- Oct 2024
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moodle.vassar.edu moodle.vassar.edu
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Neural correlates of consciousness
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Behavioural correlates of consciousness
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Local file Local file
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In order to give the reader some chance of havinga good Collection of Headings, and less chance ofomitting the important Headings, I have offered (e.g.on pp. 83, 92) a few General Lists, which are not quitecomplete but yet approach to completeness ; two ofthese Lists will be found sufficient for most purposes.One of these is called the List of Period- Headings,such as Geography, Religion, Education, Commerce,War, etc. (see p. 83); the other is called the List ofGeneral Headings, and includes Instances, Causes andHindrances, Effects, Aims, etc. : this latter List will befound on p. 92.
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pages 83 and 92. Ihave called theni 'General Lists'
Tags
Annotators
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www.nytimes.com www.nytimes.com
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For Sacks, wrestling with the meaning of experience — his own, his patients’ — continued until the very end. One folder, with the jaunty title “Some Deaths I’ve Liked,” contains the wry and humorous last words of scientists and others, starting with his brother Michael, whose lifelong struggle with schizophrenia greatly affected Sacks. In his telling, Michael sat up abruptly in his hospital gurney and announced, “I’m going outside to smoke a cigarette,” before immediately falling dead.
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- Apr 2024
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Local file Local file
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Chronological registers or directories may beRegisters used for a variety of purposes in almost everyoffice, not only as future reminders^ but alsoas records of past events.
Broadly this sounds like an indexed corporate diary of sorts, but his use of future reminders (or ticklers in the footnote) certainly points to the use of index cards in a Memindex-like fashion.
Keep in mind that he's writing in Britain and the Memindex from 1903 was a US-based product, though similar ideas may have been used at the time across the pond.
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- Mar 2024
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In the 1740s, Thomas Harrison invented a wooden filing cabinet in which the file cards could be hooked on little tin plates. On each of these plates was written the name of the entry (i.e., the re-spective subject heading), and the plates were arranged in strictly alphabeti-cal order.22
Thomas Harrison invented a wooden filing cabinet in the 1640's for storing slips of paper. Each slip could be hooked onto tin plates which contained the topical or subject headings that were arranged in alphabetical order.
Harrison's description was anonymously published with corrections and improvements by Vincent Placcius in De arte excerpendi. Vom gelehrten Buchhalten liber singularis (Stockholm/Hamburg, 1689), 124–59, in his hand-book on excerpting systems.
Update 2024-03-18: The 1740s reference here must be a misprint and is perhaps 1640s as Harrison was a 17th century person and Placcius published results in 1689.
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Paul Otlet, another great information visionary, to create a worldwide database for allsubjects.
Otlet's effort was more than a "database for all subjects", wasn't it? This seems a bit simplistic.
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hardhistoriesjhu.substack.com hardhistoriesjhu.substack.com
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The Library of Congress discontinued the use of “Negroes” as a subject heading in 1976.
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- Jan 2024
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morehouse.edu morehouse.edu
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https://morehouse.edu/life/campus/martin-luther-king-jr-collection/overview/
Pictured here are three card index files, one specifically labeled as "Subject Index File" and visibly labeled on the back wall as a "Weiss No. 35". One of the individual tabs in the rear of the subject index file behind the A-Z tabs is labeled "Salvation".
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jillianhess.substack.com jillianhess.substack.com
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And here are King’s early thoughts on this biblical passage, written in 1953 as a Ph.D. student:God (Amos)5:21:24—This passage might be called the key passage of the entire book. It reveals the deep ethical nature of God. God is a God that demands justice rather than sacrifice; righteousness rather than ritual. The most elaborate worship is but an insult to God when offered by those who have no mind to conform to his ethical demands. Certainly this is one of the most noble idea ever uttered by the human mind.One may raise the question as to whether Amos was against all ritual and sacrifice, i.e. worship. I think not. It seems to me that Amos' concern is the ever-present tendency to make ritual and sacrifice a substitute for ethical living. Unless a man's heart is right, Amos seems to be saying, the external forms of worship mean nothing. God is a God that demands justice and sacrifice fo can never be a substitute for it. Who can disagree with such a notion?3Notice how King wrote the topic (God) and his source (Amos 5:21:24) at the top of the note card for easy reference.
example of a note from King's zettelkasten
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- Oct 2023
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The author made visible efforts to put everything down on one page,leaving a generous left- hand margin, presumably to facilitate surveyingand expanding the content. He equipped the page with a circledheading in the upper left corner and hence in an easily identifiable spotthat allowed for efficient retrieval. In this way, he turned his notes intomobile textual units—an excerpt from a historical source, a newspaperclipping, the sketch of a literary character, a part of a dialogue, etc.—that could then be pulled out like slips from a slip box.The archival evidence suggests that Fontane’s most important methodsfor storing his massive amounts of material were the paper sleeves, boxes,and folders, with their slip-box effect
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- Aug 2023
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www.reddit.com www.reddit.com
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For context, I don't use a traditional Zettelkasten system. It's more of a commonplace book/notecard system similar to Ryan HolidayI recently transitioned to a digital system and have been using Logseq, which I enjoy. It's made organizing my notes and ideas much easier, but I've noticed that I spend a lot of time on organizing my notesSince most of my reading is on Kindle, my process involves reading and highlighting as I read, then exporting those highlights to Markdown and making a page in Logseq. Then I tag every individual highlightThis usually isn't too bad if a book/research article has 20-30 highlights, but, for example, I recently had a book with over 150 highlights, and I spent about half an hour tagging each oneI started wondering if it's overkill to tag each highlight since it can be so time consuming. The advantage is that if I'm looking for passages about a certain idea/topic, I can find it specifically rather than having to go through the whole bookI was also thinking I could just have a set of tags for each book/article that capture what contexts I'd want to find the information in. This would save time, but I'd spend a little more time digging through each document looking for specificsCurious to hear your thoughts, appreciate any suggestions
reply to m_t_rv_s__n/ at https://www.reddit.com/r/Zettelkasten/comments/164n6qg/is_this_overkill/
First, your system is historically far more traditional than Luhmann's more specific practice. See: https://boffosocko.com/2022/10/22/the-two-definitions-of-zettelkasten/
If you're taking all the notes/highlights from a particular book and keeping them in a single file, then it may be far quicker and more productive to do some high level tagging on the entire book/file itself and then relying on and using basic text search to find particular passages you might use at a later date.
Spending time reviewing over all of your notes and tagging/indexing them individually may be beneficial for some basic review work. But this should be balanced out with your long term needs. If your area is "sociology", for example, and you tag every single idea related to the topic of sociology with #sociology, then it will cease to have any value you to you when you search for it and find thousands of disconnected notes you will need to sift through. Compare this with Luhmann's ZK which only had a few index entries under "sociology". A better long term productive practice, and one which Luhmann used, is indexing one or two key words when he started in a new area and then "tagging" each new idea in that branch or train of though with links to other neighboring ideas. If you forget a particular note, you can search your index for a keyword and know you'll find that idea you need somewhere nearby. Scanning through the neighborhood of notes you find will provide a useful reminder of what you'd been working on and allow you to continue your work in that space or link new things as appropriate.
If it helps to reframe the long term scaling problem of over-tagging, think of a link from one idea to another as the most specific tag you can put on an idea. To put this important idea into context, if you do a Google search for "tagging" you'll find 240,000,000 results! If you do a search for the entirety of the first sentence in this paragraph, you'll likely only find one very good and very specific result, and the things which are linked to it are going to have tremendous specific value to you by comparison.
Perhaps the better portions of your time while reviewing notes would be taking the 150 highlights and finding the three to five most important, useful, and (importantly) reusable ones to write out in your own words and begin expanding upon and linking? These are the excerpts you'll want to spend more time on and tag/index for future use rather than the other hundreds. Over time, you may eventually realize that the hundreds are far less useful than the handful (in management spaces this philosophy is known as the Pareto principle), so spending a lot of make work time on them is less beneficial for whatever end goals you may have. (The make work portions are often the number one reason I see people abandoning these practices because they feel overwhelmed working on raw administrivia instead of building something useful and interesting to themselves.) Naturally though, you'll still have those hundreds sitting around in a file if you need to search, review, or use them. You won't have lost them by not working on them, but more importantly you'll have gained loads of extra time to work on the more important pieces. You should notice that the time you save and the value you create will compound over time.
And as ever, play around with these to see if they work for you and your specific needs. Some may be good and others bad—it will depend on your needs and your goals. Practice, experiment, have fun.
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www.smithsonianmag.com www.smithsonianmag.com
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Even the alphabetized categories evoke a laugh: "Science, Seasons, Secretary, Senile, Sex, Sex Symbols, Sex Harassment, Shoes, Shopping..." "Food Gripes, Foreign (incidents & personalities), Foundations (bra & underwear), Fractured Speech, Freeways, Friends, Frugality, Frustrations, Funerals, Funny Names..."
Topical headings in Phyllis Diller's gag file
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www.smithsonianmag.com www.smithsonianmag.com
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each typed on an index card and filed under such prophetic taglines as “Science, Seasons, Secretary, Senile, Sex, Sex Symbols, Sex Harassment, Shoes, Shopping…” and “Food Gripes, Foreign (incidents & personalities), Foundations (bra & underwear), Fractured Speech, Freeways, Friends, Frugality, Frustrations, Funerals, Funny Names…”
Some of the topical headings in Phyllis Diller's gag file
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americanhistory.si.edu americanhistory.si.edu
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These index cards are organized alphabetically by subject ranging from accessories to world affairs and covering almost everything in between.
Phyllis Diller's gag file was arranged alphabetically by subject and ranged from "accessories" to "world affairs".
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www.theatlantic.com www.theatlantic.com
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I he fact is that there arc some three thousand subheadings. So persons who feel that an official ceiling of 102 ideas would cramp their style can breathe freely.
According to Jacques Barzun (and possibly written in the volumes itself), while the Syntopicon has 102 ideas, there are "some three thousand subheadings."
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- Jun 2023
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www.nytimes.com www.nytimes.com
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Rivers, who wrote gags at all hours, paid close attention to setups and punchlines, typing them up and cross-referencing them by categories like “Parents hated me” or “Las Vegas” or “No sex appeal.” The largest subject area is “Tramp,” which includes 1,756 jokes.
Joan Rivers card index of jokes is categorized by topical headings like "Parents hated me", "Las Vegas", and "No sex appeal". The largest subject category in her collection was "Tramp" with 1,756 jokes.
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In Carlin’s archives, by contrast, the jokes were “mainly scraps of paper organized into Ziploc baggies then put into a folder by topic.”
quote by Journey Gunderson, the executive director of the National Comedy Center
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- Apr 2023
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www.youtube.com www.youtube.com
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Zettelkasten - How Categories Emerge by Nicolas Gatien
Gatien uses Scheper's suggested top level categories, but shows that it doesn't take long for things to end up in dramatically disparate areas. As a result, why bother with a pre-defined set of categories in the first place?
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zettelkasten.de zettelkasten.de
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There are two ways for a communication system to maintain its integrity over long periods of time: you need to decide for either highly technical specialisation, or for a setup that incorporates coincidence and ad hoc generated information. Translated to note collections: you can choose a setup categorized by topics, or an open one. We chose the latter and, after 26 successful years with only occasionally difficult teamwork, we can report that this way is successful – or at least possible.
Luhmann indicates that there are different methods for keeping note collections and specifically mentions categorizing things by topics first. It's only after this that he mentions his own "open" system as being a possible or successful one.
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- Mar 2023
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one can protect by using dictionaries of synonyms and then create enough referencesheets (e.g. Astronomy: cf. Science of the Stars). The only premise for this is that one knowsbeforehand the one location where the sheet belongs in the box.
use of theausaurus to limit subject headings...
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archive.org archive.org
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Wigent, William David, Burton David William Housel, and Edward Harry Gilman. Modern Filing and How to File: A Textbook on Office System. Rochester, N.Y.: Yawman & Erbe Mfg. Co., 1916. http://archive.org/details/modernfilingate02compgoog.
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Local file Local fileZettel1
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Often fragments on the same topic were clipped together; butthere were also a large number lying loose in the box. Someyears ago Peter Geach made an arrangement of this material,keeping together what were in single bundles, and otherwisefitting the pieces as well as he could according to subject matter.This arrangement we have retained with a very few alterations
This brings up the question of how Ludwig Wittgenstein arranged his own zettelkasten...
Peter Geach made an arrangement of Wittgenstein's zettels which was broadly kept in the edited and published version Zettel (1967). Apparently fragments on the same topic were clipped together indicating that Wittgenstein's method was most likely by topical headings. However there were also a large number of slips "lying loose in the box." Perhaps these were notes which he had yet to file or which some intervening archivist may have re-arranged?
In any case, Geach otherwise arranged all the materials as best as he could according to subject matter. As a result the printed book version isn't necessarily the arrangement that Wittgenstein would have made, but the editors of the book felt that at least Geach's arrangement made it an "instructive and readable compilation".
This source doesn't indicate the use of alphabetical dividers or other tabbed divisions.
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chat.openai.com chat.openai.comChatGPT1
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Yes, you can definitely use a card index for note-taking. In fact, many people find card indexes to be a useful and convenient tool for organizing and storing notes. Here are some tips for using a card index for note-taking:Choose a system: Decide on a system for organizing your cards. You could organize them alphabetically, by topic, by date, or by any other method that works for you.Choose the size of cards: Choose the size of cards that works best for your needs. Common sizes include 3" x 5", 4" x 6", and 5" x 8".Use one card per idea: Write one idea or piece of information on each card. This will help keep your notes organized and easy to reference.Include keywords: Include keywords on each card to make it easier to find relevant information later.Use dividers: Use dividers to separate different topics or sections in your card index. This will help keep your notes organized and easy to navigate.Carry it with you: A card index is a portable tool, so you can take it with you wherever you go. This makes it easy to take notes on the go and to refer to your notes when you need them.Overall, a card index can be a useful and efficient tool for note-taking, especially if you prefer a physical, tangible way of organizing and storing information.
Q: Can I use a card index for note taking?
ChatGPT does a reasonable bit of advice on how one would use a card index for note taking.
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- Feb 2023
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Part 2: Search & Inspect. Denote as a Zettelkasten, 2023. https://share.tube/w/4ad929jjNYMLc6eRppVQmc.
His file naming convention and search operation in this is really fantastic:
20230226155400==51a3b--note-title__tag1_tag2.org
This allows one to search the file by date/time, signature, title or tags, by using the =, - or _ along with text.
Beyond this however, there's a fair amount of context to build to use this system including using regex search.
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www.reddit.com www.reddit.com
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I knew you could do [[filename# to search for headings in a specific file, but I didn't realize you could do [[^^# to search all headings until I just tried it.
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spectator.org spectator.org
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The cards would feature between five and 10 items and would be written on both sides in Reagan’s inimitable shorthand.
Ronald Reagan broke the typical rule to "write only on one side" of his index cards. His cards would typically have five to ten items written out by hand.
Given some of the cards I've seen, it seems that they weren't categorized generally and with multiple ideas on the same card they also broke Gessner's other common advice.
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www.pearltrees.com www.pearltrees.com
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http://www.pearltrees.com/barockschloss/knowledge-management-germany/id12863560
Knowledge Management in Germany by Barockschloss
Example of someone using the social bookmarking application Pearltrees as a form of digital zettelkasten. They've created a collection of cards about zettelkasten.
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docdrop.org docdrop.org
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Categories mean determination of internal structure less flexibility, especially “in the long run“ of knowledgemanagement and storage
The fact that Luhmann changed the structure of his zettelkasten with respect to the longer history of note taking and note accumulation allowed him several useful affordances.
In older commonplacing and slip box methods, one would often store their notes by topic category or perhaps by project. This mean that after collection one had to do additional work of laying them out into some sort of outline to create arguments and then write them out for publication. This also meant that one was faced with the problem of multiple storage or copying out notes multiple times to file under various different subject headings.
Luhmann overcame both of these problems by eliminating categories and placing ideas closest to their most relevant neighbor and numbering them in a branching fashion. Doing this front loads some of the thinking and outlining work which would often be done later, though it's likely easier to do when one has the fullest context of a note after they've made it when it is still freshest in their mind. It also means that each note is linked to at least one other note in the system. This helps notes from being lost and allows a simpler indexing structure whereby one only needs to use a few index entries to get close to the neighborhood of an idea as most other related ideas are likely to be nearby within a handful or more of index cards.
Going from index to branches on the tree is relatively easy and also serves the function of reminding one of interesting prior reading and ideas as one either searches for specific notes or searches for placing future notes.
When it comes to ultimately producing papers, one's notes already have a pre-arranged sort of outline which can then be more easily copied over for publication, though one can certainly still use other cross-links and further rearranging if one wishes.
Older methods focused on broad accretion of materials into subject ordered piles while Luhmann's practice not only aggregated them, but slowly and assuredly grew them into more orderly trains of thought as he collected.
Link to: The description in Technik des wissenschaftlichen Arbeitens (section 1.2 Die Kartei) at https://hypothes.is/a/-qiwyiNbEe2yPmPOIojH1g which heavily highlights all the downsides, though it doesn't frame them that way.
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www.thesing-online.de www.thesing-online.de
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A Zettelkasten is hypertext plus a hierarchical tree structure and keywords.
an elegant little statement
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www.reddit.com www.reddit.com
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With a category you can just bypass idea-connection and jump right to storage.
Categorizing ideas (and or indexing them for search) can be useful for quick bulk storage, but the additional work of linking ideas to each other with in a Luhmann-esque zettelkasten can be more useful in the long term in developing ideas.
Storage by category means that ideas aren't immediately developed explicitly, but it means that that work is pushed until some later time at which the connections must be made to turn them into longer works (articles, papers, essays, books, etc.)
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- Jan 2023
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www.reddit.com www.reddit.com
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How do you maintain the interdisciplinarity of your zettlekasten? .t3_10f9tnk._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }
As humans we're good at separating things based on categories. The Dewey Decimal System systematically separates mathematics and history into disparate locations, but your zettelkasten shouldn't force this by overthinking categories. Perhaps the overlap of math and history is exactly the interdisciplinary topic you're working toward? If this is the case, just put cards into the slip box closest to their nearest related intellectual neighbor—and by this I mean nearest related to you, not to Melvil Dewey or anyone else. Over time, through growth and branching, ideas will fill in the interstitial spaces and neighboring ideas will slowly percolate and intermix. Your interests will slowly emerge into various bunches of cards in your box. Things you may have thought were important can separate away and end up on sparse branches while other areas flourish.
If you make the (false) choice to separate math and history into different "sections" it will be much harder for them to grow and intertwine in an organic and truly disciplinary way. Universities have done this sort of separation for hundreds of years and as a result, their engineering faculty can be buildings or even entire campuses away from their medical faculty who now want to work together in new interdisciplinary ways. This creates a physical barrier to more efficient and productive innovation and creativity. It's your zettelkasten, so put those ideas right next to each other from the start so they can do the work of serendipity and surprise for you. Do not artificially separate your favorite ideas. Let them mix and mingle and see what comes out of them.
If you feel the need to categorize and separate them in such a surgical fashion, then let your index be the place where this happens. This is what indices are for! Put the locations into the index to create the semantic separation. Math related material gets indexed under "M" and history under "H". Now those ideas can be mixed up in your box, but they're still findable. DO NOT USE OR CONSIDER YOUR NUMBERS AS TOPICAL HEADINGS!!! Don't make the fatal mistake of thinking this. The numbers are just that, numbers. They are there solely for you to be able to easily find the geographic location of individual cards quickly or perhaps recreate an order if you remove and mix a bunch for fun or (heaven forfend) accidentally tip your box out onto the floor. Each part has of the system has its job: the numbers allow you to find things where you expect them to be and the index does the work of tracking and separating topics if you need that.
The broader zettelkasten, tools for thought, and creativity community does a terrible job of explaining the "why" portion of what is going on here with respect to Luhmann's set up. Your zettelkasten is a crucible of ideas placed in juxtaposition with each other. Traversing through them and allowing them to collide in interesting and random ways is part of what will create a pre-programmed serendipity, surprise, and combinatorial creativity for your ideas. They help you to become more fruitful, inventive, and creative.
Broadly the same thing is happening with respect to the structure of commonplace books. There one needs to do more work of randomly reading through and revisiting portions to cause the work or serendipity and admixture, but the end results are roughly the same. With the zettelkasten, it's a bit easier for your favorite ideas to accumulate into one place (or neighborhood) for easier growth because you can move them around and juxtapose them as you add them rather than traversing from page 57 in one notebook to page 532 in another.
If you use your numbers as topical or category headings you'll artificially create dreadful neighborhoods for your ideas to live in. You want a diversity of ideas mixing together to create new ideas. To get a sense of this visually, play the game Parable of the Polygons in which one categorizes and separates (or doesn't) triangles and squares. The game created by Vi Hart and Nicky Case based on the research of Thomas Schelling provides a solid example of the sort of statistical mechanics going on with ideas in your zettelkasten when they're categorized rigidly. If you rigidly categorize ideas and separate them, you'll drastically minimize the chance of creating the sort of useful serendipity of intermixed and innovative ideas.
It's much harder to know what happens when you mix anthropology with complexity theory if they're in separate parts of your mental library, but if those are the things that get you going, then definitely put them right next to each other in your slip box. See what happens. If they're interesting and useful, they've got explicit numerical locators and are cross referenced in your index, so they're unlikely to get lost. Be experimental occasionally. Don't put that card on Henry David Thoreau in the section on writers, nature, or Concord, Massachusetts if those aren't interesting to you. Besides everyone has already done that. Instead put him next to your work on innovation and pencils because it's much easier to become a writer, philosopher, and intellectual when your family's successful pencil manufacturing business can pay for you to attend Harvard and your house is always full of writing instruments from a young age. Now you've got something interesting and creative. (And if you must, you can always link the card numerically to the other transcendentalists across the way.)
In case they didn't hear it in the back, I'll shout it again: ACTIVELY WORK AGAINST YOUR NATURAL URGE TO USE YOUR ZETTELKASTEN NUMBERS AS TOPICAL HEADINGS!!!
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- Nov 2022
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delong.typepad.com delong.typepad.com
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1. WHAT IS THE BOOK ABOUT AS A WHOLE?
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Milton,for example, wrote more or less lengthy headings, or "Arguments," as he called them, for each book of Paradise Lost.
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www.youtube.com www.youtube.com
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https://www.youtube.com/watch?v=vS-b_RUtL1A
LATCH method for search within note taking (Location, Alphabet, Time, Category, and Hierarchy)
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billyoppenheimer.com billyoppenheimer.com
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How do you make sure you don’t lose track of cards? I don’t make sure I don’t lose track of cards. As I said above and as some of the people below talk about, one of the joys of the system is when you surprise yourself, when you rediscover, when you find the perfect card while you were looking for something else.
Oppenheimer doesn't keep track of specific cards (he didn't discuss how he files them, other than loosely together, potentially for specific projects) and finds that this creates a greater amount of surprise for him when searching for ideas within his system.
Missing here is any sort of topic or subject headings.... double check this as it's a key to most systems.
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- Oct 2022
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Local file Local file
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He had a separate bibliographical file,kept in six scantily filled drawers in his coat closet, and it is obvious
that he used it little in later years. His author-title entries usually went into the main file, after the appropriate subject index cards.
This is a curious pattern and not often seen. Apparently it was Paxson's practice to place his author-title entries into his main file following the related subject index cards instead of in a completely separate bibliographical file. He did apparently have one comprised of six scantily filled drawers which he kept in his coat closet, but it was little used in his later years.
What benefits might this relay? It certainly more directly relates the sources closer in physical proximity within one's collection to the notes to which they relate. This might be of particular beneficial use in a topical system where all of one's notes relating to a particular subject are close physically rather than being linked or cross referenced as they were in Luhmann's example.
A particular color of cards may help in this regard to more easily find these sources.
Also keep in mind that Paxson's system was topical-chronological, so there may also be reasons for doing this that fit into his chronological scheme. Was he filing them in sections so that the publication dates of the sources fit into this scheme as well? This may take direct review to better known and understand his practice.
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he three-by-five inch slipsof thin paper eventually filled about eighty wooden file drawers.And he classified the notes day by day, under topical-chronologicalheadings that eventually extended from 4639 B.C. to 1949, theyear after his death.
Frederic L. Paxson kept a collection of 3 x 5 " slips of thin paper that filled eighty wooden file drawers which he organized using topical-chronologic headings spanning 4639 BCE to 1949.
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Local file Local file
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Eventually, as the cards fall into groups accordingto subject or person or chronological sequence, the pattern of mystory will emerge.
For creating narrative, Barbara Tuchman apparently relied on grouping her note cards by subject, person, or chronological sequence.
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Local file Local file
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Further, Deutsch triedto instill a certain chronological, geographical and thematic method of organization. Butthis arrangement is also a stumbling block to anyone who might want to use it, includingDeutsch. ACCUSATIONS AGAINST THE JEWS (489 cards), for instance, presents an array ofevents organized not by date but in a surprisingly unsystematic alphabetical order. Insteadof indicating when such accusations were more or less prevalent, which could only beindicated by reorganizing cards chronologically, the default alphabetical sorting, whichshows instances in disparate locations like London (in May, 1921) alongside Sziget,Hungary (from 1867), gives the impression that such anti-Jewish events were everywhere.And even this organization was chaotic. The card on Sziget is actually listed under‘Marmaros’, the publication with which the card’s text began, and an immediately pre-ceding card is ordered based on its opening ‘A long list of accusations . . . ’, not thereference to its source: Goethe’s Das Jahrmarketsfest zu Plundersweilern.
Lustig provides a description of some of the order of Gotthard Deutsch's zettelkasten. Most of it seemed to have been organized by chronological, geographical and thematic means, but often there was chaos. This could be indicative of many things including broad organization levels, but through active use, he may have sorted and resorted cards as needs required. Upon replacing cards he may not have defaulted to some specific order relying on the broad levels and knowing what state he had left things last. Though regular use, this wouldn't concern an individual the way it might concern outsiders who may not understand the basic orderings (as did Lustig) or be able to discern and find things as quickly as he may have been able to.
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Local file Local file
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Built and assembled without anyparticular significance or any value, Walter de Maria's Boxes for MeaninglessWork could also be an echo of Duchamp's sound strategies. In aparallel project, Robert Morris realized Card File (1962-3), a series ofcards on which a series of hazy concepts are written and laid out alphabetically on a vertical support. Through this initial process, Morriscreated a description of the necessary stages required to achieve thework. The terms used in this file include such things as accidents,alphabets, cards, categories, conception, criticism, or decisions, dissatisfactions, durations, forms, future, interruptions, names, numbers,possibilities, prices, purchases, owners, and signature. As a result, thework had no content other than the circumstances of its execution.Through this piece, Morris also asserted that if one wished to understand and penetrate all subtleties of the work, one would have toconsider all the methods used in bringing it forth. The status of thework of art is immediately called into question, because the range ofcards can undergo a change:In a broad sense art has always been on object, static and final, eventhough structurally it may have been a depiction or existed as afragment. What is being attacked, however, is something more thanart as icon. Under attack is the rationalistic notion that art is a formof work that results in a finished product. Duchamp, of course,attacked the Marxist notion that labor was an index of value, butReadymades are traditionally iconic art objects. What art now has inits hand ismutable stuffwhich need not arrive at the point of beingfinalized with respect to either time or space. The notion thatworkis an irreversible process ending in a static icon-object no longer hasmuch relevance.25Marcel Duchamp's musical and "Dismountable approximation" illustrate this process perfectly. John Cage recalled that "for his final opus,Given: 1. The Waterfall, 2. The Illuminating Gas, exhibited in Philadelphia, [Duchamp] wrote a book [the "Dismountable approximation"]that provided a blueprint for dismantling the work and rebuilding it.26It also provided information on how to proceed, as well as the only definition of the musical notation, isn't that so? So it is a musical work ofart; because when you follow the instructions you produce sounds."27But Given: 1. The Waterfall, 2. The Illuminating Gas was never createdas a musical piece, even though it is entirely "possible to do it. . . .Andif one takes it like a musical piece, one gets the piece [that Duchamp]This content downloaded from 194.27.18.18 on Fri, 18 Dec 2015 12:35:27 UTCAll use subject to JSTOR Terms and Conditions
card file as art!
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archive.org archive.org
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Goutor only mentions two potential organizational patterns for creating output with one's card index: either by chronological order or topical order. (p34) This might be typical for a historian who is likely to be more interested in chronologies and who would have likely noted down dates within their notes.
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Goutor doesn't specifically cover the process, but ostensibly after one has categorized content notes, they are filed together in one's box under that heading. (p34) As a result, there is no specific indexing or cross-indexing of cards or ideas which might be filed under multiple headings. In fact, he doesn't approach the idea of filing under multiple headings at all, while authors like Heyde (1931) obsess over it. Goutor's method also presumes that the creation of some of the subject headings is to be done in the planning stages of the project, though in practice some may arise as one works. This process is more similar to that seen in Robert Greene's commonplacing method using index cards.
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Unlike many manuals on note taking, Goutor suggest a few methods of note categorization beyond adding typical headwords. These include adding top or side edge notches using a paper punch, colored cards, or adding colored flags. However he does note some potential problems and limitations of these methods including being cumbersome or limiting (by colors available, for example). (p31-32)
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Goutor breaks down the post-processing of notes into two phases: "coding" (tagging or categorization) and "cross-referencing". (p31).
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Goutor recommended using subject headings as a marginal annotations on one's note cards to "indicate[s] the preliminary coding to be used in classifying" a note. (p21)
Tags
- note taking process
- cross references
- chronological order
- narrative forms
- orderings
- chronology
- indices
- obsessions
- Robert Greene
- subject headings
- taxonomies
- Jacques Goutor
- edge-notched cards
- history
- Heyde's zettelkasten method
- note taking advice
- categorization
- color codes
- note taking methods
- writing advice
Annotators
URL
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- Sep 2022
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For instance, particular insights related to the sun or the moon may be filed under the(foreign) keyword “Astronomie” [Astronomy] or under the (German) keyword “Sternkunde”[Science of the Stars]. This can happen even more easily when using just one language, e.g.when notes related to the sociological term “Bund” [Association] are not just filed under“Bund” but also under “Gemeinschaft” [Community] or “Gesellschaft” [Society]. Againstthis one can protect by using dictionaries of synonyms and then create enough referencesheets (e.g. Astronomy: cf. Science of the Stars)
related, but not drawn from as I've been thinking about the continuum of taxonomies and subject headings for a while...
On the Spectrum of Topic Headings in note making
Any reasonable note one may take will likely have a hierarchical chain of tags/subject headings/keywords going from the broad to the very specific. One might start out with something broad like "humanities" (as opposed to science), and proceed into "history", "anthropology", "biological anthropology", "evolution", and even more specific. At the bottom of the chain is the specific atomic idea on the card itself. Each of the subject headings helps to situate the idea and provide the context in which it sits, but how useful within a note taking system is having one or more of these tags on it? What about overlaps with other broader subjects (one will note that "evolution" might also sit under "science" / "biology" as well), but that note may have a different tone and perspective than the prior one.
This becomes an interesting problem or issue as one explores ideas in a pre-designed note taking system. As a student just beginning to explore anthropology, one may tag hundreds of notes with anthropology to the point that the meaning of the tag is so diluted that a search of the index becomes useless as there's too much to sort through underneath it. But as one continues their studies in the topic further branches and sub headings will appear to better differentiate the ideas. This process will continue as the space further differentiates. Of course one may continue their research into areas that don't have a specific subject heading until they accumulate enough ideas within that space. (Take for example Daniel Kahneman and Amos Tversky's work which is now known under the heading of Behavioral Economics, a subject which broadly didn't exist before their work.) The note taker might also leverage this idea as they tag their own work as specifically as they might so as not to pollute their system as it grows without bound (or at least to the end of their lifetime).
The design of one's note taking system should take these eventualities into account and more easily allow the user to start out broad, but slowly hone in on direct specificity.
Some of this principle of atomicity of ideas and the growth from broad to specific can be seen in Luhmann's zettelkasten (especially ZK II) which starts out fairly broad and branches into the more specific. The index reflects this as well and each index heading ideally points to the most specific sub-card which begins the discussion of that particular topic.
Perhaps it was this narrowing of specificity which encouraged Luhmann to start ZKII after years of building ZKII which had a broader variety of topics?
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Who can say whether I will actually be searchingfor e.g. the note on the relation between freedom of will and responsibility by looking at itunder the keyword “Verantwortlichkeit” [Responsibility]? What if, as is only natural, I willbe unable to remember the keyword and instead search for “Willensfreiheit” [Freedom ofWill] or “Freiheit” [Freedom], hoping to find the entry? This seems to be the biggestcomplaint about the entire system of the sheet box and its merit.
Heyde specifically highlights that planning for one's future search efforts by choosing the right keyword or even multiple keywords "seems to be the biggest complaint about the entire system of the slip box and its merit."
Niklas Luhmann apparently spent some time thinking about this, or perhaps even practicing it, before changing his system so that the issue was no longer a problem. As a result, Luhmann's system is much simpler to use and maintain.
Given his primary use of his slip box for academic research and writing, perhaps his solution was in part motivated by putting the notes and ideas exactly where he would both be able to easily find them, but also exactly where he would need them for creating final products in journal articles and books.
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For the sheets that are filled with content on one side however, the most most importantaspect is its actual “address”, which at the same time gives it its title by which it can alwaysbe found among its comrades: the keyword belongs to the upper row of the sheet, as thegraphic shows.
With respect to Niklas Luhmann's zettelkasten, it seems he eschewed the Heyde's advice to use subject headings as the Anschrift (address). Instead, much like a physical street address or card card catalog system, he substituted a card address instead. This freed him up from needing to copy cards multiple times to insert them in different places as well as needing to create multiple cards to properly index the ideas and their locations.
Without this subtle change Luhmann's 90,000 card collection could have easily been 4-5 times its size.
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www.spiegel.de www.spiegel.de
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So entstanden 98 Bände, hergestellt nach einem Zettelkasten-System (Verne hinterließ 25 000 Stichwort-Karten), zum größeren Teil geschrieben in dem Turm zu Amiens, den Verne innen wie ein Schiff ausgestattet hatte.
Google translation:
The result was 98 volumes, produced according to a Zettelkasten system (Verne left 25,000 keyword cards), mostly written in the tower at Amiens, the interior of which Verne had decorated like a ship.
Jules Verne had a zettelkasten which he used to write 98 volumes.
Given that he was French we should cross check his name with "fichier boîte".
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Tagsare simple yet powerful forms of categorizing used in social mediathat further organize categorical information according to user needsand preferences (Shimic, 2008). Tags help people find and situateideas, providing a mode of peripheral social collaborativeparticipation (Lave & Wenger, 2012). Tags also create flexiblesearch tools, not available with traditional annotation tools, thatsupport reading-for-writing by making the process of retrieval fasterand more straightforward.
This discussion seems to miss the broader intellectual historical background of tags in prior generations. There's not even a nod to commonplaces, topic headings, subject headings, indices, etc.
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www.nytimes.com www.nytimes.com
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But Ms. Rivers did do some arranging. She arranged the 52 drawers alphabetically by subject, from “Annoying habits” to “Zoo.” In the T’s, one drawer starts with “Elizabeth Taylor” and goes as far as “teenagers.” The next drawer picks up with “teeth” and runs to “trains.” A drawer in the G’s begins with “growing older” and ends with “guns.” It takes the next drawer to hold all the cards filed under “guys I dated.” Inevitably — this was Joan Rivers, after all — there are categories with the word “sex,” including “My sex life,” “No sex life,” “No sex appeal.”AdvertisementContinue reading the main storyImage
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Local file Local file
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Here wehave the four categories of time, place, species, andform ; by superposing, then, we obtain divisions ofsmaller extent. We may undertake, for example, tomake a group of all the documents having a givenform, of a given country, and lying between twogiven dates (French royal charters of the reignof Phihp Augustus) ; or of all the documents of agiven form (Latin inscriptions) ; or of a given species(Latin hymns) ; of a given epoch (antiquity, themiddle ages).
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- Aug 2022
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While Heyde outlines using keywords/subject headings and dates on the bottom of cards with multiple copies using carbon paper, we're left with the question of where Luhmann pulled his particular non-topical ordering as well as his numbering scheme.
While it's highly likely that Luhmann would have been familiar with the German practice of Aktenzeichen ("file numbers") and may have gotten some interesting ideas about organization from the closing sections of the "Die Kartei" section 1.2 of the book, which discusses library organization and the Dewey Decimal system, we're still left with the bigger question of organization.
It's obvious that Luhmann didn't follow the heavy use of subject headings nor the advice about multiple copies of cards in various portions of an alphabetical index.
While the Dewey Decimal System set up described is indicative of some of the numbering practices, it doesn't get us the entirety of his numbering system and practice.
One need only take a look at the Inhalt (table of contents) of Heyde's book! The outline portion of the contents displays a very traditional branching tree structure of ideas. Further, the outline is very specifically and similarly numbered to that of Luhmann's zettelkasten. This structure and numbering system is highly suggestive of branching ideas where each branch builds on the ideas immediately above it or on the ideas at the next section above that level.
Just as one can add an infinite number of books into the Dewey Decimal system in a way that similar ideas are relatively close together to provide serendipity for both search and idea development, one can continue adding ideas to this branching structure so they're near their colleagues.
Thus it's highly possible that the confluence of descriptions with the book and the outline of the table of contents itself suggested a better method of note keeping to Luhmann. Doing this solves the issue of needing to create multiple copies of note cards as well as trying to find cards in various places throughout the overall collection, not to mention slimming down the collection immensely. Searching for and finding a place to put new cards ensures not only that one places one's ideas into a growing logical structure, but it also ensures that one doesn't duplicate information that may already exist within one's over-arching outline. From an indexing perspective, it also solves the problem of cross referencing information along the axes of the source author, source title, and a large variety of potential subject headings.
And of course if we add even a soupcon of domain expertise in systems theory to the mix...
While thinking about Aktenzeichen, keep in mind that it was used in German public administration since at least 1934, only a few years following Heyde's first edition, but would have been more heavily used by the late 1940's when Luhmann would have begun his law studies.
https://hypothes.is/a/CqGhGvchEey6heekrEJ9WA
When thinking about taking notes for creating output, one can follow one thought with another logically both within one's card index not only to write an actual paper, but the collection and development happens the same way one is filling in an invisible outline which builds itself over time.
Linking different ideas to other ideas separate from one chain of thought also provides the ability to create multiple of these invisible, but organically growing outlines.
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Apart from a higher probability to retrieve particular note sheets, that advantage lies in thecircumstance that notes having a similar keyword will, as the box grows, find themselves atthe same location because of the alphabetical structure. That means not only an automaticcollection of content, but also a comparative review of those related note sheets, which inturn leads to new thoughts basd on the relation between the note sheets with identicalkeywords
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For the sheets that are filled with content on one side however, the most most importantaspect is its actual “address”, which at the same time gives it its title by which it can alwaysbe found among its comrades: the keyword belongs to the upper row of the sheet
following the commonplace tradition, the keyword gets pride of place...
Watch here the word "address" and double check the original German word in translation. What was it originally? Seems a tad odd to hear "address" applied to a keyword which is likely to be just one of many. How to keep them all straight?
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scientists as well asstudents of science carefully put the diverse results of their reading and thinking process intoone or a few note books that are separated by topic.
A specific reference to the commonplace book tradition and in particular the practice of segmenting note books into pre-defined segments with particular topic headings. This practice described here also ignores the practice of keeping an index (either in a separate notebook or in the front/back of the notebook as was more common after John Locke's treatise)
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socks-studio.com socks-studio.com
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Notice the octagonal shape of this rooms which mirrors in some ways the octagonal index cards mentioned by Charles van den Heuvel in his Regents Lecture (2008) which Otlet used to link via subject headings. You'll see here subject headings on the walls of the architecture to match.
link to: - https://hypothes.is/a/8e9hThZ4Ee2hWAcV1j5B9w
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thoughtcatalog.com thoughtcatalog.com
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Don’t worry about organization…at least at first. I get a lot of emails from people asking me what categories I organize my notes in. Guess what? It doesn’t matter. The information I personally find is what dictates my categories. Your search will dictate your own. Focus on finding good stuff and the themes will reveal themselves.
Ryan Holiday's experience and advice indicates that he does little organization and doesn't put emphasis on categories for organization. He advises "Focus on finding good stuff and the themes will reveal themselves."
This puts him on a very particular part of the spectrum in terms of his practice.
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- Jul 2022
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docdrop.org docdrop.org
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Thefirst is tagging eachnote with a keywordthat identifies what the idea described in the note is about.
What are the potential different affordances allowed by giving cards titles versus giving them topic keywords or other taxonomic links?
Card titles may be useful in analog settings, but they can be even more valuable in digital settings where one can transclude "cards" (read: ideas) into outlines.
Both of these two patterns have some similarities. Is Allosso differentiating between them? As his notes don't seem to have titles otherwise, one would presume that he's solely referring to topic categories.
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- Jun 2022
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Local file Local file
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First, while using the previous retrieval methods, it is a good ideato keep your focus a little broad. Don’t begin and end your searchwith only the specific folder that matches your criteria.
The area of serendipity becomes much more powerful when one has ideas both directly interlinked, ideas categorized with subject headings or tags, or when one can have affordances like auto-complete.
The method Forte suggests and outlines allows for some serendipity, but not as much as other methods with additional refinements. Serendipity in Forte's method isn't as strong as in others.
In this section he's talking about some of the true "magic of note taking" which is discussed by Luhmann and others.
link to:<br /> Luhmann's writings on serendipity and surprise when using his zettelkasten (Communication with the Slipbox...)<br /> Ahrens mentions of this effect
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How to Resurface and Reuse Your Past Work
Coming back to the beginning of this section. He talks about tags, solely after-the-fact instead of when taking notes on the fly. While it might seem that he would have been using tags as subject headings in a traditional commonplace book, he really isn't. This is a significant departure from the historical method!! It's also ill advised not to be either tagging/categorizing as one goes along to make searching and linking things together dramatically easier.
How has he missed the power of this from the start?! This is really a massive flaw in his method from my perspective, particularly as he quotes John Locke's work on the topic.
Did I maybe miss some of this in earlier sections when he quoted John Locke? Double check, just in case, but this is certainly the section of the book to discuss using these ideas!
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Tags can overcomethis limitation by infusing your Second Brain with connections,making it easier to see cross-disciplinary themes and patterns thatdefy simple categorization.
Forte frames things primarily from a digital perspective so he talks about folders and tags, but seems to wholly forget the grand power of having an subject index. While they're broadly the same, it's as if he's forgoing two thousand years of rhetorical tradition to have something that seems new and innovative, but which are paths that are incredibly well travelled.
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You may prefer notebooks to cards for note taking-very well:use what you like, but invariably; it will save you time andannoyance. If you use cards , use small ones (3" x 5") so that youuse a separate card for each fact, title, or memorandum toyourself. The cards are then easily shuffled for grouping. If youuse a notebook, leave a margin for the key word, letter, or num-ber which you will insert later as an index to the contents.
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- May 2022
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The biggest mistake—and one I’ve made myself—is linking with categories. In other words, it’s adding links like we would with tags. When we link this way we’re more focused on grouping rather than connecting. As a result, we have notes that contain many connections with little to no relevance. Additionally, we add clutter to our links which makes it difficult to find useful links when adding links. That being said, there are times when we might want to group some things. In these cases, use tags or folders.
Most people born since the advent of the filing cabinet and the computer have spent a lifetime using a hierarchical folder-based mental model for their knowledge. For greater value and efficiency one needs to get away from this model and move toward linking individual ideas together in ways that they can more easily be re-used.
To accomplish this many people use an index-based method that uses topical or subject headings which can be useful. However after even a few years of utilizing a generic tag (science for example) it may become overwhelmed and generally useless in a broad search. Even switching to narrower sub-headings (physics, biology, chemistry) may show the same effect. As a result one will increasingly need to spend time and effort to maintain and work at this sort of taxonomical system.
The better option is to directly link related ideas to each other. Each atomic idea will have a much more limited set of links to other ideas which will create a much more valuable set of interlinks for later use. Limiting your links at this level will be incredibly more useful over time.
One of the biggest benefits of the physical system used by Niklas Luhmann was that each card was required to be placed next to at least one card in a branching tree of knowledge (or a whole new branch had to be created.) Though he often noted links to other atomic ideas there was at least a minimum link of one on every idea in the system.
For those who have difficulty deciding where to place a new idea within their system, it can certainly be helpful to add a few broad keywords of the type one might put into an index. This may help you in linking your individual ideas as you can do a search of one or more of your keywords to narrow down the existing ones within your collection. This may help you link your new idea to one or more of those already in your system. This method may be even more useful and helpful for those who are starting out and have fewer than 500-1000 notes in their system and have even less to link their new atomic ideas to.
For those who have graphical systems, it may be helpful to look for one or two individual "tags" in a graph structure to visually see the number of first degree notes that link to them as a means of creating links between atomic ideas.
To have a better idea of a hierarchy of value within these ideas, it may help to have some names and delineate this hierarchy of potential links. Perhaps we might borrow some well ideas from library and information science to guide us? There's a system in library science that uses a hierarchical set up using the phrases: "broader terms", "narrower terms", "related terms", and "used for" (think alias or also known as) for cataloging books and related materials.
We might try using tags or index-like links in each of these levels to become more specific, but let's append "connected atomic ideas" to the bottom of the list.
Here's an example:
- broader terms (BT): [[physics]]
- narrower terms (NT): [[mechanics]], [[dynamics]]
- related terms (RT): [[acceleration]], [[velocity]]
- used for (UF) or aliases:
- connected atomic ideas: [[force = mass * acceleration]], [[$$v^2=v_0^2+2aΔx$$]]
Chances are that within a particular text, one's notes may connect and interrelate to each other quite easily, but it's important to also link those ideas to other ideas that are already in your pre-existing body of knowledge.
See also: Thesaurus for Graphic Materials I: Subject Terms (TGM I) https://www.loc.gov/rr/print/tgm1/ic.html
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- Apr 2022
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Amie Fairs, who studies language at Aix-Marseille University in France, is a self-proclaimed Open Knowledge Maps enthusiast. “One particularly nice thing about Open Knowledge Maps is that you can search very broad topics, like ‘language production’, and it can group papers into themes you may not have considered,” Fairs says. For example, when she searched for ‘phonological brain regions’ — the areas of the brain that process sound and meaning — Open Knowledge Maps suggested a subfield of research about age-related differences in processing. “I hadn’t considered looking in the ageing literature for information about this before, but now I will,” she says.
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Another visual-mapping tool is Open Knowledge Maps, a service offered by a Vienna-based not-for-profit organization of the same name. It was founded in 2015 by Peter Kraker, a former scholarly-communication researcher at Graz University of Technology in Austria.
https://openknowledgemaps.org/
Open Knowledge maps is a visual literature search tool that is based on keywords rather than on a paper's title, author, or DOI. The service was founded in 2015 by Peter Kraker, a former scholarly communication researcher at Graz University of Technology.
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Francis Bacon explained succinctlythat notes could be made either “by epitome or abridgement” (that is, by sum-marizing the source) or “by heads or commonplaces” (that is, by copying a pas-sage verbatim or nearly so and storing it in a notebook under a commonplaceheading for later retrieval and use). Bacon considered the latter method “of farmore profit and use,” and most note-taking advice focused on this practice of ex-cerpting.46
This quote is worth looking up and checking its context. Particularly I'm interested to know if the purpose of summarizing the source is to check one's understanding of the ideas as is done in the Feynman technique, or if the purpose is a reminder summary of the piece itself?
Link to Ahrens mentions of this technique for checking understanding. (Did he use the phrase Feynman in his text?)
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Although humanists like Guarino da Verona(1370–1460), Desiderius Erasmus (1466–1536), and Juan Luis Vives (1492–1540)explained the principles of the commonplace book that collected phrases worthyof imitation under topical headings, they did not offer detailed practical advice
in print.33
- Moss (1996), 54–55. For Guarino’s methods, see the treatise by his son Battista in Guarino (2002); Erasmus discusses commonplacing in De copia and De ratione studii (Basel, 1512), in Erasmus (1978), 605–6, 636–38, 672; Vives does so in De tradendis disciplinis (1531), in Vives (1971), 108, 133
Double check what Erasmus has to say as it would seem that Earle Havens contradicts this in Commonplace Books (Yale University Press, 2001). Perhaps its a difference of degree? I seem to recall that he indicated that Erasmus helped to popularize commonplacing practice.
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But modern note-taking is more idiosyncratic to each note-taker and no longer follows a set of subject headings that pedagogical practicesand printed reference works helped to standardize.
Early modern reference works, handbooks, and pedagogical practices created a sort of standardized set of subject headings amongst note takers.
A similar sort of effort could have been seen in the blogosphere of the early 2000s in which Technorati and their search functionality may have helped to standardize some of these same sorts of taxonomic issues within their product which was widely used at the time.
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- Mar 2022
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Local file Local file
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Topic A topic was once a spot not a subjecttopic. to ̆p’ı ̆k. n. 1. The subject of a speech, essay, thesis, or discourse. 2. A subject of discussion or con-versation. 3. A subdivision of a theme, thesis, or outline.*With no teleprompter, index cards, or even sheets of paper at their disposal, ancient Greek and Roman orators often had to rely on their memories for holding a great deal of information. Given the limi-tations of memory, the points they chose to make had to be clustered in some meaningful way. A popular and quite reliable method for remembering information was known as loci (see Chapter 9), where loci was Latin for “place.” It involved picking a house you knew well, imagining it in your mind’s eye, and then associating the facts you wanted to recall with specifi c places inside of that house. Using this method, a skillful orator could mentally fi ll up numerous houses with the ideas he needed to recall and then simply “visit” them whenever he spoke about a particular subject. The clusters of informa-tion that speakers used routinely came to be known as commonplaces, loci communes in Latin and koinos topos in Greek. The great Greek philosopher Aristotle referred to them simply as topos, meaning “places.” And that’s how we came to use topic to refer to subject or grouping of information.**
Even in the western tradition, the earliest methods of mnemonics tied ideas to locations, from whence we get the ideas of loci communes (in Latin) and thence commonplaces and commonplace books. The idea of loci communes was koinos topos in Greek from whence we have derived the word 'topic'.
Was this a carryover from other local oral traditions or a new innovation? Given the prevalence of very similar Indigenous methods around the world, it was assuredly not an innovation. Perhaps it was a rediscovery after the loss of some of these traditions locally in societies that were less reliant on orality and moving towards more reliance on literacy for their memories.
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schoenberginstitute.org schoenberginstitute.org
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Lemmata from the main text are underlined in red, and the commentary is provided after.
: lemmata ; a heading indicating the subject or argument of a literary composition, an annotation, or a dictionary entry.
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- Feb 2022
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reallifemag.com reallifemag.com
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A zettelkasten is an accumulation of notes in which each successive note is given a number, rather than being placed in a category or topic.
An example here of a misconception. The zettle may be given a number, but it is also given a topic tied into an index. Because it isn't put into a "folder" or "hierarchy" isn't the same thing as not giving it a topic.
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Local file Local file
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Make permanent notes.
The important part of permanent notes are generating your own ideas and connecting (linking them densely) into your note system. The linking part is important and can be the part that most using digital systems forget to do. In paper zettelkasten, one was forced to create the first link by placing the note into the system for the first time. This can specifically be seen in Niklas Luhmann's example where a note became a new area of its own or, far more likely, it was linked to prior ideas.
By linking the idea to others within the system, it becomes more likely that the idea can have additional multiple contexts where it might be used and improve the fact that context shifts will prove more insight in the future.
Additional links to subject headings, tags, categories, or other forms of taxonomy will also help to make sure the note isn't lost completely into the system. Links to the bibliographical references within the system are helpful as well, especially for later citation. Keep in mind that these categories and reference links aren't nearly as valuable as the other primary idea links.
One can surely collect ideas and facts into their system, but these aren't as important or as interesting as one's own ideas and the things that are sparked and generated by them.
Asking questions in permanent notes can be valuable as they can become the context for new research, projects, and writing. Open questions can be incredibly valuable for one's thinking and explorations.
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- Jan 2022
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Drexel recommended pondering the choices of the correct subject-term (caput rei), because it is hard to foresee in the ‘present’ which ‘past’ one might search for in the ‘future’.
Drexel, Aurifodina, 135
The question of the correct taxonomies isn't an easy one and certainly isn't new.
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Placcius recommended considering the first, the second, and the third letters in the words listed in the subject index in order to avoid spending too much time in searching for an entry;
Placcius, De arte excerpendi, 84–5;
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takingnotenow.blogspot.com takingnotenow.blogspot.com
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But this is not the main reason. The other three programs try to achieve the connection or linking between different topics or cards (mainly) by assigning keywords. But this is not what Luhmann's approach recommended. While he did have a register of keywords, this was certainly not the most important way of interconnecting his slips. He linked them by direct references (Verweisungen). Any slip could refer directly to the physical and unchanging location of any other slip.
Niklas Luhmann's zettelkasten had three different forms of links.
- The traditional keyword index/link from the commonplace book tradition
- A parent/child link upon first placing the idea into the system (except when starting a new top level parent)
- A direct link (Verweisungen) to one or more ideas already in the index card catalog.
Many note taking systems are relying on the older commonplace book taxonomies and neglect or forego both of the other two sorts of links. While the second can be safely subsumed as a custom, one-time version of the third, the third version is the sort of link which helps to create a lot of direct value within a note taking system as the generic links between broader topic heading names can be washed out over time as the system grows.
Was this last link type included in Konrad Gessner's version? If not, at what point in time did this more specific direct link evolve?
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- Dec 2021
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luhmann.surge.sh luhmann.surge.sh
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Usually it is more fruitful to look for formulations of problems that relate heterogeneous things with each other.
A great quote, but this is likely a nebulous statement to those with out the experience of practice. Definitely worth expanding on this idea to give it more detail.
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Considering the absence of a systematic order, we must regulate the process of rediscovery of notes, for we cannot rely on our memory of numbers. (The alternation of numbers and alphabetic characters in numbering the slips helps memory and is an optical aid when we search for them, but it is insufficient. Therefore we need a register of keywords that we constantly update.
Luhmann indicated that one must keep a register of keywords to assist in the rediscovery of notes. This had been the standard within the commonplacing tradition for centuries before him. The potential subtle difference is that he seems to place more value on the placement links between cards as well as other specific links between cards over these subject headings.
Is it possible to tell from his system which sets of links were more valuable to him? Were there more of these topical heading links than other non-topical heading links between individual cards?
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Through an inner structure of recursive links and semantic pointers, a card index achieves a proper autonomy; it behaves as a ‘communication partner’ who can recommend unexpected associations among different ideas. I suggest that in this respect pre-adaptive advances took root in early modern Europe, and that this basic requisite for information pro-cessing machines was formulated largely by the keyword ‘order’.
aliases for "topical headings": headwords keywords tags categories
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- Nov 2021
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docdrop.org docdrop.org
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trancis pacon outlined the two principal methods ofnote taking in a letter of advice to tulke urevilleW who was seeking to hireone or more research assistants in qambridge around ]cggh “ve that shallout of his own ”eading gather [notes] for the use of anotherW must Sas wthinkT do it by spitomeW or obridgmentW or under veads and qommonfllacesY spitomes may also be of ‘ sortsh of any one ortW or part of ynowledgeout of many pooksi or of one pook by itselfY”
Quoted in Vernon F Snow “Ftrancis Bacon's Advice to Fulke Greville on Research Techniques," Huntington Library Quarterly 23, no.4 (1960): 370.
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- Oct 2021
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yishunlai.medium.com yishunlai.medium.com
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Holiday’s is project-based, or bucket-based.
Ryan Holiday's system is a more traditional commonplace book approach with broad headings which can feel project-based or bucket-based and thus not as flexible or useful to some users.
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- Aug 2021
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Local file Local file
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Although it is difficult at present to know the precise impact of such filing systems, it is clear thatLinnaeus’s design mirrored the ways in which he arranged heads in his notes and books. The inte-rior space of his cabinet was divided into two open-faced columns, which meant that it was a phys-ical instantiation of a bilateral table.
The design of Carl Linnaeus' specimen cabinets mirrored that of the bilateral tables and the ways he arranged his heads in his notes and books.
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Like the spatial hierarchies presented in the Philosophia botanica, he wanted asimple form of linear order that allowed him to access his sheets quickly. Such a desire led himto reject the spatial divisions featured in many contemporary curiosity and medical cabinets, thatis, closed drawers that were stacked in multiple columns. This rejection was probably linked tothe fact that he had already seen a better way forward in the form of filing systems that werephysical instantiations of commonplace divisions used so often in books.
Linnaeus used the logic of topical headings in commonplace books as an intellectual framework for designing a better filing system for his physical plant specimens. This was in marked contrast to the sorts of contemporary curiosity and medical cabinets that others were using at the time.
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In contrast to the sheets used by other contemporary natural-ists, he refrained from binding his into a proper book and this allowed him to stack them in abespoke cabinet (arca) in a manner that allowed him to insert, remove and reorder them as he sawfit (Figure 9).64 It was for this reason that the Philosophia botanica gave explicit instructions onhow to build the cabinet and how to organize the specimen sheets within it. He recommended thatthe internal space be split into two columns with shelves that were collectively divided intotwenty-four sections, each of which was assigned a numerical head that represented a class withinhis system.65Each class section was filled with select specimen sheets divided by bands intogenera. In his words: If the folding doors are marked with the numbers and names of the genera, with the space on the shelvescorresponding exactly, and linden bands are kept between the spaces, enclosing the same genera andthemselves marked with the number of the genera, then any plant can be pulled out and produced with-out delay.66
Note here the idea of being able to file things away, reorder them, and find them quickly. Search was a likely motivator.
He's essentially created an early form of zettelkasten, but for plants.
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Ong maintains that this type of spatialization of aphorisms into heads started in the Renaissance. See Ong, Ramus, 315
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Since he was writing in Latin, he could arrange the narra-tive of each aphorism so that it began with a head that cued the reader to the content of the subse-quent narrative.
Oh the times I wish this were easier to do in English without the gymnastics.
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In other words, the chapter titles of the Fundamenta botanicawere effectively titularheads which were transferable from one book to another and which served as labels for textualunits that could be moved through the space of the page in a manner that split books into chap-ters and chapters into books.
In much the way one might move around portions of ideas under heads in a commonplace book, Carl Linnaeus was moving around bigger ideas/chapters within books and moving from one book to another.
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when he laid out the early form of his classification method in a pamphletentitled Methodus(1736), he used heads to order the text.16
Carl Linnaeus' classification method in Systema Naturae, his famous nomenclature system, was informed by the traditional topical headings of commonplace books.
[16] The content of Methodus and the nature of the heads is addressed in S. Müller-Wille, ‘Introduction’, in C.Linnaeus, Musa Cliffortiana: Clifford’s Banana Plant, translated by S. Freer (Liechtenstein: A.R.G. Gantner VerlagK.G., 2007), 33
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- Feb 2019
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www.w3schools.com www.w3schools.com
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<h1>Heading 1</h1> <h2>Heading 2</h2> <h3>Heading 3</h3><h4>Heading 4</h4><h5>Heading 5</h5><h6>Heading 6</h6>
Headings 1-6
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