18,323 Matching Annotations
  1. Last 7 days
    1. Congratulations on that beautiful machine!

      Don't listen to the nay-sayers who likely have very different priorities and esthetics. If this is your machine, and you love it, then "own it".

      It does look like a standard (as opposed to portable) typewriter. (Standards are often better and more robust typers due to their size and design.) Likely a Model 1 or Model 2, but I don't have specific knowledge beyond a cursory glance at the typewriter database. You can start by looking at examples of machine types and bodies at https://typewriterdatabase.com/smithcorona.86.typewriter-serial-number-database.

      From there, the Model 1 says "Electric Serial Numbers Concurrent with Standard", so scroll down the page and see if you can identify a year based on a serial number you should be able to find underneath the hood. You can try https://typewriterdatabase.com/Smith+Corona.Standard.86.bmys, but I don't see any later models there, so perhaps no one has documented one before and you could be the first.

      Then start with Richard Polt's site https://site.xavier.edu/polt/typewriters/ where you may likely find a manual and if you're lucky a repair manual. Surely there will be a few manuals for similar 50s standard S-C manual typewriters which should at least get you started. His site has a wealth of other information to give you pointers. His book The Typewriter Revolution (2015) has good intro chapters on cleaning, basic repair, and restoration. YouTube may have some useful videos as well. The typewriter database will have some later model S-C electric machines which you might try searching for on YouTube as well and it's highly likely that the design changes weren't so drastic that those may help you significantly.

      For basic cleaning, try https://www.youtube.com/watch?v=xjumGF9NFE8 which has some solid advice. Obviously take care with respect to getting the electrical portion of your machine wet.

      I've not done any electric machines before, but if I recall, I seem to have read/heard (maybe from Tom Hanks who I know has a 50s electric Smith-Corona) that the early electrics only went as far as doing power for the keys, so it should be reasonably repairable if it doesn't work out of the box.

      I'm sure you'll love it. With any luck, you'll also get some serious enjoyment and sense of accomplishment out of cleaning it up. If nothing else, it'll give you a wealth of experience in making the attempt and you can apply that to other machines if you continue collecting and typing. Some of my first machines weren't immediate "successes" until after I'd been able to tinker with others and was able to come back to them with a more experienced hand.

      Have fun with it!

      reply to https://www.reddit.com/r/typewriters/comments/1cuzy04/please_can_someone_identify_this/

    1. Blank tabbed 4x6 cards (self.Zettelkasten)submitted 1 day ago by SpacePatricianTrust me when I say this query is Zettelkasten-related. I've adopted the Voroscope method of organizing as per the Encyclopedia Propaedia, but it involves creating a lot of tab cards. I could make things go faster if I had white, blank, unruled tabbed index cards that I could set up a printer template for, but there don't seem to be any on the market in bulk. Any ideas of where I could find them off the beaten path?

      I've looked and looked for such a template and printer method to no avail myself. Your best bet here is probably either Avery Multi-use labels (maybe 5418 or 5428 depending on your card tabs) which have templates you can print a sheet at a time, or buying a labeler like the Brother P-touch which has a variety of different colored labels available. A third method is to line up multiple tabbed cards in your typewriter and do 3-4 at a time.

      Tabbed cards are significantly more expensive than standard index cards, so if you're all in on this, I'd recommend contacting one of the manufacturers directly and buying in bulk to drive the price down. Alibaba can also be your friend here for a bulk order too. Last year I got a bulk order of 15,000 4x6" index cards for well under $0.005 per card, while the current going rate on Amazon or most office supply stores is $0.02 - $0.03/card.

      Let me know if you find someone manufacturing inexpensive tabbed dividers in 1/5, 1/6, 1/7, or even 1/8 cut tabs. I'd love to buy a couple thousand of these in bulk as well.

      Knowing the extra work involved in this method, I HIGHLY recommend you try it out by hand for a bit to see if it's something you'll do for more than a few months before going all-in. I've read some of Joseph Voros' work, which I understood to be theoretical only. Did he ever fully implement it himself? Before you try, you might want to read up on others' earlier work like that of Paul Otlet, Mortimer J. Adler, et al. Many here will lionize Luhmann's method, but recall that S. D. Goitein managed to take a 1/3 of the notes that Luhmann did while creating a published output a 1/3 larger than Luhmann all while using a method similar to that of Adler and company which is also very close to the method recommended by almost all academics from Jacques Barzun to Umberto Eco.

      Definitely think about what you're hoping to accomplish before going straight down the rabbit hole too far.

      If you do go all-in, then buying a big storage box upfront can save you a lot of time and expense, try https://boffosocko.com/2022/12/26/the-ultimate-guide-to-zettelkasten-index-card-storage/ for some ideas. My daily driver now is a 60,000+ card index from Steelcase that I picked up on the used market for $125.


      LIFE. “The 102 Great Ideas: Scholars Complete a Monumental Catalog.” January 26, 1948.

      Eco, Umberto. How to Write a Thesis. Translated by Caterina Mongiat Farina and Geoff Farina. 1977. Reprint, Cambridge, MA, USA: MIT Press, 2015.

      Barzun, Jacques, and Henry F. Graff. The Modern Researcher. 6th ed. Belmont, CA: Thomson/Wadsworth, 2004.


      Reply to u/SpacePatrician at https://www.reddit.com/r/Zettelkasten/comments/1ctsu78/blank_tabbed_4x6_cards/

    1. Keynote: A conversation with Christina Warren about blogging and social media • Find her on Mastodon and Bluesky

      Watched this live on YouTube. Not sure if they'll archive it there or not.

      https://micro.camp/

    1. You can cross check the data in the typewriter database for most of the big US and European brands to see the slow merging and dying out of the typewriter through the late 60s and early 70s onward. See, for example, Royal: https://typewriterdatabase.com/royal.72.typewriter-serial-number-database which has buyouts and mergers listed at the top. The database also has a huge volume of references for how it was compiled which will give you additional history.

      The early 70s saw a lot of plastic entering the space where more durable steel used to be. Most major US firms were shifting to electric after IBM in roughly 1961. Post war manufacture of machines picked up significantly in Italy, Spain, Holland, and even Wales which displaced some of the manufacturing in the US, where solid machines of the prior generation still worked and only needed servicing rather than outright replacement. (Planned obsolescence wasn't as much of a thing during the 30s and 40s, and in fact, [maintenance was heavily highlighted during the war](https://www.youtube.com/watch?v=ocdxgkxKAKo) when most US manufacturers ceased production of most models.) Eventually Japan displaced the business followed by India (which ceased in 2009) and China. Wrexham, Wales ceased manufacture of electronic Brother typewriters in 2012.

      Ever decreasing costs of materials and manufacturing, improved manufacturing technology, increased competition in the space, combined with containerized shipping, competition from computers, etc. all contributed to the cheapening of the typewriter and hastened the death of manufacturing (though not the use) of manual typewriters.

      Richard Polt's The Typewriter Revolution (2015) has a "microhistory" of typewriters in chapter 2 with references to some addition histories if you're interested.

      Your question about Olympia manufacture dates (and more) can be found via: https://typewriterdatabase.com/olympia.61.typewriter-serial-number-database

      x over it has a good two part series about the evolution of Olympias at:

      https://xoverit.blogspot.com/2015/02/olympia-sm-series-part-1-1948-1964.html

      https://xoverit.blogspot.com/2015/04/olympia-sm-series-part-2-1964-1980s.html

    1. Toaster-Typewriter – An investigation of humor in design by [[CreativeApplications.Net]]

      A cross between a typewriter and a toaster that writes by toasting bread.

      The toaster-typewriter is the work of [Ritika Kedia], and it forms part of her thesis in product design at the Parsons School of Design, New York. It’s written up very much from an artistic rather than a tech perspective, but it’s no less ingenious for that in the way it uses letters formed from hot wire on a clay substrate, mounted on the end of the typewriter arms in front of a toaster.<br /> —This Typewriter Types Toast by Jenny List

    1. Bruder, Jessica. “Click, Clack, Ding! Sigh ...” The New York Times, March 30, 2011, sec. Fashion. https://www.nytimes.com/2011/03/31/fashion/31Typewriter.html.

    2. “I’m actually not surprised,” Mr. Caro said, when told of the typewriter renaissance. The tangible pleasures of typewriters are something he’s known about for decades. “One reason I type is it simply makes me feel closer to my words,” Mr. Caro said. “It’s like being a cabinetmaker. It’s like laying down the planks. This is the way it’s supposed to feel.”
    3. What do literary stalwarts of the original typewriter era make of all this? “We old typists, it makes us feel young again to think there’s a new generation catching on,” said Gay Talese, 79. He still uses a typewriter, albeit electric, as does his friend, Robert A. Caro, 75, the Pulitzer-winning biographer of Robert Moses and President Lyndon B. Johnson. They discussed Mr. Caro’s Smith Corona while watching the Super Bowl.
    4. Tom Furrier, who owns the Cambridge Typewriter Company in Massachusetts, has sold several typewriters to Mr. Cidoni and said that high school and college students have become a staple of his business.
    5. “Like a jam session for people who like typewriters,” said Michael McGettigan, 56, a local bike shop owner who came up with the idea. “You had unions do sit-ins and hippies do be-ins, so I thought, ‘We’ll do a type-in.’ ”
    1. These were sometimes used to assist in the learning of touch typing. Clients would have their local repair person install these little black paper circles to cover the letters so they wouldn't be tempted to stare at the keyboard. Fairly rare, I've not seen them used on any of the 500+ machines I've serviced in the past 7 or so years. There were also dedicated blank caps designed to go over the keytops that were used, those are much more common than the blackout paper method.
    2. Even with keyring pliers and the skill to use them, the blackout paper method is a lengthy one.

      Keyring pliers are used to remove the metal rings off of both circular and tombstone glass typewriter keys so that the legends can be replaced or even covered over with black paper circles for teaching or learning typing. They take some practice and skill to use, but speed up the replacement of legends significantly.

    1. When you catch and idea, you see it in your mind's eye, and you feel it, and you can hear it. And then you write that idea down on a piece of paper, and you write it down in such a way that when you read it, the idea comes back in full.

      David Lynch Interview supposedly... source? (asking mrtnj at https://discord.com/channels/992400632390615070/992400632776507447)

      Interesting with respect to orality almost more than literacy.

    1. “Ideas are like fish. If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you’ve got to go deeper. Down deep, the fish are more powerful and more pure. They’re huge and abstract. And they’re very beautiful.”

      —David Lynch

      This is from his book: see: https://hypothes.is/a/Swp61GITEe6dmD-RxxFY4w

    1. I was in a vintage shop about 30 minutes from downtown Los Angeles earlier in the week and the proprietor had a mostly functioning 1950 Smith-Corona Sterling for sale for a roughly equivalent US $150. (One key was disconnected, but fixable, and some keys were sticky, the ribbon was disintegrating, it was incredibly dirty, with a case in very poor condition.) The Sterling was similar to the Silent, but without some of the extra bells and whistles. She wouldn't accept an offer of $40 for it, which I thought was a reach for the dreadful condition it was in. Her reasoning was that she was sure that someone (read: a sucker) would pay the $150 for it. At a yard sale it might be worth $5. Cleaned up a bit maybe $30. In online platforms they're going for a bit more, but you're also saving yourself some level of "shoe leather" in the work of searching for the exact model you want.

      I've been specifically watching this model and a few related ones for a few months, and machines of indeterminate condition (though in my experience they're usually reasonably functionable or easily fixable), like this go for about $50 on ShopGoodWill.com (as auction items). There are usually about 4-5 per week which come up as this was a popular model in the 50s. You can probably find similar prices on eBay, though sellers there usually have a little more information about the working condition. They're definitely common enough that you could easily wait for the exact color options and typeface (pica or elite) that you're looking for, and could also probably purchase two for the price he's asking (including shipping.) I've been watching for a similar mid-50s Smith-Corona Clipper with similar colors and elite type for a while and just bought one online last week for $35. Patience definitely pays off.

      I would only go as high as $150 on that machine if I knew it was well functioning and had a brand new platen in the last several years. You can tell him that most of the expensive machines in the range he's asking for are all fully functioning, have been well maintained and/or recently serviced, and often have new platens, rubber rollers, and feet replaced. He'll know that this isn't the case with his and may come down in price. They're likely pricing it based on other listings they see and not pricing it based on actual sales. If it's their only machine, wait things out until they see that there aren't any takers. If it's a vintage shop, simply move on.

      The Smith-Corona Silents from this time period are really spectacular and solid machines, so good luck in your search for the perfect one.

    1. Walter Wellesley “Red” Smith used a version of this quote by 1949. In April of that year the influential and widely syndicated newspaper columnist Walter Winchell wrote. Boldface has been added to excerpts:[1]1949 April 06, Naugatuck Daily News, Walter Winchell In New York, Page 4, Column 5, Naugatuck, Connecticut. (NewspaperArchive) Red Smith was asked if turning out a daily column wasn’t quite a chore. …”Why, no,” dead-panned Red. “You simply sit down at the typewriter, open your veins, and bleed.”

      via 1949 April 06, Naugatuck Daily News, Walter Winchell In New York, Page 4, Column 5, Naugatuck, Connecticut. (NewspaperArchive)

      https://quoteinvestigator.com/2011/09/14/writing-bleed/

    1. New 1964 Sears Cutlass Model advertised in February 1965. The faceplate of existing examples exactly matches other machines only offered between 1964-65 (Citation, Constellation), so it is presumed to be exactly contemporary. Manufactured by Smith-Corona and similar to Smith-Corona "New 5-Series", with custom shell.
    1. Most Smith-Coronas in the 40s and 50s have similar ribbon set ups. Hopefully this photo and description will help:

      (Alt Text) Smith-Corona typewriter ribbon thread sample. A view into the type basket with the hood of the typewriter raised showing the ribbon coming out of a spool on the left, through a black ribbon guide (which actuates the autoswitch when the eyelet at the end of a spool gets stuck between it and the spool) next to the spool cup, and then into the two metal guides of the ribbon vibrator on either side of the the typing point. A silver pen's tip is pointing to the ribbon guide next to the spool cup at about the point where an eyelet clipped onto the middle of the end of a length of a ribbon would trip the ribbon auto switch.

      If your ribbon auto-switch isn't working one can usually switch the direction manually with the ribbon reverse lever usually found on the front left side of most machines.

      To speed up changing the ribbon on many machines, it can often help to switch the color selector to the red setting and then simultaneously press the G and H keys gently so that they're stuck together almost at the typing point which will raise the ribbon vibrator and make accessing the slots for threading the ribbon easier. Once the ribbon is installed, release the G and H typebars and select the correct color setting for the portion of the ribbon you want to use.

    1. The term "Type-Out" was coined by Tom at Cambridge Typewriter in MA to refer to the practice of having a Type-In outside in the sunshine. The first such Type-Out was held in front of Cambridge Typewriter on Oct 22, 2011.
    1. Want to run a typewriter shop? by [[Richard Polt]]

    2. If you've been dreaming of plunging into this profession, consider the success of Paul Lundy, who took over Bremerton Office Machine Company from nonagenarian Bob Montgomery; or Antony Valoppi, creator of Portland's Type Space, which combines a traditional typewriter shop with a cultural center; or Trevor Brumfield, a young man in his late twenties who has quickly built Dayton's TB Writers Plus into a busy enterprise.
  2. May 2024
    1. Saturday, May 11, 2024BICYCLE TOUR OF PASADENA AFRICAN AMERICAN HISTORY: THE 710 STUBJoin Allen Edson, President of the NAACP Pasadena branch, as he leads a bike tour highlighting the 210 freeway, the 710 stub, and the community displaced by the construction.

      The 710 freeway displaced a large number of people between 1965 and 1974 in West Pasadena.

    1. https://www.ebay.com/itm/296414315589

      Shaw Walker steel cabinet with brass pulls offered for $800 at auction ($1,200 buy it now) o/a 2024-05-03

      Modular in 4 sections with 2 sets of drawers (each 6x3 for a total of 36 drawers) and a top and a bottom.

      Cost per drawer: $22.22

      This is a rarer modular set up.

    1. where do I start?

      reply to u/rocklover7 at https://www.reddit.com/r/typewriters/comments/1cnljgm/where_do_i_start/

      The best thing you could do is to take a moment at the library or bookshop and pick up a copy of Polt, Richard. The Typewriter Revolution: A Typist’s Companion for the 21st Century. 1st ed. Woodstock, VT: Countryman Press, 2015.

      He looks at typewriters from a writers' writer perspective which I'm sure you'll appreciate. He's got experience with a wide variety of machines as well as a large collection himself. He goes over all of the common/popular (and solid machines) in a variety of sizes and formats to help you figure out which one you might like to start out with. He also covers some of the common problems and repairs that regularly pop up. The book is really a "best of" list of typewriter material from the past 15+ years of this reddit forum and material from the "typosphere" of which he's been not only an active member, but literal ring-leader. The vast majority of the questions which appear on a weekly basis here are discussed and addressed in his book, along with some emphasis on writerly concerns and practice which most beginners here wouldn't be asking. Even reading 3 or 4 of the 8 chapters which are rife with images will give you a solid crash course for exactly the sorts of typewriter (and writing) advice you're searching for.

      Definitely DO NOT pick up a new machine off of Amazon. They're even worse than some of the late 70s/early 80s machines. Instead, for beginners (and for the value) I'd recommend looking at Remingtons (Quiet-Riter), Royals (Quiet De Luxe), or Smith-Coronas (Clipper, Silent, Super) from roughly 1948-1958 which is generally the peak of U.S. typewriter manufacturing as well as for features. These were all built like tanks and are usually still in very good condition, even when they're in bad condition. I've provided links to some of these models in the typewriter database, so you have an idea visually of what to look out for.

      If desperate, and you live in an area where machines are priced starting over $50 or you're more price sensitive (making eBay, Facebook Marketplace or Craigslist less appealing), you can find some of these every day listed at shopgoodwill.com starting at $10. Even with heaving bidding on auctions, these usually don't go over $35 (except for some of the Smith-Coronas). I've even seen them (sadly) not move at all for $10. This would give you an incredibly solid and inexpensive machine to tinker on, and will most likely work for you out of the box (as long as it's got a ribbon.) You'll end up with a solid machine to start off on while you search for your dream machine. It'll also give you some experience cleaning up and maintaining one. Of the seven machines I've gotten this way and paid an average of about $30-35 each (all in with shipping, tax, etc.) All but one were all immediately usable and only needed moderate cleaning that one could do at home with a cloth, dish soap, a toothbrush and maybe some canned air. Two of the seven were in near mint condition and didn't need any work at all. Tag/garage sales are also inexpensive options that usually allow you test out a machine, but it requires some shoe leather and lots of patience. If you've got a favorite author you love and trust, you might try searching out their machines: https://site.xavier.edu/polt/typewriters/typers.html

      If there are any type-ins in your local area, try to go so you can not only meet others, but it might give you a chance to see and try out the machines of others to see what might suit you best.

      Happiness and best wishes on your search!

    1. it is not mold; it is plasticizers coming out of the plastic. I remove it with various means: alcohol, polishing with a very fine polish, Goo Gone™, naptha, and such.

      The white gunky substances seen on the plastic keys of old, unmaintained typewriters generally isn't mold, but plasticizers coming out of the plastic. These can usually be cleaned off using simple household cleaning products or if necessary heavier cleaners (Goo Gone, alcohol, naptha, etc. - test these on hidden parts first to ensure they don't react with or destroy the plastic or remove the paint of the key letters) followed up by light waxes or polishes and buffing.

    1. reply to u/FriendlyAd4234 at https://www.reddit.com/r/typewriters/comments/1cn004l/olympia_sg1_dust_cover/

      Other than the traditional fabric-like dust covers, you might consider doing a thicker plastic/acrylic cover, particularly if you've got several machines and are using them for display purposes. I live in Los Angeles and there are half a dozen places that do this sort of custom work all the time for very reasonable rates. Searching for "plastic fabricator memoriabilia case" along with variations of plastics (acrylic, lucite, plexiglass) should get you what you want locally. (Here's a few examples I've used in Los Angeles before to give you an idea: https://solterplastics.com/, https://www.plasticfactoryinc.com/, https://www.customacrylicproducts.com/, https://plexidisplays.com/). Search for something similar in your area for easier communication and pick up/shipping.

      If you search around for companies that make plastic displays, particularly for memorabilia (baseball bats, baseball cards, etc.), you can have them design and make a custom sized clear plastic box/enclosure that will keep the dust and dirt out, but still allow you to see the machine inside.

    1. Speaking of the keys, they had crap all around them. I used a slightly damp towel and Turtle wax rubbing compound. A light rubbing removed the dirt.

      Wiping dirty plastic typewriter keys with a soft cloth and then waxing/buffing them can bring them back to life.

    2. The last adjustment I needed to make is sometimes called ring and cylinder. It moves the platen closer or further from the typebars. I think the rubber on the platen over time dried and shrunk a bit. I used this adjustment to move the platen closer in order to get a better type imprint. (note: you have to loosen two screws on each side of the carriage [4 screws] in the next photo before making this adjustment.)
    3. Here it’s outside being cleaned with Mineral Spirits, and carb and choke cleaner. I took one trip to the eye doctor when the carb and choke cleaner bounced and sprayed into both my eyes. I was fine, but wear eye protection.
    4. The feed rollers and platen were also a mess. I cleaned them with Bar Keepers Friend and water. Soft scrub also works.

      Cleans them but probably doesn't repair them.

    1. Now for the inks the biggest problem in inking a ribbon is finding inks that don’t dry out, therefore water based inks alone won’t work. However you can use a coloured ink pad to get the effect as the ink is mixed with glycerine keeping it from drying out!

      Glycerine mixed with ink may help keep typewriter ribbons from drying out.

    1. I have run across Jeff Shelton's Analog system (originally via Kickstarter) before. Thanks for the reminder.

      There's also a slew of others, especially for folks looking at commercially preprinted cards (though I tend to think they're overpriced compared to blank cards): - The Hipster PDA (Parietal Disgorgement Aid) https://web.archive.org/web/20040906150523/https://merlin.blogs.com/43folders/2004/09/introducing_the.html - Pile of Index Cards (PoIC) https://www.flickr.com/photos/hawkexpress/albums/72157594200490122/ - Levenger https://www.levenger.com/products/triple-decker-pocket-planner?variant=42485422424213 (among others they carry including pocket briefcases) - Notsu https://notsubrand.com/ - Baronfig / Strategist: https://baronfig.com/products/strategist?variant=39787199529043 - Jeff Shelton's Analog system https://ugmonk.com/ - 3x5 Life https://www.3x5life.com/ - Foglietto https://www.nerosnotes.co.uk/collections/foglietto - Jot & Mark https://amzn.to/3Qs26Je

      Am I missing any significant or influential examples, particularly branded ones?

      Hubnote for 3 x 5" index cards for productivity

    1. ¹¹ For you al-ways have the poor with you, but you will notalways have me.

      Said in the context of his pending crucifixion, with respect to a woman who had poured expensive ointment on Jesus.

      This is an interesting proposition in this passage with respect to lots of what he'd said about the poor in the past. See also the Beatitudes

      relationship to the idea of "Waging war on poverty, but not on the poor"?

    2. Coogan, Michael David, Marc Zvi Brettler, Carol Ann Newsom, and Pheme Perkins, eds. The New Oxford Annotated Bible: New Revised Standard Version with Apocrypha, An Ecumenical Study Bible. Fully Revised Fourth. 1962. Reprint, New York: Oxford University Press, 2010.

      Annotations URL: urn:x-pdf:d8e0b658bbb0af5343bfb78eec4546f9

      Alternate annotations view: https://jonudell.info/h/facet/?user=chrisaldrich&max=100&exactTagSearch=true&expanded=true&url=urn%3Ax-pdf%3Ad8e0b658bbb0af5343bfb78eec4546f9

    1. One of the first thing I noticed was the rubber on this foot was sticking. This is the resting spot for the basket shift. Moving it up or down will adjust where the lower case letters strike the platen. I removed the old sticky rubber. There are two adjustments here, you can’t see the other one, but it’s looks the same. One is for lower case letters the other is for upper case. This is called the “on feet” adjustment. If you ever have the top of an upper case letter not imprinting or not level with the lower case letters, look at this adjustment. A good way to tell is to type HhHh, and see if the bottoms of the letters line up.
    1. Royal Typewriter Platen Variable Repair, Roller Removal by [[Phoenix Typewriter]]

      I'm seeing this issue on my 1949 Royal QDL. I figured it'd be an easy fix.

      Turns out, it was exactly my issue and the pieces had "frozen up". A quick clean out and we're back in business in under 20 minutes.

    1. Williams, Alex. “Paul Auster, the Patron Saint of Literary Brooklyn, Dies at 77.” The New York Times, May 1, 2024, sec. Books. https://www.nytimes.com/2024/04/30/books/paul-auster-dead.html.

    2. “There’s a tendency among journalists to regard the work that puts you in the public eye for the first time as your best work,” he said in “A Life in Words.”
    3. By that point, Mr. Auster had largely stopped reading reviews, arguing that even the positive reviews often miss the point. “No good can come of it,” he said in the interview in The Independent. “I spare my fragile soul.”

      How much time do book reviewers really spend on either a book or their actual review? Often it's a rushed process at best. How much can a reader get out of a quick read and gut reaction?

      Perhaps things may be good from some of the best of the best reviewers, but generally, the author likely put more work into their work than the reviewer did.

    4. “When I was 9 or 10,” he told The Times in 2017, “my grandmother gave me a six-volume collection of books by Robert Louis Stevenson, which inspired me to start writing stories that began with scintillating sentences like this one: ‘In the year of our Lord 1751, I found myself staggering around blindly in a raging snowstorm, trying to make my way back to my ancestral home.’”
    5. Paul Benjamin (Mr. Auster’s early pen name; Benjamin was his middle name),
    6. It drew deeply from his life in Park Slope, where he shared a brick townhouse with his wife, the novelist Siri Hustvedt.
    7. Writing six hours a day, often seven days a week, he pumped out a new book nearly annually for years. He ultimately published 34 books, accounting for shorter works that were later incorporated into larger books, including 18 novels and several acclaimed memoirs and assorted autobiographical works, along with plays, screenplays and collections of stories, essays and poems.
    8. He eschewed computers, often writing by fountain pen in his beloved notebooks.“Keyboards have always intimidated me,” he told The Paris Review in 2003.“A pen is a much more primitive instrument,” he said. “You feel that the words are coming out of your body, and then you dig the words into the page. Writing has always had that tactile quality for me. It’s a physical experience.”He would then turn to his vintage Olympia typewriter to type his handwritten manuscripts. He immortalized the trusty machine in his 2002 book “The Story of My Typewriter,” with illustrations by the painter Sam Messer.

      digging the words into the page sounds adjacent to Seamus Heaney's "Digging" which analogizes writing to digging: https://hypothes.is/a/J-z8OgfQEe-0adtJyXyb3g

      There's something here which suggests pens, typewriters, keyboards, etc. as direct extended mind objects as tools for thought. A sense of rumination and expulsion simultaneously.

    9. “I’ve always wanted to write what to me is beautiful, true, and good, but I’m also interested in inventing new ways to tell stories. I wanted to turn everything inside out.”
    10. “Long before ‘Brooklyn’ became a place where every novelist seemed to live, from Colson Whitehead to Jhumpa Lahiri,” she added, “Auster made being a writer seem like something real, something a person actually did.”
  3. Apr 2024
    1. For platens 83-98 Shore A depending on the amount of copies being typed. From personal experience though 83A is super soft and the slugs sink into it a bit too much, the sweet spot is around 87-90 Shore A imo.
    1. Replacing the key cap [as a means of switching from QWERTZ to QWERTY] isn't going to help at all, it's just a label. You'd have to swap out internal parts too. Depending on the model, you'd either have to remove and swap typebars or remove the head off the typebar and resolder it onto the appropriate alternate (and ensure that it's properly aligned, not an easy task). Then you'd have to swap the key caps (labels). It's definitely a mechanically doable process, but it's probably almost never done in practice. Doing it as a newbie probably isn't recommendable; you're better off having a repair shop do it for you if you decide to go this route. Depending on the keyboard/model, you'd also have to deal with accents, umlauts, etc.

      Given the difficulty (or cost) of the process and the potential end results, you're assuredly better off locating a QWERTY machine and paying a bit more for shipping to your area if necessary.

      Your mileage may vary depending on model.

      reply to u/imprisoningmymemory at https://www.reddit.com/r/typewriters/comments/1cg1avp/replacing_keys/

    1. reply regarding painting typewriters at https://www.reddit.com/r/typewriters/comments/1cflyf2/help_identifying/

      It's been a while since I've done it, but I've sent vintage metal filing cabinets out to have them powder coated with stunning results. If you have someone local who does this, they'll be able to handle the details and give you color options. It may be best to give them the individual parts of the frame you want done and not the whole machine (especially so they don't lose or destroy anything vital). You can get some interesting colors and still have the older vintage look.

      I've also been contemplating doing a brushed steel finish and several layers of shiny clear coat. I've done it to a few desks before (here's an example of a table with a brushed/enameled top though it's got a slab of glass on top too), but haven't done it with a typewriter (yet).

      Depending on your area, you might find an auto repair artist who could strip the case down (sand blast/bead blast) and give you some real artwork including ombre paint, sparkle, racing stripes, etc. Just for fun, how cool would it be to have a matching "Jerry Orbach typewriter" if you had a Jerry Orbach car? If you're a Star Wars fan, it could be cool to have a typewriter done to look like either R2-D2 or C-3PO, for example. Or maybe cover a 1977 Smith-Corona Galaxie 12 with brown faux-Wookie fur and a bandolier Chewbacca-style!!! If you're going in, you may as well go all-in, right? (But definitely stop before you end up restoring one of the old black batwing-style Oliver's to fit it with a Darth Vader helmet dust cover...)

      If you go with straight paint, your local paint shop can recommend the best combination of primer and paint formulation for painting onto metal. (The small sample pint sizes of paint may be more than enough to do a single typewriter.) They'll give you more color options than you could possibly want. You'll want a high quality paint brush and some paint thinner so that when you apply, the finish comes out buttery smooth as it dries. Various spray paints may be options as well, though here you may not have as many color options.

    1. Cohen, Rachel M. “What the Supreme Court Case on Tent Encampments Could Mean for Homeless People.” Vox, April 21, 2024. https://www.vox.com/scotus/24123323/grants-pass-scotus-supreme-court-homeless-tent-encampments.

    2. The American Psychiatric Association noted that police are also more likely to use excessive force when they interact with unhoused people with mental illness. Even when “well-intentioned law enforcement responders” respond to calls for help, according to the Substance Abuse and Mental Health Services Administration, the situations often escalate due to “the presence of police vehicles and armed officers that generate anxiety.”
    3. More than one-fifth of people experiencing homelessness currently have a serious mental illness like bipolar disorder or schizophrenia, and the US Department of Justice has found that “the prevalence of unmet behavioral health needs” is a key driver in why “people who experience homelessness tend to have frequent (and often repeat) interactions with law enforcement.”
    4. Willison’s research found that 22 percent of mayors from over 120 cities station their homelessness staff within police departments. Even among those cities that station homeless outreach teams elsewhere, most still include formal roles for police. Seventy-six percent of homeless outreach teams formally involve the police, per another study she co-published last year.
    5. “The crux of the issue is we’re thinking about the focus on encampment closure without access to housing,” said Charley Willison, a Cornell professor who has studied the influence of police on cities’ homelessness policies.
    6. The city council president said Grants Pass’s goal was to “make it uncomfortable enough for them in our city so they will want to move on down the road.”

      Why is it that so many of Americans' gut reactions is to "kick the can down the road" rather than to solve the underlying problems?

    7. “The Ninth Circuit and respondents have tried to downplay the ways in which the ruling ties local leaders’ hands, but their arguments only confirm the decision’s ambiguity and unworkability,” Democratic California Gov. Gavin Newsom wrote in an amicus brief filed in September.

      I'm surprised to see this stance from Gavin Newsom... though California probably faces a higher level of homelessness than most states as a result of its weather.

      Does it though? What are the rates of homelessness as a percentage of population per state? What do the overall numbers look like for CA as a percentage of the total?

    8. In Grants Pass v. Johnson, the Supreme Court will decide whether it constitutes cruel and unusual punishment to fine, ticket, or jail someone for sleeping outside on public property if they have nowhere else to go. A ruling in favor of the plaintiffs would make it easier for communities to clear out homeless people’s tent encampments, even if no available housing or shelter exists.
    1. Rolodex Item #67380 https://www.ebay.com/itm/166733559184

      You have to appreciate the way that this zettelkasten is designed to be decorative and include personal family photos almost as a representation of what it directly contains.

      Caption: A small rolodex file in grey and black plastic with a picture frame on the front with space for a small photo, in this case either a picture of a young child or a family dog

    1. Will the escalation of protests and reaction by Columbia University’s President, Minouche Shafik cause an ultimate shift in American sentiment because she reacted in the wrong way to quell protests in Spring 2024? Will things escalate as they did in 1968 and spill over into actual change in society and culture?

    2. Saul Alinsky writes that “the action is in the reaction.”

      original source?

    3. You only win against these Congressional Republicans by refusing to play their game.
    4. Don’t treat televised spectacle like a deposition. It will go badly for you in all the very predictable ways.
    5. The way that administrators normally respond to a tactic like this is to just wait it out. Have campus security keep an eye on them to make sure things don’t get out of hand. Make vague statements to the campus paper. Schedule some meetings. Maybe declare that you’ll form a committee to look into things further.Traditionally, the weakness of this tactic is that it does little to expand the conflict.
    6. Schattschneider tells us that contentious politics can be best understand through a lens of conflict expansion. Those in power will (and, strategically, should) try to maintain and contain the scope of a conflict. Those arrayed against them will (and should) attempt to expand the scope of the conflict. If you want to understand an episode of contentious politics, don’t evaluate the substance of the arguments as though you are judging an intercollegiate debate. Instead, watch the crowd.
    7. One book that I have my students read every semester is E.E. Schattschneider’s 1960 classic, The Semi-Sovereign People. The book is a tight 180 pages.
    1. “The thing with typewriters and writing, putting pen to paper, there’s kind of an element of commitment that goes with the ceremony of it.”

    2. The 1975's Matty Healy uses his phone to take notes. They're more important to him privacy-wise than all the text messages he's ever sent.

      He also uses an A5 sized notebook as one of his 10 most important things. He's placed reward notices in his notebooks ranging from $500 to $5000.

    1. Typewriter Correction

      If you go the white out fluid route, there are some bottles that use mini-sponges versus the old brush-types which are easier to apply. If you're worried about dripping on/in your machine with fluid, there's now also a variety of small handheld dispensers of white out tape which allow some incredibly precise use at the level of individual letters. Scroll the paper up a line or two, white it out, scroll back down and be on your way. (I only do this for things approaching mission critical applications; generally I just x things out or overtype and continue.)

      My typing technique has gotten better using a typewriter versus computer keyboard.


      reply to u/AlexInRV at https://www.reddit.com/r/typewriters/comments/1cc6oci/typewriter_correction/

    1. Harry RansomCenter at the University of Texas, which houses Sexton’sletters and memorabilia. And her typewriter.

      Anne Sexton used a Royal Quiet De Luxe (beige)

    2. Solan, Matthew. “Tracking Down Typewriters: Those Trusty Tools of Days Gone By.” Poets & Writers Magazine, August 19, 2009. p 31-33.

    3. David McCullough, the noted histo-rian and Pulitzer Prize winner, haswritten everything he’s ever publishedsince 1965 on his sixty-nine-year-oldRoyal KMM standard desktop.
    4. LarryMcMurtry thanked his Swiss-madeHermes while accepting the 2006Golden Globe Award for the screen-play of Brokeback Mountain.
    5. TomWolfe still uses his 1966 Underwood.
    6. WhenI fi nish a page and pull it out, I holdsomething real. And this, too, fuels myprogress by giving me a tangible senseof accomplishment.

      Typewriters provide a tangible sense of accomplishment when a writer finishes a page.

    7. Typewriters make me a more fo-cused and disciplined writer. Theydon’t forgive. It’s like fi ring a gunwith every stroke. You can’t retractthe bullet. If you misspell, the type-writer won’t correct it for you. Youhave to plow on.
    8. Pearl S. Buck and the 1930s RoyalStandard (with white keys) she used towrite The Good Earth, Jack Kerouac’sroad-weary Underwood Standard S,George Orwell’s Remington No. 2,Patricia Highsmith’s Olympia, Marga-ret Mitchell’s Remington No. 3 (whichher husband bought secondhand andshe relied on to type Gone With theWind and countless pieces of corre-spondence with fans).
    9. Laptops are ideal forwhen I research and write at the sametime, or when I work on several storiesat once, going back and forth amongwindows. But for everything else, Iseek a departure from my primaryworld. It’s a different type of writing,so I need a different tool.
    10. I have my work cut out for me withHemingway, since he used many type-writers: a gigantic Royal No. 10 desk-top with glass side panels from his earlyKey West days, an Underwood Noise-less that helped him fi nish For Whomthe Bell Tolls and fi le dispatches fromhotel rooms while he was a World WarII correspondent, and black matte Roy-als from the early 1940s—especiallythe Quiet DeLuxe and Arrow—he fa-vored while at Finca Vigía in Cuba.
    11. Deluxe Noiseless on display at MarjorieK innan Rawlings’s screened frontporch at Cross Creek, Florida; Flan-nery O’Connor’s 1930s Royal Stan-dard; Faulkner’s famed UnderwoodUniversal; Hemingway’s 1940 RoyalArrow; and the tiny, folding CoronaNo. 3 favored by both Ernie Pyle andIsak Dinesen.
    12. Beside her on the desk, between acoffee cup and an open book, was her typewriter. Herinstrument.

      Analogizing typewriters with musical instruments.

    1. EquivalentHead3589[S] 0 points1 point2 points 2 hours ago (1 child)Yes to all that! I agree and understand.

      reply to u/EquivalentHead3589 at https://www.reddit.com/r/typewriters/comments/1cbzx1n/how_do_you_price_typewriters/

      The primary difference is that listing prices don't indicate actual value. That is only determined by actual sales price. Things are worse for the listings which don't indicate much about condition as you're probably more likely to need to have the machine serviced and/or replace or recondition parts. This can often add a few hundred dollars (or significant research and time, tools, and elbow grease) to the bottom line to be able to use a machine.

      I do recall a burgundy Olympia SM3 which sold in the last 4 months for right at $300 which was regularly used (loved) and serviced and in excellent condition with some fantastic photos. If you compare it to this Burgundy/Gray machine (https://www.ebay.com/itm/404901285037) for $299, but which has a missing key cap, and a damaged case, and may likely have other hiding issues. If you consider that you'll likely need to put a minimum of another $100 into this to get it up to the fighting shape that the first was in and it's still got damage, you'll start seeing the stark difference. The people with listings at $550-800 know they're not selling and they're just sitting there, so why not email them and ask more specific questions about condition and get a typed typeface sample of all the keys. Then make an offer for $200 +/- with some wiggle room for service costs once you've gotten it to see if they'll sell?

      As an example, look at https://www.ebay.com/itm/226016437104 which is a Gray SM3 originally listed for $549 and now on sale for $428. The seller knows it's not moving. They state that they got it at an estate sale (probably for around $25) and they definitely did no work other than quick check of the keys. If you demonstrate that you've savvy enough to know the specific machine (what shape are the rubber washers on the frame next to the feet to prevent the carriage from rubbing against the frame? how what is the durometer measurement on (how hard is) the platen?), the market (in top shape maybe $300), and what servicing/repair costs are, they'd probably accept an offer of $150-200 and you're off to the races and they've made a solid profit.

      The biggest issue in the typewriter market at present is the broad lack of information and knowledge about them on both the buyer and seller side. If you can demonstrate you've got more knowledge than the other side, you'll be in a far better position to negotiate, otherwise a seller can sit and wait an undetermined amount of time waiting for a sucker who will likely never show up.

    1. Q&A with Typewriter Collector Steve Soboroff by [[American Writers Museum]]

    2. I had this discussion with Tom Hanks, who had the same typewriter repairman as I do, about how he collects for the type of typewriter and I collect for who used them.
    3. They also last so long. Andy Rooney, whose typewriter I have, wrote a piece about his typewriter. He said he had six computers, and they’re obsolete on purpose. He said, “I’ve had one typewriter and I put another ribbon in and it’s good for another 25 years.”
    1. Forrester: No thinking - that comes later. You must write your first draft with your heart. You rewrite with your head. The first key to writing is... to write, not to think!

      https://www.imdb.com/title/tt0181536/quotes

      In this quote from Finding Forrester (Columbia Pictures, 2000) Forrester (portrayed by Sean Connery) turns the idea that writing is thinking on its head.

    1. So, how do you actually transfer a book with a systematic theory into your ZK/Evergreen notes?

      reply to u/judugrovee at https://www.reddit.com/r/Zettelkasten/comments/1cb1s8j/so_how_do_you_actually_transfer_a_book_with_a/

      Others here have written some good advice about the note taking portions, but perhaps some of your issue is with your reading method. To reframe this, I recommend you take a look at How to Read a Book: The Classical Guide to Intelligent Reading (Touchstone, 2011) by Mortimer J. Adler and Charles Van Doren and Adler's earlier article “How to Mark a Book" (Saturday Review of Literature, July 6, 1940. https://www.unz.com/print/SaturdayRev-1940jul06-00011/)

      The careful reader will notice that they recommend a lot of the same sorts of note making and annotation practices as Ahrens does (and by extension Luhmann), though their notes are being written in the margins and in the front and back pages of the book. On the reading front, you may be conflating some of the reading/understanding/learning work with the note taking and sense making portions. If instead, you do a quick inspectional read followed by a read through prior to doing a more analytical read you'll find that you have a stronger understanding of the material conceptually. Some of the material you took expansive notes on before will likely seem basic and not require the sorts of permanent notes you've been making. Your cognitive load will have been lessened and you'll instead spend more productive time making fewer, but more useful permanent notes in the end.

      On the first reads through, reframe your work as coming to a general understanding of what is going on while you're creating a quick-and-dirty personal index of what is interesting in the work. On subsequent focus, you can hone in on the most important pieces of what the author is saying with respect to your own interests and work. It's here that the dovetailing of good reading method and good note making method will shine for you, and importantly help cut down on what may seem like busywork.

      It's not often discussed in some of the ZK space, but reading method can be even more important than note taking method. And at the end of the day, your particular needs and regular practice (practice, and more practice) will eventually help hone your work into something more valuable to you over time. Eventually you'll more quickly rise to the level of what C. Wright Mills called "intellectual craftsmanship" (1952).

    1. https://www.reddit.com/r/typewriters/comments/1caofcz/how_to_get_my_silentsuper_to_not_rotate_to_the/

      Because of aging, the rubber feet of many typewriters can harden thereby reducing their friction against the table on which they sit. As a result, this can cause one's typewriter to "walk" across the table as they type for extended periods necessitating their recentering from time to time. To remedy this, one could use custom made typewriter mats with rubber bottoms to prevent this walking as well as to protect the table underneath. Other options which may also work are either wool or felt pads from fabric stores or from Chinese/Japanese calligraphy stationers. In Japanese these mats are called shitajiki.

    1. reply to u/bastugubbar at https://www.reddit.com/r/typewriters/comments/1ca8nwk/i_for_one_welcome_our_new_taylor_swift_overlords/

      Let's be honest here, the most recent typewriter reference (presumably to that of an ex-boyfriend) is certainly not her first. I'm a modest Swiftie at best (from a trivia perspective), preferring to think of her work as poetry rather than musical pop-culture, so I imagine her more as a quill pen sort of writer, though my notes indicate she does take some of her notes for composition using her cell phone.

      This being said, a few years back she did feature a red Sears Cutlass in All Too Well (10 Minute Version) (Taylor's Version) at the 8:28 mark, which hasn't driven the cost of these through the roof, though I have seen one listed for $1,000 (it unsurprisingly didn't sell for that.) For more here see Robert Messenger at OzTypewriter and Ryan Schocket for Buzzfeed. It's not listed anymore, but this past Christmas, she also had a red typewriter Christmas tree ornament in her online store.

      Those who were privileged to attend the recent Eras Tour (or see it on Disney+) saw groups of typewriters in the background during several songs.

      She's been featuring typewriters for a bit now and it hasn't driven prices through the roof any more than the typewriter renaissance that's been going on for the last few years or so. I suspect that this new round of references isn't going to shift things significantly.

      If she does go full-typewriter, which model(s) do you suspect she'd be using amidst the pantheon of other writers? I'd suggest she may be romantic enough to do a late 40's Smith-Corona Clipper... or perhaps while jet-setting a Skyriter?

      Type on!

    1. “Business Machines.” The Journal of Business Education, September 1, 1930. https://www.tandfonline.com/doi/abs/10.1080/00219444.1930.10771593.

    2. Either system canbe s tart ed with a small li stof captions and be increasedscientifically.

      Scientific principles had bled so thoroughly into both culture and business that even advertising for filing systems in business in the 1930 featured their ability to be used and expanded scientifically.

    3. The Varidex is the name given to onemethod-a direct expanding index made inletter , bill and le gal sizes. In this systemthe general plan of tab positions is similarto the direct alphabetic system. It main-tains the fam iliar sectional arrangementfor guide s, individual and )Jliscellaneousfo ld er s.
    1. Simões, Luciana G., Rita Peyroteo-Stjerna, Grégor Marchand, Carolina Bernhardsson, Amélie Vialet, Darshan Chetty, Erkin Alaçamlı, et al. “Genomic Ancestry and Social Dynamics of the Last Hunter-Gatherers of Atlantic France.” Proceedings of the National Academy of Sciences 121, no. 10 (March 5, 2024): e2310545121. https://doi.org/10.1073/pnas.2310545121.

      saw via article:<br /> Europe's last hunter-gatherers avoided inbreeding by [[Dario Radley]]

    1. https://www.ebay.com/itm/375385572993

      Sold, presumably for $600 on 2024-04-20 with free shipping. This had previously been listed and relisted for 1000 reducing 100 every few weeks until now.

      Taylor Swift effect with her new album drop perhaps?

    1. How much "google-able" information do you have in your vault?

      reply to u/Lauchpferd at https://www.reddit.com/r/ObsidianMD/comments/1c6ydzp/how_much_googleable_information_do_you_have_in/

      This is the wrong question to be asking. If it were useful, then Google has everything already, so why bother? Let them do all the work for you.

      Most note taking methods were evolved to not only aid in sensemaking, but to help people with the exponentially growing "information overload" problem. Sure you can Google many things, but doing so usually provides "facts" and rarely ever actual insight. Thus: discover, collect, index, link, build.

      If you had to search every time to use a thing, you'd lose out most of your effort to the scourge of time when you've probably seen it before and could find it internally among your own collection of millions of things (with greater accuracy as well as reliability of the information you've previously vetted) versus Google's quadrillions of things which would all need to be vetted for relevancy, accuracy, and then placement among the thread of ideas you were attempting to potentially build toward. And once you've found it to place where you need it to make an argument or complete an argument, where will you put it? in your notes? And now you've come full circle.

      Save yourself the time and only do the job once.

      No piece of information is superior to any other. Power lies in having them all on file and then finding the connections. There are always connections; you have only to want to find them. —Umberto Eco

    1. Dreyfuss Henry (Doris) ind designer h500 Columbia SY9-7151 Riana huyeace oe +» « MU2-1500

      address and phone numbers for Henry Dreyfuss, the industrial designer responsible for the The Western Electric model 500 telephone series and the later princess phone.

      South Pasadena City Directory, 1961-1962<br /> by California Directory Publishing Co. https://archive.org/details/csp_000062/page/n21/mode/2up?view=theater