735 Matching Annotations
  1. Mar 2021
    1. the IndieWeb, a group of hipsters with websites trying to take down THE MAN (aka the “corporate web”).
    1. streak New posts for 52 consecutive weeks.

      It's kind of cool that he's got a streak counter for his posts.

    2. I want the patina of fingerprints, the quiet and comfortable background hum of a library.

      A great thing to want on a website! A tiny hint of phatic interaction amongst internet denizens.

    3. If I’m in a meeting, I should be able to share a link in the chat to a particular post on my blog, then select the paragraph I’m talking about and have it highlighted for everyone. Well, now I can.

      And you could go a few feet farther if you added fragment support to the site, then the browser would also autoscroll to that part. Then you could add a confetti cannon to the system and have the page rain down confetti when more than three people have highlighted the same section!

    1. A news co-op is a news organization owned by its readers, whose membership fees pay for open access journalism – no paywall – usually organized as nonprofits (an IRS rule-change lets for-profit newspaper convert to nonprofits).

      I'm sort of wishing that we could also have social media co-ops. I suspect that there are a few on Mastodon that operate like this, but it would be interesting to see some focused around in-person communities as well.

      Why couldn't my local library run a town/city-based social media co-op?

      For this matter, why couldn't my local news co-op also run it's own social media platform?

    1. These newsletters are the most backed up pieces of writing in history, copies in millions of inboxes, on millions of hard drives and servers, far more than any blog post. More robust than an Internet Archive container. LOCKSS to the max. These might be the most durable copies yet of ourselves. They’re everywhere but privately so, hidden, piggybacking on the most accessible, oldest networked publishing platform in the world.

      This is an interesting point about longevity of content. It's definitely a good reason to email it out as well as to post it on your own website and archive it all at the same time.

    2. If I’m writing about newsletters, let me point at some that excite and delight:

      This makes me wonder if anyone else is keeping newsletterrolls?

    3. Silence Here’s another, more subtle, point about the grace of email and newsletters: Creation and consumption don’t happen in the same space. When I go to send a missive in Campaign Monitor the world of my laptop screen is as silent as a midnight Tokyo suburb.9 I think we’ve inured ourselves to the (false) truth that in order to post something, in order to contribute something to the stream, we must look at the stream itself, “Bird Box”-esque, and woe be the person in a productive creative jag, wanting to publish, who can resist those hot political tweets.

      This rings very true to me and is a definite benefit of composing things within my own domain rather than too quickly within a social silo's interface.

    4. I try to be deliberate, and social networks seem more and more to say: You don’t know what you want, but we do. Which, to someone who, you know, gives a shit, is pretty dang insulting.

      Definitely a great reason for the IndieWeb principle of make what you need.

    5. Ownership is the critical point here. Ownership in email in the same way we own a paperback: We recognize that we (largely) control the email subscriber lists, they are portable, they are not governed by unknowable algorithmic timelines.3 And this isn’t ownership yoked to a company or piece of software operating on quarterly horizon, or even multi-year horizon, but rather to a half-century horizon. Email is a (the only?) networked publishing technology with both widespread, near universal adoption,4 and history. It is, as they say, proven.

      This is very IndieWeb in flavor.

      It reminds me of Stanley Meyer who would read newspapers and magazines every day and cut out articles which he put into envelopes for his friends and children and mailed out every couple of weeks. Essentially his own newsletter, but by snail mail.

    6. Years ago, I helped build a storytelling platform called Hi (a simplification of its original name: Hitotoki, now shuttered and archived) and one of the things I’m most proud of our team having concocted is the commenting system. We had tens of thousands of users and almost no issues with harassment. You could comment on anyone’s story and your having commented would be public — a little avatar at the bottom of the page — but the comment itself would be private. This allowed folks to reap the public validation of engagement (“Whoa! So many comments!”) while simultaneously removing any grandstanding or attacks. It wasn’t quite messaging. It wasn’t quite commenting. It felt very much like a contemporary, lighter take on email, and in being so was a joy to use. Here’s what the bottom of an entry looks like: "Commenting" on Hitotoki

      I like the design and set up for this feature. Perhaps something for the IndieWeb to pick up? In some sense the implementation of Webmention-based likes, bookmarks, and facepiled mentions on my site is just this sort of design.

      The anecdotal evidence that there was little harassment is a positive sign for creating such a thing.

    1. The only way to own my lamp was to pwn my lamp.

      Does IoT then really stand for IndieWeb of Things?

    1. Plausible is a lightweight, self-hostable, and open-source website analytics tool. No cookies and fully compliant with GDPR, CCPA and PECR. Made and hosted in the EU 🇪🇺

      Built by

      Introducing https://t.co/mccxgAHIWo 🎉<br><br>📊 Simple, privacy-focused web analytics<br>👨‍💻 Stop big corporations from collecting data on your users<br>👉 Time to ditch Google Analytics for a more ethical alternative#indiehackers #myelixirstatus #privacy

      — Uku Täht (@ukutaht) April 29, 2019
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

    1. A complicated and messy essay underlining the fact that people can figure out how to use technology in off-label ways to better humanity rather than sitting back on the intended uses of these tools.

      I definitely want to reference this in my presentation part of my workshop for "A Twitter of Our Own" for OERxDomains21.

    2. And it’s tempting for engineers to think decentralising the Web can be achieved with technology. But really, it’s people who will make it happen. Rather than staying put in our little filter bubbles, we can burst out of them — and be radically sociable, delinquent, and make a scene.

      off label uses of technology are important

      I'm reminded of how Kicks Condor has appreciated my "people work" in the past.

    3. according to Hao, Mark Zuckerberg wants to increase the number of people who log into Facebook six days a week. I’m not going to get into whether this is good or bad here, but it certainly shows that what you are doing, and how you are doing it, is very important to Facebook.

      Can we leverage these data points to follow a movement like Meatless Monday to encourage people to not use Facebook two days a week to cause this data analysis to crash?

      Anything that is measured can be gamed. But there's also the issue of a moving target because Facebook will change it's target which then means the community activism will need to change it's target as well. (This may be fine if the point is community engagement and education as the overall mission, in which case the changing target continually engages people and brings in new people to consider what is happening and why.)

    4. And they are one of the reasons most digital services don’t come with a How To manual. Most of the time, we’re not expected to use them the “right” way; most of the time there is no right way, because most digital services bend to meet our needs.A

      How can the IndieWeb as a group do this piece better? Perhaps it comes down to individual sub-providers which is fine, but if the larger group can do it from the top down...

    5. Can we occupy technology with love?

      An interesting re-framing of the social media problem. Similar to the IndieWeb philosophy, but a bit more pointed.

    1. I really like this and want to figure out way to do it on my own website. It could be fun to tuck it in with the weather and location data I'm already collecting.

    1. Summary of moving from in person to online events a year ago.

      I like her admonition to consider welcoming new people to a community in an online only space.

      Try to avoid in-jokes. Make space for more phatic communication. Make considerations for parents, particularly around mealtimes and bedtimes.

    1. Ravi outlines some of how he syndicates from his Drupal website to Twitter.

      I particularly appreciated that he's using a sort of taxonomy within Drupal to add some of his particular content to "books" which aggregate related content together. If this were done in an editable outline then it should be easier to aggregate and edit later into an actual book. This would be a cool UI to have within a website for writing and creating.

    1. they have integrity, and integrity means something right now.

      How does integrity fit into the IndieWeb space? Particularly as it scales and more people depend on a small number of developers and designers.

    2. <small><cite class='h-cite via'> <span class='p-author h-card'>Aram Zucker-Scharff</span> in Ernie Smith on Twitter: "You don’t need Substack. Today’s @readtedium explains how you can self-host your newsletter on the cheap: https://t.co/yp2tLBRS4a" / Twitter (<time class='dt-published'>03/18/2021 23:48:57</time>)</cite></small>

    1. I just wanted a way to send out my irregularly-updated newsletter to a couple thousand subscribers without getting caught in a spam filter.

      This is the short version of what Substack is and why people want to use it.

    1. Q: So, this means you don’t value hearing from readers?A: Not at all. We engage with readers every day, and we are constantly looking for ways to hear and share the diversity of voices across New Jersey. We have built strong communities on social platforms, and readers inform our journalism daily through letters to the editor. We encourage readers to reach out to us, and our contact information is available on this How To Reach Us page.

      We have built strong communities on social platforms

      They have? Really?! I think it's more likely the social platforms have built strong communities which happen to be talking about and sharing the papers content. The paper doesn't have any content moderation or control capabilities on any of these platforms.

      Now it may be the case that there are a broader diversity of voices on those platforms over their own comments sections. This means that a small proportion of potential trolls won't drown out the signal over the noise as may happen in their comments sections online.

      If the paper is really listening on the other platforms, how are they doing it? Isn't reading some or all of it a large portion of content moderation? How do they get notifications of people mentioning them (is it only direct @mentions)?

      Couldn't/wouldn't an IndieWeb version of this help them or work better.

    1. What's more, watching the debates happening in real-time has really driven home that this approach doesn't just scale, it scales well. For a personal site, incremental improvement measured against real-world testing feels okay. For an industry-level protocol or specification, it feels like it should just collapse. Yet with the IndieWeb, not only is their work surprisingly resilient, it's far more adaptable as a result.

      think also "move slow and fix things"...

    2. The second is that their approach of allowing standards to evolve through practical application, rather than highfalutin conjecture, is an incredibly powerful technique for problem-solving. The number of my ideas that have died on paper as I try to flesh them out are beyond count. It's the Goldilocks conundrum: the feeling that something needs to be just right before other people can see it. The IndieWeb methodology proves that this logic should just be thrown away.

      It took me a while to see this too. Many report that attending law school is really just learning a different way of seeing and approaching the world. IndieWeb has been much like this for me. It provides a different and often useful framing for approaching problems, not just with regard to the web, but to life in general.

    3. the community is both endlessly creative and genuinely interested in solving big issues in meaningful ways. Whether it's their commitment to careful (and caring) community stewardship or their particular strain of techno-ethics, I have been consistently (and pleasantly) surprised at what I've seen during the last twelve months. I don't always see eye-to-eye with their decisions and I don't think that the community is perfect, but it's consistently (and deliberately) striving to be better, and that's a fairly rare thing, online or off.
    4. I've also seen a lot of people take aim at the IndieWeb for simply copying silos like Facebook. I feel like this is yet another issue with the branding; another set of people missing the point. IndieWeb tools don't aim to copy silo functionality, they just aim to let people interact with one another in the same way that they would on a silo, only using their own website. That's a fine line and I see how it can appear blurry at times, but it's also a really important one and an aspect of the IndieWeb which I find particularly compelling.

      Maybe the underlying principle of the IndieWeb here is allowing all people and websites to have equality and equity across website boundaries?

      From another perspective, websites are their own things. No website is any better than another. Websites aren't races. There are no second-class or third-class websites.

    5. A question on CSS or accessibility or even content management is a rare thing indeed. This isn't a community centred on helping people build their own websites, as I had first imagined[5]. Instead, it's a community attempting to shift the power in online socialising away from Big Tech and back towards people[6].

      There is more of the latter than the former to be certain, but I don't think it's by design.

      Many of the people there are already experts in some of these sub-areas, so there aren't as many questions on those fronts. Often there are other resources that are also better for these issues and links to them can be found within the wiki.

      The social portions are far more difficult, so this is where folks are a bit more focused.

      I think when the community grows, we'll see more of these questions about CSS, HTML, and accessibility. (In fact I wish more people were concerned about accessibility and why it was important.)

    6. Of course, the great thing about IndieWeb ideas is that if I ever do have that problem, a tool is already available. And if you have that problem right now, you just need to open up the IndieWeb toolkit and pull it out.

      You don't buy the hardware store because it's there, you visit it to get the right tool for the right job.

    7. the point isn't to integrate all of the things into your website. It's to solve the problem you have with a solution that has been community tested, openly developed, and will likely have already planned for some of the edge cases you wouldn't ever think of.

      The IndieWeb isn't a checklist, it's a smörgåsbord from which you can take (only) what you need.

    8. Instead, the IndieWeb is a toolkit. A collection of ideas, technologies, and services that can help you solve some particularly tricky problems. If you're wanting to get involved in the IndieWeb, the first question you need to ask is: what problem do I have?
    9. The IndieWeb is a Toolkit

      This simple phrase can be an important framing for many.

    10. That has helped me understand this cycle of adoption, defeat, and detachment, but it's also taught me that the IndieWeb isn't a thing. You don't join the IndieWeb or complete the IndieWeb. Attempting to do so will drive you mad 😂

      An important point.

      How can we better message this to new comers?

    11. When I first read about the IndieWeb it felt like a lot. I've written about this before, but the sheer weight of jargon in the space is frankly terrifying.

      How can the community do better at lowering this bar?

      There are many things people are used to doing online and there's at least a common visual grammar for that. A parallel may be for the grammar of movies and television. Everyone knows and feels a smash cut when they see it, but many may not know the word for it. Which bits of jargon are necessary and which are unnecessary?

      Example: There are many sub versions of the idea of syndication. Syndication in and out, which is relatively simple, but we've got half a dozen bits of jargon depending on one's perspective and what the sources and targets are. These are helpful for those of us who specialize and study the space, but are dreadful for the every day user who will use words like cross-post or syndicate instead. While the reframing to prioritize syndicating out from one's site is useful, perhaps it's easier to say that in more words and not with all the other subtleties.

    1. This looks like a great IndieWeb friendly WordPress theme.

      Colin has indicated that it's got microformats support with more to come.

      <small><cite class='h-cite via'> <span class='p-author h-card'>Colin Devroe</span> in Colin Devroe (<time class='dt-published'>03/12/2021 04:58:57</time>)</cite></small>

    1. SquareWheel 4 hours ago [–] I agree, but I think it's also worth learning from past experiences. Pingbacks do create a significant spam problem. How does Webmention.io cope with that?

      Based on experience with Pingbacks, the Webmention specification requires the sending site to have a mentioning URL on a publicly available web page. This requirement by itself cuts down significantly on spam as it increases the cost of sending it. (Pingbacks/Trackbacks didn't have this requirement so it was easy to programmatically spew spam in all directions.) In addition to this, there's no requirement to show the received Webmention, so there's less benefit to some spammers in these cases.

      Many people who do receive and display them have separate mechanisms to moderate them before display, which also tends to minimize spam. Other sites that support Webmentions also dovetail with anti-spam services like Akismet which can help filter out spam out as well.

      And this is all without anyone adding the Vouch extension to the Webmention spec.

      Keep in mind that webmention.io is just a third party service to allow sites to use and leverage Webmention notifications without needing to write any code. Many major CMSes like WordPress, Drupal, Craft, WithKnown, et al. either support the spec out of the box or with plugins/modules. Each of these can also leverage anti-spam methods they have available separately. As an example of this, the WordPress plugin has an allow list for automatically approving webmentions from sites one regularly communicates with.

      The idea of Webmentions has been around for almost a decade, and the spec has been a W3C recommendation since 2017. Only one suspected case of Webmention spam has been reported in the wild in that time. I'd conservatively estimate that with 10,000+ independent websites sending/receiving over 2 million Webmentions in the past several years, it's not a bad start. For more details, ideas, and brainstorming for your potential use-cases see also: https://indieweb.org/spam

    1. I watched Ru work incredibly hard and diligently over many months to implement what she'd done. I wish I could do half of it, but I can definitely commiserate.

      Can't wait to see what you come up with in the coming year with the extra time you'll have gained not only from the switch, but everything else you've learned in the process.

    1. Why can’t you just email the web?

      An interesting framing for having your own website.

    1. Since “Sexy Times With Wangxian” became a whole Thing, it has spawned memes, spinoff fics, and a frankly fabulous fic prompt generator that scans all of the STWW tags and chooses some at random for you to write fics around. Just now I got the tags, “Foursome – M/M/M/M,” “I’m Bad At Summaries,” “Cryptography,” “Body Dysphoria,” and “Organs.” Outstanding.

      This could be an interesting feature for a personal website/blog. A generator that takes pre-existing taxonomies from one's website and suggests combinations of them as potential writing prompts when one has writer's block.

  2. Feb 2021
    1. Liked the post? Click the beard a few times.

      This is a clever and fun UI for implementing likes that seems on-brand for the website owner.

    1. They cannot simply put this article online on their blog: to be recognised as research work, it must be published in a respectable peer-reviewed journal.

      Why not? Why couldn't they put their articles on their own sites or even those of the libraries of their institutions where others might read and evaluate them? annotate them? argue over all the fine points?

    1. This is cool to see. Now I'll have to take a look and test it out.

      <small><cite class='h-cite via'> <span class='p-author h-card'>Amanda J. Rush</span> in Amanda J. Rush on Twitter: "Add Microformats 2 to #GenesisWP child themes with a plugin by @remkusdevries https://t.co/8dBUvh0Rs0 #indieweb" / Twitter (<time class='dt-published'>02/24/2021 20:38:22</time>)</cite></small>

    1. A fascinating and thoughtful article. One of the best things I've read in a month.

    2. In its most customary form, “commonplacing,” as it was called, involved transcribing interesting or inspirational passages from one’s reading, assembling a personalized encyclopedia of quotations. It was a kind of solitary version of the original web logs: an archive of interesting tidbits that one encountered during one’s textual browsing.

      Written in 2010, this may be one of the first mentions I've seen that relates blogging and websites to commonplace books.

    1. “Media companies were investing a huge amount of time, money, and effort in building out these huge audiences on social media…but at the end of the day, they’re renting those audiences from social media [companies], as opposed to owning those relationships,” Donoghue said.

      Media companies are spending huge amounts of time investing in social media, but they're also simultaneously renting their audiences back.

      Who rents a $350/month apartment and then spends $5,000 a month sprucing it up?

    1. Because the mainstream social networks have been designed by a tiny number of people, we have been prevented from experimenting and creating new knowledge about what sustainable community management online looks like. Start erasing the line between operators, customers, and community members and squint; you begin make out the shape of a group of people who can build for themselves and determine their own path of development.

      Interesting to look at this idea from the perspective of the IndieWeb community that owns and operates its own community spaces that are aggregated around a wiki and chat, but which overflow into the web itself.

      How does this relate to my idea of A Twitter of Our Own?

    2. These new paid communities largely live on invite-only Telegrams, Slacks, Discords, and Facebook groups, raising the question: could there be applications more suitable to these networks? Indeed, the growing popularity of paid communities has been noticed by a bunch of new venture-funded companies such as such as Genevachat, Mighty Networks, and Circle, all of which want to become “the platform for communities.”

      Platforms specifically for communities could be an interesting new object on the Internet. What sorts of IndieWeb building blocks would one use to build them? Are there new functionalities that they might have that aren't in the list of building blocks yet?

      I could see functionality like signing in with one's website using IndieAuth to access private content being a piece.

    1. A long, but worthwhile read. This goes into some valuable ideas about public spaces that the typical article on the independent web doesn't explore.

      <small><cite class='h-cite via'> <span class='p-author h-card'>Fluffy</span> in Notes: All Our Selves In One Basket (<time class='dt-published'>2021-01-31 12:31:00 </time>)</cite></small>

    1. Transclusion would make this whole scenario quite different. Let's imagine this again...

      Many in the IndieWeb have already prototyped this using some open web standards. It's embodied in the idea of media fragments and fragmentions, a portmanteau of the words fragment and Webmention.

      A great example can be found at https://www.kartikprabhu.com/articles/marginalia

      This reminds me that I need to kick my own server to fix the functionality on my main site and potentially add it to a few others.

    1. Eternal September or the September that never ended[1] is Usenet slang for a period beginning in September 1993,[2][3] the month that Internet service provider America Online (AOL) began offering Usenet access to its many users, overwhelming the existing culture for online forums.

      This makes me wonder at what level a founder community can manage to maintain its founder effects for incoming new members?

      Is there existing research on this? Are there potential ways to guard against it in the future?

      What happens to the IndieWeb community if it were to see similar effects?

    1. I can even imagine a distant future where governments might sponsor e.g. social networking as a social service. I know many people don’t trust their governments, but when it comes down to it they’re more likely to be working in people’s interests than a group of unelected tech barons responsible only to their shareholders at best, or themselves in the cases where they have dual class stock with unequal voting rights, or even their families for 100s of years.

      Someone suggesting government run social media. There are potential problems, but I'm definitely in for public libraries doing this sort of work/hosting/maintenance.

    1. Essentially, we study culture at an "on the ground" level – looking for the individual stories, rich details, particular nuances, and thick description you can only find by spending extended time with people in their daily lives.

      I'm reading this and can't help but think it's sort of what Jack Jamieson did in writing his recent thesis Independent Together: Building and Maintaining Values in a Distributed Web Infrastructure.

      It's definitely the sort of thing that Maggie Appleton may appreciate.

    1. But while we can all agree that tech has a moderation problem, there's a lot less consensus on what to do about it. Broadly speaking, there are two broad approaches: the first is to fix the tech giants and the second is to fix the Internet.

      There is another approach (or two or more). The IndieWeb approach is another framing which isn't included in the two listed here, though it does have a few hints of "fixing the Internet" since they have created some new web recommendations through the W3C.

      Circling back to this, his definition of fix the Internet is talking about almost exactly IndieWeb.

  3. Jan 2021
    1. This has some interesting research which might be applied to better design for an IndieWeb social space.

      I'd prefer a more positive framing rather than this likely more negative one.

    1. We used the systems thinking iceberg as a tool for understanding more deeply how race and racism affect our programming, goals and approaches, and for thinking strategically about where to intervene for the highest leverage impact. Systems thinking guides us to shifting mental models as the highest leverage way to change a system. That’s why work connecting unconscious bias and structural interventions by john a. powell and others is so important. And, it’s why it’s so important to make sure we have the people who are most affected by our work at the table when we design and evaluate it. Their voices and perspectives are essential to make sure we’re challenging both mental models and practices that hold inequities in place.

      In addition to the racism solutions, this is also a useful framing for those designing better social media interactions within the IndieWeb.

    1. In the wake of Charlottesville, corporations grappled with the role they played in supporting white supremacists organizing online (Robertson 2017). After the attack in Charlottesville and another later in Pittsburgh in October 2018, in which a gunman opened fire on the Tree of Life synagogue, there was a wave of deplatforming and corporate denial of service (Koebler 2018; Lorenz 2018), spanning cloud service companies (Liptak 2018), domain registrars (Romano 2017), app stores (O’Connor 2017) and payment servicers (Terdiman 2017). While some debate the cause and consequences of deplatforming specific far-right individuals on social media platforms, we need to know more about how to remove and limit the spread of extremist and white supremacist websites (Nouri, Lorenzo-Dus and Watkin 2019).

      Lots of good references here about deplatforming. Also an important question at the bottom about what the IndieWeb may need to think about in the very near future.

  4. Dec 2020
    1. paginas := folder children select: [ :each | (each basename endsWith: 'md') and: [ (each basenameWithoutExtension = 'enlaces') not ]].

      Selecciono todas las páginas terminadas en .md en un folder en particular y excluyo algunas que no me interesan.

    1. Tus artículos y mensajes de estado pueden transmitirse a todos los servicios, no solamente uno, y permitir así que te relaciones con todo el mundo. Incluso las réplicas y los "Me gusta" en otros servicios pueden regresar a tu web: de esta forma están todos en un único sitio.

      Para esto hay dos principios:

      • POSSE: Publish on your Own Site, Sidicate Everywhere: Publica en tu propio sitio y sindica en todos lados.
      • PESOS: Publish Everywhere, Sidicate on your Own Site.
    1. The web’s existing logic tells us that social platforms are free in exchange for a feast of user data; that major networks are necessarily global and centralized; that moderators make the rules. None of that need be the case. We need people who dismantle these notions by building alternatives. And we need enough people to care about these other alternatives to break the spell of venture capital and mass attention that fuels megascale and creates fatalism about the web as it is now.

      This is a large reason why I'm working with colleagues in the IndieWeb.

    2. Facebook has acted as a force for digital colonialism, attempting to become the de facto (and only) experience of the internet for people all over the world.

      In this framing, the IndieWeb is a group of Indigenous peoples who lived on the web before the colonializing Facebook arrived to tell us how we ought to be living.

  5. Nov 2020
    1. I am currently working with a Wordpress development team to move The Scholar's Stage to a more professional domain, complete with a suite of additional features. (Soon I will be releasing some Scholar's Stage polls to discover a bit more about what features and content my readership would most like to see on the revamped site, and what sort of things might induce them to contribute to my Patreon).

      Coming from the older blogosphere, you might appreciate some of the IndieWeb related plugins that would allow you comment back and forth with other sites: https://indieweb.org/Getting_Started_on_WordPress

    1. Substack, viewed as a blogging platform, is a lot like Medium — a would-be walled garden, though run by less unscrupulous folks than own the big social-media platforms. I’m temperamentally suspicious of them, as I am of any platform that is, ultimately, subject to the whim of a proprietor. So although I use both Medium and Substack, everything I write therein is also published verbatim on my ‘live’ blog, which is completely under my control, and for whose hosting I pay with my own money. For me, Substack provided merely a convenient and reliable way of sending out the email version of what really matters — the live blog on the open Web. Both Substack and Medium have fairly honourable business models and have facilities whereby writers can get paid, if they wish to be. (I don’t.) And that’s a good thing (though it leads to the power-law outcome that Greer mentions). But it also has the downside in terms of the public sphere that, ultimately, their writing exists mainly inside a walled, members-only, garden. A genteel garden, but still a private garden. That’s why I’ve always followed Dave Winer’s lead: write wherever you like, but always make sure your stuff is also published on the Web.
    1. these platforms aim to provide experiences “that people want to use that works as much as possible as they expect, but which is backed up by better values and technology.”

      This is an interesting statement of how this new social media should work.

    1. While there have always been server listings on joinmastodon.org, this is a break from our previous practice of listing servers. Before the Server Covenant we pulled a list of servers from a 3rd party provider called instances.social. However, instances.social was a 3rd party and automated service. The one thing that it could not do was any kind of quality control as it simply listed every instance submitted–regardless of stability or their code of conduct. As Mastodon has grown it has become increasingly clear that simply listing every possible server was not in our interest as a project, nor was it in the interest in the majority of the communities running Mastodon.

      To some level as an IndieWeb participant I'm doing this more manually by reading and individually adding people and their sites to my personal network one at a time. No one has yet moderated this process and to some extent it's sort of nice to have a more natural discovery process for protecting my own personal network.

    1. Aunque muchas personas buscan esas comunidades más íntimas en internet, no todos pueden crear un jardín digital: es necesario tener un conocimiento mínimo de programación básica. Crear una página desde cero ofrece más libertad creativa que las redes sociales y los sitios web de alojamiento que permiten arrastrar y soltar elementos en la página, algo que puede resultar desalentador y consumir mucho tiempo. Chris Biscardi intenta eliminar esa barrera de entrada con un editor de texto para jardines digitales que todavía está en su fase alfa. Denominado Toast, es "algo que se puede experimentar con Wordpress", resalta. En última instancia, queda por ver si los jardines digitales serán un remanente escapista del infierno de 2020 o se marchitarán con las redes sociales más fáciles. Appleton afirma: "Tengo interés en ver cómo se desarrollará".  "Para algunas personas es una reacción a las redes sociales, y para otras es una tendencia. Si llegará o no a la masa crítica... eso está por ver", concluye Critchlow.

      También reconocemos la necesidad de la programación y estamos disminuir la barrera de entrada, pero no manteniendo la división entre programadores y no programadores, sino haciendo del código un lenguaje común que permita co-construir la IndieWeb incluso para aquellos que no programan, creando y usando lugares intermedios (ejemplo editores de Markdown, en lugar de visuales WYSIWYG) o construyendo colectivamente el código de nuestos jardines digitales con infraestructuras de bolsillo.

      No estamos obsesionados con los grandes números, como suele ocurrir sistemáticamente en el Norte Global.

    2. El consultor Tom Critchlow, quien lleva años cultivando su jardín digital, explica la principal diferencia entre los blogs convencionales y la jardinería digital: "Con los blogs, el autor se dirige a un gran público. Con los jardines digitales, uno escribe para sí mismo. Te dedicas a lo que quieres cultivar con el tiempo".

      En la línea de escribir para uno mismo en lugar de para un gran público en formatos como los wikis personales, hay también exploraciones en Latinoamérica que llevan décadas. Por ejemplo acá está mi tiddlywiki personal que abandoné en 2007, pero que es parte de unas búsquedas en Internet que aún hoy continúan.

      Notarán que aparece un error en mi wiki personal y luego queda vacío (aunque la código fuente está disponible). En la medida en que la infraestructura no permitía ciertas personalizaciones que estaba buscando continué con exploraciones en otros lugares y lenguajes de programación, pues en TiddlyWiki estaba limitado a Javascript.

      Esperemos que esta última encarnación/reiteración con la IndieWeb permita concretar, recuperar, mejorar y visibilizar los "jardines digitales" que se vienen sembrando también desde el Sur Global hace décadas, informados y en diálogo con lo que ocurren Norte Global aunque sin el cubrimiento mediático que se le hace a los desarrollo de estos últimos y sin la intensión de imitarlos.

  6. Oct 2020
    1. every page on my blog contains a link to its archive in the page footer. This ensures that you can not only browse the latest version of all of my blog articles in case of a server breakdown. This also enables you to browse all previous version, probably changed over time. Go ahead, try a few "Archive" links of my articles. If any of my articles start with an "Updates:" section, you know for sure that there are older versions accessible via the Internet Archive.

      This is an interesting pattern. How could one make this more obvious from a uI perspective?

    1. Avid Bookshop in Athens, Ga., sends personalized URLs to customers with a list of handpicked recommendations.

      Perhaps if they went the step further to set up domains for their customers, they could ostensibly use them not only as book blogs, but also to replace their social media habits?

      An IndieWeb friendly platform run by your local bookseller might be out of their wheelhouse, but it could potentially help solve their proximal problem while also solving one of society's problems all while helping to build community.

    1. Ownership is the critical point here. Ownership in email in the same way we own a paperback: We recognize that we (largely) control the email subscriber lists, they are portable, they are not governed by unknowable algorithmic timelines.3 And this isn’t ownership yoked to a company or piece of software operating on quarterly horizon, or even multi-year horizon, but rather to a half-century horizon. Email is a (the only?) networked publishing technology with both widespread, near universal adoption,4 and history. It is, as they say, proven.

      Dit is exact de reden waarom ik geloof in email en een eigen domein. Je bent 100% de eigenaar van je stem, van je publiek. Je bent niet afhankelijk van de algoritmes van een derde partij. Sociale netwerken zijn relevant om een publiek te vinden, je eigen domein om de relatie op te bouwen.

    1. I'd also like to find a way to say thank you to Aaron Parecki who built webmention.io and Ryan Barrett, Kyle Mahan, et al who built brid.gy. However, I can't see a way to do either and, indeed, the latter explicitly say "We don't need donations, promise."

      In the past, I've heard many of them say to make a donation or support the IndieWeb Open Collective instead.

    1. They should see comments as part of that process. It’s not the product that matters, it’s the participation.

      Of course, reading this a decade+ along after the boom of social media, we'll now realize that it's even more than the participation. Part of it should also be where that participation occurs.

    1. Mikhail Gershovich - Vocat (@mgershovich)
    2. Lastly, I walked through Github Pages, and how using a separate branch, you can publish HTML, CSS, JavaScript and JSON for projects, turning Github into not just a code and content management platform, but also a publishing endpoint.

      More information on how to use GitHub pages to build your website: https://indieweb.org/GitHub_Pages

    3. Michael Berman - California State University Channel Islands (@amichaelberman)
    4. Rolin Moe - Pepperdine (@RMoeJo)

      A bit curious that for a reclaim the web event around DoOO that he highlights their Twitter presence rather than their own websites. Potentially for lack of notifications/webmention functionality?

    1. Golwg360 will feature a rolling news service and will give businesses, public bodies and individuals the chance to set up their own micro-sites.

      This sounds a bit like the model that Greg McVerry and I have proposed for IndieWeb crossing with public libraries, and newspapers/journalism.

    1. Instead my approach now is to publish my thoughts more freely with less premeditation. Particularly in this space, which is mine, for me, by me.

      a good philosophy for a personal website

    2. As I read this while thinking about the context of the IndieWeb and it's wiki, I'm thinking two cognitively dissonant thoughts: 1. The current technical uses are creating content more for themselves and their research and use and 2. They're not creating it to help out the users who may necessarily need a ladder or a bigger platform to get to where they are.

      It's going to take a layer of intermediate users, creators, or builders to help create a better path to bring the neophytes up to a higher level to get more out of the wealth of information that's hiding in it. Or it's going to take helpers and mentors to slowly build them up to that point.

      How can we more consistently reach a hand down to pull up those coming after us? How can we encourage others to do some of the same?

    3. The second article is from Tom Critchlow titled Building a Digital Garden. What I really like about Tom's piece is his discussion of the idea of "non-performative blogging" in your personal space on the web.I love this idea. Instead of "content marketing" we can use our websites to get back to what made the web awesome while also creating better resources for ourselves and our users.

      There's a nice kernel of an idea here that one's website should be built and made (useful) for ones self first and only secondarily for others. This is what makes it a "personal" website.

    1. However, a healthy news ecosystem doesn’t just require a thriving free press, it also needs a diversity of curators, newsletters and content discovery options that enable the weird and wonderful to surface. We want to use Nuzzel as a test kitchen to see what models works for curators as well as content creators. The simple goal is a sustainable open web where the goals of creators, curators and consumers are aligned around the best possible experience.

      This sounds exciting to me and could dovetail with efforts of many with respect to IndieWeb for Journalism.

    1. Republishing guidelines

      There was some conversation earlier today in the IndieWeb chat about comment policies, but this page presents an interesting case of repost policies.

      Is anyone doing this on their personal websites?

    1. We advocate for a Slow Web Movement. We are what we eat, and we are also what we consume online. Data-driven advertising, BlackBox algorithms, and the competition between Big Tech to keep us “engaged“ has created an addiction to low-value content. It is time to reset our digital consumption and create healthier habits. Since the last decade, with a set of guidelines, the Slow Web Movement is changing Software to make it care about us again. Think of it as the equivalent of "Organic" for Technology.

      As solid a pitch for the slow web movement as I've seen yet from an analogy perspective.

    1. Contravening that force is going to require something more than personal control, promoting something other than atomization.
    2. That is to say: if the problem has not been the centralized, corporatized control of the individual voice, the individual’s data, but rather a deeper failure of sociality that precedes that control, then merely reclaiming ownership of our voices and our data isn’t enough. If the goal is creating more authentic, more productive forms of online sociality, we need to rethink our platforms, the ways they function, and our relationships to them from the ground up. It’s not just a matter of functionality, or privacy controls, or even of business models. It’s a matter of governance.
    1. Grant Potter

      Seeing the commentary from Greg McVerry and Aaron Davis, it's probably worthwhile to point you to the IndieWeb for Education wiki page which has some useful resources, pointers, and references. As you have time, feel free to add yourself to the list along with any brainstorming ideas you might have for using some of this technology within your work realm. Many hands make light work. Welcome to the new revolution!

    1. You’re giv­ing up far more than de­sign choice. Mr. Williams de­scribes Medium’s key ben­e­fit as res­cu­ing writ­ers from the “ter­ri­ble dis­trac­tion” of for­mat­ting chores. But con­sider the cost. Though he’s bait­ing the hook with de­sign, he’s also ask­ing you, the writer, to let him con­trol how you of­fer your work to read­ers. Mean­ing, to get the full ben­e­fit of Medium’s de­sign, you have to let your story live on Medium, send all your read­ers to Medium, have your work per­ma­nently en­tan­gled with other sto­ries on Medium, and so on—a sig­nif­i­cant concession.

      You're definitely not owning your own data.

    1. The architecture of the platform where I published allowed authorial control of content but could not control context collapse or social interactions.

      These are pieces which the IndieWeb should endeavor to experiment in and attempt to fix. Though I will admit that pieces of the IndieWeb layers on top of platforms like WordPress can help to mitigate some context collapse and aggregate social interactions better. (eg: reply context and POSSE)

    1. Where’s my next dashboard? I imagine a next-gen reader that brings me the open web and my social circles in a way that helps me attend to and manage all the flow. There are apps for that, a nice example being FlowReader, which has been around since 2013. I try these things hopefully but so far none has stuck.

      I'm currently hoping that the next wave of social readers based on Microsub and which also support Micropub will be a major part of the answer.

    1. There’s a whole lot of IndieWeb sites out there, some very unlike the others, yet all can intercommunicate. IndieWeb should have claimed the “together, not the same” slogan before Google took it for Android commercials, because that’s exactly what IndieWeb is. And it is great.

      There are even more than that on this list: https://github.com/snarfed/indie-map/blob/master/crawl/2017/domains.txt, from Indie Map which is from 2017 and a whole lot more have appeared since then.

    1. Two key constituencies for social movements are also early adopters: activists and journalists
    2. Plurality, diversity, and tolerance were celebrated

      IndieWeb principles

    1. 2019 is the year when publishers — whether big ones like Axios or the Los Angeles Times or tiny ones like mine or Judd Legum’s Popular Information — move away from letting someone else call all the shots. Or, at least, they should.

      There's already some work and movement in the IndieWeb with respect to journalism.

    2. But what if, in 2019, we take a step back and decide not to let the platform decide how to run the show?

      The IndieWeb has already made some solid strides.

    3. I’ve been working on a redesign of my site recently, using a more robust CMS, and the advantages of controlling the structure of the platform soup-to-nuts are obvious, even if it requires more upfront work.
    1. “We reject: kings, presidents and voting. We believe in: rough consensus and running code.”
    2. Venture capitalists now talk about “kill zones”, areas they will not invest in because one of the big players may squeeze the life out of startups or buy them up at a low price.
    1. I would like to see contributions for which I am really interested, which stimulate me to think, in which I can learn something.
    1. (This is a much better question for @sphygmus, who seems to have a dope Webmention setup for her TiddlyWiki.)

      Webmention in general is certainly dope.

      In looking at her set up, it looks like she's used her site to sign into Aaron Parecki's https://webmention.io/ service which gives the site two link elements to put into the <header> of the site. Webmention.io then does all the plumbing for the site and allows you to log into a dashboard to see your notifications. Signing in only requires adding rel-me links from your site to at least one service (Twitter and GitHub are common) that links back and can do the oAuth dance on your behalf.

      I've know this was possible for sites that didn't have plugins or custom code yet, but hadn't done it until I added it to my own MediaWiki site last night.

      If I recall, there's also a way to use some scripting to export the data from webmention.io to display it on your own website, but I haven't gotten that far yet.

      I suspect this is what @sphygmus is doing, though she can confirm.

    1. the technology platforms we rely on are changing and to leave things the way they are is to put our work at risk.
    1. I first briefly lay out alternative media theory as it existed prior to the dominance of Facebook, Google, and Twitter.

      I've been thinking about it for a while but even if all social sites were interoperable, I suspect that a small handful of 2 or 3 would have the largest market share. This is as the result of some of the network theory and research found in Linked: How Everything Is Connected to Everything Else and What It Means for Business, Science, and Everyday Life by Alberto-Llaszlo Barabasi

    2. Another approach is to take seriously the affordances and limitations of CSM’s interfaces and architectures and to see how activists and coders are reverse engineering (Gehl, 2014b) ideas from CSM to produce a new alternative media: ASM.

      I'm hoping for some great insights below which could be used for IndieWeb related research and architecture.

    3. If alternative media theory is correct in orienting us to production—the how of media, rather than the what—ASM, not CSM, offer a more fitting suite of tools for people to both make media and shape media distribution infrastructures.
    4. In the absence of alternatives, activists would simply have to accept the negatives of CSM while trying to take advantage of them.

      Brid.gy is a potential example of this.

    5. The federated rstat.us is open source because, as rstat.us developer David Wilkinson notes,It is important that rstat.us is, albeit not technically the case by law alone, controlled by the community and not by us . . . Basically we are pro-people vs being simply anti-corporate . . . We would rather build a simpler project that people can extend and use in a variety of ways without consulting us.
    1. Perhaps a few too many: One of the biggest challenges we all face, in an era where everyone has a platform, is figuring out whom to listen to. Open platforms that once seemed radically democratizing now threaten, with the tsunami of false information we all face daily, to undermine democracy. When everyone has a megaphone, no one can be heard.
    1. I have a number of ideas about enriching my home site and getting more into the delights of the IndieWeb

      The IndieWeb quote of the week.

    1. Newport is an academic — he makes his primary living teaching computer science at a university, so he already has a built-in network and a self-contained world with clear moves towards achievement.

      This is one of the key reasons people look to social media--for the connections and the network they don't have via non-digital means. Most of the people I've seen with large blogs or well-traveled websites have simply done a much better job of connecting and interacting with their audience and personal networks. To a great extent this is because they've built up a large email list to send people content directly. Those people then read their material and comment on their blogs.

      This is something the IndieWeb can help people work toward in a better fashion, particularly with better independent functioning feed readers.

    1. I am testament to the fact that some of the technology can be used in a fairly careless fashion.
    2. This seems like a cool potential way of doing all sorts of things in the IndieWeb space for WordPress. I'm curious what it looks like from other perspectives. I'll have to think this through a bit...

    1. You find them in a place that you curate yourself, not one “curated” for you by a massive corporate social network intent on forcing you to be every part of yourself to everyone, all at once. You should control how, when, and where to interact with your people.
    1. But first, what would motivate any young person today to pull the plug? Well maybe they should consider this for a moment. Who most wants you to stay on the grid? The advertisers. Your boss. Human Resources. The advertisers. Your parents (irony of ironies – once they distrusted it, now they need to tag you electronically, share your Facebook photos and message you to death). The advertisers. The government. Your local authority. Your school. Advertisers.

      Going of the grid hurts "The man" in 70's parlance.

    1. Comment, according to communications studies professor Joseph Reagle, Jr., is a genre of communication that is reactive, short, and asynchronous.4
  7. newclues.cluetrain.com newclues.cluetrain.com
    1. Hackers got us into this and hackers will have to get us out.
    1. Having a website and/or blog is not about being a web developer, nor about being a celebrity of sorts, but is about being a citizen of the Web.
    1. In a nutshell, IndieWeb is about using the World Wide Web itself as a social network, through a set of open standards for communication and identification of content and people.

      A great summary sentence of IndieWeb!

    2. But could there be a social network that packages these technologies in a friendly, usable way for the non-tech-savvy? One that registers an actual domain name for each user and spins up a base site with all these integrations: micropub for posting, microsub for reading, with webactions and webmentions to glue it all together. I’m not sure. It probably wouldn’t be free.

      This does exist and it's called micro.blog which lets you register your domain and then provides all of the other moving pieces including hosting.

    1. A world where one’s primary identity is found through the social people-farms of existing social networks is a problematic one. Educators and parents are in the privileged position of being able to help create a better future, but we need to start modeling to future generations what that might look like.

      This is exactly what I've been attempting to do with my own website. Naturally I use it selfishly for my own purposes, but I'm also using it to model potential behaviours for friends, family and colleagues.

      I'm sometimes tempted to change the tagline on my website to "A digital canary in the coalmine".

    1. I think most social networks, if they've made this journey, need to make a return to utility to be truly durable.

      This sounds to me like what the IndieWeb is doing. Utility for the site owner directly.

    1. the role of the blog is different than it was even just a couple of years ago. It’s not the sole outpost of an online life, although it can be an anchor, holding it in place.
    1. Legislation to stem the tide of Big Tech companies' abuses, and laws—such as a national consumer privacy bill, an interoperability bill, or a bill making firms liable for data-breaches—would go a long way toward improving the lives of the Internet users held hostage inside the companies' walled gardens. But far more important than fixing Big Tech is fixing the Internet: restoring the kind of dynamism that made tech firms responsive to their users for fear of losing them, restoring the dynamic that let tinkerers, co-ops, and nonprofits give every person the power of technological self-determination.
    2. The Gopher story is a perfect case history for Adversarial Interoperability. The pre-Gopher information landscape was dominated by companies, departments, and individuals who were disinterested in giving users control over their own computing experience and who viewed computing as something that took place in a shared lab space, not in your home or dorm room. Rather than pursuing an argument with these self-appointed Lords of Computing, the Gopher team simply went around them, interconnecting to their services without asking for permission. They didn't take data they weren't supposed to have—but they did make it much easier for the services' nominal users to actually access them.
    1. On my blog it has context. You can see all the other eat/drink posts on thier own or mixed in with everything else. I can include links to the place where I bought it, who makes it, or related posts.Instagram's context is its a photo with an optional description. It doesn't matter what it's of. It won't contain links to anything.
    1. Could I also use Indie Web tools for a persona, or is that not in keeping with the community?

      The community is all about websites and identity, so having a website for a pen name is exactly the sort of thing you should definitely do! I'm sure there are a few who have done it, but I'm unaware of any documenting it yet. Starting a stub page on the wiki for pen name could be a good start if you do.

    1. You know Goethe's (or hell, Disney's) story of The Sorceror's Apprentice? Look it up. It'll help. Because Mark Zuckerberg is both the the sorcerer and the apprentice. The difference with Zuck is that he doesn't have all the mastery that's in the sorcerer's job description. He can't control the spirits released by machines designed to violate personal privacy, produce echo chambers, and to rationalize both by pointing at how popular it all is with the billions who serve as human targets for messages (while saying as little as possible about the $billions that bad acting makes for the company).

      This is something I worry about with the IndieWeb movement sometimes. What will be the ultimate effect of everyone having their own site instead of relying on social media? In some sense it may have a one-to-one map to personal people (presuming there aren't armies of bot-sites) interacting. The other big portion of the puzzle that I often leave out is the black box algorithms that social silos run which have a significant influence on their users. Foreseeably one wouldn't choose to run such a black box algorithm on their own site and by doing so they take a much more measured and human approach to what they consume and spread out, in part because I hope they'll take more ownership of their own site.

    1. A version of this piece originally appeared on his website, davidbyrne.com.

      This piece seems so philosophical, it seems oddly trivial that I see this note here and can't help but think about POSSE and syndication.

    1. When you can assume that all the materials you’re using in and with your class are open educational resources, here’s one way to remix the effective practices listed above with OER in order to provide you and your students with opportunities to spend your time and effort on work that makes the world a better place instead of wasting it on disposable assignments.

      As I think of remix, reuse, redistribute and things like git and version control, I also can't help but think that being able to send and receive webmentions in the process of reusing and redistribution with referential links back to the originals will allow the original creator to at least be aware of the changes and their existence to potentially manually add them to the original project. (Manually because they may not (yet) know how to keep their content under source control or allow others to do so and send pull requests.)

    1. He has no interest in the solution that liberals typically adopt to accommodate diversity: pluralism and multiculturalism.

      Interesting to see an IndieWeb principle pop up here! How do other parts dovetail perhaps? What about other movements?

    1. And that’s why I find the Indie Web movement so interesting — not as a rejection of the corporate influence, but as a much needed counterbalance that provides the technology for people, should they so choose, to build an online presence of their own devising without giving up the communities and the connections that they have built on existing networks.

      Simultaneously it's also the "old" internet that is simultaneously experimenting and pushing a lot of interesting new innovation at the same time.

    1. A personal website belonging to the IndieWeb doesn't need to run any particular suite of software, and doesn't need to be hosted on any particular service.

      Even here the word "belong" is pushing things too far. I might suggest "that is a part of" as a more apt replacement.

      Your web presence "belongs" to Facebook. Your website "belongs" to you.

    2. In concrete terms, what does it take for a website to become part of the IndieWeb? What does the IndieWeb even look like?

      These are all good and important questions. Even internal group discussions don't always settle on a minimum, though the two base requirements are to own your own domain name and to use it as a form of identity on the web. Technically having a "business card" site on the web at a domain you own is IndieWeb.

    1. Minimally researched musings from someone who has blogged (poorly) for a few years and has an idea for a thing he wants to make.

      This seems like a good starting definition of what the IndieWeb is all about.

    1. This is exactly the sort of thing that makes me happy about the IndieWeb!

      One person tinkers around with an idea and posts about how they did it. Someone else sees it and thinks it's cool and wants it for themselves. They then modify it for their system, maybe with some changes or even improvements, and post the details on their site.

      They've both syndicated copies to IndieWeb news or to the IndieWeb wiki, so that in the future, others looking for that sort of UI research or examples can find them and potentially modify them for their own personal use.

      And the cycle begins anew...

    1. I think I know why personal websites aren't popular anymore. It's the same reason retro video games aren't as fun as they were when they came out.What's missing is the context of the time when they were popular. They were new and had a high-tech aura about them.Nowadays making a website doesn't differentiate you in a good way unless you have a super creative way of coming up with the website and a lot of content to fill it with.Nowadays you have to take it to the next level. What's a skill that's beyond the reach of most people? This could be why PCB business cards are so appealing. Because it's a thing most people can't do and if you can do it it shows your technical prowess. I think that's my personal web pages were popular back then and why they won't ever be popular again.
    1. Crowther offered everyone who shared at least a certain volume of data with his forest initiative the chance to be a co-author of a study that he and a colleague led. Published in Science in 2016, the paper used more than 770,000 data points from 44 countries to determine that forests with more tree species are more productive4.

      I suspect a similar hypothesis holds for shared specs, code, and the broader idea of plurality within the IndieWeb. More interoperable systems makes the IndieWeb more productive.

    1. Om Malik writes about a renewed focus on his own blog: My first decree was to eschew any and all analytics. I don’t want to be driven by “views,” or what Google deems worthy of rank. I write what pleases me, not some algorithm. Walking away from quantification of my creativity was an act of taking back control.

      I love this quote.

    1. Graber helped us understand the broad categories of what’s out there: federated protocols such as ActivityPub and Matrix; peer-to-peer protocols such as Scuttlebutt, and social media apps that utilize blockchain in some way for  monetization, provenance or storage.

      Missing from this list is a lot of interop work done by the IndieWeb over the past decade.

    1. ...conversations take random walks through events and ideas in a manner determined by the associative networks of the participants." --Douglas Hofstadter, Foreward, Sparse Distributed Memory

      This is reminiscent of Zegnat's mention during the Gardens and Streams session of remembering where things were in the IndieWeb wiki by remembering the pathways more so than the things themselves. This is very reminiscent of Australian songlines.

    1. It’s been long enough now that people look back on blogging fondly, but the next generation of blogs will be shaped around the habits and conventions of today’s internet. Internet users are savvier about things like context collapse and control (or lack thereof) over who gets to view their shared content. Decentralization and privacy are other factors. At this moment, while so much communication takes place backstage, in group chats and on Slack, I’d expect new blogs to step in the same ambiguous territory as newsletters have — a venue for material where not everyone is looking, but privacy is neither airtight nor expected.

      She doesn't have the technical terminology many use, but she's describing the IndieWeb community pretty well here.

    1. I don’t want to build yet another Podcast player app. I don’t want to trap listeners to Listen Notes. You come to Listen Notes and find the Podcasts or Podcast Episodes that you want to listen, then you leave Listen Notes to use your favorite Podcast player app to listen. Under this principle, Listen Notes shows RSS & brings traffic back to official websites of Podcasts. Many Podcast-related sites don’t show RSS, because they want to build a walled garden to make visitors stay there as long as possible.
    1. And there, the answer, at the bottom of the refreshing and streamlined page, there was a tiny little badge — remember badges? — whispering: Powered by Movable Type The implication was clear: This care-free prettiness can be yours.
    1. Then I learned about the IndieWeb movement and Micro.blog, and I fell in love with the Internet as I once hoped it would be: a place where people could congregate, converse, and learn from one another with somewhat minimal rancor — and without an overtly overarching need to make a buck with their “content.”
    1. Personal websites are a conversation. We've just forgotten that simple truth for, oh, about two decades. It's time to relearn some good habits.

      I love this idea.

    1. When I think about it, likes and bookmarks are somewhat difficult to distinguish for my purpose. A bookmark inherently implies that I liked a post because I usually only bookmark posts on Pocket that I like and want to save for later. I use Firefox bookmarks to track the articles that I have not yet read and want to come back to later. There is a distinction. A like is clearer. It’s my way of saying that I did like your content. Not everybody will know my policy on bookmarks, so having a like feature is useful.

      My general heirarchy is that bookmarks are things I want to come back to (and usually read) later, reads are things that I've read, like are things I've read and want to send appreciation for, and replies are things that usually are both read, liked, and needed even a bit more.

      Here's more on how I've thought about it before: https://boffosocko.com/2018/03/10/thoughts-on-linkblogs-bookmarks-reads-likes-favorites-follows-and-related-links/

    1. Friction in UX can be a powerful tool, part of what I’m trying to find is where I want to retain friction as it helps me remain intentional.
    1. Given that social media is practically a public utility, I think it is worth considering more aggressive strategies, including government subsidies. The government already subsidizes energy exploration, agriculture and other economic activities that the country considers to be a priority, and it is not crazy to imagine that civically responsible social media may be essential to the future of the country. The subsidies might come in the form of research funding, capital for startups, tax breaks and the like.

      Subsidies for social strategies like IndieWeb could be an interesting way to go...

    1. I mean, what does an alternative to ed-tech as data-extraction, control, surveillance, privatization, and profiteering look like? What does resistance to the buzzwords and the bullshit look like? I don’t have an answer. (There isn’t an answer.) But I think we can see a glimmer of possibility in the Indie Web Movement. It’s enough of a glimmer that I’m calling it a trend.

      For Audrey Watters to indicate even a glimmer of hope is rare! This ranks as a glowing recommendation as a result.

    1. So who’s up for a blogchain, or a hyperconversation?

      I'm definitely up for it.

      The idea of blogchains is an interesting one and actually seems to be the meta-subject of an ever-growing and rhizomatic one amongst about a dozen locations. The web of it has grown so large that it's hard to see and conglomerate the entire discussion among Tom Critchlow, Kicks Condor, CJ Ellers, Brendan Schlagel, Venkatesh Rao, and many, many others.

      It's been interesting to see it growing slowly but surely.

      Next we'll need some additional organization support on some new topics to see where the next iteration of it might go.

      I do quite like the idea of the version at https://blog.cjeller.site/blogging-futures, though I suspect that having a stub on something like IndieWeb.xyz might be helpful/useful as well.

      In addition to the original discussions of hyperchat and blogchains, many of us have also been having a distributed conversation about the overlap of blogging and wikis for a bit. That conversation has been even less centralized than some of the first and the two have even crossed in places.

      What's next?

    1. The concept is to publish first on your own blog and then later republish the same content on Medium.

      Example of encouraging the idea of POSSE.

    1. Shopify-Ex would offer retailers something they don’t get from Amazon: partnership. Newco would provide merchants a lot of the great taste of Amazon (robust e-commerce tools and fulfillment) without the calories (merchants keep their data, control the customer, branding, no private label launches on backs of merchant data).

      Potentially an IndieWeb-ification for business?

    1. I guess this brings us to the Indieweb where you can probably still call each other Netizens and bemoan the death of RSS. Even though it’s been around since 2013, I see a spark of hope in this ragtag group of HTMLists. (Why isn’t “ragtag” some kind of microformat for the homeless?)

      I love this!

    2. flair
    1. Professional blogging; whether that be funded by advertisers, subscribers, fans – is a big business. What are your thoughts on how Micro.blog helps or ignores people or businesses that may want to use the platform to share their content and earn a living from it?
    1. And so The Year of Intentional Internet began.

      After reading just a few posts by Desiree Zamora Garcia, I'd like to nominate her to give a keynote at the upcoming IndieWeb Summit in June. I totally want to hear her give a talk with the title Year of Intentional Internet.

    1. I just wrote a long, considered, friendly, and I hope helpful comment here but -- sorry, I have to see the irony in this once again -- your system wouldn't let me say anything longer tahn 1,500 characters. If you want more intelligent conversations, you might want to expand past soundbite.

      In 2008, even before Twitter had become a thing at 180 characters, here's a great reason that people should be posting their commentary on their own blogs.

      This example from 2008 is particularly rich as you'll find examples on this page of Derek Powazek and Jeff Jarvis posting comments with links to much richer content and commentary on their own websites.

      We're a decade+ on and we still haven't managed to improve on this problem. In fact, we may have actually made it worse.

      I'd love to see On the Media revisit this idea. (Of course their site doesn't have comments at all anymore either.)

    1. But note well, my friend, that all of these people are speaking to you with intelligence, experience, generosity, and civility. You know what’s missing? Two things: First, the sort of nasty comments your own piece decries. And second: You.

      Important!

    1. Heather Staines1 month agoWould you consider metadata to be a form of annotation? Annotation for machines?Remi Kalir1 month agoYes, absolutely, metadata is a form of annotation. The MIT Press EKS volume “Metadata” is included in our Further Readings section. And the relationship between human-machine annotation, as well as automated annotation, is a topic we pick up in Chapter 7. Do you see additional opportunities for us to more explicitly discuss metadata as a form of annotation?

      It’s a great meta meta example, but the IndieWeb movement uses microformats to mark up portions of web pages with metadata that gives machines the idea of the semantics of a particular post. Thus, I could reply to this web page with a traditional social media “like” as a means of annotating it on my own website. The microformat “u-like-of” would be added to my page’s metadata that allows the web page I’m replying to to read that like intent and potentially display it—though traditionally they’re shown under the text in question.

    1. So what do we focus on instead, without that ability to tweak or iterate? Well, some of the messier network effects of social media, I’d argue. Sure, leaving a comment may be more “engaging” than picking a color and setting a design, but those things give us a feeling of ownership that we never really feel like we have when they’re all decided for us.

      Having a sense of ownership and control of identity on a platform can be an important thing. Even though I use a somewhat modified theme, I have thousands of other options and can change it at any time on my own website.