23 Matching Annotations
  1. Feb 2019
    1. he same in all nations, and consequently can e

      So while words vary widely and have no direct relation to the ideas they represent, tone is universal. Here we have another claim about the human: it is one who uses tone in a certain way.

    2. there is no tone which the ear can distinguish

      Is he reasoning that we can understand another species language but we can always understand tone?

    3. very ideas can not be communicated, nor conse­quently our meaning understood, without the right use of tones;

      Tones aid in understanding context connotations of conversations.

    4. sis. To the use of these tones is owing in a great measure concise­ness of discourse; and the necess

      Tone is crucial in conversation and public speaking. I think this is where the disconnect happens through texting, where tone is difficult to reveal, often leading others to misinterpret messages. I believe the invention of emojis was designed to combat this problem.

  2. Dec 2018
    1. that masterly style

      Austen pokes fun at this character once again -- he is too cheap to put the maximum effort into pretending to be a Byronic hero.

    2. perversity of judgement

      Jane Austen directly makes fun of Sir Edward for modelling his behavior after male characters like that of Richardson's.

    3. sublimity

      The era of romanticism is marked by a preoccupation with the sublime, or of awe inspiring, overwhelming beauty, and a return to nature. Romanticism focused on large emotions, and its writers sought to capture and recreate art in a visceral way, approaching the sublime, focused on nature and natural imagery.

    4. my heroine's vanity.

      The self-reflexive style of this text is most similar to Austen's Northanger Abbey, which has a complicated editing timeline. It is possible that these "meta-fiction" details were added into Northanger Abbey later, and that the original draft of Susan did not have such a tone.

    5. an additional burden

      This sentence is particularly cruel towards Clara, and represents a shift through free indiret discourse from the narrator's perspective to the perspectives of one of the characters. However, it is difficult to determine whether or not the opinion is that of Lady Denham or Mr. Parker.

    6. Links to common words/themes throughout the annotations

  3. Oct 2018
    1. A little while, that in me sings no more.

      This line also contributes to the overall gloominess of the text because it does not indicate any sort of hope for the future or incline that something will change for the speaker, whether that be her getting her memories back or her companionship and and presumable happiness back. They are saying that they were only happy for a little while and will never be happy again.

    2. Is full of ghosts tonight, that tap and sigh Upon the glass and listen for reply,

      gloomy, secluded

    3. A little while, that in me sings no more.

      This last line is highly indicative of the melancholy tone throughout the passage. If we didn't catch the tone prior due to the use of words such as "rain", "quiet pain", "cry", "lonely", and "gone", we definitely know now. This last line is especially depressing because of the placement of the comma. The word summer seems to represent happiness, and the short pause indicated by the comma in the last line enhances the speakers realization that she had happiness and will no longer have it again.

    1. As virtuous men pass mildly away,    And whisper to their souls to go, Whilst some of their sad friends do say    The breath goes now, and some say, No: So let us melt, and make no noise,    No tear-floods, nor sigh-tempests move; 'Twere profanation of our joys    To tell the laity our love. Moving of th' earth brings harms and fears,    Men reckon what it did, and meant; But trepidation of the spheres,    Though greater far, is innocent. Dull sublunary lovers' love    (Whose soul is sense) cannot admit Absence, because it doth remove    Those things which elemented it. But we by a love so much refined,    That our selves know not what it is, Inter-assured of the mind,    Care less, eyes, lips, and hands to miss. Our two souls therefore, which are one,    Though I must go, endure not yet A breach, but an expansion,    Like gold to airy thinness beat. If they be two, they are two so    As stiff twin compasses are two; Thy soul, the fixed foot, makes no show    To move, but doth, if the other do. And though it in the center sit,    Yet when the other far doth roam, It leans and hearkens after it,    And grows erect, as that comes home. Such wilt thou be to me, who must,    Like th' other foot, obliquely run; Thy firmness makes my circle just,    And makes me end where I begun.

      Structure- traditional 9 stanza quatrains Mood- sullen, solemn Tone- encouraging, pensive Theme- true love transcends time and space

  4. Apr 2018
    1. On the surface, a federal balanced budget amendment (BBA) sounds like a reasonable idea. In reality though, it is horrible public policy that will hurt American families, sabotage our nation’s economy, and weaken confidence in our Constitution.

      strong language without direct evidence.

  5. Feb 2018
  6. Oct 2017
    1. sound effects

      One of my favorite sound effects in movies is called the "Shepard's Tone" and I consider it's impact as an aural mode to be surprisingly effective.

      https://www.youtube.com/watch?v=LVWTQcZbLgY

      This video explains how Hans Zimmer composed the soundtrack of the movie "Dunkirk" using the Shepard's Tone and shows examples of it in other movies directed by Christopher Nolan or soundtracks composed by Hans Zimmer. In the video, the musical mechanics behind the Shepard's Tone are explained. From 0:41 to 1:28 the video analyzes the process of using "several tones separated by an octave layered on top of each other" to create an illusion of a constant ascending tone that never ends. This effect causes viewers of the movies the soundtracks are featured in to feel a rising sensation of suspense. I consider this to be one of the most powerful aural modes for communicating intensity and suspense in a soundtrack or movie.

  7. Feb 2017
  8. Sep 2016
    1. So the reconciliation of the Cuban people -- the children and grandchildren of revolution, and the children and grandchildren of exile -- that is fundamental to Cuba’s future.

      President Obama uses tone and diction to elicit an impassioned response from his audience. Using the words "revolution" and "exile" produce feelings of pride as well as either anger or sadness.

  9. Aug 2016
    1. June Callwood once asked her how she acquired “an exquisitely developed conscience.”Dr. Franklin replied: “You tune it like an instrument. You know, when people start singing they develop an ear. They develop their voice. They begin to hear dissonances that they didn’t hear before. You become attuned to having to make responsible and moral decisions. … [In Quakerism] you don’t have a creed, you don’t sign something; the only proof of your faith or lack of faith is how you conduct your life. Consequently it’s like singing. At every point you say, ‘Am I in tune?’”
  10. Feb 2016
  11. specialedwitheva.weebly.com specialedwitheva.weebly.com
    1. I HOPE I CAN KEEP ON LEARNING AND BECOME THE BEST SPECIAL EDUCATION TEACHER I CAN BECOME!

      I can feel your excitement here, but think you might convey that with an exclamation point in lieu of all caps. All caps seems REALLY LOUD :)

  12. Nov 2013
    1. Deception, flattering, lying, deluding, talking behind the back, putting up a false front, living in borrowed splendor, wearing a mask, hiding behind convention, playing a role for others and for oneself-in short, a continuous fluttering around the solitary flame of vanity-is so much the rule and the law among men that there is almost nothing which is less comprehensible than how an honest and pure drive for truth could have arisen among them.

      Nietzsche is quick to point out extreme human flaws. Negative nancy. Really sets the tone for the reading, very dark.

  13. Oct 2013
    1. To express emotion, you will employ the language of anger in speaking of outrage; the language of disgust and discreet reluctance to utter a word when speaking of impiety or foulness; the language of exultation for a tale

      Tone of language must match emotions of piece