Don't get for Switch according to https://www.metacritic.com/game/switch/please-dont-touch-anything because it is a bad port from PC, hard to control precisely with stick.

Bought for $7.49 on https://www.nintendo.com/games/detail/into-the-breach-switch/

89 / 7.9 https://www.metacritic.com/game/switch/into-the-breach

$7.49 https://store.steampowered.com/app/590380/Into_the_Breach/

https://isthereanydeal.com/game/intobreach/info/

Got for free at https://www.epicgames.com/store/en-US/product/jurassic-world-evolution/home

That is the reason they must be kept where they are or where we believe them to be. The narrative on America cannot be maintained if weren't being victimised. It is our moral compulsion to discredit America even if we have to victimise black americans ourselves. For the greater good you see.

Zoom games

Was available in $1 tier of https://www.humblebundle.com/games/lets-fight

Was available in the

PAY MORE THAN THE AVERAGE OF $4.92 TO ALSO UNLOCK!

tier of https://www.humblebundle.com/games/one-special-day-2020

• Studies have shown that playing video games can lead to brain structure changes, but new study shows changes can happen even years after people stop playing.
• The study lasted a month, and involved 27 people between 18 and 40 years old, with and without experience in gaming.
• Those who played a lot before becoming adults performed better with working memory tasks, which require you to mentally hold and manipulate information.
• They also did better at processing 3D objects, but after a period of video game training, non-gamers were able to catch up in this area.
• Video games are great to strengthen mental skills, however these improvements have limited effect on activities not linked to gaming

Innovation in the video game industry helps it solve the public goods problem. Tweaking the economics helps the high upfront development cost be recouped.

Behrens. F., Kret. M. (2020) Under the Umbrella of Prosocial Behavior – A Critical Comparison of Paradigms. PsyArXiv Preprints. Retrieved from: https://psyarxiv.com/9uebc/

I love this!

the MUD Connector: http://www.mudconnect.com/ and the wikipedia entry https://en.wikipedia.org/wiki/MUD

What a beast! =D Those are some amazingly written games of high acclaim.

"...the rhetoric of failure. Tragedy in games tends to find its procedural representation in this trope." (85)

"Political video games in the sense I have articulated above are characterized by procedural rhetorics that expose the logic of a political order, thereby opening a possibility for its support, interrogation, or disruption. Procedural rhetorics articulate the way political structures organize their daily practice; they describe the way a system “thinks” before it thinks about anything in particular." (90)

In thinking through This War of Mine, I'm interested in the notion that the game is designed to thwart winning, and indeed every choice the player makes bring them closer to survival or to morally bankrupt behavior or both. In many moments of the game's narrative, there are no good choices. In some play-throughs I have felt better allowing my characters to die than I have with exercising the power at my disposal, e.g. killing and robbing the old couple. And in a strange way, my characters seem to feel more comfortable with that choice, too. TWoM seems to fall somewhere in between Kabul Kaboom and traditional winnable games.

Simulations and games in informal learning contexts This article seems to discuss science learning, which is not my foremost interest, but it does give an example of how informal online learning can be used to allow the learner to explore his or her own interests. It is not specific enough to be of high value but is useful as a preliminary reading that can perhaps inform search terms to use for future research. rting 2/5

This six-page PDF includes a list of 40 icebreakers that can be used to help learners get to know each other at the beginning of a session. Items included in this list are largely relevant to face-to-face training. The explanations are brief and may help visitors come up with their own ideas. Rating 2/5

This page is associated with Thiagi's interactive lectures, which are characterized in a book that is available via this site. This particular page involves links to types of interaction, such as games, puzzles, and so forth. It would be better to read or review the book, but since that option is not available, I will provide a link here. rating 2/5

Watching this reminded me of a horror game I used to watch playthroughs of back in the day. Aqua Regia was used as a component to create acid at one point in the game. Thinking about it now, there were a lot of alchemy elements to that game... Go google Amnesia: The Dark Descent for a good time (and jumpscares lol)

Ironically, there is research showing that video game performance is positively correlated with intelligence test scores (e.g., Angeles Quiroga et al., 2015; Foroughi, Serraino, Parasuraman, & Boehm-Davis, 2016).

Not every inaccurate statement in the textbooks was as silly as this one. Readers would benefit from browsing Supplemental File 2, which

Games are the only entertainment medium right now that aren't showing any sign of an expiration date. Most people don't pay for music and movies anymore, and most social media sites go in and out of popularity. Games, however, have never lost popularity, there's always going to be another kid turning 10 that'll want a play-station for Christmas. Therefore, it is games that are the best method for education or to highlight political issues.

Good publication to look at research studies proving OCC and video game creations and educational tools were beneficial to classrooms

Implications for non-game virtual environments as well...

Quadrille, according to David Parlett was a wildly popular card game of the period. "A notable characteristic of Quadrille is that it was always more popular with women than with men." The pool is the main stake of each round, like the collected bets in poker.

Historic Card Games described by David Parlett

“A small flat piece of bone or ivory used instead of money or for keeping account in games of chance; sometimes made in the form of a fish” (OED).

Fish made from ivory (Austenonly.com):

Other shapes, made of mother-of-pearl (Austenonly.com):

Also spelled casino; "a card game for two to four people" (Pool, What Jane Austen Ate…, 281).

"A card game played by four people with forty cards that was the fashionable predecessor of whist" (Pool, What Jane Austen Ate…, 360).

see: pokemon, digimon, beyblade, any other early 00's or late 90's 'mon.

Reminds me of this historian’s talk at Pint of Science Montreal 2015. (Sadly, not finding online traces of the event apart from my own section.)

May I say that being able to test the different levels of game during it's production is pretty cool. I do enjoy being able to test games via GameJolt. To see the potential people have. Recently I've played and checked a game called Alaska (I think). A game being made by only one man and so far it is only I'm quite sure Alpha. It's doing quite well so far and looks like it has quite a bit of potential.

Hack is everywhere, GTA's case shows how online game hacks can directly cause a big amount of loss of money. Not only economic loss, the impression of the game on players are also worsened. So we can see for huge online game, it is super urgent to minimize cheating as much as possible.

Infectiousness is cheating's another property, also the most bothering thing about cheating. Since cheating is infectious and people are easy affected by cheaters around them, cheating seems to be a unsolvable issue.

This idea sounds reasonable, but still kind of ridiculous. Just because a player meets many cheaters, does not mean he or she is going to be a cheater under that influence. In this case, they cannot let those honest players take responsibilities.

The cheating issue has drawn a lot of attentions of game companies, they have been investing lots of resources on catching and limiting cheaters.

According to the OED, rubber refers to "A set of games (usually three or five), the last of which is played to decide between the opponents when each has won an equal number; (hence) the winning of more than half the individual games by one side" (OED).

This phrase altogether indicates that Lady Middleton was partaking in a card game upon hearing the news of Marianne.

"A set of games (usually three or five), the last of which is played to decide between the opponents when each has won an equal number; (hence) the winning of more than half the individual games by one side. Also in early use: †the final decisive game (obs.)" (OED).

"Casino first appears in the card game literature at the end of the eighteenth century in London, and shortly afterwards in Germany" ... "The aim in Casino is to capture cards from a layout of face up cards on the table. A card is captured by playing a matching card from hand. It is also possible to capture several cards at once if their values add up to the value of the card played" (John McLeod, Casino, page 1).

"A round game, in which a narrative of the meeting of a lady and a gentleman, their conversation, and the ensuing ‘consequences’, is concocted by the contribution of a name or fact by each of the players, in ignorance of what has been contributed by the others" (OED).

Would love to go to a museum like this!

James Lovelock's Gaia Hypothesis originated slightly before 1967, but he was working for NASA's Jet Propulsion Laboratory, so in many ways, he already was working off a mental image of the Earth seen from the outside.

Sidenote, but I first encountered the Gaia Hypothesis because the game SimEarth (which is built around modeling and playing with the concept) had a whole essay about it bundled in the game. I was way too young to really grasp the game without blatantly cheating (which feels like a worrying allegory), but I really remember the essay, along with SimCity's hidden essays on urban design and the character of cities. I'm trying to think if any video game since the Sim series has had a similar connection to an academic discipline.

Reacting to the past games

this is great! Can you see and reply to this?

A few years ago, the experiment was remade into a tv gameshow. And, according to a documentary on it, was even more effective.

Title: What is it? An oral history of Izzy, the mascot marketing snafu of Olympic proportions - Atlanta Magazine

Keywords: fantastic mascot—cobi, public appearances—, bob cohn, atlanta-based artist, york city, billy wanted, spanish art, children thought, vice president, senior director, blue blob, acog spokesperson, billy looked, easy character, olympic city, olympic games, olympic bid, question billy

Summary: <br>Bob Cohn, cofounder of public relations agency Cohn & Wolfe, member of Payne’s mascot committee: In Barcelona in 1992, they had a fantastic mascot—Cobi, who was typical of Spanish art and filled with creativity.<br>Some of them wrote us back letters [that essentially said] “The nerve!” or “We’re not doing anything for nothing.”<br>So it couldn’t be characters that existed in Georgia lore.<br>Somebody sent us a deer.<br>John Ryan, then senior director at DESIGNefx, the animation division of Crawford Communications: The basic job was to design something that would appeal to children and broadly on a world stage.<br>Photograph by Rich Mahan/Atlanta Journal-Constitution via AP<br>It wore five Olympic rings—two on its eyes and three on its tail—and oversized sneakers nearly half the size of its body.<br>Bob Brennan, then ACOG spokesperson: Billy Payne wanted to do something modern, reflective of the technological world we lived in.<br>You had movies like Jurassic Park, Total Recall.<br>Shuman: I received Hi-Rez right at the deadline, a Friday.<br>When Billy looked at that [proposal], he said, “Gee whiz, wow.<br>Payne: As CEO of the Olympic Games, I felt it was both our responsibility and within my authority to make whatever decisions needed to be made.<br>Shuman: By the time I got back on Monday afternoon, Ginger told me Billy had made his decision.<br>Were we raising enough money?<br>Shuman: You didn’t question Billy.<br>Payne: The logical question that you would ask on seeing it is “What is it?” I guess we just said, “Well, we should just put it into one word.”<br>Shuman: The name, Whatizit, was almost worse than the character itself.<br>Does it all run together?<br>Ryan: We had to have [final] designs submitted by March [1992], knowing it’d be debuted in August at the Barcelona Games.<br>It really looked funky.<br>In a huge stadium it can’t be little.<br>Shuman: To generate interest about the mascot, we did these billboards all over town saying, “Whatizit?” We built up this huge anticipation.<br>Ryan: It was made very clear that if secrecy was violated, Crawford could lose future contracts.<br>Photograph courtesy of Harry Shurman<br>Meanwhile an amorphous animated character filled the stadium’s video monitors.<br>Evans: I took the field with Gregg Burge, the famous New York [tap] dancer.<br>Joel Babbit, CEO of the Narrative Content Group, veteran ad exec who worked with Payne to promote the Olympic bid, and City Hall’s first-ever chief marketing and communications officer under Jackson: If Maynard had an opinion, he kept it to himself.<br>“How do you say ‘Whatizit’ in Mandarin?”<br>Like, this is it?<br>Completely and totally horrified.<br>They’re complaining: This is terrible.<br>But [ACOG] had a lot riding on the mascot financially from license sales.<br>Robert Hollander, then ACOG’s vice president of licensing: My heart dropped into my stomach.<br>Hula: It’s something that’s supposed to evoke an image of Atlanta, the host city, and it really didn’t do that at all.<br>We didn’t even think we were compelled to do something that would make somebody in Australia say, “That mascot must be from Atlanta, Georgia.” It never crossed our minds.<br>It was sort of like a bigger Charlotte.<br>Photograph courtesy of R. Land<br>Ronnie Land, an Atlanta-based artist, better known as R. Land, who has made Izzy-inspired art: This was our “Hey, world, we’re Atlanta” moment.<br>LaTara Smith (née Bullock), ACOG’s “project coordinator for Izzy appearances” during the Olympics: I’ve heard everything from toothpaste to blue blob.<br>Hiskey: People were going to focus on the crazy blue thing because there wasn’t a lot of other cool stuff here.<br>Bob Hope, president of Atlanta-based public relations firm Hope-Beckham Inc.: I thought [Billy] briefly lost his mind.<br>Kevin Sack, a New York Times reporter based in Atlanta, wrote in a 1996 story that “[i]t is precisely Izzy’s nothingness that has unwittingly made him an apt symbol for this Olympic city.<br>Whatizit’s costume made Mike Luckovich’s punchline.<br>People were embarrassed [by Whatizit].<br>You wish people would look at the good stuff instead of focusing on the minutiae and losing the big picture.<br>Campbell: I suspect I hurt some people’s feelings.<br>Photograph by Raymond McCrea Jones<br>ACOG officially retired Whatizit in October 1993.<br>It worked.<br>Babbit: I liked the name Izzy.<br>Jacqueline Blum, senior vice president of Film Roman, the animation studio behind The Simpsons, King of the Hill, and Garfield and Friends, which produced an Izzy cartoon for TV: Izzy was a character created by committee.<br>Ryan: You got into a scenario where you have multiple art directors and bosses.<br>Hope: [Izzy was] like New Coke.<br>Smith: Izzy developed a nose.<br>Shuman: We had these stars coming out of his tail at one point.<br>I raised my hand and said, “Maybe not?” They left the shoes the way they are.<br>The costume had to get softer.<br>Evans: Children loved the mascot.<br>I’d guess probably close to 15 percent.<br>Watkins: I’m guessing [the bestselling item] would be the doll that was 12 inches that could be carried under a kid’s arm.<br>Lounge chair pillows.<br>Shuman: Billy wanted to market the shoes.<br>Blum: It’s not a particularly easy character to animate.<br>Hollander: Our broadcast partner, NBC, had gotten out of the children’s program business.<br>Watkins: They created an Izzy balloon that flew in New York City in the Macy’s Thanksgiving Day Parade.<br>Photograph by Caroline C. Kilgore<br>Evans helped create a mascot program that recruited volunteers through auditions.<br>Smith: By the time the Olympics came around, we had upwards of 20 Izzys that could be in different places at one time.<br>I asked [Izzy], “How does one become the mascot?” They were having tryouts the next weekend.<br>Don’t exclude children.<br>For example, Izzy loved everyone, so whether it was a critic or a fan, you didn’t show any negative emotion.<br>Izzy had a size 22 sneaker, so you had to fit your shoe inside Izzy’s shoe, inside another little pocket, and be able to walk around in his big feet.<br>Jay: You entered through the top of his mouth.<br>Smith: A lot of children thought it would be fun to swing on the tail.<br>Evans: The lighting bolt eyebrows and rings on the tail were prime targets for being pulled, punched, or ripped off for a souvenir.<br>Smith: Handlers began watching the perimeter.<br>Photograph courtesy of Harry Shuman<br>Is he still waiting for a shuttle bus?<br>Smith: We took over one of the Olympic headquarters offices.<br>Other times it would be outside as a crowd-pleaser.<br>Jay: We were instructed to wear the Izzy costume 30 minutes on, 30 minutes off, because you would sweat.<br>Wilsterman: There were two fans at the top of Izzy’s head [inside the costume].<br>I was able to whisper into a little microphone that went into the escort’s ear.<br>Smith: Izzy didn’t talk.<br>Izzy didn’t do public appearances—only [ones for] ticketed sponsors.<br>Brennan: I don’t think Izzy showed up at the closing ceremony.<br>Jay: When the flame went out, so did Izzy.<br>The question came up: Can someone dress up in the Izzy costume to greet visitors in the Atlanta History Center?<br>Photograph courtesy of LaTara Smith<br>Smith: I still have one of the Izzy costumes.<br>Payne: People didn’t like it.<br>I never lost my enthusiasm for Izzy.<br>Was it the greatest experience of my life?<br>Evans: I do appreciate the originality and willingness to do something different.<br>Land: Atlanta tries so hard to be what we think the world wants to view us as.<br>Shuman: Izzy was kind of like Colony Square—a little bit before his time.<br>Smith: It would’ve been easier to have a phoenix.<br>It didn’t say anything.<br>Babbit: It doesn’t matter what it was.<br>It was bizarre.<br>An image of Izzy?<br>Shuman: Usually everything Billy touched turned to gold.<br>This article originally appeared in our July 2016 issue.<br>Tags: 1996 Atlanta Olympics, 1996 Olympics, Atlanta Olympics, Billy Payne, Izzy, John Ryan, Olympics, R. Land, Whatizit<br>

Maybe worth purchasing for summer practice.

@sorcha on twitter https://twitter.com/_sorcha/status/654787074273316864 writes: "I'm not convinced by your dismissal of 'window dressing' when the mimetic experience of historical games is such a big draw"

He invites peers to play his game with him.

(This is entirely peripheral to the subject of the article. I am making note of it because I have barely heard of Twitch until recently.)

It's not insignificant that Strachey began by creating a game before his experiences with combinatory literature. I think that the poetics of the game are an intrinsic part of digital literature. I think it's useful to use Espen Aarseths' terminology of "user" in place of "reader" in order for one to talk about "games" and "books" in the same breath.

The Trust Game; however, there was no difference in groups when the trustee was a computer, showing oxytocin affects social connections but not risk-behavior itself.

This was bugging the crap out of me. If this was mentioned in any tutorial or guide in the game I totally missed it. It is, however, a pretty good mechanism.

Where will Hypothes.is be in the Cyberpunk future of 2087?

Such a great idea. I was stoked to see this at E3!

Interesting to rely on life experiences vs. Philosophy background.