10,000 Matching Annotations
  1. Oct 2023
    1. In the wake of newly released models such as Stable Diffusion and ChatGPT, generative AI has become a 'hot topic' for technologists, investors, policymakers and for society at large.

      This is very true as lately, platforms as stable diffusion and chatGPT have been the hot topic along with the advancement of AI itself. Overtime, I believe there will be more AI generated platforms that will that will be useful for data scientists along with society as a whole. AI sooner rather than later, will be used to carry out tasks replacing humans as it will become more powerful and dependent upon.

    1. Relays, string figures, pass-ing patterns back and forth, giving and receiving, patterning, holdingthe unasked-for pattern in one’s hands, response-ability; that is core towhat I mean by staying with the trouble in serious multispecies worlds.Becoming-with, not becoming, is the name of the game; becoming-withis how partners are, in Vinciane Despret’s terms, rendered capable.7 On-

      cooperative pattern-seeking as the only meaningful and useful becoming (becoming-with)

      1/2

    1. ‘meaning’ is completely made up by society and tradition

      error theory -- meaning is made up by society and tradition rules of chess have no meaning to those who do not know how to play the game good is indefinable but still has intrinstic meaning (our ability to recognize suggests that it his significaint meaning)

    1. Do you think there is information that could be discovered through data mining that social media companies should seek out (e.g., they can’t make their platform treat people fairly without knowing this)?

      With data mining in my opion a lot of things are fair game. If you decide to download a social media app that is made to waste your time of course they are going to target content towards your interest. Without data mining social media apps would not be as successful and the user experience would be worse. One way or another your data is out there somewhere whether you like it or not. I think there should be a line of where that date is used. For example someone doxing or impersonating you. Ultimately it is the responsibility of the companies to keep that data safe.

    1. Any recommendations on Analog way of doing it? Not the Antinet shit

      reply to u/IamOkei at https://www.reddit.com/r/Zettelkasten/comments/17beucn/comment/k5s6aek/?utm_source=reddit&utm_medium=web2x&context=3

      u/IamOkei, I know you've got a significant enough practice that not much of what I might suggest may be helpful beyond your own extension of what you've got and how it is or isn't working for you. Perhaps chatting with a zettelkasten therapist may be helpful? Does anyone have "Zettelkasten Whisperer" on a business card yet?! More seriously, I occasionally dump some of my problems and issues into a notebook, unpublished on my blog, or even into a section of my own zettelkasten, which I never index or reconsult, as a helpful practice. Others like Henry David Thoreau have done something like this and there's a common related practice of writing "Morning Pages" that you can explore. My own version is somewhat similar to the idea of rubber duck debugging but focuses on my own work. You might try doing something like this in one of Bob Doto's cohorts or by way of private consulting sessions. Another free version of this could be found by participating in Will's regular weekly posts/threads "Share with us what is happening in your ZK this week" at https://forum.zettelkasten.de/. It's always a welcoming and constructive space. There are also some public and private (I won't out them) Discords where some of the practiced hands chat and commiserate with each other. Even the Obsidian PKM/Zettelkasten Discord channels aren't very Obsidian/digital-focused that you couldn't participate as an analog practitioner. I've even found that participating in book clubs related to some of my interests can be quite helpful in talking out ideas before writing them down. There are certainly options for working out and extending your own practice.

      Beyond this, and without knowing more of your specific issues, I can only offer some broad thoughts which expand on some of the earlier discussion above.

      I recommend stripping away Scheper's religious fervor, some of which he seems to have thrown over lately along with the idea of a permanent note or "main card" (something I think is a grave mistake), and trying something closer to Luhmann's idea of ZKII.

      An alternate method, especially if you like a nice notebook or a particular fountain pen, might be to take all of your basic literature/fleeting notes along with the bibliographic data in a notebook and then just use your analog index cards/slips to make your permanent notes and your index.

      Ultimately it's all a lot of the same process, though it may come down to what you want to call it and your broad philosophy. If you're anti-antinet, definitely quit using the verbiage for the framing there and lean toward the words used by Ahrens, Dan Allosso, Gerald Weinberg, Mark Bernstein, Umberto Eco, Beatrice Webb, Jacques Barzun & Henry Graff, or any of the dozens of others or even make up your own. Goodness knows we need a lot more names and categories for types of notes—just like we all need another one page blog post about how the Zettelkasten method works by someone who's been at it for a week. Maybe someone will bring all these authors to terms one day?

      Generally once you know what sorts of ideas you're most interested in, you take fewer big notes on administrivia and focus more of your note taking towards your own personal goals and desires. (Taking notes to learn a subject are certainly game, but often they serve little purpose after-the-fact.) You can also focus less on note taking within your entertainment reading (usually a waste) and focusing more heavily on richer material (books and journal articles) that is "above you" in Adler's framing. You might make hundreds of highlights and annotations in a particular book, but only get two or three serious ideas and notes out of it ultimately. Focus on this and leave the rest. If you're aware of the Pareto principle or the 80/20 rule, then spend the majority of your time on the grander permanent notes (10-20%), and a lot less time worrying about the all the rest (the 80-90%).

      In the example above relating to Marx, you can breeze through some low level introductory material for context, but nothing is going to beat reading Marx himself a few times. The notes you make on his text will have tremendously more value than the ones you took on the low level context. A corollary to this is that you're highly unlikely to earn a Ph.D. or discover massive insight by reading and taking note posts on Twitter, Medium, or Substack (except possibly unless your work is on the cultural anthropology of those platforms).

      A lot of the zettelkasten spaces focus heavily on the note taking part of the process and not enough on the quality of what you're reading and how you're reading it. This portion is possibly more valuable than the note taking piece, but the two should be hand-in-glove and work toward something.

      I suspect that most people who have 1000 notes know which five or ten are the most important to where they're going and how they're growing. Focus on those and your "conversations with texts" relating to those. The rest is either low level context for where you're headed or either pure noise/digital exhaust.

      If you think of ideas as incunables, which notes will be worth of putting on your tombstone? In other words: What are your "tombstone notes"? (See what I did there? I came up with another name for a type of note, a sin for which I'm certainly going to spend a lot of time in zettelkasten purgatory.)

    1. pointed out that stereotype threat impairs women’s game play and play experience in terms of heightened emotional strain and troubled skill perception.

      Has actual in-game effects based on gender.

    2. #GamerGate,

      Gamergate or GamerGate (GG) was a loosely organized misogynistic online harassment campaign and a right-wing backlash against feminism, diversity, and progressivism in video game culture. (wikipedia)

    1. hey quickly fell to cutting dry trees, tomake Rafts to carry them over the river, and soon my turn came to go over: By theadvantage of some brush which they had laid upon the Raft to sit on, I did not wetmy foot, (which many of themselves at the other end were mid-leg deep) whichcannot but be acknowledged as a favour of God to my weakened body, it being avery cold time.

      I thought this statement was very interesting, we see continuously through Rowlandson's passage about mistreatments in her captivity. The toucher she endured as a woman within her captors of an Indigenous Society, but we also witness the "perks" of being a woman in captivity. I know from previous knowledge that the women in Indigenous communities and tribes are the mothers typically. they care for the children, medicine, skinning of animals to make clothing and shoes, and preparation of the food for when the males bring back game. So seeing this "perk" ( and am I under no means trying to make this sound good or put this into better light for Rowlandson) you can see through this treatment and her duties as a woman that she was taken care of more than Gyles. She was knitting, protected, and still fed ( kind of ) in comparison to the horror story Gyle endured as captured by the wolastoqiki.

    1. computers are never going to be able to replace that will always necessitate people,”

      AI doesn't really make new ideas, you can give list of ideas for art but are far as creatively goes i do not see ai giving out new ideas it would eventually be over done/ used

    2. of the creepy actors

      I feel like this would make more sense because it shows real people with a "creepy smile" for the movie smile... real people taking up a seat in an event would be better than a robot.

    1. Some reasons people engage in trolling behavior include:

      Unless trolling is done in the most niche forum of humor I just think it's like the dumbest thing ever. I think it's a crazy waste of time for the troll and those getting trolled and it just says a lot about the person one is if they choose to spend their day hurting or bringing down others. Sometimes it's just a by-part of someone being funny in a game or playful with buddies, but most often that's not the case. It's just weak and to bully from behind the key board shows how little strength and courage the bully really has. It's something internal - like a God complex - to need to feel satisfaction from messing with others (especially innocent users).

    1. Interactive fiction (IF) differs from the works mentioned above in having stronger game elements

      KORMICH DARIA: And this is the important feature of electronic literature - it reflects all modern trends - gamification in particular. Games have long been an integral part of our culture, so it is not surprising that the general plot of the most famous of them is becoming familiar to all active Internet users. Thus, the concept of electronic literature includes these plots as well.

    1. In the game, players picked cards from red and blue decks, winning and losing play money with each pick. The players were hooked up to lie-detector-like devices that measure skin conductance response, or CSR, which climbs as your stress increases and your palms sweat. Most players get a feeling that there’s something amiss with the red decks after they turn over about 50 cards, and after 30 more cards, they can explain exactly what’s wrong. But just ten cards into the game, their palms begin sweating when they reach for the red decks. Part of their brains know the red deck is a bad bet, and they begin to avoid it—even though they won’t consciously recognize the problem for another 40 cards and won’t be able to explain it until 30 cards after that. Long before they have a hunch about the red deck, a subconscious prehunch warns them away from it.

      What was wrong with the red decks?

    1. As a conclusion main study, it has been determined that the motivations for make money, socialization, and being in the game carry the risks that can lead to sports betting addiction, and that individuals may be adversely affected by this situation as a result of the fact that these motivation elements lead the behavior in a frequent and repeated manner.

      This si a more basic yet good conclusion just making sure to restate the main big point to help connect the readers minds back to all the information that they have already read.

    1. Discipline 1: Focus on the Wildly Important A Wildly Important Goal is defined simply as “the most important objective that won’t be achieved without special attention.” Your organization can have many top priorities that you are already organized to effectively accomplish. A WIG is a high-priority objective that won’t be achieve if you just keep going about things as you always have. To be achievable, a WIG must be defined in terms of where you are now, where you want to be, and by when. In other words, you need to define: A starting line A finish line A deadline Helping your team or organization focus on a clearly defined WIG is “the first step to creating a winnable game.” Review the following page and watch the video for a deeper understanding of Discipline 1: Disciple 1: Focus on the Wildly Important

      Discipline 1, which emphasizes focusing on the Wildly Important Goals (WIGs), is a fundamental concept in the pursuit of organizational success. A WIG is the pinnacle of priorities that require extraordinary attention and cannot be accomplished through business as usual. To make a WIG achievable, it must be well-defined, encompassing the starting point, the destination, and a set deadline.

      In the words of Stephen R. Covey, renowned author and leadership expert, "The main thing is to keep the main thing the main thing." This quote underscores the importance of Discipline 1 in ensuring that the most crucial objectives receive the necessary emphasis and effort.

      Furthermore, Sean Covey, the author of "The 4 Disciplines of Execution," provides a complementary perspective on WIGs: "A wildly important goal is a goal that can make all the difference. It’s a goal that will impact the organization in a big way, and it requires a team to change their behavior."

      Discipline 1, by guiding organizations in identifying and focusing on their Wildly Important Goals, sets the stage for achieving success and creating a "winnable game" by concentrating resources where they will have the greatest impact.

    1. The authors forecast the 2020 revenue for each of the four major leagues under two scenarios: (1) expected revenue under the normal conditions of fans in attendance and (

      I dont understand why it would go down if , its the same as paying to go inside a game .

    1. Something strange occurred as I was writing Sixty Years In: I began to notice that reading the rules was part of playing the game.

      Explains why you can enjoy character creation in TTRPGs when the written rules also entertain.

    1. Do you think it matters which human typed the Tweet? Does the emotional expression (e.g., anger) of the Tweet change your view of authenticity?

      I think it depends. Regarding Donald Trump, I believe that Twitter aggression is his game to appeal to his base as a "non-politician". The article claims that the tweets from the supposedly "Trump campaign" post in a different style that softens the rough edges of himself, but I think both senders represent Donald Trump and his MAGA movement anyway, so the sender's real identity doesn't matter to me.

    1. Have you witnessed different responses to trolling? What happened in those cases?

      I see trolling most prominently through video games, often in real-time whether it be through chat functions or over voice chat. In these cases, trolls usually antagonize people for amusement (possibly by intentionally doing poorly in a game) or to emphasize their superior skill in some way.

    1. And if it rains, a closed car at four. And we shall play a game of chess, Pressing lidless eyes and waiting for a knock upon the door.

      It's very hard to tell if the "A Game of Chess" writing stops here or if it's one whole poem and it keeps going.

    2. Thank you. If you see dear Mrs. Equitone, Tell her I bring the horoscope myself: One must be so careful these days.     Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. Sighs, short and infrequent, were exhaled, And each man fixed his eyes before his feet. Flowed up the hill and down King William Street, To where Saint Mary Woolnoth kept the hours With a dead sound on the final stroke of nine. There I saw one I knew, and stopped him, crying: “Stetson! “You who were with me in the ships at Mylae! “That corpse you planted last year in your garden, “Has it begun to sprout? Will it bloom this year? “Or has the sudden frost disturbed its bed? “Oh keep the Dog far hence, that’s friend to men, “Or with his nails he’ll dig it up again! “You! hypocrite lecteur!—mon semblable,—mon frère!”                 II. A Game of Chess   The Chair she sat in, like a burnished throne, Glowed on the marble, where the glass Held up by standards wrought with fruited vines From which a golden Cupidon peeped out (Another hid his eyes behind his wing) Doubled the flames of sevenbranched candelabra Reflecting light upon the table as The glitter of her jewels rose to meet it, From satin cases poured in rich profusion; In vials of ivory and coloured glass Unstoppered, lurked her strange synthetic perfumes, Unguent, powdered, or liquid—troubled, confused And drowned the sense in odours; stirred by the air That freshened from the window, these ascended In fattening the prolonged candle-flames, Flung their smoke into the laquearia, Stirring the pattern on the coffered ceiling. Huge sea-wood fed with copper Burned green and orange, framed by the coloured stone, In which sad light a carvéd dolphin swam. Above the antique mantel was displayed As though a window gave upon the sylvan scene The change of Philomel, by the barbarous king So rudely forced; yet there the nightingale Filled all the desert with inviolable voice And still she cried, and still the world pursues, “Jug Jug” to dirty ears. And other withered stumps of time Were told upon the walls; staring forms Leaned out, leaning, hushing the room enclosed. Footsteps shuffled on the stair. Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still.     “My nerves are bad tonight. Yes, bad. Stay with me. “Speak to me. Why do you never speak. Speak.   “What are you thinking of? What thinking? What? “I never know what you are thinking. Think.”     I think we are in rats’ alley Where the dead men lost their bones.     “What is that noise?”                           The wind under the door. “What is that noise now? What is the wind doing?”                            Nothing again nothing.                                                         “Do “You know nothing? Do you see nothing? Do you remember “Nothing?”          I remember Those are pearls that were his eyes. “Are you alive, or not? Is there nothing in your head?”                                                                            But O O O O that Shakespeherian Rag— It’s so elegant So intelligent “What shall I do now? What shall I do?” “I shall rush out as I am, and walk the street “With my hair down, so. What shall we do tomorrow? “What shall we ever do?”                                                The hot water at ten. And if it rains, a closed car at four. And we shall play a game of chess, Pressing lidless eyes and waiting for a knock upon the door.     When Lil’s husband got demobbed, I said— I didn’t mince my words, I said to her myself, HURRY UP PLEASE ITS TIME Now Albert’s coming back, make yourself a bit smart. He’ll want to know what you done with that money he gave you To get yourself some teeth. He did, I was there. You have them all out, Lil, and get a nice set, He said, I swear, I can’t bear to look at you. And no more can’t I, I said, and think of poor Albert, He’s been in the army four years, he wants a good time, And if you don’t give it him, there’s others will, I said. Oh is there, she said. Something o’ that, I said. Then I’ll know who to thank, she said, and give me a straight look. HURRY UP PLEASE ITS TIME If you don’t like it you can get on with it, I said. Others can pick and choose if you can’t. But if Albert makes off, it won’t be for lack of telling. You ought to be ashamed, I said, to look so antique. (And her only thirty-one.) I can’t help it, she said, pulling a long face, It’s them pills I took, to bring it off, she said. (She’s had five already, and nearly died of young George.) The chemist said it would be all right, but I’ve never been the same. You are a proper fool, I said. Well, if Albert won’t leave you alone, there it is, I said, What you get married for if you don’t want children? HURRY UP PLEASE ITS TIME Well, that Sunday Albert was home, they had a hot gammon, And they asked me in to dinner, to get the beauty of it hot— HURRY UP PLEASE ITS TIME HURRY UP PLEASE ITS TIME Goonight Bill. Goonight Lou. Goonight May. Goonight. Ta ta. Goonight. Goonight. Good night, ladies, good night, sweet ladies, good night, good night.                 III. The Fire Sermon     The river’s tent is broken: the last fingers of leaf Clutch and sink into the wet bank. The wind Crosses the brown land, unheard. The nymphs are departed. Sweet Thames, run softly, till I end my song. The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. And their friends, the loitering heirs of city directors; Departed, have left no addresses. By the waters of Leman I sat down and wept . . . Sweet Thames, run softly till I end my song, Sweet Thames, run softly, for I speak not loud or long. But at my back in a cold blast I hear The rattle of the bones, and chuckle spread from ear to ear.   A rat crept softly through the vegetation Dragging its slimy belly on the bank While I was fishing in the dull canal On a winter evening round behind the gashouse Musing upon the king my brother’s wreck And on the king my father’s death before him. White bodies naked on the low damp ground And bones cast in a little low dry garret, Rattled by the rat’s foot only, year to year. But at my back from time to time I hear The sound of horns and motors, which shall bring Sweeney to Mrs. Porter in the spring. O the moon shone bright on Mrs. Porter And on her daughter They wash their feet in soda water Et O ces voix d’enfants, chantant dans la coupole!   Twit twit twit Jug jug jug jug jug jug So rudely forc’d. Tereu   Unreal City Under the brown fog of a winter noon Mr. Eugenides, the Smyrna merchant Unshaven, with a pocket full of currants C.i.f. London: documents at sight, Asked me in demotic French To luncheon at the Cannon Street Hotel Followed by a weekend at the Metropole.   At the violet hour, when the eyes and back Turn upward from the desk, when the human engine waits Like a taxi throbbing waiting, I Tiresias, though blind, throbbing between two lives, Old man with wrinkled female breasts, can see At the violet hour, the evening hour that strives Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. Out of the window perilously spread Her drying combinations touched by the sun’s last rays, On the divan are piled (at night her bed) Stockings, slippers, camisoles, and stays. I Tiresias, old man with wrinkled dugs Perceived the scene, and foretold the rest— I too awaited the expected guest. He, the young man carbuncular, arrives, A small house agent’s clerk, with one bold stare, One of the low on whom assurance sits As a silk hat on a Bradford millionaire. The time is now propitious, as he guesses, The meal is ended, she is bored and tired, Endeavours to engage her in caresses Which still are unreproved, if undesired. Flushed and decided, he assaults at once; Exploring hands encounter no defence; His vanity requires no response, And makes a welcome of indifference. (And I Tiresias have foresuffered all Enacted on this same divan or bed; I who have sat by Thebes below the wall And walked among the lowest of the dead.) Bestows one final patronising kiss, And gropes his way, finding the stairs unlit . . .   She turns and looks a moment in the glass, Hardly aware of her departed lover; Her brain allows one half-formed thought to pass: “Well now that’s done: and I’m glad it’s over.” When lovely woman stoops to folly and Paces about her room again, alone, She smoothes her hair with automatic hand, And puts a record on the gramophone.   “This music crept by me upon the waters” And along the Strand, up Queen Victoria Street. O City city, I can sometimes hear Beside a public bar in Lower Thames Street, The pleasant whining of a mandoline And a clatter and a chatter from within Where fishmen lounge at noon: where the walls Of Magnus Martyr hold Inexplicable splendour of Ionian white and gold.                  The river sweats                Oil and tar                The barges drift                With the turning tide                Red sails                Wide                To leeward, swing on the heavy spar.                The barges wash                Drifting logs                Down Greenwich reach                Past the Isle of Dogs.                                  Weialala leia                                  Wallala leialala                  Elizabeth and Leicester                Beating oars                The stern was formed                A gilded shell                Red and gold                The brisk swell                Rippled both shores                Southwest wind                Carried down stream                The peal of bells                White towers                                 Weialala leia                                 Wallala leialala   “Trams and dusty trees. Highbury bore me. Richmond and Kew Undid me. By Richmond I raised my knees Supine on the floor of a narrow canoe.”   “My feet are at Moorgate, and my heart Under my feet. After the event He wept. He promised a ‘new start.’ I made no comment. What should I resent?”   “On Margate Sands. I can connect Nothing with nothing. The broken fingernails of dirty hands. My people humble people who expect Nothing.”                        la la   To Carthage then I came   Burning burning burning burning O Lord Thou pluckest me out O Lord Thou pluckest   burning                 IV. Death by Water   Phlebas the Phoenician, a fortnight dead, Forgot the cry of gulls, and the deep sea swell And the profit and loss.                                    A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool.                                    Gentile or Jew O you who turn the wheel and look to windward, Consider Phlebas, who was once handsome and tall as you.                 V. What the Thunder Said     After the torchlight red on sweaty faces After the frosty silence in the gardens After the agony in stony places The shouting and the crying Prison and palace and reverberation Of thunder of spring over distant mountains He who was living is now dead We who were living are now dying With a little patience   Here is no water but only rock Rock and no water and the sandy road The road winding above among the mountains Which are mountains of rock without water If there were water we should stop and drink Amongst the rock one cannot stop or think Sweat is dry and feet are in the sand If there were only water amongst the rock Dead mountain mouth of carious teeth that cannot spit Here one can neither stand nor lie nor sit There is not even silence in the mountains But dry sterile thunder without rain There is not even solitude in the mountains But red sullen faces sneer and snarl From doors of mudcracked houses                                       If there were water    And no rock    If there were rock    And also water    And water    A spring    A pool among the rock    If there were the sound of water only    Not the cicada    And dry grass singing    But sound of water over a rock    Where the hermit-thrush sings in the pine trees    Drip drop drip drop drop drop drop    But there is no water   Who is the third who walks always beside you? When I count, there are only you and I together But when I look ahead up the white road There is always another one walking beside you Gliding wrapt in a brown mantle, hooded I do not know whether a man or a woman —But who is that on the other side of you?   What is that sound high in the air Murmur of maternal lamentation Who are those hooded hordes swarming Over endless plains, stumbling in cracked earth Ringed by the flat horizon only What is the city over the mountains Cracks and reforms and bursts in the violet air Falling towers Jerusalem Athens Alexandria Vienna London Unreal   A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.   In this decayed hole among the mountains In the faint moonlight, the grass is singing Over the tumbled graves, about the chapel There is the empty chapel, only the wind’s home. It has no windows, and the door swings, Dry bones can harm no one. Only a cock stood on the rooftree Co co rico co co rico In a flash of lightning. Then a damp gust Bringing rain   Ganga was sunken, and the limp leaves Waited for rain, while the black clouds Gathered far distant, over Himavant. The jungle crouched, humped in silence. Then spoke the thunder DA Datta: what have we given? My friend, blood shaking my heart The awful daring of a moment’s surrender Which an age of prudence can never retract By this, and this only, we have existed Which is not to be found in our obituaries Or in memories draped by the beneficent spider Or under seals broken by the lean solicitor In our empty rooms DA Dayadhvam: I have heard the key Turn in the door once and turn once only We think of the key, each in his prison Thinking of the key, each confirms a prison Only at nightfall, aethereal rumours Revive for a moment a broken Coriolanus DA Damyata: The boat responded Gaily, to the hand expert with sail and oar The sea was calm, your heart would have responded Gaily, when invited, beating obedient To controlling hands                                     I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s’ascose nel foco che gli affina Quando fiam uti chelidon—O swallow swallow Le Prince d’Aquitaine à la tour abolie These fragments I have shored against my ruins Why then Ile fit you. Hieronymo’s mad againe. Datta. Dayadhvam. Damyata.                   Shantih     shantih     shantih Archives October 2023 September 2023 August 2023 Categories Uncategorized Course Info Mystery Text Assignment (Due: 9/26) Syllabus General Info How to annotate Texts Texts Alain Locke Alice Dunbar-Nelson Allen Ginsberg, “Howl” (1956) Charlotte Perkins Gilman, “The Yellow Wallpaper” (1892) Claude McKay Edgar Lee Masters Edna St. Vincent Millay Edwin Arlington Robinson Ernest Hemingway, In Our Time Ezra Pound Georgia Douglas Johnson Gertrude Stein Gwendolyn B. Bennett Helene Johnson Henry Adams, “The Dynamo and the Virgin” John Dos Passos, “The Body of an American” Langston Hughes Langston Hughes, “The Negro Artist and the Racial Mountain” (1926) Lawrence Ferlinghetti Paul Laurence Dunbar Philip Levine, “They Feed They Lion” (1972) Radical Poetry Robert Frost Sterling Brown T.S. Eliot “The Waste Land” (1922) W.E.B. Du Bois, “Of Our Spiritual Strivings” William Carlos Williams

      Has this entire poem been the conversation of the speaker receiving a taro card reading?

  2. inst-fs-iad-prod.inscloudgate.net inst-fs-iad-prod.inscloudgate.net
    1. Compu-tational biology is changing the way biologiststhink. Similarly, computational game theory ischanging the way economists think; nanocomput-ing, the way chemists think; and quantum comput-ing, the way physicists think.

      I really enjoyed this example comparing it to other related fields of interest. It really helped me to better understand the text and what exactly was being explained. I have learned game theory extensively and think it can be used to simplify computer thinking.

    1. “I think gacha games have less monetization... or like, top-down stuff. Because it’s separated from the gameplay. You’re making a good game, and then gacha is the monetization. Whereas for a [free-to-play strategy] game like Clash of Clans, monetization is the core thing, and you pay for time.” However, he acknowledged that the game still involved gambling. “I think it deserves to be criticized. Or at least looked at critically.”

      I agree the game's core gameplay is amazing and to be able to run in a portable device is a technological marvel, but that doesn't mean gambling is good as you should not go for a roll when you don't have enough money

    2. “If my family and non-gamer friends ever knew, they would absolutely lose their minds,” said one government employee who spent over a thousand dollars on the game.

      Yeah they would ngl i play the game and haven't spend any money on the game and still got good rewards. I imagine people getting bored when they have overpowered characters

    1. if you play Clash Royale and you paid to upgrade all your cards to level 13, you'll have a clear advantage against an opponent with level 11 cards. However, the free-to-play player can and will eventually have the same level 13 cards, but they'll have to make a bigger effort than you.

      Thats not the case sometimes as the cards are more leveled meaning more possibilities to ruin ones fun in a game, but at least there is a chance to win ig

    2. Pay-to-fast, also known as Pay 2 fast or P2F, is a term used for video games that let you progress in the game quicker if you spend real-life money on them.

      I still put them in pay to win because you are ahead than a player that hasn't payed and will still have advantage

    1. to upgrade the gems you have, and eventually to slot in each gem’s additional resonance slots. It’s endless.

      Most of this you gotta pay since i tried the game myself to see and its dependent on paying

    2. You wouldn’t know it when you start playing the game. At first, Diablo Immortal is as fun to play as it sounds: a lightweight, portable, social, and quick-fire version of Diablo 3.

      Many mobile games start off like that by giving you free resources and coins that can only be used in a shop. Examples can be Clash Of Clan when they give you a high amounts of gems

    1. With AI cloning the voices of actors, however, “We’ve lost control over what our voice could possibly say.”

      This is very true and also very scary! I couldn't imagine being a celebrity right now living with the fact that my voice is somewhere cloned on the internet and someone can use it to say anything without my permission.

    2. Following the resolution of the WGA strike, SAG-AFTRA reached a standstill with the AMPTP in their negotiations, with the use of AI being one issue that continues to divide the two groups.

      AI is definitely changing a bunch of industries for better or worse, especially the Hollywood entertainment industry.

    3. The use of artificial intelligence remains a hotly debated topic in Hollywood, as industry workers worry if their talent will be replaced by technology, while others predict AI will only enhance what Hollywood creatives are capable of.

      I think as AI becomes more capable, it has the potential to make people question whether or not it's a robot or a human.

    4. Szwed noted that Reczek’s sons “were very supportive.”

      Glad that they talked to Reczek's family before replication or else that would've been very weird and disrespectful.

    5. The Polish video game developer CD Projekt SA has used artificial intelligence to replicate the voice of the late Polish actor Miłogost Reczek, who died in 2021. His voice will be simulated in “Phantom Liberty,” an extension of the dystopian video game series “Cyberpunk 2077.”

      Is this...legal? Ethical???

    6. AI Used to Resurrect Video Game Voice Actor in ‘Cyberpunk 2077’ Universe

      When first reading this title, I found it pretty creepy and scary that this is even possible! It reminds me of the holograms of artists like Tupac I've seen used in concerts.

    1. Although individually the research highlights noted above areimpressive, when considered as a group it is the opinion of theauthor that they are absolutely game-changing. Once identified,knowledge of dominant energy transfer mechanisms can poten-tially be exploited to enable a revolutionary approach to thecontrol of macroscopic flow behavior. Specifically, flowfields couldbe designed to favor preferred energy transfer mechanisms thatresult in an application-optimized flow state.

      Shows the importance of putting the research together

    2. In this role, AFOSR emphasizes the identificationand support of innovative, unique research that has the potentialto provide game-changing capabilities for the future Americanwarfighter. The AFOSR Aerothermodynamics & Turbulence portfo-lio has responsibility for fluid dynamics research associated withhigh-speed and high-energy flows of interest to the Air Force.Current emphasis areas within the portfolio include the funda-mental physics of turbulence and boundary layers, shock-dominated flows – especially shock/boundary layer and shock–shock interactions, and flows in thermochemical nonequilibrium.The dual objectives of the Aerothermodynamics & Turbulenceportfolio are to identify and foster the development of innovativescience with the potential to lead to transformative new capabil-ities while simultaneously championing the technology transfer ofresearch breakthroughs to application within technology matura-tion programs.

      THIS IS IMPORTANT. SHOWS WHO IS RESPONSIBLE AND HOW THEY ARE THINKING FOR THESE ISSUES AND ADVANCEMENTS

    3. Superior speed and range have long been recognized by militaryscholars as game-changing advantages and the benefits of hyper-sonic capabilities have inspired us in this manner for almost half acentury.

      REASONS ON WHY IT IS SO IMPORTANT TO CONTINUE THE RESEARCH INTO HYPERSONIC TRAVELS

    1. The 1980s and 1990s also saw an emergence of more instant forms of communication with chat applications. Internet Relay Chat (IRC) lets people create “rooms” for different topics, and people could join those rooms and participate in real-time text conversations with the others in the room.

      I can't imagine how popular the chat rooms must've been at the time of creation — being able to text other random people in real-time. Even now, simple features like being able to communicate, see or play a game within an app or webpage can impress me. You can kinda already predict the unethical things that people might do with this tool. That's what happens with sites like Omegle (for instance): the appeal of live video chatting with complete random strangers, is combined with the potential harm that someone could steal your information or a stranger could tell you your exact address.

    1. he user interface of a computer system (like a social media site), is the part that you view and interact with. It’s what you see on your screen and what you press or type or scroll over. Designers of social media sites have to decide how to layout information for users to navigate and decide how the user performs various actions (like, retweet, post, look up user, etc.). Some information and actions will be made larger and easier to access while others will be smaller or hidden in menus or settings. As we look at these interfaces, there are two key terms we want you to know: Affordances are what a user interface lets you do. In particular, it’s what a user interface makes feel natural to do. So for example, an interface might have something that looks like it should be pressed, or an interface might open by scrolling a little so it is clear that if you touch it you can make it scroll more (see a more nuanced explanation here) Friction is anything that gets in the way of a user performing an action. For example, if you have to open and navigate through several menus to find the privacy settings, that is significant friction. Or if one of the buttons has a bug and doesn’t work when you press it, so you have to find another way of performing that action, which is significant friction. Designers sometimes talk about trying to make their user interfaces frictionless, meaning the user can use the site without feeling anything slowing them down. Sometimes designers add friction to sites intentionally. For example, ads in mobile games make the “x” you need to press incredibly small and hard to press to make it harder to leave their ad:

      It’s interesting to think about the duality of friction. While designers strive for an experience that is free of this, friction can sometimes be intentionally added for various purposes, such as profit. Mobile game ads are an instructive example of intentionally increasing friction for a variety of motives; their inclusion is an instructive example for many users.

    2. One famous example of reducing friction was the invention of infinite scroll. When trying to view results from a search, or look through social media posts, you could only view a few at a time, and to see more you had to press a button to see the next “page” of results. This is how both Google search and Amazon search work at the time this is written. In 2006, Aza Raskin invented infinite scroll, where you can scroll to the bottom of the current results, and new results will get automatically filled in below. Most social media sites now use this, so you can then scroll forever and never hit an obstacle or friction as you endlessly look at social media posts. Aza Raskin regrets what infinite scroll has done to make it harder for users to break away from looking at social media sites.

      This infinite scroll ability also reminds me about how game development has evolved. 8-bit and point-click games also couldn't show more than one scene at a time, and from which developed side-scrollers, platforms, and eventually open-world, which is almost infinite in terms of possibilities and choices, similar to how social media works today.

    1. The user in question is Nathan Apodaca, who decided to film himself skateboarding to work while listening to “Dreams” by Fleetwood Mac and drinking a bottle of Ocean Breeze’s cran-raspberry juice. The video exploded in popularity, spreading all around TikTok and across the internet.

      It is crazy how something so little as that can blow up and turn into something that has consumed everyones lives.

    1. In an online world, that story about you lives forever. The tipsy photograph of you at the college football game?

      This article is a great example of how technology can hold many sensitive informations about people that shouldn't be up there if people were to find about about it. Personally, I wouldn't like if there were sensitive information about me on the web with any consent. Journalists should do a better job on removing unwanted content and information thats is very personal and can potentially affect someone's life.

    1. X users were presented with false information ranging from video game footage and fireworks footage passed off as deadly attacks to fake pictures of soccer superstar Ronaldo holding the Palestinian flag

      X is Twitter - The section demonstrates how false material about "X" included deceptive movies and altered photographs that were all misrepresented as true or genuine happenings. These illustrations show the potential damage and confusion that false information on social media sites might bring about.

    1. to shifts in language,

      This must be a major challenge in any translation of the bible or a similarly old text. Not only is it written in a language that isn't spoken anymore and with words that don't exactly align with modern day word usage, but even a translation from, say, the 1800's or early 1900's, would include language and grammatical styles that are difficult to understand and/or aren't used in the modern day. Furthermore, I'd imagine one challenge could be deciding what version to revise from. If you are revising from a version already translated multiple times, then it ends up like a game of telephone where each version of the bible is slightly further off from the "original" bible stories, versus going back and translating a new version directly from Aramaic.

    1. As the sun hits my face and I breathe in the fresh air, I temporarily forget that I am at a sporting event. But when I open my eyes and look around, I am reminded of all things American. From the national anthem to the international players on the field, all the sights and sounds of a baseball game come together like a slice of Americana pie.

      Here, the author gets the attention by personifying an abstract thing as a person, giving it the roll of the protagonist narrator.

    2. Seeing the international representation on the field reminds me of the ways that Americans, though from many different backgrounds and places, still come together under common ideals. For these reasons and for the whole experience in general, going to a Major League Baseball game is the perfect way to glimpse a slice of Americana.

      The author talks about how and why going to a major league football game is perfect way to

    3. Seeing the international representation on the field reminds me of the ways that Americans, though from many different backgrounds and places, still come together under common ideals. For these reasons and for the whole experience in general, going to a Major League Baseball game is the perfect way to glimpse a slice of Americana.

      the author talks about how he believes going to a major baseball game is the perfect way to get an insight on america.

    4. Few tastes are as American as hot dogs and soda pop, and they cannot be missed at a ball game.

      they describe the three things they taste at the game hot dogs and soda

    5. Seeing the international representation on the field reminds me of the ways that Americans, though from many different backgrounds and places, still come together under common ideals. For these reasons and for the whole experience in general, going to a Major League Baseball game is the perfect way to glimpse a slice of Americana.

      Seeing several teams from different countries, he remembers why he is American and how proud he is to have been born in that country.

    6. I quickly eat my hot dog and wash it down with what is left of my soda pop. The organ starts playing and everyone begins to sing “Take Me Out to the Ball Game

      It is incredible the sensation of singing that song in the seventh inning. the author describes very well that moment.

    7. Before I am able to get back to my seat, I hear the crack of a bat, followed by an uproar from the crowd. Everyone is standing, clapping, and cheering. I missed a home run. I find my aisle and ask everyone to excuse me as I slip past them to my seat. “Excuse me. Excuse me. Thank you. Thank you. Sorry,” is all I can say as I inch past each fan. Halfway to my seat I can hear discarded peanut shells crunch beneath my feet, and each step is marked with a pronounced crunch.

      Describes the joy that is made when one sits down to eat everything traditional in a game of baseball

    8. In the fifth inning of the game, I decide to find a concessions stand. Few tastes are as American as hot dogs and soda pop, and they cannot be missed at a ball game. The smell of hot dogs carries through the park, down every aisle, and inside every concourse. They are always as unhealthy as possible, dripping in grease, while the buns are soft and always too small for the dog.

      It is the typical food you buy in a baseball stadium, it is a unique experience and describes it in a very detailed and even funny way because it is true, the bread is always very small for the huge dog.

    9. I take my seat as the umpire shouts, “Play ball!” and the game begins.

      I think it’s the most exciting moment of the whole game because it’s the time when the wait is over and so they have to give it all in the diamond

    10. But when I open my eyes and look around, I am reminded of all things American. From the national anthem to the international players on the field, all the sights and sounds of a baseball game come together like a slice of Americana pie.

      Is a feeling of patriotism that reminds him of everything that means to be American

    11. In the fifth inning of the game, I decide to find a concessions stand. Few tastes are as American as hot dogs and soda pop, and they cannot be missed at a ball game.

      you can almost feel the extreme happiness emulating from the writer as he rexpreriences the joy of the food.

    12. The crowd sings and hums “The Star-Spangled Banner,” and I feel a surprising amount of national pride through the voices.

      descibing things everyone does at a baseball game, but does it in a way that keeps me engadged.

    13. all the sights and sounds of a baseball game come together like a slice of Americana pie.

      now trying to conect the surroundings with another sensation being taste.

  3. web.archive.org web.archive.org
    1. For example, imagine you are in a very dark movie theater. If you receive a text message, it is likely that many people would notice your cell phone light up. However, if you were in a brightly lit arena during a basketball game, very few people would notice. The cell phone brightness does not change, but its noticeability changes dramatically between the two contexts. Ernst Weber described the importance of context on difference threshold in the 1830s, and it has become known as Weber’s law: The difference threshold is a constant fraction of the original stimulus.

      It also called Weber-Fechner law, it is an important psychological law quantifying the perception of change in a given stimulus. The law states that the change in a stimulus that will be just noticeable is a constant ratio of the original stimulus.

    1. Supine on the floor of a narrow canoe.'

      The scene of the polluted river which "sweats oil and tar" is further dramatized through citation of Dante, which verifies to an extent that the scene of the person with "raised knees supine on the floor of a narrow canoe" is one of assault. The quote he references from Purgatorio 5:133-134 reads, "Do Thou remember me who am the Pia; Siena made me, unmade me Maremma” Pia de Tolemei was the gentle wife of a Tuscan captain, who threw her from a castle window in order to marry another woman. Siena refers to her noble family in which she was born, Maremma refers to the landholding of her Lord husband, assigning geographical locations to her "undoing". Therefore, the woman in the stanzas of TWL, is being "undone", being raped in Richmond, and murdered in Kew, the perpetrator weeping and promising "a new start", rendering the scene parallel to that of the white and black pawn from A Game of Chess, the man believing it necessary to "undo" what he has done by killing his victim, as well as the story of Pia. Finally, the identity of this woman I believe to perhaps be one of the nymphs "departed" from The Fire Sermon, the lyric and meter of the poem resembling a broken, distorted song, "Weialalala/Leia" and "la la". The industrial scene depicting the setting of the poem is further dramatized through this literal rape of nature.

    1. Determined to understand better

      the author seems confused about what is happening unlike the author in Americas past time where the author was sure of what was going on inn the baseball game

    1. They did so in response to thewithholding of rations, the threat of violence, enforced starvation, thekilling of game and the destruction of agriculture. Call it coercion

      the Dakota bands were obviously not signing the treaty willingly after being threatened and starved; it's ridiculous how easy it was for Congress to get away with this

    1. Psuedocode

      this can ben super helpful, as well as block coding which is used on websites like scratch. basically, it has all of the commands sort of written, but it's the user's job to figure out the order and how to configure it to make a cohesive animation or a game or something.

    1. Although NIL has created many opportunities, it has also had negative consequences on the integrity of the game and they must be addressed. In the future, I plan on writing an op-ed on this topic. I have many opinions regarding it and would love the opportunity to share more.

      develop further in new paragraph

    1. It drove somekids near mad with the caprice andunfairness of it all, and on real windydays these kids, usually with talentout the wazoo, would have their firstapoplectic racket-throwing tantrum inabout the match's third game and bythe end of the first set would havelapsed into a kind of sullen coma, bit-terly expecting to get screwed overby wind, net, tape, sun.

      A few things here: 'real windy' is decidedly colloquial (grammatically, it should be 'really windy'); and 'apoplectic racket-throwing tantrum' is such a delightful turn of phrase.

    1. : 'Mobile Su Doku; The game everyone's talking about - now on your mobile phone'. Yesterday's Independent dangled the prospect of becoming a 'Grand Master' in the first Sudoku Championship of Great Britain, and BBC Radio 4's Today read numbers aloud in the first radio version

      Shows different ways sudoku has grown.

    1. Accountability : Accountability means making clear commitments and sticking with them. Individuals and organizations must show they keep their promises and own up to any that they're broken. Everyone involved should be able to verify this and outside experts should be able to do so as well, not passing the buck and no playing in the blame game

    1. Precision Psychiatry

      Fantastic work, very clear explanations. However, I don't understand the use of the term "precision psychiatry" as the clinical psychologist is the professional more suited to offer this type of psychological treatment. Thus, I would encourage to use the term "precision psychology" as it is used by Purgato et al., (2021) or at least consider the term "precision mental health" (Bickman et al., 2016) to give a more general perspective of every professional involved in these treatments. Overall, I believe this work to be game-changing about the modern view of mental health treatments. The use of formalization of psychotherapy components to conduct simulations of their effects on different mental health patients can be a very useful tool in improving the theorization of effective factors in different psychotherapies. Besides, regardless of how well real-life experiment data may fir into this specific model, the initiation of formalization in this field will likely open yup better comparisons with other therapies in the future, potentially allowing us to eliminate ineffective therapies or components as well as better adapt existing psychological therapies that work to the unique characteristics of patients. this could be the paper that ushers in a new era in psychotherapy where there are no constant wars to determine which psychological orientation works best, bu rather an era in which we can actually test which models are more effective. Congratulations!!

    1. when building on unenclosable P2P systems like Holochain, it’s actually possible to have it both ways: clean-energy projects that have the resources for large-scale impact and are not at risk of becoming corrupt in protection of proprietary business interests.
      • for: competitive advantage, competitive advantage - unencloseable carriers in energy systems
      • competitive advantage: unencloseable carriers
        • when building on unenclosable P2P systems like Holochain,
        • it’s actually possible to have it both ways:
          • clean-energy projects that have the resources for large-scale impact and
          • are not at risk of becoming corrupt in protection of proprietary business interests.
    1. Independent family farming used to be much more common [1] [2] [3] [4] [5]. But continued enclosures and increased centralization throughout the food markets have made it more difficult for farmers to survive without growing big. “Get big or get out,” said Earl Butz, Richard Nixon’s Secretary of Agriculture in 1973.
      • for: big ag, smallholding farmers, democratic agriculture, democratizing agriculture, democratizing farming
    1. Andif it takes a poker-playing supercomputer to remind us that we can’tenjoy the rewards without taking the risks, so be it.

      I feel it was well written but personally I was confused on the purpose and moral of it. It seemed it was being written on the amount of work needed to be a grandmaster but then at point it gave moments of the writer in moments playing this game.

    2. Mybrainchild saw the light of day in a match in 1998 in León, Spain, andwe called it “Advanced Chess.” Each player had a PC at hand runningthe chess software of his choice during the game. The idea was tocreate the highest level of chess ever played, a synthesis of the best ofman and machine

      I enjoy the examples and different parts of the game being explained. I'm a bit confused on the moral of this though, it doesn't fully seem to add up.

    3. process indicative of Malcolm Gladwell’s“10,000 hours to become an expert” theory as expounded in hisrecent book Outliers.

      The grit and work ethic is at an all-time high when needing to succeed in this game

    4. Kidslove computers and take to them naturally, so it’s no surprise that thesame is true of the combination of chess and computers.

      Is this saying there seems to be more potential for future players due to the technology combined with the game of chess?

    5. Perhaps a realversion of HAL 9000 would simply announce move 1.e4, withcheckmate in, say, 38,484 moves.

      The way this game is simulated and played is extremely challenging.

    6. It illustrates the state of computer chess at the time that it didn’tcome as much of a surprise when I achieved a perfect 32–0 score,winning every game

      Is this possible? It is against computerized players so it is seems nearly impossible to play perfectly against them.

    Tags

    Annotators

    1. ABSTRACT

      This highlights several important themes: 1) Technology and border Managements 2) Virtual Thinking about Borders 3) Analysis of a Video game (Call of Juarez: The Cartel): 4) Virtual Modes of Representation and Interaction 5)Tunnel Warfare and Racial Violence 6) Boarder Infrastructures

    1. This inconvenient fact has given rise to slightly different terminology. Now many companies or advocates instead refer to any single game or platform as “a metaverse.” By this definition, anything from a VR concert app to a video game would count as a “metaverse.”

      I think inventing the VR for video games actually helped the game a lot. The metaverse is a big thing and the game "fornite" to me helped come a long way

    1. Why are YouTube comments such rich terrain? Here’s my theory. Watching a YouTube video, perhaps reading the comments at the same time, the feeling is “sitting side by side, facing the same direction”—as in a theater, or, better yet, a moving car. Contrast that with the feeling of “facing each other straight-on”: the death stare of social media. YouTube’s users aren’t stuck looking at each other; rather, they look at this other thing (perhaps a scratchy dub of a music video that played on MTV in 1987) together. Perhaps that arrange­ment suggests different, and generally better, ways of speaking online.

      Cf. Kongregate flash game chat rooms

      Look at fan forums not as a relatively better option than offline practices, but as a relatively better fit for what forums and connectivity can do

      Shared orientation, away from presentation of self. Cf. sin as orienting away from God (and the Good and Love and all that goes with That in the meaning that makes this definition make sense) and reconciliation reorienting toward. The -muni- in communion and community is the same as in municipal, and there's something there I haven't gotten to the bottom of, yet.

      But: earlier days: https://m.xkcd.com/202/

      So: less inherent property of the form, more evidence that giant companies can shape these things when they're inclined (was it PR that did it? Some internal presentation that comment section conflict caused video posters to burn out?)

    1. Ivy's revolutionary "Brain Scan" technology is a game-changer for chatbot administrators. This cutting-edge innovation tackles the persistent challenge of keeping chatbot knowledge up-to-date and accurate. With the Brain Scan, administrators gain the unprecedented ability to swiftly locate any content within their bot’s knowledge base, ensuring that outdated or incorrect information is identified and rectified promptly.Moreover, the Brain Scan also addresses the need for time-sensitive updates, enabling administrators to synchronize information with the current season, events, or trends, ensuring that their chatbot remains not just knowledgeable but also always in sync with the times.Say goodbye to the hassles of manual content maintenance, as Brain Scan streamlines the process, keeping your chatbot’s knowledge as fresh as ever.

      replace this text with:

      Swiftly locate any content within your bot’s brain, ensuring that outdated or incorrect information is identified and rectified promptly.

      BrainScan doesn’t stop there. Instantly find any flows that contain live agent handoffs, form data collection, or any other attribute used in your conversational design.

  4. Sep 2023
    1. e hard scientist doesis to say that he "stipulates his usage"-that is, he informs youwhat terms are essential to his argument and how he is goingto use them. Such stipulations usually occur at the beginningof the book, in the form of definitions, postulates, axioms, andso forth. Since stipulation of usage is characteristic of thesefields, it has been said that they are like games or have a"game structure."

      Depending on what level a writer stipulates their usage, they may come to some drastically bad conclusions. One should watch out for these sorts of biases.

      Compare with the results of accepting certain axioms within mathematics and how that changes/shifts one's framework of truth.

    1. throbbing between two lives,

      "A Game of Chess" refuses to discuss its subject matter — namely coercion and rape — in outright terms, resorting to euphemisms, namely the phrase "Jug Jug" (which finds a recurrence in "The Fire Sermon") and the titular game of 'chess.' The third part of The Waste Land eschews this for a much more explicit depiction of this subject matter. The perspective of "I Tiresias" provides the key into this shift, as Eliot's footnote to the line reveals. Eliot comments that Tiresias is "a mere spectator" but one who is "the most important personage in the poem, uniting all the rest." Tiresias's status as having embodied both a man and a woman provides enormous significance to his presence, as Eliot adds, "So all the women are one woman, and the two sexes meet in Tiresias." This creates a 'wasteland' of gender without any specific allegiance, a commonality that allows Tiresias to be a neutral observer — an infinitely wise, but blind prophet, flawed just as the Cumean Sybil was. His report can be taken as true, and is incredibly disturbing, especially as the footnote concludes with, "What Tiresias sees, in fact, is the substance of the poem." This vingette — the longest and most singular up to this point — quite simply describes the rape of the typist at the hands of the small house agent's clerk.

      Eliot also continues his criticism/study of prophets and their prophecies. The latter part, where the actual violence occurs, is not perceived, but "foretold" by Tiresias. As we know by this point, prophets are not the most reliable source of knowledge in The Waste Land, even when the ancient perception of Tiresias's wisdom was immaculate — he was "honoured as a god" after his death (Lempriere 2). There is definitely a reason that it is explicitly stated that the acts of violence depicted in the latter half of this vignette are not explicitly said to have occured, and this must form a larger part of what marks The Waste Land's symbolism, as Eliot's footnote tells us.

    2. Endeavours to engage her in caresses Which still are unreproved, if undesired. Flushed and decided, he assaults at once; Exploring hands encounter no defence; 240 His vanity requires no response, And makes a welcome of indifference.

      Contextualizing this excerpt within the world of "A Game of Chess," I understood this to be an expansive perspective on the woman who anxiously awaited her lover. Defeated and disappointed, her dirtied state implies a mental freeing from worldly trivialities, leaning more towards a lack of caring for her own well-being and an indifference that works against her, she enters a limbo between the worlds of consciousness and body/mind separation as "the foe in sight" robs her of her womanhood and sexual liberty.

      How, then, must she continue living? In Johne Donne's "ELEGY XIX. TO HIS MISTRESS GOING TO BED," the mistress finds solace in freeing the physical body— "Full nakedness! All joys are due to thee, As souls unbodied, bodies unclothed must be To taste whole joys. Gems which you women use Are like Atlanta's balls, cast in men's views, That when a fool's eye lighteth on a gem, His earthly soul may covet theirs, not them."— seizing her bodily autonomy in ways similar to the assaulted woman in the focal point at this moment of Eliot's "The Fire Sermon." As she watches her sexuality dwindle, her comfort lies within her control of the mind, indifference being wielded as her shield against the assaulter further running with both her bodily autonomy and control over her emotions.

    3. The nymphs are departed.

      This phrase is repeated twice—the first iteration being just a few lines earlier—so as a general, low-hanging fruit of an idea, it has obvious significance. Indeed, with closer scrutiny, the "nymphs" in question can be symbols of the web—between man vs. woman, life vs. death, and nature vs. industrialization—that Eliot has crafted. To see this, one may first look at the exact definition of a nymph, per Google: "a mythological spirit of nature imagined as a beautiful maiden inhabiting rivers, woods, or other locations." The nymph is clearly an element of the female identity and an element of nature at the same time. This connection is ever-present in "Parisfal," where nymphs are represented as the flower-maidens. These flower-maidens were beautiful, seductive women intended to lure knights into Klingsor's, a male magician's, power. In other words, women were used as a seductive tool to heighten male power; this is not uncommon to what we saw in "The Game of Chess," where the "queen" was seen as a piece of seduction, of superficial power—to uphold the true power held by the "king."

      Importantly, in "Parsifal," the women (flower-maids) are the physical representation of sin—just how in Paradise Lost, Eve was the illustration of sin and its dangers. In fact, Eve, being born out of Adam's rib, could be interpreted as a perversion of Adam's purity—falling trap to Satan's seduction. This demonization of women was discussed briefly in class. It paints women not only in a light of sin, but more specifically, seduction. Women almost take the place of Satan in this light. This is why, in "Parsifal," when "Parsifal has conquered the girls" and "He's conquered lovely Woman," he has conquered a sin (lust) but what he's truly "conquered" are the women themselves, who are agents of that sin. When the "nymphs have departed," as referred to here, sin has departed and purity has pervaded. Thus, when the "nymphs have departed," women have departed and male dominance has pervaded.

      The allusions to industry are abundantly clear when we compare the ideas of man vs. woman and good vs. evil to those of life vs. death and nature vs. urbanization. One point that Sophie P. mentioned in class was that in many ways, women are symbols of nature whereas men are symbols of industry; the flower-maidens are a case in point. More importantly, however, urbanization is seen as an act of death—representing the destruction of nature, or women, or sin. When the "river's tent is broken" in the first line, the longevity of the river Thames is waning; in other words, the natural elements of London are degrading. However, this isn't necessarily a bad thing: it could be interpreted as a liberation from the shackles of nature. For example, Jules Laforgue asserts that

      ...until nature shows a nice and kind concern The humdrum life'll serve my turn.

      In other words, nature is malicious and sinful and destructive to the individual, and it is the "turn" of the "humdrum," or industrial development, to take precedence. Yet urbanization, while being less "sinful" in this manner, can still be portrayed as "death-like." The London Bridge is a perfect symbol: Eliot comments on the crowd that "flowed over London Bridge" by saying that he had "not thought death had undone so many." The same crowd is referred to by Carpenter as a "solid flow of business men northward across London Bridge." So what does this mean? Life and death may align counterintuitively with purity and sin: in fact, it is death (industry, business, men) that is free of sin, and life (nature, women) that is full of it. This inversion of what is normally preferable—life or death—has been prominent in The Waste Land from the beginning.

    4. HURRY UP PLEASE ITS TIME

      Chess games have a time element to them. Players may choose how much time they would like to allot to their turn; speed chess can be as low as 3 minutes, regular chess can be as high as 24 hours+. With this in mind, the repetition of the phrase "Hurry up please its time" suggests that it is the "turn" of whoever it is the narrator is addressing. I get the sense that the lines in between are portraying the feeling of knowing that move is the last. The "goodnights" thus suggest that the narrator is giving up, in the same way Ophelia from Hamlet gave up her sanity and life. In a game of chess, sometimes a player must resign in order to preserve their dignity, since allowing the game to go in circles would be a waste of time and a recipe for madness. This entire section, I am noticing, seems to be about women. Having children, jewels, etc, so is this Elliot's way of saying that "mad women" are just women who are breaking the mold, and haven't "resigned" to their social narrative? Ophelia is surely a good example of this.

    5. Is there nothing in your head?'

      Strangely, although this is referring to the Drowned Phoenician Sailor tarot card, it reminds me of a line from the Middleton reading—where Ignatius Loyola says:

      Pawns argue but poor spirits and slight preferments, Not worthy of the name of my disciples. If I had stood so nigh, I would have cut That Bishop’s throat but I’d have had his place And told the Queen a love tale in her ear Would make her best pulse dance. There’s no elixir Of brain or spirit amongst ‘em.

      This one snippet of dialogue seems rather denigrating to women, to say the least. Loyola is saying, essentially, that if he were on the chess board, he would attempt to seduce the Queen—who has "no elixir / Of brain or spirit"—even if it meant turning against the pieces on his own team. In my conversation with Quisha in class yesterday, she mentioned the fact that the game of chess has distinct gender roles: the queen, though being the most powerful and versatile piece on the board, is not nearly as venerated as the king—who ultimately decides the fate of the game; this is meant to be a reflection of gender roles in society. In fact, Pound's "The Game of Chess" speaks to a similar dichotomy: he describes the "'x's of queens," which I thought of as referring to the XX chromosomes in the female sex, with little to no descriptors. On the contrary, the "'Y' pawns" were depicted in a more triumphant light: "... cleaving! Embanking! / Whirl! Centripetal! Mate!" Essentially, while the "female" pieces are dispensable—something to be seen as an object of seduction and lust—the "male" pieces are lauded, perhaps beyond their actual abilities. As for the connections to the Drowned Phoenician Sailor, this makes sense: the Phoenician Sailor, for whom one must "Fear death by water," is a reflection of the female torment. Ophelia, for one, drowns herself in a river in Hamlet—the precise "death by water"—due to the nature of gender discrimination.

    6. You are a proper fool, I said.

      The Fool is also in reference to a tarot card. The Fool, as a major arcana, is numbered either zero (the beginning) or XXII (the end). However, historically, the Fool was an unnumbered card, remaining outside the 21 other Major Arcana, which each serve a unique purpose. The Fool could be placed anywhere in the cycle of tarot cards, not having a specific place or role.

      The Fool usually symbolizes the beginning of a new journey or the finalization of an old one (which leads to the beginning of a new journey). Additionally, the concept of the "Fool's Journey" led to the popular characterization of the Fool as a protagonist.

      In relation to "A Game of Chess," the Fool in traditional Italian decks was named "Let Mat" and "Ll Matto." This can almost be seen as a direct reflection of checkmate in chess. In the role of tarot card games, the Fool could be used as both the lowest and highest trump, an excuse, and a wildcard.

      The Fool could be categorized as a pawn in the game of chess. Despite potentially being the lowest trump, the Fool has infinite potential (promotion of a pawn). When Lil is categorized as a fool, and therefore a pawn, she is trapped within her potential. However, the potential for what is unclear.

      We see the idea of fertility and the potential for children. We also see the idea of feminine power trapped within Albert. Lil is a female story in the making, the conclusion not yet complete--she is an unfinished game of chess and The Fool of the tarot.

    7. Good night, ladies, good night, sweet ladies, good night, good night.

      "A Game of Chess" details, through various vignettes, the conflict between expectations of fertility and chastity (the Madonna/whore complex), which also forms a central part of Ophelia's character arc in Hamlet. These closing words also mark, as Amelia noted, Ophelia's closing words — her "suicide note." As Ophelia descends into insanity, she begins to sing, and one verse of note reveals an important off-stage development, "Then up he rose, and donn'd his clothes / And dupp'd the chamber-door / Let in the maid, that out a maid / Never departed more." The implication of these lines is clear, Hamlet engaged in an illegal premarital relationship with Ophelia, leading to his rejection of her as his wife later on. The shock of this rejection, along with learning that Hamlet murdered her father, led her to commit suicide by drowning herself in the river ("Death by Water"). These events are never explicitly stated in Hamlet, perhaps because such themes stated explicitly would be unacceptable during the Elizabethan era. In The Waste Land, "chess" becomes one of many euphemisms for sexual activity, as Eliot writes, "And we shall play a game of chess, / Pressing lidless eyes and waiting for a knock upon the door" (137-8). It doesn't take a grandmaster to realize that it is not chess that involves "waiting for a knock upon the door." The choice of chess presents an incredibly rich interpretation, compared to many more common euphemisms (i.e. flowers in Hamlet). Chess is an adversarial game (Black vs white, man vs woman) which follows with many of the themes of violence that derive from the Middleton play of the same name.. The scene of Albert and Lil also acts as a negotiation, adversarial in nature (another game of chess). These themes constitute the dysfunction that gives the latter half of "A Game of Chess" its disorganized form.

    8. My

      In this section of “A Game of Chess”, the poem demonstrates its most idiosyncratic features. Continuing our discussion from class on the role of women in Eliot’s poem, the female voice in these erratic stanzas is particularly distinct. The dialogue in quotation marks (“my nerves are bad to-night…”) is spoken by a woman in the T.S. Eliot reading of The Waste Land. The scene that is imagined in these fragmented accounts of conversation describes a kind of nervous breakdown, in which a woman, characterised as quite feeble and paranoid, badgers her passive husband, whose voice is, at the very least omitted, from the text. In fact, the male voice is most likely accounted for by the lines without quotation marks: for example, “I think we are in rats’ alley where the dead men lost their bones”, which seems to allude to a scene of battle. Thus, though as the reader we are privy to the man’s internal ruminations, within the rhetorical fiction of the text, the woman cannot hear his responses. Further, his nonresponse perhaps speaks to the emotional paralysis suffered by former soldiers. However, quite crucially, the man has not, like Philomela, been silenced: rather, he has been made unintelligible to the material receptions of the world. The woman’s inquiry, “What are you thinking of? What thinking? What?”, does not indict the man’s supposed thoughtlessness. Contrary to the woman’s assumption that he “knows nothing, sees nothing, remembers nothing”, the man possesses reminiscences. He just simply does not extend the privilege of sharing them with the questioner.

      Eliot’s water motif is also gendered. Water is connected to death, which is often evoked in the context of drowning (“Those are pearls that were his eyes”) or other eschatological associations (thunder, for instance). For men, water is integral to a loftier pursuit of spiritual purification, while women are related to water in a narrower, domestic sense (“The hot water at ten”).

    9. It’s them pills I took, to bring it off,

      Within A Game of Chess, TWL, a poem already deeply circumscribed by circularity and failed cycle, finds yet another thematic cure introduced, love and its corresponding inversion. The title itself betrays its contents most basic nature, love being an intrinsically unifying force, through both life and death, as opposed to an adversarial match modeled after warfare itself. Additionally, the source of the title, A Game at Chess by Thomas Middleton, depicts seduction and sexual assault, the narrative perturbed by lust and thus distorting love; female virtue and sexuality reduced to a "pawn" in the schema of the play, and perhaps, TWL itself. This "game of chess" contains several knitted narratives, the longest regarding Lil. Within this stanza, a woman describes asking Lil "What you get married for if you don’t want children?" (165) as within her marriage, an institution held in highest esteem by both the divine and society, its very nature is inverted and abased. Notwithstanding her matrimony, her union in TWL does not yield progeny, instead the cycle of love and sex is only met with abortive resistance. The one description of birth we do receive is stained by Death, as she "nearly died of young George". The cycle of love and procreation is thus disrupted, and in turn abased by lust, her husband only desiring "a good time" after his return from war. Additionally, the trope of Philomel continues to pervade the women of TWL. The repeated motif of the violated woman gaining "inviolable voice" is satirically tinged, Philomena reduced to crying a vulgar "jug jug to dirty ears", simply another indistinguishable fragment amongst the "other withered stumps of time". This trope is reflected again onto Lil, her husband desiring her to remove all her teeth in place of a new set, purely for his own pleasure and lust, is greatly paradoxical. It is through this mutilation and abasement that she would regain seductive power over her husband, gaining a voice, and not losing him to "the others that will"; the image strikingly Philomenic. Within the perversion of love, and the consumption of lust, women continue to be a victim of their relationships with men. The marital canon of Adam and Eve rendered moot amongst the violence and death of TWL.

    10. Well, if Albert won’t leave you alone, there it is, I said, What you get married for if you don’t want children?

      From the perspective of Middleton "A Game at Chess" being an extension and therefore a literary device of Eliot's "A Game of Chess," this quote is reminiscent of Middleton's Second Act, in which the Jesuit Black Bishop's Pawn tries to seduce the Virgin White Queen's Pawn. As Albert milks his wife dry for every drop of sex she can give, she, in the process loses her sense of self and drowns in the pressure of maintaining her looks, for the benefit of Albert, and prioritizing her health and medical safety. The blame positioned on her, the shame of being a "bad wife," a "bad woman" carries the storyline in both poems, as the Black Bishop, similar to Albert and the societal pressures from the woman's friends, implies the Virgin White Queen's lack of womanhood in her refusal to his desperate advances. The dichotomy of these two passages from a holistic understanding poses very intriguing questions about the society that evolved to become the modern-day Western world, and how despite the centuries that passed since their respective creation, these themes of womanhood in a patriarchal society still ring true and are still a daily battle as the woman toes the line between "pure" and "slutty."

    11. And we shall play a game of chess, Pressing lidless eyes and waiting for a knock upon the door.

      I believe the quotations from line 111 to 126 are masculine voices questioning what a woman is "thinking of" and if she is "alive" since she "never speak[s]". On the other hand, between those comments and inquiries is a female perspective, keeping her thoughts to herself as those lines aren't voices and in quotations. It is only after line 130 that I think the quotations reveal the female's voice, specifically her worries, which are finally "audible". After the first stanza of this section, Eliot strays from a usual coherent form, but rather indents multiple lines and breaks this narrative into many fragments. As I was reading, I felt that it alluded to a female figure withholding herself. The long indentations in lines 118, 130, 135, for example, represent her hesitation before proceeding with anything; the empty spaces symbolize silence, the absence of voice and certainty, evoking Philomela's cut off tongue and Jesuit Black Bishop's Pawn saying that "Silence, if fair worth be in thee" to the Virgin White Queen's Pawn.

      Because of my observations above, the symbolism of the game of chess becomes more significant. No one is mandated to speak in a game of chess; calculations and moves fulfill the game. In lines 137-138, Eliot depicts a woman planning to "play a game of chess, Pressing lidless eyes and waiting for a knock upon the door." The action of "waiting" is more explicit now, as opposed to mere empty indentations in the lines above, as the man waits for the woman's response like a player impatiently waiting for their opponents' next move.

      But the woman waits sufferingly. Her "lidless eyes" allude to the fact she will not spare time to close her eyes and rest, constantly keeping an eye out for the man's next move without voicing anything. Merely "waiting for a knock upon the door" also resembles Mina Loy's poem in which many women are "Looking for the little love-tale / That never came true / At the door of the house." Why are these women just waiting, looking, seeking for things beyond their control? Perhaps the only aspect in their own control is their own death. Perhaps that's why Dido and Cleopatra committed suicides, because their premeditated acts, which as Rahul says is "a striking resemblance to chess [through] the strategy of sacrificing and abandoning pieces to reach an end goal." are opportunities to gain control.

    12. HURRY UP PLEASE ITS TIME

      The narrator repetitively states this phrase, rushing Lil to get ready to see her demobilized husband. Interestingly, this reminder sporadically appears throughout the section, as though Lil is still trying to get ready up until the ending. However, the present tense used during the first utterance of “HURRY UP ITS TIME” (“Albert’s coming back [Albert is coming back]”) contrasts with the past tense used during the last utterances of the same phrase (“Albert was home.”) To me, this phrase not only creates a feeling of hurriedness akin to a professional game of chess, when the players have to make a move within a controlled time frame, but also evokes Middleton’s A Game at Chess and Shakespeare’s Hamlet. In the former, the Jesuit Black Bishop’s Pawn, in his attempt at seducing and entrapping the Virgin White Queen’s Pawn, beckons her to “Come, come, be nearer.” Colloquially, saying “hurry up” can be interchangeable with “come on now,” which possesses a similarly commanding tone, but the two differ in the lack of directionality present in the former. The narrator/friend (?) of Lil orders her to “hurry up” —- but to do what? In the short period of time before her husband’s imminent arrival - “ITS TIME” - Lil has, rationally speaking, no means of resolving her marital conflict which stems from the inability to have kids; making herself look “a bit smart” as a way of “hurrying up” proves to be a futile move, and she ends up pacing around in the same spot. Meanwhile, although “be nearer” contrarily connotes a clear direction given by the Black Bishop’s Pawn, it is a direction that the Virgin White Queen’s Pawn refuses to take: “But nearer to the off’rer, oft more wicked.” In Hamlet, we also see this unfulfilled “coming,” as Ophelia sings, “And will he not come again? / And will he not come again? / No, no, he is dead.” Here, “come” connotes revival - a “coming” back via the cyclic nature of life and death - but the inability of Hamlet to come back places Ophelia in a stagnant state no different from Lil, White Queen’s Pawn, and Black Bishop’s Pawn. Perhaps “The Game of Chess” ends in a stalemate.

    13. HURRY UP PLEASE ITS TIME

      Patience, as a virtue, and chess go hand in hand. This phrase in TWL stood out to me for a few reasons. It is repeated several times throughout "A Game of Chess," almost as if it is some interjection of the subconscious voice throughout the discourse between Lil and the narrator. The form of this section of TWL is quite evolutional, starting as cohesive stanzas and then breaking apart into into a more irregular pattern and ending in dialogue. The way in which Eliot captures this dialogue is obscure. The placement and all caps of "HURRY UP PLEASE ITS TIME" makes it read as if it's a stage direction or some 3rd voice breaking into the conversation between the two women. Furthermore, this conversation, though occurring between two women, feels like the voice of a man. Much of what they're discussing is rooted in the desires of Albert, emphasizing what "he wants," and what Lil should do before he returns. The anticipation of his return and predicting what he desires I think is semblance to the anticipation within the game of chess. In Hamlet, Ophelia also states, "We must be patient: but i cannot choose but to weep" as if the very act of patience goes against her nature as a womam.

      Chess is a game in which you aim to calculate the moves of your oppenent thinking ahead. And yet there is no rush for these. For Lil, some sense of urgency for her to act and change for him is projected: "ITS TIME." The interruptive and repetitive form this line takes on creates the image of a ticking clock in this game of chess.

    14. The Chair she sat in, like a burnished throne,

      Clearly, this line is an imitation of a line we see early on in Antony and Cleopatra—with one change: the word "barge" is changed to a capitalized "Chair" here. This is very much an Eliot technique, reminiscent of the other one-word alteration, from "history" to "nature," that we saw in his "Gerontion" drafts. So why was "barge" changed to "Chair," and why is the word "Chair" capitalized? For one, Chair might not be referring to a literal chair, which isn't a proper noun—but an organizational position, which can be. A "Chair" in a company is an executive position; likewise, a metaphorical Chair in a kingdom may refer to one's supreme status. This makes sense—but that still leaves out this transition from a "barge," which is an ornamental boat used for pleasure or ceremony. Eliot seems to take Cleopatra, having been described in the primary text we read, and elevating her to a much grander (and less wretched) status. For example, while the original text says that the barge "Burned on the water," the Chair in "A Game of Chess" is "Glowed on the marble"—a much more preferable alternative to burning. In the original text, also, the symbol of wind plays a much more prominent (and favorable) role. It depicts that

      The winds were love sick with them; the oars were silver Which to the tune of flutes kept stroke, and made The water to which they beat follow faster, As amorous of their strokes...

      The wind, or "air," is portrayed in a different tone in this section, however: the perfumes that are "troubled, confused / And drowned," are "stirred by the air." These are, precisely, the differences with how love is portrayed in each text. In the original, Antony's love for Cleopatra is initially portrayed as favorable—likening Cleopatra to Venus, the goddess of love. On the other hand, love is tainted in this passage, either stirring trouble, confusion, and drowning, or simply foreshadowing a catastrophe (like when a Cupid "hid his eyes behind his wing").

    15. synthetic perfumes, Unguent, powdered, or liquid—troubled, confused And drowned the sense in odours;

      Lauren similarly noted the shift in senses between "The Burial of the Dead" and "A Game of Chess" going from an emphasis on vision to an emphasis of smell. She noted: "the 'strange synthetic perfumes' permeating the air and 'drown[ing] the sense in odours.' Here, Eliot literally moves from water (drowning) to smell (odors) While perfume typically has a good aroma, "odour" connotes something pungent, as if the unknown "she" that is acting in this stanza is concocting something that releases powerful scents." Similarly, Baudelaire's "A Martyred Women" has an equally sensual experience. The opening images of his poem seem to be dominated by the "perfume" which parallels to the "synthetic perfume" and "odours" in TWL. What connects these to aromatic images is the presence of power. The "burnished throne" is a kin to some positition of superiority or reason for praise when is a central theme in Baudelaire's "A Martyred Women." The difference lies in the fact that in TWL the dominance/presence of this power is "drown[ing]" the sense in odours" as if there is an excess of power. In Baudelaire's focus on dead woman, Eliot's allusion to his work seems to be suggesting that there is an overbearing/whelming stench or. "odour" (in both a literal and metaphorical sense) of death.

    16. synthetic perfumes, Unguent, powdered, or liquid—troubled, confused And drowned the sense in odours; stirred by the air That freshened from the window, these ascended 90 In fattening the prolonged candle-flames,

      As we progress into "A Game of Chess", we stray from the foreseeable cycle of life and death and the details of a mundane human nature in "The Burial of the Dead". I noticed the stark contrast in section titles during my initial read, and as I'm rereading it now, I still feel the contrast persevering throughout the context of this second section too. I, like Lauren from last year, noticed that "While [the first section] ends with imagery of sight, this section segues into the sense of smell."

      I am most attracted by lines 86-93 for multiple reasons. First, the scent of "synthetic perfumes" can compare with the ashy smell that proceeds through "prolonged candle-flames" and "their smoke". These references remind me of Baudelaire's "A Martyred Woman" and the story of Dido and Aeneas. Objectively, the outset of this first stanza clearly resembles Baudelaire's piece; the diction, imagery, and embellishment in TWL seems to be a reflection of the martyred woman's death site. Then, the references of flames and smoke reflect Dido's death scene too, where "[she] ascends the pyre" just as how "these ascended in fattening the prolonged candle-flames, / Flung their smoke into the laquearia". Though the protagonist "she" of this section remains unknown for now, I'm curious if Eliot meant for her to resemble the martyred woman or Dido, who both died as hopeless romantics in their distinct ways.

      Some final thoughts - Baudelaire's depiction of a decapitated woman whose death should be a sore to eyes is quite ironic; he embellishes the whole poem with promiscuous and materialistic details. Is it that even post-death, the female figure is a mere feed for "the thirsty pack of lost and wandering desires" of men? Is the imagery of a "headless cadaver" a result from masculine predators' meals? How does that relate to this section of TWL? Perhaps the martyred woman remains in "the chair she sat in, like a burnished throne, glowed on the marble", like a mere trophy wife. Perhaps her death doesn't mean much, with her ashes merely "stirring the pattern on the coffered ceiling" and adding further decorations, because only the king's fate truly determines the win or loss in a game of chess.

    17. The change of Philomel, by the barbarous king

      “A Game of Chess” begins with an allusion to Shakespeare’s Antony and Cleopatra. The abundance of imagery relating to glass, marble, and reflective surfaces unites the various romantic narratives Eliot alludes to while simultaneously introducing themes of deception and allusion. The “flames of sevenbranched candelabra” is one of the glass’s targets of manipulation, these flames having intensified in their reflection upon the table. If we take the flames to represent a personification of intense human passion — whether in the form of love or vice (indeed, the duality of fire is explicit in Ovid’s Metamorphoses, in which “the flame of love had taken Tereus, as if one had set afire ripe grain, dry leaves, or a haystack”; evidently, the language of fire both dramatises Tereus's attraction to Philomela and prefigures their mutual destruction — we can see how such passions have a tendency to multiply accidentally, often on the basis of artificial conceits: in Tristan and Isolde, the accidental ingestion of a love potion causes two people to begin a clandestine affair; in Antony and Cleopatra, Cleopatra’s efforts to secure Antony, which involve her faking her own death, result in both of their deaths. In both cases, love and deception are inextricably intertwined.

      Something else I noticed about Metamorphoses is its prophesying tone of narration. On the one hand, the speaker of the verse knows the fate of Philomela before he recounts his narrative; in this sense, it is retrospective rather than foretelling, which is the most obvious function of the practitioner of Tarot divination that Eliot has elsewhere alluded to. And yet, several poetic asides — when he narrates Philomela’s parting from her father, describing how “she winds her arms around her father’s neck, entreating him to let her make the trip; she says that it will do her good to go and visit her sister” but adding in parenthesis that “(it will do the opposite)” — produce the impression of a predetermined and immutable narrative trajectory, one which the omniscient speaker is aware of but, despite his sympathy, is helpless to improve. Perhaps Eliot intends for The Waste Land to operate as a kind of Tarot card reading. As the poem’s creator, he is merely the vehicle through which destiny is pronounced, but is powerless to prescribe a means of evasion.

    18. hyacinth girl

      It’s interesting to note, as we’d talked about briefly in class, the switching of gender in TWL. Marie, Empress Elisabeth’s niece and the woman whom we assume “I” is referring to, becomes the “hyacinth girl,” who, as Lemprière elucidates, is actually a “beautiful” and “youth[ful]” boy “beloved by Apollo. The love between Apollo and Hyacinthus thus parallels the German quote right above it, which is an excerpt from Richard Wagner’s modern operatic staging of Tristan and Isolde: “Fresh the wind blows / towards home: / my Irish child, / where are you now?” (3). To me, the essence of the quote is not in the young sailor’s mockery, but in the romance that ensues afterwards, when Brangaene, Isolde’s handmaid, refers to her “lady Isolde” as her “dearest beloved” (7). Furthermore, as the unwilling bride arrives at Cornwall, only to be met with Tristan’s death, we see again this natural impulse arise within Brangaene: her stage directions is described as “(impetuously and tenderly embracing Isolde),” the implicit expression of her homosexual desires (16). Eliot furthers this theme through the imagery of eyes. In what feels like an alternate reality or the afterlife, where Hyacinthus hasn’t died from the game of quiots and is capable of “[coming] back from the hyacinth garden” along with Apollo, Hyacinthus’ “eyes failed, I was neither / Living nor dead.” When analyzed alongside Isolde and Brangaene’s interaction, when the handmaid tells Isolde, “If she is to hold herself of worth in your eyes, / place your trust in Brangaene now,” both Hyacinthus and Brangaene recognize that the authenticity of their connections with their lovers can be proven through these very organs (7). By extension, the denial of this connection —- when the eyes fail, when Isolde does not respond to Brangaene’s proposition — becomes a tragic account of impermissible love. A scene of homosexuality in TWL can only be told through a heterosexual facade --- a love story between the “hyacinth girl” and her counterpart, a “he.”

    1. 170 followers posted a racist joke tweet

      This shows that no matter who you are, and even if it seems like what you says won't reach very many people or won't make an impact it shows how different social media is from the "real world." Before social media saying things like that might only be heard by a few people and could become like a game of telephone where people go around and some people find out what kind of person that they're friend really is. But with social media not just your friends see, or friends of friends. Once you put something on social media it is sent out into the world for anyone and everyone to see. And once it gets some attention most of the time the attention only grows. Whatever you post on social media could potentially blow up just like this. At the moment people seem to want to blow up like this, but it's not always a good thing. It also shows that anything posted on social media stays there forever, even if you delete it, whatever you post can always come back to haunt you.

    1. pointed out that the game should not include all the material and content from a thematic unit, and that it should not be burdened with information, it should rather provide an experience.

      ISSUE should we prioritize the entertainment factor, the education factor, or can we find an equilibrium that satisfies both?

    2. With reference to that is a reminder that board game should not be used too often

      This is a problem that could be solved, a diverse "unit completing" history game would be promising instead of an introductory one.

    1. “One of the most curious applications of the telegraph is its use in surgery to discover a bullet would. The probes and forceps are each connected with a delicate battery. When one point of the probe or forceps touches the ball no effect is produced, but when both touch it the ball completes the circuit, and the tinkling of a bell or the vibration of a spring shows the surgeon he has seized it.

      This kind of reminds me of the game 'Operation'! I know its the opposite reaction to what happened here, but the doctor being able to feel the vibration of the probes and forceps reminds me of when you hit the side when trying to retrieve a piece in the game. Besides this, I think that this is an amazing way to use this technology during that time period. I'm quite intrigued on how they did this.

    1. One of the most important best practices for accessibility is ensuring all interactable elements, like forms, navigation menus, and social buttons, are easy to identify.

      Having interactable elements on your media is very important as there are many people who would just get bored of reading and having things such as a small video or game, that would allow all people to stay engaged.

    1. God damn, the physical map of Afghanistan that comes with the game is fucking beautiful.

      I truly appreciate how this story is written. The elongated sentence structure with various twists and turns leaves the reader on their toes, wondering what point the narrator will raise next. It goes from talking about how the cousin stashed kush inside of the bag in hopes of attracting a new smoking buddy to talking to quickly turning the readers' attention to the quality of the map that is provided with the game that he is opening. It was swift shift in gears that keeps the reader interested and engaged.

    2. Sweat is running down your legs in rivulets, in streams, your heart is thumping, and you are wondering if sniffing the kush as you did earlier has got you high.

      This game he is playing seems to be the most important thing in his life at the moment

  5. inst-fs-iad-prod.inscloudgate.net inst-fs-iad-prod.inscloudgate.net
    1. Tonia Zinckey 9/20/2023

            Two Ways To Belong In America
      
      
          United States of America has the power to
      

      decide who stays and leaves the country. Immigration

      laws changes every time, it doesn't stay the same.

      Entering any part of the United States has it's

      requirements. Many Immigrants comes on Visa thinking

      they can stay, Overstaying your time can lead to major

      consequences, Immigration would not let you back in

      there country. With a Visa it's ok to travel to your

      destination and return to your country when the time is

      up.

              There are two ways to stay in the United States.
      

      All you need is the right documents and some one to

      marry. Dealing with Immigration is a headache to many

      people like the immigrants. Here are two sisters Mira and

      Bharati who entered the United States thirty-five years

      ago. Bothe sisters resided in this states. Mira entered

      Detroit in 1960 and Bharati entered Canada in 1961. As

      you can see they arrive different time and live in different

      places but they still keep in contact with each other.

            These two sister Mira and Bharati did not waste
      

      time in America. Bharati earned her M.F.A and PH.D. in

      literature. She was also an author of many novels like

      Tiger's daughter, Jasmine, Desirable Daughters and the

      Tree Bride, she also became a professor. Her sister Mira

      studied child psychology and pre-school education. After

      Mira became legal citizen in the America after 36 years

      she decided she wants to return to India, when she

      retires. Mira was disappointed of how she and other

      immigrants was being treated after so may years working

      and paying taxes in American.

                 The laws of immigration had changed so it
      

      messed up, Mira chances of being legalize in the United

      States. Her employer try to help by going to INS and

      petition for the labor certification. The law of immigration

      was applied to everyone even if you resides in the country

      for many years. Immigration laws ad rules changes all the

      time. Even in America right now there are so many

      immigrants that wants to be legalized, they can't even

      visit there country or even see their family members. This

      all happen because of the law change and the

      requirements that immigration is asking for. Mira was

      determined to be an American Citizen. She said "If

      America wants to play the manipulative game I'II play it

      too". Mira decided she will become a Citizen for now and

      then she will return back to her country India. The sister

      were happy to have an opportunity to be in America. They

      have accomplished a lot of success. Although they pass

      through a lot of trials to get what they want. To Mira it hurt

      that she had to deal with immigration knowingly she paid

      her taxes worked hard in this country for over thirty-five.

      Mira did not expect to have this problem being legalized

      in America, although this law pass after she was living in

      the country for years.

              The price Immigrants pays to stay in America
      

      doesn't worth the struggle, This can lead to stress, stress

      can lead to sickness. For people that wants the

      opportunity to visit or live in the United States Of America

      should do there research properly, get the right

      documents and they need to understand the laws and

      rules of America. It does mean if you stayed in America

      for years the same rules apply for everyone.

    1. New Institutionalism as new institutional critique?

      Summary: The second stage of institution critique in 1980 regarded artworks and meanings are generated in the relationship, which is “encounter the demand of place and the methods of producer”. In this stage, criticizing and reflecting of institutions more from the roles(curator, artist, cultural producers) that collaborative or affiliated with museums, author named them “fellow traveler”. Some scholars suggests the participation and reflection of institutions should regard as the replacement of the canonized institution critique, which distinguished from the first stage of institution critique in 1970s. In this situation, curators neither fully represents the institution nor sees as a cultural producer as Szeemann. Therefore, they are able to encounter art in a pure ways. However, due to curators’ status on the power structure of art ecosystem, and the different prespectives of curators and artists in institutions, the practices and demonstration also could be seen as a role-playing game of host and guest.

    1. As I move forward, I feel a sense of powerfulness, of significant action, that is tied to my pleasure in the unfolding story. In an adventure game this pleasure also feels like winning. But in a narrative experience not structured as a win-lose contest the movement forward has the feeling of enacting a meaningful experience both consciously chosen and surprising. However, there is a drawback to the maze orientation: it moves the interactor toward a single solution, toward finding the one way out.

      Passage 4 for summarizing

    2. The retracing of the situation from different perspectives leads to a continual deepening in the reader’s understanding of what has happened, a deepening that can bring a sense of resolution but one that allows for the complexity of the situation and that leaves the moment of shock unchanged and still central.

      The different pathways in a video game is a way to represent this concept. Playing as another character with a selection of voice lines that illustrates the ingame character's shows a piece of their mind. But the choices are all led by the player to choose what kind of personality they hold. It builds complexity and an understanding of each of the characters.

    3. But the unsolvable maze does hold promise as an expressive structure. Walking through a rhizome one enacts a story of wandering, of being enticed in conflicting directions, of remaining always open to surprise, of feeling helpless to orient oneself or to find an exit, but the story is also oddly reassuring.

      The "unsolvable" maze is an interesting concept for me to think about. Wandering through a game to interact with is very comforting, especially in our busy lives.

    4. The boundlessness of the rhizome experience is crucial to its comforting side. In this it is as much of a game as the adventure maze.

      I understand the thought process behind this comment. It can be comforting to feel like you have choices in a world that has become so much more constrictive of our individual thoughts and actions.

    5. Just as Kafka used the conventions of the fable to convey the profound depersonalization of modern life and Art Spiegelman used the format of the comic book to tell the story of his father’s Holocaust experiences, a digital artist might use the structure of the adventure maze to embody a moral individual’s confrontation with state-sanctioned violence.

      Viewing a maze game as a sort of moral dilemma had not crossed my mind originally, but the contrast between the format being a video game and the dilemma itself provides an interesting through process along the lines of, "How can a game effectively portray the difficulty to make ethically debatable choices?"

    6. As I move forward, I feel a sense of powerfulness, of significant action, that is tied to my pleasure in the unfolding story. In an adventure game this pleasure also feels like winning. But in a narrative experience not structured as a win-lose contest the movement forward has the feeling of enacting a meaningful experience both consciously chosen and surprising.

      Maze based games give a sense an agency as they are often moved forward directly by the player's actions. There's a sense of progress that can be called winning even if the game is not structured as a binary win or loss.

      It ties back to their original definition of agency and how it shows up in entertainment.

    7. Computer gamers often experience shivers of physical fear as they approach an unopened door in a text-based or graphics-based labyrinth.

      Horror games especially are built for this purpose. Games where you have to navigate through an unknown post apocalyptic world make the experience much scarier. Throwing away all prior knowledge of what you knowl, trying to intake information of the game world, and on top of jumpscares and mood induces anxiety.

    8. The rhizome has the same message. As we navigate its tangled, anxiety-laden paths, enclosed within its shape-fitting borders, we are both the exasperated parent longing for closure and separation and the enthralled child, lingering forever in an unfolding process that is deeply comforting because it can never end.

      The metaphor is a great example of a definition for a rhizome. It emphasizes that there is a comfort that the game can never end.

    9. Its lasting appeal as both a story and a game pattern derives from the melding of a cognitive problem (finding the path) with an emotionally symbolic pattern (facing what is frightening and unknown).

      Great way to define this classic game in the way that it appeals to the average person and why they are so popular. Coupled with the story from the first paragraph about Theseus and the Labyrinth, one almost feels immersed in the story from the start

    1. In an adventure game this pleasure also feels like winning. But in a narrative experience not structured as a win-lose contest the movement forward has the feeling of enacting a meaningful experience both consciously chosen and surprising. However, there is a drawback to the maze orientation: it moves the interactor toward a single solution, toward finding the one way out.

      Passage 4 for summarizing

    2. Most of all, games are goal directed and structured around turn taking and keeping score. All of this would seem to have nothing to do with stories.

      I would actually initially disagree with this statement. I think games are exactly like stories-they are basically interactive stories. You make the story yourself, based on your skills in playing the game and the choices you make at different points in the game. It gives you a lot more agency than reading a story that somebody else wrote, yes, but the overall goal is the same, and it is exactly like storytelling.

    3. As we navigate its tangled, anxiety-laden paths, enclosed within its shape-fitting borders, we are both the exasperated parent longing for closure and separation and the enthralled child, lingering forever in an unfolding process that is deeply comforting because it can never end.

      This section is interesting in the sense that when we interact with this type of media we aren't one person, but rather we become the different people in the text. Made me think of the game we played last week where we could see through the eyes of the girl struggling with depression but we were also living out the role of anxiety.

    1. Popular activities such as playing video games, surfing the Internet, and monitoring social media sites are now all easily accomplished with most cell phones. Researchers have linked each of these activities, independent of cell phone use, to academic performance. For example, heavy video game playing has been associated with lower GPAs (Jackson, von Eye, Fitzgerald, Witt, & Zhao, 2011; Jackson, von Eye, Witt, Zhao, & Fitzgerald, 2011). Also, low levels of Internet use have been associated with improved academic performance (Chen & Peng, 2008).Chen and Tzeng (2010) found that among heavy Internet users information seeking was associated with better academic performance, while video game playing was associated with lower levels of academic performance.

      positif pain of using cell phone

    1. With lipreading, each day brings a moment in which I literally cannot do it anymore. I grow too tired of the guessing game that I can never quite win.

      like speaking a second language

    1. food intake and vasoconstriction

      Is this why eating is causing instant sleepiness? Non-digestive vessels vasoconstrict and shut off too much cerebral blood flow, then nerves instantly have reduced firing/waste and CO2 build up/diminished mitochondria output/oxidative buildup/ &or then resultant inflammatory triggering cytokine increase?

      Vessel endothelial enormous surface area, manipulator of blood flow vasoconstrictor system, and cytokine producer/influencer, and high vulnerability sensitivity to viral infection/corruption...and then it's role or adjacent system and the immediate available Google research on COVID affecting> the vascular elastin system and corrupted elevated production of destructive elastases resulting in reduced vascular compliance then resulting too narrow "pulse pressure" band essentially creating arteriosclerosis.

      Also, make sure to be thinking of the entire vascular system not as one system, but subsided by dynamic changing gated sections and inspect signaling creating changing locations and amounts of high/low pressure zones. Also, keep in mind 3 things about BP: 1, when taken with a cuff it is only measuring a reading at the elbow. 2, is a reading from the artery and not giving any direct data from vein part of the system. 3, BP is not the same as blood flow. So I conceive that you could read a good BP, but actual flow could be completely inadequate.

      Remember analogy, vascular system is just like car AC system, or any pressurized hydraulic system, or even actually electric circuits. Meaning that there is a high pressure side, the load component(s), and a low pressure side. Also remember veins act as the reservoir tank, and when they constrict it is injecting more blood into the system to, if functioning correctly, allow higher performance and meet increase load demand. It also, therefore has less direct effect on whole system BP vs artery constriction because it's downstream of the load. Arterial constriction conversely has immediate direct effect on systolic BP as it is essentially putting a wall directly downstream of the heart. Therefore, regardless if diastolic pressure is zero or high, when the heart contacts, the pressure shoots straight up.

      A working theory component: my pulmonary vein is inappropriately constricting too much. That causes high back up pressure at alveoli. Exercise then induces veinous reservoir injection and increased blood volume into the "working system" further increasing pressure. Possibly arterious had already been fully dilated at rest in order to compensate and then when exercise happens, it can't be dilated further to increase blood flow throughout and BP increases further all behind the pulmonary vein "dam". However it doesn't present as right side heart failure like might initially be guessed (with leg and belly edema) because the right side heart is not failing...yet. So it contains any further backflow and the alveoli are the weakest point and taking the most abuse and pressure is relieved as pulmonary edema. And therefore what may be present is if we look for it, we'll find that actual blood throughput output exiting the heart is too low. And this can exist with a normal ejection fraction because the heart is functioning correctly and pumping the right percentage of what is a low starting volume. And also this can support why right ventricle is showing first signs of enlarging because it's being overpressured and stretching out (enlarging). And this can support why normal BP readings are measured at the arm because it can completely handle the abnormally low blood volume being received in the downstream location it's at. And then therefore this further supports why BP is normal but HR is riding the high limit at rest and then instantly jumps on exertion AND why dizziness happens because the artery system was already maxed out dilation at rest and for any amount of exertion, increasing HR because of the immediate too fast rise in tissue hypoxia due to too low blood supply the brain keeps driving up HR to meet demand. Total result upon exercise: supply continues to more and more not meet demand, HR rises faster and faster to try to inadequately compensate, physically become weaker especially after high output anaerobic every supply deleted in 1-3 minutes and there is no aerobic capacity cavalry with it's O2 rushing in to take over and that's when I fall off the cliff> HR spikes even faster, chest pain immediately jumps, lung edema turns on full tilt as the HR spikes and the resulting pressure is forced to "spray out of the gaskets (alveoli), and brain blood O2 supply immediately becomes super inadequate and the dizziness and need to fall over is the instant result effect. And since dysfuntioning cerebral vasoconstriction is likely the cause or highly involved in migraines, this also supports why the headaches come. ... And perhaps this explaining the rest pain and how it increases with dex and exertion because blood flow o2 becomes inadequate. Then causing lactic acid waste and CO2 buildup... (ie pain). And then it, like all body tissues being deprived necessary blood flow trigger cytokine inflammation response. ... And then, fuck it, maybe this IS chronic fatigue syndrome, and IS long covid explaining PEM, explaining why every symptom imaginable in any combination permutation is being shown, is explaining the observed elevated varing soups of cytokinesis, explaining all variety of tissue damage depending on any person's unique amount of total hit and their particular systems vulnerabilities and ultimately how far down they went on the increasing spiralling cascading systems failure towards total shutdown, and explains why measures at addressing the variety of manifestations are all somewhat helpful, but inadequate and varing efficacy from patient to patient because they are all too downstream of the root cause trunk of the symptom tree where the need to relieve vascular over constriction is the root or next to the root of the symptom tree that is common to all patients. If this were all to be accurate, then the seed would be what caused the break in vasoconstrictor system and repairing/killing it, or perhaps it's a PC bootstrap phenomenon where the simple uncomplex virus was just enough bios code to place innocuous wrenches in any of machines of the systems and then those malfunctioning systems took over control in their new malfunctioning patterns and became the new bosses that are infact the disease, you become your disease, and the initial virus seed has long been killed/departed (they're the ultimate down the road end game that is the totally corrupted bcdhhs that will then exist now as a new monstrous organism slowly lingering and depleting itself and eventually all resources at which point it will have finally killed itself after it destroyed the once thriving self sustaining world it lived in. COVID then is the teenage abusive bf or mean drunk father from their past, that put in motion what would become decades and generations of monsters, years and years after they had been long since gone). And maybe this explains the phasing leaving and returning it symptoms. Because when enough if the symptoms start to be reset/repaired, that starts spiraling the spread of the shutdown of the corruption back to health, but if the spiral up isn't strong enough to overcome the consequential reactive spiral down response, the monster returns and the rebellion is quashed. And so explains why the overall, in every system, stronger less vulnerabilities less armor chinks youth are able to quash with ease the spiral down with their incumbent exceptional spiral up response. .... And aside, this explains why dysautonomia has become a top suspect. And explains why POTS has become almost synonymous with long COVID and CFS.

    1. Art is the hook that engages students…. The subjects are familiar so that students have much to recognize but they also contain elements of mystery so students have observations, ideas, and emotions to puzzle over [my emphasis]. (p. 24)

      Right, so the modern equivalent would be to design a game or an 3d animation in an intuitive way, yet the integration of pipeline in this systems makes it so that not even experienced professionals in the area cn develop a short film or an interactive experience through art that eases people into coding.

      I think we need to do a better job at this. If the system that allowed us to design the processes also taught it to people then we wouldn't have to chose between improving the learning curve and the system there should all be one. why did we stop shipping manuals with our tech..? ahh it was because we stopped caring about what the people that designed the tool thought.

    1. Email, for example, is typically asynchronous, text-based, low-bandwidth, persistent, with awide range in the participants’ identifications. An online game, for comparison, might be synchronous,graphical, medium-bandwidth, ephemeral and anonymous

      I haven't really ever thought about the different ways sociable media is used and meant for. Many different features affect how different applications are meant to be used for. Social medias such as Instagram and Twitter (X) are more of an asynchronous, public, and text and visual image based media whereas FaceTime and some messaging apps are more synchronous, private, and live video and text based.

    1. weaker powers benefit from the relative independence that continued competition in the system gives them. Consequently, small powers want to avoid anyone ‘winning’ the game, since a singular winning power would be able to dominate and possibly absorb them.

      Like the Italian cities during the Italian Wars. If France OR Spain gobbled up enough of Italy to reach a majority, other cities picked up on it and switched sides. It did not benefit states like Florence, Pisa, Venice etc. to have a huge winner.

    1. Hoekstra, a Shell man and a McKinsey man in charge of EU climate policy?
      • for: climate change policy hypocrisy, fossil fuel lobby, EU climate policy, Hoekstra, Fox guarding the henhouse, Linked In post
      • comment

        • What does it say about the EU's authenticity to deal with the global boiling crisis when they put a fox in charge of the henhouse?
        • this seems awfully similar to the choice for positioning an oil man to head COP28.
        • The fossil fuel lobby is EXTREMELY busy in the opaque back end of politics. We need more light to shine and bring the back end fossil fuel lobby activity out of the shadows to pre-empt future leadership betrayals.
      • future research

        • uncover future fossil fuel lobby’s game plan and future attempts to coopt climate change policy leadership
        • needed in order to proactively preempt the next attempt at coopting climate leadership. It’s difficult when we are simply reacting
    1. .

      you could go further with this contextual analysis. what's the discursive realm in which your article exists? what materials have you engaged with contributed to perceptions of the game? what commentators' views (about USC basketball) informed your views?

    1. Obviously, one or two paragraphs cannot do justice to technologies that require several books each, and my list has undoubtedly omitted several important developments (e.g., gaming, edupunk, automatic assessment, virtual reality, and Google might all be contenders). However, from this brief overview, a number of themes can be extracted to help inform the next twenty years.The first of these is that in edtech, the tech part of the phrase walks taller. In my list, most of the innovations are technologies. Sometimes these come with strong accompanying educational frameworks, but other times they are a technology seeking an application. This is undoubtedly a function of my having lived through the first flush of the digital revolution. A future list may be better balanced with conceptual frameworks, pedagogies, and social movements.Second, several ideas recur, with increasing success in their adoption. Learning objects were the first attempt at making teaching content reusable, and even though they weren’t successful, the ideas they generated led to OER, which begat open textbooks. So, those who have been in the edtech field for a while should be wary of dismissing an idea by saying: “We tried that; it didn’t work.” Similarly, those proposing a new idea need to understand why previous attempts failed.Third, technology outside of education has consistently been co-opted for educational purposes. This has met with varying degrees of success. Blogs, for instance, are an ideal educational technology, whereas Second Life didn’t reach a sustainable adoption. The popularity of—or the number of Wired headlines about—a technology does not automatically make it a contender as a useful technology for education.This leads into the last point: education is a complex, highly interdependent system. It is not like the banking, record, or media industries. The simple transfer of technology from other sectors often fails to appreciate the sociocultural context in which education operates. Generally, only those technologies that directly offer an improved, or alternative, means of addressing the core functions of education get adopted. These core functions can be summarized as content, delivery and recognition.28 [#fn28] OER, LMS, and online assessment all directly map onto these functions. Yet even when there is a clear link, such as between e-portfolios and recognition, the required cultural shifts can be more significant. Equally, edtech has frequently failed to address the social impact of advocating for or implementing a technology beyond the higher education sector. MOOCs, learning analytics, AI, social media—the widespread adoption of these technologies leads to social implications that higher education has been guilty of ignoring. The next phase of edtech should be framed more as a conversation about the specific needs of higher education and the responsibilities of technology adoption.When we look back twenty years, the picture is mixed. Clearly, a rapid and fundamental shift in higher education practice has taken place, driven by technology adoption. Yet at the same time, nothing much has changed, and many edtech developments have failed to have significant impact. Perhaps the overall conclusion, then, is that edtech is not a game for the impatient.

      You got your peanut butter in my chocolate. Tech and education - how to combine. Tech is created and education application is an afterthought. is there a problem this solves?

    1. Vannevar Bush, "As We May Think," Atlantic Month1y, (July 1945).

      As We May Think

      From The Atlantic Monthly, July 1945: 101-108. Reprinted with permission. (c)1945, V. Bush.

      As Director of the Office of Scientific Research and Development, Dr. Vannevar Bush has coördinated the activities of some six thousand leading American scientists in the application of science to warfare. In this significant article he holds up an incentive for scientists when the fighting has ceased. He urges that men of science should then turn to the massive task of making more accessible our bewildering store of knowledge. For many years inventions have extended man's physical powers rather than the powers of his mind. Trip hammers that multiply the fists, microscopes that sharpen the eye, and engines of destruction and detection are new results, but the end results, of modern science. Now, says Dr. Bush, instruments are at hand which, if properly developed, will give man access to and command over the inherited knowledge of the ages. The perfection of these pacific instruments should be the first objective of our scientists as they emerge from their war work. Like Emerson's famous address of 1837 on "The American Scholar," this paper by Dr. Bush calls for a new relationship between thinking man and the sum of our knowledge. - The Editor

      This has not been a scientist's war; it has been a war in which all have had a part. The scientists, burying their old professional competition in the demand of a common cause, have shared greatly and learned much. It has been exhilarating to work in effective partnership. Now, for many, this appears to be approaching an end. What are the scientists to do next?

      For the biologists, and particularly for the medical scientists, there can be little indecision, for their war work has hardly required them to leave the old paths. Many indeed have been able to carry on their war research in their familiar peacetime laboratories. Their objectives remain much the same.

      It is the physicists who have been thrown most violently off stride, who have left academic pursuits for the making of strange destructive gadgets, who have had to devise new methods for their unanticipated assignments. They have done their part on the devices that made it possible to turn back the enemy. They have worked in combined effort with the physicists of our allies. They have felt within themselves the stir of achievement. They have been part of a great team. Now, as peace approaches, one asks where they will find objectives worthy of their best.

      I

      Of what lasting benefit has been man's use of science and of the new instruments which his research brought into existence? First, they have increased his control of his material environment. They have improved his food, his clothing, his shelter; they have increased his security and released him partly from the bondage of bare existence. They have given him increased knowledge of his own biological processes so that he has had a progressive freedom from disease and an increased span of life. They are illuminating the interactions of his physiological and psychological functions, giving the promise of an improved mental health.

      Science has provided the swiftest communication between individuals; it has provided a record of ideas and has enabled man to manipulate and to make extracts from that record so that knowledge evolves and endures throughout the life of a race rather than that of an individual.

      There is a growing mountain of research. But there is increased evidence that we are being bogged down today as specialization extends. The investigator is staggered by the findings and conclusions of thousands of other workers--conclusions which he cannot find time to grasp, much less to remember, as they appear. Yet specialization becomes increasingly necessary for progress, and the effort to bridge between disciplines is correspondingly superficial.

      Professionally our methods of transmitting and reviewing the results of research are generations old and by now are totally inadequate for their purpose. If the aggregate time spent in writing scholarly works and in reading them could be evaluated, the ratio between these amounts of time might well be startling. Those who conscientiously attempt to keep abreast of current thought, even in restricted fields, by close and continuous reading might well shy away from an examination calculated to show how much of the previous month's efforts could be produced on call. Mendel's concept of the laws of genetics was lost to the world for a generation because his publication did not reach the few who were capable of grasping and extending it; and this sort of catastrophe is undoubtedly being repeated all about us, as truly significant attainments become lost in the mass of the inconsequential.

      The difficulty seems to be, not so much that we publish unduly in view of the extent and variety of present-day interests, but rather that publication has been extended far beyond our present ability to make real use of the record. The summation of human experience is being expanded at a prodigious rate, and the means we use for threading through the consequent maze to the momentarily important item is the same as was used in the days of square-rigged ships.

      But there are signs of a change as new and powerful instrumentalities come into use. Photocells capable of seeing things in a physical sense, advanced photography which can record what is seen or even what is not, thermionic tubes capable of controlling potent forces under the guidance of less power than a mosquito uses to vibrate his wings, cathode ray tubes rendering visible an occurrence so brief that by comparison a microsecond is a long time, relay combinations which will carry out involved sequences of movements more reliably than any human operator and thousands of times as fast-- there are plenty of mechanical aids with which to effect a transformation in scientific records.

      Two centuries ago Leibnitz invented a calculating machine which embodied most of the essential features of recent keyboard devices, but it could not then come into use. The economics of the situation were against it: the labor involved in constructing it, before the days of mass production, exceeded the labor to be saved by its use, since all it could accomplish could be duplicated by sufficient use of pencil and paper. Moreover, it would have been subject to frequent breakdown, so that it could not have been depended upon; for at that time and long after, complexity and unreliability were synonymous.

      Babbage, even with remarkably generous support for his time, could not produce his great arithmetical machine. His idea was sound enough, but construction and maintenance costs were then too heavy. Had a Pharaoh been given detailed and explicit designs of an automobile, and had he understood them completely, it would have taxed the resources of his kingdom to have fashioned the thousands of parts for a single car, and that car would have broken down on the first trip to Giza.

      Machines with interchangeable parts can now be constructed with great economy of effort. In spite of much complexity, they perform reliably. Witness the humble typewriter, or the movie camera, or the automobile. Electrical contacts have ceased to stick when thoroughly understood. Note the automatic telephone exchange, which has hundreds of thousands of such contacts, and yet is reliable. A spider web of metal, sealed in a thin glass container, a wire heated to brilliant glow, in short, the thermionic tube of radio sets, is made by the hundred million, tossed about in packages, plugged into sockets--and it works! Its gossamer parts, the precise location and alignment involved in its construction, would have occupied a master craftsman of the guild for months; now it is built for thirty cents. The world has arrived at an age of cheap complex devices of great reliability; and something is bound to come of it.

      II

      A record, if it is to be useful to science, must be continuously extended, it must be stored, and above all it must be consulted. Today we make the record conventionally by writing and photography, followed by printing; but we also record on film, on wax disks, and on magnetic wires. Even if utterly new recording procedures do not appear, these present ones are certainly in the process of modification and extension.

      Certainly progress in photography is not going to stop. Faster material and lenses, more automatic cameras, finer-grained sensitive compounds to allow an extension of the minicamera idea, are all imminent. Let us project this trend ahead to a logical, if not inevitable, outcome. The camera hound of the future wears on his forehead a lump a little larger than a walnut. It takes pictures 3 millimeters square, later to be projected or enlarged, which after all involves only a factor of 10 beyond present practice. The lens is of universal focus, down to any distance accommodated by the unaided eye, simply because it is of short focal length. There is a built-in photocell on the walnut such as we now have on at least one camera, which automatically adjusts exposure for a wide range of illumination. There is film in the walnut for a hundred exposure, and the spring for operating its shutter and shifting its film is wound once for all when the film clip is inserted. It produces its result in full color. It may well be stereoscopic, and record with spaced glass eyes, for striking improvements in stereoscopic technique are just around the corner.

      The cord which trips its shutter may reach down a man's sleeve within easy reach of his fingers. A quick squeeze, and the picture is taken. On a pair of ordinary glasses is a square of fine lines near the top of one lens, where it is out of the way of ordinary vision. When an object appears in that square, it is lined up for its j picture. As the scientist of the future moves about the laboratory or the field, every time he looks at something worthy of the record, he trips the shutter and in it goes, without even an audible click. Is this all fantastic? The only fantastic thing about it is the idea of making as many pictures as would result from its use.

      Will there be dry photography? It is already here in two forms. When Brady made his Civil War pictures, the plate had to be wet at the time of exposure. Now it has to be wet during development instead. In the future perhaps it need not be wetted at all. There have long been films impregnated with diazo dyes which form a picture without development, so that it is already there as soon as the camera has been operated. An exposure to ammonia gas destroys the unexposed dye, and the picture can then be taken out into the light and examined. The process is now slow, but someone may speed it up, and it has no grain difficulties such as now keep photographic researchers busy. Often it would be advantageous to be able to snap the camera and to look at the picture immediately.

      Another process now in use is also slow, and more or less clumsy. For fifty years impregnated papers have been used which turn dark at every point where an electrical contact touches them, by reason of the chemical change thus produced in an iodine compound included in the paper. They have been used to make records, for a pointer moving across them can leave a trail behind. If the electrical potential on the pointer is varied as it moves, the line becomes light or dark in accordance with the potential.

      This scheme is now used in facsimile transmission. The pointer draws a set of closely spaced lines across the paper one after another. As it moves, its potential is varied in accordance with a varying current received over wires from a distant station, where these variations are produced by a photocell which is similarly scanning a picture. At every instant the darkness of the line being drawn is made equal to the darkness of the point on the picture being observed by the photocell. Thus, when the whole picture has been covered, a replica appears at the receiving end.

      A scene itself can be just as well looked over line by line by the photocell in this way as can a photograph of the scene. This whole apparatus constitutes a camera, with the added feature, which can be dispensed with if desired, of making its picture at a distance. It is slow, and the picture is poor in detail. Still, it does give another process of dry photography, in which the picture is finished as soon as it is taken.

      It would be a brave man who would predict that such a process will always remain clumsy, slow, and faulty in detail. Television equipment today transmits sixteen reasonably good pictures a second, and it involves only two essential differences from the process described above. For one, the record is made by a moving beam of electrons rather than a moving pointer, for the reason that an electron beam can sweep across the picture very rapidly indeed. The other difference involves merely the use of a screen which glows momentarily when the electrons hit, rather than a chemically treated paper or film which is permanently altered. This speed is necessary in television, for motion pictures rather than stills are the object.

      Use chemically treated film in place of the glowing screen, allow the apparatus to transmit one picture only rather than a succession, and a rapid camera for dry photography results. The treated film needs to be far faster in action than present examples, but it probably could be. More serious is the objection that this scheme would involve putting the film inside a vacuum chamber, for electron beams behave normally only in such a rarefied environment. This difficulty could be avoided by allowing the electron beam to play on one side of a partition, and by pressing the film against the other side, if this partition were such as to allow the electrons to go through perpendicular to its surface, and to prevent them from spreading out sideways. Such partitions, in crude form, could certainly be constructed, and they will hardly hold up the general development.

      Like dry photography, microphotography still has a long way to go. The basic scheme of reducing the size of the record, and examining it by projection rather than directly, has possibilities too great to be ignored. The combination of optical projection and photographic reduction is already producing some results in microfilm for scholarly purposes, and the potentialities are highly suggestive. Today, with microfilm, reductions by a linear factor of 20 can be employed and still produce full clarity when the material is re-enlarged for examination. The limits are set by the graininess of the film, the excellence of the optical system, and the efficiency of the light sources employed. All of these are rapidly improving .

      Assume a linear ratio of 100 for future use. Consider film of the same thickness as paper, although thinner film will certainly be usable. Even under these conditions there would be a total factor of 10,000 between the bulk of the ordinary record on books, and its microfilm replica. The Encyclopedia Britannica could be reduced to the volume of a matchbox. A library of a million volumes could be compressed into one end of a desk. If the human race has produced since the invention of movable type a total record, in the form of magazines, newspapers, books, tracts, advertising blurbs, correspondence, having a volume corresponding to a billion books, the whole affair, assembled and compressed, could be lugged off in a moving van. Mere compression, of course, is not enough; one needs not only to make and store a record but also be able to consult it, and this aspect of the matter comes later. Even the modern great library is not generally consulted; it is nibbled at by a few.

      Compression is important, however, when it comes to costs. The material for the microfilm Britannica would cost a nickel, and it could be mailed anywhere for a cent. What would it cost to print a million copies? To print a sheet of newspaper, in a large edition, costs a small fraction of a cent. The entire material of the Britannica in reduced microfilm form would go on a sheet eight and one-half by eleven inches. Once it is available, with the photographic reproduction methods of the future, duplicates in large quantities could probably be turned out for a cent apiece beyond the cost of materials. The preparation of the original copy? That introduces the next aspect of the subject.

      III

      To make the record, we now push a pencil or tap a typewriter. Then comes the process of digestion and correction, followed by an intricate process of typesetting, printing, and distribution. To consider the first stage of the procedure, will the author of the future cease writing by hand or typewriter and talk directly to the record? He does so indirectly, by talking to a stenographer or a wax cylinder; but the elements are all present if he wishes to have his talk directly produce a typed record. All he needs to do is to take advantage of existing mechanisms and to alter his language .

      At a recent World Fair a machine called a Voder was shown. A girl stroked its keys and it emitted recognizable speech. No human vocal chords entered into the procedure at any point; the keys simply combined some electrically produced vibrations and passed these on to a loudspeaker. In the Bell Laboratories there is the converse of this machine, called a Vocoder. The loud-speaker is replaced by a microphone, which picks up sound. Speak to it, and the corresponding keys move. This may be one element of the postulated system.

      The other element is found in the stenotype, that somewhat disconcerting device encountered usually at public meetings. A girl strokes its keys languidly and looks about the room and sometimes at the speaker with a disquieting gaze. From it emerges a typed strip which records in a phonetically simplified language a record of what the speaker is supposed to have said. Later this strip is retyped into ordinary language, for in its nascent form it is intelligible only to the initiated. Combine these two elements, let the Vocoder run the stenotype, and the result is a machine which types when talked to.

      Our present languages are not especially adapted to this sort of mechanization, it is true. It is strange that the inventors of universal languages have not seized upon the idea of producing one which better fitted the technique for transmitting and recording speech. Mechanization may yet force the issue, especially in the scientific field; whereupon scientific jargon would become still less intelligible to the layman.

      One can now picture a future investigator in his laboratory. His hands are free, and he is not anchored. As he moves about and observes, he photographs and comments. Time is automatically recorded to tie the two records together. If he goes into the field, he may be connected by radio to his recorder. As he ponders over his notes in the evening, he again talks his comments into the record. His typed record, as well as his photographs, may both be in miniature, so that he projects them for examination.

      Much needs to occur, however, between the collection of data and observations, the extraction of parallel material from the existing record, and the final insertion of new material into the general body of the common record. For mature thought there is no mechanical substitute. But creative thought and essentially repetitive thought are very different things. For the latter there are, and may be, powerful mechanical aids.

      Adding a column of figures is a repetitive thought process, and it was long ago properly relegated to the machine. True, the machine is sometimes controlled by a keyboard, and thought of a sort enters in reading the figures and poking the corresponding keys, but even this is avoidable. Machines have been made which will read typed figures by photocells and then depress the corresponding keys; these are combinations of photocells for scanning the type, electric circuits for sorting the consequent variations, and relay circuits for interpreting the result into the action of solenoids to pull the keys down.

      All this complication is needed because of the clumsy way in which we have learned to write figures. If we recorded them positionally, simply by the configuration of a set of dots on a card, the automatic reading mechanism would become comparatively simple. In fact, if the dots are holes, we have the punched-card machine long ago produced by Hollorith for the purposes of the census, and now used throughout business. Some types of complex businesses could hardly operate without these machines.

      Adding is only one operation. To perform arithmetical computation involves also subtraction, multiplication, and division, and in addition some method for temporary storage of results, removal from storage for further manipulation, and recording of final results by printing. Machines for these purposes are now of two types: keyboard machines for accounting and the like, manually controlled for the insertion of data, and usually automatically controlled as far as the sequence of operations is concerned; and punched-card machines in which separate operations are usually delegated to a series of machines, and the cards then transferred bodily from one to another. Both forms are very useful; but as far as complex computations are concerned, both are still in embryo.

      Rapid electrical counting appeared soon after the physicists found it desirable to count cosmic rays. For their own purposes the physicists promptly constructed thermionic-tube equipment capable of counting electrical impulses at the rate of 100,000 a second. The advanced arithmetical machines of the future will be electrical in nature, and they will perform at 100 times present speeds, or more.

      Moreover, they will be far more versatile than present commercial machines, so that they may readily be adapted for a wide variety of operations. They will be controlled by a control card or film, they will select their own data and manipulate it in accordance with the instructions thus inserted, they will perform complex arithmetical computations at exceedingly high speeds, and they will record results in such form as to be readily available for distribution or for later further manipulation. Such machines will have enormous appetites. One of them will take instructions and data from a whole roomful of girls armed with simple keyboard punches, and will deliver sheets of computed results every few minutes. There will always be plenty of things to compute in the detailed affairs of millions of people doing complicated things.

      IV

      The repetitive processes of thought are not confined, however, to matters of arithmetic and statistics. In fact, every time one combines and records facts in accordance with established logical processes, the creative aspect of thinking is concerned only with the selection of the data and the process to be employed, and the manipulation thereafter is repetitive in nature and hence a fit matter to be relegated to the machines. Not so much has been done along these lines, beyond the bounds of arithmetic, as might be done, primarily because of the economics of the situation. The needs of business, and the extensive market obviously waiting, assured the advent of mass-produced arithmetical machines just as soon as production methods were sufficiently advanced.

      With machines for advanced analysis no such situation existed; for there was and is no extensive market; the users of advanced methods of manipulating data are a very small part of the population. There are, however, machines for solving differential equations--and functional and integral equations, for that matter. There are many special machines, such as the harmonic synthesizer which predicts the tides. There will be many more, appearing certainly first in the hands of the scientist and in small numbers.

      If scientific reasoning were limited to the logical processes of arithmetic, we should not get far in our understanding of the physical world. One might as well attempt to grasp the game of poker entirely by the use of the mathematics of probability. The abacus, with its beads strung on parallel wires, led the Arabs to positional numeration and the concept of zero many centuries before the rest of the world; and it was a useful tool--so useful that it still exists.

      It is a far cry from the abacus to the modern keyboard accounting machine. It will be an equal step to the arithmetical machine of the future. But even this new machine will not take the scientist where he needs to go. Relief must be secured from laborious detailed manipulation of higher mathematics as well, if the users of it are to free their brains for something more than repetitive detailed transformations in accordance with established rules. A mathematician is not a man who can readily manipulate figures; often he cannot. He is not even a man who can readily perform the transformations of equations by the use of calculus. He is primarily an individual who is skilled in the use of symbolic logic on a high plane, and especially he is a man of intuitive judgment in the choice of the manipulative processes he employs.

      All else he should be able to turn over to his mechanism, just as confidently as he turns over the propelling of his car to the intricate mechanism under the hood. Only then will mathematics be practically effective in bringing the growing knowledge of atomistics to the useful solution of the advanced problems of chemistry, metallurgy, and biology. For this reason there will come more machines to handle advanced mathematics for the scientist. Some of them will be sufficiently bizarre to suit the most fastidious connoisseur of the present artifacts of civilization.

      V

      The scientist, however, is not the only person who manipulates data and examines the world about him by the use of logical processes, although he sometimes preserves this appearance by adopting into the fold anyone who becomes logical, much in the manner in which a British labor leader is elevated to knighthood. Whenever logical processes of thought are employed--that is, whenever thought for a time runs along an accepted groove--there is an opportunity for the machine. Formal logic used to be a keen instrument in the hands of the teacher in his trying of students' souls. It is readily possible to construct a machine which will manipulate premises in accordance with formal logic, simply by the clever use of relay circuits. Put a set of premises into such a device and turn the crank, and it will readily pass out conclusion after conclusion, all in accordance with logical law, and with no more slips than would be expected of a keyboard adding machine.

      Logic can become enormously difficult, and it would undoubtedly be well to produce more assurance in its use. The machines for higher analysis have usually been equation solvers. Ideas are beginning to appear for equation transformers, which will rearrange the relationship expressed by an equation in accordance with strict and rather advanced logic. Progress is inhibited by the exceedingly crude way in which mathematicians express their relationships. They employ a symbolism which grew like Topsy and has little consistency; a strange fact in that most logical field.

      A new symbolism, probably positional, must apparently precede the reduction of mathematical transformations to machine processes. Then, on beyond the strict logic of the mathematician, lies the application of logic in everyday affairs. We may some day click off arguments on a machine with the same assurance that we now enter sales on a cash register. But the machine of logic will not look like a cash register, even of the streamlined model.

      So much for the manipulation of ideas and their insertion into the record. Thus far we seem to be worse off than before--for we can enormously extend the record; yet even in its present bulk we can hardly consult it. This is a much larger matter than merely the extraction of data for the purposes of scientific research; it involves the entire process by which man profits by his inheritance of acquired knowledge. The prime action of use is selection, and here we are halting indeed. There may be millions of fine thoughts, and the account of the experience on which they are based, all encased within stone walls of acceptable architectural form; but if the scholar can get at only one a week by diligent search, his syntheses are not likely to keep up with the current scene.

      Selection, in this broad sense, is a stone adze in the hands of a cabinetmaker. Yet, in a narrow sense and in other areas, something has already been done mechanically on selection. The personnel officer of a factory drops a stack of a few thousand employee cards into a selecting machine, sets a code in accordance with an established convention, and produces in a short time a list of all employees who live in Trenton and know Spanish. Even such devices are much too slow when it comes, for example, to matching a set of fingerprints with one of five million on file. Selection devices of this sort will soon be speeded up from their present rate of reviewing data at a few hundred a minute. By the use of photocells and microfilm they will survey items at the rate of a thousand a second, and will print out duplicates of those selected.

      This process, however, is simple selection: it proceeds by examining in turn every one of a large set of items, and by picking out those which have certain specified characteristics. There is another form of selection best illustrated by the automatic telephone exchange. You dial a number and the machine selects and connects just one of a million possible stations. It does not run over them all. It pays attention only to a class given by a first digit, then only to a subclass of this given by the second digit, and so on; and thus proceeds rapidly and almost unerringly to the selected station. It requires a few seconds to make the selection, although the process could be speeded up if increased speed were economically warranted. If necessary, it could be made extremely fast by substituting thermionic-tube switching for mechanical switching, so that the full selection could be made in one one-hundredth of a second. No one would wish to spend the money necessary to make this change in the telephone system, but the general idea is applicable elsewhere.

      Take the prosaic problem of the great department store. Every time a charge sale is made, there are a number of things to be done. The inventory needs to be revised, the salesman needs to be given credit for the sale, the general accounts need an entry, and, most important, the customer needs to be charged. A central records device has been developed in which much of this work is done conveniently. The salesman places on a stand the customer's identification card, his own card, and the card taken from the article sold--all punched cards. When he pulls a lever, contacts are made through the holes, machinery at a central point makes the necessary computations and entries, and the proper receipt is printed for the salesman to pass to the customer.

      But there may be ten thousand charge customers doing business with the store, and before the full operation can be completed someone has to select the right card and insert it at the central office. Now rapid selection can slide just the proper card into position in an instant or two, and return it afterward. Another difficulty occurs, however. Someone must read a total on the card, so that the machine can add its computed item to it. Conceivably the cards might be of the dry photography type I have described. Existing totals could then be read by photocell, and the new total entered by an electron beam.

      The cards may be in miniature, so that they occupy little space. They must move quickly. They need not be transferred far, but merely into position so that the photocell and recorder can operate on them. Positional dots can enter the data. At the end of the month a machine can readily be made to read these and to print an ordinary bill. With tube selection, in which no mechanical parts are involved in the switches, little time need be occupied in bringing the correct card into use--a second should suffice for the entire operation. The whole record on the card may be made by magnetic dots on a steel sheet if desired, instead of dots to be observed optically, following the scheme by which Poulsen long ago put speech on a magnetic wire. This method has the advantage of simplicity and ease of erasure. By using photography, however, one can arrange to project the record in enlarged form, and at a distance by using the process common in television equipment.

      One can consider rapid selection of this form, and distant projection for other purposes. To be able to key one sheet of a million before an operator in a second or two, with the possibility of then adding notes thereto, is suggestive in many ways. It might even be of use in libraries, but that is another story. At any rate, there are now some interesting combinations possible. One might, for example, speak to a microphone, in the manner described in connection with the speech-controlled typewriter, and thus make his selections. It would certainly beat the usual file clerk.

      VI

      The real heart of the matter of selection, however, goes deeper than a lag in the adoption of mechanisms by libraries, or a lack of development of devices for their use. Our ineptitude in getting at the record is largely caused by the artificiality of systems of indexing. When data of any sort are placed in storage, they are filed alphabetically or numerically, and information is found (when it is) by tracing it down from subclass to subclass. It can be in only one place, unless duplicates are used; one has to have rules as to which path will locate it, and the rules are cumbersome. Having found one item, moreover, one has to emerge from the system and re-enter on a new path.

      The human mind does not work that way. It operates by association. With one item in its grasp, it snaps instantly to the next that is suggested by the association of thoughts, in accordance with some intricate web of trails carried by the cells of the brain. It has other characteristics, of course; trails that are not frequently followed are prone to fade, items are not fully permanent, memory is transitory. Yet the speed of action, the intricacy of trails, the detail of mental pictures, is awe-inspiring beyond all else in nature.

      Man cannot hope fully to duplicate this mental process artificially, but he certainly ought to be able to learn from it. In minor ways he may even improve, for his records have relative permanency. The first idea, however, to be drawn from the analogy concerns selection. Selection by association, rather than by indexing, may yet be mechanized. One cannot hope thus to equal the speed and flexibility with which the mind follows an associative trail, but it should be possible to beat the mind decisively in regard to the permanence and clarity of the items resurrected from storage.

      Consider a future device for individual use, which is a sort of mechanized private file and library. It needs a name, and, to coin one at random, "memex" will do. A memex is a device in which an individual stores all his books, records, and communications, and which is mechanized so that it may be consulted with exceeding speed and flexibility. It is an enlarged intimate supplement to his memory.

      It consists of a desk, and while it can presumably be operated from a distance, it is primarily the piece of furniture at which he works. On the top are slanting translucent screens, on which material can be projected for convenient reading. There is a keyboard, and sets of buttons and levers. Otherwise it looks like an ordinary desk.

      In one end is the stored material. The matter of bulk is well taken care of by improved microfilm. Only a small part of the interior of the memex is devoted to storage, the rest to mechanism. Yet if the user inserted 5000 pages of material a day it would take him hundreds of years to fill the repository, so he can be profligate and enter material freely.

      Most of the memex contents are purchased on microfilm ready for insertion. Books of all sorts, pictures, current periodicals, newspapers, are thus obtained and dropped into place. Business correspondence takes the same path. And there is provision for direct entry. On the top of the memex is a transparent platen. On this are placed longhand notes, photographs, memoranda, all sorts of things. When one is in place, the depression of a lever causes it to be photographed onto the next blank space in a section ~_ the memex film, dry photography being employed

      There is, of course, provision for consultation of the record by the usual scheme of indexing. If the user wishes to consult a certain book, he taps its code on the keyboard, and the title page of the book promptly appears before him, projected onto one of his viewing positions. Frequently-used codes are mnemonic, so that he seldom consults his code book; but when he does, a single tap of a key projects it for his use. Moreover, he has supplemental levers. On deflecting one of these levers to the right he runs through the book before him, each page in turn being projected at a speed which just allows a recognizing glance at each. If he deflects it further to the right, he steps through the book 10 pages at a time; still further at 100 pages at a time. Deflection to the left gives him the same control backwards.

      A special button transfers him immediately to the first page of the index. Any given book of his library can thus be called up and consulted with far greater facility than if it were taken from a shelf. As he has several projection positions, he can leave one item in position while he calls up another. He can add marginal notes and comments, taking advantage of one possible type of dry photography, and it could even be arranged so that he can do this by a stylus scheme, such as is now employed in the telautograph seen in railroad waiting rooms, just as though he had the physical page before him.

      VII

      All this is conventional, except for the projection forward of present-day mechanisms and gadgetry. It affords an immediate step, however, to associative indexing, the basic idea of which is a provision whereby any item may be caused at will to select immediately and automatically another. This is the essential feature of the memex. The process of tying two items together is the important thing.

      When the user is building a trail, he names it, inserts the name in his code book, and taps it ~out on his keyboard. Before him are the two items to be joined, projected onto adjacent viewing positions. At the bottom of each there are a number of blank code spaces, and a pointer is set to indicate one of these on each item. The user taps a single key, and the items are permanently joined. In each code space appears the code word. Out of view, but also in the code space, is inserted a set of dots for photocell viewing; and on each item these dots by their positions designate the index number of the other item.

      Thereafter, at any time, when one of these items is in view, the other can be instantly recalled merely by tapping a button below the corresponding code space. Moreover, when numerous items have been thus joined together to form a trail, they can be reviewed in turn, rapidly or slowly, by deflecting a lever like that used for turning the pages of a book. It is exactly as though the physical items had been gathered together from widely separated sources and bound together to form a new book. It is more than this, for any item can be joined into numerous trails.

      The owner of the memex, let us say, is interested in the origin and properties of the bow and arrow. Specifically he is studying why the short Turkish bow was apparently superior to the English long bow in the skirmishes of the Crusades. He has dozens of possibly pertinent books and articles in his memex. First he runs through an encyclopedia, finds an interesting but sketchy article, leaves it projected. Next, in a history, he finds another pertinent item, and ties the two together. Thus he goes, building a trail of many items. Occasionally he inserts a comment of his own, either linking it into the main trail or joining it by a side trail to a particular item. When it becomes evident that the elastic properties of available materials had a great deal to do with the bow, he branches off on a side trail which takes him through textbooks on elasticity and tables of physical constants. He inserts a page of longhand analysis of his own. Thus he builds a trail of his interest through the maze of materials available to him.

      And his trails do not fade. Several years later, his talk with a friend turns to the queer ways in which a people resist innovations, even of vital interest. He has an example, in the fact that the outraged Europeans still failed to adopt the Turkish bow. In fact he has a trail on it. A touch brings up the code book. Tapping a few keys projects the head of the trail. A lever runs through it at will, stopping at interesting items, going off on side excursions. It is an interesting trail, pertinent to the discussion. So he sets a reproducer in action, photographs the whole trail out, and passes it to his friend for insertion in his own memex, there to be linked into the more general trail.

      VIII

      Wholly new forms of encyclopedias will appear, ready-made with a mesh of associative trails running through them, ready to be dropped into the memex and there amplified. The lawyer has at his touch the associated opinions and decisions of his whole experience, and of the experience of friends and authorities. The patent attorney has on call the millions of issued patents, with familiar trails to every point of his client's interest. The physician, puzzled by a patient's reactions, strikes the trail established in studying an earlier similar case, and runs rapidly through analogous case histories, with side references to the classics for the pertinent anatomy and histology. The chemist, struggling with the synthesis of an organic compound, has all the chemical literature before him in his laboratory, with trails following the analogies of compounds, and side trails to their physical and chemical behavior.

      The historian, with a vast chronological account of a people, parallels it with a skip trail which stops only on the salient items, and can follow at any time contemporary trails which lead him all over civilization at a particular epoch. There is a new profession of trail blazers, those who find delight in the task of establishing useful trails through the enormous mass of the common record. The inheritance from the master becomes, not only his additions to the world's record, but for his disciples the entire scaffolding by which they were erected.

      Thus science may implement the ways in which man produces, stores, and consults the record of the race. It might be striking to outline the instrumentalities of the future more spectacularly, rather than to stick closely to methods and elements now known and undergoing rapid development, as has been done here. Technical difficulties of all sorts have been ignored, certainly, but also ignored are means as yet unknown which may come any day to accelerate technical progress as violently as did the advent of the thermionic tube. In order that the picture may not be too commonplace, by reason of sticking to present-day patterns, it may be well to mention one such possibility, not to prophesy but merely to suggest, for prophecy based on extension of the known has substance, while prophecy founded on the unknown is only a doubly involved guess.

      All our steps in creating or absorbing material of the record proceed through one of the senses--the tactile when we touch keys, the oral when we speak or listen, the visual when we read. Is it not possible that some day the path may be established more directly?

      We know that when the eye sees, all the consequent information is transmitted to the brain by means of electrical vibrations in the channel of the optic nerve. This is an exact analogy with the electrical vibrations which occur in the cable of a television set: they convey the picture from the photocells which see it to the radio transmitter from which it is broadcast. We know further that if we can approach that cable with the proper instruments, we do not need to touch it; we can pick up those vibrations by electrical induction and thus discover and reproduce the scene which is being transmitted, just as a telephone wire may be tapped for its message.

      The impulses which flow in the arm nerves of a typist convey to her fingers the translated information which reaches her eye or ear, in order that the fingers may be caused to strike the proper keys. Might not these currents be intercepted, either in the original form in which information is conveyed to the brain, or in the marvelously metamorphosed form in which they then proceed to the hand?

      By bone conduction we already introduce sounds into the nerve channels of the deaf in order that they may hear. Is it not possible that we may learn to introduce them without the present cumbersomeness of first transforming electrical vibrations to mechanical ones, which the human mechanism promptly transforms back to the electrical form? With a couple of electrodes on the skull the encephalograph now produces pen-and-ink traces which bear some relation to the electrical phenomena going on in the brain itself. True, the record is unintelligible, except as it points out certain gross misfunctioning of the cerebral mechanism; but who would now place bounds on where such a thing may lead?

      In the outside world, all forms of intelligence, whether of sound or sight, have been reduced to the form of varying currents in an electric circuit in order that they may be transmitted. Inside the human frame exactly the same sort of process occurs.

      Must we always transform to mechanical movements in order to proceed from one electrical phenomenon to another? It is a suggestive thought, but it hardly warrants prediction without losing touch with reality and immediateness.

      Presumably man's spirit should be elevated if he can better review his shady past and analyze more completely and objectively his present problems. He has built a civilization so complex that he needs to mechanize his records more fully if he is to push his experiment to its logical conclusion and not merely become bogged down part way there by overtaxing his limited memory. His excursions may be more enjoyable if he can reacquire the privilege of forgetting the manifold things he does not need to have immediately at hand, with some assurance that he can find them again if they prove important.

      The applications of science have built man a well-supplied house, and are teaching him to live healthily therein. They have enabled him to throw masses of people against one another with cruel weapons. They may yet allow him truly to encompass the great record and to grow in the wisdom of race experience. He may perish in conflict before he learns to wield that record for his true good. Yet, in the application of science to the needs and desires of man, it would seem to be a singularly unfortunate stage at which to terminate the process, or to lose hope as to the outcome.

    1. But there is a world of difference between what computers cando and what society will choose to do with them

      This reminds me of how if you find the right learning game for your students, it could turn into something they choose to do on their own at home. This means their practice and learning will continue even when they are not in school.

    1. he- shortanswer is that we are not asking whether all digital computerswould do well in the game nor whether the computers at presentavailable would do well, but whether there are imaginable com-puters which would do well. But this is only the short' answer.We shall see this question in a diflerent light l

      Computer would obviously give a honest answer , If they have access to a large amount of Data . but are they cable of resolving a more humanistic problem , which would require nit only mere intelligence but emotional and ethics one .

    1. If this activity did not result in an interception of the ball by thepaddle, an unpredictable stimulus was delivered (150mV voltageat 5Hz for 4 seconds; see STAR Methods), after which time theball stimulation would recommence on a random vector. Incontrast, if a successful interception occurred, a predictablestimulus was delivered across all electrodes simultaneously at100Hz for 100ms (briefly interrupting the regular sensory stimu-lation) before the game continued predictably.

      not really sure what this means. If the result when the neurons fail the Pong game is predictably 150mV &5Hz for 4 seconds, how is that unpredictable?

      Are they just using a nicer word for punishment lol

    1. In particular, the groups asked regulators to prohibit online services from offering unpredictable rewards — a technique that slot machines use — to keep children online.

      The slot machine games relate to gambling which is usually at a casino, which children are not allowed to enter. Online slots, ad games, and child grabbing media give unpredictable rewards because soon the child will believe they can only receive good out of the game.

    1. Never Split the Difference: Negotiating as if your life depended on it, The Inner Game of Tennis, Miss Lily's Lovely Ladies, The Tattooist of Auschwitz, All the Light You Cannot See, Dark Emu, Nanberry: Black Brother White, Girt: The Unauthorized History of Australia, To Pixar and Beyond, The Life-Changing Magic of Tidying Up.

      to-read

    1. 8.5% of young people in the United States were addicted to video games as compared to data from previous studies, which historically estimated the prevalence of video game addiction to be around 3%.

      This is only the beginning of the cause. It's bound to only increase from here

    1. Despite their gaming habits, many participants reported engaging in physical activity. Common activities included team sports, resistance training, individual sports, and combat sports. This contradicted some previous research that suggested a negative association between gaming and physical activity. The participants also displayed healthy eating habits during gaming sessions. Few reported consuming energy drinks or ultra-processed snacks while gaming.

      It becomes their day to day routine, going from practices or games, straight to another game just virtually

    2. The researchers conducted this study to investigate the multifaceted impact of the rapidly expanding video game industry on individuals’ lives. With over two billion people estimated to be playing video games worldwide, and concerns arising about problematic gaming behaviors leading to potential addiction, there was a need to delve deeper into this phenomenon.

      Gamers around the world have been so locked in its changing their development

    1. Reviewer #1 (Public Review):

      The authors aimed to develop a whole-brain multivariate pattern predicting decisions to trust and to use this pattern to assess the construct validity of the concept of trust. To this end, they used machine learning to develop and validate a whole-brain pattern capable of predicting decisions to trust in three previously published fMRI datasets in which participants played an economic trust game. They then assessed how this pattern was expressed in several other published fMRI datasets operationalizing various psychological concepts. They observed that the trust pattern could discriminate between risky or safe economic decisions and different emotional states but could not discriminate between several other concepts such as reward/losses, famous/unfamiliar face perception, etc. Spatial similarity analyses across datasets showed converging results.

      This study adopts a rigorous analytical approach, examining fMRI data from thousands of participants spanning fifteen datasets to investigate the relationship between the multivariate pattern of trust and other psychological concepts. Researchers interested in the concept of trust will find this work valuable. More importantly, it exemplifies the potential of using brain data to explore the construct validity of psychological concepts through this methodological approach.

      Despite the strengths of this study, there are several points that, in my view, need further attention:

      1. The trust pattern developed and validated by the authors is based on one type of task, the economic trust game. This means that the multivariate trust pattern developed by the authors is heavily dependent on how trust is specifically defined and operationalized within this task, which may limit its generalizability. Without evidence that the model generalizes to other operationalizations of trust, the authors should interpret their results more conservatively. Unless additional evidence is given, this should be presented as a pattern of the "decision to trust in an economic context".

      2. In datasets 1-1 and 1-2, trust is operationalized as a form of social gambling, where participants choose to share money (trust) with someone else, hoping to triple their investment but risk losing it all, with the alternative being to keep the money (distrust). However, these datasets also include non-social control conditions (the lottery condition in Fareri et al., 2012, and the computer condition in Fareri et al., 2015), which are not discussed in this paper. Evaluating how the trust model behaves in these control conditions seems crucial, as they provide the closest comparison to similar tasks that exclude the trust component. If the trust model is not specific to social decisions in the original datasets (i.e., it cannot distinguish between gambling and not gambling), this significant limitation should be addressed and discussed.

      3. The analytical strategy used to establish convergent and discriminant validity is based on the significance of the average group accuracy of forced-choice tests to assess the capacity of the model to discriminate between different concepts (e.g. rewards vs. loss, safety vs. risk). The model is assumed to be specific to trust when the accuracy is not significantly different from chance and related to the other construct when the accuracy is significantly above chance. However, the absence of an effect is related to the power of the test, and in several cases, the sample sizes were relatively small. The use of one-tailed tests also exacerbates this issue since only effects in the hypothesized directions can be significant. These analyses could be improved by adopting a different approach to evaluate support for the null effect, by setting a higher bar for what is considered a generalization of the model, or by interpreting the results more carefully to recognize that lack of evidence isn't necessarily evidence of absence.

    2. eLife assessment

      This important study identifies a spatial pattern of neural activity that corresponds to trust in an investment game. It provides a compelling assessment of the validity of this pattern by assessing its expression, or lack thereof, in a variety of datasets. This work, and the "neurometrics" approach it proposes, will be of broad interest to psychology researchers more generally.

    3. Reviewer #2 (Public Review):

      Summary:<br /> The authors set out to characterise "trust" in terms of a spatial pattern of neural responses, and then validate whether different tasks, in different datasets, express this pattern or do not express it, according to their hypotheses. They based their approach on linear classifiers (Support Vector Machines), which they trained to distinguish trust from distrust in an investment game, and then applied the classifier to other datasets. Additionally, they performed visualisations of the similarity among participants and among tasks in their neural responses, using dimensionality reduction techniques.

      Strengths:<br /> The key strength of this study is the use of multiple datasets to test whether a single study's characterisation of trust, in terms of a spatial pattern of neural responses, generalises to other tasks and populations. This is a nice use for existing data, which bolsters the interpretation of fMRI results, demonstrating that they are generalisable. While I am not a specialist in decoding methods, the analyses appear to have been performed conscientiously and to a high standard. The manuscript is also clearly written.

      Weaknesses:<br /> It's worth noting an obvious but important statistical point. In this study, the *inability* of a classifier to distinguish between conditions in particular datasets is taken as evidence that those conditions do not differ in terms of the effect of interest (trust). In this case, these results make sense, in that they are consistent with the authors' hypotheses. However, there are various reasons why the classifier may not work well on particular datasets - e.g. differences in noise, or a lack of linear separability between patterns (which might mandate a non-linear classifier or a different SVM kernel). Therefore, any null result obtained with classical statistics should be interpreted with caution.

    1. They developed measures of conscientiousness, creativity, and physics ability by collecting data generated in a digital physics game commonly used in schools. They built models of the expected trajectory of behaviour evident in the game as students increased in capability, called a construct map (Wilson, 2005). The data were then used to place each learner on this map, generating a dynamic assessment of the increasing capability of the learner as they played.

      Such a cool idea!

    1. “So, a new challenger enters the arena! You have thirty seconds to choose your teammates for a game of Chain Lightning!”

      « Alors, un nouveau challenger entre dans l'arène ! Vous avez trente secondes pour choisir vos coéquipiers pour une partie de Chaîne d'Éclairs ! »

    1. so they can raise it as they like, whenever they like

      yike. Image investing a lum sum for developing a game, then find out that you are selling game at lost (pre-order, kickstarter, ..) until you raise price

    2. Imagine releasing a game for 99 cents under the personal plan, where Steam takes 30% off the top for their platform fee, and then unity takes 20 cents per install, and now you're making a maximum of 46 cents on the dollar.

      Rent seeking capitalism ?

  6. drive.google.com drive.google.com
    1. Incentives. Surprises and prizes mayencourage parent participation. Schoolshave used raffles and door prizes, freebooks for students to take home, and“no homework” passes for students toencourage family participation at schoolactivities

      This is something our school does do a lot of. Since our school is so large, and we have a large raffle, they will ask each grade level to bring specific items to create themed raffle baskets. For example, this year at open house, one grade was asked to bring in sports items to make a sports basket. Another grade was asked to bring in board or card games to make a game basket.. etc. All of the baskets are visible in the main hall, so the kids see the items they could possibly win if their parents participate in the raffle.

    1. .

      Learn xx+ game-changing active learning techniques from industry experts to boost your nursing student engagement AND motivate you to step up as the education leader in your space

    1. Alfred’s warning is two-fold: first, sovereignty is a Westernconcept and, thus, it is unlikely Indigenous peoples can build a liberationmovement around an idea so deeply ensconced in Western thought. Onecould, of course, point to Audre Lorde’s (1984, p. 112) assertion, ‘The master’stools will never dismantle the master’s house [...] they may allow us temporarilyto beat him at his own game, but they will never enable us to bring aboutgenuine change’

      I like this, a good point

    Annotators

    1. Wireless

      Britannica Dictionary definition of WIRELESS 1: not using wires to send and receive electronic signals : sending and receiving electronic signals by using radio waves The video game console comes with wireless controllers. a wireless microphone 2: of or relating to the use of radio waves to send and receive electronic signals The café offers free wireless Internet access. wireless communications (US) I got a new cell phone from my wireless provider. [=from the company that provides me with cell phone service]

      Encyclopædia Britannica, Encyclopædia Britannica, inc., www.britannica.com/dictionary/wireless. Accessed 9 Sept. 2023.

    1. live video game music performed by top orchestras

      orchestras have embraced the trend, bringing gamers to the symphony - do classical music fans flock to the games?

      this marriage of old and new art forms seems to have alot of potential.

    1. At most colleges and universities, you can find a reference librarian who has at least a master’s degree in library and information sciences, and at some larger or specialized schools, reference librarians have doctoral degrees.

      I actually didn't know that this was a thing. In middle and high school, teachers always told us things like "Wikipedia is not a reliable source," but never really provided other widespread sources of information for reasearch. Knowing that their are librarians whos literal job is to find credible research on a topic is game-changing and pretty amazing if you ask me. I will definitely be using the library as a resource during this class as well.

    1. Nonverbal cues such as length of conversational turn, volume, posture, touch, eye contact, and choices of clothing and accessories can become part of a player’s social game strategy

      In romantic situations, people use nonverbal cues to express their interest and feelings. It's as simple as making eye contact to show you're attracted, smiling to convey happiness, using gentle touches to create a connection, adjusting your body language to stay engaged, and dressing well to make a good impression. These subtle actions help communicate emotions and build a romantic connection between individuals. But most the time it is done with intention. I know many teenage girls that spend time thinking about how to min max these cues.

    1. Fortunately, though extrapolation is an element in science fiction, it isn’t the name of the game by any means. It is far too rationalist and simplistic to satisfy the imaginative mind, whether the writer’s or the reader’s. Variables are the spice of life.

      what makes good science fiction is fleshing things out, if only one aspect of a theme is fleshed out then it is hard to maintain, if variables are fleshed out and an entire fictional world is created it is much more enjoyable

    1. You may also want to practice in the type of clothing you will be wearing on speech day.

      We do this for a lot of sports. When doing a complete run through of the game plan, we wear our uniforms, and we act like its game day. This not only ensures I am physically comfortable on Go-day but also helps me mentally prepare and feel more confident. It's a simple yet effective way to reduce potential distractions and boost self-assurance when facing an audience.

    1. Contrary to some long held beliefs, women have always played a role in hunting game

      This quote caught me by sulfide, only because today, and for a very long time in history. Women have always been “known” for cooking and cleaning. But never working for it. Or going to receive the food. Always the ones to stay in and finish the job, but never actually initiate it.

    2. women have always played a role in hunting game

      I question what it means by this statement. Is it general in all cultures or is it just the culture that is being looked at in this scenario?

    1. we made a 00:03:52 lot of great plays but when they instead asked them to describe a game that their school's team had lost they say things like yeah they fumbled the ball a lot

      the person is trying to make themselves feel better by asociating with their team when they win but when they loose they tend to no longer asociate with that team.

    1. power of the media.

      Going off of this last piece here, while I agree that media is vital today in many different aspects of life - the line between media and politics has kind of blurred (for worse) and I think especially around election times in America the media is used to kind of poke fun at very serious issues and serious faults made by very powerful people. Something that I also think is very interesting and I have seen discussed on social media (this is in no way my original thought) is the increased importance of appearance, even in politics. Today, more than ever the "aesthetic", vibes, and even just if they are conventionally attractive can change the game for people in politics (mostly presidential candidates) rather than placing importance on the policies they want to implement.

  7. learn-us-east-1-prod-fleet01-xythos.content.blackboardcdn.com learn-us-east-1-prod-fleet01-xythos.content.blackboardcdn.com
    1. raison d’étre of politics is free-dom,” and many traditions of political thought would agree, though theywould differ significantly about what freedom actually is and how and whereit is exercised.

      I disagree. First of all, politics arise in every circle with or without a raison d'etre - humans are wired to seek power through social approval (I take politics to mean group politics/game theory). In larger scale politics, I think it arises primarily as a means of ensuring security from the violence of outside factions. Collective action is necessary for human prosperity, and that is impossible without politics.

    1. A study of history is essential for good citizenship.

      Imagine you were a character of "Game of Thrones" who showed up in the seventh season, knowing nothing about what led the story to that point. You would be Ed Sheeran in the most pointless cameo of all time. Jokes aside, if you're going to fight for something, you should at least know what you're fighting for; Otherwise, you're fighting for nothing.

    1. Recall the way we modelled the climate change game as a prisoners’ dilemma in which two countries (the US and China) can either restrict carbon emissions or continue with business as usual (see Figure 4.17).

      This dilemma is one that can be seen in the Paris Agreement. Where countries have to decide between to spend money on bettering the environment or not. When a country pulls out of the agreement, they become free riders, benefiting from efforts of other countries while not putting in any funds themselves. This way we can see that the "optimal" choice for all countries is to not sign the agreement. However if all countries back out of the agreement there will be no improvement in the environment.

      https://www.un.org/en/climatechange/paris-agreement

  8. learn-us-east-1-prod-fleet01-xythos.content.blackboardcdn.com learn-us-east-1-prod-fleet01-xythos.content.blackboardcdn.com
    1. is unfair simply by noting that all the parties are better off thanthey would be in the absence of cooperation; the real exerciseis the choice between these alternatives

      The paragraph highlights the idea that when cooperation yields benefits, numerous options for collaboration might be considered. It draws on the work of John Nash, a well-known mathematician and game theorist, to emphasize that the primary concern is not whether a certain arrangement helps everyone more than no cooperation at all, but whether it represents a fair allocation of those benefits. The paragraph highlights that just demonstrating that all parties profit from collaboration does not address the fairness of the distribution, and that the true challenge lies in evaluating and selecting between numerous solutions.

    1. practice

      prac‧tice S2 W1 / præktəs, præktɪs / noun

      1 a skill [ uncountable and countable ] when you do a particular thing, often regularly, in order to improve your skill at it :<br /> It takes hours of practice to learn to play the guitar. With a little more practice you should be able to pass your test. We have choir practice on Tuesday evening. in practice for something Schumacher crashed out in practice for the Australian grand prix. football/rugby/basketball etc practice John’s at baseball practice. ► In British English, the verb is always spelled practise (see separate entry). In American English, both noun and verb are spelled practice . 2 in practice used when saying what really happens rather than what should happen or what people think happens :<br /> In practice women receive much lower wages than their male colleagues. The journey should only take about 30 minutes, but in practice it usually takes more like an hour. 3 something done often [ uncountable and countable ] something that people do often, especially a particular way of doing something or a social or religious custom :<br /> religious beliefs and practices dangerous working practices the practice of doing something the practice of dumping waste into the sea 4 doctor/lawyer [ countable ] the work of a doctor or lawyer, or the place where they work medical/legal practice Mary Beth had a busy legal practice in Los Angeles. → general practice , private practice 5 be common/standard/normal practice to be the usual and accepted way of doing something :<br /> It’s common practice in many countries for pupils to repeat a year if their grades are low. It’s standard practice to seek parents’ permission wherever possible. 6 good/best/bad practice an example of a good or bad way of doing something, especially in a particular job :<br /> It’s not considered good practice to reveal clients’ names. 7 put something into practice if you put an idea, plan etc into practice, you start to use it and see if it is effective :<br /> It gave him the chance to put his ideas into practice. 8 be out of practice to have not done something for a long time, so that you are not able to do it well 9 practice makes perfect used to say that if you do an activity regularly, you will become very good at it

      COLLOCATIONS

      verbs do practice Have you done your piano practice? take practice American English (= do practice ) If he’d done badly, he’d go out and take extra batting practice. have some/more etc practice (= do practice ) I’m not a very good dancer. I haven’t had enough practice. get some practice You must get as much practice as possible before the competition. need practice She needs more practice. something takes practice (= you can only learn to do it well by practising ) Writing well takes practice.

      NOUN + practice football/basketball etc practice Dale was at football practice. piano/cello etc practice I’ve got to do my cello practice. batting/catching etc practice We'd better do a bit of batting practice before the game. choir practice There's choir practice on Tuesday evening. band practice Have you got band practice tonight? target practice (= practice shooting at something ) The area is used by the army for target practice. teaching practice You have to do three months of teaching practice before you qualify.

      THESAURUS

      habit something you do regularly, often without thinking about it : Biting your nails is a bad habit. | I always go to the same supermarket, out of habit. mannerism a way of speaking or a small movement of your face or body that is part of your usual behaviour : Even her mannerisms are the same as her sister’s. custom something that people in a particular society do because it is traditional or the accepted thing to do : In Japan it is the custom to take off your shoes when you enter a house. tradition a belief, custom, or way of doing something that has existed for a long time : The tradition of giving Easter eggs goes back hundreds of years. | In many countries, it’s a tradition for the bride to wear white. | It was a family tradition to go for a walk on Christmas Day. practice something that people often do, especially as part of their work or daily life : The hotel has ended the practice of leaving chocolates in guests’ rooms.

  9. Aug 2023
    1. bushcraft skills

      I wasn't quite sure what this included so I looked it up:

      Fire making, foraging food, tracking, trapping, hunting game, shelter-building using basic bushcraft gear, knowledge of local plants, camp cooking, avoidance of toxic plants, reading animal signs, building snares, foraging for water, making a water filter, purifying water, felling trees, batoning branches, harvesting other materials, collecting wood, gathering tinder.

      info from tactical.com

    1. In the case of climate change, game theory helps us understand the obstacles to its solution. Recall the way we modelled the climate change game as a prisoners’ dilemma in which two countries (the US and China) can either restrict carbon emissions or continue with business as usual (see Figure 4.17). Complete self-interest makes the business as usual scenario the dominant strategy equilibriumdominant strategy equilibrium An outcome of a game in which every player plays his or her dominant strategy.close⁠.

      http://cup.columbia.edu/book/game-theory-and-climate-change/9780231184649#:~:text=Game%20Theory%20and%20Climate%20Change%20develops%20a%20conceptual%20framework%20with,practical%20analyses%20of%20international%20negotiations.

      This article helps us understand climate change through understanding climate change. Published my Columbia University it states that " Game Theory and Climate Change develops a conceptual framework with which to analyze climate change as a strategic or dynamic game, bringing together cooperative and noncooperative game theory and providing practical analyses of international negotiations". Both of these sources highlight that game theory provides a valuable lens for comprehending the complexities of climate change by offering a structured way to analyze strategic interactions among countries. In the context of climate change negotiations, game theory highlights the challenges rooted in self-interest and cooperation. For instance, when modeling climate change as a prisoners' dilemma involving countries like the US and China, it becomes evident that without proper coordination, the dominant strategy is to continue with high carbon emissions. This analysis underscores the need for international cooperation and policy mechanisms to shift the equilibrium towards sustainable outcomes.

    1. Who is to say whether the poaching hunter is more interested in a warm fire and rabbit stew than in contesting the claim of the aristocracy to the wood and the game he has just taken? It is most certainly not in his interest to help the historian with a public account of his motives.

      This ties into another interest of Scott's -- he's fascinated by how much history is made by people who leave little or no traces behind for historians. Elsewhere, he calls this "the hidden transcript."