10,000 Matching Annotations
  1. Mar 2026
    1. Olympia SG1 1953-72 cleaning (technical restoration)

      Partial/very modest teardown and cleaning of an Olympia SG1. Only beginner level. No flush of machine or real blow out.

      Interestingly he uses a steel brush to get rid of the brown adhesive where the felt used to be, but doesn't replace it.

      Also demonstration of cleaning corrosion off of screw heads with steel brush on a vice.

      Carriage work starts at 06:17. He opens it up and then gives up after a modest wipe down. He does show some

      Uses a toothpick to oil the joints, but only shows a modest portion of the process.

  2. Feb 2026
    1. I'm at eleven typewriters now, with ten in working order and one that is a toy. I gave two machines away for free, and I sold one to a workmate for the same amount of money that I spent on it. My intentions to acquire and keep them changed through the three years of me being into typewriters. It started with finding a broken SG1 in the trash at the side of the street that I was able to repair. Then I was looking for a use for it, because it had found a place in my heart. I found two other machines in working order, also in the trash at the side of the street, of which I am keeping one and I have one away because it wasn't my liking. I received one as a gift from my brother-in-law that was owned by his grandfather, which is a very nice machine that makes it easier to keep for sentimental reasons. Then there is another machine that once belonged to my long-gone grandfather, which I keep for sentimental reasons and its nice techno pica typeface. This list keeps going on. So, there's a mixed bouquet of reasons I make up to keep machines and why I just can't give that specific piece away. I know I'm a hoarder, but the size of the machines keeps me in certain limits. Is it consumerist? Well, yesn't. I must admit, I would love to own a chocolate script Olympia SM3, and yes, I do like to show off my four different typefaces. I am looking to find a sixties SM9 to find out what the fuss is about in comparison to my late seventies SM9. But on the other hand, nothing beats the satisfactory achievement of finishing another three pages letter for one of my daughters. I hope they will read my lines one day and hear their daddy's voice through the paper that I touched before them and the imprints that my muscles caused. It is a piece of me, turned into ink on paper, that remains. And it is some obsolete tech that I curated/used/liked/hoarded, that will probably go into steel recycling after I'm gone.

      brief typewriter bio for u/andrebartels1977 at https://www.reddit.com/r/typewriters/comments/1r3udld/thoughts_on_the_hobby/?sort=new

    1. https://www.reddit.com/r/typewriters/comments/1rfkptq/morgan_freeman_talking_about_his_typewriter_in/

      THE MAGIC OF BELLE ISLE (Magnolia Pictures, 2012) features an Underwood standard at about the 31 minute mark.

      Morgan Freeman says: "Look at that machine. I like that you have to write a bit slower on a manual. Like the way it sounds. I like the way that the letters bite into the paper. I like that you can feel there's a genuine human being, doing the work."<br /> (doublecheck the exact quote)

    1. The Man Who Stole Infinity<br /> by [[Joseph Howlett]] in Quanta Magazine on 2026-02-25<br /> accessed on 2026-02-26T09:01:10

      Dedekind proved that the set of algebraic numbers is the same size as the set of whole numbers.

      Cantor plagiarized his proof and later went on to prove that the set of real numbers is larger than the set of whole numbers.

    1. Even with keyring pliers and the skill to use them, the blackout paper method is a lengthy one.

      Keyring pliers are used to remove the metal rings off of both circular and tombstone glass typewriter keys so that the legends can be replaced or even covered over with black paper circles for teaching or learning typing. They take some practice and skill to use, but speed up the replacement of legends significantly.

    1. Mineral spirits are perfectly safe for key buttons. It's critical to make sure the solvent you're using really IS true mineral spirits, though.Other solvents, such as those billed as "laquer thinner" are NOT safe for plastics. That includes acetone, xylene, and any solvents containing them. I have heard that Selectric III keys are resistat to laquer thinner, but I still wouldn't use it even on a III. Laquer thinner may be applied VERY carefully after the full mineral-spirits bath using a syringe or small squeeze bottle for specific metal pivot points such as interposer pawls that tend to get extra-stuck from dried-out lubricants.

      via Rick Becker at https://www.facebook.com/groups/259796744144251?multi_permalinks=24082657108098214

    1. That's just a post-war one. Rheinmetall typewriter factory was situated in Sömmerda, Thuringia (so far from Rhein), this way it become a soviet-owned company after 1945 and before it was returned to newly created GDR. A lot of these machines were produced to be supplied to USSR as kind of reparations payments. The layout also proves this. Here's an experimental "ЭУКЕН" layout, one of transitional variants on the way to modern "ЙЦУКЕН" (since 1953). While all the pre-war typewriters were built with 1918 layout "Й1УКЕН"

      https://www.reddit.com/r/typewriters/comments/1rbydwu/soviet_era_typewriter/

    1. https://www.facebook.com/photo.php?fbid=10162847550852775&set=p.10162847550852775&type=3

      Olympia quality control sheets had sections for:<br /> - shift (Hh Hh Hh)<br /> - type specimen for all the characters<br /> - Black ribbon test in two lines of all characters<br /> - Red ribbon test in two lines of all characters<br /> - Stencil Test <br /> - Final Proof: "Olympia-Qualitaet findet in der ganzen Welt Anerkennung - sie verbuergt besseres Schreiben."<br /> - Line Spacing: the letter "m" at all settings<br /> - Back Spacer: "rrrrRRRR"

    1. Chuck Theile, Acme Typewriter Service and Restoration, South Lyon, MI. Machines can be dropped off at 116b N. Lafayette, South Lyon, MI. A customer writes: "They accept all makes and models for repair. The phone number there is 248-486-5205 or you can call the repairman direct (Chuck Theile) at 248-455-6778." E-mail qwertyrepair@yahoo.com. Read a story about him here and another here. "I've been repairing typers and other office equipment for nearly 4 decades. Seeing a recent resurgence in the poularity of typewriters is very gratifying. Young people in particular seem to be rediscovering these historic machines and I'm happy to be able to provide a service that's not readily available anymore.  Primarily serving the Wayne, Oakland, Washtenaw and Livingston County areas, arrangements can be made for service anywhere. I've been able to repair nearly 100% of the machines brought to me. Including many dating back to the early 1900's. Don't give up or throw it away before you let me have a go at it!"
    1. PSA. Analogy: “Hi Mr. Mechanic! Here’s my ‘72 Datsun. I’d like you to give it a tune up. Oh, by the way, I’m not a mechanic but I pulled out the steering column and took apart the starter. Here are the parts in this bag” (When a client takes apart their machine, got in way over their head and wants me to fix their mistakes. Please… I appreciate you’re experimenting, but this is a huge nightmare to me. I’ve passed on several of these machines.)

      via Todd Young https://www.facebook.com/groups/TypewriterCollectors/posts/10163194812329678/

    1. reply to u/MartyFunkhoosier at https://reddit.com/r/typewriters/comments/1r03411/1940s_underwood_correspondent_types_very_light/

      How good is your typing technique? https://boffosocko.com/2025/06/06/typewriter-use-and-maintenance-for-beginning-to-intermediate-typists/

      Typically you want to strike the key as if it were a hot coal and let the initial hit's momentum force the slug against the ribbon/paper/platen. If you're "bottoming your keys out" which happens more frequently when you hunt and peck, then you'll end up with a ghosting effect. Using your paper bale properly is important for clear imprints.

      If your ribbon isn't well inked (it should color your fingers when you touch it or look "wet" if it's new) that can sometimes be an issue. Beyond that, platens tend to shrink and become hard with age. As a result the machine goes out of its original proper alignment thus making your imprints lighter. You can use a second "backing" page to help make up some of the difference, but a re-covered platen (J.J. Short Associates can help in the U.S.) and a proper ring and cylinder adjustment will likely help. And if you can't afford the recovered platen (~$120) then a ring and cylinder adjustment will help nonetheless. (Check Youtube for how you might do this yourself if a shop isn't nearby.)

    1. reply to u/Yiqu at https://old.reddit.com/r/typewriters/comments/1r08q2i/buying_a_first_typewriter_for_writing/

      The first three articles you'll find under https://boffosocko.com/research/typewriter-collection/#Typewriter%20Market will give you a quick crash course about what to consider and look out for in your search.

      If you want to get to work, your best bet (and honestly the best value) is to get something from a repair shop that is serviced and ready to go. In the US this means a budget range typically from US$300-$600, or perhaps slightly more if they've recovered the platen which will improve your experience. Prices dramatically in excess of this often include a lot more custom work or less common typefaces which don't necessarily improve your performance (or are people selling typewriters who have less of an idea than you do about typewriters.)

      Many hobbyists here may say to get something cheap that "works", but the amount of time and knowledge you have to scaffold to do that is worth a lot of writing time, and often still requires a lot of cleaning, restoration, and potential tinkering which is even more onerous when you just want to get to writing.

      In case you haven't found them, some great resources on leveraging typewriters as distraction-free writing devices:

      And if you need some serious distraction free advice, since it's hiding as deep knowledge amongst a handful of serious collectors/writers, the bigger your (standard) machine, the more visual space it takes up as you're writing and subtly helps your concentration. Similarly placing it in front of a wall (and not a window) helps a lot too.

    1. I was in your shoes and I dove in head first. After reading, owning, and watching countless videos on the matter, here's what I have learned: Don't buy online Only buy what you can have your hands on before exchanging money Be picky, don't just get any machine on the belief you'll start fixing them. Do not view them as being "rescued" when you buy another broken machine. Start off with a solid machine with no issues. (I suggest an Olympia brand, sm-3 etc) Honorable mention: only acquire organically through yard sales, estate sales antique stores etc. It imbues your machine with magic 🪄

      via u/Forge_Le_Femme

    1. reply to u/CaliKelli989 at https://old.reddit.com/r/typewriters/comments/1qx43wy/smith_corona_classic_12_for_75worth_it_for_my/ on signaling by online typewriter sales

      Where you're selling is one of the biggest signals of all. Selling machines for over $250 on Facebook requires way more signaling on the part of a professional or semi-professional seller. Mr&Mrs are doing a whole lot more work on restoring their machines than the average "blow and go" level that Janet and her significant other are likely doing (or that done by the average shop), as a result they're doing more work to show that, but they're occupying a dramatically different market space. Who is offering warranties on their work? Who is recovering platens? Who is explicitly stating the quality of the rest of their rubber? (Note that Janet isn't saying anything about the rubber washers on her SM3s, nor did they say anything about the rubber feet or the feet on the cases. Were they all replaced?)

      Most professional shops and restorers are selling via their physical shops or their own websites instead of eBay, which takes steep cuts, or FB where it's harder for their much better quality machines to stand out amidst similarly priced dirtier machines. (Most pros also refuse or prefer not to ship when they can avoid it, so online presence doesn't "buy" them much.) There's a huge gulf in the levels of work that Walid Saad or Lucas Dul are offering in complete tear downs and restorations and the simple clean, oil, and adjust operations that are being offered by average pro shops and that's different again from what I suspect Janet is probably offering. This doesn't even get into the space of the lowest level "flippers" and vintage/antique shops whose only value add is finding and offering machines. As a point of reference, Lucas is doing less than a full restoration a month in an average year. The rest is cleaning machines for straight sale and then repairs that walk in the door. I'd suspect that he doesn't have more than a dozen machines in stock that are ready for sale today compared to a multi-person operation like Typewriter Muse which has nearly 30 machines on the shelf ready to go.

      There's a huge spectrum in the level of restorations being offered out there. Very few people appreciate any of the differences.

      The issue is that many people starting out don't want to pay a lot for a clean/restored machine, so they're fine with something that "works". Generally they don't know what they're missing from a finely tuned machine. At the other end are serious collectors, who often have the knowledge and expertise to service their own machines. The biggest issue with the market is the huge gulf of information imbalance between the novice buyers and novice sellers and the professionals.

      Hope this helps on the differentiation that's available out there...

    1. Royal Typefaces from 1967 WOMDA

      • Royal Farnsworth - 11 pitch
      • Royal Pembrook - 11 pitch
      • Windsor - 10 pitch
      • Oxford - 11 pitch
      • Merit Elite - 12 pitch
      • Merit Pica - 10 pitch
      • Canterbury Elite - 12 pitch
      • Canterbury Pica - 10 pitch
      • Graphic Elite - 12 pitch
      • Graphic Pica - 10 pitch
      • Elite Century - 12 pitch
      • Contemporary Elite - 12 pitch
      • Contemporary Pica - 10 pitch
      • Executive - 9 pitch (double caps, italic)
      • Patrician - 12 pitch
      • Standard Elite - 12 pitch
      • Standard Pica - 10 pitch
      • Medium Roman - 10 pitch
      • Clarion Gothic - 12 pitch (double caps)
      • Manifold Elite, Single Gothic - 12 pitch
      • Manifold Pica, Single Gothic - 10 pitch
      • Manifold Roman, Single Gothic - 9 pitch
      • Modified Pru, Double Gothic - 12 pitch
      • Pica, Double Gothic - 10 pitch
      • Medium Roman, Double Gothic - 9 pitch
      • Small Double Gothic - 16 pitch
      • Small Elite - 14 pitch
      • Great Primer - 9 pitch
      • Farrington Optical Scanner Type 12L - 10 pitch
      • Policy Print - 10 pitch
      • Check Validation Type - 8 pitch
      • Small Spencerian - 12 pitch
      • Spencerian - 10 pitch
      • Butterick - 8 pitch (similar to Congress, but larger)
      • Large Vogue - 6 pitch
      • Small Bulletin - 6 pitch
      • Elementary Primer - 6 pitch
      • Bulletin - 6 pitch

      also has keyboard styles for Royals

    1. And please note that the figures in the Schlemmer are walking up the staircase. Upward movement in art often hints at lofty belief, as in, say, Titian’s “Assumption of the Virgin” or Barnett Newman’s emphatically vertical “zips.” Downward motion, by contrast, can evoke Dada irreverence and, in particular, Marcel Duchamp’s “Nude Descending a Staircase,” the Cubist painting that created a brouhaha at the Armory Show of 1913 because neither a nude nor the alleged staircase could be located in its welter of tilting planes.
    2. Lichtenstein, a pioneer of postmodern recycling, swiped the subject of his mural from a beloved masterpiece of German painting — Oskar Schlemmer’s “Bauhaus Stairway,” of 1932, which is owned by the Museum of Modern Art. The painting depicts an actual staircase at the Bauhaus, the progressive art school that opened in Weimar, Germany, in 1919, and exemplified the modern movement at its most extroverted and techno-friendly. Artists claimed a bond with designers and engineers and set out to repair the world.

    1. Typewriter-Adjacent Writing Devices<br /> by [[Joe Van Cleave]] on YouTube<br /> accessed on 2026-02-02T09:17:37

      Typewriter-like writing devices: - Privacy - security - autonomy

      Freewrite (fka Hemingwriter)

      • Smarttypewriter $699
        • Hemingway Signature $1000+
        • Valentine $999
      • Traveler: clamshell device, smaller $549
      • Alpha $349
      • Alpha Cosmic $499 with colorful keys
      • Freewrite Plus subscription service

      Remarkable

      • cloud storage or subscription
      • Starts around $400-600+

      Pomera

      • $499

      Zerowriter

      -$250 - open source, SD card, customizable keys - raspberry pi based

      Supernote

      • tablet
      • $329-500

      BYOK

      • Kickstarter; shipping now.
  3. Jan 2026
  4. www.reddit.com www.reddit.com
    1. Your alcohol is making the old oil and dust fluid again for a while, but without either fully flushing it out or blowing it out with compressed air, the solvent evaporates and the remaining solid oil/dust freezes things up again.

      Rubbing alcohol is probably one of the worst degreasers, but people recommend it because most people often have some in their house already. (Depending on the type, it also contains high proportions of water which isn't the best thing to mix with your metal typewriter.)

      To get your sticky typewriter keys working again, while you're flushing out the segment with your solvent of choice (lacquer thinner, paint thinner, mineral spirits, alcohol, etc.), actually move the typebars using the keys or by other means (be careful for splattering and cover the plastic and painted portions of the machine and surroundings with a rag). This will help to get them moving and allow the solvent and subsequently compressed air to help flush the oil, dust, hair, etc. out of your machine. You've already got a mechanical cleaning device of sorts (the typebar itself) inside the segment, so move it while you're flushing it out.

      2-5 flushes can sometimes be required before you've really gotten all the old gunk out of your machine. I often wait several hours or even overnight to test the action after flushing before I re-attach body panels, etc.

      If you can acquire a small plastic oiler (see https://boffosocko.com/2024/08/11/adding-to-my-typewriter-toolset/) it can help to minimize the amounts of solvent you're using and the flexible tip will allow you to not only direct the flow of solvent, but create some fluid pressure when you squeeze the bottle.

      (Naturally use your degreaser in a well-ventilated space away from open flames and sparks...)

      See also: https://boffosocko.com/2024/08/09/on-colloquial-advice-for-degreasing-cleaning-and-oiling-manual-typewriters/

      Reply to https://reddit.com/r/typewriters/comments/1qroqbf/halp/

    1. Royal Typewriter KMG Mainspring Drawband Tightened Adjusted Tension by [[Phoenix Typewriter]]

      On the left rear corner underneath the carriage when moved to the right, one can easily see the mainspring and drawband assembly. Just behind it is a worm drive operated by a screw. Turning this screw counterclockwise will advance the worm drive to the left and increase the tension on the mainspring.

    1. I twist together two lengths of kevlar fishing line that's 0.4mm diameter and rated for 29kg, so combined roughly 0.8mm diameter and ~58kg pull. This is about the sweet spot imo in terms of thickness, slim enough to fit in small routing holes on mainspring housings and thick enough to get a good sized knot when you tie it. It's also pretty close to the thickness of old sinew drawbands I've replaced. The rated strength is definitely overkill but better over than under. In practise a drawband shouldn't experience more than 750g-1,5kg of pull under normal use.

      u/Koponewt aka Pelicram's advice for using fishing line to replace drawbands.

    1. It's attempting to recreate a nostalgia for mid-century typewriters that were poorly registered, poorly aligned, typed with cotton ribbon, dirty slugs, and poorly typed. It's a generic version of a ubiquitous pica typeface. The vast majority of typewriters from that era were far better and clearer than the characters represented in the 1942 Report Font. Distinguishing the font from an actual typewriter would be trivial for anyone who regularly uses a typewriter.

      Typeface catalogs from the mid-century can be found here for some comparison: https://typecast.munk.org/category/typewriter-typestylesfonts/

      1942 Report font https://www.dafont.com/1942-report.font

      Reply to SadBeyond6201 at https://old.reddit.com/r/typewriters/comments/1qqvvmd/1942_report_font/

    1. if there's a cheap fix to the ghosting that's coming from some of these letters, I'd appreciate it. Not sure if "ghosting" is the right term, but I'm unsure what is.

      reply to u/mcdouginshole at https://reddit.com/r/typewriters/comments/1qozru7/ghosting_issue_with_my_olivetti_lettera_32/

      For some additional help on technique, try https://boffosocko.com/2025/06/06/typewriter-use-and-maintenance-for-beginning-to-intermediate-typists/

      Typically you want to strike the key as if it were a hot coal and let the initial hit's momentum force the slug against the ribbon/paper/platen. If you're "bottoming your keys out" which happens more frequently when you hunt and peck, then you'll end up with this ghosting effect.

      With some practice, maybe one day you'll be as fast as Albert Tangora?

    1. I had written that the only thing that all the different cultures hadin common was the human brain. Indigenous cultures, separated byvast spans of space and time, did not teach their incredibly similarmemory tools to one another. They must all use the same methodsfor innately human reasons.

      are they really innate?


      Some of my question is a tad rhetoric as I suspect that this current book is making an argument that there is a genetic basis for why/how it all works the way it does. It's also a question I know that Kelly has had buzzing around for a while.

      Large swaths of these practices have been taught and handed down from one person to another and from one group to another for millennia as well, but the other question is if they've been independently re-discovered across time or if they've changed/evolved the way in which languages have shifted over these same time frames.

    2. ‘As a single-gene condition withhigh autism penetrance, NF1 presents a valuable genetic model foradvancing our understanding of the neurobiological mechanisms ofautism,’ writes one group of researchers.20

      A.K. Chisholm, F. Lami, K.M. Haebich, A. Ure, A. Brignell, T. Maloof, N.A. Pride, K.S. Walsh, A. Maier, M. Roue, Y. Granader, B. Barton, H. Darkel, I. Fuelscher, G. Dabscheck, V.A. Anderson, K. Williams, K.N. North & J.M. Payne, ‘Sex- and age-related differences in autistic behaviours in children with neurofibromatosis type 1’, Journal of Autism and Developmental Disorders, vol. 53, 2023, pp. 2835–50.

    3. The apparent link of music to speech is because of a trait calledprosody, which seems to be a separate skill, also impacted by NF1.In linguistics, prosody is the difference between speaking in amonotone compared with adding expression by varying pitch,loudness, duration, stress and rhythms. People exaggerate theprosody in their speech when talking to young children because ofthe impact dynamic expression has on comprehension andengagement. Those with the NF1 disorder, most of whom suffermusical challenges, often don’t perceive prosody in speech. Thatsuggests that our fully functioning NF1 gene also helps us withprosody.
    4. Sacks describes the confusion hefeels when noting that people with amusia can be virtually normal intheir speech skills while profoundly disabled musically. He asks if thetwo can be so totally different, given that speech involves tonal andrhythmic changes which appear to have a musical basis. Maybe thisgenetic distinction offers a pathway to exploring his question.
    5. sabelle Peretz and DominiqueVuvan conducted a large-scale sample in 2017, with 20,000participants drawn from the general public. They reported that ‘theprevalence of congenital amusia is only 1.5 per cent, with slightlymore females than males, unlike other developmental disorderswhere males often predominate’.11

      I. Peretz & D. Vuvan, ‘Prevalence of congenital amusia’, European Journal of Human Genetics, vol. 25, 2017, p. 625.

    6. I had been taken to some rock cairns which are atop some of themountains in south-eastern Alaska. What was this? Rocks in thoserock formations were used to help tell part of a story, and each rockcairn had different stories associated with it.After being taken to the rock cairns, I had been fascinated byother rock formations from around the world, such as Stonehenge. Ihad always wondered: who were the storytellers that usedStonehenge? What knowledge was shared? The decades passed butmy curiosity about rock formations found around the world neverwent away.

      Link to the story of the talking rocks in the book Anthropology: Why It Matters by Tim Ingold

    7. I made my own memory boards. As I glued each piece to theplywood, I thought about the stories I would tell with this memoryboard. I had spent an afternoon just putting on five pebbles! Howdid my grandmother make it look so easy? Practice. She’d been atthis for a while.

      My grandmother picked up a piece of plywood that she had glued pebbles to and said simply, ‘You will remember.’ She then touched each piece as she recounted stories. To my young mind, what she was doing seemed like magic!

      Cross reference: https://hypothes.is/a/uWo4NpJrEeui3Vu0XnQidA on Salish artwork

    1. Known historical users of the Royal KMM:<br /> - John Ashbery<br /> - Russell Baker - Ray Bradbury - Richard Brautigan - Richard Brooks - Pearl S. Buck<br /> - Johnny Carson (or possibly KMG) - Norman Corwin<br /> - Frank Herbert<br /> - Helen Keller<br /> - Murray Kempton<br /> - Ken Kesey<br /> - George Washington Lee - Harper Lee<br /> - Ursula K. Le Guin - David McCullough<br /> - Margaret Mead<br /> - Dorothy Parker<br /> - Grantland Rice<br /> - Georges Simenon<br /> - Christina Stead<br /> - Tom Wolfe

      The KMM was also the typewriter featured on the 1980s hit television show Murder, She Wrote which is currently being remade in 2025/2026 with Jamie Lee Curtis.

    1. DINGMAN: Duane says that from the time he opened his typewriter shop, until about 2008, he probably repaired about 50 manual typewriters. But in 2008, something changed. His phone started ringing off the hook. Parents were calling to say that their daughters wanted a typewriter for Christmas — could they bring in an old one for him to fix up? Or did he have any for sale?JENSEN: So I asked ‘em, I said why are you interested? They said, “She watched this movie called “Kitt Kittredge.”
    2. DINGMAN: And I know you’re hooked up to an oxygen machine here — does that make it difficult?  JENSEN: No — well, yeah, mobility, and I have COPD, and I have trouble breathing. This business was part of the factor I have COPD, because I had a shop without ventilation. That’s why my lungs are not working. DINGMAN: Wait. So your lungs were damaged by doing the typewriter work? JENSEN: By the smell of the chemicals.  DINGMAN: He says his lung condition was diagnosed seven years ago.   JENSEN: They gave me a five-year life span. That was seven years ago, so I’m already beatin’ it.  DINGMAN: Ever the gambler, Duane’s still fixing typewriters. These days, he keeps a fan blowing, and works with the garage door open.
    1. Duane Jensen, J.C. Business Machines, 26th St. & Union Hills, Phoenix, AZ. 602-992-7611. M-F 9-4, but call first. "We fix business machines, including all typewriters. Manual portable, manual uprights, antique or vintage typewriters. We carry every typewriter ribbon manufactured. Basic cleaning / tune up is between $38.00 - 48.00 (walk in). On-site service. Basic repair / clean $68.00 - 88.00." Read a story about an experience with Mr. Jensen here. Website: http://www.phoenixtypewriter.com/

      Duane Jensen's death was announced by his family on 2026-01-25.