10,000 Matching Annotations
  1. Jun 2025
    1. Map: 5.1-Magnitude Earthquake Strikes Iran by [[William B. Davis]], [[Madison Dong]], [[Judson Jones]], [[John Keefe]], [[Joey K. Lee]], [[Bea Malsky]]

      Seeing this earthquake notification in proximity of Operation Midnight Hammer, I wonder if there are military contingencies for using large weaponry on geological faults in enemy territories as means of starting large scale earthquakes?

    1. But neither Defense Secretary Pete Hegseth nor Gen. Dan Caine, the chairman of the Joint Chiefs of Staff, could immediately say whether Iran still retained the ability to make a nuclear weapon. Mr. Hegseth repeated President Trump’s assertion from the previous night that the nuclear sites had been “obliterated.” General Caine did not.

      Given their experience and records, General Dan Caine is the better source of potential truth here.

    1. Mr. Trump will doubtless claim that only he was willing to use America’s military reach to achieve a goal his last four predecessors deemed too risky.

      His predecessors didn't have the same geo-political benefits in play that he did, specifically the Israel situation mentioned earlier in the article:

      After Israel’s fierce retaliation for the Oct. 7, 2023 terror attacks that killed over a thousand Israeli civilians, Iran is suddenly bereft of its proxies, Hamas and Hezbollah. Its closest ally, Syria’s Bashar al-Assad, had to flee the country. And Russia and China, which formed a partnership of convenience with Iran, were nowhere to be seen after Israel attacked the country.

    2. Senator Mark Warner of Virginia, the top Democrat on the Intelligence Committee, said Mr. Trump had acted “without consulting Congress, without a clear strategy, without regard to the consistent conclusions of the intelligence community” that Iran had made no decision to take the final steps to a bomb.

      Does anything Trump do have a "clear strategy". Generally it seems like a semi-directed, let's try this, let's try that, what gets attention? The results seem not to matter.

    1. Gerren HotRod TypewriterCoThey are tough to install. It's not the taking things apart that gets you, it's putting it back together. I recommend not pulling a Royal carriage unless it's broken to the point there is no other option. If you like the color you can buy another $25 QDL and put the body on the new one. There is almost no reason to remove the carriage on these unless you need to replace it with another or swap out the main escapement

      https://www.facebook.com/groups/705152958470148/posts/1010406587944782/

      Removing the carriage of the Royal Quiet De Luxe is generally not recommended.

    1. I saw one last week at Gary’s Typewriters in Long Beach, Ca. - someone just gave it to him as a joke or something - his review: “They ought to be ashamed of themselves!” I tried it, and he was being generous. It’s a piece of garbage. For the money you can get a nice restored machine. Or you could just light your money on fire. Either way it’d be a better experience.

      u/georgeisamonkey is in the LA area https://www.reddit.com/r/typewriters/comments/1lenfgq/why_does_every_new_typewriter_look_like_garbage/

    1. $600 for refurbishing a machine that only cost $250 is not a great investment. I think your prices are a bit unrealistic. As far as the posts go: there are always two sides to every story🤷‍♀️

      reply to u/SisterGoldenHair70 at https://reddit.com/r/typewriters/comments/1lbjr5f/sorry_to_say/mxz1ag2/

      I'm honestly curious about your definition of a "machine that only cost $250" is? Make/Model? Where was it bought? What is the actual condition (both cosmetic exterior and mechanical interior as well as cleanliness)? Also, what is your definition of investment with respect to how you're going to use it? Is it a display machine? Is it for display and the occasional addressed envelope or grocery store list? Or is it something you're planning on giving moderate to heavy use on a daily or weekly basis as a professional writer?

      Most typewriter repair shops won't spend more than $20 on purchasing a machine and typically they're getting machines donated for free (or for the cost of coming to pick them up); then they spend hours to clean, oil, adjust, repair and restore them for sale in the $400-600 range unless they've got rarer colors or typefaces. (At this level, you're probably not getting any new rubber at all.) The level of restoration is definitely a choice as there are restorers out there who can easlily charge in the $1,500+ range depending on how much work you want done and to what level.

      As an example, if someone chooses to spend $120-200 pus shipping on something like an old/dirty Olympia SM3 with old gaskets from an outlet like ShopGoodwill.com (the current going rate for one in unknown condition and only using photos) that is going to need several hundred dollars of repair work, that's their choice. If they don't have the expertise, it's far better to buy one outright in the $500 range from a shop. Usually people are just keeping that $120 machine and limping along with what it offers instead of cleaning it up or they attempt to do the clean up work themselves. This work may seem "free", but it's time, effort, and expense of one sort or another. Economists call this opportunity cost.

      There is a massive information imbalance in the typewriter market between buyers and sellers, because incredibly few people really have any idea of what they've got and what sort of condition it is in. This imbalance means that most professional shops are an absolute steal if you're looking for something in excellent condition that's going to be a work-a-day typewriter or be in good shape for another 50-75 years.

      As a small example, an indiviual could call JJ Short and get a platen recovered for around $100 plus two way shipping, but you take it to a shop and you're probably looking at $180 because they're going to charge you for the time, effort, and cost of knowing what to do, where to ship it, taking it off, putting it back on, and doing the appropriate ring & cylinder, on-feet, and motion adjustments on

    2. reply to u/TypewriterJustice at https://old.reddit.com/r/typewriters/comments/1lbjr5f/sorry_to_say/mxunsb6/

      I think the real crime here was the quote of $200 for all this work. $200 should just barely cover the recovered platen, rollers, and new feet with any margin. The full clean, oil, and adjust is a few more hours at $40-75/hour and that's not even getting to the parts or labor on the tougher troubleshooting and repair portions. With this rough diagnosis and potential issues, I (and many others I'm sure) would be quoting closer to $500-600 for a refurbish job at this level.

      Living in the LA area, I'm blessed to have 7 shops within a reasonable drive, but if I put a machine into the queue at most of them it'd be a two or three month's wait time at the very best. Most of them have been at the game for decades much less in the midst of also recently setting up a brick and mortar shop.

      As a point of comparison, Lucas Dul publishes his wait list on his website (currently 84 people) where he states "Average repair cost is $300-350 for general cleaning, service, and minor repairs. Average turnaround time is 2-3 weeks." Perhaps Charlie might benefit from creating a wait list and not taking machines into the shop until his time and attention can turn directly to them?

      It's not often addressed here in this fora how much one should expect to either pay or wait for repair services which aren't evenly distributed across the United States and likely even less so in many other countries. In the broader scheme of things, I think that you get a far better deal at professional shops than you're going to find within the broader public of so-called typewriter sellers (antique shops, thrift stores, etc.)

      As a point of reference, I'm an advanced hobbyist with my own garage-based shop for my personal collection and even I get one or two queries a week about repairing or restoring the machines of others, so I'm at least reasonably aware of what some of the wait times can look like. I wish I had the time or stock of parts machines to do more than a handful of friends and family repairs on top of my own personal repair work.

      Sadly, at the end of the day, it sounds like both sides were potentially not good at communicating expectations about how long repairs would take. If nothing else we should all be sharing more details about these issues to help level set how this all works for the broader typewriter community.

    1. typewriter repairman here - with magnification & needle files it is sometimes possible to reshape the squashed portion of the slug(which usually requires repositioning it afterwards to get an even print) but my advice is to embrace it as part of what makes that particular machine unique…there’s literally no such thing as perfection, and twenty years from now you’ll be able to look at something you wrote & go “ohhhh this was done on that Olivetti…” (and yes, you could also replace the slug completely, but that’s a whole different can of worms)

      via TypewriterJustice at https://www.reddit.com/r/typewriters/comments/1lb8brp/type_slug_question/

    1. The belief isbecoming more and more widespread that, ifthings are to get done, the respon-sible authorities mustbe freed from the fettersof democratic procedure.

      Is this how the Republican Party died in America with Trump? They created an unwinnable culture war in hopes of splitting voters and ultimately caused gridlock in the house and senate. As a result, we "need" a dictator (in Trump) to get anything done.

    2. And to make it quite clear that a socialist government must not allow itselfto be too much fettered by democratic procedure, Professor Laski at the endof the same article raised the question “whether in a period of transition toSocialism, a Labour Government can risk the overthrow of its measures as aresult of the next general election”—and left it significantly unanswered.*

      This same question seems applicable now as President Trump seems to be overthrowing institutions on the road to autocracy.

    3. It may be the unanimously expressed will of the people that its parliamentshould prepare a comprehensive economic plan, yet neither the people nor itsrepresentatives need therefore be able to agree on any particular plan, The in-ability of democratic assemblies to carry out what seems to be a clear mandateof the people will inevitably cause dissatisfaction with democratic institutions.

      Problems with democracy


      Is this what America has been facing in the years since roughly Reagan? We have a general direction, but the specifics are difficult to hammer out in an increasingly fractuous political environment thus leading to gridlock.

      This is the benefit of independent agencies like the Fed, the FCC, or the EPA which can worry about how the rubber ought to meet the road.

      (Of course the issue can become a rogue president like DJT dismantling these institutions because he "doesn't like them.")

      How can these institutions be hardened against this sort of whole sale destruction of norms?

    4. But it is a mechanism which canbe used only for a common end; and the question of the precise goal towardwhich all activity is to be directed will arise as soon as the executive power hasto translate the demand for a single plan into a particular plan,

      Here is one of the issues which will hopefully hamper Donald J. Trump. He's got an "idea of a plan", but the people who are actively supporting him may not support his "particular plan."

    5. We can unfortunately not indefinitelyextend the sphere of common action and still leave the individual free in hisown sphere. Once the communal sector, in which the state controls all themeans, exceeds certain proportion of the whole, the effects of its actions dom-inate the whole system. Although the state controls directly the use of only alarge part of the available resources, the effects of its decisions on the remain-ing part of the economic system become so great that indirectly it controlsalmost everything, Where, as was, for example, true in Germany as early as1928, the central and local authorities directly control the use of more than halfthe national income (according to an official German estimate then, 53 perthey control indirectly almost the whole economic life of the nation.There is, then, scarcely an individual end which is not dependent for itsachievement on the action of the state, and the “social scale of values” whichguides the state’s action must embrace practically all individual ends.

      This is an interesting historical example, but does it really hold true? Couldn't the percentage be significantly smaller?

      Compare, for example the work of Schelling:<br /> - Schelling, Thomas C. “Dynamic Models of Segregation.” The Journal of Mathematical Sociology 1, no. 2 (July 1, 1971): 143–86. https://doi.org/10.1080/0022250X.1971.9989794.

      Here a very small minority can dramatically effect the outcome of society.

    6. That our present society lacks such “con-scious” direction toward a single aim, that its activities are guided by the whimsand fancies of irresponsible individuals, has always been one of the main com-plaints ofits socialist critics.

      While Hayek aims this at economics, it's equally applicable to sociology. As a case in point, we currently see Donald J. Trump using his bully pulpit to push a social agenda and lead a culture war in America.

      Socialism of culture

    1. https://www.rt-dromo.com/

      RT Dromo is a typographic line-up of vintage concert ticket typography from the 1980s performed with the sturdiness of an all-purpose grotesque. Echoing functionalist shapes proven in the challenging environments of impact printing it remixes them into a contemporary digital composition.

      The new RT Dromo Collection comes in a total of 16 fonts in 4 weights, freshly complemented with corresponding italic and monospace styles. Once conceived as a single weight custom typeface, RT Dromo is now a versatile family for a wide range of uses.

    1. The Welsh 'll' is how we write the phoneme (sound) /ɬ/ which is called the voiceless lateral fricative. This sound is not a part of English phonology. In fact the only other European language which has it is Icelandic and then it's only found in clusters. Because English lacks the /ɬ/ sound, people who are unfamiliar with it often struggle to articulate it. Depending on where it is in a word, the English speaker will approximate it as /k/ before /l/ (klan for llan), or as /l/ in isolation (alan for allan) and sometimes /θl/ in medial position (Lanethli for Llanelli). People will always approximate a phoneme which is alien to them. Just as English speakers do not pronounce the French and German /y/ as /y/ but usually as something like /u/. Often phonemes like /x/ and /χ/ are realised as /k/ (e.g. lock for Scottish loch).

      https://www.reddit.com/r/learnwelsh/comments/1l8o22q/why_do_some_people_pronounce_llan_as_klan/

    1. Typing Skills: Fields of Typing. 16 mm, Instructional film. Periscope Film, 1972. https://www.youtube.com/watch?v=LvF0atKsggY.

      Typing Skills: Fields of Typing <br /> Coronet Instructional Films, a division of Esquire, Inc., 1972<br /> Lawrence W. Erickson, Ed.D. Professor of Education, University of California, Los Angeles<br /> Production: Coronet Films and Creative Establishment, Inc.<br /> Director and Writer: Don B. Klugman<br /> Photography Robert Flaxman<br /> Editing: Barbara Kaplan

      Periscope Film XD72104 archived at https://stock.periscopefilm.com/xd72104-typing-skills-fields-of-typing-1972-typewriter-based-careers-educational-film/

      Alternate version at https://www.youtube.com/watch?v=lMmsE6GMIR8

      Warm ups of fingers

      Rules of good typing - concentrate on the copy

      Typewriters in the piece: <br /> - Olivett editor 5<br /> - Others...

      • copy typing - types material already written or typed
      • setting margins
      • centering letters on page
      • formatting and spacing
      • double spacing with wide margins
      • editor's marks

      Backspace from center method for setting tab stops

      Uses for typewriters:<br /> - check writing - billing - chain feeding - financial records and reports - filling in forms - carbon copies

      index and file cards - inserted into a pleated page which may have lines.

    1. Successful Secretary Presented by Royal Office Typewriters. A Thomas Craven Film Corporation Production, 1966. https://www.youtube.com/watch?v=If5b2FiDaLk.

      Script: Lee Thuna<br /> Educational Consultant: Catharine Stevens<br /> Assistant Director: Willis F. Briley<br /> Design: Francisco Reynders<br /> Director & Producer: Carl A. Carbone<br /> A Thomas Craven Film Corporation Production

      "Mother the mail"

      gendered subservience

      "coding boobytraps"


      "I think you'll like the half sheet better. It is faster." —Mr. Typewriter, timestamp

      A little bit of the tone of "HAL" from 2001: A Space Odyssey (1968). This is particularly suggestive as H.A.L. was a one letter increment from I.B.M. and the 1966 Royal 660 was designed to compete with IBM's Selectric

      This calm voice makes suggestions to a secretary while H.A.L. does it for a male astronaut (a heroic figure of the time period). Suddenly the populace feels the computer might be a bad actor.

      "We're living in an electric world, more speed and less effort."—Mr. Typewriter<br /> (techno-utopianism)

    1. We must wholly re-envision the purposes, processes, and products of First-Year Composition. We must invite FYC students to not only bring their own devices — in both the technological and denotative sense of the word — but to bring their own disruptions, and discover ways to use both for their own authentic ends.

      A nice Rx presented here with some discussion potentially about how NOT to do it, but no mention of tools or scaffolding about HOW to do it.

      Note taking systems? Commonplace books? Alternate methods? Pencil, pen, fountain pen, quill, stylus and wax tablet, typewriter, writerdeck, etc.?

      This sounds exactly like the sort of place in which Umberto Eco or Bob Doto could be easily brought to bear.

      I'm not sure if there's even a basic knowledge of classic rhetoric here. How have we gone so far afield?

    1. Spring 2025 ABQ Type-In by [[Joe Van Cleave]]

      Public libraries are an excellent place and resource for hosting type-ins.

      Joe uses slips of paper so as not to be as wasteful of paper.

      Develop a mailing list to be able to contact people for future events.

      Joe having his other hip replacement surgery in July 2025, so perhaps not as much activity for him just after.

    1. Eric Zencey wrote that the free market economy Hayek advocated is designed for an infinite planet, and when it runs into physical limits (as any growing system must), the result is a need for centralized planning to mediate the problematic interface of economy and nature. "Planning is planning, whether it's done to minimize poverty and injustice, as socialists were advocating then, or to preserve the minimum flow of ecosystem services that civilization requires, as we are finding increasingly necessary today."[70]
    1. It’s clear how relevant Hayek’s warnings remain today. Economic freedom—unlike in the 1980s and ’90s—is in retreat. Faith in “industrial policy” has come to dominate in China, the U.S. and Europe. At the same time, intellectual freedom is under threat as proponents of a woke ideology strive to politicize all of life. Mathematics is now considered “racist” by some, while freedom of speech is under threat. Opponents of economic freedom often oppose intellectual freedom as well.
    1. I've been wanting to learn electroplating so I bought the variable power supply and an anode. I had the rest. I made my own nickel acetate with vinegar and my own pickle with water and muriatic acid, baking soda in water to neutralize. Mother's to polish metals. It's my go to. Fabric was denim and poly canvas. Cheap poly grosgrain ribbon to hide my sins. 3M spray adhesive, contact cement, and fabric glue. I used double cap rivets for the hardware.
    1. If you're looking for pink, here's a shop that repairs and refinishes them (repaints) in pink: https://karlbusinessmachines.com/pink-typewriters/

      As for natural pink manufactured typewriters, you're probably primarily looking at the Royal Quiet De Luxe (circa '55-58), Royal Futura 800, Royal FP (a larger heavy, standard desktop machine), the late 50's Smith-Corona 5 series (Clippers, Sterlings, Silent Supers). There were a few later in the 60s and 70s, but they're more difficult to find in the US and aren't as solid. These aren't rare typewriters, but generally because the collector's market likes color, you should expect to pay a $50-150 premium for pink in most online markets. Professional shops are much less likely to charge this sort of premium on pink unless it's for a machine they've had to strip down and repaint. (See also: https://www.reddit.com/r/typewriters/comments/1kw5jxh/what_are_your_thoughts_on_these_and_the_prices/)

      For colloquial experience from a typewriter hunter from the Los Angeles area, I'll say I've been looking for a Cameo Pink smooth Royal FP for over a year and finally found one in solid, but restorable shape for $35, but it's taken a year of searching and it'll take a half-day's labor and some parts to clean it up to what a professional shop would consider solid working condition. In that time I've seen maybe half a dozen in online shops sell them in similar rough condition going for anywhere between $100 and $300. For your budget range, getting one from a professional shop is really the best, most economical way to go.

      Please note that you positively don't want any of the new pink plastic typewriters made by "Royal Classic" or "We R Memory Keepers" (etc.) which you'll find on Amazon, Michaels, Home Depot, etc. for $200-300. They are dreadful machines, and if you really want one, save the money and buy one from ShopGoodwill.com for $5-15 instead.

      If you wanted to go custom in your particular budget range, you might check out Gerren's work at Hot Rod Typewriter Co. where he does some truly gorgeous paint jobs on excellent typewriters. I suspect a pink Olympia SM3 from him would be a thing to behold.

      Reply to u/dtja1l at https://old.reddit.com/r/typewriters/comments/1l0l6pi/help_finding_a_thoughtful_typewriter_as_a_gift/ with regard to buying a pink typewriter for a birthday present

  2. May 2025
    1. Try a toothbrush with a long, thin handle and a small head.

      The brushes sold with many metal and rubber straws or thin bottle brushes are also excellent for reaching into places like this. Sometimes you can find similar thin brushes in the baby bottle section of big box retailers or specialty stores doing baby goods.

      Similarly a plastic oiler with mineral spirits in combination with an air compressor/blow gun or canned air is also a solid way to go.

      Long handle cotton swabs can also be used if necessary.

      reply to u/General-Writing-1764 at https://old.reddit.com/r/typewriters/comments/1l05a17/i_dont_think_that_superficial_dust_should_be_a/

    1. reply to u/Back2Analog at https://old.reddit.com/r/typewriters/comments/1kzw0fk/your_typewriter_collection/?sort=old

      1. Total: I currently have 53 with 2 incoming and 1 outbound. About 12 are standards, 7 ultra-portables, and the remainder are portables. Maybe a dozen non-standard typefaces including 2 Vogues and a Clarion Gothic. You can find most of the specifics at https://typewriterdatabase.com/typewriters.php?hunter_search=7248 or on my site at https://boffosocko.com/research/typewriter-collection/#My%20Typewriter%20Collection

      2. Display: I've usually got eight displayed in various places around the house including three on desks, but ready to actively type on. The remainder are in cases either behind our living room couch or a closet for easy access and rotation. I'm debating a large credenza or cabinet for additional display/storage space. There are two machines out in the garage, and one currently disassembled on our dining room table (my wife isn't a fan of this one right now).

      3. About 25 have been cleaned and mostly restored, most are functional/usable, but need to be cleaned, repaired, or restored to some level. One is a parts machine. I always have a Royal KMG, a Royal FP, and two other standards out ready to go and rotate the others on a semi-weekly basis. There's usually at least one portable in my car for typing out in the wild.

      4. Use cases: I spend a few hours a day writing on one or more machines and use them for nearly every conceivable case from quick notes (zettels), letters, essays, lists, snide remarks, poetry, etc., etc. I should spend more time typing for the typosphere. Because I enjoy restoring machines maybe even more than collecting them, I've recently started taking mechanic/restoration commissions.

      5. At 50 machines, I'm about at the upper limit of my collecting space. I've given away a few to interested parties, and sold a small handful that I didn't use as frequently. I'm currently trying to balance incoming versus outgoing and might like to get my collection down to a tighter 35-40 machines in excellent condition.

      6. Next typewriters: I'm currently looking for an Olympia SG1, a Royal Ten, a Hermes Ambassador, and a Hermes 3000. I'm also passively looking for either very large (6 or 8 CPI) or very small typefaces (>12CPI). I'm definitely spending less time actively hunting these days and more time restoring. I'm tending towards being far more selective in acquisitions compared to my earlier "acquisition campaign".

      7. Miscellaneous: I enjoy writing about typewriter collecting and repair to help out others: https://boffosocko.com/research/typewriter-collection/

    1. ACT TWO FADE IN: INT. THE MURAL ROOM - DAY Toby walks in the room. TAWNY CRYER, member of the Appropriations Committee, waits for him.

      Coincidence that actress Valerie Mahaffey, who portrayed a Republican member of the Appropriations Committee in The West Wing "Gone Quiet" (Season 3, Episode 7), dies of cancer on the same day that Elon Musk leaves the White House in disgrace?

      Perhaps it's fate's way of saying that democracy may recover?

    1. Reply to u/eJelly at https://old.reddit.com/r/typewriters/comments/1kyf66p/ribbon_replacements_for_smith_corona_corsair/

      Typically Corsair spools are 1 5/8" in diameter and sometimes listed as 1 2/3" in diameter. Ribbons Unlimited carries them if you need both the spools AND the ribbon: https://www.ribbonsunlimited.com/category-s/12685.htm

      Otherwise, if you have spools that already fit, then just buy the ribbon and spool it onto your empty spools to save the $10-15 for the extra spools. See: https://site.xavier.edu/polt/typewriters/tw-faq.html#q1

      The eyelets are for doing the ribbon auto-reverse on Smith-Corona machines, but your print will go faint when you reach the end and you can do the reverse manually if necessary.

      As a pending birthday stop-gap, I have done the trick before of typing on a blank sheet with a carbon paper and a second sheet behind it. You won't be able to easily see what is on the first sheet, but you'll have the carbon copy behind it!

      If you're in a bind, many of the big-box office supply stores carry 1/2 inch wide ribbon for calculators which you could spool into your existing typewriter spools as well. Typically these are much shorter in length, but they'll work in a pinch.

    1. Screenwriters, Directors, Actors, and playwrights * Woody Allen Olympia SM3 * Julie Andrews IBM Selectric I * Paul Auster: Olympia SM9 * Ingrid Bergman: Smith-Corona Skyriter * Ray Bradbury: Underwood (No. 5?), Royal KMM * Marlon Brando: Royal Arrow or Aristocrat * Bertolt Brecht: Erika * Richard Brooks: Royal KMM, Royal Portable (30s or 40s) * Mikhail Bulgakov: Olympia 8 * George Burns: Royal HH * Stephen J. Cannell: IBM Selectric II or III * Johnny Carson: Royal KMM (or maybe a KMG), Olivetti Lettera 22 * Paddy Chayefsky: Underwood Standard Model 6, Royal HH, Olympia SG3 * Francis Ford Coppola: Olivetti Lettera 32 * Norman Corwin: Flattop Corona, Royal KMM * Noel Coward: Royal KH, Imperial Standard, Olivetti-Underwood Studio 44 * Michael Crichton: Olympia electric, IBM Selectric I * Bing Crosby: Corona 3, 1920s Royal portable * Bette Davis: Remington Noiseless portable * Joe Eszterhas: Olivetti Lettera 35 * Douglas Fairbanks: Underwood 5 * Federico Fellini: Olivetti Studio 44 * Jodie Foster: Olivetti Lettera 35 * Stephen Fry: Hermes 3000 * Greta Garbo: Olympia SM 7 * William Gibson: Hermes 2000 * William Goldman: Olympia SM9, Olympia SM9, Hermes Baby, Olympia Traveller<br /> Matt Groening: Hermes Rocket<br /> Oscar Hammerstein II: Royal portable * Tom Hanks: Smith-Corona Clipper, Hermes 2000, Hermes 3000<br /> Katherine Hepburn: Royal De Luxe * Alfred Hitchcock: '30s black Underwood Champion portable * John Hughes (director): Olympia SM3 * Eric Idle: Adler J3 * Elia Kazan: Royal KMG, Royal HH<br /> Buster Keaton: Blickensderfer no. 5 * Grace Kelly: Remington Super-Riter * Stanley Kubrick: IBM Model C, Adler Tippa S * Ring Lardner: L. C. Smith * Stan Lee: Remington noiseless portable, Olympia SG1 * Ernest Lehman: Royal Electress * David Letterman: Royal Empress * David Mamet: Smith-Corona portable, Olympia SM4, Olympia SM9, IBM Selectric * Terrence McNally: Olympia SG3 * Arthur Miller: Smith-Corona portable in the late '30s50s Smith; -Corona Silent Super; Royal KMG * Henry Miller: Underwood * F. W. Murnau: Remington portable no. 2 * David Niven: Royal Quiet DeLuxe, 1940s * Christopher Nolan: 1940s (?) Royal portable * Conan O'Brien: Royal 10 * Clifford Odets (1962): Royal Quiet DeLuxe, ca. 1957 * Louis Pollack (screenwriter): Royal desktop * Mario Puzo: Royal HH * Carl Reiner: Royal KMG, 1950s Smith-Corona Silent * Gene Roddenberry: IBM Selectric I, IBM Selectric II or III, Panasonic * Fred Rogers (Mr. Rogers): 1930s Royal portable (Model O?), Royal KMG * Rod Serling: Royal KMG * George Bernard Shaw: Bar-Lock; Remington portable no. 1; Smith Premier (Remington); Remington Noiseless Portable * Sam Shepard: '60s Hermes 3000, Olympia SM9 * Neil Simon: Olympia SM9 * Steven Spielberg: Smith-Corona Coronamatic 2200 * John Millington Synge: Blickensderfer #5 * Shirley Temple: white Student (Bing variant), white Underwood Champion portable, white Remington portable no. 5 or similar * David Thewlis: Olympia SM9 * James Thurber: Underwood no. 5 * Dalton Trumbo: Underwood, Royal KHM, IBM A or B * John Waters: ca. 1950 Underwood, IBM A or B * Orson Welles: 1926 woodgrain Underwood portable, ’30s Underwood Noiseless Portable, Smith-Corona (?) * Tennessee Williams: Remington portable no. 2, 1936 Corona Junior, mid-1940s Corona Sterling, Royal KMM, Hermes Baby, Olivetti Studio 44, Remington portable #5 flat top, Remington Standard M, Olympia SM8

    1. Before redesigning a tractor, Dreyfuss drove one for days. When he almost ran over his assistant because he couldn’t see him in time, he redesigned the tractor for visibility. Dreyfuss also found that farmers lost fingers in exposed tractor gears, corn pickers, and other farm implements. He fixed it so that the gears and chains were enclosed.
    2. The average American is seldom far removed from Henry Dreyfuss’s influence. When he picks up a Bell telephone, rides a John Deere tractor, scoots a Hoover vacuum over a rug, writes with an Eversharp pen, pounds a Royal Typewriter, awakens to a Westclox Big Ben, thumbs a Minneapolis-Honeywell thermostat, sprawls in a Statler Hotel room in Washington, yanks open the door of a GE refrigerator, focuses an Ansco camera, shoots a 105millimeter ack-ack gun, or swats a fly with a U.S. Manufacturing €orp. fly swatter, he is utilizing Henry Dreyfuss’s skill and pay-‘ing him a tribute which runs annually intoseven figures.
    3. Could National mechanized accounting save as much for you? Almost certainly! For businesses of every size and type, employing from 50 people, up, report that upon mechanizing their accounting with National Accounting Machines, they effected savingsTHE NATIONAL CASH REGISTER DETROIT PUBLIC LIBRARYup to 30%. Savings which often pay for the whole National installation in the first year—and then run on, year after year. Ask your local National representative to check your present set-up, and report specifically the savings you can expect.

      advertisement on page 17 of Newsweek (US Edition) 1948-10-04: Vol 32 Iss 14<br /> https://archive.org/details/sim_newsweek-us_1948-10-04_32_14/page/16/mode/2up

      Advertisement shows two female clerks at adding machines with drawers of a card index next to them as they work.

    1. The Motive Puzzle: The tip which led to Bolton’s arrest had come from John Miller of Highland Park, now awaiting sentence with John Pantello for burglary. Miller told the police: “Bolton offered me and John Pantello fifteen grand to bump off Reuther.” Later, he added, Bolton hid two shotguns in Miller’s home. Several hours before the near-fatal shooting, Bolton came after the guns. “I want my two typewriters,” he said, according to Miller. “[’m going out and kill me a redheaded Communist,” Bolton was quoted as adding, with complete disregard of Reuther’s staunch anti-Communism.

      p. 41 of Newsweek (US Edition) 1948-10-18: Vol 32 Iss 16

      https://archive.org/details/sim_newsweek-us_1948-10-18_32_16/page/40/mode/2up?q=typewriter

      Typewriters as a colloquialism for shotguns in a murder investigation in 1948 Michigan.