Liebenson, Donald. “Classic Hollywood: Remembering Phyllis Diller (and 52,569 of Her Jokes) at the Smithsonian.” Los Angeles Times, May 12, 2017, sec. Television. https://www.latimes.com/entertainment/tv/la-ca-st-phyllis-diller-smithsonian-20170512-story.html.

While many sources seem to indicate that Phyllis Diller had approximately 52,000 index cards with jokes, the ultimate tally after the completion of transcription for the Smithsonian Institution seems to have been 52,569 cards.

While the Los Angeles times lists this as the number of jokes, it's far more likely to be the number of cards as some cards I've seen have multiple jokes.

quote by Hanna BredenbeckCorp, of Smithsonian on Phyllis Diller's gag file

It took four months for Hanna BredenbeckCorp, a project assistant for the Smithsonian Institution, to scan all of Phyllis Diller's joke cards for subsequent transcription and creation of a searchable digital database.

A statement of the common "one idea per card" (or per note). He doesn't state it, but links to an article whose title is "One Thought Per Note".

Who else has use this or similar phrasing in the historical record? - Beatrice Webb certainly came pretty close. - Others?

Which others? where?

To my knowledge there weren't many (any?) examples floating around in 2019.

Eric Hoffer apparently had a collection of quotes which he kept on index cards in boxes.

Potentially mentioned in one of his biographies. Possibly:<br /> - American Iconoclast: The Life and Times of Eric Hoffer by Tom Shachtman https://www.amazon.com/American-Iconoclast-Life-Times-Hoffer/dp/1933435380<br /> - Eric Hoffer: The Longshoreman Philosopher by Tom Bethell https://www.amazon.com/Eric-Hoffer-Longshoreman-Philosopher-Institution/dp/0817914153

https://www.nerosnotes.co.uk/collections/foglietto

Looks sort of similar to Ugmonk's offerings...

reply to IvanCyb at https://www.reddit.com/r/antinet/comments/1587onp/comment/jt8zbu4/?utm_source=reddit&utm_medium=web2x&context=3 Asking broadly about indexing methods in zettelkasten

When you begin you'll find yourself creating lots of index entries to start, in part because you have none, but you'll find with time that you need to do less and less because index entries already exist for most of what you would add. More importantly most of the entries you might consider duplicating are likely to be very near cards that already have those index entries.

As an example if you have twenty cards on cultural anthropology, the first one will be indexed with "cultural anthropology" to give you a pointer of where to start. Then when you need to add a new card to that section, you'll look up "cultural anthropology" and skim through what you've got to find the closest related card and place it. You likely won't need to create a new index entry for it at all.

But for argument's sake, let's say you intend to do some work at the intersection of "cultural anthropology" and "writing" and this card is also about "writing". Then you might want to add an index entry for "writing" from which you'll branch off in the future. This will tend to keep your index very sparse. As an example you can look at Niklas Luhmann's digitized collection to notice that he spent his career in the area of "sociology" but there are only just a few pointers from his index into his collection under that keyword. If he had tagged every single card related to "sociology" as "sociology" in his index, the index entry for it would have been wholly unusable in just a few months. Broadly speaking his entire zettelkasten is about sociology, so you need to delve a few layers in and see which subtopics, sub-subtopics, sub-sub-subtopics, etc. exist. As you go deeper into specific topics you'll notice that you branch down and out into more specific subareas as you begin to cover all the bases within that topic. If you like, for fun, you can see this happening in my digital zettelkasten on the topic of "zettelkasten" at https://hypothes.is/users/chrisaldrich?q=tag%3A%22zettelkasten%22. The tool only shows the top 50 tags for that subject in the side bar, but you can slowly dig down into subtopics to see what they look like and a bit of how they begin to overlap.

Incidentally, this is one of the problems with those who tag everything with top level topic headings in digital contexts—you do a search for something important and find so much that it becomes a useless task to try to sift through it all. As a result, users need better tools to give them the ability to do more fine-grained searching, filtering, and methods of discovery.

p xxvi

Hutchins closes his preface to his grand project with Mortimer J. Adler by giving pride of place to Adler's Syntopicon.

Adler's Syntopicon isn't just an index compiled into two books which were volumes 2 and 3 of The Great Books of the Western World, it's physically a topically indexed card index of data (a grand zettelkasten surveying Western culture if you will). It's value to readers and users is immeasurable and it stands as a fascinating example of what a well-constructed card index might allow one to do even when they don't have their own yet.

Adler spoke of practicing syntopical reading, but anyone who compiles their own card index (in either analog or digital form) will realize the ultimate value in creating their own syntopical writing or what Robert Hutchins calls participating in "The Great Conversation" across twenty-five centuries of documented human communication.

See also: https://hypothes.is/a/WF4THtUNEe2dZTdlQCbmXw

The way Hutchins presents the idea of "Adler's achievement" here seems to indicate that Hutchins didn't have a direct hand in compiling or working on it directly.

reply to u/ihaveascone at https://www.reddit.com/r/Zettelkasten/comments/14v2ohz/converting_commonplace_books/

Don't convert unless you absolutely need to, it will be a lot of soul-crushing make work. Since some of your practice already looks like Ross Ashby's system, why not just continue what you've been doing all along and start a physical index card-based index for your commonplaces? (As opposed to a more classical Lockian index.) As you browse your commonplaces create index cards for topics you find and write down the associated book/page numbers. Over time you'll more quickly make your commonplace books more valuable while still continuing on as you always have without skipping much a beat or attempting to convert over your entire system. Alternately you could do a paper notebook with a digital index too. I came across https://www.indxd.ink, a digital, web-based index tool for your analog notebooks. Ostensibly allows one to digitally index their paper notebooks (page numbers optional). It emails you weekly text updates, so you've got a back up of your data if the site/service disappears. This could potentially be used by those who have analog commonplace/zettelkasten practices, but want the digital search and some back up of their system.

https://www.flickr.com/photos/hawkexpress/194730263

Hawk Sugano used a Correct Indexcard Dock (C-153DF) box for some of his index card practice.

reply to u/taurusnoises (Bob Doto) at tk

Yep, for almost a full year now on 4x6" index cards. (Receipts for the kids: https://boffosocko.com/wp-content/uploads/2023/07/wp-1688411021709-scaled.jpg)

Previously I'd used a Hobonichi Cousin (page per day) journal for this. (Perhaps I should have stayed with the A6 size instead of the larger A5 for consistency?) Decades ago (around 1988ish?) I had started using a 2 page per day DayTimer pocket planners (essentially pre-printed/timed index cards spiral bound into monthly booklets which they actually shipped in index card-like plastic boxes for storage/archival purposes). Technically I've been doing a version of this for a really long time in one form or another.

It generally includes a schedule, to do lists (bullet journal style), and various fleeting notes/journaling similar to the older Memindex format, just done on larger cards for extra space. I generally either fold them in half for pocket storage for the day or carry about in groups for the coming week(s) when I'm away from my desk for extended periods (also with custom blank index card notebooks/pads).

I won't go into the fact that in the 90's I had a 5,000+ person rolodex... or an index card (in the entertainment they called them buck slips) with the phone numbers and names of \~100 people I dealt with regularly when early brick cell phones didn't have great (or any) storage/functionality.

reply to Bob Doto at https://www.reddit.com/r/Zettelkasten/comments/14lcb4z/using_diaries_and_journals_as_source_material_for/

Ross Ashby kept his notes in notebooks/journals but he did cross-index them by topic using index cards. Rather than reference them by notebook (name/title/date) and page number, he kept a set of handwritten running page numbers across the entirety of his notebooks, so instead of Notebook 15 page 55, 1952 he'd simply write "3786" for page 3786. This can be seen on his index card for the indexed word "determinate" as an example.

For other examples, see: http://www.rossashby.info/journal/index/index.html

My own notebooks are usually titled by year and date spans along with page numbers, so I'll use those roughly as Bob describes. This has made it much easier to not need to move all my older notes into a card-based system, but still make them useable and referenceable.

For those with more explicit journaling, diary, or other writing habits, Ralph Waldo Emmerson makes an interesting example of practice as he maintained at least two commonplace books (a poetry-specific one and a general one) as well as a large set of writing journals where he experimented with writing before later publishing his work. Since there are extant (digitized and published copies) and large bodies of scholarship around them, they make an interesting case study of how his process worked and how others might imitate it.

​

On the diary front, of the historical examples I've seen floating around, only Roland Barthes had a significant practice of keeping his "diary" in index card form, a portion of which was published on October 12, 2010. Mourning Diary is a collection published for the first time from Roland Barthes' 330 index cards focusing on his mourning following the death of his mother in 1977.

Not as extensive, Vladimir Nabokov recorded a "diary" of sixty-four dreams on 118 index cards beginning on October 14, 1964 as an experiment. He was following the instructions of John Dunne, a British philosopher, in An Experiment with Time. The results were published by Princeton University Press in Insomniac Dreams: Experiments with Time by Vladimir Nabokov which was edited by Gennady Barabtarlo.

Presumably if one keeps a diary or journal in index card form in chronological order, they can simply reference it by date and either time or card X of Y, if there are multiple card entries for a single day. I keep a dated diary of sorts on index cards, though they rarely go past one card a day.

Does he really mean anachronistic here? It doesn't seem to suit the context. While he seems to be comparing the time-ordered nature of a journal versus the non-time ordered structure of a zettelkasten, I can't help but read it from the alternate, and more common (and also pejorative) perspective. Seems odd to call it out specifically as it's not an issue with respect to any other of the more commonly used sources (books, journal articles, magazines, newspapers.)

Might have been better to use anachronistic to modify zettel rather than zettelkasten which is a collective noun--that's the dissonance here for me.

Compare those, like Roland Barthes, who used a slip box as a diary, which would have been chronological. I've also got a chronological section of my slip box.

It's been a while since this was asked, but in case folks stumbling across it are interested, there are a few useful examples and resources: - Original Pile of Index Cards set up: https://www.flickr.com/photos/hawkexpress/albums/72157594200490122/ (Be sure to click on some of the example card photos which have descriptions of set up/use.) - 43 tabs: https://web.archive.org/web/20110714192833/http://pileofindexcards.org/wiki/index.php?title=43Tabs_System - Lifehacker Article: https://lifehacker.com/the-pile-of-index-cards-system-efficiently-organizes-ta-1599093089 - Uncluterer: https://web.archive.org/web/20140708133632/http://unclutterer.com/2014/06/17/the-pile-of-index-cards-poic-system/ - Some historical systems (esp. Memindex which preceded the PoIC): https://boffosocko.com/2023/03/09/the-memindex-method-an-early-precursor-of-the-memex-hipster-pda-43-folders-gtd-basb-and-bullet-journal-systems/

Amazon has badge holder trays/organizers that can be used similarly to index card bleachers.

Try: https://www.amazon.com/s?k=Badge+holder+organizer&crid=10DA7CASQVMB4&sprefix=badge+holder+organizer

https://m.tb.cn/h.5Z13g30?tk=KLGsdsMqWwm

Suggested by u/khimtan at https://www.reddit.com/r/antinet/comments/14mx0gx/card_holder_tray_now_i_can_view_around_35_cards/

The author goes into the correlation between categorization (branching) and the use of the index and the focus on them respectively. He mentions he "learned" that branching would be more beneficial than the using of the index to make finding the cards easier.

I strongly disagree with this focus. I agree with the "relational" principle of put the card between the one that has the closest proximital conceptual relation. The Zettelkasten's power relies in serendipitous creativity (or creativity/insight by chance), this is facilitated highly by the use of connectivity between cards, where each card as you go down the "hierarchy" of "branches" will be more unrelated to the original topic. (See also Luhmann's paper Communication with Zettelkasten, Manfred Kuehn Translation and Johannes F.K. Schmidt's article on Zettelkasten within Forgetting Machines, as well as his video presentation about Zettelkasten). In short, the friction of searching for cards by following trains of thought through connectivity boosters insight by chance and therefore facilitates the power of the system.

This is also, I believe, why Bob Doto argues to let categories emerge after the creation of notes/streams of thought instead of making the names for the "branches" up front.

I believe Luhmann himself also emphasized the use of the index by calling it a system of "query into the database," the index is the main navigational map for the Zettelkasten. If you have a question for your "communication partner" the index is the way to go. For example, if I wanted to know the impact of cognitive load theory within employee management as a CEO, I would go to my index and collect the entrances for both "branches" or terms, and then start reading these thought streams... Afterward, I might synthesize and create a new branch somewhere, in one of the aforementioned categories, or an entire new one, where I put the results of this questioning.

My own system of numbering and branching in this way is the following: A number signifies a note's position within a stream of thought. I branch off if, following the relational principle, a note adds unto a thought on a specific card, but not the stream specifically. This gets signified by a letter.

So, 1a1, 1a2, 1a3, and 1a4 are all part of the same stream while 1a, 1b, and 1c would all be different "branches" stemming from the original card that would be 1 in this case. This can repeat infinitely, therefore facilitating what Luhmann calls "Infinite potential for inward growth" of the system. It's autopoietic and cybernetic. (See also: The Radical Luhmann by Hans-Georg Moeller).

Something that can benefit the finding of notes once the system grows sufficiently large is the use of "structure" or "hub" cards where you put down a few key entrances to concepts related to this stream of thought or "branch" in remote sections of the Zettelkasten.

Most older card indexes are common enough, but I thought I'd tip off anyone who is all in on 5x8" index cards and may be looking for a permanent home for their growing collection that there's a reasonably rare, but lovely looking Yawman & Erbe card catalog for sale right now.

Syndication link: https://www.reddit.com/r/antinet/comments/14jlk69/beautiful_18_drawer_yawman_erbe_card_catalog/

via Joan Rivers: A Piece of Work.(Break Thru Films/IFC, 2010)

National Comedy Center Becomes Home to Joan Rivers’ Career Archive<br /> by National Comedy Center

The NY Times blew her obituary date of 2014 when they published material based on this press release.

Joan Rivers card index of jokes comprised 65,000 cards spanning the start of her career in the 1950s to 2014, when she passed away.

https://www.imdb.com/title/tt1568150/

Based on having watched the documentary Joan Rivers: A Piece of Work and the depictions of Rivers' card index in the film and using her hands and a lateral file for scale, her cards seem to have been 3 x 5" index cards.

cross reference: https://hypothes.is/a/RvLTZjCQEe2uuaNwpTBNuA

Zinoman, Jason. “A ‘Crown Jewel of Comedy’: The Joan Rivers Card Catalog of Jokes Finds a Home.” The New York Times, June 8, 2023, sec. Arts. https://www.nytimes.com/2023/06/08/arts/television/joan-rivers-archive.html.

standing in front of her card index for comedy, built into a wall of other files.

In the documentary Joan Rivers: A Piece of Work, she explains how she kept and filed records of her jokes.

Example typewritten jokes from Joan Rivers' card index of comedy:

Joan Rivers card index of jokes is categorized by topical headings like "Parents hated me", "Las Vegas", and "No sex appeal". The largest subject category in her collection was "Tramp" with 1,756 jokes.

quote by Journey Gunderson, the executive director of the National Comedy Center

Ignoring Bob Hope's collection or possibly that by Sid Caesar.

Joan Rivers card index of jokes spans material covering the 1950s to 2015.

To avoid the Raiders of the Lost Ark problem, Melissa Rivers donated her mother's joke collection to the National Comedy Center so it would be on display and accessible. The New York-based museum is also home to the archives of George Carlin and Carl Reiner.

Joan Rivers' card catalog of ~65,000 cross referenced jokes will be housed at the National Comedy Center, a museum in Jamestown, NY.

At 9¢/card these are very expensive in comparison to bulk cards which usually can be found for 1-2¢/card. The difference however is in the luxuriousness of the silky smooth texture. Whether you're writing with your favorite fountain pen or a carefully chosen pencil. I don't know if these are the same brand of Bristol cards that Vladimir Nabokov used for his writing, but one could easily image him using such lovely material.

These provide a very smooth writing experience for fountain pens, gel pens and pencils. I particularly love the way my Tennessee Reds and Blackwing 602s glide over their surface. In comparison to some Japanese stationery, I'd put these cards somewhere between tsuru tsuru (slippery) and sara sara (smooth). If you're looking for a toothier paper, you'll definitely want to look elsewhere. They take fountain pens pretty well with no feathering or ghosting. My juiciest fountain pen dries in about 15 seconds, while a drier extra fine is dry in about 7 seconds, so it may take some care not to smear ink if you're on the messier end of the spectrum.

Pencil erases reasonably well, though there may be some minimal residual ghosting here. At 205 gsm, they've got a satisfying thickness unseen in most index cards and one is unlikely to rip or crinkle them when erasing. They're also thick enough that the wettest Sharpie won't bleed much less ghost through. You have to hold a card up to a backlight to see the appearance of any ghosting through it and even then, not well.

For the sticklers used to using standard 4 x 6" index cards, one should take note that the dimensions of these are slightly shorter in both dimensions—they're closer to 3.94" x 5.91". This means that you might have to take some care that while flipping through mixed company of cards your Exacompta can potentially hide between larger imperial sized cards. They're also close to, but not quite A6 in size either (105 x 148.5 mm or 4.1 x 5.8 inches).

https://www.bulkofficesupply.com/

Vladimir Nabokov recorded sixty-four dreams on 118 index cards beginning on October 14, 1964 as an experiment. He was following the instructions of John Dunne, a British philosopher, in An Experiment with Time. The results were published by Princeton University Press in Insomniac Dreams: Experiments with Time by Vladimir Nabokov which was edited by Gennady Barabtarlo.

Zettelkasten Lesson Plan Intro

Not much here beyond his longer article, though it does have a sample format for zettel which can be useful for those starting out.

Santalucia, Nick. “The Zettelkasten in the Secondary Classroom.” Blog, July 6, 2021. https://www.nicksantalucia.com/blog/the-zettelkasten-in-the-secondary-classroom-k12.

Card Grip. (Right and Left). Hold cards firmly against the platen.

p 5

reply to u/enabeh at https://www.reddit.com/r/Zettelkasten/comments/13s6dsg/comment/jluovm9/?utm_source=reddit&utm_medium=web2x&context=3

If you're curious, I've been collecting examples of teachers/professors who used their zettelkasten for teaching: https://hypothes.is/users/chrisaldrich?q=tag%3A%27card+index+for+teaching%27 Examples include Mario Bunge, Frederic L. Paxson, Gotthard Deutsch, Roland Barthes, and Joachim Jungius. In more recent contexts, I've seen Dan Allosso (aka u/danallosso), Mark Robertson (aka calhistorian u/calhistorian), and Sean Graham (https://electricarchaeology.ca/) using zettelkasten or linked notes using Obsidian, Roam, etc. for teaching. Perhaps we should get the group together to trade stories? Ping me with an email if you're interested.

https://www.youtube.com/watch?v=dU7efgGEOgk

I wish he'd gotten into more of the detail of the research and index card making here as that's where most of the work lies. He does show some of his process of laying out and organizing the cards into some sort of sections using 1/3 cut tabbed cards. This is where his system diverges wildly from Luhmann's. He's now got to go through all the cards and do some additional re-reading and organizational work to put them into some sort of order. Luhmann did this as he went linking ideas and organizing them up front. This upfront work makes the back side of laying things out and writing/editing so much easier. It likely also makes one more creative as one is regularly revisiting ideas, juxtaposing them, and potentially generating new ones along the way rather than waiting until the organization stage to have some of this new material "fall out".

https://www.levenger.com/collections/pocket-briefcases/products/bomber-jacket-international-pocket-briefcase?variant=42485604778133#

Levenger sells a line of various "pocket briefcases" which include space for 3 x 5" index card "ticklers" which are similar in form to the old Memindex.

A 9 x 5" card that folds in three to make a 3 x 5" card for planning out one's entire week.

This is quite clever with respect the space of cards like Analog and 3x5 Life.

via: Didier Eribon, Conversations with Claude Lévi-Strauss (Chicago: University of Chicago Press, 1991), vii–viii; Claude Lévi-Strauss, Structural Anthropology (New York: Basic Books, 1963), 129f.

source apparently from: “Apparition de la fiche et constitution des sciences humaines: encore une invention que les historiens célèbrent peu.” Michel Foucault, Surveillir et punir. Naissance de la prison (Paris: Gallimard, 1975), 287, referring to A. Bonneville, De la recidive (Paris, 1844), 92–93.

How can Linnaeus (1707-1778) be said to have invented the card index or the index card when there are systems that predate him including Vincent Placcius and Leibnitz?

Linnaeus' version were all of a standard size at least. Would this have been a shift in the definition or did others have and recommend "cards of equal size" before this?

The 1993 game Myst, available on CD-ROM, had a card index like format.

Krapp, Peter. “Paper Slips: The Long Reign of the Index Card and Card Catalog.” In The Routledge Companion to Media Technology and Obsolescence, edited by Mark J. P. Wolf. Routledge, 2019.

via: https://www.3x5life.com/collections/frontpage/products/3x5-life-system-with-mini-course

They apparently offer a mini course outlining the system.

One wonders how much "why" they offer?

https://www.3x5life.com/

Compare with other products in this category: - Analog (Jeff Sheldon productivity system) - Memindex - Bullet Journal - Frictionless Capture Cards - Pile of Index Cards

Frictionless Tools' Capture Cards were custom 3 x 5" index cards, printed in vertical orientation with a square grid pattern on most of the card. The top was usually split in half between equal grey and red rectangles for titles/dates/headings and a slightly thinner single long rectangle as a footer at the bottom.

Patrick Rhone indicates on 2018-01-24 that they had quit manufacturing them by that date.

https://aboard.com/

In beta May 2023, via:

All right. @Aboard is in Beta. @richziade and I are to blame, and everyone else deserves true credit. Here's an animated GIF that explains the entire product. Check out https://t.co/i9RXiJLvyA, sign up, and we're waving in tons of folks every day. pic.twitter.com/7WS1OPgsHV

— Paul Ford (@ftrain) May 17, 2023

Has your prior system not been working for you? What do you want to gain from making the change? What list are you looking at that you don't see a category? Isn't the category "writing", "fiction writing", "nonfiction writing", etc.?

Following a pattern seen in many modern wooden recipe card boxes to hold the current recipe one is working on, Jeff Sheldon has cut a long thin slot into his card holder to allow one to stand up today's card in the front as a means of displaying and featuring what needs to get done.

https://www.kickstarter.com/projects/ugmonk/analog-the-simplest-productivity-system

Jeff Sheldon's Analog productivity system is a physical product consisting of a wooden tray, metal divider, 3 x 5" custom printed index cards (and refills), a felt carrier, and other accessories which functions as a minimalistic version of the old Memindex.

Overall measurements for Steelmaster Index Card file for 4 x 6" index cards are 16” deep x 12.25” wide x 5.25” tall.

https://www.ebay.com/itm/125930697280

Mark Dykeman indicates that at regular work, he fills up a 180 page notebook and at the relatively steep cost of notebooks, he's paying $1-2 a day for paper.

This naturally brings up the idea of what it might cost per day in index cards for some zettlers' practices. I've already got some notes on price of storage...

As a rough calculation, despite most of my note taking being done digitally, I'm going through a pack of 500 Oxford cards at $12.87 every 5 months at my current pace. This is $0.02574 per card and 5 months is roughly 150 days. My current card cost per day is: $0.02574/card * 500 cards / (150 days) = $12.78/150 days = $0.0858 per day which is far better than $2/day.

Though if I had an all-physical card habit, I would be using quite a bit more.

On July 3, 2022 I was at 10,099 annotations and today May 11, 2023 I'm at 15,259 annotations. At one annotation per card that's 5,160 cards in the span of 312 days giving me a cost of $0.02574/card * 5,160 cards / 312 days = $0.421 per day or an average of $153.75 per year averaging 6,036 cards per year.

(Note that this doesn't also include the average of three physical cards a day I'm using in addition, so the total would be slightly higher.)

Index cards are thus, quite a bit cheaper a habit than fine stationery notebooks.

reply for Fidel at https://forum.eastgate.com/t/tinderbox-meetup-sunday-may-7-2023-video-connect-with-sonke-ahrens-live-the-author-of-how-to-take-smart-notes/6659

@fidel (I'm presuming you're the same one from the meetup on Sunday, if not perhaps someone might tag the appropriate person?), I was thinking a bit more on your question of using physical index cards for writing fiction. You might find the examples of both Vladimir Nabokov and Dustin Lance Black, a screenwriter, useful as they both use index card-based workflows.

Vladimir Nabokov died in 1977 leaving an unfinished manuscript in note card form for the novel The Original of Laura . Penguin later published the incomplete novel with in 2012 with the subtitle A Novel in Fragments . Unlike most manuscripts written or typewritten on larger paper, this one came in the form of 138 index cards. Penguin's published version recreated these cards in full-color reproductions including the smudges, scribbles, scrawlings, strikeouts, and annotations in English, French, and Russian. Perforated, one could tear the cards out of the book and reorganize in any way they saw fit or even potentially add their own cards to finish the novel that Nabokov couldn't. Taking a look at this might give you some ideas of how Nabokov worked and how you might adapt the style for yourself. Another interesting resource is this article with some photos/links about his method with respect to writing Lolita: https://www.openculture.com/2014/02/the-notecards-on-which-vladimir-nabokov-wrote-lolita.html

You might also find some useful tidbits on his writing process (Bristol cards/Exacompta anyone?) in: Gold, Herbert. “Vladimir Nabokov, The Art of Fiction No. 40.” The Paris Review, 1967. https://www.theparisreview.org/interviews/4310/the-art-of-fiction-no-40-vladimir-nabokov.

Carl Mydans photographed Nabokov while writing in September 1958 and some of those may be interesting to you as well.

Dustin Lance Black outlines his index card process in this video on YouTube: https://www.youtube.com/watch?v=vrvawtrRxsw

If you dig around you'll also find Michael Ende and a variety of other German fiction writers who used index cards on the Zettelkasten page on Wikipedia, but I suspect most of the material on their processes are written in German.

Index cards for fiction writing may allow some writers some useful affordances/benefits. By using small atomic pieces on note cards, one can be far more focused on the idea and words immediately at hand. It's also far easier in a creative and editorial process to move pieces around experimentally.

Similarly, when facing Hemmingway's "White Bull", the size and space of an index card is fall smaller. This may have the effect that Twitter's short status updates have for writers who aren't faced with the seemingly insurmountable burden of writing a long blog post or essay in other software. They can write 280 characters and stop. Of if they feel motivated, they can continue on by adding to the prior parts of a growing thread.

However, if you can, try to use a card catalog drawer with a rod so that you don't spill all of your well-ordered cards the way the character in Robert M. Pirsig's novel Lila (1991) did.

Alternate angle at http://images.google.com/hosted/life/81b7b3f24bbe1b3a.html

Note taking can also be done to create a database (a la Beatrice Webb's scientific note taking).

Circling back around to this after a mention by Tim Bushell at Dan Allosso's Book Club this morning. Nicole van der Hoeven has been using it for a while now and has several videos.

Though called Napkin, which conjures the idea of (wastebook) notes scribbled on a napkin, is a card-based UI which has both manual and AI generated tags in a constellation-like UI. It allows creating "stacks" of notes which are savable and archivable in an outline-esque form (though the outline doesn't appear collapsible) as a means of composition.

It's got a lot of web clipper tooling for saving and some dovetails for bringing in material from Readwise, but doesn't have great data export (JSON, CSV) at the moment. (Not great here means that one probably needs to do some reasonably heavy lifting to do the back and forth with other tools and may require programming skills.)

At present, it looks like just another tool in the space but could be richer with better data dovetailing with other services.

https://www.instagram.com/dailynotecard/

Someone posting photos of an index-card based commonplace book on Instagram.

@Ddanielson @brad We have lots of fountain pen reviewers online🖋️. How can we normalize more/better index card reviews? Maybe even sommelier-style reviews that pair fountain pens with index cards: "You might appreciate this Stockroom Plus gridded card paired with your Montblanc Meisterstück" or "Roland Barthes would have gushed over these green Bristol cards with the TWSBI Diamond in Prussian Blue for his fichier vert." Also who's making Tomoe River paper in card stock thickness?!?

Incidentally, index cards + bullet journal = Memindex might be your sort of rabbit hole @hjertnes?

reply to rogerscrafford at tk

Fine furniture comes at a fine price. 🗃️🤩 I suspect that it won't sell for quite a while and one could potentially make an offer at a fraction of that to take it off their hands. It might bear considering that if one had a practice large enough to fill half or more, then that price probably wouldn't seem too steep for the long term security and value of the contents.

On a price per card of storage for some of the cheaper cardboard or metal boxes you're going to pay about $0.02-0.03 per card, but you'd need about 14 of those to equal this and those aren't always easy to stack and access regularly. With this, even at the full $1,900, you're looking at storage costs of $0.10/card, but you've got a lot more ease of use which will save you a lot of time and headache as more than adequate compensation, particularly if you're regularly using the approximately 20,400 index cards it would hold. Not everyone has the same esthetic, but I suspect that most would find that this will look a lot nicer in your office than 14 cheap cardboard boxes. That many index cards even at discount rates are going to cost you about $825 just in cards much less beautiful, convenient, and highly usable storage.

Even for some of the more prolific zettelkasten users, this sort of storage is about 20 years of use and if you compare it with $96/year for Notion or $130/year for Evernote, you're probably on par for cost either way, but at least with the wooden option, you don't have to worry about your note storage provider going out of business a few years down the line. Even if you go the "free" Obsidian route, with computers/storage/backups over time, you're probably not going to come out ahead in the long run. It's not all apples to apples comparison and there are differences in some of the affordances, but on balance and put into some perspective, it's probably not the steep investment it may seem.

And as an added bonus, while you're slowly filling up drawers, as a writer you might appreciate the slowly decreasing wine/whiskey bottle storage over time? A 5 x 8 drawer ought to fit three bottles of wine or as many fifths of Scotch. It'll definitely accommodate a couple of magnums of Jack Daniels. 🥃🍸🍷My experience also tells me that an old fashioned glass can make a convenient following block in card index boxes.

Early library card catalogs used cards that were 2 x 5" cards, the Harvard College size, before the standardization of 3 x 5" index cards.

Memindex, Inc. of Rochester, NY manufactured a plastic "Phonedex" in the mid-20th century. It was made of Dow Chemical Styrene and sat underneath a standard rotary dial telephone and contained index cards with one's lists of phone numbers on them.

The classification is anything but indifferent. The manner of shelving the books is meant to impart certain suggestions to the reader, who, looking on the shelves for one book, is attracted by the kindred ones next to it, glances at the sections above and below, and finds himself involved in a new trend of thought which may lend to additional interests to the one he was pursuing.<br /> —Claudia Wedepohl on the design of Warburg's library, [00:44:19] in Aby Warburg: Metamorphosis and Memory

Provides a similar sort of description of the push towards serendipity and discovery found in one's zettelkasten as well as that in Melvil Dewey's library classification and arrangements.

reply to Sara Martínez at https://www.youtube.com/watch?v=wQPvrcksjUA&lc=UgzbdJ1cdxkjnN0DBOl4AaABAg

Sara, here are some creative/art-related examples that might help:<br /> Dancer/Choreographer Twyla Tharp used a slightly modified slip box method that included much more than notes on cards for her dance-related work. She describes the process well in chapter 6 of her book "The Creative Habit: Learn It and Use It for Life".

If you're into art and image-based work, Aby Warburg had a zettelkasten with images. Search for details on his "Mnemosyne Atlas" at The Warburg Institute at the School of Advanced Study University of London which has some material you may appreciate.

Product designer khimtan has a visual zettelkasten practice you can find examples of on Reddit in the "Antinet" sub.

A variety of comedians like Phyllis Diller, Joan Rivers, Bob Hope, and George Carlin had zettelkasten practices for their comedy work.

Eminem has a fantastic, but tremendously simple zettelkasten for songwriting. Taylor Swift has a somewhat similar digital version which she has talked about using, though she doesn't use the word zettelkasten to describe it.

syndication link

https://www.ebay.com/itm/115289895806

https://youtu.be/UTtDb73NkNM?t=49

CBS has a card index with an index card indicating that Morley Safer brought an Olivetti typewriter to the office.

Whose card index was this? What other purpose did it serve?

Luhmann mentions that he only wrote on one side so that he didn't need to physically remove notes from the box when searching it. There is a level of lost productivity if one needs to physically remove a card to read it and then replace it; this lost productivity is magnified if one uses their slip box regularly over the span of many years.

Luhmann indicates that there are different methods for keeping note collections and specifically mentions categorizing things by topics first. It's only after this that he mentions his own "open" system as being a possible or successful one.

https://www.3m.co.uk/3M/en_GB/post-it-notes/ideas/articles/make-the-leap-from-to-do-to-done-with-the-scrum-methodology/

"The Scrum method" described here, similar to the Kanban method, the Memindex method, tickler systems, or other card index as productivity systems, seems to be a productized name for selling Post-it Notes.

Scrum method consists of a project broken down into "story" rows with "to do" items in columns which progress along to "in process", "to verify", and finally "done".

Other productized names (particular to the note taking space): Antinet zettelkasten, Linking Your Thinking, Second Brain, etc.

Perhaps of interest here, would not be a specific OER text, but an OER zettelkasten or card index that indexes a variety of potential public domain or open resources, articles, pieces, primary documents, or other short readings which could then be aggregated and tagged to allow for a teacher or student to create their own personalized OER text for a particular area of work.

If done well, a professor might then pick and choose from a wide variety of resources to build their own reader to highlight or supplement the material they're teaching. This could allow a wider variety of thinking and interlinking of ideas. With such a regiment, teachers are less likely to become bored with their material and might help to actively create new ideas and research lines as they teach.

Students could then be tasked with and guided to creating a level of cohesiveness to their readings as they progress rather than being served up a pre-prepared meal with a layer of preconceived notions and frameworks imposed upon the text by a single voice.

This could encourage students to develop their own voices as well as to look at materials more critically as they proceed rather than being spoon fed calcified ideas.

Basic statistics regarding the TLL: - ancient Latin vocabulary words: ca. 55,000 words - 10,000,000 slips - ca. 6,500 boxes - ca. 1,500 slips per box - library 32,000 volumes - contributors: 375 scholars from 20 different countries - 12 Indo-European specalists - 8 Romance specialists - 100 proof-readers - ca. 44,000 words published - published content: 70% of the entire vocabulary - print run: 1,350 - Publisher: consortium of 35 academies from 27 countries on 5 continents

Longest remaining words: - non / 37 boxes of ca 55,500 slips - qui, quae, quod / 65 boxes of ca. 96,000 slips - sum, esse, fui / 54.5 boxes of ca. 81,750 slips - ut / 35 boxes of ca 52,500 slips

Note that some of these words have individual zettelkasten for themselves approaching the size of some of the largest personal collections we know about!

[18:51]

Based on the history and usage of horreum here in this first episode of the Thesaurus Linguae Latinae podcast, a project featuring a 10+ million slip zettelkasten at its core, I can't help but think that not only is the word ever so apropos for an introduction, but it does quite make an excellent word for translating the idea of card index in English or Zettelkasten from German into Latin.

My horreum is a storehouse for my thoughts and ideas which nourishes my desire to discover and build upon my knowledge.

This seems to be just the sort of thing that Jeremy Cherfas might appreciate on multiple levels.

https://mcdn.podbean.com/mf/download/nxm28u/Horreum.mp3

Project: Thesaurus linguae Latinae<br /> from Bayerische Akademie der Wissenschaften

The Chicago Demotic Dictionary compiled by the Oriental Institute at the University of Chicago was facilitated by computers compared with the Chicago Assyrian Dictionary which relied on index cards.

The Wörterbuch der ägyptischen Sprache was an international collaborative zettelkasten project begun in 1897 and finally published as five volumes in 1926.

https://en.wikipedia.org/wiki/W%C3%B6rterbuch_der_%C3%A4gyptischen_Sprache

Google translation:

The sheer quantity exceeds the possibilities of book publication, the complex, multidimensional structure of a networked information base cannot be reproduced in print, and finally the dynamic of a constantly growing and constantly correcting material does not fit into the rigid rhythm of book production, in which each expanded and corrected new edition is associated with an incalculable amount of effort. A book publication could only offer a snapshot of such a database, reduced to a specific perspective. This too can be very useful from time to time, but it does not solve the problem of publishing the entire material.

While the writing criticism of "dumping out one's zettelkasten" into a paper, journal article, chapter, book, etc. has been reasonably frequent in the 20th century, often as a means of attempting to create a linear book-bound context in a local neighborhood of ideas, are there other more complex networks of ideas which we're not communicating because they don't neatly fit into linear narrative forms? Is it possible that there is a non-linear form(s) based on network theory in which more complex ideas ought to better be embedded for understanding?

Some of Niklas Luhmann's writing may show some of this complexity and local or even regional circularity, but perhaps it's a necessary means of communication to get these ideas across as they can't be placed into linear forms.

One can analogize this to Lie groups and algebras in which our reading and thinking experiences are limited only to local regions which appear on smaller scales to be Euclidean, when, in fact, looking at larger portions of the region become dramatically non-Euclidean. How are we to appropriately relate these more complex ideas?

What are the second and third order effects of this phenomenon?

An example of this sort of non-linear examination can be seen in attempting to translate the complexity inherent in the Wb (Wörterbuch der ägyptischen Sprache) into a simple, linear dictionary of the Egyptian language. While the simplicity can be handy on one level, the complexity of transforming the entirety of the complexity of the network of potential meanings is tremendously difficult.

Once made, the initial note excerpts were copied 40 times using a lithography process. Then each word in the original slip was underlined in red on respective copies to be filed away alphabetically. At the top right corner of each slip was written down the phonetic sound of the rubricated word's Egyptian transcription. Within the collection certain special words were also separated for the names of people, kings, gods, and places to allow for additional study.

Talk about a problem of multiple storage!!

u/zleonska in discussing their paper notebook commonplace practice reports that finding their material within multiple notebooks isn't difficult but that, like W. Ross Ashby, they use index cards to index their commonplaces.

Stroebe, Lilian L. “Die Stellung Des Mittelhochdeutschen Im College-Lehrplan.” Monatshefte Für Deutsche Sprache Und Pädagogik, 1924, 27–36. https://www.jstor.org/stable/44327729

The place of Middle High German in the college curriculum<br /> Lilian L. Stroebe<br /> Monthly magazines for German language and pedagogy (1924), pp. 27-36

... of course to the reading material. Especially in the field of etymology it is easy to stimulate the pupils' independence. For years I have had each of my students create an etymological card dictionary with good success, and I see that at the end of the course they have this card box ...

Wigent, William David, Burton David William Housel, and Edward Harry Gilman. Modern Filing and How to File: A Textbook on Office System. Rochester, N.Y.: Yawman & Erbe Mfg. Co., 1916. http://archive.org/details/modernfilingate02compgoog.

Original .pdf converted with docdrop.org for OCR annotation on 2023-03-24.

annotation target: urn:x-pdf:3c1f14d64c91cf4b513efa16df4ed90d

Annotations: https://hypothes.is/users/chrisaldrich?q=url%3Aurn%3Ax-pdf%3A3c1f14d64c91cf4b513efa16df4ed90d

Wigent, William David, Burton David William Housel, and Edward Harry Gilman. Modern Filing and How to File: A Textbook on Office System. Rochester, N.Y.: Yawman & Erbe Mfg. Co., 1916. http://archive.org/details/modernfilingate02compgoog.

Shaw-Walker. Flexowriter File-Desks. Accessed March 24, 2023. http://archive.org/details/TNM_Flexowriter_File-Desks_-_Shaw-Walker_20171021_0001.

An interesting in-desk filing system for punched cards. Interesting I've not seen anything like this prior for a mini card index maintained in an office desk drawer.

Perhaps such a system wouldn't have been as easily accessible for use on a daily basis versus potentially more portable small systems that could have been transferred from desk to desk (person to person).

Seems like from a historical perspective hierarchical databases were more prevalent in the 1960s and relational databases didn't exist until the 1970s. (check references for this historically)

Of course one must consider that within a card index or zettelkasten the ideas of both could have co-existed in essence even if they weren't named as such. Some of the business use cases as early as 1903 (earlier?) would have shown the idea of multiple storage and relational database usage. Beatrice Webb's usage of her notes in a database-like way may have indicated this as well.

The researchers at the Niklas Luhmann-Archive studying Niklas Luhmann's Zettelkasten consider that "the collection can be understood as an intellectual autobiography" (translation mine) even though his slips were generally undated.

https://twitter.com/raulpacheco/status/1068651482331979776

https://www.pikeschool.org/uploaded/Library/Files/takingnotesusingnotecards.pdf

found via:

Here are a few links to resources (in PDF format) to different models, strategies and techniques to take notes in index cards: https://t.co/tIVaeRA5nS and https://t.co/1CLkiyekzq

— Dr Raul Pacheco-Vega (@raulpacheco) November 26, 2018

Pacheco-Vega stores his card with plastic tabs labeled by the references rather than by keyword or topic.

He does recommend consistency in filing though.

Interesting to see a passing mention of Hawk Sugano's Pile of Index Cards here in a note taking context rather than a productivity one.

Professor Raul Pacheco-Vega calls his note taking process the "Index Cards Method" and only subtly differentiates it from Niklas Luhmann's zettelkasten method.

Since Luhmann’s system of the slip box is well-known, Ahrens’ valuable contribution lies less in providing an innovative technique of note-taking and the organization of academic writing, but more in reflecting critically on the very nature of writing as a medium of knowledge generation.

I think that by saying "Luhmann's system of the slip box is well-known", Stephanie Schiller is not talking about his specific box or his specific method, but the broader rhetorical method of the ars excerpendi and note taking in general. There isn't a whole lot of evidence to indicate that, except for a small segment of sociologists who may have know his work, that Luhmann's slip box was specifically well known at all up to the point of Ahrens' book.

https://www.ebay.com/itm/115727768658

The Shaw=Walker Card Systems catalogue from circa 1899.

I love the fact that the image for "Research & History" here is a six drawer card index!

http://www.shopbrodart.com/Library-School-Furniture/Adult-and-Teen-Furniture/Computer-Furniture/Card-Catalog-Trays-and-Cabinets/_/Brodart-Wood-Charging-Trays2/

Brodart Full-Length Single Charging Tray<br /> Full- length charging tray with 1,000-card capacity<br /> Price: $96.32

• Adjustable steel follower block with automatic lock
• Felt pads on tray bottom protect desktop
• Full-length charging tray for countertop use
• 4"H x 4"W x 16"D
• Holds 1,000 5"H x 3"W cards
• Includes antimicrobial finish
• Made in the USA

See also: https://hypothes.is/a/ao89RMQmEe2zIvsu3lf6kw for a smaller version

http://www.shopbrodart.com/Library-School-Furniture/Adult-and-Teen-Furniture/Computer-Furniture/Card-Catalog-Trays-and-Cabinets/_/Brodart-Wood-Charging-Trays/?q=tray&s=MToyNTY6NDo6Ojo6OjA6

Brodart Mini Single Charging Tray Mini single charging tray with 600-card capacity More Info Price: $76.76

• Adjustable steel follower block with automatic lock
• Felt pads on tray bottom protect desktop
• Mini charging tray fits on your lap
• 4"H x 4"W x 8"D
• Holds 600 5"H x 3"W cards
• Includes antimicrobial finish
• Made in the USA

This could be used for a modern day Memindex box for portrait oriented 3 x 5" index cards.

The Great Vaccinator

https://waaa.wnyc.org/radiolab_podcast/radiolab_podcast20greatvaccinator.mp3/radiolab_podcast20greatvaccinator.mp3_ywr3ahjkcgo_7d3105f4ceea640a7c9df376fa60ffce_43057055.mp3?hash_redirect=1&x-total-bytes=43057055&x-ais-classified=streaming&listeningSessionID=0CD_382_72__176a88639f0d9f459a1123b260a07f59e7746372

Listened to on 2023-03-11

Much like Richard Feynman kept a list of his 12 favorite problems, Maurice Hilleman kept a running list of diseases for which he was working on developing vaccines to remedy.

Seen in a Hoskins business equipment advertisement in Business magazine (1903) for card index:

YOUR BUSINESS AT YOUR FINGER ENDS

Close to the phrase "at your finger tips". Would it have appeared before or after this?

Business: The Magazine for Office, Store and Factory. Vol. 16. Business Man’s Publishing Company, 1903. https://www.google.com/books/edition/Business/QKaxezfHjL0C?hl=en&gbpv=0.

General instructions for using a Memindex

HOW IT IS USED <br /> Things to be done today, jot on face card. Things to be done tomorrow or next Friday, jot on card for that day. Things to keep before you until done, jot on opposite front card. A matter for January 10th jot on a short card put under the band till you return to your desk, then file next to card for January 10th when it will come out and refresh your memory.

Things to be done when in New York or Chicago jot on card "N" or "C." The new address of Mr. Jones, under "J." Ideas on advertising jot on card tabbed "adv." Things for your clerk to do, on his card , etc., etc. Retire today's card tonight, carrying forward things not completed and put next card in the file in has proved that almost back of pocket case. The alphabet enables one to index all jottings for instant reference. This system is very comprehensive yet perfectly simple. You soon the learn to depend on it every hour of every day.

Within the general instructions in a 1904 Memindex advertisement (next to an ad for "Genuine Edison Incandescent Lamps") we see the general ideas of indexing things into the future and carrying undone tasks forward, just as is done in the bullet journal method.

Geyers Stationer. “Memindex Advertisement.” Geyer’s Stationer: Devoted to the Interests of the Stationery, Fancy Goods and Notion Trades, September 15, 1904. https://www.google.com/books/edition/Geyer_s_Stationer/L507AQAAMAAJ?hl=en&gbpv=0

Howard L. Wilson of Rochester, NY named his vest pocket card index system the Memindex.

Poem from the inside back cover of a 1913 Memindex Catalog:

JUST JOT IT DOWN.

If you’re going to meet a man<br /> Jot it down<br /> If you’ve got a little plan<br /> Jot it down<br /> If you never can remember<br /> Your requirements for September<br /> ’Till October or November<br /> Jot ’em down.

If you’ve got a note to pay<br /> Jot it down<br /> If its due the first of May<br /> Jot it down<br /> If collections are so slow<br /> That to meet the note you know<br /> You must dun old Richard Roe<br /> Jot it down

If you have a happy thought<br /> Jot it down<br /> If there’s something to be bought<br /> Jot it down<br /> Whether duty calls or pleasure<br /> If you’re busy or at leisure<br /> It will help you beyond measure<br /> Jot it down

If there’re facts that you’d retain<br /> Jot ’em down<br /> If you’ve got to meet a train<br /> Jot it down<br /> If at work or only play<br /> If at home or far away<br /> In the night or in the day<br /> Jot it down

c.1913 Wilson Memindex Desk Organzier Catalog Price List Booklet Rolodex Prequel

In a 1913 catalog for the Wilson Memindex, the company suggested putting to do items and one's schedule on one side of the card and potentially keeping one's accounts or a diary on the reverse side.

Noticing that while other filing companies have smaller half or quarter page ads in System, Globe-Wernicke Co. has a full page add for their filing cabinets.

Fascinating to see the 8 various types of hole punches different card index systems may have used on their index card filing cabinets.

Advertisement from System, December 1906:

CARD INDEX SYSTEM <br /> If you are using Card Systems, as manufacturers we are in a position to save money for you on these supplies. We make suggestions to anyone desiring to install labor-saving-money- making Card Systems.<br /> Cards supplied for all makes of cabinets.<br /> Write for prices and estimates.<br /> STANDARD INDEX CARD CO.,<br /> 707-09 Arch St., Phila., Pa.

Beyond having people make direct copies of cards by hand or using carbon paper, The Calculagraph Company manufactured a copying machine for duplicating data.

There is an accompanying picture (which I haven't copied here). Advertisement from 1906 System Magazine:

The Calculagraph<br /> Makes individual records of actual<br /> working time on separate cards<br /> which may be used interchangeably<br /> for Cost Accounting, for Pay-rolls and<br /> for a number of other purposes with-<br /> out copying or transcribing a single<br /> figure, by simply assorting the cards<br /> and adding the records directly from<br /> their faces.<br /> A card containing all the work<br /> records of one man for a week may<br /> be useful for pay-roll purposes, but it<br /> is utterly worthless for learning the<br /> cost of products, until all the items<br /> have been copied or transcribed for<br /> classification.<br /> The Calculagraph requires a large<br /> number of cards in a factory employ-<br /> ing several hundred persons, but it<br /> Saves Clerical Labor. (In one<br /> factory it saves $150.00 per week).<br /> Cards Are Cheaper Than Labor<br /> The Calculagraph Makes No<br /> Clerical Errors.<br /> Let us send you our printed matter.<br /> CALCULAGRAPH COMPANY<br /> 1414 JEWELERS BUILDING, NEW YORK CITY

INDEX CARDS CAN BE USED IN SOME BRANCH OF YOUR BUSINESS<br /> We have eight very useful forms. You can use one or more to good advantage and profit. Let us send you the Samples?<br /> UNITED STATES CARD INDEX CO.<br /> Office and Factory: 112 Liberty Street, NEW YORK<br /> Also send for our Priced Sample Set 'E' which includes all rulings, grades and weights of Index Cards and Guides.'

Federal Steel Fixture Company manufactured a variety of steel office furniture including desks, cabinets, lockers, filing cabinets, shelving, and card cabinets.

A fascinating combination of office furniture types in 1906!

The Adjustable Table Company of Grand Rapids, Michigan manufactured a combination table for both telephones and index cards. It was designed as an accessory to be stood next to one's desk to accommodate a telephone at the beginning of the telephone era and also served as storage for one's card index.

Given the broad business-based use of the card index at the time and the newness of the telephone, this piece of furniture likely was not designed as an early proto-rolodex, though it certainly could have been (and very well may have likely been) used as such in practice.

I totally want one of these as a side table for my couch/reading chair for both storing index cards and as a temporary writing surface while reading!

This could also be an early precursor to Twitter!

Folks have certainly mentioned other incarnations: - annotations in books (person to self), - postcards (person to person), - the telegraph (person to person and possibly to others by personal communication or newspaper distribution)

but this is the first version of short note user interface for both creation, storage, and distribution by means of electrical transmission (via telephone) with a bigger network (still person to person, but with potential for easy/cheap distribution to more than a single person)

Let YOUR MIND GO FREE Do not tax your brain trying to re- member. Get the MEMINDEX HABIT and you can FORGET WITH IMPUNITY. An ideal reminder and handy system for keeping all memoranda where they will appear at the right time. Saves time, money, opportunity. A brain saver. No other device answers its purpose. A Great Help for Busy Men, Used and recommended by Bankers, Man- ufacturers, Salesmen, Lawyers, Doctors, Merchants, Insurance Men, Architects, Ed- ucators, Contractors, Railway Managers Engineers, Ministers, etc., all over the world. Order now and get ready to Begin the New Year Right. Rest of '06 free with each outfit. Express prepaid on receipt of price. Personal checks accepted

Also a valuable card index for desk use. Dated cards from tray are carried in the handy pocket case, 2 to 4 weeks at a time. To-day's card always at the front. No leaves to turn. Helps you to PLAN YOUR WORK WORK YOUR PLAN ACCOMPLISH MORE You need it. Three years' sales show that most all business and professional men need it. GET IT NOW. WILSON MEMINDEX CO. 93 Mills St., Rochester, N. Y.

Interesting that the use of the portmanteau memindex (as memory + index) for a card index being used to supplement one's memory. It can't go unnoticed that the Wilson Memindex Co. was manufacturing and selling these as early as 1906, several decades before Vannevar Bush's use of the word Memex which seems derivative and removes more of the traces of index from the root.

Note the use of card sizes 2 3/4 x 4 1/2" and 3 x 5 1/2" for this system.

Notice the 1 1/4" x 3" cards, 2 1/4 x 4" cards in addition to the 3 x 5" and 4 x 6".

And Mr. H. Beebe of Chicago, using but one drawer, says: "It has made me keep appointments and lay out my work to increase the things I can do in a day. "

In the December 1906 issue of System, a magazine which would eventually become Bloomberg Business Week), W. K. Kellogg, the President of the Toasted Corn Flake Company is quoted touting the invaluable nature of the Shaw-Walker filing system at a time when his company was using 640 drawers of their system.

Example of sales touting productivity in a filing system.

Note also the specific gendering of the clerk here in 1906.