We use the term“eeting notes” not because they’re of a particularly high value, but becauseof the value we place on the notes they’ll become.

If we were observers who routinely traced  every motion of every molecule, we would say, what do you mean that there's randomness in  what's going on? There's no randomness. I can see what every individual molecule does. So  in a sense, that's an example of a place where being an observer of the kind we are is the  thing that causes us to perceive laws of the kind we perceive.

people in different cultures have different relations to deeper emotions such as greed.

I am trying to understand where the modern world, and individuals within it, might fit into the big story of our species.

we use relative risk reduction instead of absolute risk 00:26:45 reduction and it makes it look like there's a greater effect than there actually is

If the value of the variable is a relative path

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Recall from the fundamentals part that

The mostcommon relative poverty measure is one that counts individuals as poor if theyfall below one-half of a country’s median income.4

It is often the case that a group or "tree" of documents has been constructed to serve a common purpose, wherein the vast majority of URI references in these documents point to resources within the tree rather than outside it. Similarly, documents located at a particular site are much more likely to refer to other resources at that site than to resources at remote sites. Relative referencing of URIs allows document trees to be partially independent of their location and access scheme.

Relative referencing of URIs allows document trees to be partially independent of their location and access scheme.

A striking example is the so-called rule of Vaugelas,which involves the relation between indefinite articles and relative clauses inFrench.

I have always liked the weaving loom as a metaphor for weaving the absolute and relative together into one cloth. The absolute can be the warp, the relative can be the woof, and the shuttle or the jade works , can spin them all together into one cloth. It’s not that we have to make them into one cloth, they are always manifesting together in simultaneous realization . The jade works is the activity of life itself, the total dynamic functioning of the activity of the universe. Sometimes translated as: The Whole Works. Always right here. All-at-oneness.

This is the paradoxical practice of Zen. How can we take care of the ordinary things and people in our daily life with care and attentiveness and still understand and know their impermanence? In practicing these two views simultaneously, we can come to understand freedom and to completely inhabit our one precious and unique human life. They mutually support each other and yet retain their distinctive qualities. We don’t call something that is white, black and yet we understand that white and black share the same essence. This understanding defines a good Zen practice. We take care of cause and effect from the basis of operation of boundless, timeless, open awareness.

The absolute in the relative and the relative in the absolute

Setting "img max-width:100%" is a technique employed in responsive/fluid web site design so that images re-size proportionally when the browser is re-sized. Apparently some css grid systems have started setting this style by default. More info about fluid images here: http://www.alistapart.com/articles/fluid-images/

Now, our img element will render at whatever size it wants, as long as it’s narrower than its containing element. But if it happens to be wider than its container, then the max-width: 100% directive forces the image’s width to match the width of its container.

Wanta JampijinpaPatrick, a Warlpiri Elder, teaches that north corresponds to ‘Law’,south to ‘ceremony’, west to ‘language’ and east to ‘skin’. ‘Country’lies at the intersection of these directions, at the centre of thecompass: Westerners conceptualise it as ‘here’.

In the Warlpiri Aboriginal language of Central Australia, you do notdescribe positions of things with yourself as the focal reference point.Rather, your position is defined within the world around you. InWarlpiri, my computer is south of me, my cat is sleeping west of meand the door is east of me. It requires you to always know thecardinal directions (north, south, east and west), no matter yourorientation. Any one person is not the centre of the world, they arepart of it.

From my point of view, this approach will help you to write cleaner code. Also, it will help to maintain the project. For instance, moving a file from the current directory to another will cause fewer problems, because every file uses an absolute path instead of a relative one. Last but not least, it helps you during development.

import * as utils from '../../../../../../../shared/utils';

Saying that web devs used to be fine with relative imports is like saying that human beings used to be fine living without refrigerators. Sure we did. But was it better than it is now? No. No, it wasn't.

git diff --relative will print paths from the dir you are in.

However, in the all caps example the order of importance goes Title->Actions->Description (or even the actions before the title), while in the others this order is not as evident at first glance.

Everyone working in a TypeScript project that grows beyond a certains limit will eventually experience the situation commonly described as path hell, the snippet below is an example of such hell.

No more shit-coding paths in Node like so:

I was reading about path-mapping in tsconfig.json and I wanted to use it to avoid using the following ugly paths:

However, I just went through the same exercise of moving from relative paths everywhere to module paths.

Unlike some other languages, Sass doesn’t require that you use ./ for relative imports. Relative imports are always available.

Since Sass implementations don't provide url rewriting, all linked assets must be relative to the output.

The sass-loader uses Sass's custom importer feature to pass all queries to the Webpack resolving engine. Thus you can import your Sass modules from node_modules. Just prepend them with a ~ to tell Webpack that this is not a relative import: @import '~bootstrap';

Since Sass/libsass does not provide url rewriting, all linked assets must be relative to the output. Add the missing url rewriting using the resolve-url-loader.

// ~ to tell that this is not a relative import @import '~bootstrap/dist/css/bootstrap'

Much like the configuration layer, we need to specify a name for this transformation. This will help other modules negotiate their priority over the injector in relation to yours.

File-relative configuration Babel loads .babelrc (and .babelrc.js / .babelrc.cjs / package.json#babel) files by searching up the directory structure starting from the "filename" being compiled (limited by the caveats below). This can be powerful because it allows you to create independent configurations for subsections of a package. File-relative configurations are also merged over top of project-wide config values, making them potentially useful for specific overrides, though that can also be accomplished through "overrides".

That, on the other hand, is a system all by itself, and it’s rather restricted in its range. It only forms restrictive relative clauses, and then only in a narrow range of syntactic constructions. It can’t follow a preposition (the book of which I spoke rather than *the book of that I spoke) or the demonstrative that (they want that which they can’t have rather than *they want that that they can’t have), and it usually doesn’t occur after coordinating conjunctions. But it doesn’t make the same personhood distinction that who and which do, and it functions as a relative adverb sometimes. In short, the distribution of that is a subset of the distribution of the wh words. They are simply two different ways to make relative clauses, one of which is more constrained.

owns

oppose

who

tire

who

who

that

makes

treat of relative goodness and relative utility.

it is plain that the more we are under these conditions the more easily we are stirred.

show that the good or the harm, the honour or disgrace, the justice or injustice, is great or small, either absolutely or relatively; and therefore it is plain that we must also have at our command propositions about greatness or smallness and the greater or the lesser -- propositions both universal and particular.

it must adapt itself to an audience