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  1. Feb 2024
    1. If, for ex-ample, we were to reengineer ourselves into several separate and unequalspecies using the power of genetic engineering, then we would threatenthe notion of equality that is the very cornerstone of our democracy.

      I find it hard to believe that equality is "the very cornerstone of our democracy".

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    1. Okay folks. I think I better name my antinet before he gets too big and people start getting suspicious. After some thinking and googling words I don't know in order to make an acronym I think I've decided on "J.A.K.O.B". Which stands for "just a knowledgeable omnilegent box". Omnilegent apparently means reading or having read everything. The name is of course inspired by J.A.R.V.I.S (just a very intelligent system) the artificial intelligence created by Tony Stark.

      u/tylermangelson named his zettelkasten J.A.K.O.B.

      https://www.reddit.com/r/antinet/comments/1aecx27/naming_my_baby_antinet/

  2. Jan 2024
    1. With your Kokuyo Binder- do you know of a way to bind relatively large numbers of pages together? I want to use something like this as my commonplace book and archive as I go, but once I get enough archived on a given subject, I'd like to bind it as a sort of compendium. Does that seem possible with these or are they not good for larger numbers of pages?

      reply to u/modspyder at https://www.reddit.com/r/commonplacebook/comments/18fbwqx/comment/ko8bksm/

      The small plastic binder I use comfortably holds 50 pages, but has room for maybe 25 more (though not 50). You could use several of them for binding together groups of pages like that. Searching around might reveal larger ring binders here if you want larger books.

      For larger quantities:

      You can use book rings (sold in various sizes) or even binder clips to hold these sheets together in batches, but with the ability to remove them or add sheets later.

      File folders might be a useful option too for holding things together in categories.

      With some inexpensive book binder's glue and cardboard you could bind together much larger numbers of sheets into custom books for yourself. https://www.youtube.com/watch?v=nivNPCoAHcM is a good basic primer, but you could also do more complicated bindings and covers or have pages bound at FedEx/Kinkos or other higher end professional binders depending on your need and ultimate budget. For this the sky may be the limit, though anything over 1000 pages may be getting awfully bulky.

    1. 1956 --- The ST scale on rules that had Decimal Trig scales were converted to an SRT scale.
    2. 1956 0 88,500 88,500

      My 4181-3 slide rule was likely manufactured in 1956 as it has the SRT scale initiated in 1955 and has a serial number 004365 which is in the series 3 segment which reset in 1956 and ran from 0 to 88,500 that year.

      https://www.mccoys-kecatalogs.com/keserialnumbers/Dating-2.htm

    1. 1955b - The scale set was changed. ST scale was changed to SRT on the 4081s only.

      My 4181-3 was likely made in 1955 or after as it has the SRT and not the ST scale. (It has a 1947 copyright mark on it.)

    2. 1955b (4081-3, 4081-5, 4181-1, 4181-1C, E4181J, 4181-3, 68 1200, 68 1205, 68 1210, 68 1215, 68 1220, 68 1251, 68 1256, 68 1261, 68 1282, & 68 1287) Scale sets: Front: LL02 LL03 DF = CF CIF CI C = D LL3 LL2 Rear: LL01 L K A = B T SRT S = D DI LL1

      These are the scale sets on my K+E 4181-3 slide Rule

    1. 4181-3 10" Log Log Duplex Decitrig Plastic 4081-3 family

      The Keuffel & Esser 4181-3 was part of the 4081-3 family and was described in their catalogs as a 10 inch Log Log Duplex Decitrig Plastic slide rule.

      via https://www.mccoys-kecatalogs.com/KEModels/kexrefmain.htm

    1. https://www.ebay.com/itm/126307745144

      78 drawer library card catalog cabinet offered for sale for $850 with local pick up only from Bennington, VT on 2024-01-31.

      Solid single cabinet likely in maple. Missing all rods, water spots, stain missing, lots of scratches and scrapes. Not in great condition. No manufacturer listed.

      Cost per drawer: $10.90

      (one of the lowest per drawer, but also in bad shape.)

    1. https://www.ebay.com/itm/325982555744

      15 drawer card catalog offered 2024-01-31 for $2995.00 with freight shipping (extra) from South Bend, IN. Looks to be in walnut and chrome.

      Unknown manufacturer and doesn't look familiar. Odd drawer pulls, but looks in good shape and has all rods. Bottom base in chrome.

      Cost per drawer: 200.00

    1. https://www.ebay.com/itm/325982715454

      35 drawer modular card catalog in light mid century modern design. Table with stick legs a 5x6 section including two pull out writing drawers, a 5x1 section and a top. Likely maple, in great shape. All wood and metal, includes all rods.

      Listed in 2024-01-29 for $3995.00 with freight shipping extra from South Bend, IN

      Labeled as a Centura 400 (model?)

      Cost per drawer: $114.00

      This is the first time I've seen a catalog from Sjöström on the market though on searching there are a handful floating around.

    1. Having at most four references to notes containing the same keyword (in an archive of sixty thousand notes / ZK II), the austerity of the keyword index's entries speaks to Luhmann's appreciation of meandering through relationships rather than searching for exact "hits."

      re: open question about Luhmann's index at https://hypothes.is/a/NSo4ArxzEe6ElC-Cg7ex8g

      Per personal communication with Bob Doto, the reference here about 4 references at most comes from:

      Schmidt "serendipity":

      "the file’s keyword index makes no claim to providing a complete list of all cards in the collection that refer to a specific term. Rather, Luhmann typically listed only one to four places where the term could be found in the file, the idea being that all other relevant entries in the collection could be quickly identified via the internal system of references described above."

    2. Doto, Bob. “What Do We Mean When We Say ‘Bottom-Up?’” Writing by Bob Doto (blog), January 25, 2024. https://writing.bobdoto.computer/what-do-we-mean-when-we-say-bottom-up/.

    3. Having at most four references to notes containing the same keyword (in an archive of sixty thousand notes / ZK II), the austerity of the keyword index's entries speaks to Luhmann's appreciation of meandering through relationships rather than searching for exact "hits."

      Source for the claim of "at most four references"?

      I could believe this on first blush, but has his archive done this work?

    4. This note would live among others of the same topic, only to be called upon when the topic was explored.

      Not mentioned here is that with a top-down approach, if a card had related topics on it, then it would have to either be copied to those areas separately, or would need to be carefully cross-indexed to those areas to be able to be found again when needed.

      When the number of topics, n, begins to exceed 2 the amount of additional work and cards can grow quite a bit, though generally only linearly with respect to n. (Don't discount the work on the back side of searching for and finding these easily at later dates.)

    5. Top-down approaches work in the opposite direction. Instead of allowing the materials to inform the whole, a perception of what the whole should be determines which materials are allowed to be used. It's "having an overarching concept before working out the details."5

      One of the more notable adopters of this approach to design and architecture was the Bauhaus in the early 20th century. See: Owen, C. (2009). "Bottom-up, Top-down." https://id.iit.edu/wp-content/uploads/2015/03/Bottom-up-top-down-updown09.pdf↩

      It's a question of teleology. Is there a goal or a purpose in mind? (teleology: the explanation of phenomena in terms of the purpose they serve rather than of the cause by which they arise.)

    6. working "bottom-up" pertains to the manner in which a sense of wholeness and coherence emerges from the information collected from the individual components that constitute or contribute to the whole.
    1. Contrary to the subject index of a book, the file’s keywordindex makes no claim to providing a complete list of all cards in the collection that refer to a specific term.Rather, Luhmann typically listed only one to four places where the term could be found in the file, theidea being that all other relevant entries in the collection could be quickly identified via the internal sys-tem of references described above

      According to Schmidt, Luhmann's index typically had "only one to four places where [a] term could be found in the file" indicating among a total of 3,450 indexed topics just how sparse his index was for 90,000 cards.

    2. Whereas the index to the first collection was still of fairly manageable size with its 1,250 entries, thecontinuous updates of the index — as another part of the data base maintenance — to the second col-lection18 ultimately resulted in 3,200 entries.

      Niklas Luhmann's ZKI had 1,250 entries in the index and ZKII had 3,200 entries.

    1. https://www.ebay.com/itm/176211857378

      All wood and metal 12 drawer Brodart card index offered for auction on 2024-01-28 for $500.00 or best offer. Good condition despite missing a rod and having mixed silver and brass fittings on the unit. (3 silver drawer pulls/plackards and 5 silver rods with the remainder in brass.)

      Local pick up only from Lock Haven, PA.

      Cost per drawer: 41.66

    1. https://www.ebay.com/itm/305374515970

      12 drawer (3 x 4) card index from Library Bureau in generally good looking shape from January 2024-01-28 listed for $385.00 (+ a ridiculous $203.77 shipping fee from North Canton, OH to Los Angeles).

      Looks to be ex-library from Colgate University, in all wood and metal and in excellent shape. Missing all the catalog rods however.

      I'm doing the cost per drawer based only on the opening bid price despite the gouging of the shipping price. Many sellers seem to be tacking on an above average shipping charge to pad their sale prices and potentially shift commissions from ebay.

      Cost per drawer: $32.00

    1. Either index may be used.

      If the numbers to be multiplied result in the hairline not being able to be used because the reading is off one side of the slide rule, then use the second index (the number 1) on the D scale.

    2. To find the product of two numbers, disregard the decimalpoints, opposite either of the numbers on the D scale set the index ofthe C scale, push the hairline of the indicator to the second numberon the C scale, and read the answer under the hairline of the D scale.The decimal point is placed in accordance with the result of a roughcalculation.
    3. Definitions. The central sliding part of the rule is called theslide, the other part the body. The glass runner is called the indi-cator and the line on the indicator is referred to as the hairline.
    4. Kells, Lyman M., Willis F. Kern, and James R. Bland. K+E Slide Rules: A Self Instruction Manual. New York: Keuffel & Esser Co., 1955.

    5. Accuracy of the slide rule. From thediscussion of § 2 it appears that we read fourfigures of a result on one part of the scaleand three figures on the remaining part.Assuming that the error of a reading is onetenth of the smallest interval following theleft-hand index of D, we conclude that theerror is roughly 1 in 1000 or one tenth of oneper cent. The effect of the assumed errorin judging a distance is inversely propor-tional to the length of the rule. Hencewe associate with a 10-inch slide rule anerror of one tenth of one per cent, with a20-inch slide rule an error of one twentiethof one per cent or 1 part in 2000, and withthe Thacher Cylindrical slide rule an errorof a hundredth of one per cent or one part.in 10,000. The accuracy obtainable withthe 10-inch slide rule is sufficient for manypractical purposes; in any ease the sliderule result serves as a check.

      The accuracy of most 10 inch slide rules is approximately 1 in 1000 or one tenth of one percent.

      Because the error in approximating distance is inversely proportion to the length of a slide rule, longer slide rules will have proportionally smaller errors, so while a 10 inch slide rule has an error of 1 in 1000, a 20 inch will have an error of 1 in 2000 and larger rules can be accurate to within 1 in 10,000 or better.

    1. Jordan Nicholas Sukut's Lionsberg Wiki has approximately 1.3M words which could be turned into a NeoBook. He calls it a "wiki book".

      https://lionsberg.wiki/

    1. Chris, I read it some 40 years ago when as a school boy I began with my Zettelkasten journey. It is about the technique as well as the intellectuell framework behind it and was surely pointed to business aspects as well as running the civil service but also outspoken to the worker of the mind, the scientist and philosopher. Filing and indexing is crucial to all of these varied aspects of cultural life. But don't expect hitherto unknown magical practices to be revealed. It was commune practice then and you could find handbooks on indexing and filing in organisations also in America and England at that time. The new found way of personal knowlegde management just doesn't know about its predecessors with pen, ink, typewriter and other unbeliefable tricks.
    1. Only reprints (without any alterations)retain the original call number, all revises or new editions howeversmall the alterations should be given a new call number, butdecimals may be used with advantage.

      Though referring to catalogs and office literature, in 1908 it was known that using decimals would allow one to distinguish between slightly different versions of indexable items without running out of "space" for new additions.

    2. * Ticklers in U.S.A.

      differentiation in terminology here between Britain and the US: future reminders vs. ticklers

    3. Call Numbers

      Interesting to see a mix of numbers and letters in the indexing system here from 1908.

      Numbers for companies and dates and letters as tags for a variety of business purposes as well as for month indicators.

    4. The Charging This consists in its interior arrangement ofCabinet rows of pigeon-holes constructed on an inclineupwards so that the base of each horizontalrow of pigeon-holes is higher than its predecessor. Into thesepigeon-holes the charging shps are placed and there is a guidecard to each pigeon-hole marking the divisions of the charging slipsby giving the number of the slip which is to be filed immediatelybehind it.

      While slightly different in its physical configuration, the office charging cabinet (with a bleacher-like set up) is very similar to the similarly named library card charging tray.

      Which came first?

    1. I've sketched it out elsewhere but let's memorialize the broad strokes here because we're inspired at the moment... come back later and add in quotes from Luhmann and other sources (@Heyde1931).

      Luhmann was balancing the differences between topically arranged commonplaces and the topical nature of the Dewey Decimal System (a standardized version across thousands of collections) and building neighborhoods of related ideas.

      One of the issues with commonplace books, is planning them out in advance. How might you split up a notebook for long term use to create easy categories when you don't know how much room to give each in advance? (If you don't believe me, stop by r/commonplacebooks where you're likely to see this question pop up several times this year.) This issue is remedied when John Locke suggests keeping commonplaces in chronological order of their appearance and cross-indexing them.

      This creates a new problem of a lot of indexing and increased searching over time as the commonplace book scales. Translating to index cards complicates things because they're unattached and can potentially move about, so they don't have the anchor effectuated by their being bound up in a notebook. But being on slips allows them to be more easily shuffled, rearranged, and even put into outlines, which are all fantastic affordances when looking for creativity or scaffolding things out into an article or book for creation.

      As a result, numbering slips creates a solid anchor by which the cards can be placed and always returned for later finding and use. But how should we number them? Should it be with integers and done chronologically? (1, 2, 3, ..., n) This is nice, but makes a mish-mash of things and doesn't assist much in indexing or finding.

      Why not go back to Dewey, which has been so popular? But not Dewey in the broadest sense of using numbers to tie ideas to concrete categories. An individual's notes are idiosyncratic and it would be increasingly rare for people to have the same note, much less need a standardized number for it (and if they were standardized, who does that work and how is it distributed so everyone could use it?) No, instead, let's just borrow the decimal structure of Dewey's system. One of the benefits of his decimal structure is that an infinity of new books can be placed on ever-expanding bookshelves without needing to restructure the numbering system. Just keep adding decimal places onto the end when necessary. This allows for immense density when necessary. But, importantly, it also provides some fantastic level of serendipity.

      Let's say you go to learn about geometry, so you look up the topic in your trusty library card catalog. Do you really need to look at the hundreds of records returned? Probably not. You only need the the Dewey Decimal Number 516. Once you're at the shelves, you can browse through that section to see what's there and interesting in the space. You might also find things on the shelves above or below 516 and find the delights of topology and number theory or abstract algebra and real analysis. Subjects you might not necessarily have had in mind will suddenly present themselves for your consideration. Even if your initial interest may have been in Zhongmin Shen's Lectures on Finsler geometry (516.375), you might also profitably walk away with James E. Humphreys' Introduction to Lie Algebras and Representation Theory (512.55).

      So what happens if we use these decimal numbers for our notes? First we will have the ability to file things between and amongst each other to infinity. By filing things closest to things which seem related to each other, we'll create neighborhoods of ideas which can easily grow over time. Related ideas will stay together while seemingly related ideas on first blush may slowly grow away from each other over time as even more closely related ideas move into the neighborhood between them. With time and careful work, you'll have not only a breadth of ideas, but a massive depth of them too.

      The use of decimal numbering provides us with a few additional affordances:

      1 (Neighborhoods of ideas) 1.1 combinatorial creativity Neighborhoods of ideas can help to fuel combinatorial creativity and forge new connections as well as insight over time. 1.2 writing One might take advantage of these growing neighborhoods to create new things. Perhaps you've been working for a while and you see you have a large number of cards in a particular area. You can, to some extent, put your hand into your box and grab a tranche of notes. By force of filing, these notes are going to be reasonably related, which means you should be able to use them to write a blog post, an article, a magazine piece, a chapter, or even an entire book (which may require a few fistfuls, as necessary.)

      2 (Sparse indexing) We don't need to index each and every single topic or concept into our index. Because we've filed things nearby, if a new card about Finsler geometry relates to another and we've already indexed the first under that topic, then we don't need to index the second, because our future selves can easily rely on the fact that if we're interested in Finsler geometry in the future, we can look that up in the index, and go to that number where we're likely to see other cards related to the topic as well as additional serendipitous ideas related to them in that same neighborhood.

      You may have heard that as Luhmann progressed on his decades long project, broadly on society and within the area of sociology, he managed to amass 90,000 index cards. How many do you suppose he indexed under the topic of sociology? Certainly he had 10s of thousands relating to his favorite subject, no? Of course he did, but what would happen over time as a collection grows? Having 20,000 indexed entries about sociology doesn't scale well for your search needs. Even 10 indexed entries may be a bit overwhelming as once you find a top level card, hundreds to thousands around it are going to be related. 10 x 100 = 1,000 cards to flip through. So if you're indexing, be conservative. In the roughly 45 years of creating 90,000 slips, Luhmann only indexed two cards with the topic of "sociology". If you look through his index, you'll find that most of his topical entries only have pointers to one or two cards, which provide an entryway into those topics which are backed up with dozens to hundreds of cards on related topics. In rarer, instances you might find three or four, but it's incredibly rare to find more than that.

      Over time, one will find that, for the topics one is most interested in, the number of ideas and cards will grown without bound. Here it makes sense to use more and more specific topics (tags, categories, taxonomies) all of which are each also sparsely indexed. Ultimately one finds that in the limit, the categories get so fractionalized that the closest category one idea has with another is the fact that they're juxtaposed closely by number. The of the decimal expansion might say something about the depth or breadth of the relationship between ideas.

      Something else arises here. At first one may have the tendency to associate their numbers with topical categories. This is only natural as it's a function at which humans all excel. But are those numbers really categories after a few weeks? Probably not. Treat them only as address numbers or GPS coordinates to be able to find your way. Your sociology section may quickly find itself with invasive species of ideas from anthropology and archaeology as well as history. If you treat all your ideas only at the topical level, they'll be miles away from where you need them to be as the smallest level atomic ideas collide with each other to generate new ideas for you. Naturally you can place them further away if you wish and attempt to bridge the distance with links to numbers in other locations, but I suspect you'll find this becomes pretty tedious over time and antithetical when it comes time to pull out a handful and write something. It's fantastically easier to pull out a several dozen and begin than it is to go through and need to pull out linked cards in a onesy-twosies manner or double check with your index to make sure you've gotten the most interesting bits. This becomes even more important as your collection scales.

    2. Richard @ Writing Slowly. “Even the Index Is Just Another Note.” Personal website. Writing Slowly (blog), January 26, 2024. https://writingslowly.com/2024/01/26/even-the-index.html.

    3. My journey is subjective, because it’s my journey.

      or as Vannevar Bush might have said, everyone will have their own idiosyncratic associative trails...

    4. The Dewey Decimal System pigeonholes all knowledge, like cells in a prison.

      This analogy is kind of hilarious from the perspective of Luhmann's Zettelkasten.

    5. Luhmann’s claim in ‘Communicating with Slipboxes’, where he said: “it is most important that we decide against the systematic ordering in accordance with topics and sub-topics and choose instead a firm fixed place (Stellordnung).”

      Curious that he quotes Luhmann from Manfred Kuehn's translation, but links to a separate translation

    1. The goal of Quartz is to make hosting your own public digital garden free and simple. You don’t even need your own website. Quartz does all of that for you and gives your own little corner of the internet. https://github.com/jackyzha0/quartz

      Quartz runs on top of Hugo so all notes are written in Markdown .

    1. ZK II note 9/8b 9/8b On the general structure of memories, see Ashby 1967, p. 103 . It is then important that you do not have to rely on a huge number of point-by-point accesses , but rather that you can rely on relationships between notes, i.e. references , that make more available at once than you would with a search impulse or with one thought - has fixation in mind.

      This underlies the ideas of songlines and oral mnemonic practices and is related to Vannevar Bush's "associative trails" in As We May Think.

      Luhmann, Niklas. “ZK II Zettel 9/8b.” Niklas Luhmann-Archiv, undated. https://niklas-luhmann-archiv.de/bestand/zettelkasten/zettel/ZK_2_NB_9-8b_V.

    1. Top down thinking is when you plan a meal, find recipes, get ingredients, and then cook the meal. You started with the result and worked your way down to what was needed to make it happen.Bottoms up is when you rifle through your cabinets and fridge to try to cobble together something edible. You start with the components and figure out what you can do.

      https://www.reddit.com/r/explainlikeimfive/comments/106e5v1/eli5_what_is_topdown_and_bottomup_thinking/

      In this example both versions have a specific goal in mind: "to diminish hunger". What does this look like when we have no specific goal in mind, but are exploring a space without purpose, but only for cause?

      exploring with relationship to: ᔥ[[Bob Doto]] in What Do We Mean When We Say "Bottom-Up?"

    1. It's original purpose was definitely to create unique output but you can definitely use it for other reasons!

      reply to u/chasemac_ at https://www.reddit.com/r/Zettelkasten/comments/19ep9rc/comment/kjempeu/

      I'm curious from where you draw your "original purpose" claim? This presupposes having identified a zettelkasten progenitor who has clearly made such a statement. (If you're thinking Luhmann, you're missing the mark by centuries. And even if you're thinking Luhmann, where did he say this specifically?) While Konrad Gessner seems to have been an early progenitor in 1548, the broader idea goes much further back. Even in the early days of the commonplace book, the primary analogy was using them as "storehouses" for collecting treasure (thesaurus) aka knowledge or wisdom.

      Even Luhmann's framing of his zettelkasten as his "second memory" was old by the time he wrote it:

      In a short academic dissertation on the art of excerpts, Andreas Stübel described the card index as a ‘secondary and subsidiary memory’ (‘memoria secundaria and subsidiaria’), summing up in just three words the dilemma scholars had been struggling with for two centuries with respect to the use of commonplace books. As far as I know, Stübel was the first among contemporaries to speak of secondary memory. —Alberto Cevolini in “Where Does Niklas Luhmann’s Card Index Come From?” Erudition and the Republic of Letters 3, no. 4 (October 24, 2018): 390–420. https://doi.org/10.1163/24055069-00304002.

      If we look even further back we read Seneca the Younger in Epistulae morales, writing positively about collecting with respect to classic rhetoric:

      "We should follow, men say, the example of the bees, who flit about and cull the flowers that are suitable for producing honey, and then arrange and assort in their cells all that they have brought in;

      Without a clear originator, I might suggest that historically the first purpose was for memory followed closely by learning and then accumulating wisdom and knowledge (sententiae). Using them for output only came much later.

      Why is there so much bad ink in the zettelkasten space about about "collecting"? (a la the "collector's fallacy") If you collect nothing, you'll have nothing. You have to start somewhere. Collecting happens first before anything useful comes out of the enterprise. Where are all these "people [who] do nothing but boast about the amount of cards in their box"? I'm not seeing lots of evidence of them in fora or online certainly. Show us your collection of examples of those to back up the claim. Are there index card hoarders out there who honestly have tens of thousands of notes with absolutely no purpose? I suspect it's rare.

      If you're a collector, collect away! Take solace in the words of historian Keith Thomas:

      Unfortunately, such diverse topics as literacy, numeracy, gestures, jokes, sexual morality, personal cleanliness or the treatment of animals, though central to my concerns, are hard to pursue systematically. They can’t be investigated in a single archive or repository of information. Progress depends on building up a picture from a mass of casual and unpredictable references accumulated over a long period. That makes them unsuitable subjects for a doctoral thesis, which has to be completed in a few years. But they are just the thing for a lifetime’s reading. So when I read, I am looking out for material relating to several hundred different topics.

    1. King’s box of notecards makes me think of Niklas Luhmann’s Zettelkasten. Did you come across any hint that King was familiar with Luhmann’s organizing structure? If he was, it’s unfortunate he missed the part about clearly identified reference notes!

      reply to Karen Hume at https://jillianhess.substack.com/p/martin-luther-king-jrs-organizational/comment/47959537

      It is incredibly unlikely that King was aware of Luhmann's organizational structure as their practices were contemporaneous right down to their starting years. Luhmann's ZK1 comprises 7 sections with about 23,000 notes written from about 1952 to 1961 while the Morehouse Collection indicates that concerning King's research notes archive "The bulk of the notes were taken as reference material for King’s coursework while a doctoral student at Boston University (1952-1955), including notes taken specifically as reference material for King’s dissertation..." I've been actively searching for several years now, and have yet to find anyone following Luhmann's structure until after the Marbach Exhibition "Zettelkästen. Machines of Fantasy" in 2013. Broadly most have historically followed a variation of a subject heading organization, with or without indexing, similar to that found in the commonplace book tradition and described in Johannes Erich Heyde's book Technik des wissenschaftlichen Arbeitens; eine Anleitung, besonders für Studierende (multiple editions including 1931 & 1951), which was a work Luhmann read when devising his own system.

      Incidentally it looks like MLK was using Weis No. 35 boxes, a version of which is still available, now from Globe-Weis: https://amzn.to/3vVcO3c. Perhaps some enterprising teachers will help students create their own versions now?

    1. Arrangement of the Series The series is organized into eight subseries: 1. General Subject file; 2. Theologian's Debate Box; 3. Subject Index file; 4. Author Index file; 5. Title Index file; 6. Notes on Books of the Bible; 7. Notes on the Latter Prophets; 8. Notes on Philosophers. The series is arranged alphabetically. Subseries 6 and 7 arranged in order of occurrence in the Bible. Separated Materials Newsprint items have been separated to proper housing.
    2. The series consists primarily of notes taken by Martin Luther King, Jr. The bulk of the notes were taken as reference material for King’s coursework while a doctoral student at Boston University (1952-1955), including notes taken specifically as reference material for King’s dissertation; these notes focus specifically on theology and theologians. Later notes relate to books and articles read by King on a wide variety of subjects (1943-1968), as well as publications that mention or publish work by King, his wife, his associates, or organizations related to King (1968-1969).

      Morehouse College Martin Luther King, Jr. Collection: Series 4: Research Notes Collection Identifier: 0000-0000-0000-0131i

      https://findingaids.auctr.edu/repositories/2/resources/159

    1. Dr. Vicki Crawford, Endowed Chair and Director of the Morehouse Martin Luther King Jr. Collection and Professor of Africana Studies(470) 639-0569kingcollection@morehouse.edu.Mailing AddressMorehouse CollegeMartin Luther King Jr. CollectionLeadership Center830 Westview Drive S.W.Atlanta, Georgia 30314
    1. Hess, Jillian. “Martin Luther King Jr.’s Organizational Systems.” Substack newsletter. Noted (blog), January 22, 2024. https://jillianhess.substack.com/p/martin-luther-king-jrs-organizational.

    2. From an organizational standpoint, the beauty of sermons is that each revolves around a specific theme. Accordingly, King could devote a single folder to each topic. He accumulated 166 folders, each with a title like “Loving your Enemies” (folder 1), “Why the Christian must Oppose Segregation” (folder 87), “Mental Slavery” (folder 113), and “The Misuse of Prayer” (folder 166). These folders contain King’s outlines; source material, like clippings from books; and drafts.

      In addition to his card index, Martin Luther King, Jr. compiled a collection of 166 folders organized around various topics which he used to organize outlines, clippings, pages from books, and other source materials as well as drafts of sermons or speeches on those topics.

      To some extent these folders are just larger format repositories mirroring the topical arrangements of his card index.

    3. My guess is that it was unintentional and the result of sloppy note-taking practices that did not clearly mark original and borrowed ideas.

      Jillian Hess' guess for the origin of King's plagiarism.

      It's also possible that he came from a much more oral facing cultural upbringing rather than a dyed-in-the-wool academic one which focused on attribution.

    4. And here are King’s early thoughts on this biblical passage, written in 1953 as a Ph.D. student:God (Amos)5:21:24—This passage might be called the key passage of the entire book. It reveals the deep ethical nature of God. God is a God that demands justice rather than sacrifice; righteousness rather than ritual. The most elaborate worship is but an insult to God when offered by those who have no mind to conform to his ethical demands. Certainly this is one of the most noble idea ever uttered by the human mind.One may raise the question as to whether Amos was against all ritual and sacrifice, i.e. worship. I think not. It seems to me that Amos' concern is the ever-present tendency to make ritual and sacrifice a substitute for ethical living. Unless a man's heart is right, Amos seems to be saying, the external forms of worship mean nothing. God is a God that demands justice and sacrifice fo can never be a substitute for it. Who can disagree with such a notion?3Notice how King wrote the topic (God) and his source (Amos 5:21:24) at the top of the note card for easy reference.

      example of a note from King's zettelkasten

    5. one of King’s note cards on the Old Testament’s Book of Amos which includes the linesBut let judgment run down as waters, and righteousness as a mighty stream. These lines would feature in many of King’s speeches—including his famous “I Have a Dream Speech,” where King said: …we will not be satisfied until justice rolls down like waters, and righteousness like a mighty stream.

      Some of King's note cards later figured in his speeches including his "I Have a Dream" speech.

    6. Many of King’s notecards come from his time earning a Ph.D. in Systematic Theology at Boston University. These notecards contain a mixture of quotations from the Bible and religious thinkers as well as King’s personal views. For example, he wrote more than a thousand notecards exploring the Old Testament.

      Martin Luther King, Jr. maintained a card index during his Ph.D. studies while he was at Boston University working in the area of systematic theology.

      He created over a thousand notecards with respect to the Old Testament, many containing a mixture of biblical quotations as well as his own thoughts.

    7. A selection of King’s notecards, held at Morehouse College

    1. It seems to me farmore likely that a robotic existence would not be like a human one inany sense that we understand, that the robots would in no sense be ourchildren, that on this path our humanity may well be lost.

      Here would be a good place to give a solid definition of humanity? What makes it special beyond the "self"?

      We are genetically very closely related to great apes and chimpanzees and less closely to dogs, cats, and even rats. Do we miss our dogicity? Or ratanity?

      What if the robot/human mix is somehow even more interesting and transcendent than humanity? His negativity doesn't leave any space for this possible eventuality.

    2. But if we are downloaded into our technology, what are the chancesthat we will thereafter be ourselves or even human?

      reminiscent of the quote:

      Life imitates art. We shape our tools and thereafter they shape us.<br /> —John M. Culkin, “A Schoolman’s Guide to Marshall McLuhan” (The Saturday Review, March 1967) (Culkin was a friend and colleague of Marshall McLuhan)<br /> (see: https://hypothes.is/a/6Znx6MiMEeu3ljcVBsKNOw)

      or the earlier version:

      But lo! men have become the tools of their tools. The man who independently plucked the fruits when he was hungry is become a farmer; and he who stood under a tree for shelter, a housekeeper.<br /> —Henry David Thoreau, Walden, p41 <br /> (see: https://hypothes.is/a/vooPrPkwEe2r_4MIb6tlFw)

    3. How soon could such an intelligent robot be built? The coming ad-vances in computing power seem to make it possible by 2030.

      In 2000, Bill Joy predicted that advances in computing would allow an intelligent robot to be built by 2030.

    4. in hishistory of such ideas, Darwin Among the Machines, George Dysonwarns: “In the game of life and evolution there are three players at thetable: human beings, nature, and machines. I am firmly on the side ofnature. But nature, I suspect, is on the side of the machines.”
    5. My personal experience suggests we tendto overestimate our design abilities.
    6. The physicistsStephen Wolfram and Brosl Hasslacher introduced me, in the early1980s, to chaos theory and nonlinear systems. In the 1990s, I learnedabout complex systems from conversations with Danny Hillis, the bi-ologist Stuart Kauffman, the Nobel-laureate physicist Murray Gell-Mann, and others. Most recently, Hasslacher and the electrical engineerand device physicist Mark Reed have been giving me insight into the in-credible possibilities of molecular electronics.

      some of Bill Joy's intellectual history here mirrors much of my own...

    7. After a few years at Berkeley I started to send out some of the soft-ware I had written—an instructional Pascal system, Unix utilities, anda text editor called vi (which is still, to my surprise, widely used morethan 20 years later)—to others who had similar small PDP-11 and VAXminicomputers
    8. In The Agony and the Ecstasy, Irving Stone’s biographical novel ofMichelangelo, Stone described vividly how Michelangelo released thestatues from the stone, “breaking the marble spell,” carving from theimages in his mind.

      A second remove perhaps, but nominative determinism at play here?

    9. Thus we have the possibility not just of weapons of mass destructionbut of knowledge-enabled mass destruction (KMD), this destructive-ness hugely amplified by the power of self-replication.

      coinage of the phrase knowledge-enabled mass destruction here?

    10. Uncontrolledself-replication in these newer technologies runs a much greater risk: arisk of substantial damage in the physical world.

      As a case in point, the self-replication of misinformation on social media networks has become a substantial physical risk in the early 21st century causing not only swings in elections, but riots, take overs, swings in the stock market (GameStop short squeeze January 2021), and mob killings. It is incredibly difficult to create risk assessments for these sorts of future harms.

      In biology, we see major damage to a wide variety of species as the result of uncontrolled self-replication. We call it cancer.

      We also see programmed processes in biological settings including apoptosis and necrosis as means of avoiding major harms. What might these look like with respect to artificial intelligence?

    11. the changes would come gradually, and that we would get used to them

      gradual change is always the way with evolution...

    12. Danny is also a highly regarded futurist who thinkslong-term—four years ago he started the Long Now Foundation
    13. Danny Hillis

      I always recommend people to read: Hillis, W. Daniel. The Pattern on the Stone. Revised edition. Science Masters. 1998. Reprint, Basic Books, 2015.

    14. Moravec’s view is that the robots will eventually suc-ceed us—that humans clearly face extinction.

      Joy contends that one of Hans Moravec's views in his book Robot: Mere Machine to Transcendent Mind is that robots will push the human species into extinction in much the same way that early North American placental species eliminated the South American marsupials.

    15. The systems involvedare complex, involving interaction among and feedback between manyparts. Any changes to such a system will cascade in ways that are diffi-cult to predict; this is especially true when human actions are involved.

      Perhaps the evolution to solve AI-resistance (mentioned in https://hypothes.is/a/-JjZurr3Ee6EtG8G_Sbt8Q) won't be done at the level of the individual human genome, but will be done at the human society level genome.

      Political groups of people have an internal memetic genome which can evolve and change over time much more quickly than the individual human's genes would work.

    16. Our overuse of antibiotics has led to what may be thebiggest such problem so far: the emergence of antibiotic-resistant andmuch more dangerous bacteria. Similar things happened when attemptsto eliminate malarial mosquitoes using DDT caused them to acquireDDT resistance; malarial parasites likewise acquired multi-drug-resistant genes.

      Just as mosquitoes can "acquire" (evolve) DDT resistance or bacteria might evolve antiobiotic-resistance, might not humans evolve AI resistance? How fast might we do this? On what timeline? Will the pressure be slowly built up over time, or will the onset be so quick that extinction is the only outcome?

    17. In the book, you don’t discover until you turn the page that the au-thor of this passage is Theodore Kaczynski—the Unabomber

      I didn't see this coming! I thought it was Kurzweil...

    1. https://vimeo.com/905326134/0a2a7388eb

      While ostensibly about apps for note taking, Dan Allosso gives a good thumbnail sketch of his background.

      Fascinatingly he feels he needs to justify doing videos on note taking process as a historian, which is a platform from which many note taking and research process (and historiography) related books have stemmed. (ie, historically, Dan has a better platform for doing this than most in the tools for thought space.)

    1. read [[Dan Allosso]] in Actual Books

      Sometimes a physical copy of a book gives one information not contained in digital scans. Allosso provides the example of Charles Knowlton's book The Fruits of Philosophy which touched on abortion and was published as a tiny hand-held book which would have made it easy to pass from person to person more discretely for its time period.

    1. Set your own, fixed citation keys By default, BBT generates the citation key from the item information, and this key may change when you edit the item. Such keys are called dynamic keys. In contrast, fixed keys are marked with a pushpin in the item list view and in the item details to distinguish them from dynamic keys. You can fix the citation key (called pinning in BBT) for an item by adding the text Citation Key: <your citekey> anywhere in the extra field of the item on a line of its own. You can generate a pinned citation key by selecting one or more items, right-clicking, and selecting Generate BibTeX key, which will add the current citation key to the extra field, thereby pinning it.

      Citation Key: <your citekey>

    1. Some of Newton's notes come from a 1654 edition of: Gregory, Francis. Ονομαστικὸν βραχύ; sive, Nomenclatura brevis, Anglo-Latino-Græca, in usum Scholæ Westmonasteriensis. Per F. G. [i.e. Francis Gregory.] Editio vigesima secunda, etc. John Meredith, in trust for Royston and Elizabeth Meredith, 1710.

    2. Sir Isaac Newton's Pocket Knowledge: A Virtual Tour of a Morgan Library Notebook<br /> The Morgan Library & Museum<br /> https://www.youtube.com/watch?v=uE9DYP1PfhQ

    3. Newton's notebook was done in a tête-bêche (French for "head-to-toe") style in which he flipped the notebook over and began using it from the back to the front as a means of starting a second notebook within to separate the contents.

    1. I Screwed Up but I Learned A Lot About the Zettelkasten<br /> by Curly Gruene Cahall<br /> https://www.youtube.com/watch?v=XFxZTq8oZhI

    2. Without seeming to realize the split between the two ideas, Cahall seems to have organically discovered the basic difference between a topically oriented commonplace book method (on index cards) and a Luhmann-artig method of numbering cards as folgezettel.

      He recommends picking one or the other, or potentially doing both and not worrying.

    3. It would seem like a zettelkasten joke, but Cahall has an index entry on "singular focus", yet it has two entries in disparate places in his zk. [14:02]

      🤣

    4. Cahall has a practice of using Luhmann-artig numbering, but having tabbed cards which section his box into broad categories. Yet in an example relating to the Eisenhower Matrix, which he would naturally categorize as "productivity", he instead places it next to a card in "creativity" about dealing with tasks.

      Generally I would advise people specifically not to practice this way, but presumably it works for him....

      He says he never understood branching and as a result of his practice, he needs to spend much more time indexing.

    5. Curly Gurene Cahall calls his zettelkasten "Sherlock".

    6. Curly Cruene Cahall has a practice of "scouting and excavating" books. His first read sounds closest to Adler's inspectional read, though Cahall says his first run through is for "entertainment". Follow this he reads in a more targeted manner which he calls "excavating", which ostensibly entails excerpting the most salient and interesting points for use in his own work.

    1. Hiya - I'm just curious about how people use Obsidian in academia. I guess you could say I'm looking for examples of what it's used for (e.g. to take short notes or to link ideas) and in what kind of systems may guide people's vaults (e.g. Zettelkasten). I'm also just keen on connecting with other PhD candidates through these blogs. No one at my uni that I know of is currently using Obsidian for academic work

      Reply to Couscous at https://discord.com/channels/686053708261228577/722584061087842365/1197392837952684052


      A quick survey of currently active academics, teachers, and researchers who are blogging about note taking practices and zettelkasten-based methods.

      Individuals

      Dan Allosso is a history professor at Bemidji State University who has used Obsidian in his courses in the past. He frequently writes about related topics on his Substack channels. One can also find related videos about reading, writing, and research process as well as zettelkasten on his YouTube channel. In addition to this, Dan has a book on note taking and writing which focuses on using a card index or zettelkasten centric process.

      Shawn Graham has both a blog as well as a prior course on the history of the internet using Obsidian. In the course materials he has compiled significant details and suggestions for setting up an Obsidian vault for students interested in using the tool.

      Kathleen Fitzpatrick has a significant blog which covers a variety of topics centered around her work and research. Her current course Peculiar Genres of Academic Writing (2024) focuses on writing, note taking (including Zettelkasten) and encourages students to try out Obsidian, which she's been using herself. A syllabus for an earlier version of the course includes some big name bloggers in academia whose sites might serve as examples of academic writing in the public. The syllabus also includes a section on being an academic blogger and creating platform as a public intellectual.

      Morganeua is a Ph.D. candidate who has a fairly popular YouTube channel on note taking within the academic setting (broadly using Obsidian, though she does touch on other tools from time to time).

      Chris Aldrich is independent research who does work at the intersection of intellectual history and note taking methods and practices. He's got an active website along with a large collection of note taking, zettelkasten, commonplace books, and sense-making related articles. His practice is a hybrid one using both analog and digital methods including Obsidian and Hypothes.is.

      Bob Doto is a teacher and independent researcher who focuses on Luhmann-artig zettelkasten practice and writing. He uses Obsidian and also operates a private Discord server focused on general Zettelkasten practice.

      Manfred Kuehn, a professor of philosophy at Boston University, had an influential blog on note taking practices and culture from 2007 to 2018 on Blogspot. While he's taken the site down, the majority of his work there can be found on the Internet Archive.

      Andy Matuschak is an independent researcher who is working at the intersection of learning, knowledge management, reading and related topics. He's got a Patreon, YouTube Channel and a public wiki.

      Broader community-based efforts

      Here are some tool-specific as well as tool-agnostic web-based fora, chat rooms, etc. which are focused on academic-related note taking and will have a variety of people to follow and interact with.

      Obsidian runs a large and diverse Discord server. In addition to many others, they have channels for #Academia and #Academic-tools as well as #Knowledge-management and #zettelkasten.

      Tinderbox hosts regular meetups (see their forum for details on upcoming events and how to join). While their events are often product-focused (ways to use it, Q&A, etc.), frequently they've got invited speakers who talk about their work, processes, and methods of working. Past recorded sessions can be found on YouTube. While this is tool-specific, much of what is discussed in their meetups can broadly be applied to any tool set. Because Tinderbox has been around since the early 00s and heavily focused on academic use, the majority of participants in the community are highly tech literate academics whose age skews to the over 40 set.

      A variety of Zettelkasten practitioners including several current and retired academicians using a variety of platforms can be found at https://forum.zettelkasten.de/.

      Boris Mann and others held Tools for Thought meetups which had been regularly held through 2023. They may have some interesting archived material for perusal on both theory, practice, and a wide variety of tools.

      Others?

      I've tried to quickly tip out my own zettelkasten on this topic with a focus on larger repositories of active publicly available web-based material. Surely there is a much wider variety of people and resources not listed here, but it should be a reasonable primer for beginners. Feel free to reply with additional suggestions and resources of which you may be aware.

    1. Reply to @Denny @richnewman @patrickrhone at https://beardystarstuff.net/2024/01/16/i-finished-reading.html

      I started reading Parable of the Sower exactly one year to the date mentioned at the start of the book at the public library in Pasadena where she grew up. As a 49 year old father of a 12 year old daughter, it was a much more visceral and eerie experience than I could ever have expected. She has forever changed the perspective I have driving down the streets of our shared neighborhood.

      I'm not sure if they'll have open remote registrations for it or if it will only be broadcast locally, but the local Octavia Butler Book Club has an upcoming zoom session on Feb 24 which can be found in the Pasadena Public Library's newsletter (.pdf). It will feature Dr. Kendra Parker via Zoom from Georgia to present her lecture: "Walking a Mile in Her Shoes: Exploring Octavia Butler's Archives."

      The nearby Huntington Library houses her papers and some of her materials there may be accessible online.

    1. read [[Dan Allosso]] in Peer to Peer?

      Not sure if you've seen/found it before, but as academia has been having bigger problems with granting tenure over the past 20 years, there's been a rise of discussion of alternate academia pathways, often under the term #AltAc in social media and other locations. Careers in writing in other spaces have certainly abounded here.

    1. 2023-12-21 BookBridge Talk, 2023. https://www.youtube.com/watch?v=3M-nfWI93nY. Andy Matuschak and Derrek Chow

    2. The linking between physical book and digital book is somewhat reminiscent to me to Livescribe.com's use of Anoto digital paper and direct linking of handwriting on the page with recorded audio. Perhaps the physical book and digital book could use such a substrate to effectuate some of the work seen here, but also do it in a way that is easily (digitally) recordable as well as replayable. They've also done some of the handwriting to text work one might want in this space.

    1. [[Dan Allosso]] in How to Read, part 2

    2. KW: Great Ideas, Selection

      Dan Allosso uses the abbreviation KW (key word) after which he ascribes categories or tags to his notes.

    3. Some of these goals might include: - Reading to understand an author's argument, so you can critique it or respond to it;- Reading to accumulate information and data the author uses, for your own purposes; - Reading to learn facts and ideas that will provide background for a narrative or argument;- Reading for enjoyment, which often involves novelty.

      Nice start on a list of goals for reading

      others?

    1. This is why choosing an external system that forces us todeliberate practice and confronts us as much as possible with ourlack of understanding or not-yet-learned information is such a smartmove.

      Choosing an external system for knowledge keeping and production forces the learner into a deliberate practice and confronts them with their lack of understanding. This is a large part of the underlying value not only of the zettelkasten, but of the use of a commonplace book which Benjamin Franklin was getting at when recommending that one "read with a pen in your hand". The external system also creates a modality shift from reading to writing by way of thinking which further underlines the value.

      What other building blocks are present in addition to: - modality shift - deliberate practice - confrontation of lack of understanding

      Are there other systems that do all of these as well as others simultaneously?


      link to Franklin quote: https://hypothes.is/a/HZeDKI3YEeyj9GcNWKX4iA

    1. You should read with a pen in your hand andenter...short hints of what you feel...may be useful; forthis be the best method of imprinting [them] in yourmemory. Benjamin Franklin (1706-1790)

      original source?

      it's Benjamin Franklin letter to Miss Stevenson, Wanstead. Craven-street, May 16, 1760.<br /> see: https://hyp.is/HZeDKI3YEeyj9GcNWKX4iA/www.gutenberg.org/files/40236/40236-h/40236-h.htm

    1. https://www.ebay.com/itm/404745139607

      2024-01-16 60 drawer card catalog offered for bid at $2100 and buy it now at $4,400. Solid cabinet in good shape, missing one rod. All wood. Has three writing drawers. Shippable from Huffman, TX for $92.83.

      Cost per drawer: - bid offer: $35.00 - buy now: 73.33

    1. Nearly 5 years ago, I read Watanabe Shoichi‘s “知的生活の方法 (Chiteki seikatsu no houhou = A way to intellectual life)”. His episode was very first time I realize what is card system, and it is used in academic world for long time.

      Hawk Sugano was introduced to index cards circa 2001 by means of Watanabe Shoichi's book “知的生活の方法” (A Method of Intellectual Life".

      https://web.archive.org/web/20170530033313/http://pileofindexcards.org/blog/2006/08/20/me-and-indexcard/

    1. Noguchi's book "Chou Seiri Hou (Ultra Management Technique)".
    2. Noguchi Yukio 野口悠紀雄 argues that for the individual researcher, classification is an endless and fruitless task (1993, 1995, 1999, 2000), and proposes that library-type classification by subject be discarded in favor of chronological ordering (that is, ordering on the basis of what document has last been used). His method basically involves putting all material into A4 envelopes and placing the most recently used envelope at the end of the row.
    1. https://www.ebay.com/itm/166548034302

      January 2024 15 drawer Gaylord Bros. card catalog in maple offered for $949.95 as local pick up only from Charlotte, NC. Missing two rods, very dodgy finish. Modular three piece: top, 5x3 and table base.

      cost per drawer: $63.33

    1. https://www.ebay.com/itm/156005054108

      January 2024: offering two separate 60 drawer card catalogs for sale OBO at $3,500.. Semi-modular with separate leg bases. Each has 3 writing drawers. Finish in rough shape, missing some rods.

      Cost per drawer: $29.16 (Presuming both for the $3,500)

    1. https://www.ebay.com/itm/166548086801

      Brodart 9 drawer card catalog. Generally good shape, some issue with finish, no rods. Offered for $250 in January 2024. Pick up or shipping from Garden Grove, CA

      Cost per drawer: $27.77

    1. https://streetpass.social/

      StreetPass, a browser extension that leverages rel="me" for compiling a list of potential mastodon accounts to follow as you visit websites.

    1. Christian Lawson-Perfect @christianp@mathstodon.xyz@liseo there are lots of ways of representing colours numerically. The most basic way that computers use is to use a number between 0 and 255 for each of the red, green and blue components, called RGB encoding. The problem with that is that colours that look close to each other don't necessarily have close RGB values. There are other colour spaces which try to get closer to the ideal of having similar colours close together. Oklab, which I use in this tool, is currently the best for that.

      https://mastodon.social/@christianp@mathstodon.xyz/111759984202211741

      Is there a way to mathematically encode colors, similar to RGB perhaps, such that the colors in nearby neighborhoods all have values close to each other?

    1. Agreed. Go with the FamedBearian numbering scheme.

      At least Scott Scheper is advising people to ignore the advice in his own book about numbering systems. (Too bad he didn't write that advice in his own book...)

      https://www.reddit.com/r/antinet/comments/193c6bu/comment/khcbe5n/

    1. In Scrivener, every section of your project is attached to a virtual index card. Scrivener’s corkboard lets you step back and work with just the synopses you’ve written on the cards—and when you move them, you’re rearranging your manuscript at the same time.
    1. ( 1) The rearranging of the file, as I have already said, isone way. One simply dumps out heretofore disconnectedfolders, mixing up their contents, and then re-sorts themmany times. How often and how extensively one does thiswill of course vary with different problems and the devel-opment of their solutions. But in general the mechanics ofit are as simple as that.

      The first part of "sociological imagination" for Mills is what I term combinatorial creativity. In his instance, at varying intervals he dumps out disconnected ideas, files and resorts them to find interesting potential solutions.

    2. taking random (and un-filed) notes

      "unfiled notes" as "fleeting notes" which aren't expanded upon and turned into "permanent notes"

      how are these related to his "fringe thoughts"

    3. " f r i n g e - t h o u g h t s "

      C. Wright Mills' idea of "fringe-thoughts" is similar to Ahrens framing of "fleeting notes".

  3. johnhalbrooks.substack.com johnhalbrooks.substack.com
    1. read [[John Halbrooks]] in Hwæt!

    2. Duke Ellington said that the greatest compliment was to be called “beyond category.”

      original source?

    3. This image resonates with the earliest description of an English poet, which we find in Bede’s Ecclesiastical History of the English People, completed in the year 731. Bede, a prolific monk and scholar from the monastery of Jarrow in Northumbria, provides an account of a certain Caedmon, an illiterate brother at the abbey at Whitby, who is visited by God and taught to sing beautiful poetry. Caedmon remains an oral poet, but his literate brothers write down his poetry for him.
    4. To illustrate this liminal space between the oral and the literate, here is an illustration from the Vespasian Psalter, a manuscript from the late eighth century, that depicts King David singing the Psalms: David is accompanying himself with a harp, and there are horn players and a couple of people apparently clapping along with the beat. But there are also two scribes behind him, who are writing down his song. Here we have a representation of a culture in a transitional stage between oral and literate transmission of poetry—the oral performance of a poem and the written transmission of the same poem are both present in the image.

    5. The fire completely consumed some of them, but among the survivors, though badly singed around the edges, was a curious book known as the Nowell Codex, which formed part of a volume labeled “Cotton MS Vitellius A XV.” (Robert Cotton, who had collected the manuscripts a century before, categorized his books with the busts of Roman emperors, which sat atop his shelves—hence, “Vitellius.”)

      Robert Cotton's library had busts of Roman emperors atop his shelves, and he used their names as part of his indexing system to be able to associate books' locations to make them findable.