that seeks to regulate e-book licenses the same way states regulate other contracts that involve taxpayer money.
-
Libraries often pay three to four times for the digital editions of the same exact books. Quite often, the e-audiobooks are even more expensive.
-
-
docdrop.org docdrop.org
-
Rugg, Gordon and Petre, Marian. 2020. The Unwritten Rules of PhD Research. 3rd ed. Open University Press.
Only three mentions of index cards here...
-
Put ideas on index cards – one to a card – and then arrange them in differ-ent structures.
A repetition of Beatrice Webb's old advice of one idea per card, though missing most of her other structural advice.
-
Put ideas on index cards – one to a card – and then arrange them in differ-ent structures. Again, you can do this in a series of passes, using a differentcriterion each time; this will help you to identify core concepts, structuresand outliers.
It's almost as if they're suggesting putting ideas onto index cards after-the-fact rather than from the start as older manuals would have suggested. This would seem to add a huge amount of work to the process.
-
Mind-mapping and conceptual mapping are other useful structuring tools,whether on a whiteboard or using software. Sorting good old-fashioned indexcards (or Post-its) on the wall, table, or floor in different configurations is alsohelpful. There is usually more than one possible structure; the right one is theone that serves your question and thinking.
Of course no mention of how the material gets onto the "good old-fashioned" index cards.
-
-
www.dickblick.com www.dickblick.com
-
https://www.dickblick.com/items/caran-d-ache-graphicolor-bicolor-pencil-redgraphite/<br /> Caran d'Ache Graphicolor BiColor Pencil - Red/Graphite
-
-
lifelonglearn.substack.com lifelonglearn.substack.com
-
Chris Aldrich's Hypothes.is List<br /> by [[Dan Allosso]]<br /> accessed on 2026-01-03T07:56:28
-
-
niklas-luhmann-archiv.de niklas-luhmann-archiv.de
-
Münster, January 13, 1968
Presumably (is there a way to check), Luhmann gave this lecture while he was teaching from 1965-68 in his position at the Sozialforschungsstelle an der Universität Münster (Social Research Centre of the University of Münster).
-
Luhmann, Niklas. 1968. “Ms. 2906: Technik des Zettelkastens.” Münster, Germany. Lecture Notes. https://niklas-luhmann-archiv.de/bestand/manuskripte/manuskript/MS_2906_0001 (January 2, 2026).
-
Finding the notes This will become problematic with larger volumes. For the most part, two tools suffice for me: 1) an alphabetical index; 2) notes on the bibliographical slips, in case the problem arises from the name.
-
In conclusion: from personal experience Others work differently.
-
Important: Limit yourself to information you have verified.
-
Lecture notes, notes on conversations, and ideas from all sorts of occasions can also be transferred to the card index.
Luhmann indicates that pretty much anything is game for putting into a zettelkasten.
Tags
- open questions
- zettelkasten search
- filing methods
- Niklas Luhmann's zettelkasten
- search
- historical method
- subject filing
- zettelkasten are idiosyncratic
- alphabetic filing systems
- bibliographies
- Sozialforschungsstelle an der Universität Münster (Social Research Centre of the University of Münster)
- read
- sources
- Niklas Luhmann
- References
- quotes
- knowledge transmission
Annotators
URL
-

