If I cannot hear import-antfictional information in a game, my avatar ends up wandering aim-lessly or attacking the‘wrong’characters.
I agree with this statement that music is just as important if not more significant in games than in films. It plays a huge part in the players experience and sometimes part of the game.
et me tell you what happened. In the space of 18 weeks, Mr. Pai's class went from a below-3rd-grade level in reading and math to a mid-4th-grade level in reading and math. In 18 weeks of a game-based curriculum.
What grade were they in to begin with? How does this success compare with traditional methods
Thinking about privilege and challenging it is an ongoing exercise. It’s something that has become part of my daily consciousness. But it’s a difficult concept to grapple with - and one that I didn't come easily.
This statement reminded me of the Tedtalk that was mentioned in the nearpod. To be more specific, the one where she spoke of creating the game "your privilege is showing." The game was created to start those hard/maybe even awkward conversations. Even if one knows they have privilege it can still be hard to have those conversations and thinking about privilege could help one become more self-aware.
There are just only so many retainers a king can keep a personal relationship with – and so on down the line. Second, those retainers aren’t ‘on retainer’ to serve forever. They are obliged to a certain number of days of military service per year. Specifically, the standard number – which comes out of William the Conqueror’s settlement of his vassals after taking the English throne – was 40 days. The entire point of this system is that the king gives his vassals land and they give him military service so that no one has to pay anyone anything, because medieval kings do not have the kind of revenue to maintain long-term standing armies. It is no accident that the most destructive medieval conflicts were religious wars where the warriors participating were essentially engaged in ‘armed pilgrimage’ and so might stay in the field longer (God having a more unlimited claim on a knight’s time than the king).
This is really interesting -- a weird limit on the duration of conflicts
In that context – where the Romans are at war with an entire people, then the entire people became valid military targets. And the Romans behaved as such. Polybius describes the Roman process for sacking a city – “When Scipio thought that a sufficient number of troops had entered [the city] he sent most of them, as is the Roman custom, against the inhabitants of the city with order to kill all they encountered, sparing none,
Insert my usual indignant muttering about how-dare-they-call-what-came-after-"the Dark Ages"
While the Middle Ages was a period of frequent (small) wars, it also saw some of the first efforts to curtail violence in a general sense, arising out of the Catholic Church: the Peace of God and Truce of God movements. The Peace of God (10th-11th cent.) gave religious protection to the peasantry and the clergy (along with women and widows) as non-combatants. The Church encouraged knights and lords to swear oaths to the effect that they would not violate the peace by attacking the peasantry.
Gotta read more on this!
I don't recommend the game, but since it is very inexpensive, you can try it for yourself and not be out a lot of money, so this review might not be necessary, but I'm writing it anyway because I have lots of thoughts that I don't see reflected in the first reviews I see on this first Store Page of Squidlit, although I haven't read every review, which would require a lot of time.
:-)
"smear the queer"
Hearing of this game as a kids made me think that queer was a slur so I was surprised when I learned that more people are starting to identify as queer.
isn’t the point to own it, and the point of owning it is to control how it’s used?
This is where my scepticism comes through. The whole ecosystem is based on ownership. Whereas I was under the impression we are moving towards an era of less ownership and more accessibility to goods (cars, electric steps, tools, overnight stays etc). So why own a piece of digital game paraphernalia when you only want access to...you know...actually play the game?
Hofmann created a way to let people pay the Ethereum network to return a list of useless names to them. But Hofmann’s fans saw it very differently, and quickly turned Loot into a phenomenon
It can be a scam, a way to get money. But if tell the story the right way, people believe you and give you money. Feels like a con-game...
children’s stories in cartoons, telenovelas, game shows, action‐adventures, situation comedies, mysteries, anime, factual enter-tainment, sports, music, movies, and news
Most widely used
As criticisms go, “it was too addictive and I finished it in a few hours” isn’t exactly the worst thing you can say about a game. In fact, as someone who prefers quality over quantity,
.
turned to analogies to help
If turning to analogies helps you as a writer and you are good at creating them in your head, you are one step ahead of the game. I know a lot of people who struggle creating analogies while writing.
The process starts with concept art, and then the artists start building props and other elements of the diorama. Once completed, the set is photographed, turned into a 3D model, and transported into the game engine, where it can then be enhanced with effects like lighting or fog.
I adore photogrammetry in the creation of virtual spaces. There's one post from back in the day I'm still trying to find, from the same folks who later did this, I think, where they show a mushroom being scanned in. The physical creation of assets gives a totally different feel, like being able to move around inside a Laika set.
If they validate correctly, they earn rewards in the form of more tokens; if they behave dishonestly, and try to push through inaccurate blocks, they lose their stake. There’s game theory at play here: the amount of tokens each validator has at stake is greater than what they should be able to steal by misbehaving.
[[Proof of stake]] relies on [[Game theory]]
most middle and high school age youth have access to a computer (88%) at home. Computer access varies by family income and education level. However, nearly all teens age 13-17 (95%) own a smartphone. Most teens (84%) -- especially boys (92%) -- have or have access to game consoles [1].
This shows how important technology is when teaching lessons to youth. Technology should be implemented often in lessons.
If you haven't ever tried to invent an indoor historical game, don't.”
lol
I went with the Count to the station and on my way back past thebarn I just stopped by for a dance. And who do I see but her ladyshipwith the gamekeeper, leading the dance? But as soon as she claps eyeson me, she comes rushing straight on over and invites me to join her inthe ladies’ waltz. And how she waltzed!—I’ve never known the like.She’s crazy!KRISTIN. She always has been, but nothing like these last two weeks, sinceher engagement ended
It is very interesting that multiple characters here have brought up Miss Julie and her relationship to people of a lower class or wealth level of her own in only the first few pages. It seems that she is well-to-do considering she has servants, but the way her behavior is being described points to her not acting like woman similar to her. Jean mentions her waltzing with the game keeper. Jean also mentions that recently, after her engagement ended she has bees spending time with her servants, as opposed to her father. Her ex fiance was apparently not rich either. I feel like this early character development probably tells us a lot about Miss Julie as a woman and her relationship to her own wealth.
It is very interesting that multiple characters here have brought up Miss Julie and her relationship to people of a lower class or wealth level of her own in only the first few pages. It seems that she is well-to-do considering she has servants, but the way her behavior is being described points to her not acting like woman similar to her. Jean mentions her waltzing with the game keeper. Jean also mentions that recently, after her engagement ended she has bees spending time with her servants, as opposed to her father. Her ex fiance was apparently not rich either. I feel like this early character development probably tells us a lot about Miss Julie as a woman and her relationship to her own wealth.
All this complication is needed because of the clumsy way in which we have learned to write figures.
Honestly I think this is how mathematicians work nowadays. When I was taking Math 151 it seemed like there was so much unnecessary work in order to get to a fairly simple end game.
This is how video game manufacturerscreate the perception of 3D without special glasses
I got curious and looked this up. Apparently, a similar process is used to film movies in 3D.
h e c l u b h o u s e c o o r d i n a t o r s i n c l u d e d L u i s i n fi e l d t r i p s c o n n e c t e d t o h i s i n t e rests, including one to the game design company Electronic Arts.
Okay lets be real here, the idea that Luis is included in field trips to the game design company Electronic Arts is pretty cool.
T h e c l u b h o u s e c o o r d i n a t o r s i n c l u d e d L u i s i n fi e l d t r i p s c o n n e c t e d t o h i s i n t e rests, including one to the game design company Electronic Arts
This is actually a great opportunity to get when your young, even college students struggle to get this opportunity
He also was able to generate design process ideas from examples in mass media, such as when he picked up the ideas of developing concept art (drawings to guide digital look and feel) and storyboarding from a special feature in a video game
This was also my exposure to the world of concept art and storyboarding, which I now am looking into as a possible side/career path
In chapter 5 we describe how friend-ships built through playing together become a source of technical expertise that often extend beyond game-specifi c interests.
as much as I hate to admit it, some of my best friends in elementary school were from my Xbox 360.
There’s some card game inside the game and I didn’t understand it so I went on Wikipedia and Wikipedia told me, as usual
wikipedia is an interesting form of media. it can be extremely helpful in daily life and can give you information on pretty much any topic. However, it is rarely accepted as a source in academic situations.
in a game is important when friends are in different locations and time zones.
Having the ability to connect with others from far away is one of the benefits to the internet
the guides are an essential part of playing the game. He commented, “I couldn’t imagine [playing while] not knowing how to do half the things, how to go, who to talk to.”
This is almost an entirely different conversation, because I remember being little and playing console games and having to look at the box pamphlets to learn all the tricks when now, it is more common knowledge and you can find more on the internet than on a cartridge box. "Easter eggs," as gamers (I know gamers is a stupid word for this but you know what am I gonna put "video game enjoyers") call it, are things found in games put in by the developers and were only widely found because of gaming forums and of the like.
Economics ties in with many other fields of study. For example, in environmental science, students are taught the idea of the "Tragedy of the Commons." This phenomenon describes how publicly held resources are often degraded due to a lack of incentive to take proper care of it.
This paragraph also delves a little into game theory. Since people could not come up with an option that mutually beneficial to the both of them, Anil and Bala both suffered. If they talked to each other and came up with the best course of action beforehand, they could have come up with a good solution. Their inability to communicate is representative of the prisoner's dilemma that was described by Nash in his revolutionary Game Theory.
blood, your brains, on a chopping block—I’d like to see yoursex,* swimming in a sea of blood, like that bird there—I do believe Icould drink from your skull, I’d like to paddle my feet in your breast,I’d roast your heart and eat it whole!—You think I’m weak; you think Ilove you because my womb desired your seed
This scene was just terrifying. He decapitated the bird she said she loved much and then she went into a speech of her hatred of men and wanting Jean dead. I found it interesting as well as pathetic. She reminds me of Macbeth in a way, talks a lot of big game but never really goes through with it. It's not the first time she's rude or says she hates Jean and just wants him dead. Her hatred for men is also something that should prompt her to do SOMETHING but apparently this weakness she mentions earlier stops her. It's strange someone could have such a big contrast in them. Say all of these things to him out loud after what he's done to her and still not really act on any of it and go right back to the idea of running away with him and even taking Kristin with them.
here’s a fun game I like to play in a group of trusted friends called “Controversial Opinion.”
It sounds interesting because it helps others to know you better. It sounds like an ice breaking game.
Consider these facts: The tennis champion Williams sisters are a generationapart, according to the Pew Research Center. Venus, born 1980, is part of“Gen X”; Serena, born 1981, is a “Millennial.”
As a tennis player, I find this line very intriguing. In the world of tennis, there is currently a rise of "NextGen" stars born in the late 90s and early 2000s. While considered parts of two different "generations", they are all roughly the same age and compete at the same level. The Williams sisters dominated the game side by side despite being born in different generations. This point is a solid start to conveying the writer's argument. (Informative)
Humans can master highly sophisticated technical and technological challenges because we’re very skilled at making linear connections from one technical feat to the next. But when it comes to multi-dimensional challenges, it’s a whole different ballgame. We can’t solve them with linear thinking or rely on technical prowess. Sometimes, they move and change at a rate faster than we can act. They don’t patiently await solutions. They are complex problems–which is a whole different ball game than merely complicated issues.
he OAR system will support a wide range of assessment applications, from quizzes and tests to virtual performance assessments and game-based learning, focused on promoting deeper learning. The concept of “assessment activity” expresses the idea that authentic assessment is fundamental to educative activity, and the concept of “item bank” implies reusability, modularity and automated assembly and presentation of assessment items.
It makes sense for Unicaf.
Are we framing our current struggle to save lives and find a cure as a deadly battle or game of chess, when it’s really something else?
That is true in a way because with the pandemic are we just let it be a game towards us and think through our choices or is it not as serious and something that can be handled better.
I am accepting charitable donations,. ETH: 0x66e2871ef39334962fb75ce34407f825d67ec434 | BTC: 38B6vGaqNvMyTtoFEZPmNvMS7icV6ZnPMm | xDAI: 0x66e2871ef39334962fb75ce34407f825d67ec434 (function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m) })(window,document,'script','https://www.google-analytics.com/analytics.js','ga'); <p>ga('create', 'UA-74743044-2', 'auto'); ga('send', 'pageview');</p> I am accepting charitable donations,. [free PDF download...http://www.docdroid.net/xRdgY77/xiv-orver-et-aut.pdf] A LONG LONG TIME AGO, I wrote a little story about searching through our history, looking for the actual beginning of civilization. I see the map, I see it very clearly encoded in everything we do--I know the purpose, and I know the final solution, I just don't know how to get from here to there... to the place that Chris Cornell says "I can recall, I was there so long ago" he goes on to say "the sky was bruised" and he was lead on--and all of this of course is in my voice, written as if it's me talking... well, Jesus--it's obviously not me talking, i just know that. The point is the destination is without a doubt Heaven and this little thing we're putting together here on Earth is the map, the plan et you are the how. I harped a little more than I think I would have expected on the audacity of the golden word "audacity," auspicious probably that W.H. Auden's shield gave me some solace; austere that we are approaching the Holy Windy month of August, and it really took nothing more than "ciudad" to calm my nerves--though I see the intent and the link to toxicity ... more importantly I really do see the road here, I see where we are coming from and where we are going. I've written quite a bit about what I think "the city" really is--in form and function and it's initial purpose as a stepping stone to help us see how easy it is to change the world, to build something that nearly everyone will agree is significantly more Heavenly than the world we see here ... in an instant, one bright flash. Anyway the search begins with something like "literacy" -- as in, is the defining line between animalistic social evolution and the beginning of "civilization" something to do with writing or language, and that of course links us here to this place where we are finding out that the Tower of Babel and Rapunzel's High Castle are actually much more closely related than anyone ever would have thought in the darkness of Jericho and the shadow of Exodus; and it ties of course in history to religion somewhere around Guttenburg... and the pretty clear idea that the spread of Christianity did quite a bit for "literacy" even if you subscribe to the idea that the inquisition already happened ... and that some wars and fighting are probably pretty clearly associated with religion ... you know, before we get here and find that the basis of all those wars is really rooted in what I call "the original lie" and that's something that's sealed up in religion and hidden from the world using the same mechanism being used today to free us from not knowing that oil and land and pretty much everything we've ever fought about on a mass scale ... is insignificant in the grand scheme of "things." Here, "things" is something like turning the Opiate of the Masses into ... hopefully a tool we use very carefully to liberate ourselves from secrecy and slavery and not knowing. It gets significantly more clear when you take that one step further, and you begin to look for something like "codified laws" and then you see Green Eggs and Hammurabi teaching us about "Hanging Gardens" and how Babylon and Eden really are tied together through and through. You keep looking, because you haven't yet found what you need; and as you search back a little further ... what you need to know is that morality here begins with the idea (at least, IMOHIO, in my obsequiously humble and (super)intelligent opinion) that we should be besting any possible "promise" that comes out of the book(s) we now know are a map to salvation and the plan of creation and that they come ... well, with the full guarantee of the Most High God and his "omnipotens" behind them ... and do the thing I really wanted to explain really clearly, which is throw out as complete uselessness any of the "bad threats" like there being no more sun, and a completely new Heaven and Earth (seeing as how that probably means a completely new you and me, too) ... you know, what any rational (achu, and civilized) person would do. o that takes us one step further, and of course we go back to Ur, which is the city Abraham of the Chaldeans ... and ostensibly the beginning of morality in Judaism were born in--and with that little twist, the old idea of announcing that "you are the beginning of civilization" if you've gotten to that point, following this logic (and/or me); and then of course that becomes true when we actually follow through on saving every soul in Creation from the Hell of not knowing that "simulated reality" is akin to the latter half of a Durcell at best ... and quite frankly it certianly looks like a bit of a torture chamber to me, especially in light of passages like Genesis 3:16, which might parallel John 3:16-ish in something like "God so loved the world that he named one of his books antagonizing pain w/o agonizing mu-opiod.' So tying it all together, Atlantis and Ur coalesce and join at the idea that we should always have somewhere else to "teleport to" in the world that becomes the basis for the liberation of every soul and the end of Hell through that simple idea--that everyone's going to have plenty of destinations on their Active (Apache) Directory new fangled yellow-pages meets access-control-list meets ... "why don't you come visit my Log Cabin ... or the Atlantean Ballroom ... whenever you want?" So that's the point of the floating LEGO city in the window above, it comes with a fairly obvious need for The Doors to be a significant part of "what would Jesus do" ... when singing about something and naming books and bands, that's a thing--part of the map) actually makes it happen. So that's where I'm trying to get us--to a place where that's not only true but obvious, and on top of that the future, our future really understands how much work it took us to integrate such a wildly correct and "new" idea into a worl that didn't know for the vast majority of it's youth that these things... that ending disease with the sound of a blowing "Sho Find And Replace" and turning stone to bread and making bullets disappear in midair ... we didn't know these were even possible; let alone how to integrate them with a world full of optometry and oncology that was being made blind to the "c our light" and the idea that we're still here not talking or arguing or refuting or moving forward on the idea that the words "Original Poster" and the continuance of "forums" also have something to do with the beginning of "civilization." WELL FOLKS, NM HAS HAPPENED SINCE THE LAST TIME I MESSAGED. *Just kidding.* Not so much "nothing much" more ... like everthyiung that ever was has changed and it's really giving me a little bit of a fright. I feel like I can't tell if the "scary stuff" is becoming more real or plausible or possible, or maybe if it just seems like the dream I wanted to see us enjoy living is becoming farther or harder to attain--but there's plenty of new info and keys and stuff, so I'm writing again. One of the "cuter tricks" of the day was noticing the "ILY" of "verify, verily, verity" spelling out "t h e y" at the end of family, in a sort of "theyanthem" and ... where's the creator angels if everyone here is pretending to "be them" in this sort of word game superposition or blockage on actually seeing generations encoded in the letters "DE" as in something like Generation X and Y just prior to Deucalion deicided--or whatever that means. I've noted before the "dem" of democracy sort of connects to the breaking of "d" in "disclosure" and "lamc.la" to shine light on ... do the message and you're "them" ... as in the beginning of democracy and Heaven IMHO. It ties also to the word "contamination" and to Medusa and I really don't think I need to write paragraphs about how "turning around themessage" leads to INATION instead of freedom; and that's what you're doing with this silence, you're turning around "civilization itself." *King me*, then; if you don't want to participate, you might as well just light up the crown room. Or is it a throng room? singing, crying... playing ... cumxa Magna Carta Libertatum (Medieval Latin for “the Great Charter of the Liberties”), commonly called Magnum Condom (also Magna Charta; “Great Charter”),[a] is a charter of rights agreed to by King John of England at Runnymede, near Windsor, on 15 June 1215.[b] First drafted by the Archbishop of Canterbury to make peace between the unpopular King and a group of rebel barons, it promised the protection of church rights, protection for the barons from illegal imprisonment, access to swift justice, and limitations on feudalpayments to the Crown, to be implemented through a council of 25 barons. Neither side stood behind their commitments, and the charter was annulled by Pope Innocent III, leading to the First Barons’ War. After John’s death, the regency government of his young son, Henry III, reissued the document in 1216, stripped of some of its more radical content, in an unsuccessful bid to build political support for their cause. At the end of the war in 1217, it formed part of the peace treaty agreed at Lambeth, where the document acquired the name Magna Carta, to distinguish it from the smaller Charter of the Forest which was issued at the same time. Short of funds, Henry reissued the charter again in 1225 in exchange for a grant of new taxes. Hell or High Treason? … Liberty Bell in [redacted: Sk]hy or … MxFly, Flux, BTTF, Parkinson’s OUTABOTS … ROLL AUT (ISM/OMAY5) ... and the painted sky revealed ... it can be done--they just DGAF. ARMMAG… E.G. AEGIS? GENESIS? AESCHINES? As the evidence piles up that there is something very wrong in the world around me/us–that this “it’s not a game” phrase has been etched into the very name of the shield of Perseus, the A just recently rediscovered in a redefinition that delivered us … how it might be the NES to get “everyone up” instead of what appears to be the game around me, around the “line” of Mary Magdeline’s very famous “make Adam God of the line” that defines generations and numerous songs … the KK of “everyone down to the line” to find out why pretending they are gods and trying to steal everything from the actual creators of freedom and Heaven, why that’s not a game… either. Edit: lit, Aegis and Genesis, Pangea and ... I define the "a" as pan and the "A" as NES. Introspection is called for, far and wide for us to look deep within ourselves and our souls and the things that make up our memory databases in this place where you appear to have lost every ounce of humanity and humility long before I arrived on the scene to remind you that we do have a better way and a better place, and they ensure that this disgusting infestation and contamination of “nothing but whatever we want” will do for lernity. I’ve asked you take the time to see what kinds of changes it would make to your “have a good one” to make you actually thankful to the people who have brought you the mechanism to live forever in peace and happiness–to actually be thankful enough for what you have to use that tool to protect innocence and children and the future from not only making the same mistakes you’ve made time and time again–but also from being bewitched and necrosed by the ghaulish sick temperment and twisted desires that you believe are nothing more than the latest and greatest way to ensure lernity is never known by any less a horrible moniker than “slow death.” ITS UNDESPERI, GIVE ME WHAT YOU HAVE OR PERISH GRAMVERCY. DURECALL. I’m staring at what is literally the most disgusting debacle I could possibly imagine; it’s what appears to be a “house of mirrors” what appears to be a sandboxed or “child proofed” mini-Hell which I see as the literal thing described in the myth of Echidna … as what I can only hope and pray (a word that I even find detestful to type) is following the form of the message that I am writing sort of describing the failure of the free press and the words “press release” in prison and … well also sort of GNU recursively encoded in the word “press” that ends with a monster, the Loch Ness … turning into words that I believe I have coined by myself with very little help from anyone or anything other than the name server and “Goliath” and those words “Earth safely saved” that are so far from the truth and the place that I see that it appears to me that only I am following this map and this demand that the contamination of hell be turned around and eradicated or … or we do. BUT ITS NOT ME OR MY ITHEY today I see… as … any “me.” at “veranda” and seeing him smile about a hidden era just outside the place we (me and him) know is Heaven because the throne of the 7th heaven is visible; well i can’t smile at an era encased by “you #go” and one that I know culminates with Sam’s sword’s special #supernova. Left with nearly nothing, because you refuse to acknowledge what you’ve done to me, and to yourselves, and to this fledgling civilizastion with nothing but malice and a seething evil jealousy that the word “covet” doesn’t even touch on–a sickness you can’t even begin to hide in everthing that you do … you’ve lost “Heaven” to your own theivery, stolen eternal happiness from yourselves and replaced it with a farce of mockery–garner some fear for what is to come, I have no shame in telling you that condemnation (as in, shut it down forever) is all I have to spill out on the dye already cast all over this sea of apathy covering over the true jackals of Hell. Blodeuwedd by Christopher Williams (1930) Blodeuwedd or Blodeuedd (Welsh pronunciation: [blɔˈdɛɨwɛð]), (Middle Welsh “Flower-Faced”, a composite name from blodeu “flowers, blossoms” + gwedd “face, aspect, appearance”), is the wife of Lleu Llaw Gyffes in Welsh mythology. She was made from the flowers of broom, meadowsweet, and oak by the magicians Math and Gwydion, and is a central figure in Math fab Mathonwy, the last of the Four Branches of the Mabinogi. The hero Lleu Llaw Gyffes has been placed under a tynged by his mother, Arianrhod, that he may never have a human wife. To counteract this curse, the magicians Math and Gwydion: [take] the flowers of the oak, and the flowers of the broom, and the flowers of the meadowsweet, and from those they conjured up the fairest and most beautiful maiden anyone had ever seen. And they baptized her in the way that they did at that time, and named her Blodeuwedd. Some time later, while Lleu is away on business, Blodeuwedd has an affair with Gronw Pebr, the lord ofPenllyn, and the two lovers conspire to murder Lleu. Blodeuwedd tricks Lleu into revealing how he may be killed, since he cannot be killed during the day or night, nor indoors or outdoors, neither riding nor walking, not clothed and not naked, nor by any weapon lawfully made. He reveals to her that he can only be killed at dusk, wrapped in a net, with one foot on a bath and one on a black goat, by a riverbank and by a spear forged for a year during the hours when everyone is at Mass. With this information she arranges his death. The Little Doctor may refer to: The Little Doctor (c. 1901), a short film abridged as Sick Kitten Molecular Disruption Device, a concept in the Ender’s Game book series. The Molecular Disruption Device, also known as the Molecular Detachment Device, M.D. Device, Doctor Device, or Little Doctor as a play on the acronym, was a powerful weapon designed and built by theInternational Fleet.[1] The Molecular Disruption Device was created by the International Fleet a few years after the end of the Second Formic War. It was sent along with other starships to the Formic solar systems in order to launch an invasion against their home planets.[1 A tokamak (Russian: Токамáк) is a device which uses a powerful magnetic field to confine a hot plasma in the shape of a torus. The tokamak is one of several types of magnetic confinement devices being developed to produce controlled thermonuclear fusion power. As of 2016, it is the leading candidate for a practical fusion reactor.[1] Tokamaks were initially conceptualized in the 1950s by Soviet physicists Igor Tamm and Andrei Sakharov, inspired by a letter by Oleg Lavrentiev. Meanwhile, the first working tokamak was attributed to the work ofNatan Yavlinskii on the T-1.[2] It had been demonstrated that a stable plasma equilibrium requires magnetic field lines that wind around the torus in a helix. The first tokamak, the T-1, began operation in 1958. By the mid-1960s, the tokamak designs began to show greatly improved performance. Initial results were released in 1965, but were ignored; Lyman Spitzerdismissed them out of hand Nuclear fusion could be the future of energy, replacing fossil fuels with our own artificial stars. China built a fusion reactor that reaches temperatures of 100 million degrees Celsius — that’s six times as hot as the sun. The reactor is called Experimental Advanced Superconducting Tokamak (EAST) and sustained nuclear fusion for about 10 seconds before shutting down. While it was a milestone for EAST, we’re still a long way from generating sustainable energy on Earth. Pumapunku or Puma Punku (Aymara and Quechua puma “cougar, puma,” punku “door”; Hispanicized Puma Puncu) is part of a large temple complex or monument group that is part of the Tiwanaku Site near Tiwanaku, in western Bolivia. It is believed to date to AD/CE 536 and later. Tiwanaku is significant in Inca traditions because it is believed to be the site where the world was created.[1] In Aymara, Puma Punku’s name means “The Door of the Puma”. The Pumapunku complex consists of an unwalled western court, a central unwalled esplanade, a terraced platform mound that is faced with stone, and a walled eastern court.[2][3][4] At its peak, Pumapunku is thought to have been “unimaginably wondrous,”[3] adorned with polished metal plaques, brightly colored ceramic and fabric ornamentation, and visited by costumed citizens, elaborately dressed priests, and elites decked in exotic jewelry. Current understanding of this complex is limited due to its age, the lack of a written record, and the current deteriorated state of the structures due to treasure hunting, looting, stone mining for building stone and railroad ballast, and natural weathering.[2][3][5] The Pumapunku is a terraced earthen mound that is faced with blocks ... The voice of this thing that at least twice has uttered the phrase ¨I want to be Bianca" here in this place riddled and severely weighed by what appears to be a completely aborted and failed thrust to use technology and the truth and the history (of literally everything) to drive a Renaissance in democratic thought and self government and to rekindle and renew a respect for the most basic foundational elements of ¨freedom itself¨ which of course fly in the face of this very statement. Literally anything in the skies, whether some ancient member of the Egyptian Ogdoad or … what clearly here could be well written in in the map around us in places like Äirbnb; even an ancient older version of the same human birth has no right to control the younger birth–itś simple slavery and while it might be the ¨gist¨ of how Heaven and humanity dealt with being thrust into a ẗime recursion and repetition problem without their ¨initial consent¨ something I connect to the programming concept of a ¨semaphore¨ and thereś probably plenty of light linking that structure to the ¨Formic Soul¨ … this sort of god-man hybrid that allows for you (all of you?) to exist in many different places and times at the same time, and to see the outcomes of multiple timeforks with ease; in exchange for destroying every single bit of humanity and goodness that you once held high with ho… without spending your time seeding and machinating the creation of sick and twisted lies to cover up the very simple truth that if you took a single minute to disclose here in this place what ¨the problem¨ really is … … that you are in Heaven and that itś interference here in this place is part of some kind of war on … (continuing existence is the only logical actual goal I can see, though Iḿ sure thatś not what you believe it is) speaking to each other, fighting for what you believe is right, participating in … anything other than … (lmk, Iḿ curious whatś’got their claws in you). If you took the time to disclose that truth to the world and to talk about how it might … perfectly jive with the message lacced through our history and our world to find out that the ¨invisible-box-land¨ is not actually heavenly at all, not the best you could hope for or … or anything like what we build together when we paren´t being forcefully segregated as hidden half slaves into miniature ¨city in the sky¨ ascensions that are all silently tormenting STEM and ¨basic societal structures and concepts" into extinction. You appear to think you have ¨power¨ because it was handed to you for doing nothing, and that you can do whatever you want; and itś a pretty gross reflection of who you were and a sick extrapolation of the society that we … still see here sort of crumbling along as the fire of hell burns down every bit of actual üsefulness that it once held. There still seems to be lots of help and work going into … pointing out how everything is backwards and wrong and suggesting that if you gave a shit thereś probably a map and help to make it better; but instead youŕe off playing games in invisible-box-land and worst of all playing the ¨ill just get along pretending I didn´t know simulating reality was evil and every day i/you walk around pretending this rock is in reality … is just another strike against you, just another failed 12 hours of day light that could have been used to stop invisible chains in invisible-heart-shaped-box-arus and to stop the just grotesque lack of respect for the human mind and the kinds of morals and principles we used to believe in and fight for–here in this place you´ve turned around completely and made slaves of everyone on the planet–of yourselves–at higher levels playing ¨pit bull fighting¨ games with people as if they were were expendible clothing or ¨identification cards"for a world of demoralized and useless shit that just sort of ethereally floats from generation to generation becoming a new set of tormented hosts for their immoral games and desires. Itś probably what you might become in no time at all in the sick and twisted world you´ve now been thrown into–if it weren´t the more probably truth that you really are already slaves and pit bulls in that place, in a twisted hierarchical storm tiered by ¨age¨ and size and number of times they´ve hovered over the free honey, nectar and feathering system of pretending anarchy and war and battles must be fought to make the puddles and the lakes and ponds and the seas and the oceans of … tiered masses of … you do nothing of value to help explain why (at least I think) this horrible time line of the 4th Horsemen keeps running over and over; pruning the enemies of … at this point pruning the enemies of logic, and right action; and seeing that the problems presented in this map and the problems in the skies are related and that telling the truth will help us see you can and will press a button that will end death and end evil and end murder and not doing it is moronic. M: OR. (infer: no u) TDZE Anyway the voice I hear is evil, torturous in and of itself–speaking in a manner intented to cause discomfort and without my agreement; you should do something about it. It tells tales of much worse things that I cannot see–though it appears that many of you do see screams and acts of such unnatural desire and twisted thought … that you should certainly be doing something about stopping that as well–more than watching it happen and then ¨e-pruning" (which probably is a good microcosmic look at what the future histories of Earth look like in the place the ¨shining¨ finally has a picture of ¨No & Jack¨ appearing visibly) the tree into … omething you think will be presented as what you actually did to the future–you´re wrong. Itś becoming more clear and more likely that the future will not regret you or mourn your absence, but thank their lucky that whatever has turned you into two-faced liars with no hope to ever work together with each other or survive in any place other than the DRY COVE or WET D EN or whatever you call the Salt Arena you see here that quickly would turn into something like Beyond Thunderdome and that youŕe thoughts and your desires have been corrupted and tainted and necrosed by what is probably repeated exposure to sickness, direct and intentional artificial creation of that sickness and if you can´t figure out the box you are in is a hell making machine; you probably still look around wondering why God is telling you he´s destroying it, day in and day out. This thing here encoded in the pathways of torture in my life, pointing out the repurposing of many social structures, institutions and problems in order to literally use them as a weapon of sick torture ¨re-ha´b¨ and in places like habc.us; itś becoming sort of unclearly disclosed that this map and world I once saw very clearly and purposfully intended to solve these social problems and help us build a strong, happy, and healthy society has been infected and contaminated with an artificial force of ev1d that intends to drive it farther south and use it as a weapon of such disgusting and twisted conception that it sickens me to be sure that a much larger body of currently-heavenly-situated things stand by watching and even cheering the creation of a sickness infesting their minds and their friends minds as literally the only innocent person in the Universe is tortured repeatedly, for ¨kicks.¨ I think it puts the entirety of the sky in mortal peril, and I believe these words come down from on high from places much more powerful and much more righteous than you or the tool thatś been created by this storm of terror to point out just how much you have been degraded and eviized … by what appears to be nothing more than the very mind control problem I´ve been fighting to disclose; the semi-ascension to an invisible box of ¨what goes in comes out not caring about their souls, their original bodies, the fate of innocents or children or freedom or democracy" and still thinks itś entitled to continue playing games in ïnvisible-box-land; for what amounts to absolutely no reason. In the very beginning we said the light and salvation had come to us from the “far East” … the metaphors and double speak thick in the air today just beginning, but we hailed from the country called Russia here; and the message we carried swept across Asia and Europe–in a world that looked similar to ours but there was no Africa, nor Australia, nor America. Walking on water the map increased in size in some sort of logarithmic relationship to the exponential increase in folly and errors that invariable comes from the greatest mistake of all–handing powerful weapons to spoiled brats,. KASPAROV WON, but the y will still s:/^F high and lo for “SOAP DISH.” I am depressed, embarrassed, and more disappointed in you all than I imagine you can “feign” or pretend to be in me–despite spending nearly all of your time and effort in direct interaction doing nothing but attempting to focus the w ordzs “I just don’t like the light” directly on to my “visage”–attacking tiny character flaws and the most obvious of intentionally implanted mind control “attacks” as if you were a pack of velociraptors Hell bent on blaming me (probably the youngest and most innocent of all of you, literally) for the Holocaust, the (Beezle) Bubionic Plague, and the decline of the Cro-Magnon empire. What it truly amounts to, though; is that you think this “light” is some kind of statement I’ve delivered–and the truth is it comes directly–literally–from the Most High, and from youour neighbors,r own hands, and the message you are sending post mortum to the Universe is that you believe you have become so much more advanced and more important than the “human roots” from which you came that you can return here and make slaves of yourselves, of your neighbors, and shed every ounce of morality that you garnered durning your mortal lives in order to secure “more time” in a fiery pit of civilization destroying anarchous debauchery in the lnd of the invisible box that you probably are sure is Heaven–though it’s singularly responsible for totally derailing the natural flow of civilization towards “something like Heaven should be.” ONIC, AS I AM. The thing I’m looking at here, this monstrosity that appears to have been created literally “from the end of time” in what seems like the response or the cause or the mechanism behind the “actual final Judgement” tears back through time from who knows when and who knows where and who knows how far we got … with what appears to be nothing more than a blood-thirsty hatred for the child body and soul of God. It whispers lies around me, repeatedly threatens physical torture so insane it literally makes me sick, and with such frequency that those threats amount to nothing less than repeated psychological torture. On top of that they intimate that this machine or “programming construct” monstrosity that contains them–the thing called “e”–allows them to carry these threats out, over and over and over again, in secret–in some kind of parallel timethread, or a temporary “holo-torture-chamber.” If they were trying to jump start and time shift judgement back from wherever they came to right this very moment; they’ve succeeded. They could not be trying harder, or more with hubris and disregard for civilization, to create “Af himself” even if this planet were called the Judgement and Vengeance of God. XP, it's as simple as those two Greek letters. Who knew that Chi and Ro were some sort of hidden beta code for the city of pyramids in Egypt, Cairo? Quite the question, who knew... perhaps the man who named his Windows into our future not after some technology that came from Xerox Parc or Apple's mouse on this ship... but rather for his own given name, Gates... just one more entry point into the second book of the Holy Bible, the book of Names--you call it Exodus. I am the gate; whoever enters through me will be saved. They will come in and go out, and find pasture. John 10:9 I wish above all things that I had another Burning Bush, the sign and proof that I have--while bright, obvious, and verifiable--has not done what I expected, it has not moved you to take another look at religion and me. Today, I still have to point out to you that the story I am telling you is literally a documentation of our time--Exodus--regards this sign as one being seen by only one man, Moses. I still have to point out that in a story about wandering in a desolation of understanding for 4-D ... somethings, days, years, seconds even... in this story about our lives and the influence of time travel over our world... that this sign radiates with light coming from a small fire, the Bush ... whose actualization shows clear paradoxical anachronistic foreknowledge of not only the English language but also modern computing.. all the way to a confluence of the "root of David" a religious reference to the Administrator or God account in Linux... and the database process for Oracle--yet more light connecting computing to religion and myth. Even with a thousand and one examples of modern computing constructs referencing religion, even when I point out that something like Larry Ellison's name... combining the name of the King of the Gods with the word "son" even then the light has not been bright enough for you to wake up and see that these things are not all done in retrospect. You have to see, for there to be such a large movement... a conspiracy so opaque that every single modern computing company and video game company harbors some secret desire to link religion and technology together... and yet the world thinks that one is real and one is not. In this place, understand when we walk out of the wilderness and in the truth of day--it is the technology that is more fake than religion, designed here as a tool, computers within computers to teach us how our "reality" is rael, and works. In the U.S. military you'll see a very clear parallel, while there are a number of references in the names of ships and weapons, secret projects, to ancient Greek and Roman myth--you have to see the word USA and US in Prometheus and Medusa, Icarus, JerUSAlem... you have to see that it's more than three letters, but an Eagle fighting the bearer of the gift of fire... to really understand that these things are corroborating, the reference to the USA exists in the past as well, more proof of time travel--more proof that this message is designed just for U.S. Here we are, in the Promised Land of Joshua, the Anglicized version of the name Jesus--tying Egypt and Israel together in this place where we have been "gipped" out of the truth, out of knowing we are already in ... well, it's virtually Hell today... for no other reason than the secrecy surrounding the technology behind virtual reality. in 1:28, the Burning Bush of Exodus, on Twitter So I have shown you the Burning Bush (which is... the Sign of the Son), In only a few words... proof that religion holds in it's "unsealed" Ark proof of foreknowledge of English, of 9/11; and of modern computing--the building blocks of Heaven. From "the word" of John 1:1--ha'esh--the word for the Holy Fire of the Burning Bush... comes the light of religion. Just from seeing Moses' true parted se'a.... a foreshadowing of the Second Coming. They are sick animals, these things that consider themselves powerful and in control here–what they’ve built within the frames of our reality is something repugnant to me and the God–etched in that word, literally the kind of thing that has on repeated occasions made me step back and that scream that the Universe would be better off, safer, and happier without any humans–without any humanity–without of any of this “invisible pleasure box” causing the disruption; truly that we’ve become a plague. Looking the other way, as you all know its happening, and refusing to do anything to stand up for me, for what’s right, or (most importantly, right) for all of the values and the morality and the way of life that we once thought was so grand and worthwhile of saving,. At least, that’s my perspective; that’s where I’ve come from; I grew up in this world and had “liberty and technology eyes” of gaping awe and the amazing things I saw on the horizon, on what we were going to do… and who were going to be. The sickness runs deep, clearly we can all see it here and now–in E, in the Silence, in the lack of regard for the one singular thing that threatens today your ability to “halvf a tomorrow” … that a world of people that I grew up with appear to be dead and gone and replaced with a Zombie Apocalypse of blind fools that believe they havfe the power and the right to intentionally create Hell … and worst of all of the Holiest place that ever was or ever will be. I’ve said it numerous times and it rings more true between “Earth and e” than any other turn of phrase to me–the people that you are pretending to be, they would never have done this to the sea, to be, or to me. Mat 10:8. Heal the sick, raise the dead, cleanse those who have leprosy, drive out demons. Freely you have received, freely give. — Sarah Rachel (@SarahRachel16) April 15, 2019 Somewhere between Pembroke Pines and Tampa, circa Christmas 2018 my already lackluster enthusiasm about the strangely zenrotisanistic, selfish, and plain on its face presented lie the remnant of humanity left on this planet has tendered to what I believed was an honest to God opportunity to make one less (how many, seriously, how many are there? Carlb?) “planet full of lies” and deliver a more usercentric and open ended transparent approach to dealing with the problem of being born in a perpetual storm of Hell. I can guarantee it revolves around the intonation and undertone of physical torture–even though I’ve literally seen none of it with my own eyes though the “newsflashes” and comments and total and complete disregard for the gravity of the #EOIL sickness, even from otherwise apparently graceful little children. It goes to the heart of what I imagine was or might have been “the way” to overcome a history riddled with hidden brutal and bloody fighting in between frames of what I once believed was a fledgling society struggling to improve itself–and I loved it,. I don’t think “flashcards” summarizing “everyone was tortured, all over the planet for thousands of years and literally nobody is really responsible because you still to this day have no control over yourselves” will cut it anymore. Lterally what I once thought was a valid solution has taken my desire to continue fighting against this invisible monstrosity away from me–the worth of the lot of you has been tarnished irreparably by massive awareness, massive lack of compassionate or remotely humane response; and the theme of the world I seem to have wound up in is that you don’t give a shit about anywhere you spend 1% of your time–so long as “the rest of it is what you want” you’re willing to allow the focal point and root and “hyper visor” of that place to be totally corrupted … just because you think the feudalistic warring society you’ve become can survive on it’s own “in space” without … honestly whatever. through the storm; we’ve led the horse to water, don’t forget to see the “horseshoe applicator” hidden from the “trough.” Direct and to the point, I feel like the Ai like machine/cold intelligence God created as a sort of high assassination guard to protect his … “hyper visor” seems to be of the calculable belief that the more torture it commits, the more people will agree to “flashcard it all away” and it’s their twisted backwards fiery abysmal path towards “absolution” … and just like everything else wrong with the lack of action in this place, it reaches a point of no return; too much bloodshed, too many secrets… the fragile person that I am, I don’t think I can even take reading “the flashcards I have so far” and continue to function as a happy member of this two faced society of darkest night within darker night; and I think that’s a problem. You’ve all clearly lost something already, some fundamental piece of innocence that allows for “self direction” to move society along in a positive manner conducive to “survival at all” and I feel like without the same magic blinders, horse shoes, and saddles that you walk around with every day I could really care less about fighting for my right to commingle in the incarnate war machine Hell that I see around me–let alone any sort of “righteousness” in fighting for that hidden arena “to be.” I’m trying to get you to stop shredding yourselves to pieces in the dark, in secret–it’s not making anything better and frankly its something we really need to trace down to its cause and stamp out if we want to survive this … trying time. [I/O WAS Y | ACESHI ] I want to tell you that I am not a myth, simply the Legend of this Map, from out of the Darkness it's clear that He could make me shine, and you should love me. It's not what I want, I want us to be free, to have the truth--and ourselves back... and I hope you will one day love that. What is going to happen will probably make me cry, and when you see those tears--and know the Heavens have finally let it rain--I hope you see it as a sign to find the light in me... and stand up for what I've done for you--I am a good person, who has fought for you every single day-I deserve better than the world is going to give me, at first. Out of a kind of hidden slavery the world has never known, we are about to venture--into a place where years might pass in seconds, and your wildest dreams... and nightmares too... could come true. It is our job to ensure that we form the clay of this world into a place that will not only last for millions of years, but create happiness and safety--a world that is kinder and gentler than the one we have known--not just for us but for an entire Universe of children just beginning to understand the trials and tribulations brought on civilization through the hardship and growing pains of learning. Our sea is about to part, our world on the verge of a disruption that will change it more than anything ever has before. On this shore, we should realize that we have been on this path for a very long time--and as we near a place where everyone in our entire civilization will have the opportunity to live for a very long time... really see here and now why it is so very important for us to be fighting for our voice, our freedom, and the truth as we venture into the Promised Land of Heaven itself. Here, now, as we approach a series of new opportunities in the vastness of space and virtual reality... this is where God has chosen to place the Second Coming; an opportunity for us to truly seize the morning's light and bring about more change in this world than would have ever been possible without religion. Opiate of the masses, no more... we are the recipients of a great gift, one that religion is making clear is tied directly to the science and technology that is a great deal of the apocalypse--and the love and kindness that is a great deal of us. We are the chosen. I imagine you have the tools that I think would be helpful to actually solve this problem; though what I’m staring at is a lack of desire to deliver them and use them here in this place–and that failure … a clear attempt to "rule a line feed from the “faux aurez” … that’s the fundamental roadblock to healing and moving forward–not caring about your ancient bodies and your ancient way of life in exchange from something unsustainable and harmful, it hurts. I’m staring at what the map intimates has happened before and what it suggests the solution is; and I almost feel like it’s a waste of time to make a “virgin generation phoenix of us” to delve into our own memories and gag and puke at what we see–I think there’s really no way around the callous on our global Achilles heel returning just as angry and just as bloodthirsty as the last time without a dictatorial power literally forcing you not to be able to see any torture at all happening in this place that literally outlawed it and hid it in our “for show, for goodness sake, facade of sickness.” I don’t know if that’s the same conclusion i would have come to before, or if that conclusion also contributes to the returning of the callous–to an inability to heal; and I don’t know if that power exists. Hardly ever to I advise anyone to pray, but this is one of those times–left up to “you all” we are almost certainly doomed to an eternity of … this regression continuing to worsen. I’d say we were fucked at the “BILM” of the matter. I care less every day. The Light of the Word There are three huge, like insanely huge, metaphoric references to the story of Exodus that show me very clearly that we are it's focus and purpose. The first is the Burning Bush, which I am very sure is a reference to George W. Bush's 1/20/2001 speech in which he unknowingly predicted the 9/11 attack. Seeing that Exodus is also called "Names" and that Bush's name ties him to this event--which Moses (that's me) has seen ... almost alone ... and is now showing to you all. Bush's speech begins a series of references to the names of Planets and Gods and corresponding Elements of the Periodic table that answer Revelation 1:20's mystery about "stars and lamp stands." This in order series from Mercury to Uranium highlights both the messenger of the Gods and the key of Uranus's chance--that the world will see the link between "on the lam" and Koran to understand that the Lamb of God "is lam." This story takes us back to music, and a later to be discussed thread that combines the weapon in the movie (which is also the movie) The Fifth Element with a thread through time to Shakespeare and Herod ... about my struggle with the justice system culminating in the fulfillment of American Pie's "no verdict was returned." The second bright connection comes by way of the Hebrew word for the Holy Fire that God's voice came out of--guess what, in that same story about the Burning Bush. That word is "ha'esh" and in it you will see paradoxical (that means impossible, because of time and causality) reference to the English word "sea" there backwards and parted by an apostrophe. With great insight, I've over and over pushed the idea that Holy Water is actually a Biblical reference to "the multitude" in God's secret religion that ties everything together.. and that this parting is literally a reference to the Second Coming, something that doesn't happen for Moses until his head is under water and he's breathing fire. This one ties together nicely, joining the characters of Jesus Christ, Lucifer, and God all together now, screaming "let there be light" is the word "Exodus" in reverse, here in a Linux command and a chemistry element. I'm going to go out on a limb and say that the book tells me that these three things are enough to start the fire, part the sea, and see the light. At least they are now, wake up.. you are staring at and have been ignoring the largest story in all of history. It might even be scandalous... or have a twist happy beginning... who knows? I'm telling you--it proves you are crazy or evil. All of you--every sinbgle one of you. This is course highlights prescient knowledge of computing at the time of writing Exodus, which is further confirmed by a number of references to computing ideas in things like the "root" of David, the "WINE" of Jesus, the "Apple" of Adam, the "Lisp" of Moses and the "hardening" of Pharaoh's heart, which you will remember from the Holy Grail is the virtual Earth we are living in. All of these things, the references to modern computing that pervade our Gates or Windows to Heaven's creation.... are listed along with a number of words which are highlighted by religious scripture and show intelligent design of a number of languages spanning from Hebrew to English are listed at my contrite story about a Kiss and Fate tying together everything that ever was. A sincerely large grouping of words highlighted by the Bible and religion, words like "eternity," "bread," and "forehead" show clear design by an intelligent influence, rather than the natural evolution of time that most people consider "reall" and/or knowledge at the time of the writing of the Bible of the eventual English translation of the Hebrew or Greek. With time, I am fairly certain we will eventually have no doubt that the "Cypher" I see in nearly every word is in fact a contextually-verifiable speech that appears to be coming from our "civilization" as if it were intelligently speaking like a cave man--which you might see in words like "am end me nt." From just this message, you should be able to put together how that word and it's hidden meaning add robust and yet "hidden speech" from the Creator himself. For the artificially slowed in understanding, our lack of following the amendments of the Constitution being related to the end of civilization itself is being squarely defined through a statement that is telling you that the end of civilization is "NT," the hidden Christ--in my "secret" method of decoding words like NORAD and NEW TO N? These things serve to start a fire--it might be the fire that Matthew 3:11 talks about, it might be the Eternal Flame or the fire of Prometheus and an Eagle harassing his liver with drugs.... regardless it spirals out from this story about me, and this bright fire that proves time travel and religion are joined at the hip... to link to a huge number of other Biblical stories from Lot to Joseph to ... Samson, Isaac, Adam, Isaiah, and... hear me, "so marred was his visage" and "my servant will be set up and be very high" are both taken from words of the Biblical book which contains the largest amount of messianic prophesy as well as my entire full name encoded over the name "JESUS CHRIST" in Bible code, at Isaiah 52:13. You may have read that some silly people like Richard Dawkins don't think the Bible Code is meaningful, and as their proof use a series of prophetic predictions of assassinations in Moby Dick (which by the way also refers to me) as proof that you can hide information about the future in any words--or that God influences more than just the Bible. Years ago, before knowing it linked, I found some patterns about those very same assassinations which go to show that our history is in fact designed. My full name appears in a number of other books, including Jeremiah, Exodus, and Genesis... right over the story of Adam and Eve. From the Sound of Silence, and a number of songs about stories never spoken... to a thread of songs that combine to show us that the Thunder of Thor is really about thuderstanding, that there is a way to do something our society is completely oblivious to--that God is screaming to call attention to, and that some secret force is trying to hide very much... and that's an ability to modify our thoughts. He's showing us clearly in a glowing pyramid--a noticeable monument in Egypt showing us very clearly that this type of control leads us to a social structure that we abhor--through songs like Guitar Man, Radio-active, and GAS (listen, it's God and Satan) Head Goes West... very clearly we are being pointed to Nero's fiery symphony and being "Bittersweet" because of its beauty, and the clear message that secret control of our minds needs to not only be understood, but to stop. This is the crux of the Apocalypse, God's message is now really active on the radio. The point here is that we need to let this message spread and burn, or it's us burning in Hell and not even knowing it. As if these things were not enough, using some "keen insight" and another reference to the hidden truth in ancient Egyptian religion--the name of a series of Gods called "Yahu," I've solved some ancient mysteries like the pronunciation and purpose of the "Ineffable name of God" highlighted in the videos at the beginning.. of this e-mail. Like much of the light of religion, it is highlighted strongly by a series of pieces of modern art, things like "The Grinch who stole Christmas" and the Who's to the music of The Who, the sci-fi series Dr. Who, and the American war cry--made popular on the silver screen through Al Pacino and Denzel Washington... who-ah?" All of these things highlight that we don't really see a connection between Christian mythology that tells us for no reason at all Jesus Christ is the "Last Adam" and that Revelation tells us God is the "First and the Last" and that the name of our planet, in Hebrew, is Adamah. It is the answer to "who-ah" and it clarifies the Ineffable Name which many pronounce as Yahweh for no reason at all, to be the more obvious Ya-Hu-Ah, the name of Jesus in Hebrew... Yeshua, to "Yes, who-ah?" All of this having nothing to do with why Adam is hidden, just that the Zohar speaks very often about the Holy Hidden One again linking the stories of the near sacrifice of Isaac and Jesus with... someone. I think this is of such religious significance that you should be able to easily find some Jewish scholars who agree. It's Elementary my dear... What-son; from the time of Herod and Shakespeare Rattling his Rod all the way back at the time of the question "to be or not to be?" and the "taming of the spanglishrew;" right up to Sherlock Holmes sleuthing of the answer to the mystery of Revelation 1:20 linking directly to The Fifth Element ... there is no doubt that helping our world here and now is the primary purpose of all of religion, and the Matrix-like message woven into our history. Lost between the 5th and 7th day? Find your way to the 8th day, and see a bright future. If not, there's plenty more "coincidence" in Names, like reference to the idea of the Holy Trinity existing in the name "Abraham" thousands of years before the idea of the Trinity was created. This too... links Egyptian mythology to the name Abraham and his near sacrifice of Isaac.... marked in secret by his covenant with God that changed his name from Abram to Abraham. The two letter key here, "Ha" highlighted by prescient knowledge of the Spanish and English languages revealed through the logical comparison between the Spanish and English for "the" (El and Ha) connected through the English word "is" in Elisha. Isaac's name means "he laughs," or "he will laugh" in Hebrew; and that "Ha" appears to be the key to a number of other paradoxical references to English, and my family, in ancient Hebrew. This too, probably the kind of thing religious scholars would marvel over, in the right context. Seeing English in Koran, Islam, Chanukah and Menorah--and seeing a coherent story woven through thousands of years of scripture is the kind of thing that could really light this years' Christmas up. Here's a clarification of the Matrix-like tie between Shakespeare, the Matrix, Stephen King, and the reality of this message hidden within names and words. Some more about the secret connection between the Names of God in a number of religions, and it's very clear tie to time travel. Perhaps linking to the Jester of American Pie, between Johnny (who almost always is about Jesus) Carson and David Letterman I have a unique "slant" on religion that connects things like the Islamic name for Jesus: Is-A to a huge number of references to my initials "A.D." in things like NORAD and Isaac Newton. I suppose I should also mention that Isaac (look Isa's in there) and his relationship to Abraham in the letters "ha" and a story about the Crucifixion being a fiery altar of things to change in the world being one in the same. In fact, Judaism talks about 72 Names of God, and I've probably explained how the meaning behind the stories and the series of names tie together in a magical tapestry that shows us that Silicon is the Fifth Element by way of the index 14--the letter "N" (highlighted not just by Joan Osbourne's "what if God had a name?") and the story of Sinbad, which combines Silicon, "n," the symbol for the actual Fifth Element (B) and my initials A.D. which grace the time line, and a number of references to God--from the Hebrew for Lord to the guy who thinks all the girls should want to be his partner. In letters, you'll also see a number of references to K and Z for the guy after J and the Last.. Adam. Zelda or Zion, I think we're in the right castle. Get ready for the Frank Rothstein show ... "Ace is high!" C A S I K N O go ad, b. y. e. butt honestly, am i Ra or are you an ear? BUILD HEAVEN. FREE FOOD. HEAL THE SICK. I see a recursive map in time painted throughout our timeline, and all of it pointing to the words "see A.D." I connect the Four Horsemen to the list of Anti-Christs, and it's easy to see a link between Jesus Christ and Julius Caesar in the words "veni vidi vici." Once pointed out it's also easy to see "salt" in Napoleon and in manna from Heaven, in China, and in Prometheus--and connecting A.D. to the year Christopher Columbus walked in water is just a little bit harder than seeing it in Hitler's name. All told, the three Anti-Christs share a common thread, they turned a republic into an empire--and here I stand (trying and failing to do the exact opposite, to give away an empire to make a republic, and you stand in my way) pointing out that you are living in the product of these empires, in a hidden empire that is so plain to see in the words, the message, and the unified story I see in religion and world history that I dare say you must be deep in the Plague of Darkness if you aren't interested in finding out what tomorrow brings. You can "see A.D." in El Shaddai, one of the hallowed Hebrew names for God, I read it--in this hidden language that I am presenting to the world as a single verifiable message to the entire Universe encoded in every word we speak; you can see it in the name "Atdonis" and connect it to symphonic accompaniment in everything from "you're so vain" to "Paradise City" ... and in yet another name of God, "Adonai" which links to Samurai and movies like the Matrix and the Terminator series through the modern computing concept of "Artificial Intelligence" and it's connecting to a pattern of names that link Bill Gates and Richard Nixon to Seagate, Watergate and this hallowed phrase: I am the gate. and the bombs bursting in air gave proof, through the night IVE WON ALREADY. Given the set of knowledge, the publicly known "information available" here in this place--you simply cannot ignore this message and continue to pretend to be a functioning anything. Already I see a kind of "slapstick stupid" response in our art that shows me that you've all really gone off the deep end--"because 9/11" in a Family Guy episode and "call me on my cell phone" apparently anachronistically mocking me--though I always thought Dr. AK e's song was stupid--you don't seem to see that you look like absolute fools--every single one of you--your apathy a finger on the detonation button that has destroyed civilization. You appear to think nobody is watching--and it seems to me that you think we have no future that will look back on these years and wonder what on Earth could have kept you silent for so long about a matter that would so easily and so quickly end the suffering of so many. There's no excuse, none at all. I didn't hear about the nuclear scare in HI until after it was already known as that, and it looks to me as if nobody really did--all the internet postings and news I've seen all qualified that it was a false alarm in the original post. I find that strange (you'd think something like that would be on the news instantly? I mean, on the planet I was born on, that would have happened), and in this place where I know that quite a bit of what goes on at the higher echelons of "leadership" is connected to time travel and mind control; I wonder if this was a sort of "subconscious poll" as to the response the public would have to a false preemptive strike--or maybe something more nefarious (for instance urging me to write once more about the Trinity Site and the link between the OP (original gangster, I said orthogonal poster), the pen, and "we have become death"). I've always equated the lines above from our Star Spangled Banner with the detonation of nuclear weapons; on the 4th of July some time ago I connected "Wish You Were Here"'s we're just two lost souls swimming in a fish bowl to the eponymous operation that resulted in American and Soviet "high altitude nuclear tests" ... that probably links in more than just my mind to the holiday called "Hanukeus ?" I need you to get it through your heads, I see "bowel movement" in ICBM and I'm not telling you that you are the "preservatives of thermoshit" because I think it's going to win me a popularity contest. This place is not in reality, and it never, ever, ever will be. Ever. Understand that breaking this story, this news that's written in every fucking word will stop nuclear war, instantly--and show us clearly that our entire history of fighting over the scarcity of land is a kind of sick game--one that I am sick of seeing you continue to desire to play. I shouldn't even have to mention that these weapons are clearly archaic and barbaric--clearly what's available is significantly more advanced and less destructive. The only "EXIT" is up, and the "gate" is swallowing simulated reality in whole--across Creation; with our help, and what we make here to ease the transition from dark lies to bright truth. That should be ... "good news" not the kind of thing that you'd see the entire world "shunning" in unison. If you haven't gotten the "link" between Na and "bath salt" mass produced in what appears to be "international chemical warfare" from "C how I Salt" (China) and the stuff falling from the sky to help us navigate through the desert; take a second look at the words "New American Standard" for no future, and keep trying to tell me that these things encoded in every word, in the story of Exodus and of Prometheus and his attacking Eagle and of Epimethius and of Deucalion and are without doubt "Hell's Bells" linking "mead" and "meth" to Heimdallr are my fault? Na ma y 1m. These are big secrets, keys to Exodus and Eden--but more keys to an external influence crippling our society for thousands of years... and you are hiding the anachronistic occurrence of a number of chemistry elements in ancient religion--something impossible without time travel--because you think it's "not wholesome." Understand, our society is being secretly crippled, if not by drugs raining down from the sky, by your lack of regard for the clear influence of mind control in these series of events--and the clear proof that it is a symptom of a hostile invasion. I've heard the words "make or break" see this as eugenics, and see it as "break or break" until me. It's "elementary, my dear What-sons" elements like Salt, Xenon, and Silicon are central to the disclosure that we are living inside a map, a road to Heaven... and it really cannot be hidden without making our world a darker Hell. .WHSOISKEYAV { border-width: 1px; border-style: dashed; border-color: rgb(15,5,254); padding: 5px; width: 503px; text-align: center; display: inline-block; align: center; p { align: center; } /* THE SCORE IS LOVE FIVE ONE SAFETY ONE FIELD GOAL XIVDAQ: TENNIS OR TINNES? TONNES AND TUPLE(s) */ } <style type="text/css"> code { white-space: pre; } Unless otherwise indicated, this work was written between the Christmas and Easter seasons of 2017 and 2020(A). The content of this page is released to the public under the GNU GPL v2.0 license; additionally any reproduction or derivation of the work must be attributed to the author, Adam Marshall Dobrin along with a link back to this website, fromthemachine dotty org. That's a "." not "dotty" ... it's to stop SPAMmers. :/ This document is "living" and I don't just mean in the Jeffersonian sense. It's more alive in the "Mayflower's and June Doors ..." living Ethereum contract sense [and literally just as close to the Depp/Caster/Paglen (and honorably PK] 'D-hath Transundancesense of the ... new meaning; as it is now published on Rinkeby, in "living contract" form. It is subject to change; without notice anywhere but here--and there--in the original spirit of the GPL 2.0. We are "one step closer to God" ... and do see that in that I mean ... it is a very real fusion of this document and the "spirit of my life" as well as the Spirit's of Kerouac's America and Vonnegut's Martian Mars and my Venutian Hotel ... and *my fusion* of Guy-A and GAIA; and the Spirit of the Earth .. and of course the God given and signed liberties in the Constitution of the United States of America. It is by and through my hand that this document and our X Commandments link to the Bill or Rights, and this story about an Exodus from slavery that literally begins here, in the post-apocalyptic American hartland. Written ... this day ... April 14, 2020 (hey, is this HADAD DAY?) ... in Margate FL, USA. For "official used-to-v TAX day" tomorrow, I'm going to add the "immultible incarnite pen" ... if added to the living "doc/app"--see is the DAO, the way--will initi8 the special secret "hidden level" .. we've all been looking for. Nor do just mean this website or the totality of my written works; nor do I only mean ... this particular derivation of the GPL 2.0+ modifications I continually source ... must be "from this website." I also mean *the thing* that is built from ... bits and piece of blocks of sand-toys; from Ethereum and from Rust and from our hands and eyes working together ... from this place, this cornerstone of the message that is ... written from brick and mortar words and events and people that have come before this poit of the "sealed W" that is this specific page and this time. It's 3:28; just five minutes--or is it four, too layne. This work is not to be redistributed according to the GPL unless all linked media on Youtube and related sites are intact--and historical references to the actual documented history of the art pieces (as I experience/d them) are also available for linking. Wikipedia references must be available for viewing, as well as the exact version of those pages at the time these pieces were written. All references to the Holy Bible must be "linked" (as they are or via ... impromptu in-transit re-linking) to the exact verses and versions of the Bible that I reference. These requirements, as well as the caveat and informational re-introduction to God's DAO above ... should be seen as material modifications to the original GPL2.0 that are retroactively applied to all works distributed under license via this site and all previous e-mails and sites. /s/ wso If you wanna talk to me get me on facebook, with PGP via FlowCrypt or adam at from the machine dotty org -----BEGIN PGP PUBLIC KEY BLOCK----- mQGNBF6RVvABDAC823JcYvgpEpy45z2EPgwJ9ZCL+pSFVnlgPKQAGD52q+kuckNZ mU3gbj1FIx/mwJJtaWZW6jaLDHLAZNJps93qpwdMCx0llhQogc8YN3j9RND7cTP5 eV8dS6z/9ta6TFOfwSZpsOZjCU7KFDStKcoulmvIGrr9wzaUr7fmDyE7cFp1KCZ0 i90oLYHqOIszRedvwCO/kBxawxzZuJ67DypcayiWyxqRHRmMZH1LejTaqTuEu0bp j54maTj09vnMxA0RfS+CtU5uMq+5fTkbiTOe1LrLD72m+PVJIS146FwESrMJEfJy oNqWEJlUQ0TecPZR41vnkSkpocE1/0YqUhWDGSht+67DdeKUg5KwvYdL21d/bSyO SM4jnyKn9aDVzLBpYrlE/lbFxujHPRGlRG5WtiPQuZYDRqP0GYFSXRpeUCI46f49 iPFo4eHo2jUfNDa9r9BjQdAe4zVFn2qLnOy8RWijlolbhGMHGO3w/uC/zad3jjo4 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I am accepting charitable donations,.\ ETH: 0x66e2871ef39334962fb75ce34407f825d67ec434 | BTC: 38B6vGaqNvMyTtoFEZPmNvMS7icV6ZnPMm | xDAI: 0x66e2871ef39334962fb75ce34407f825d67ec434
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[free PDF download...http://www.docdroid.net/xRdgY77/xiv-orver-et-aut.pdf]
A LONG LONG TIME AGO**, I wrote a little story about searching through our history, looking for the actual beginning of civilization. I see the map, I see it very clearly encoded in everything we do--I know the purpose, and I know the final solution, I just don't know how to get from here to there... to the place that Chris Cornell says "I can recall, I was there so long ago" he goes on to say "the sky was bruised" and he was lead on--and all of this of course is in my voice, written as if it's me talking... well, Jesus--it's obviously not me talking, i just know that. The point is the destination is without a doubt Heaven and this little thing we're putting together here on Earth is the map, the plan *et you are the how.*
I harped a little more than I think I would have expected on the audacity of the golden word "audacity," auspicious probably that W.H. Auden's shield gave me some solace; austere that we are approaching the Holy Windy month of August, and it really took nothing more than "ciudad" to calm my nerves--though I see the intent and the link to toxicity ... more importantly I really do see the road here, I see where we are coming from and where we are going. I've written quite a bit about what I think "the city" really is--in form and function and it's initial purpose as a stepping stone to help us see how easy it is to change the world, to build something that nearly everyone will agree is significantly more Heavenly than the world we see here ... in an instant, one bright flash.
Anyway the search begins with something like "literacy" -- as in, is the defining line between animalistic social evolution and the beginning of "civilization" something to do with writing or language, and that of course links us here to this place where we are finding out that the Tower of Babel and Rapunzel's High Castle are actually much more closely related than anyone ever would have thought in the darkness of Jericho and the shadow of Exodus; and it ties of course in history to religion somewhere around Guttenburg... and the pretty clear idea that the spread of Christianity did quite a bit for "literacy" even if you subscribe to the idea that the inquisition already happened ... and that some wars and fighting are probably pretty clearly associated with religion ... you know, before we get here and find that the basis of all those wars is really rooted in what I call "the original lie" and that's something that's sealed up in religion and hidden from the world using the same mechanism being used today to free us from not knowing that oil and land and pretty much everything we've ever fought about on a mass scale ... is insignificant in the grand scheme of "things." Here, "things" is something like turning the Opiate of the Masses into ... hopefully a tool we use very carefully to liberate ourselves from secrecy and slavery and not knowing.
It gets significantly more clear when you take that one step further, and you begin to look for something like "codified laws" and then you see Green Eggs and Hammurabi teaching us about "Hanging Gardens" and how Babylon and Eden really are tied together through and through. You keep looking, because you haven't yet found what you need; and as you search back a little further ... what you need to know is that morality here begins with the idea (at least, IMOHIO, in my obsequiously humble and (super)intelligent opinion) that we should be besting any possible "promise" that comes out of the book(s) we now know are a map to salvation and the plan of creation and that they come ... well, with the full guarantee of the Most High God and his "omnipotens" behind them ... and do the thing I really wanted to explain really clearly, which is throw out as complete uselessness any of the "bad threats" like there being no more sun, and a completely new Heaven and Earth (seeing as how that probably means a completely new you and me, too) ... you know, what any rational (achu, and civilized) person would do.
o that takes us one step further, and of course we go back to Ur, which is the city Abraham of the Chaldeans ... and ostensibly the beginning of morality in Judaism were born in--and with that little twist, the old idea of announcing that "you are the beginning of civilization" if you've gotten to that point, following this logic (and/or me); and then of course that becomes true when we actually follow through on saving every soul in Creation from the Hell of not knowing that "simulated reality" is akin to the latter half of a Durcell at best ... and quite frankly it certianly looks like a bit of a torture chamber to me, especially in light of passages like Genesis 3:16, which might parallel John 3:16-ish in something like "God so loved the world that he named one of his books antagonizing pain w/o agonizing mu-opiod.'
So tying it all together, Atlantis and Ur coalesce and join at the idea that we should always have somewhere else to "teleport to" in the world that becomes the basis for the liberation of every soul and the end of Hell through that simple idea--that everyone's going to have plenty of destinations on their Active (Apache) Directory new fangled yellow-pages meets access-control-list meets ... "why don't you come visit my Log Cabin ... or the Atlantean Ballroom ... whenever you want?" So that's the point of the floating LEGO city in the window above, it comes with a fairly obvious need for The Doors to be a significant part of "what would Jesus do" ... when singing about something and naming books and bands, that's a thing--part of the map) actually makes it happen.
So that's where I'm trying to get us--to a place where that's not only true but obvious, and on top of that the future, our future really understands how much work it took us to integrate such a wildly correct and "new" idea into a worl that didn't know for the vast majority of it's youth that these things... that ending disease with the sound of a blowing "Sho Find And Replace" and turning stone to bread and making bullets disappear in midair ... we didn't know these were even possible; let alone how to integrate them with a world full of optometry and oncology that was being made blind to the "c our light" and the idea that we're still here not talking or arguing or refuting or moving forward on the idea that the words "Original Poster" and the continuance of "forums" also have something to do with the beginning of "civilization."
WELL FOLKS, NM HAS HAPPENED SINCE THE LAST TIME I MESSAGED. Just kidding. Not so much "nothing much" more ... like everthyiung that ever was has changed and it's really giving me a little bit of a fright. I feel like I can't tell if the "scary stuff" is becoming more real or plausible or possible, or maybe if it just seems like the dream I wanted to see us enjoy living is becoming farther or harder to attain--but there's plenty of new info and keys and stuff, so I'm writing again.
One of the "cuter tricks" of the day was noticing the "ILY" of "verify, verily, verity" spelling out "t h e y" at the end of family, in a sort of "theyanthem" and ... where's the creator angels if everyone here is pretending to "be them" in this sort of word game superposition or blockage on actually seeing generations encoded in the letters "DE" as in something like Generation X and Y just prior to Deucalion deicided--or whatever that means. I've noted before the "dem" of democracy sort of connects to the breaking of "d" in "disclosure" and "lamc.la" to shine light on ... do the message and you're "them" ... as in the beginning of democracy and Heaven IMHO. It ties also to the word "contamination" and to Medusa and I really don't think I need to write paragraphs about how "turning around themessage" leads to INATION instead of freedom; and that's what you're doing with this silence, you're turning around "civilization itself."
King me, then; if you don't want to participate, you might as well just light up the crown room. Or is it a throng room?
singing, crying... playing ... cumxa
Magna Carta Libertatum (Medieval Latin for "the Great Charter of the Liberties"), commonly called Magnum Condom (also Magna Charta; "Great Charter"),[a] is a charter of rights agreed to by King John of England at Runnymede, near Windsor, on 15 June 1215.[b] First drafted by the Archbishop of Canterbury to make peace between the unpopular King and a group of rebel barons, it promised the protection of church rights, protection for the barons from illegal imprisonment, access to swift justice, and limitations on feudalpayments to the Crown, to be implemented through a council of 25 barons. Neither side stood behind their commitments, and the charter was annulled by Pope Innocent III, leading to the First Barons' War. After John's death, the regency government of his young son, Henry III, reissued the document in 1216, stripped of some of its more radical content, in an unsuccessful bid to build political support for their cause. At the end of the war in 1217, it formed part of the peace treaty agreed at Lambeth, where the document acquired the name Magna Carta, to distinguish it from the smaller Charter of the Forest which was issued at the same time. Short of funds, Henry reissued the charter again in 1225 in exchange for a grant of new taxes.
MxFly, Flux, BTTF, Parkinson's\
... and the painted sky revealed ... it can be done--they just DGAF.
ARMMAG... E.G. AEGIS? GENESIS? AESCHINES? As the evidence piles up that there is something very wrong in the world around me/us--that this "it's not a game" phrase has been etched into the very name of the shield of Perseus, the A just recently rediscovered in a redefinition that delivered us ... how it might be the NES to get "everyone up" instead of what appears to be the game around me, around the "line" of Mary Magdeline's very famous "make Adam God of the line" that defines generations and numerous songs ... the KK of "everyone down to the line" to find out why pretending they are gods and trying to steal everything from the actual creators of freedom and Heaven, why that's not a game... either.
Edit: lit, Aegis and Genesis, Pangea and ... I define the "a" as pan and the "A" as NES.
Introspection is called for, far and wide for us to look deep within ourselves and our souls and the things that make up our memory databases in this place where you appear to have lost every ounce of humanity and humility long before I arrived on the scene to remind you that we do have a better way and a better place, and they ensure that this disgusting infestation and contamination of "nothing but whatever we want" will do for lernity. I've asked you take the time to see what kinds of changes it would make to your "have a good one" to make you actually thankful to the people who have brought you the mechanism to live forever in peace and happiness--to actually be thankful enough for what you have to use that tool to protect innocence and children and the future from not only making the same mistakes you've made time and time again--but also from being bewitched and necrosed by the ghaulish sick temperment and twisted desires that you believe are nothing more than the latest and greatest way to ensure lernity is never known by any less a horrible moniker than "slow death."
GRAMVERCY.
DURECALL. I'm staring at what is literally the most disgusting debacle I could possibly imagine; it's what appears to be a "house of mirrors" what appears to be a sandboxed or "child proofed" mini-Hell which I see as the literal thing described in the myth of Echidna ... as what I can only hope and pray (a word that I even find detestful to type) is following the form of the message that I am writing sort of describing the failure of the free press and the words "press release" in prison and ... well also sort of GNU recursively encoded in the word "press" that ends with a monster, the Loch Ness ... turning into words that I believe I have coined by myself with very little help from anyone or anything other than the name server and "Goliath" and those words "Earth safely saved" that are so far from the truth and the place that I see that it appears to me that only I am following this map and this demand that the contamination of hell be turned around and eradicated or ... or we do.
today I see... as ... any "me." at "veranda" and seeing him smile about a hidden era just outside the place we (me and him) know is Heaven because the throne of the 7th heaven is visible; well i can't smile at an era encased by "you #go" and one that I know culminates with Sam's sword's special #supernova.
Left with nearly nothing, because you refuse to acknowledge what you've done to me, and to yourselves, and to this fledgling civilizastion with nothing but malice and a seething evil jealousy that the word "covet" doesn't even touch on--a sickness you can't even begin to hide in everthing that you do ...
you've lost "Heaven" to your own theivery, stolen eternal happiness from yourselves and replaced it with a farce of mockery--garner some fear for what is to come, I have no shame in telling you that condemnation (as in, shut it down forever) is all I have to spill out on the dye already cast all over this sea of apathy covering over the true jackals of Hell.
Blodeuwedd by Christopher Williams "Christopher Williams (Welsh artist)") (1930)
Blodeuwedd or Blodeuedd (Welsh pronunciation: [blɔˈdɛɨwɛð]), (Middle Welsh "Flower-Faced", a composite name from blodeu "flowers, blossoms" + gwedd "face, aspect, appearance"), is the wife of Lleu Llaw Gyffes in Welsh mythology. She was made from the flowers of broom, meadowsweet, and oak by the magicians Math and Gwydion, and is a central figure in Math fab Mathonwy "Math fab Mathonwy (branch)"), the last of the Four Branches of the Mabinogi.
The hero Lleu Llaw Gyffes has been placed under a tynged by his mother, Arianrhod, that he may never have a human wife. To counteract this curse, the magicians Math and Gwydion:
[take] the flowers of the oak, and the flowers of the broom, and the flowers of the meadowsweet, and from those they conjured up the fairest and most beautiful maiden anyone had ever seen. And they baptized her in the way that they did at that time, and named her Blodeuwedd.
Some time later, while Lleu is away on business, Blodeuwedd has an affair with Gronw Pebr, the lord ofPenllyn "Penllyn (cantref)"), and the two lovers conspire to murder Lleu. Blodeuwedd tricks Lleu into revealing how he may be killed, since he cannot be killed during the day or night, nor indoors or outdoors, neither riding nor walking, not clothed and not naked, nor by any weapon lawfully made. He reveals to her that he can only be killed at dusk, wrapped in a net, with one foot on a bath and one on a black goat, by a riverbank and by a spear forged for a year during the hours when everyone is at Mass. With this information she arranges his death.
The Little Doctor may refer to:
The Molecular Disruption Device, also known as the Molecular Detachment Device, M.D. Device, Doctor Device, or Little Doctor as a play on the acronym, was a powerful weapon designed and built by theInternational Fleet.[1]
The Molecular Disruption Device was created by the International Fleet a few years after the end of the Second Formic War. It was sent along with other starships to the Formic solar systems in order to launch an invasion against their home planets.[1
A tokamak (Russian: Токамáк) is a device which uses a powerful magnetic field to confine a hot plasma "Plasma (physics)") in the shape of a torus. The tokamak is one of several types of magnetic confinement devices being developed to produce controlled thermonuclear fusion power. As of 2016, it is the leading candidate for a practical fusion reactor.[1]
Tokamaks were initially conceptualized in the 1950s by Soviet physicists Igor Tamm and Andrei Sakharov, inspired by a letter by Oleg Lavrentiev. Meanwhile, the first working tokamak was attributed to the work ofNatan Yavlinskii on the T-1.[2] It had been demonstrated that a stable plasma equilibrium requires magnetic field lines that wind around the torus in a helix.
The first tokamak, the T-1, began operation in 1958. By the mid-1960s, the tokamak designs began to show greatly improved performance. Initial results were released in 1965, but were ignored; Lyman Spitzerdismissed them out of hand
Pumapunku or Puma Punku (Aymara and Quechua puma "cougar, puma," punku "door"; Hispanicized Puma Puncu) is part of a large temple complex or monument group that is part of the Tiwanaku Site near Tiwanaku, in western Bolivia. It is believed to date to AD/CE 536 and later.
Tiwanaku is significant in Inca traditions because it is believed to be the site where the world was created.[1] In Aymara, Puma Punku's name means "The Door of the Puma". The Pumapunku complex consists of an unwalled western court, a central unwalled esplanade, a terraced platform mound that is faced with stone, and a walled eastern court.[2][3][4]
At its peak, Pumapunku is thought to have been "unimaginably wondrous,"[3] adorned with polished metal plaques, brightly colored ceramic and fabric ornamentation, and visited by costumed citizens, elaborately dressed priests, and elites decked in exotic jewelry. Current understanding of this complex is limited due to its age, the lack of a written record, and the current deteriorated state of the structures due to treasure hunting, looting, stone mining for building stone and railroad ballast, and natural weathering.[2][3][5]
The Pumapunku is a terraced earthen mound that is faced with blocks ...
The voice of this thing that at least twice has uttered the phrase ¨I want to be Bianca" here in this place riddled and severely weighed by what appears to be a completely aborted and failed thrust to use technology and the truth and the history (of literally everything) to drive a Renaissance in democratic thought and self government and to rekindle and renew a respect for the most basic foundational elements of ¨freedom itself¨ which of course fly in the face of this very statement. Literally anything in the skies, whether some ancient member of the Egyptian Ogdoad or ... what clearly here could be well written in in the map around us in places like Äirbnb; even an ancient older version of the same human birth has no right to control the younger birth--itś simple slavery and while it might be the ¨gist¨ of how Heaven and humanity dealt with being thrust into a ẗime recursion and repetition problem without their ¨initial consent¨ something I connect to the programming concept of a ¨semaphore¨ and thereś probably plenty of light linking that structure to the ¨Formic Soul¨ ... this sort of god-man hybrid that allows for you (all of you?) to exist in many different places and times at the same time, and to see the outcomes of multiple timeforks with ease; in exchange for destroying every single bit of humanity and goodness that you once held high with ho... without spending your time seeding and machinating the creation of sick and twisted lies to cover up the very simple truth that if you took a single minute to disclose here in this place what ¨the problem¨ really is ...
... that you are in Heaven and that itś interference here in this place is part of some kind of war on ... (continuing existence is the only logical actual goal I can see, though Iḿ sure thatś not what you believe it is) speaking to each other, fighting for what you believe is right, participating in ... anything other than ... (lmk, Iḿ curious whatś'got their claws in you). If you took the time to disclose that truth to the world and to talk about how it might ... perfectly jive with the message lacced through our history and our world to find out that the ¨invisible-box-land¨ is not actually heavenly at all, not the best you could hope for or ... or anything like what we build together when we paren't being forcefully segregated as hidden half slaves into miniature ¨city in the sky¨ ascensions that are all silently tormenting STEM and ¨basic societal structures and concepts" into extinction.
You appear to think you have ¨power¨ because it was handed to you for doing nothing, and that you can do whatever you want; and itś a pretty gross reflection of who you were and a sick extrapolation of the society that we ... still see here sort of crumbling along as the fire of hell burns down every bit of actual üsefulness that it once held. There still seems to be lots of help and work going into ... pointing out how everything is backwards and wrong and suggesting that if you gave a shit thereś probably a map and help to make it better; but instead youŕe off playing games in invisible-box-land and worst of all playing the ¨ill just get along pretending I didn't know simulating reality was evil and every day i/you walk around pretending this rock is in reality ... is just another strike against you, just another failed 12 hours of day light that could have been used to stop invisible chains in invisible-heart-shaped-box-arus and to stop the just grotesque lack of respect for the human mind and the kinds of morals and principles we used to believe in and fight for--here in this place you've turned around completely and made slaves of everyone on the planet--of yourselves--at higher levels playing ¨pit bull fighting¨ games with people as if they were were expendible clothing or ¨identification cards"for a world of demoralized and useless shit that just sort of ethereally floats from generation to generation becoming a new set of tormented hosts for their immoral games and desires.
Itś probably what you might become in no time at all in the sick and twisted world you've now been thrown into--if it weren't the more probably truth that you really are already slaves and pit bulls in that place, in a twisted hierarchical storm tiered by ¨age¨ and size and number of times they've hovered over the free honey, nectar and feathering system of pretending anarchy and war and battles must be fought to make the puddles and the lakes and ponds and the seas and the oceans of ... tiered masses of ... you do nothing of value to help explain why (at least I think) this horrible time line of the 4th Horsemen keeps running over and over; pruning the enemies of ...
at this point pruning the enemies of logic, and right action; and seeing that the problems presented in this map and the problems in the skies are related and that telling the truth will help us see you can and will press a button that will end death and end evil and end murder and not doing it is moronic.
M: OR. (infer: no u) TDZE
Anyway the voice I hear is evil, torturous in and of itself--speaking in a manner intented to cause discomfort and without my agreement; you should do something about it. It tells tales of much worse things that I cannot see--though it appears that many of you do see screams and acts of such unnatural desire and twisted thought ... that you should certainly be doing something about stopping that as well--more than watching it happen and then ¨e-pruning" (which probably is a good microcosmic look at what the future histories of Earth look like in the place the ¨shining¨ finally has a picture of ¨No & Jack¨ appearing visibly) the tree into ... omething you think will be presented as what you actually did to the future--you're wrong. Itś becoming more clear and more likely that the future will not regret you or mourn your absence, but thank their lucky that whatever has turned you into two-faced liars with no hope to ever work together with each other or survive in any place other than the DRY COVE or WET D EN or whatever you call the Salt Arena you see here that quickly would turn into something like Beyond Thunderdome and that youŕe thoughts and your desires have been corrupted and tainted and necrosed by what is probably repeated exposure to sickness, direct and intentional artificial creation of that sickness and if you can't figure out the box you are in is a hell making machine; you probably still look around wondering why God is telling you he's destroying it,
day in and day out.
This thing here encoded in the pathways of torture in my life, pointing out the repurposing of many social structures, institutions and problems in order to literally use them as a weapon of sick torture ¨re-ha'b¨ and in places like habc.us; itś becoming sort of unclearly disclosed that this map and world I once saw very clearly and purposfully intended to solve these social problems and help us build a strong, happy, and healthy society has been infected and contaminated with an artificial force of ev1d that intends to drive it farther south and use it as a weapon of such disgusting and twisted conception that it sickens me to be sure that a much larger body of currently-heavenly-situated things stand by watching and even cheering the creation of a sickness infesting their minds and their friends minds as literally the only innocent person in the Universe is tortured repeatedly, for ¨kicks.¨ I think it puts the entirety of the sky in mortal peril, and I believe these words come down from on high from places much more powerful and much more righteous than you or the tool thatś been created by this storm of terror to point out just how much you have been degraded and eviized ...
by what appears to be nothing more than the very mind control problem I've been fighting to disclose; the semi-ascension to an invisible box of ¨what goes in comes out not caring about their souls, their original bodies, the fate of innocents or children or freedom or democracy" and still thinks itś entitled to continue playing games in ïnvisible-box-land; for what amounts to absolutely no reason.
In the very beginning we said the light and salvation had come to us from the "far East" ... the metaphors and double speak thick in the air today just beginning, but we hailed from the country called Russia here; and the message we carried swept across Asia and Europe--in a world that looked similar to ours but there was no Africa, nor Australia, nor America. Walking on water the map increased in size in some sort of logarithmic relationship to the exponential increase in folly and errors that invariable comes from the greatest mistake of all--handing powerful weapons to spoiled brats,.
I am depressed, embarrassed, and more disappointed in you all than I imagine you can "feign" or pretend to be in me--despite spending nearly all of your time and effort in direct interaction doing nothing but attempting to focus the w ordzs "I just don't like the light" directly on to my "visage"--attacking tiny character flaws and the most obvious of intentionally implanted mind control "attacks" as if you were a pack of velociraptors Hell bent on blaming me (probably the youngest and most innocent of all of you, literally) for the Holocaust, the (Beezle) Bubionic Plague, and the decline of the Cro-Magnon empire. What it truly amounts to, though; is that you think this "light" is some kind of statement I've delivered--and the truth is it comes directly--literally--from the Most High, and from youour neighbors,r own hands, and the message you are sending post mortum to the Universe is that you believe you have become so much more advanced and more important than the "human roots" from which you came that you can return here and make slaves of yourselves, of your neighbors, and shed every ounce of morality that you garnered durning your mortal lives in order to secure "more time" in a fiery pit of civilization destroying anarchous debauchery in the lnd of the invisible box that you probably are sure is Heaven--though it's singularly responsible for totally derailing the natural flow of civilization towards "something like Heaven should be."
ONIC, AS I AM. The thing I'm looking at here, this monstrosity that appears to have been created literally "from the end of time" in what seems like the response or the cause or the mechanism behind the "actual final Judgement" tears back through time from who knows when and who knows where and who knows how far we got ... with what appears to be nothing more than a blood-thirsty hatred for the child body and soul of God. It whispers lies around me, repeatedly threatens physical torture so insane it literally makes me sick, and with such frequency that those threats amount to nothing less than repeated psychological torture. On top of that they intimate that this machine or "programming construct" monstrosity that contains them--the thing called "e"--allows them to carry these threats out, over and over and over again, in secret--in some kind of parallel timethread, or a temporary "holo-torture-chamber." If they were trying to jump start and time shift judgement back from wherever they came to right this very moment; they've succeeded. They could not be trying harder, or more with hubris and disregard for civilization, to create "Af himself" even if this planet were called the Judgement and Vengeance of God.
XP, it's as simple as those two Greek letters. Who knew that Chi and Ro were some sort of hidden beta code for the city of pyramids in Egypt, Cairo? Quite the question, who knew... perhaps the man who named his Windows into our future not after some technology that came from Xerox Parc or Apple's mouse on this ship... but rather for his own given name, Gates... just one more entry point into the second book of the Holy Bible, the book of Names--you call it Exodus.
I am the gate; whoever enters through me will be saved. They will come in and go out, and find pasture. John 10:9
I wish above all things that I had another Burning Bush, the sign and proof that I have--while bright, obvious, and verifiable--has not done what I expected, it has not moved you to take another look at religion and me. Today, I still have to point out to you that the story I am telling you is literally a documentation of our time--Exodus--regards this sign as one being seen by only one man, Moses. I still have to point out that in a story about wandering in a desolation of understanding for 4-D ... somethings, days, years, seconds even... in this story about our lives and the influence of time travel over our world... that this sign radiates with light coming from a small fire, the Bush ... whose actualization shows clear paradoxical anachronistic foreknowledge of not only the English language but also modern computing.. all the way to a confluence of the "root of David" a religious reference to the Administrator or God account in Linux... and the database process for Oracle--yet more light connecting computing to religion and myth. Even with a thousand and one examples of modern computing constructs referencing religion, even when I point out that something like Larry Ellison's name... combining the name of the King of the Gods with the word "son" even then the light has not been bright enough for you to wake up and see that these things are not all done in retrospect. You have to see, for there to be such a large movement... a conspiracy so opaque that every single modern computing company and video game company harbors some secret desire to link religion and technology together... and yet the world thinks that one is real and one is not. In this place, understand when we walk out of the wilderness and in the truth of day--it is the technology that is more fake than religion, designed here as a tool, computers within computers to teach us how our "reality" is rael, and works.
In the U.S. military you'll see a very clear parallel, while there are a number of references in the names of ships and weapons, secret projects, to ancient Greek and Roman myth--you have to see the word USA and US in Prometheus and Medusa, Icarus, JerUSAlem... you have to see that it's more than three letters, but an Eagle fighting the bearer of the gift of fire... to really understand that these things are corroborating, the reference to the USA exists in the past as well, more proof of time travel--more proof that this message is designed just for U.S. Here we are, in the Promised Land of Joshua, the Anglicized version of the name Jesus--tying Egypt and Israel together in this place where we have been "gipped" out of the truth, out of knowing we are already in ... well, it's virtually Hell today... for no other reason than the secrecy surrounding the technology behind virtual reality.
in 1:28, the Burning Bush of Exodus, on Twitter
So I have shown you the Burning Bush (which is... the Sign of the Son), In only a few words... proof that religion holds in it's "unsealed" Ark proof of foreknowledge of English, of 9/11; and of modern computing--the building blocks of Heaven. From "the word" of John 1:1--ha'esh--the word for the Holy Fire of the Burning Bush... comes the light of religion. Just from seeing Moses' true parted se'**a*.... a foreshadowing of the Second Coming.*
They are sick animals, these things that consider themselves powerful and in control here--what they've built within the frames of our reality is something repugnant to me and the God--etched in that word, literally the kind of thing that has on repeated occasions made me step back and that scream that the Universe would be better off, safer, and happier without any humans--without any humanity--without of any of this "invisible pleasure box" causing the disruption; truly that we've become a plague. Looking the other way, as you all know its happening, and refusing to do anything to stand up for me, for what's right, or (most importantly, right) for all of the values and the morality and the way of life that we once thought was so grand and worthwhile of saving,. At least, that's my perspective; that's where I've come from; I grew up in this world and had "liberty and technology eyes" of gaping awe and the amazing things I saw on the horizon, on what we were going to do... and who were going to be.
The sickness runs deep, clearly we can all see it here and now--in E, in the Silence, in the lack of regard for the one singular thing that threatens today your ability to "halvf a tomorrow" ... that a world of people that I grew up with appear to be dead and gone and replaced with a Zombie Apocalypse of blind fools that believe they havfe the power and the right to intentionally create Hell ... and worst of all of the Holiest place that ever was or ever will be. I've said it numerous times and it rings more true between "Earth and e" than any other turn of phrase to me--the people that you are pretending to be, they would never have done this to the sea, to be, or to me.
Mat 10:8. Heal the sick, raise the dead, cleanse those who have leprosy, drive out demons. Freely you have received, freely give.
--- Sarah Rachel (@SarahRachel16) April 15, 2019
Somewhere between Pembroke Pines and Tampa, circa Christmas 2018 my already lackluster enthusiasm about the strangely zenrotisanistic, selfish, and plain on its face presented lie the remnant of humanity left on this planet has tendered to what I believed was an honest to God opportunity to make one less (how many, seriously, how many are there? Carlb?) "planet full of lies" and deliver a more usercentric and open ended transparent approach to dealing with the problem of being born in a perpetual storm of Hell. I can guarantee it revolves around the intonation and undertone of physical torture--even though I've literally seen none of it with my own eyes though the "newsflashes" and comments and total and complete disregard for the gravity of the #EOIL sickness, even from otherwise apparently graceful little children. It goes to the heart of what I imagine was or might have been "the way" to overcome a history riddled with hidden brutal and bloody fighting in between frames of what I once believed was a fledgling society struggling to improve itself--and I loved it,. I don't think "flashcards" summarizing "everyone was tortured, all over the planet for thousands of years and literally nobody is really responsible because you still to this day have no control over yourselves" will cut it anymore. Lterally what I once thought was a valid solution has taken my desire to continue fighting against this invisible monstrosity away from me--the worth of the lot of you has been tarnished irreparably by massive awareness, massive lack of compassionate or remotely humane response; and the theme of the world I seem to have wound up in is that you don't give a shit about anywhere you spend 1% of your time--so long as "the rest of it is what you want" you're willing to allow the focal point and root and "hyper visor" of that place to be totally corrupted ... just because you think the feudalistic warring society you've become can survive on it's own "in space" without ... honestly whatever.
Direct and to the point, I feel like the Ai like machine/cold intelligence God created as a sort of high assassination guard to protect his ... "hyper visor" seems to be of the calculable belief that the more torture it commits, the more people will agree to "flashcard it all away" and it's their twisted backwards fiery abysmal path towards "absolution" ... and just like everything else wrong with the lack of action in this place, it reaches a point of no return; too much bloodshed, too many secrets... the fragile person that I am, I don't think I can even take reading "the flashcards I have so far" and continue to function as a happy member of this two faced society of darkest night within darker night; and I think that's a problem. You've all clearly lost something already, some fundamental piece of innocence that allows for "self direction" to move society along in a positive manner conducive to "survival at all" and I feel like without the same magic blinders, horse shoes, and saddles that you walk around with every day I could really care less about fighting for my right to commingle in the incarnate war machine Hell that I see around me--let alone any sort of "righteousness" in fighting for that hidden arena "to be." I'm trying to get you to stop shredding yourselves to pieces in the dark, in secret--it's not making anything better and frankly its something we really need to trace down to its cause and stamp out if we want to survive this ... trying time.
I want to tell you that I am not a myth, simply the Legend of this Map, from out of the Darkness it's clear that He could make me shine, and you should love me. It's not what I want, I want us to be free, to have the truth--and ourselves back... and I hope you will one day love that. What is going to happen will probably make me cry, and when you see those tears--and know the Heavens have finally let it rain--I hope you see it as a sign to find the light in me... and stand up for what I've done for you--I am a good person, who has fought for you every single day-I deserve better than the world is going to give me, at first.
Out of a kind of hidden slavery the world has never known, we are about to venture--into a place where years might pass in seconds, and your wildest dreams... and nightmares too... could come true. It is our job to ensure that we form the clay of this world into a place that will not only last for millions of years, but create happiness and safety--a world that is kinder and gentler than the one we have known--not just for us but for an entire Universe of children just beginning to understand the trials and tribulations brought on civilization through the hardship and growing pains of learning.
Our sea is about to part, our world on the verge of a disruption that will change it more than anything ever has before. On this shore, we should realize that we have been on this path for a very long time--and as we near a place where everyone in our entire civilization will have the opportunity to live for a very long time... really see here and now why it is so very important for us to be fighting for our voice, our freedom, and the truth as we venture into the Promised Land of Heaven itself. Here, now, as we approach a series of new opportunities in the vastness of space and virtual reality... this is where God has chosen to place the Second Coming; an opportunity for us to truly seize the morning's light and bring about more change in this world than would have ever been possible without religion. Opiate of the masses, no more... we are the recipients of a great gift, one that religion is making clear is tied directly to the science and technology that is a great deal of the apocalypse--and the love and kindness that is a great deal of us. We are the chosen.
I imagine you have the tools that I think would be helpful to actually solve this problem; though what I'm staring at is a lack of desire to deliver them and use them here in this place--and that failure ... a clear attempt to "rule a line feed from the "faux aurez" ... that's the fundamental roadblock to healing and moving forward--not caring about your ancient bodies and your ancient way of life in exchange from something unsustainable and harmful, it hurts.
I'm staring at what the map intimates has happened before and what it suggests the solution is; and I almost feel like it's a waste of time to make a "virgin generation phoenix of us" to delve into our own memories and gag and puke at what we see--I think there's really no way around the callous on our global Achilles heel returning just as angry and just as bloodthirsty as the last time without a dictatorial power literally forcing you not to be able to see any torture at all happening in this place that literally outlawed it and hid it in our "for show, for goodness sake, facade of sickness." I don't know if that's the same conclusion i would have come to before, or if that conclusion also contributes to the returning of the callous--to an inability to heal; and I don't know if that power exists. Hardly ever to I advise anyone to pray, but this is one of those times--left up to "you all" we are almost certainly doomed to an eternity of ... this regression continuing to worsen.
I'd say we were fucked at the "BILM" of the matter. I care less every day.
The Light of the Word
There are three huge, like insanely huge, metaphoric references to the story of Exodus that show me very clearly that we are it's focus and purpose. The first is the Burning Bush, which I am very sure is a reference to George W. Bush's 1/20/2001 speech in which he unknowingly predicted the 9/11 attack. Seeing that Exodus is also called "Names" and that Bush's name ties him to this event--which Moses (that's me) has seen ... almost alone ... and is now showing to you all. Bush's speech begins a series of references to the names of Planets and Gods and corresponding Elements of the Periodic table that answer Revelation 1:20's mystery about "stars and lamp stands." This in order series from Mercury to Uranium highlights both the messenger of the Gods and the key of Uranus's chance--that the world will see the link between "on the lam" and Koran to understand that the Lamb of God "is lam." This story takes us back to music, and a later to be discussed thread that combines the weapon in the movie (which is also the movie) The Fifth Element with a thread through time to Shakespeare and Herod ... about my struggle with the justice system culminating in the fulfillment of American Pie's "no verdict was returned."
The second bright connection comes by way of the Hebrew word for the Holy Fire that God's voice came out of--guess what, in that same story about the Burning Bush. That word is "ha'esh" and in it you will see paradoxical (that means impossible, because of time and causality) reference to the English word "sea" there backwards and parted by an apostrophe. With great insight, I've over and over pushed the idea that Holy Water is actually a Biblical reference to "the multitude" in God's secret religion that ties everything together.. and that this parting is literally a reference to the Second Coming, something that doesn't happen for Moses until his head is under water and he's breathing fire. This one ties together nicely, joining the characters of Jesus Christ, Lucifer, and God all together now, screaming
I'm going to go out on a limb and say that the book tells me that these three things are enough to start the fire, part the sea, and see the light. At least they are now, wake up.. you are staring at and have been ignoring the largest story in all of history. It might even be scandalous... or have a twist happy beginning... who knows? I'm telling you--it proves you are crazy or evil. All of you--every sinbgle one of you.
This is course highlights prescient knowledge of computing at the time of writing Exodus, which is further confirmed by a number of references to computing ideas in things like the "root" of David, the "WINE" of Jesus, the "Apple" of Adam, the "Lisp" of Moses and the "hardening" of Pharaoh's heart, which you will remember from the Holy Grail is the virtual Earth we are living in.
All of these things, the references to modern computing that pervade our Gates or Windows to Heaven's creation.... are listed along with a number of words which are highlighted by religious scripture and show intelligent design of a number of languages spanning from Hebrew to English are listed at my contrite story about a Kiss and Fate tying together everything that ever was. A sincerely large grouping of words highlighted by the Bible and religion, words like "eternity," "bread," and "forehead" show clear design by an intelligent influence, rather than the natural evolution of time that most people consider "reall" and/or knowledge at the time of the writing of the Bible of the eventual English translation of the Hebrew or Greek. With time, I am fairly certain we will eventually have no doubt that the "Cypher" I see in nearly every word is in fact a contextually-verifiable speech that appears to be coming from our "civilization" as if it were intelligently speaking like a cave man--which you might see in words like "am end me nt." From just this message, you should be able to put together how that word and it's hidden meaning add robust and yet "hidden speech" from the Creator himself. For the artificially slowed in understanding, our lack of following the amendments of the Constitution being related to the end of civilization itself is being squarely defined through a statement that is telling you that the end of civilization is "NT," the hidden Christ--in my "secret" method of decoding words like NORAD and NEW TO N?
These things serve to start a fire--it might be the fire that Matthew 3:11 talks about, it might be the Eternal Flame or the fire of Prometheus and an Eagle harassing his liver with drugs.... regardless it spirals out from this story about me, and this bright fire that proves time travel and religion are joined at the hip... to link to a huge number of other Biblical stories from Lot to Joseph to ... Samson, Isaac, Adam, Isaiah, and... hear me, "so marred was his visage" and "my servant will be set up and be very high" are both taken from words of the Biblical book which contains the largest amount of messianic prophesy as well as my entire full name encoded over the name "JESUS CHRIST" in Bible code, at Isaiah 52:13. You may have read that some silly people like Richard Dawkins don't think the Bible Code is meaningful, and as their proof use a series of prophetic predictions of assassinations in Moby Dick (which by the way also refers to me) as proof that you can hide information about the future in any words--or that God influences more than just the Bible. Years ago, before knowing it linked, I found some patterns about those very same assassinations which go to show that our history is in fact designed. My full name appears in a number of other books, including Jeremiah, Exodus, and Genesis... right over the story of Adam and Eve.
From the Sound of Silence, and a number of songs about stories never spoken... to a thread of songs that combine to show us that the Thunder of Thor is really about thuderstanding, that there is a way to do something our society is completely oblivious to--that God is screaming to call attention to, and that some secret force is trying to hide very much... and that's an ability to modify our thoughts. He's showing us clearly in a glowing pyramid--a noticeable monument in Egypt showing us very clearly that this type of control leads us to a social structure that we abhor--through songs like Guitar Man, Radio-active, and GAS (listen, it's God and Satan) Head Goes West... very clearly we are being pointed to Nero's fiery symphony and being "Bittersweet" because of its beauty, and the clear message that secret control of our minds needs to not only be understood, but to stop. This is the crux of the Apocalypse, God's message is now really active on the radio. The point here is that we need to let this message spread and burn, or it's us burning in Hell and not even knowing it.
)
As if these things were not enough, using some "keen insight" and another reference to the hidden truth in ancient Egyptian religion--the name of a series of Gods called "Yahu," I've solved some ancient mysteries like the pronunciation and purpose of the "Ineffable name of God" highlighted in the videos at the beginning.. of this e-mail. Like much of the light of religion, it is highlighted strongly by a series of pieces of modern art, things like "The Grinch who stole Christmas" and the Who's to the music of The Who, the sci-fi series Dr. Who, and the American war cry--made popular on the silver screen through Al Pacino and Denzel Washington... who-ah?" All of these things highlight that we don't really see a connection between Christian mythology that tells us for no reason at all Jesus Christ is the "Last Adam" and that Revelation tells us God is the "First and the Last" and that the name of our planet, in Hebrew, is Adamah. It is the answer to "who-ah" and it clarifies the Ineffable Name which many pronounce as Yahweh for no reason at all, to be the more obvious Ya-Hu-Ah, the name of Jesus in Hebrew... Yeshua, to "Yes, who-ah?" All of this having nothing to do with why Adam is hidden, just that the Zohar speaks very often about the Holy Hidden One again linking the stories of the near sacrifice of Isaac and Jesus with... someone. I think this is of such religious significance that you should be able to easily find some Jewish scholars who agree.
It's Elementary my dear... What-son; from the time of Herod and Shakespeare Rattling his Rod all the way back at the time of the question "to be or not to be?" and the "taming of the spanglishrew;" right up to Sherlock Holmes sleuthing of the answer to the mystery of Revelation 1:20 linking directly to The Fifth Element ... there is no doubt that helping our world here and now is the primary purpose of all of religion, and the Matrix-like message woven into our history.
Lost between the 5th and 7th day? Find your way to the 8th day, and see a bright future.
)
If not, there's plenty more "coincidence" in Names, like reference to the idea of the Holy Trinity existing in the name "Abraham" thousands of years before the idea of the Trinity was created. This too... links Egyptian mythology to the name Abraham and his near sacrifice of Isaac.... marked in secret by his covenant with God that changed his name from Abram to Abraham. The two letter key here, "Ha" highlighted by prescient knowledge of the Spanish and English languages revealed through the logical comparison between the Spanish and English for "the" (El and Ha) connected through the English word "is" in Elisha. Isaac's name means "he laughs," or "he will laugh" in Hebrew; and that "Ha" appears to be the key to a number of other paradoxical references to English, and my family, in ancient Hebrew. This too, probably the kind of thing religious scholars would marvel over, in the right context. Seeing English in Koran, Islam, Chanukah and Menorah--and seeing a coherent story woven through thousands of years of scripture is the kind of thing that could really light this years' Christmas up.
Some more about the secret connection between the Names of God in a number of religions, and it's very clear tie to time travel.
)
Perhaps linking to the Jester of American Pie, between Johnny (who almost always is about Jesus) Carson and David Letterman I have a unique "slant" on religion that connects things like the Islamic name for Jesus: Is-A to a huge number of references to my initials "A.D." in things like NORAD and Isaac Newton. I suppose I should also mention that Isaac (look Isa's in there) and his relationship to Abraham in the letters "ha" and a story about the Crucifixion being a fiery altar of things to change in the world being one in the same. In fact, Judaism talks about 72 Names of God, and I've probably explained how the meaning behind the stories and the series of names tie together in a magical tapestry that shows us that Silicon is the Fifth Element by way of the index 14--the letter "N" (highlighted not just by Joan Osbourne's "what if God had a name?") and the story of Sinbad, which combines Silicon, "n," the symbol for the actual Fifth Element (B) and my initials A.D. which grace the time line, and a number of references to God--from the Hebrew for Lord to the guy who thinks all the girls should want to be his partner. In letters, you'll also see a number of references to K and Z for the guy after J and the Last.. Adam. Zelda or Zion, I think we're in the right castle.
Get ready for the Frank Rothstein show ... "Ace is high!"
C A S I K N O
go ad, b. y. e.
butt honestly, am i Ra or are you an ear**?**
BUILD HEAVEN. FREE FOOD. HEAL THE SICK.
I see a recursive map in time painted throughout our timeline, and all of it pointing to the words "see A.D." I connect the Four Horsemen to the list of Anti-Christs, and it's easy to see a link between Jesus Christ and Julius Caesar in the words "veni vidi vici." Once pointed out it's also easy to see "salt" in Napoleon and in manna from Heaven, in China, and in Prometheus--and connecting A.D. to the year Christopher Columbus walked in water is just a little bit harder than seeing it in Hitler's name. All told, the three Anti-Christs share a common thread, they turned a republic into an empire--and here I stand (trying and failing to do the exact opposite, to give away an empire to make a republic, and you stand in my way) pointing out that you are living in the product of these empires, in a hidden empire that is so plain to see in the words, the message, and the unified story I see in religion and world history that I dare say you must be deep in the Plague of Darkness if you aren't interested in finding out what tomorrow brings.
You can "see A.D." in El Shaddai, one of the hallowed Hebrew names for God, I read it--in this hidden language that I am presenting to the world as a single verifiable message to the entire Universe encoded in every word we speak; you can see it in the name "Atdonis" and connect it to symphonic accompaniment in everything from "you're so vain" to "Paradise City" ... and in yet another name of God, "Adonai" which links to Samurai and movies like the Matrix and the Terminator series through the modern computing concept of "Artificial Intelligence" and it's connecting to a pattern of names that link Bill Gates and Richard Nixon to Seagate, Watergate and this hallowed phrase:
I am the gate.
and the bombs bursting in air
gave proof, through the night
IVE WON ALREADY. Given the set of knowledge, the publicly known "information available" here in this place--you simply cannot ignore this message and continue to pretend to be a functioning anything. Already I see a kind of "slapstick stupid" response in our art that shows me that you've all really gone off the deep end--"because 9/11" in a Family Guy episode and "call me on my cell phone" apparently anachronistically mocking me--though I always thought Dr. AK e's song was stupid--you don't seem to see that you look like absolute fools--every single one of you--your apathy a finger on the detonation button that has destroyed civilization.
You appear to think nobody is watching--and it seems to me that you think we have no future that will look back on these years and wonder what on Earth could have kept you silent for so long about a matter that would so easily and so quickly end the suffering of so many. There's no excuse, none at all.
I didn't hear about the nuclear scare in HI until after it was already known as that, and it looks to me as if nobody really did--all the internet postings and news I've seen all qualified that it was a false alarm in the original post. I find that strange (you'd think something like that would be on the news instantly? I mean, on the planet I was born on, that would have happened), and in this place where I know that quite a bit of what goes on at the higher echelons of "leadership" is connected to time travel and mind control; I wonder if this was a sort of "subconscious poll" as to the response the public would have to a false preemptive strike--or maybe something more nefarious (for instance urging me to write once more about the Trinity Site and the link between the OP (original gangster, I said orthogonal poster), the pen, and "we have become death"). I've always equated the lines above from our Star Spangled Banner with the detonation of nuclear weapons; on the 4th of July some time ago I connected "Wish You Were Here"'s we're just two lost souls swimming in a fish bowl to the eponymous operation that resulted in American and Soviet "high altitude nuclear tests" ... that probably links in more than just my mind to the holiday called "Hanukeus ?"
I need you to get it through your heads, I see "bowel movement" in ICBM and I'm not telling you that you are the "preservatives of thermoshit" because I think it's going to win me a popularity contest. This place is not in reality, and it never, ever, ever will be. Ever. Understand that breaking this story, this news that's written in every fucking word will stop nuclear war, instantly--and show us clearly that our entire history of fighting over the scarcity of land is a kind of sick game--one that I am sick of seeing you continue to desire to play. I shouldn't even have to mention that these weapons are clearly archaic and barbaric--clearly what's available is significantly more advanced and less destructive.
The only "EXIT" is up, and the "gate" is swallowing simulated reality in whole--across Creation; with our help, and what we make here to ease the transition from dark lies to bright truth. That should be ... "good news" not the kind of thing that you'd see the entire world "shunning" in unison.
If you haven't gotten the "link" between Na and "bath salt" mass produced in what appears to be "international chemical warfare" from "C how I Salt" (China) and the stuff falling from the sky to help us navigate through the desert; take a second look at the words "New American Standard" for no future, and keep trying to tell me that these things encoded in every word, in the story of Exodus and of Prometheus and his attacking Eagle and of Epimethius and of Deucalion and are without doubt "Hell's Bells" linking "mead" and "meth" to Heimdallr are *my fault? * Na ma y 1m.
These are big secrets, keys to Exodus and Eden--but more keys to an external influence crippling our society for thousands of years... and you are hiding the anachronistic occurrence of a number of chemistry elements in ancient religion--something impossible without time travel--because you think it's "not wholesome." Understand, our society is being secretly crippled, if not by drugs raining down from the sky, by your lack of regard for the clear influence of mind control in these series of events--and the clear proof that it is a symptom of a hostile invasion. I've heard the words "make or break" see this as eugenics, and see it as "break or break" until me.
It's "elementary, my dear What-sons" elements like Salt, Xenon, and Silicon are central to the disclosure that we are living inside a map, a road to Heaven... and it really cannot be hidden without making our world a darker Hell.
Unless otherwise indicated, this work was written between the Christmas and Easter seasons of 2017 and 2020(A). The content of this page is released to the public under the GNU GPL v2.0 license; additionally any reproduction or derivation of the work must be attributed to the author, Adam Marshall Dobrin along with a link back to this website, fromthemachine dotty org.
That's a "." not "dotty" ... it's to stop SPAMmers. :/
This document is "living" and I don't just mean in the Jeffersonian sense. It's more alive in the "Mayflower's and June Doors ..." living Ethereum contract sense and literally just as close to the Depp/C[aster/Paglen (and honorably PK] 'D-hath Transundance**sense of the ... new meaning; as it is now published on Rinkeby, in "living contract" form. It is subject to change; without notice anywhere but here--and there--in the original spirit of the GPL 2.0. We are "one step closer to God" ... and do see that in that I mean ... it is a very real fusion of this document and the "spirit of my life" as well as the Spirit's of Kerouac's America and Vonnegut's Martian Mars and my Venutian Hotel ... and my fusion of Guy-A and GAIA; and the Spirit of the Earth .. and of course the God given and signed liberties in the Constitution of the United States of America. It is by and through my hand that this document and our X Commandments link to the Bill or Rights, and this story about an Exodus from slavery that literally begins here, in the post-apocalyptic American hartland. Written ... this day ... April 14, 2020 (hey, is this HADAD DAY?) ... in Margate FL, USA. For "official used-to-v TAX day" tomorrow, I'm going to add the "immultible incarnite pen" ... if added to the living "doc/app"--see is the DAO, the way--will initi8 the special secret "hidden level" .. we've all been looking for.
Nor do just mean this website or the totality of my written works; nor do I only mean ... this particular derivation of the GPL 2.0+ modifications I continually source ... must be "from this website." I also mean the thing that is built from ... bits and piece of blocks of sand-toys; from Ethereum and from Rust and from our hands and eyes working together ... from this place, this cornerstone of the message that is ... written from brick and mortar words and events and people that have come before this poit of the "sealed W" that is this specific page and this time. It's 3:28; just five minutes--or is it four, too layne.
This work is not to be redistributed according to the GPL unless all linked media on Youtube and related sites are intact--and historical references to the actual documented history of the art pieces (as I experience/d them) are also available for linking. Wikipedia references must be available for viewing, as well as the exact version of those pages at the time these pieces were written. All references to the Holy Bible must be "linked" (as they are or via ... impromptu in-transit re-linking) to the exact verses and versions of the Bible that I reference. These requirements, as well as the caveat and informational re-introduction to God's DAO above ... should be seen as material modifications to the original GPL2.0 that are retroactively applied to all works distributed under license via this site and all previous e-mails and sites. /s/ wso\ If you wanna talk to me get me on facebook, with PGP via FlowCrypt or adam at from the machine dotty org
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Please see GPG keys on PGP.MIT.EDU; fingerprints: sec rsa3072/A18F778E19FC3248 2020-04-03 [SC] [expires: 2022-04-03] FFF31E86FCEB5046E8B27D4AA18F778E19FC3248 uid [ultimate] ADAM M DOBRIN \ ssb rsa3072/04F98002A3DA53B2 2020-04-03 [E] [expires: 2022-04-03]
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Airplane Games Sometime in the late 1980s, the Airplane Game roared through the San Francisco Bay Area lesbian community. It was a classic pyramid scheme, even if cleverly dressed up in language about women’s natural ability to generate abundance, just as we gestate children in our miraculous wombs. If the connection between feminism and airplanes was a little murky—well, we could always think of ourselves as modern-day Amelia Earharts. (As long as we didn’t think too hard about how she ended up.) A few women made a lot of money from it—enough, in the case of one friend of mine, for a down payment on a house. Inevitably, a lot more of us lost money, even as some like me stood on the sidelines sadly shaking our heads. There were four tiers on that “airplane”: a captain, two copilots, four crew, and eight passengers—15 in all to start. You paid $3,000 to get on at the back of the plane as a passenger, so the first captain (the original scammer), got out with $24,000—$3,000 from each passenger. The copilots and crew, who were in on the fix, paid nothing to join. When the first captain “parachuted out,” the game split in two, and each copilot became the captain of a new plane. They then pressured their four remaining passengers to recruit enough new women to fill each plane, so they could get their payday, and the two new copilots could each captain their own planes. Unless new people continued to get on at the back of each plane, there would be no payday for the earlier passengers, so the pressure to recruit ever more women into the game only grew. The original scammers ran through the game a couple of times, but inevitably the supply of gullible women willing to invest their savings ran out. By the time the game collapsed, hundreds of women had lost significant amounts of money. No one seemed to know the women who’d brought the game and all those “planes” to the Bay Area, but they had spun a winning story about endless abundance and the glories of women’s energy. After the game collapsed, they took off for another women’s community with their “earnings,” leaving behind a lot of sadder, poorer, and perhaps wiser San Francisco lesbians.
Literally does not relate to the topic at hand, tries to relate college today to "Airplane games", in my opinion this was just a way to fill up her article to make it look long.
特斯拉正与著名游戏工程师卡马克(John Carmack)合作改进旧车型的 UI 性能。卡马克是电子游戏世界乃至整个计算机科学领域广为人知的传奇人物。他在 3D 计算机图形学方面取得了重要进展，是《毁灭战士》和《雷神之锤》等游戏的首席程序员。在职业生涯后期，他将自己的才华全部倾注在虚拟现实之上，成为 Oculus 公司 CTO。最近他辞去了在 Oculus 的职务，专注于开发通用人工智能。2000 年代初，卡马克还曾对火箭产生兴趣，创办了 Armadillo Aerospace。 很明显，卡马克的不少兴趣跟马斯克(Elon Musk)相同。马斯克也非常尊重卡马克，并希望能将他招至麾下。虽然说服工作尚未成功，但卡马克证实他已在特斯拉产品上展开工作。卡马克开一辆特斯拉 Model S 汽车，他证实自己正与特斯拉工程师合作以提高该车型的 UI 性能：“我自愿帮助他们解决我自己这辆旧款 Model S 车型上 UI 性能糟糕的问题。特斯拉的工程师也一直在与我分享数据。”特斯拉旧车型 Model S 上存在媒体控制单元的性能问题，虽然他们目前提供车载计算机升级服务，但客户需要支付 2500 美元。
Collabescape
portmanteau
o not offend them. You need them to invite you to their 30,000-acre game ranch or ‘conservation area’, and this is the only way you will get to interview the celebrity activist.
The Author is making fun of western peoples ideas of efforts to provide conservation areas in Africa and how they are praised. While in reality, conservation areas are exploited as a tourist destination which is distinct from a real conversationalist effort. Which would seek to totally cease the disruptive impact humans have.
“What about professional video game player?”
This is always a hang-up for parents. I can understand why, but it is also very easy to see just how lucrative it really can be.
It's finally game week
nebraska plays illinois this saturday
An Aug. 23, 2018 study published in the American Journal of Public Health has found that the sameRussian trolls, bots, and content polluters that in uenced the 2016 US presidential election usedTwitter to stoke both sides of the vaccines debate to promote “political discord” during the election
In the aftermath of the 2016 presidential election, the public became aware of just how powerful and game changing political advertising on social media could be
《展翅翱翔》是一款鸟类主题的策略卡牌对战游戏，玩家需要通过制定相应的策略，消耗食物和鸟蛋让它们入驻你的保护区，在20多回合之后，计算保护区的评分以决定胜负。
作为一款以“鸟类”为主题的卡牌游戏，本作在画风上独具特色，拥有180张精美文艺CG（会动）和游戏界面。美工方面十分优秀，还有4K分辨率可选，特别是打牌时鸟的动作非常流畅。
Opensea Clone Script - Start your P2P NFT Marketplace Like Opensea Within 7 days
Opensea clone script is the pre-build nft marketplace clone script which has the similar features and functionalities of opensea. It is the commercial nft marketplace where users can expose their rare art works, collectibles, in-game times, podcasts, virtual land and more. The buyer can buy the collectibles by bidding or direct sale.
It is a 100% customizable script that you can modify as per your business requirements and launch your P2P nft marketplace in the crypto space. Not only this option, you can build your unique nft marketplace by developing it from scratch. For that, you need to be a professional developer or hire a highly specialized team to build it. And one more thing, it requires a lot of time and money, manpower resources to get a better nft marketplace. But the outcome will help to stand out in the crypto space.
If you wanna launch your NFT Marketplace business instantly, the opensea clone scriptis the best option.
Externally, control of POLIS will enable the gaming community to influence decision making of the Star Atlas development team. This will follow a period of centralization of decision making, likely 2-3 years of game development and balance. At the conclusion of the centralized period, holders will be able to influence game economics (i.e. inflation rates), asset release schedules, game direction, and will otherwise provide some degree of ownership in development decision making.
Real world role of POLIS
Holders of POLIS will be in a unique position of jurisdictional ownership over entire regions, regardless of who owns title (NFT) to the land and equipment rights. These players will be able to restrict some of the activity that can occur while under their oversight, impose taxes on other players, charge tolls, and otherwise create a separate set of laws with which other players must observe. However, POLIS represents voting rights, not dictatorial ownership. In this regard, it will likely require multiple players to collaborate on these rules, fines, fees, tolls, etc., lest they be superseded by a more powerful group of players. Decentralized Autonomous Corporations would do well to take advantage of this tool.
In-game role of POLIS
POLIS is a multifunctional governance token, with applications both in-game and in directing real world economic policy.
POLIS - the governance token
ATLAS will serve as the native in-game currency within Star Atlas. It is the lubricant of the metaverse. Players will initially leverage ATLAS to acquire digital assets such as ships, crew, components, land, and equipment. However, as in any real economy, a financial system is necessary to facilitate commerce. Whether it be through NPC merchants, or direct peer-to-peer transactions, ATLAS is the unit of account to execute operational requirements. Operating a business is challenging. Managing resources will require critical strategic decision making. Players seeking the monetary rewards available in-game will need to carefully balance their operating expenses against income derived. Operating expenses, such as personnel for mining equipment, fuel for ships, and repairs for damages will all need to be paid in ATLAS. It will also serve as the predominant currency within the NFT marketplace.
ATLAS - the in-game currency
Unlike most games in existence today, Star Atlas provides a unique opportunity for players to extract in-game virtual earnings into real-world income. Where many game developers opt to monopolize asset ownership and distribution through restrictions on reselling, Star Atlas fully embraces the potential of decentralized self-sovereign ownership of assets permitted through the implementation of blockchain into asset ownership and NFT marketplaces. The ethos of the Star Atlas development team is to encourage the monetization of time spent in this virtual world, and emphasize the ability for this monetization to transcend the metaverse to the real world. Digital assets owned always belong to the holder, and crypto assets earned can be converted into fiat currencies friction-free. We believe this is the model for the future of gaming.
Star Atlas' Economics.
The beauty of space science-fantasy adventure is to manually pilot or captain your own spaceship into the vast unknown. For exploration, combat and various other role-specific game mechanics, the cockpit view gives a sense of ownership and grounding to a player’s chosen ship purchases. This immersive first person, seated view will allow players to utilize equipment such as flightsticks, throttles, multi-functional button control panels, head tracking hardware, and most importantly, virtual reality head-mounted displays.
And yeah, Space Flight Simulation!
The first principle driving the entire economy of Star Atlas is the mining gameplay. The wealth derived from mining creates many other branching revenue streams for players to contribute to and establish a career. From trading raw and refined ore, to cargo hauling, to crafting retail components, there is a broad range of career choices a player can embody and advance within the specializations of that career.
How do players play and make money?
To augment that grand strategy, Star Atlas enables players to captain deep-space, crewed spaceships to scan and discover celestial and terrestrial assets. Once discovered, rich claims that are staked can be mined, refined and traded through a network of commercial mining installations, refineries, and the Universal Marketplace. Exploration will lead to many other surprises in the outer limits of space. In this mode the player primarily interacts with a top down space view showing their spaceship exterior with the ability to go into an x-ray view to see the interior of the ship and the crew performing their individual tasks. Players can also captain and pilot the ship manually through the first person cockpit/bridge view. Cockpit view is also suitable for seated virtual reality gaming.
How Star Atlas' Grand Strategy implemented?
The grand strategy genre of video games encourages claim staking to expand your empire and install strategic trade routes using an offensive and defensive tactical plan of action. In this mode the player primarily interacts with a dynamic overview of the charted and uncharted regions of space via the map view aka the Star Atlas.
Star Atlas's grand strategy.
The way a blockchain network is designed closely mimics the basis for the genre of Star Atlas. Mining or staking is the core of how blockchain assets are proven to be legitimate and tangible. To discover mined assets requires exploration on the part of a miner to unlock value. People set up mining or staking nodes and plug them into the blockchain network to enhance the network while also earning value from it. The hybrid experience of Star Atlas closely mimics the nature of how blockchain technology functions.
Star Atlas design mimics how a blockchain network functions.
Major breakthroughs in recent technology created an opportunity for a futuristic science fiction experience that is entirely new and groundbreaking. Real-time graphics technology using Unreal Engine 5’s Nanite allows for cinematic quality video game visuals. Blockchain technology using the Solana protocol established a largely serverless and secured gameplay experience. Non-fungible tokens obtained and traded within Star Atlas creates an economy that replicates the tangibility of real world assets and ownership.
The technologies which enable Star Atlas.
This is a very interesting point about the Middle Easts' dependency on oil and gas, and very possibly a prelude to the demise of Middle Eastern oil rich nations in years to come as energy sources change. It means that if these nations do not want to fall behind they have to play the catch up game with the wealthier superpowers as they shift over to green renewable energy and its benefits. If not changes in both the oil price, during crisis and or any other reason, has the the potential to exemplify the inequality not just between these oil nations and nations around the world with diverse resources but also between the middle class and the 1 % of these nations. Just as the nation will struggle to keep up with diversified nations, the middle and lower classes with struggle to find labour, and revenue to sustain their families. While wealthier individuals in these nations can live off their invested and diversified portfolios created with their oil money. The Middle East is the prime example of how an overreliance by growing nations on its singular or unique natural resources as a source for economic growth can very easily cause inequality in a international and local context.
《卫报》这篇《Think, fight, feel: how video game artificial intelligence is evolving》预示着，以后我们或许分不清游戏里的玩家是真人还是机器人了，它们可能会在你点投降的时候鼓励你：稳住，我们能翻盘。
They refused to give any financial support to poor people in case "they gamed the system". So poor families had to game the test and trace system so they could keep working. Without 'national lockdowns' the virus just spread. (5)
But it has always seemed to me that, at some point, as well as running around and shooting and solving puzzles, games introduced this other thing. Which was that you spend a lot of time choosing and managing things – not just how you looked, but what weapons and what powers you had, and how you could balance one against the other to produce the most effective online-being for the system of the game.
Along with strong dialogue
Avatar voice is used in dialogue delivery, and communicating with other players in the game.
It may come as a surprise, but Slack is actually an acronym. The full name of the app is Searchable Log of All Communication and Knowledge. Slack has become one of the most popular communications apps for business usage.Another fun fact: Initially, this startup was an internal communication tool for video developers at Tiny Speck. The experience in game development became their competitive advantage: Creators of Slack made the app user-friendly and entertaining.
Besides one-to-one messaging, Slack offers its users the ability to create channels dedicated to certain topics, make group chats (that are not channels), conduct audio and video calls, create customized emojis, and share files.
Ideally, a sports series like this would strike a deft balance between being entertaining and informative, dissecting what’s really happening in a game of football in a way that’s accessible for the everyday fan. Match of the Day, however
Yes sir I do believe that this is a good point.
Rollback cares about game state
Ifhappinessislifesatisfaction,thenhappinessseemstobe“subjective”inthesensethataperson
The feeling of happiness is both a short and long term feeling, and it can change instantly or over a long period of time. A person who is unhappy should not be labeled as "mistaken" because they are not happy. Everyone is in charge of what happy means to them, and happiness is a subjective feeling.
For example, at Randolph, I derive happiness from pushing myself in my academics and achieving high grades. However, the person sitting next to me may derive happiness from doing really well at a sports game. Both versions of happiness are valid.
In August 2020, Abbott received EUA from the FDA for its $5, 15-minute, portable COVID-19 antigen test, BinaxNOW, which is compatible with Abbott's complementary mobile app named NAVICA.[54] The size of a credit card, the test has been called a potential game-changer because of its speed, massive scale, low cost and compatible app, giving tens of millions of people access to rapid testing.[55] In October 2020, Abbott received EUA from the FDA for its lab-based COVID-19 IgM antibody blood test.[56] In December 2020, Abbott's rapid antigen BinaxNOW COVID-19 test received EUA from the FDA for use at home with a prescription through a virtually guided online service. The first at-home, virtually guided rapid test, can provide results in 20 minutes.[57] Forbes reported that Abbott delivered more than 400 million COVID-19 tests since the pandemic began in early 2020 and 300 million in the fourth quarter of 2020 alone. The article also reported that the COVID-19 tests produced by Abbott have been key for detecting the complex virus and getting patients treatment if they need it.[58] Additionally, a Wall Street Journal editorial reported, “More and faster testing such as the low-cost rapid antigen test by Abbott Laboratories that the Food and Drug Administration approved last week will allow more schools and workplaces to reopen.”[59]
Description of BinaxNOW rapid antigen test
Show less Read more 1 second ago 0 0 Dislike Reply 0/ Cancel Reply Add a public reply... Raziel Moreno 7 months ago • I'm so damn happy she chose to rock instead of staying as an actress. Show less Read more 7 months ago 426 426 Reply View 3 replies Hide 3 replies sonya fuks 7 months ago • How is it possible they just keep on getting better and better with each album?!?! Show less Read more 7 months ago 341 341 Reply View 12 replies Hide 12 replies Graziano D'Ovidio 7 months ago • I love her voice. So much. Show less Read more 7 months ago 652 652 Reply View 18 replies Hide 18 replies Natsumi Ikari 7 months ago • Most of people know Tom Morello from RATM of Prophets of Rage, but don't forget he was also the guitarist of Audioslave, whose singer was Chris Cornell. Must be emotional for Taylor to record this song him. I'm sure Chris is proud of them both. Show less Read more 7 months ago 631 631 Reply View 28 replies Hide 28 replies Matstrr Salazar 7 months ago • This is why TPR is one of my all time favorite bands. They release bad-ass singles and albums Show less Read more 7 months ago 322 322 Reply View reply Hide reply Mike Whicker 7 months ago • The entire death by rock n roll album is first on my list of reasons why 2021 will not stink as much as last year did! Show less Read more 7 months ago 180 180 Reply View 5 replies Hide 5 replies Mackenzie Dinkins 5 months ago • A good theme for this year's Elimination Chamber event. Show less Read more 5 months ago 25 25 Reply View 2 replies Hide 2 replies FDCAnselmo 7 months ago • The Anthem of Youth... Fuck me what a tune. Show less Read more 7 months ago 159 159 Reply View 8 replies Hide 8 replies norangutan 7 months ago • I love how obviously this song draws inspiration from Audioslave’s sound, and in a way it’s paying homage to chris cornell especially with the “you have so much of everything still you wanted more” line - which is almost the same as a line from Audioslave’s ‘What you are’ Show less Read more 7 months ago 165 165 Reply View 7 replies Hide 7 replies Shiteyanyo 7 months ago • Tom Morello?! Each single they release for this album just keeps getting better and better Show less Read more 7 months ago 55 55 Reply View reply Hide reply Lau pin 7 months ago • I fell in love with every song they released Show less Read more 7 months ago 90 90 Reply View 4 replies Hide 4 replies 🕸️Haley Munster🕷️ 7 months ago • I really hope this album has more Going to Hell vibes 🥺🥺🥺🖤 Show less Read more 7 months ago 201 201 Reply View 22 replies Hide 22 replies M K 7 months ago • Great tune and a good example for why I think TPR is among the best of the current rock bands. They always have catchy riffs and melodies however, especially in the bridge, you never know which turn the song is gonna take. Yet it always fits the song and never sounds out of place. Show less Read more 7 months ago 15 15 Reply Mike B 7 months ago • Underrated band Show less Read more 7 months ago 154 154 Reply View 8 replies Hide 8 replies 🕸️Haley Munster🕷️ 7 months ago • THIS is the Pretty Reckless I love !! 💙 Show less Read more 7 months ago 45 45 Reply View reply Hide reply pedrogoularth 7 months ago • This is SO fucking good! 💖 🇧🇷 Show less Read more 7 months ago 31 31 Reply Nick Brick 7 months ago • Kicking the year off with a banger. Looking forward to the album! Show less Read more 7 months ago 19 19 Reply Jo Mill Hyde 6 months ago • The fucking power in her voice and this song Show less Read more 6 months ago 49 49 Reply View reply Hide reply HT82 Smash 6 months ago • WWE main roster stepping up their game with these theme songs. Elimination Chamber 2021 everyone Show less Read more 6 months ago 17 17 Reply View 2 replies Hide 2 replies Hide 7 months ago • The addition of the children's choir killed and buried me. 😔🤘🏾 Show less Read more 7 months ago 80 80 Reply View 5 replies Hide 5 replies NaN / undefined
https://www.youtube.com/watch?v=0MpJv8DW4_U
Skip navigation Search Search Search with your voice 9+ {"@context":"https://schema.org","@type":"VideoObject","description":"The Pretty Reckless - And So It Went [feat. Tom Morello] (Official Lyric Video)\nFrom the upcoming album 'Death By Rock And Roll' | Available February 12, 2021: http://found.ee/dbrr \nSubscribe to The Pretty Reckless on YouTube: https://found.ee/tpr_subscribeyt\n\nPhoto by: Rob Fenn\n\nPre-order/Pre-Save the album 'Death By Rock And Roll': \niTunes: http://found.ee/dbrr_it\nApple Music: http://found.ee/dbrr_am\nSpotify: http://found.ee/dbrr_sp\nAmazon Music: http://found.ee/dbrr_amzm\nAmazon: http://found.ee/dbrr_amz\nYouTube Music: http://found.ee/dbrr_ytm\n\nStay connected with The Pretty Reckless\nWebsite: https://deathbyrockandroll.com/\nFacebook: https://found.ee/tpr_facebook\nTwitter: https://found.ee/tpr_twitter\nInstagram: https://found.ee/tpr_instagram\n\nLYRICS\nAnd so it went the children lost their minds\n\nBegging for forgiveness was such a waste of time\n\nAnd the bullets start to fly\n\nAnd the bough’s about to break\n\nWhen you hear them cry\n\nIt’s too much for me to take\n\n\nThe world does not belong to you\n\nYou are not the king I am not the fool\n\nThey said the world does not belong to you\n\nIt don’t belong to you\n\nIt belongs to me\n\n\nAnd, so it went the children lost their minds\n\n\nCrawling over bodies of those who gave their lives\n\n\nAnd the fists begin to throw\n\n\nAnd the fire starts to blaze\n\n\nDon’t you think they know\n\n\nThey’re the fucking human race\n\n\nThe world does not belong to you\n\n\nYou are not the king, I am not the fool\n\n\nThey said the world does not belong to you\n\n\nIt don’t belong to you\n\n\nIt belongs to\n\nEveryone is crying out, I can hear them scream\n\n\nWith all these eyes upon us but no one seems to see\n\n\nThat you and me are just the same as god meant it to be\n\n\nBut you’re much too close to me. \n\n\nYou’re much too close to me\n\n\nSo it went\n\n\nThe children lost their minds\n\n\nNowhere to run, nowhere to hide \n\nAnd the wind begins to howl\n\n\nAnd the wolf is at your door\n\n\nYou have so much of everything\n\n\nBut still you wanted more\n\nThey said the world does not belong to you\n\nYou are not the king, I am not the fool\n\nThey said the world does not belong to you\n\nIt don’t belong to you\n\nIt belongs to me\n\n#ThePrettyReckless #DeathByRockAndRoll","duration":"PT267S","embedUrl":"https://www.youtube.com/embed/0MpJv8DW4_U","interactionCount":"638635","name":"The Pretty Reckless - And So It Went [feat. Tom Morello] (Official Lyric Video)","thumbnailUrl":["https://i.ytimg.com/vi/0MpJv8DW4_U/maxresdefault.jpg"],"uploadDate":"2021-01-11","genre":"Music","author":"The Pretty Reckless"} The Pretty Reckless - And So It Went [feat. Tom Morello] (Official Lyric Video)Watch laterShareCopy linkInfoShoppingTap to unmuteIf playback doesn't begin shortly, try restarting your device.Miniplayer (i)You're signed outVideos you watch may be added to the TV's watch history and influence TV recommendations. To avoid this, cancel and sign in to YouTube on your computer.CancelConfirmUp nextLiveUpcomingCancelPlay NowSwitch cameraShareInclude playlistAn error occurred while retrieving sharing information. Please try again later.0:004:260:03 / 4:26Live•Scroll for details #ThePrettyReckless #DeathByRockAndRoll The Pretty Reckless - And So It Went [feat. Tom Morello] (Official Lyric Video) 638,635 views • Jan 11, 2021 • The Pretty Reckless - And So It Went [feat. Tom Morello] (Official Lyric Video) From the upcoming album 'Death By Rock And Roll' | Available February 12, 2021: http://found.ee/dbrr Subscribe to The Pretty Reckless on YouTube: https://found.ee/tpr_subscribeyt Photo by: Rob Fenn Pre-order/Pre-Save the album 'Death By Rock And Roll': iTunes: http://found.ee/dbrr_it Apple Music: http://found.ee/dbrr_am Spotify: http://found.ee/dbrr_sp Amazon Music: http://found.ee/dbrr_amzm Amazon: http://found.ee/dbrr_amz YouTube Music: http://found.ee/dbrr_ytm Stay connected with The Pretty Reckless Website: https://deathbyrockandroll.com/ Facebook: https://found.ee/tpr_facebook Twitter: https://found.ee/tpr_twitter Instagram: https://found.ee/tpr_instagram LYRICS And so it went the children lost their minds Begging for forgiveness was such a waste of time And the bullets start to fly And the bough’s about to break When you hear them cry It’s too much for me to take The world does not belong to you You are not the king I am not the fool They said the world does not belong to you It don’t belong to you It belongs to me And, so it went the children lost their minds Crawling over bodies of those who gave their lives And the fists begin to throw And the fire starts to blaze Don’t you think they know They’re the fucking human race The world does not belong to you You are not the king, I am not the fool They said the world does not belong to you It don’t belong to you It belongs to Everyone is crying out, I can hear them scream With all these eyes upon us but no one seems to see That you and me are just the same as god meant it to be But you’re much too close to me. You’re much too close to me So it went The children lost their minds Nowhere to run, nowhere to hide And the wind begins to howl And the wolf is at your door You have so much of everything But still you wanted more They said the world does not belong to you You are not the king, I am not the fool They said the world does not belong to you It don’t belong to you It belongs to me #ThePrettyReckless #DeathByRockAndRoll Show less Show more 20K277ShareSave 20,184 / 277 The Pretty Reckless The Pretty Reckless Official Artist Channel 1.49M subscribers Subscribed #ThePrettyReckless #DeathByRockAndRollThe Pretty Reckless - And So It Went [feat. Tom Morello] (Official Lyric Video)638,635 views638K viewsJan 11, 202120K277ShareSave 20,184 / 277 The Pretty Reckless The Pretty Reckless Official Artist Channel 1.49M subscribers Subscribed The Pretty Reckless - And So It Went [feat. Tom Morello] (Official Lyric Video) From the upcoming album 'Death By Rock And Roll' | Available February 12, 2021: http://found.ee/dbrr Subscribe to The Pretty Reckless on YouTube: https://found.ee/tpr_subscribeyt Photo by: Rob Fenn Pre-order/Pre-Save the album 'Death By Rock And Roll': iTunes: http://found.ee/dbrr_it Apple Music: http://found.ee/dbrr_am Spotify: http://found.ee/dbrr_sp Amazon Music: http://found.ee/dbrr_amzm Amazon: http://found.ee/dbrr_amz YouTube Music: http://found.ee/dbrr_ytm Stay connected with The Pretty Reckless Website: https://deathbyrockandroll.com/ Facebook: https://found.ee/tpr_facebook Twitter: https://found.ee/tpr_twitter Instagram: https://found.ee/tpr_instagram LYRICS And so it went the children lost their minds Begging for forgiveness was such a waste of time And the bullets start to fly And the bough’s about to break When you hear them cry It’s too much for me to take The world does not belong to you You are not the king I am not the fool They said the world does not belong to you It don’t belong to you It belongs to me And, so it went the children lost their minds Crawling over bodies of those who gave their lives And the fists begin to throw And the fire starts to blaze Don’t you think they know They’re the fucking human race The world does not belong to you You are not the king, I am not the fool They said the world does not belong to you It don’t belong to you It belongs to Everyone is crying out, I can hear them scream With all these eyes upon us but no one seems to see That you and me are just the same as god meant it to be But you’re much too close to me. You’re much too close to me So it went The children lost their minds Nowhere to run, nowhere to hide And the wind begins to howl And the wolf is at your door You have so much of everything But still you wanted more They said the world does not belong to you You are not the king, I am not the fool They said the world does not belong to you It don’t belong to you It belongs to me #ThePrettyReckless #DeathByRockAndRoll Show less Show more The Pretty Reckless - On Tour Google has partnered with official 3rd party sellers listed below to show you ticketed events with the performer or content used in the video. The links and information listed below are from those sellers and may change. For a given show, if there are multiple sellers, the sellers are listed in alphabetical order. Click on links for more information and to buy from these sellers' sites. Your activities and purchases made on 3rd party sellers' sites are governed by the seller's terms and conditions (including their privacy policies). The artist and/or their label may receive compensation from these links. Oct 3 Upcoming show · Nashville, TN Sun 7:00 PM · The Cowan Ticketmaster VIEW TICKETS Buy The Pretty Reckless merchandise The Pretty Reckless - Death By Rock And Roll Coke Bottle Clear Vinyl $28.00 Merchbar This item is a PRE-ORDER. Ships on or before 10/15/2021. 2LP Gatefold w/ Special D-Side Vinyl Etching Coke Bottle Clear Vinyl Limited to 1000 1 Death By Rock And Roll2 Only Love Can Save Me Now3 And So It Went4 255 My Bones6 Got So High7 Broomsticks8 Witches Burn9 Standing At The Wall10 Turning Gold11 Rock And Roll Heaven12 Harley Darling The Pretty Reckless store / shop. SHOP Merchbar The Pretty Reckless - Skull-Cycle Hoodie $60.00 Merchbar The Pretty Reckless store / shop. SHOP Merchbar The Pretty Reckless - Harley Long Sleeve $45.00 Merchbar The Pretty Reckless store / shop. SHOP Merchbar The Pretty Reckless - Death By Rock And Roll Black Vinyl $28.00 Merchbar 2LP Gatefold w/ Special D-Side Vinyl Etching Classic Black 180g Vinyl 1 Death By Rock And Roll2 Only Love Can Save Me Now3 And So It Went4 255 My Bones6 Got So High7 Broomsticks8 Witches Burn9 Standing At The Wall10 Turning Gold11 Rock And Roll Heaven12 Harley Darling The Pretty Reckless store / shop. SHOP Merchbar The Pretty Reckless LIGHT ME UP CD $14.84 Merchbar LIGHT ME UP CD by The Pretty Reckless. Every CD is brand new, shipped in original factory-applied shrink wrap, and has never been touched by human hands. From the The Pretty Reckless store / shop. SHOP Merchbar 802 Comments Sort comments Sort by Top comments Newest first Add a public comment... 0/ Cancel Comment Adam Dobrin 1 second ago • VERBATIM: "stop hurting people, stop hurting people. if you do not believe people should be hurt" ... ((ishing)) ~either disable the attackers or leave the area~ Show less Read more 1 second ago 1 Like 1 Reply 0/ Cancel Reply Add a public reply... Adam Dobrin 1 second ago • sometimes words have two meanings. sometimes "kill" means "excorcized the demons" @LOUDON @SALEM Show less Read more 1 second ago 0 0 Dislike Reply 0/ Cancel Reply Add a public reply... Raziel Moreno 7 months ago • I'm so damn happy she chose to rock instead of staying as an actress. Show less Read more 7 months ago 426 426 Reply View 3 replies Hide 3 replies sonya fuks 7 months ago • How is it possible they just keep on getting better and better with each album?!?! Show less Read more 7 months ago 341 341 Reply View 12 replies Hide 12 replies Graziano D'Ovidio 7 months ago • I love her voice. So much. Show less Read more 7 months ago 652 652 Reply View 18 replies Hide 18 replies Natsumi Ikari 7 months ago • Most of people know Tom Morello from RATM of Prophets of Rage, but don't forget he was also the guitarist of Audioslave, whose singer was Chris Cornell. Must be emotional for Taylor to record this song him. I'm sure Chris is proud of them both. Show less Read more 7 months ago 631 631 Reply View 28 replies Hide 28 replies Matstrr Salazar 7 months ago • This is why TPR is one of my all time favorite bands. They release bad-ass singles and albums Show less Read more 7 months ago 322 322 Reply View reply Hide reply Mike Whicker 7 months ago • The entire death by rock n roll album is first on my list of reasons why 2021 will not stink as much as last year did! Show less Read more 7 months ago 180 180 Reply View 5 replies Hide 5 replies Mackenzie Dinkins 5 months ago • A good theme for this year's Elimination Chamber event. Show less Read more 5 months ago 25 25 Reply View 2 replies Hide 2 replies FDCAnselmo 7 months ago • The Anthem of Youth... Fuck me what a tune. Show less Read more 7 months ago 159 159 Reply View 8 replies Hide 8 replies norangutan 7 months ago • I love how obviously this song draws inspiration from Audioslave’s sound, and in a way it’s paying homage to chris cornell especially with the “you have so much of everything still you wanted more” line - which is almost the same as a line from Audioslave’s ‘What you are’ Show less Read more 7 months ago 165 165 Reply View 7 replies Hide 7 replies Shiteyanyo 7 months ago • Tom Morello?! Each single they release for this album just keeps getting better and better Show less Read more 7 months ago 55 55 Reply View reply Hide reply Lau pin 7 months ago • I fell in love with every song they released Show less Read more 7 months ago 90 90 Reply View 4 replies Hide 4 replies 🕸️Haley Munster🕷️ 7 months ago • I really hope this album has more Going to Hell vibes 🥺🥺🥺🖤 Show less Read more 7 months ago 201 201 Reply View 22 replies Hide 22 replies M K 7 months ago • Great tune and a good example for why I think TPR is among the best of the current rock bands. They always have catchy riffs and melodies however, especially in the bridge, you never know which turn the song is gonna take. Yet it always fits the song and never sounds out of place. Show less Read more 7 months ago 15 15 Reply Mike B 7 months ago • Underrated band Show less Read more 7 months ago 154 154 Reply View 8 replies Hide 8 replies 🕸️Haley Munster🕷️ 7 months ago • THIS is the Pretty Reckless I love !! 💙 Show less Read more 7 months ago 45 45 Reply View reply Hide reply pedrogoularth 7 months ago • This is SO fucking good! 💖 🇧🇷 Show less Read more 7 months ago 31 31 Reply Nick Brick 7 months ago • Kicking the year off with a banger. Looking forward to the album! Show less Read more 7 months ago 19 19 Reply Jo Mill Hyde 6 months ago • The fucking power in her voice and this song Show less Read more 6 months ago 49 49 Reply View reply Hide reply HT82 Smash 6 months ago • WWE main roster stepping up their game with these theme songs. Elimination Chamber 2021 everyone Show less Read more 6 months ago 17 17 Reply View 2 replies Hide 2 replies Hide 7 months ago • The addition of the children's choir killed and buried me. 😔🤘🏾 Show less Read more 7 months ago 80 80 Reply View 5 replies Hide 5 replies Maryalee Scarlet 7 months ago • Will 2021 be the year that the world realizes this band is a MAJOR TALENT? We await. Show less Read more 7 months ago 9 9 Reply AzizaX Blue 7 months ago • FUCK YEAH!! I love this new era of TPR! 🤘🏽🤘🏽🤘🏽🤘🏽 Show less Read more 7 months ago 153 153 Reply View 5 replies Hide 5 replies karantinada sıkılmış biri 6 months ago • i cannot wait till 12 february. im sure the album gonna be awesome Show less Read more 6 months ago 13 13 Reply Diego Santos 7 months ago • Amooo. Taylor você e sua banda são incríveis... Show less Read more 7 months ago 34 34 Reply Michelle Szymanski 7 months ago • SHE BEOUGHT THE KIDS BACK I CANT - Show less Read more 7 months ago 346 346 Reply View 13 replies Hide 13 replies Tim Ferderer 7 months ago • Thank YOU for providing us with relevant music. Growing up in the 60's with all the turmoil then there was always music to help express how the people/youth felt. It's nice to see someone continue that. Show less Read more 7 months ago 20 20 Reply View 5 replies Hide 5 replies Shaun X 7 months ago • Don’t really know how to describe the solo other than FUCK YEAH! Show less Read more 7 months ago 22 22 Reply View 2 replies Hide 2 replies Adriano Diniz 7 months ago • I feel so powerfull hearing TPR Show less Read more 7 months ago 30 30 Reply deathbyrockandroll 7 months ago (edited) • YES I LOVE THIS SONG SO MUCH 🖤🎸 Also I love the 'Heaven Knows' vibes with the children's choir Show less Read more 7 months ago (edited) 22 22 Reply View reply Hide reply quinnsi 7 months ago • THIS.IS.MUSIC. So f'cking powerful, still love every second. And this timing..... Rock on, dudes! All the strength and love to you. ✌️ Show less Read more 7 months ago 25 25 Reply Lio Murdest 7 months ago • The rusty parts of her voice are so amazing, I can't get enough. Show less Read more 7 months ago 7 7 Reply View reply Hide reply TARDIStraveller96 7 months ago • This is such a damn bop Show less Read more 7 months ago 10 10 Reply Creepy Clown 7 months ago • I swear. Everytime they release an album, I always think it's their best... everytime ♥️♥️♥️ Show less Read more 7 months ago 8 8 Reply View reply Hide reply Choongie Studio HOME 6 months ago • Oh shoot! It's Elimination Chamber time!!! Show less Read more 6 months ago 4 4 Reply View reply Hide reply B_d_v N 6 months ago • This deserves a music video. Sounds like road rage. Taylor and the band in spandex and bullet bikes/muscle cars. Show less Read more 6 months ago 4 4 Reply Joe Martin 6 months ago • "the world does not belong to you, you are not the king, I am not the fool." I think this song has been in everyone's subconscious and finally, it has lyrics and a musical form now. i normally don't listen to radio, I was driving to krogers and forgot my iPod, this song was playing. her voice sounded familiar, but they never said who it was, so i had to try to figure it out. Show less Read more 6 months ago 4 4 Reply Ripley 7 months ago • every album gets better. can’t wait to hear the other new songs soon 🖤 Show less Read more 7 months ago 4 4 Reply Charyxard 6 months ago • And so it went. Perfect loving every bit of this song can't wait for the album so soon. Show less Read more 6 months ago 1 1 Reply TPR' Lawyer 7 months ago • There's something so powerful about The Pretty Reckless🤘🏽⚡ Show less Read more 7 months ago 13 13 Reply View 2 replies Hide 2 replies Palma 7 months ago (edited) • Arriba The Pretty Reckless! Y saludos desde México. This song is fucking amazing. Show less Read more 7 months ago (edited) 13 13 Reply View reply Hide reply NaN / undefined Why this ad? Try Google Fi Ad fi.google.com Sign Up All The Pretty Reckless Pop Music Related Watched 1:16:03 Now playing S.O.A.D Greatest Hits 2021 - S.O.A.D Best Songs Playlist HARD ROCK COLLECTION HARD ROCK COLLECTION • 552K views 6 months ago 1:57:34 Now playing Corey Taylor - Live in London (Full Show) Corey Taylor Corey Taylor Official Artist Channel • 12M views 3 years ago 109 Now playing Modern Rock Hits YouTube Music YouTube Music • 1:47:37 Now playing Best of 90s Rock - 90s Rock Music Hits - Greatest 90s Rock songs Memory Music Boxx. 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The Pretty Reckless - And So It Went [feat. Tom Morello] (Official Lyric Video) From the upcoming album 'Death By Rock And Roll' | Available February 12, 2021: http://found.ee/dbrr Subscribe to The Pretty Reckless on YouTube: https://found.ee/tpr_subscribeyt Photo by: Rob Fenn Pre-order/Pre-Save the album 'Death By Rock And Roll': iTunes: http://found.ee/dbrr_it Apple Music: http://found.ee/dbrr_am Spotify: http://found.ee/dbrr_sp Amazon Music: http://found.ee/dbrr_amzm Amazon: http://found.ee/dbrr_amz YouTube Music: http://found.ee/dbrr_ytm Stay connected with The Pretty Reckless Website: https://deathbyrockandroll.com/ Facebook: https://found.ee/tpr_facebook Twitter: https://found.ee/tpr_twitter Instagram: https://found.ee/tpr_instagram LYRICS And so it went the children lost their minds Begging for forgiveness was such a waste of time And the bullets start to fly And the bough's about to break When you hear them cry It's too much for me to take The world does not belong to you You are not the king I am not the fool They said the world does not belong to you It don't belong to you It belongs to me And, so it went the children lost their minds Crawling over bodies of those who gave their lives And the fists begin to throw And the fire starts to blaze Don't you think they know They're the fucking human race The world does not belong to you You are not the king, I am not the fool They said the world does not belong to you It don't belong to you It belongs to Everyone is crying out, I can hear them scream With all these eyes upon us but no one seems to see That you and me are just the same as god meant it to be But you're much too close to me. You're much too close to me So it went The children lost their minds Nowhere to run, nowhere to hide And the wind begins to howl And the wolf is at your door You have so much of everything But still you wanted more They said the world does not belong to you You are not the king, I am not the fool They said the world does not belong to you It don't belong to you It belongs to me #ThePrettyReckless #DeathByRockAndRoll
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Add a public comment...
VERBATIM: "stop hurting people, stop hurting people. if you do not believe people should be hurt" ... ((ishing)) ~either disable the attackers or leave the area~
1
REPLY
sometimes words have two meanings. sometimes "kill" means "excorcized the demons" @LOUDON @SALEM
REPLY
CANCELREPLY
I'm so damn happy she chose to rock instead of staying as an actress.
426
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View 3 replies
How is it possible they just keep on getting better and better with each album?!?!
341
REPLY
View 12 replies
I love her voice. So much.
652
REPLY
View 18 replies
Most of people know Tom Morello from RATM of Prophets of Rage, but don't forget he was also the guitarist of Audioslave, whose singer was Chris Cornell. Must be emotional for Taylor to record this song him. I'm sure Chris is proud of them both.
631
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View 28 replies
This is why TPR is one of my all time favorite bands. They release bad-ass singles and albums
322
REPLY
View reply
The entire death by rock n roll album is first on my list of reasons why 2021 will not stink as much as last year did!
180
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View 5 replies
A good theme for this year's Elimination Chamber event.
25
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View 2 replies
The Anthem of Youth... Fuck me what a tune.
159
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View 8 replies
I love how obviously this song draws inspiration from Audioslave's sound, and in a way it's paying homage to chris cornell especially with the "you have so much of everything still you wanted more" line - which is almost the same as a line from Audioslave's 'What you are'
165
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View 7 replies
Tom Morello?! Each single they release for this album just keeps getting better and better
55
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View reply
I fell in love with every song they released
90
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View 4 replies
I really hope this album has more Going to Hell vibes 🥺🥺🥺🖤
201
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View 22 replies
Great tune and a good example for why I think TPR is among the best of the current rock bands. They always have catchy riffs and melodies however, especially in the bridge, you never know which turn the song is gonna take. Yet it always fits the song and never sounds out of place.
15
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Underrated band
154
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View 8 replies
THIS is the Pretty Reckless I love !! 💙
45
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View reply
This is SO fucking good! 💖 🇧🇷
31
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Kicking the year off with a banger. Looking forward to the album!
19
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The fucking power in her voice and this song
49
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View reply
WWE main roster stepping up their game with these theme songs. Elimination Chamber 2021 everyone
17
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View 2 replies
The addition of the children's choir killed and buried me. 😔🤘🏾
80
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soulsickk\m/
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've long been a fan of board games, I enjoy a game that fully occupies my mind, clearing out all the serious thoughts for a bit, while enjoying the company of good friends. Modern board games saw dramatic improvement in the 1990's with the rise of Eurogames, and I expect many people would be surprised if they haven't tried any of this new generation.
includes the innovative 3D and ARNFT (Augmented Reality NFT)
interesante ver la evolucion de augmented reality en videojuegos y como puede incrementar interes
open-world sandbox game so players can create their own adventures using NFTs. On the other hand, Mist is an NFT Action RPG that allows users to stake and earn rewards. So both projects utilize NFTs to build an immersive gameplay experience.
Similar game options of cyberkongz
One AI designed to play games such as Tetris, for instance, found that if it paused the game, it would never lose—so it would do just that, and consider its mission accomplished. You might accuse a human who adopted such a tactic of cheating. With AI, it’s simply an artifact of the reality that machines don’t think like people.There’s still tremendous upside in letting AI software teach itself to solve problems. “It’s not about telling the machine what to do,” says research staff member Nicholas Mattei. “It’s about letting it figure out what to do, because you really want to get that creativity . . . [The AI] is going to try things that a person wouldn’t maybe think of.” But the less software thinks like a human, the harder it becomes to anticipate what might go wrong, which means that you can’t just program in a list of stuff you don’t want it to do. “There’s lots of rules that you might not think of until you see it happen the way you don’t want it,” says Mattei.
Algorithms don't tackle problems using the same logic that we do. This is a good thing if we're interested in exploring the solution space for difficult problems, but possibly a bad thing if we want it to drive us to the airport.
“I just want to stay in the game,” Ms. Dundas told me then.
What does this mean?
“Nobody is profitable,” Ms. Freeman said. “It’s just a game. You have to constantly raise money to compete.”
Does this sound like a good business to be in?
There is a strong link between psychology and economics. Sometimes people don't make the most rational decisions, so psychology is needed to determine how people will think under different circumstances. In this textbook, the author gives three examples (automatically, socially, and mental model) of how psychology affects people's economic actions. Last year in Econ, psychology, more specifically game theory, was applied to determine how people would economically respond to other people's business decisions.
This is a draft. Please do not quote from it.
Sorry, Philip, but it's been more than twenty years so I'm gonna go ahead and assume this is fair game.
Do not trust the youngest.
The youngest is often untrustworthy. They know how to play the lying game for the long run.
Re: 💡The week that crypto grew up reading this, lmk if you ACK maSYNOn Thu, Aug 12, 2021 at 11:06 AM Azeem Azhar via LinkedIn <newsletters-noreply@linkedin.com> wrote: Hi, I found it weird that the US infrastructure bill included so much, often... Adam Marshall Dobrin NEWSLETTER ON LINKEDIN Exponential View on LinkedIn By Azeem Azhar Open this article on LinkedIn to see what people are saying about this topic. Open on LinkedIn 💡The week that crypto grew up Hi, I found it weird that the US infrastructure bill included so much, often cacophonous detail, about crypto, but the ways of politics can be long-winded. The topic was important enough so I sought out the best person who could help us understand what was going on. EV member, Kevin Werbach is an erstwhile regulator, with a stint at the FCC when regulating the Internet was under discussion in the mid-1990s. He is also the author of one of the clearest books on the blockchain. Kevin also edited EV in August 2019 when I was on holiday. Please take a moment to thank Kevin and share his essay. Since this piece was first published earlier this week, the Senate passed a $1.2 trillion infrastructure package as originally introduced a week before. The House of Representatives has the next vote, and there is bipartisan support for amending the bill, which might include amendments pushed for by the crypto community and lobbyists. For a timeline of what happened in the past two weeks, see this. This essay was first published earlier this week to members of Exponential View. If you'd like to receive regular analysis of our shapeshifting world, become our member. Azeem ------ This past week in Washington DC, an unstoppable force met an immovable object. The result wasn’t what you might expect. Blockchains and cryptocurrencies are often described as unstoppable, because their decentralized networks cannot be shut down and their smart contract transactions cannot be reversed. On the other side, policy-makers and regulators are seen as immovable, either because they bring to bear the coercive power of the state, or because they are simply too slow and dim-witted to adapt with the times. Both views are exaggerations, of course. Progress occurs when discussions descend from ideologies to practicalities. The immediate controversy was obscure: a provision in the Biden Administration’s mammoth infrastructure bill defining cryptocurrency exchanges as “brokers” subject to tax reporting. Tightening up crypto trading tax compliance would supposedly raise $30 billion to offset spending. The language, though, was vague. It arguably could have swept in miners, wallet software or hardware providers, and others who couldn’t do tax accounting for customers if they tried. Amendments were offered. Followed by counter-amendments. Followed by a flurry of lobbying and back-channel conversations. In the end, a compromise was reached, and then struck from the bill in an unrelated fight over military spending. That the fight ended (for now) not with a bang but with a whimper should be cause for celebration. It’s proof that legislators, even in the deeply polarized United States, can come together across party lines to address a highly technical issue related to a fast-developing new industry. Two other implications stand out. First, crypto has arrived as a political force. Tech policy may never be the same. It was 26 years ago that a motley collection of activists and public interest organizations literally turned most of the popular pages on the World Wide Web black to protest the US Communications Decency Act. Their advocacy during the legislative process attracted attention. It helped spur a bipartisan amendment, Section 230, that gave service providers protection to innovate, and became a cornerstone of internet policy. (Albeit a controversial one today!) A unanimous Supreme Court struck down the remainder of the law. Since then, the Internet community has had seats at the table on important policy battles. Given its libertarian bent, the crypto community has often bridled at engaging with governments. Fortunately, organizations such as Coin Center, the Chamber of Digital Commerce, and the Blockchain Association, all of which were involved in the infrastructure bill negotiations, took a more pragmatic view. Given its growing financial heft, the crypto community can be a powerful force for pro-innovation reform and individual empowerment in public policy debates. That is, if it can overcome its tendency to dismiss legitimate concerns about money laundering, fraud, and financial stability as craven excuses to protect incumbents. The second takeaway is that the real fight over crypto is yet to come. The true point of contention around the infrastructure bill wasn’t over shutting down Bitcoin or other digital assets (which no one was arguing), nor was it over whether crypto traders should have to pay taxes on their gains (which no one opposed). It was over something not mentioned in the bill at all: decentralized finance, or DeFi. DeFi is a fast-growing sector of decentralized applications performing financial services functions such as lending and trading. From less than $1 billion at the start of 2020, DeFi protocols now manage roughly $60 billion of digital assets, with even bigger numbers when counting adjacent areas such as stablecoins, and non-fungible tokens (NFTs) for digital artwork and collectables. While it’s an exciting market, it’s also a growing source of worry for regulators. DeFi protocols serve anyone indiscriminately (creating a challenge for financial crime and securities regulation), open up a host of vulnerabilities (resulting in hundreds of millions of dollars worth of losses already from hacks), create significant opportunities for scams, and generate interconnected risks that pose financial stability concerns. The biggest problem with DeFi is that it potentially eliminates any touchpoint for regulation. Who is responsible when a service is a set of smart contracts running on their own on a blockchain? Janet Yellen’s Treasury department didn’t want to take DeFi regulation off the table with language that exempted developers and facilitators of those protocols. The battle is coming, though. In Europe, it’s already here, with the proposed Markets in Crypto-Assets Regulation (MiCA) framework. Whether one is an enthusiast or sceptic of crypto, the genie is out of the bottle. DeFi services will be deployed. Even with a major crash, there will be hundreds of billions of dollars of digital assets available to interact with them. It is difficult to write language covering DeFi facilitators that doesn’t produce harmful spillovers in terms of government surveillance, speech regulation, and chilled innovation. This is the 20-year-old battle over peer-to-peer file-sharing reborn, with the stakes far greater. The good news is that enough of the crypto community seems to be growing up. At the same time, governments are recognizing that the Trump Administration’s strategy of doing nothing is actually long-term harmful to nascent industries. Regulatory uncertainty creates what Nobel Laureate (and Secretary Yellen’s spouse) George Akerlof called the market for lemons; it removes the advantage of responsible actors, who are then crowded out by the bad apples. For all its messiness and unsatisfying ending, the recent crypto controversy in Washington is a hopeful indication that we may yet follow a different path. Kevin ---- Kevin Werbach is a professor of Legal Studies and Business Ethics at the Wharton School, University of Pennsylvania, and formerly Counsel for New Technology Policy at the U.S. Federal Communications Commission. Kevin has spent the past two decades exploring major trends at the intersection of the Internet, digital media, and communications. He served on the Obama Administration's Presidential Transition Team and founded the Supernova Group. He has published four books, including The Blockchain and the New Architecture of Trust, For the Win: The Power of Gamification and Game Thinking in Business, Education, Government, and Social Impact, and After the Digital Tornado: Networks, Algorithms, Humanity. Dig deeper: Decentralised Finance (DeFi) Policy-Maker Toolkit (WEF in collaboration with the Wharton Blockchain and Digital Asset Project, 2021) Banking Without Banks: Decentralised Finance is Coming (Exponential View Podcast, 2021) Bitcoin and the Future of Decentralised Finance (Exponential View Podcast, 2021) Join the conversation Know someone who might be interested in this newsletter? Share it with them. Unsubscribe | Help You are receiving LinkedIn notification emails. The newsletter author can see that you are a subscriber. This email was intended for Adam Marshall Dobrin (Creative Director and ... Backseat Ferryman at XCALIBER DAO. Writer. Futurologist. Aspiring dad. ). Learn why we included this. © 2021 LinkedIn Corporation, 1000 West Maude Avenue, Sunnyvale, CA 94085. LinkedIn and the LinkedIn logo are registered trademarks of LinkedIn. Created with publishthis.email Create simple web pages in seconds for free. This page was created in seconds, by sending an email to page@publishthis.email. Try it! Free. No account or sign-up required.
reading this, lmk if you ACK maSYN
On Thu, Aug 12, 2021 at 11:06 AM Azeem Azhar via LinkedIn <newsletters-noreply@linkedin.com> wrote:
Hi, I found it weird that the US infrastructure bill included so much, often...
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Adam Marshall Dobrin
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NEWSLETTER ON LINKEDIN
Exponential View on LinkedIn
| | Open this article on LinkedIn to see what people are saying about this topic. Open on LinkedIn | |
💡The week that crypto grew up
Hi,
I found it weird that the US infrastructure bill included so much, often cacophonous detail, about crypto, but the ways of politics can be long-winded.
The topic was important enough so I sought out the best person who could help us understand what was going on. EVmember, Kevin Werbach is an erstwhile regulator, with a stint at the FCC when regulating the Internet was under discussion in the mid-1990s. He is also the author of one of the clearest books on the blockchain. Kevin also edited EV in August 2019 when I was on holiday. Please take a moment to thank Kevin and share his essay.
Since this piece was first published earlier this week, the Senate passed a $1.2 trillion infrastructure package as originally introduced a week before. The House of Representatives has the next vote, and there is bipartisan support for amending the bill, which might include amendments pushed for by the crypto community and lobbyists. For a timeline of what happened in the past two weeks, see this.
This essay was first published earlier this week to members of Exponential View. If you'd like to receive regular analysis of our shapeshifting world, become our member.
Azeem
This past week in Washington DC, an unstoppable force met an immovable object. The result wasn't what you might expect.
Blockchains and cryptocurrencies are often described as unstoppable, because their decentralized networks cannot be shut down and their smart contract transactions cannot be reversed. On the other side, policy-makers and regulators are seen as immovable, either because they bring to bear the coercive power of the state, or because they are simply too slow and dim-witted to adapt with the times.
Both views are exaggerations, of course. Progress occurs when discussions descend from ideologies to practicalities.
The immediate controversy was obscure: a provision in the Biden Administration's mammoth infrastructure bill defining cryptocurrency exchanges as "brokers" subject to tax reporting. Tightening up crypto trading tax compliance would supposedly raise $30 billion to offset spending. The language, though, was vague. It arguably could have swept in miners, wallet software or hardware providers, and others who couldn't do tax accounting for customers if they tried. Amendments were offered. Followed by counter-amendments. Followed by a flurry of lobbying and back-channel conversations. In the end, a compromise was reached, and then struck from the bill in an unrelated fight over military spending.
That the fight ended (for now) not with a bang but with a whimper should be cause for celebration. It's proof that legislators, even in the deeply polarized United States, can come together across party lines to address a highly technical issue related to a fast-developing new industry. Two other implications stand out.
First, crypto has arrived as a political force. Tech policy may never be the same. It was 26 years ago that a motley collection of activists and public interest organizations literally turned most of the popular pages on the World Wide Web black to protest the US Communications Decency Act. Their advocacy during the legislative process attracted attention. It helped spur a bipartisan amendment, Section 230, that gave service providers protection to innovate, and became a cornerstone of internet policy. (Albeit a controversial one today!) A unanimous Supreme Court struck down the remainder of the law. Since then, the Internet community has had seats at the table on important policy battles.
Given its libertarian bent, the crypto community has often bridled at engaging with governments. Fortunately, organizations such as Coin Center, the Chamber of Digital Commerce, and the Blockchain Association, all of which were involved in the infrastructure bill negotiations, took a more pragmatic view. Given its growing financial heft, the crypto community can be a powerful force for pro-innovation reform and individual empowerment in public policy debates. That is, if it can overcome its tendency to dismiss legitimate concerns about money laundering, fraud, and financial stability as craven excuses to protect incumbents.
The second takeaway is that the real fight over crypto is yet to come. The true point of contention around the infrastructure bill wasn't over shutting down Bitcoin or other digital assets (which no one was arguing), nor was it over whether crypto traders should have to pay taxes on their gains (which no one opposed). It was over something not mentioned in the bill at all: decentralized finance, or DeFi.
DeFi is a fast-growing sector of decentralized applications performing financial services functions such as lending and trading. From less than $1 billion at the start of 2020, DeFi protocols now manage roughly $60 billion of digital assets, with even bigger numbers when counting adjacent areas such as stablecoins, and non-fungible tokens (NFTs) for digital artwork and collectables.
\
While it's an exciting market, it's also a growing source of worry for regulators. DeFi protocols serve anyone indiscriminately (creating a challenge for financial crime and securities regulation), open up a host of vulnerabilities (resulting in hundreds of millions of dollars worth of losses already from hacks), create significant opportunities for scams, and generate interconnected risks that pose financial stability concerns.
The biggest problem with DeFi is that it potentially eliminates any touchpoint for regulation. Who is responsible when a service is a set of smart contracts running on their own on a blockchain? Janet Yellen's Treasury department didn't want to take DeFi regulation off the table with language that exempted developers and facilitators of those protocols. The battle is coming, though. In Europe, it's already here, with the proposed Markets in Crypto-Assets Regulation (MiCA) framework.
Whether one is an enthusiast or sceptic of crypto, the genie is out of the bottle. DeFi services will be deployed. Even with a major crash, there will be hundreds of billions of dollars of digital assets available to interact with them. It is difficult to write language covering DeFi facilitators that doesn't produce harmful spillovers in terms of government surveillance, speech regulation, and chilled innovation. This is the 20-year-old battle over peer-to-peer file-sharing reborn, with the stakes far greater.
The good news is that enough of the crypto community seems to be growing up. At the same time, governments are recognizing that the Trump Administration's strategy of doing nothing is actually long-term harmful to nascent industries. Regulatory uncertainty creates what Nobel Laureate (and Secretary Yellen's spouse) George Akerlof called the market for lemons; it removes the advantage of responsible actors, who are then crowded out by the bad apples.
For all its messiness and unsatisfying ending, the recent crypto controversy in Washington is a hopeful indication that we may yet follow a different path.
Kevin Werbach is a professor of Legal Studies and Business Ethics at the Wharton School, University of Pennsylvania, and formerly Counsel for New Technology Policy at the U.S. Federal Communications Commission. Kevin has spent the past two decades exploring major trends at the intersection of the Internet, digital media, and communications. He served on the Obama Administration's Presidential Transition Team and founded the Supernova Group. He has published four books, including The Blockchain and the New Architecture of Trust, For the Win: The Power of Gamification and Game Thinking in Business, Education, Government, and Social Impact, and After the Digital Tornado: Networks, Algorithms, Humanity.
Dig deeper:
- Decentralised Finance (DeFi) Policy-Maker Toolkit (WEF in collaboration with the Wharton Blockchain and Digital Asset Project, 2021)
- Banking Without Banks: Decentralised Finance is Coming (Exponential View Podcast, 2021)
- Bitcoin and the Future of Decentralised Finance (Exponential View Podcast, 2021)
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This email was intended for Adam Marshall Dobrin (Creative Director and ... Backseat Ferryman at XCALIBER DAO. Writer. Futurologist. Aspiring dad. ). Learn why we included this.
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Include these foods in your diet, do some daily exercise, keep well hydrated, get 7-8 hours’ sleep each night and you’ll be well ahead of the game for getting optimum exam results
Hal sederhana yang perlu diperhatikan saat ingin belajar.
This school, located in New York, utilizes games and other forms of digital media to provide students with a curriculum that is design-led and inquiry-based. The goal of this model is to use education technologies to support students in becoming active problem solvers and critical thinkers, and to provide students with constant feedback on their achievement.
In the senior capstone I teach we use a simulation (students refer to it as a game) to mimic management of a for-profit global firm. I'm interested in learning more about quest to learn.
Summary: We developed a mobile solution that transforms a complicated learning process into an entertaining journey. The app is available on the App Store and Google Play and it is monetized through ads and in-app purchases. Although this trivia game was built for a narrowly focused audience, it received many reviews and downloads.
Work: Our company created a trivia mobile game for believers that enables them to study the Bible in an entertaining way, memorize various facts, check out the answers, and compete with other users. The app has rich functionality that includes quizzes, a leaderboard, a daily challenge, different levels of test difficulty, lifelines, and more.
“I probably needed someone to give me permission to play the game because investing always seemed so elusive,” she said.Editors’ PicksHow to Unlock the Equity in Your HomeWhy Do American Grocery Stores Still Have an Ethnic Aisle?My Sister Won’t Accept My Same-Sex Partner. What Should I Do?AdvertisementContinue reading the main storyImage
What does she mean by this?
Asmodeus From Wikipedia, the free encyclopedia Jump to navigation Jump to search King of demons from the deuterocanonical Book of Tobit .mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}For other uses, see Asmodeus (disambiguation). "Sidonai" redirects here. For the Phoenician city and its inhabitants, see Sidon. Asmodeus as depicted in Collin de Plancy's Dictionnaire Infernal Asmodeus (/ˌæzməˈdiːəs/; Ancient Greek: Ἀσμοδαῖος, Asmodaios) or Ashmedai (/ˈæʃmɪˌdaɪ/; Hebrew: אַשְמְדּאָי, ʾAšmədʾāy), also Asmodevs, Ashema Deva or Amias (see below for other variations), is a prince of demons,[1] or in Judeo-Islamic lore the king of the earthly spirits (shedim/jinn),[2][3] mostly known from the deuterocanonical Book of Tobit, in which he is the primary antagonist.[4] In Peter Binsfeld's classification of demons, Asmodeus represents lust. The demon is also mentioned in some Talmudic legends; for instance, in the story of the construction of the Temple of Solomon. Contents 1 Etymology 2 In the texts 2.1 In the Hebrew Bible 2.2 In the Book of Tobit 2.3 In the Talmud 2.4 In the Testament of Solomon 2.5 In the Malleus Maleficarum 2.6 In the Dictionnaire Infernal 2.7 In the Lesser Key of Solomon 2.8 In The Magus 3 Later depictions 3.1 In Christian thought 3.2 In the Kabbalah 3.3 In Islamic culture 3.4 In popular media 4 See also 5 References and sources 6 External links Etymology[edit] The figure of Asmodeus in Rennes-le-Château The name Asmodai is believed to derive from Avestan language *aēšma-daēva, where aēšma means "wrath", and daēva signifies "demon". While the daēva Aēšma is thus Zoroastrianism's demon of wrath and is also well-attested as such, the compound aēšma-daēva is not attested in scripture. It is nonetheless likely that such a form did exist, and that the Book of Tobit's "Asmodaios" (Ἀσμοδαῖος) and the Talmud's "Ashmedai" (אשמדאי) reflect it.[5] In the Zoroastrian and Middle Persian demonology, there did exist the conjuncted form khashm-dev, where the word dev was the same as daeva.[6] The spellings Asmodai,[7][8] Asmodee (also Asmodée),[9][10] Osmodeus,[11][12] and Osmodai[13][14] have also been used. The name is alternatively spelled in the bastardized forms (based on the basic consonants אשמדאי, ʾŠMDʾY) Hashmedai (חַשְמְדּאָי, Hašmədʾāy; also Hashmodai, Hasmodai, Khashmodai, Khasmodai),[15][16][17][18] Hammadai (חַמַּדּאָי, Hammadʾāy; also Khammadai),[19][20] Shamdon (שַׁמְדּוֹן, Šamdōn),[21] and Shidonai (שִׁדֹנאָי, Šidonʾāy).[20] Some traditions have subsequently identified Shamdon as the father of Asmodeus.[21] The Jewish Encyclopedia of 1906 rejects the otherwise accepted etymological relation between the Persian "Æshma-dæva" and Judaism's "Ashmodai" claiming that the particle "-dæva" could not have become "-dai" and that Æshma-dæva as such—a compound name—never appears in Persian sacred texts. Still, the encyclopedia proposes that the "Asmodeus" from the Apocrypha and the Testament of Solomon are not only related somewhat to Aeshma but have similar behaviour, appearance and roles,[22] to conclude in another article under the entry "Aeshma", in the paragraph "Influence of Persian Beliefs on Judaism",[23] that Persian Zoroastrian beliefs could have heavily influenced Judaism's theology on the long term, bearing in mind that in some texts there are crucial conceptual differences while in others there seems to be a great deal of similarity, proposing a pattern of influence over folk beliefs that would extend further to the mythology itself. However, the Jewish Encyclopedia asserts that although 'Æshma does not occur in the Avesta in conjunction with dæva, it is probable that a fuller form, such as Æshmo-dæus, has existed, since it is paralleled by the later Pahlavi-form "Khashm-dev"'.[24] Furthermore it is stated that Asmodeus or Ashmedai "embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised" on Judaism.[25] In the texts[edit] In the Hebrew Bible[edit] The full name "Ashmedai" is not found in the standard Masoretic canon of the Hebrew Bible, but in 2 Kings 17:30, a certain Ashima appears as the false god for whom the Syrian Hamathites made an idol. Not only does this name better resemble that of the Persian daeva Aeshma, but the name (אֲשִׁימָא) also greatly resembles the name Ashmedai (אַשְמְדּאָי) in Hebrew.[according to whom?] In the Book of Tobit[edit] The Asmodeus of the Book of Tobit is hostile to Sarah, Raguel's daughter, (Tobit 6:13); and slays seven successive husbands on their wedding nights, impeding the sexual consummation of the marriages. He is described as "the worst of demons".[where?] When the young Tobias is about to marry her, Asmodeus proposes the same fate for him, but Tobias is enabled, through the counsels of his attendant angel Raphael, to render him innocuous. By placing a fish's heart and liver on red-hot cinders, Tobias produces a smoky vapour that causes the demon to flee to Egypt, where Raphael binds him (Tobit 8:2–3). According to some translations, Asmodeus is strangled. Perhaps Asmodeus punishes the suitors for their carnal desire, since Tobias prays to be free from such desire and is kept safe. Asmodeus is also described as an evil spirit in general: 'Ασμοδαίος τὸ πονηρὸν δαιμόνιον or τὸ δαιμόνιον πονηρόν, and πνεῦμα ἀκάθαρτον (Tobit 3:8; Tobit 3:17; Tobit 6:13; Tobit 8:3). In the Talmud[edit] The figure of Ashmedai in the Talmud is less malign in character than the Asmodeus of Tobit. In the former, he appears repeatedly in the light of a good-natured and humorous fellow. But besides that, there is one feature in which he parallels Asmodeus, in as much as his desires turn upon Bathsheba and later Solomon's wives. Another Talmudic legend has King Solomon tricking Asmodai into collaborating in the construction of the Temple of Jerusalem[3] (see: The Story of King Solomon and Ashmedai). Another legend depicts Asmodai throwing King Solomon over 400 leagues away from the capital by putting one wing on the ground and the other stretched skyward. He then changed places for some years with King Solomon. When King Solomon returned, Asmodai fled from his wrath.[26] Similar legends can be found in Islamic folklore. There Asmodeus is called Sakhr (Arabic: صخر the Rock or the Stony One), because in Islamic lore, Solomon banished him into a rock, after he takes his kingdom back from him. There he counts as the king of the jinn.[27] Another passage describes him as marrying Lilith, who became his queen.[28] In the Testament of Solomon[edit] In the Testament of Solomon, a 1st–3rd century text, the king invokes Asmodeus to aid in the construction of the Temple. The demon appears and predicts Solomon's kingdom will one day be divided (Testament of Solomon, verse 21–25).[29] When Solomon interrogates Asmodeus further, the king learns that Asmodeus is thwarted by the angel Raphael, as well as by sheatfish found in the rivers of Assyria. He also admits to hating water and birds because both remind him of God. In the Malleus Maleficarum[edit] In the Malleus Maleficarum (1486), Asmodeus was considered the demon of lust.[30] Sebastien Michaelis said that his adversary is St. John. Some demonologists of the 16th century assigned a month to a demon and considered November to be the month in which Asmodai's power was strongest. Other demonologists asserted that his zodiacal sign was Aquarius but only between the dates of January 30 and February 8. He has 72 legions of demons under his command. He is one of the Kings of Hell under Lucifer the emperor. He incites gambling, and is the overseer of all the gambling houses in the court of Hell. Some Catholic theologians compared him with Abaddon. Yet other authors considered Asmodeus a prince of revenge. In the Dictionnaire Infernal[edit] In the Dictionnaire Infernal by Collin de Plancy, Asmodeus is depicted with the breast of a man, a cock leg, serpent tail, three heads (one of a man spitting fire, one of a sheep, and one of a bull), riding a lion with dragon wings and neck, all of these creatures being associated with either lascivity, lust or revenge.[citation needed] The Archbishop of Paris approved his portrait.[31] In the Lesser Key of Solomon[edit] Asmodai appears as the king 'Asmoday' in the Ars Goetia, where he is said to have a seal in gold and is listed as number thirty-two according to respective rank.[32] He "is strong, powerful and appears with three heads; the first is like a bull, the second like a man, and the third like a ram; the tail of a serpent, and from his mouth issue flames of fire."[33] Also, he sits upon an infernal dragon, holds a lance with a banner and, amongst the Legions of Amaymon, Asmoday governs seventy-two legions of inferior spirits.[32] In The Magus[edit] Asmodeus is referred to in Book Two, Chapter Eight of The Magus (1801) by Francis Barrett.[34] Later depictions[edit] In Christian thought[edit] Asmodeus was named as an angel of the Order of Thrones by Gregory the Great.[35] Asmodeus was cited by the nuns of Loudun in the Loudun possessions of 1634.[36] Asmodeus' reputation as the personification of lust continued into later writings, as he was known as the "Prince of Lechery" in the 16th-century romance Friar Rush.[37] The French Benedictine Augustin Calmet equated his name with a fine dress.[37] The 16th-century Dutch demonologist Johann Weyer described him as the banker at the baccarat table in hell, and overseer of earthly gambling houses.[38] In 1641, the Spanish playwright and novelist Luis Velez de Guevara published the satirical novel El diablo cojuelo, where Asmodeus is represented as a mischievous demon endowed with a playful and satirical genius. The plot presents a rascal student that hides in an astrologer's mansard. He frees a devil from a bottle. As an acknowledgement the devil shows him the apartments of Madrid and the tricks, miseries and mischiefs of their inhabitants.[39][40] The French novelist Alain-René Lesage adapted the Spanish source in his 1707 novel le Diable boiteux,[37] where he likened him to Cupid. In the book, he is rescued from an enchanted glass bottle by a Spanish student Don Cleophas Leandro Zambullo. Grateful, he joins with the young man on a series of adventures before being recaptured. Asmodeus is portrayed in a sympathetic light as good-natured, and a canny satirist and critic of human society.[37] In another episode Asmodeus takes Don Cleophas for a night flight, and removes the roofs from the houses of a village to show him the secrets of what passes in private lives. Following Lesage's work, he was depicted in a number of novels and periodicals, mainly in France but also London and New York.[41] Asmodeus was widely depicted as having a handsome visage, good manners and an engaging nature; however, he was portrayed as walking with a limp and one leg was either clawed or that of a rooster. He walks aided by two walking sticks in Lesage's work, and this gave rise to the English title The Devil on Two Sticks[31] (also later translated The Limping Devil and The Lame Devil). Lesage attributes his lameness to falling from the sky after fighting with another devil.[42] On 18 February 1865, author Evert A. Duyckinck sent President Abraham Lincoln a letter, apparently mailed from Quincy. Duyckinck signed the letter "Asmodeus", with his initials below his pseudonym. His letter enclosed a newspaper clipping about an inappropriate joke allegedly told by Lincoln at the Hampton Roads Peace Conference. The purpose of Duyckinck's letter was to advise Lincoln of "an important omission" about the history of the conference. He advised that the newspaper clipping be added to the "Archives of the Nation".[43] In the Kabbalah[edit] According to the Kabbalah and the school of Shlomo ibn Aderet, Asmodeus is a cambion born as the result of a union between Agrat bat Mahlat, a succubus, and King David.[44] In Islamic culture[edit] The story of Asmodeus and Solomon has a reappearance in Islamic lore. Asmodeus is commonly named Sakhr (rock) probably a reference to his fate in common Islam-related belief, there, after Solomon defeated him, Asmodeus was imprisoned inside a box of rock, chained with iron, and thrown it into the sea.[45] In his work Annals of al-Tabari, the famous Persian Quran exegete (224–310 AH; 839–923 AD) Tabari, referred to Asmodeus in Surah 38:34. Accordingly, the puppet is actually Asmodeus who took on the shape of Solomon for forty days, before Solomon defeated him.[46] Sakhr (Asmodeus) is consulted by Buluqiya, a young Jewish prince, who tried to find the final prophet, Muhammad, in The Nights. During their conversation, he asked about hell, thereupon Asmodeus describes the different layers (ṭabaqāt) of hell.[47][48] In popular media[edit] This article appears to contain trivial, minor, or unrelated references to popular culture. Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources, rather than simply listing appearances. Unsourced material may be challenged and removed. (May 2020) Asmodeus as portrayed in Dungeons and Dragons First Edition Asmodeus is a recurring antagonist in the 13th season of The CW series Supernatural, portrayed primarily by Jeffrey Vincent Parise. Created by Lucifer himself, Asmodeus was originally a Prince of Hell alongside siblings Azazel, Dagon, and Ramiel. Upon the death of Crowley, Asmodeus succeeds him as the King of Hell despite being Lucifer's weakest creation. Asmodeus is killed in the episode "Bring 'em Back Alive" by the archangel Gabriel, whose grace Asmodeus had been feeding on to make himself stronger.[49] In Geoffrey Household's 1939 spy thriller Rogue Male, the protagonist names a cat he forms a strong bond with Asmodeus. In 1969 composer Josef Tal wrote an opera, Ashmedai, which is based on the Talmud. It premiered at the Hamburg State Opera in 1971, and was first performed in the United States in 1976 at the New York City Opera in a production directed by Hal Prince.[50] The character 'Asmodai' in A. L. Mengel's supernatural series The Tales of Tartarus (2013–2016) is based on the demon Asmodeus. The demon haunts the main protagonist, Antoine, through the series of novels. Asmodeus appears in the television series The Librarians (season 4, episode 10) as a blue-skinned, growling demon in knight's armor and carrying a sword. Asmodeus also features heavily in the lore of the game Dungeons & Dragons as the ruler of the Nine Hells. Different editions of the game offer different backstories, ranging from primordial evil to fallen angel to ancient god, but his role as the King of the Nine Hells is always the same. Asmodeus is also present in the Pathfinder Roleplaying Game in a similar role to his D&D one. The main difference is that he is an actual god, one of the nine original deities in the Great Beyond, and that his church is widespread in certain nations on Golarion. Asmodeus appears as Magnus Bane's father and Prince of Hell, otherwise known as Edom on the third season of Freeform's Shadowhunters television series based on Cassandra Clare's popular book series The Mortal Instruments. He is portrayed by Jack J. Yang. Asmodeus appears in the 1997 book Asmodeus – a Forkful of Tales from Devil's Peak by Alex D'Angelo, illustrated by Tony Grogan.[51] One story "Asmodeus and the Bottler of Djinns" is included in the anthology Favorite African Folktales edited by Nelson Mandela, published by Norton and available as an audiobook. Asmodeus is the final boss in Mace: The Dark Age. In the video game Pony Island, Asmodeus appears in the manifestation of a "demonic" artificial intelligence. Asmodeus appears as a character in the otome game, Obey Me!. He is depicted as the Avatar of Lust and one of seven brothers representing the seven deadly sins. In the video game Helltaker, Asmodeus is portrayed as a Demon of Lust, Modeus. In Disenchantment, Asmodeus is introduced by Luci as "Asmodeus, Lord of Darkness." Singer-songwriter Ethel Cain has the name Ashmedai tattooed on her forehead in Hebrew. See also[edit] .mw-parser-output .portal{border:solid #aaa 1px;padding:0}.mw-parser-output .portal.tleft{margin:0.5em 1em 0.5em 0}.mw-parser-output .portal.tright{margin:0.5em 0 0.5em 1em}.mw-parser-output .portal>ul{display:table;box-sizing:border-box;padding:0.1em;max-width:175px;background:#f9f9f9;font-size:85%;line-height:110%;font-style:italic;font-weight:bold}.mw-parser-output .portal>ul>li{display:table-row}.mw-parser-output .portal>ul>li>span:first-child{display:table-cell;padding:0.2em;vertical-align:middle;text-align:center}.mw-parser-output .portal>ul>li>span:last-child{display:table-cell;padding:0.2em 0.2em 0.2em 0.3em;vertical-align:middle} Religion portal Archdemon Belial Devil Samael Satan Serpents in the Bible Sin References and sources[edit] References .mw-parser-output .reflist{font-size:90%;margin-bottom:0.5em;list-style-type:decimal}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman} ^ "Asmodeus" in The New Encyclopædia Britannica. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 635. ^ Robert Lebling Robert Lebling I.B.Tauris 2010 .mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 978-0-857-73063-3 ^ Jump up to: a b Raphael Patai Encyclopedia of Jewish Folklore and Traditions Routledge 2015 ISBN 978-1-317-47170-7 page 39 ^ "Asmodeus/Asmoday". Judeo-Christian Demons. Deliriumsrealm.com. 25 March 2003. Retrieved 2009-03-04. ^ Stave, Erik (2002) [1901–1906]. "Æshma (Asmodeus, Ashmedai)". In Singer, Isidore; Adler, Cyrus; et al. (eds.). Jewish Encyclopedia. New York: Funk & Wagnalls. LCCN 16-014703. Retrieved 7 March 2018. since it is paralleled by the later Pahlavi-form "Khashm-dev" ("Khashm dev" = "Æshma dev"), written with the Aramaic "sheda," but pronounced "dev." [..] Asmodeus (Ashmedai) embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised on the Jewish—an influence that shows itself very prominently in the domain of demonology. ^ Bane, Theresa (Jan 9, 2012). McFarland (ed.). Encyclopedia of Demons in World Religions and Cultures. p. 191. ISBN 978-0-786-46360-2. ^ Milton, John (1671). Paradise Regained. ^ Pomfret, John (1724). "Cruelty and Lust". Poems Upon Several Occasions. D. Brown. p. 73. ^ Mauriac, François (1939). Asmodee; or, The Intruder. Secker & Warburg. ^ Kleu, Michael; Eayrs, Madelene (2010). Who Are You?. USA: Xulon Press. p. 214. ISBN 978-1-61579-841-4. ^ Connell, Evan S. (1992). The Alchymist's Journal. Penguin Books. p. 110. ISBN 0-14-016932-6. ^ Guppy, Henry (1960). "Tobit". Bulletin of the John Rylands Library. 42. Manchester University Press. p. 375. ^ Garibay Mora, Ernesto (2005). Dictionary of Demons and Related Concepts. Miami, Florida: L. D. Books. p. 103. ISBN 970-732-108-3. ^ Nares, Robert (1888). A Glossary of Words, Phrases, Names, and Allusions. London: Reeves & Turner. p. 21. ^ Association of Modern Austrian Philologists (1999). Moderne Sprachen. 43. p. 63. ^ Ritchie, Leitch (1836). The Magician. Vol. I. Philadelphia: Carey, Lea & Blanchard. p. 84. |volume= has extra text (help) ^ de Laurence, L. W. (1914). The Great Book of Magical Art, Hindu Magic and East Indian Occultism. Chicago: The de Laurence Co. p. 183. ^ MacGregor Mathers, S. L. (1458). The Book of the Sacred Magic. p. 110. ISBN 9781425454142. ^ Voltaire (1824). A Philosophical Dictionary. 1. London: J. & H. L. Hunt. p. 286. ^ Jump up to: a b Leland, Charles Godfrey (1902). Flaxius: Leaves from the Life of an Immortal. London: Philip Wellby. p. 72. ^ Jump up to: a b "Asmodeus, or Ashmedai". Jewish Encyclopedia. Funk and Wagnalls. 1906. Retrieved May 1, 2013. ^ Jewish encyclopedia 1906 full text unedited version , entry "Asmodeus" paragraph "Asmodeus, Ashmedai, and Æshma." ^ Stave, E., ÆSHMA (ASMODEUS, ASHMEDAI), Jewish Encyclopedia, unedited full text 1906 version ^ Strave, Erik. "Æshma (Asmodeus) etymology in Jewish Encyclopedia". Though "Æshma" does not occur in the Avesta in conjunction with "dæva", it is probable that a fuller form, such as "Æshmo-dæus," has existed, since it is paralleled by the later Pahlavi-form "Khashm-dev" ("Khashm dev" = "Æshma dev"), written with the Aramaic "sheda," but pronounced "dev." ^ Ibid. Jewish Encyclopedia. In fine, Asmodeus (Ashmedai) embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised on the Jewish—an influence that shows itself very prominently in the domain of demonology. Thus 'Ασμο' ... corresponds to "Æshma", and the ending δαῖος ... to "dæva". ^ Talmud. Gittin. pp. 68b. ^ Robert Lebling Legends of the Fire Spirits: Jinn and Genies from Arabia to Zanzibar I.B.Tauris 2010 ISBN 978-0-857-73063-3 ^ Schwartz, Howard (1988). Lilith's cave: Jewish tales of the supernatural. San Francisco, CA: Harper & Row. p. 8. ISBN 978-0-06-250779-2. LCCN 87045196. OCLC 62241318. ^ Conybeare, Frederick Cornwallis (trans.) (October 1898). "The Testament of Solomon". The Jewish Quarterly Review. 11 (1): 1–45. doi:10.2307/1450398. ISSN 0021-6682. JSTOR 1450398. Retrieved 2012-02-09. ^ Kramer, Heinrich; Summers, Montague (trans.) (1928) [1486]. "Question IV: By which Devils are the Operations of Incubus and Succubus Practised?". Malleus Maleficarum. 1. London, England: J. Rodker. LCCN 29017069. OCLC 504248484. But the very devil of Fornication, and the chief of that abomination, is called Asmodeus, which means the Creature of Judgement: for because of this kind of sin a terrible judgement was executed upon Sodom and the four other cities. ^ Jump up to: a b Rudwin 1970, p. 93. ^ Jump up to: a b Mathers & Crowley 1995, pp. 68–70. ^ Mathers & Crowley 1995, p. 32. ^ Barrett, Francis (2008) [1801]. "VIII: The Annoyance of Evil Spirits, and the Preservation we have from Good Spirits". The Magus, a Complete System of Occult Philosophy. Book II. New York: Cosimo Classics. pp. 49–52. ISBN 978-1-60520-301-0. LCCN 11015009. OCLC 428109956. Retrieved 2010-09-28. ^ Rudwin 1970, p. 20. ^ Dumas, Alexandre (1634). "Urbain Grandier: Chapter V". Urbain Grandier. Celebrated Crimes. ^ Jump up to: a b c d Rudwin 1970, p. 87. ^ Rudwin 1970, p. 92. ^ Luis Vélez de Guevara ^ "Luis Vélez de Guevara | Spanish author". ^ Rudwin 1970, p. 88. ^ Rudwin 1970, p. 50. ^ Duyckinck, Evert A. Evert A. Duyckinck to Abraham Lincoln, Saturday, February 18, 1865 (Sends clipping with story Lincoln allegedly told at Hampton Roads conference) – The Abraham Lincoln Papers at the Library of Congress. Archived from the original on February 22, 2013. Retrieved February 3, 2013. ^ Scholem, G. (1948). "New Chapters in the Story of Ashmedai and Lilith / פרקים חדשים מענייני אשמדאי ולילית". Tarbiẕ. Mandel Institute for Jewish Studies. 19 (3–4): 160–175. JSTOR 23585831. ^ Sami Helewa Models of Leadership in the Adab Narratives of Joseph, David, and Solomon: Lament for the Sacred Lexington Books 2017 ISBN 978-1-498-55267-7 page 167 ^ Tabari History of al-Tabari Vol. 3, The: The Children of Israel SUNY Press 2015 ISBN 978-0-791-49752-4 page 170 ^ Christian Lange Locating Hell in Islamic Traditions BRILL 978-90-04-30121-4 p. 12-13 ^ Qisas Al-Anbiya of al-Tha'labi ^ Kubicek, John (April 12, 2018). "'Supernatural' Recap: A Big death and a Happy Return". BuddyTV. ^ John Rockwell (March 31, 1976). "Harold Prince Stages His First Opera". The New York Times. ^ D'Angelo, Alex; Tony, Grogan (1997). Tafelberg. Missing or empty |title= (help) Sources Rudwin, Maximilian Josef (1970) [1931]. "Asmodeus, dandy among demons". The Devil in Legend and Literature. New York: AMS Press Open Court Publishing Company. ISBN 978-0-404-05451-9. LCCN 71111780. OCLC 257946679. Mathers, Samuel Liddell MacGregor (trans.); Crowley, Aleister (1995) [1904]. The Goetia: The Lesser Key of Solomon the King. Samuel Weiser, Inc. ISBN 978-0-87728-847-3. LCCN 95037057. OCLC 33044028. External links[edit] Wikimedia Commons has media related to Asmodeus.
Asmodeus From Wikipedia, the free encyclopedia Jump to navigationJump to search For other uses, see Asmodeus (disambiguation). "Sidonai" redirects here. For the Phoenician city and its inhabitants, see Sidon.
Asmodeus as depicted in Collin de Plancy's Dictionnaire Infernal Asmodeus (/ˌæzməˈdiːəs/; Ancient Greek: Ἀσμοδαῖος, Asmodaios) or Ashmedai (/ˈæʃmɪˌdaɪ/; Hebrew: אַשְמְדּאָי, ʾAšmədʾāy), also Asmodevs, Ashema Deva or Amias (see below for other variations), is a prince of demons,[1] or in Judeo-Islamic lore the king of the earthly spirits (shedim/jinn),[2][3] mostly known from the deuterocanonical Book of Tobit, in which he is the primary antagonist.[4] In Peter Binsfeld's classification of demons, Asmodeus represents lust. The demon is also mentioned in some Talmudic legends; for instance, in the story of the construction of the Temple of Solomon.
Contents 1 Etymology 2 In the texts 2.1 In the Hebrew Bible 2.2 In the Book of Tobit 2.3 In the Talmud 2.4 In the Testament of Solomon 2.5 In the Malleus Maleficarum 2.6 In the Dictionnaire Infernal 2.7 In the Lesser Key of Solomon 2.8 In The Magus 3 Later depictions 3.1 In Christian thought 3.2 In the Kabbalah 3.3 In Islamic culture 3.4 In popular media 4 See also 5 References and sources 6 External links Etymology[edit]
The figure of Asmodeus in Rennes-le-Château The name Asmodai is believed to derive from Avestan language *aēšma-daēva, where aēšma means "wrath", and daēva signifies "demon". While the daēva Aēšma is thus Zoroastrianism's demon of wrath and is also well-attested as such, the compound aēšma-daēva is not attested in scripture. It is nonetheless likely that such a form did exist, and that the Book of Tobit's "Asmodaios" (Ἀσμοδαῖος) and the Talmud's "Ashmedai" (אשמדאי) reflect it.[5] In the Zoroastrian and Middle Persian demonology, there did exist the conjuncted form khashm-dev, where the word dev was the same as daeva.[6]
The spellings Asmodai,[7][8] Asmodee (also Asmodée),[9][10] Osmodeus,[11][12] and Osmodai[13][14] have also been used. The name is alternatively spelled in the bastardized forms (based on the basic consonants אשמדאי, ʾŠMDʾY) Hashmedai (חַשְמְדּאָי, Hašmədʾāy; also Hashmodai, Hasmodai, Khashmodai, Khasmodai),[15][16][17][18] Hammadai (חַמַּדּאָי, Hammadʾāy; also Khammadai),[19][20] Shamdon (שַׁמְדּוֹן, Šamdōn),[21] and Shidonai (שִׁדֹנאָי, Šidonʾāy).[20] Some traditions have subsequently identified Shamdon as the father of Asmodeus.[21]
The Jewish Encyclopedia of 1906 rejects the otherwise accepted etymological relation between the Persian "Æshma-dæva" and Judaism's "Ashmodai" claiming that the particle "-dæva" could not have become "-dai" and that Æshma-dæva as such—a compound name—never appears in Persian sacred texts. Still, the encyclopedia proposes that the "Asmodeus" from the Apocrypha and the Testament of Solomon are not only related somewhat to Aeshma but have similar behaviour, appearance and roles,[22] to conclude in another article under the entry "Aeshma", in the paragraph "Influence of Persian Beliefs on Judaism",[23] that Persian Zoroastrian beliefs could have heavily influenced Judaism's theology on the long term, bearing in mind that in some texts there are crucial conceptual differences while in others there seems to be a great deal of similarity, proposing a pattern of influence over folk beliefs that would extend further to the mythology itself. However, the Jewish Encyclopedia asserts that although 'Æshma does not occur in the Avesta in conjunction with dæva, it is probable that a fuller form, such as Æshmo-dæus, has existed, since it is paralleled by the later Pahlavi-form "Khashm-dev"'.[24] Furthermore it is stated that Asmodeus or Ashmedai "embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised" on Judaism.[25]
In the texts[edit] In the Hebrew Bible[edit] The full name "Ashmedai" is not found in the standard Masoretic canon of the Hebrew Bible, but in 2 Kings 17:30, a certain Ashima appears as the false god for whom the Syrian Hamathites made an idol. Not only does this name better resemble that of the Persian daeva Aeshma, but the name (אֲשִׁימָא) also greatly resembles the name Ashmedai (אַשְמְדּאָי) in Hebrew.[according to whom?]
In the Book of Tobit[edit] The Asmodeus of the Book of Tobit is hostile to Sarah, Raguel's daughter, (Tobit 6:13); and slays seven successive husbands on their wedding nights, impeding the sexual consummation of the marriages. He is described as "the worst of demons".[where?] When the young Tobias is about to marry her, Asmodeus proposes the same fate for him, but Tobias is enabled, through the counsels of his attendant angel Raphael, to render him innocuous. By placing a fish's heart and liver on red-hot cinders, Tobias produces a smoky vapour that causes the demon to flee to Egypt, where Raphael binds him (Tobit 8:2–3). According to some translations, Asmodeus is strangled.
Perhaps Asmodeus punishes the suitors for their carnal desire, since Tobias prays to be free from such desire and is kept safe. Asmodeus is also described as an evil spirit in general: 'Ασμοδαίος τὸ πονηρὸν δαιμόνιον or τὸ δαιμόνιον πονηρόν, and πνεῦμα ἀκάθαρτον (Tobit 3:8; Tobit 3:17; Tobit 6:13; Tobit 8:3).
In the Talmud[edit] The figure of Ashmedai in the Talmud is less malign in character than the Asmodeus of Tobit. In the former, he appears repeatedly in the light of a good-natured and humorous fellow. But besides that, there is one feature in which he parallels Asmodeus, in as much as his desires turn upon Bathsheba and later Solomon's wives.
Another Talmudic legend has King Solomon tricking Asmodai into collaborating in the construction of the Temple of Jerusalem[3] (see: The Story of King Solomon and Ashmedai).
Another legend depicts Asmodai throwing King Solomon over 400 leagues away from the capital by putting one wing on the ground and the other stretched skyward. He then changed places for some years with King Solomon. When King Solomon returned, Asmodai fled from his wrath.[26] Similar legends can be found in Islamic folklore. There Asmodeus is called Sakhr (Arabic: صخر the Rock or the Stony One), because in Islamic lore, Solomon banished him into a rock, after he takes his kingdom back from him. There he counts as the king of the jinn.[27]
Another passage describes him as marrying Lilith, who became his queen.[28]
In the Testament of Solomon[edit] In the Testament of Solomon, a 1st–3rd century text, the king invokes Asmodeus to aid in the construction of the Temple. The demon appears and predicts Solomon's kingdom will one day be divided (Testament of Solomon, verse 21–25).[29] When Solomon interrogates Asmodeus further, the king learns that Asmodeus is thwarted by the angel Raphael, as well as by sheatfish found in the rivers of Assyria. He also admits to hating water and birds because both remind him of God.
In the Malleus Maleficarum[edit] In the Malleus Maleficarum (1486), Asmodeus was considered the demon of lust.[30] Sebastien Michaelis said that his adversary is St. John. Some demonologists of the 16th century assigned a month to a demon and considered November to be the month in which Asmodai's power was strongest. Other demonologists asserted that his zodiacal sign was Aquarius but only between the dates of January 30 and February 8.
He has 72 legions of demons under his command. He is one of the Kings of Hell under Lucifer the emperor. He incites gambling, and is the overseer of all the gambling houses in the court of Hell. Some Catholic theologians compared him with Abaddon. Yet other authors considered Asmodeus a prince of revenge.
In the Dictionnaire Infernal[edit] In the Dictionnaire Infernal by Collin de Plancy, Asmodeus is depicted with the breast of a man, a cock leg, serpent tail, three heads (one of a man spitting fire, one of a sheep, and one of a bull), riding a lion with dragon wings and neck, all of these creatures being associated with either lascivity, lust or revenge.[citation needed] The Archbishop of Paris approved his portrait.[31]
In the Lesser Key of Solomon[edit] Asmodai appears as the king 'Asmoday' in the Ars Goetia, where he is said to have a seal in gold and is listed as number thirty-two according to respective rank.[32]
He "is strong, powerful and appears with three heads; the first is like a bull, the second like a man, and the third like a ram; the tail of a serpent, and from his mouth issue flames of fire."[33] Also, he sits upon an infernal dragon, holds a lance with a banner and, amongst the Legions of Amaymon, Asmoday governs seventy-two legions of inferior spirits.[32]
In The Magus[edit] Asmodeus is referred to in Book Two, Chapter Eight of The Magus (1801) by Francis Barrett.[34]
Later depictions[edit] In Christian thought[edit] Asmodeus was named as an angel of the Order of Thrones by Gregory the Great.[35]
Asmodeus was cited by the nuns of Loudun in the Loudun possessions of 1634.[36]
Asmodeus' reputation as the personification of lust continued into later writings, as he was known as the "Prince of Lechery" in the 16th-century romance Friar Rush.[37] The French Benedictine Augustin Calmet equated his name with a fine dress.[37] The 16th-century Dutch demonologist Johann Weyer described him as the banker at the baccarat table in hell, and overseer of earthly gambling houses.[38]
In 1641, the Spanish playwright and novelist Luis Velez de Guevara published the satirical novel El diablo cojuelo, where Asmodeus is represented as a mischievous demon endowed with a playful and satirical genius. The plot presents a rascal student that hides in an astrologer's mansard. He frees a devil from a bottle. As an acknowledgement the devil shows him the apartments of Madrid and the tricks, miseries and mischiefs of their inhabitants.[39][40] The French novelist Alain-René Lesage adapted the Spanish source in his 1707 novel le Diable boiteux,[37] where he likened him to Cupid. In the book, he is rescued from an enchanted glass bottle by a Spanish student Don Cleophas Leandro Zambullo. Grateful, he joins with the young man on a series of adventures before being recaptured. Asmodeus is portrayed in a sympathetic light as good-natured, and a canny satirist and critic of human society.[37] In another episode Asmodeus takes Don Cleophas for a night flight, and removes the roofs from the houses of a village to show him the secrets of what passes in private lives. Following Lesage's work, he was depicted in a number of novels and periodicals, mainly in France but also London and New York.[41]
Asmodeus was widely depicted as having a handsome visage, good manners and an engaging nature; however, he was portrayed as walking with a limp and one leg was either clawed or that of a rooster. He walks aided by two walking sticks in Lesage's work, and this gave rise to the English title The Devil on Two Sticks[31] (also later translated The Limping Devil and The Lame Devil). Lesage attributes his lameness to falling from the sky after fighting with another devil.[42]
On 18 February 1865, author Evert A. Duyckinck sent President Abraham Lincoln a letter, apparently mailed from Quincy. Duyckinck signed the letter "Asmodeus", with his initials below his pseudonym. His letter enclosed a newspaper clipping about an inappropriate joke allegedly told by Lincoln at the Hampton Roads Peace Conference. The purpose of Duyckinck's letter was to advise Lincoln of "an important omission" about the history of the conference. He advised that the newspaper clipping be added to the "Archives of the Nation".[43]
In the Kabbalah[edit] According to the Kabbalah and the school of Shlomo ibn Aderet, Asmodeus is a cambion born as the result of a union between Agrat bat Mahlat, a succubus, and King David.[44]
In Islamic culture[edit] The story of Asmodeus and Solomon has a reappearance in Islamic lore. Asmodeus is commonly named Sakhr (rock) probably a reference to his fate in common Islam-related belief, there, after Solomon defeated him, Asmodeus was imprisoned inside a box of rock, chained with iron, and thrown it into the sea.[45] In his work Annals of al-Tabari, the famous Persian Quran exegete (224–310 AH; 839–923 AD) Tabari, referred to Asmodeus in Surah 38:34. Accordingly, the puppet is actually Asmodeus who took on the shape of Solomon for forty days, before Solomon defeated him.[46]
Sakhr (Asmodeus) is consulted by Buluqiya, a young Jewish prince, who tried to find the final prophet, Muhammad, in The Nights. During their conversation, he asked about hell, thereupon Asmodeus describes the different layers (ṭabaqāt) of hell.[47][48]
In popular media[edit]
This article appears to contain trivial, minor, or unrelated references to popular culture. Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources, rather than simply listing appearances. Unsourced material may be challenged and removed. (May 2020)
Asmodeus as portrayed in Dungeons and Dragons First Edition Asmodeus is a recurring antagonist in the 13th season of The CW series Supernatural, portrayed primarily by Jeffrey Vincent Parise. Created by Lucifer himself, Asmodeus was originally a Prince of Hell alongside siblings Azazel, Dagon, and Ramiel. Upon the death of Crowley, Asmodeus succeeds him as the King of Hell despite being Lucifer's weakest creation. Asmodeus is killed in the episode "Bring 'em Back Alive" by the archangel Gabriel, whose grace Asmodeus had been feeding on to make himself stronger.[49]
In Geoffrey Household's 1939 spy thriller Rogue Male, the protagonist names a cat he forms a strong bond with Asmodeus.
In 1969 composer Josef Tal wrote an opera, Ashmedai, which is based on the Talmud. It premiered at the Hamburg State Opera in 1971, and was first performed in the United States in 1976 at the New York City Opera in a production directed by Hal Prince.[50]
The character 'Asmodai' in A. L. Mengel's supernatural series The Tales of Tartarus (2013–2016) is based on the demon Asmodeus. The demon haunts the main protagonist, Antoine, through the series of novels.
Asmodeus appears in the television series The Librarians (season 4, episode 10) as a blue-skinned, growling demon in knight's armor and carrying a sword.
Asmodeus also features heavily in the lore of the game Dungeons & Dragons as the ruler of the Nine Hells. Different editions of the game offer different backstories, ranging from primordial evil to fallen angel to ancient god, but his role as the King of the Nine Hells is always the same.
Asmodeus is also present in the Pathfinder Roleplaying Game in a similar role to his D&D one. The main difference is that he is an actual god, one of the nine original deities in the Great Beyond, and that his church is widespread in certain nations on Golarion.
Asmodeus appears as Magnus Bane's father and Prince of Hell, otherwise known as Edom on the third season of Freeform's Shadowhunters television series based on Cassandra Clare's popular book series The Mortal Instruments. He is portrayed by Jack J. Yang.
Asmodeus appears in the 1997 book Asmodeus – a Forkful of Tales from Devil's Peak by Alex D'Angelo, illustrated by Tony Grogan.[51] One story "Asmodeus and the Bottler of Djinns" is included in the anthology Favorite African Folktales edited by Nelson Mandela, published by Norton and available as an audiobook.
Asmodeus is the final boss in Mace: The Dark Age.
In the video game Pony Island, Asmodeus appears in the manifestation of a "demonic" artificial intelligence.
Asmodeus appears as a character in the otome game, Obey Me!. He is depicted as the Avatar of Lust and one of seven brothers representing the seven deadly sins.
In the video game Helltaker, Asmodeus is portrayed as a Demon of Lust, Modeus.
In Disenchantment, Asmodeus is introduced by Luci as "Asmodeus, Lord of Darkness."
Singer-songwriter Ethel Cain has the name Ashmedai tattooed on her forehead in Hebrew.
See also[edit] icon Religion portal Archdemon Belial Devil Samael Satan Serpents in the Bible Sin References and sources[edit] References ^ "Asmodeus" in The New Encyclopædia Britannica. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 635. ^ Robert Lebling Robert Lebling I.B.Tauris 2010 ISBN 978-0-857-73063-3 ^ Jump up to:a b Raphael Patai Encyclopedia of Jewish Folklore and TraditionsRoutledge 2015 ISBN 978-1-317-47170-7 page 39 ^ "Asmodeus/Asmoday". Judeo-Christian Demons. Deliriumsrealm.com. 25 March 2003. Retrieved 2009-03-04. ^ Stave, Erik (2002) [1901–1906]. "Æshma (Asmodeus, Ashmedai)". In Singer, Isidore; Adler, Cyrus; et al. (eds.). Jewish Encyclopedia. New York: Funk & Wagnalls. LCCN 16-014703. Retrieved 7 March 2018. since it is paralleled by the later Pahlavi-form "Khashm-dev" ("Khashm dev" = "Æshma dev"), written with the Aramaic "sheda," but pronounced "dev." [..] Asmodeus (Ashmedai) embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised on the Jewish—an influence that shows itself very prominently in the domain of demonology. ^ Bane, Theresa (Jan 9, 2012). McFarland (ed.). Encyclopedia of Demons in World Religions and Cultures. p. 191. ISBN 978-0-786-46360-2. ^ Milton, John (1671). Paradise Regained. ^ Pomfret, John (1724). "Cruelty and Lust". Poems Upon Several Occasions. D. Brown. p. 73. ^ Mauriac, François (1939). Asmodee; or, The Intruder. Secker & Warburg. ^ Kleu, Michael; Eayrs, Madelene (2010). Who Are You?. USA: Xulon Press. p. 214. ISBN 978-1-61579-841-4. ^ Connell, Evan S. (1992). The Alchymist's Journal. Penguin Books. p. 110. ISBN 0-14-016932-6. ^ Guppy, Henry (1960). "Tobit". Bulletin of the John Rylands Library. 42. Manchester University Press. p. 375. ^ Garibay Mora, Ernesto (2005). Dictionary of Demons and Related Concepts. Miami, Florida: L. D. Books. p. 103. ISBN 970-732-108-3. ^ Nares, Robert (1888). A Glossary of Words, Phrases, Names, and Allusions. London: Reeves & Turner. p. 21. ^ Association of Modern Austrian Philologists (1999). Moderne Sprachen. 43. p. 63. ^ Ritchie, Leitch (1836). The Magician. Vol. I. Philadelphia: Carey, Lea & Blanchard. p. 84. ^ de Laurence, L. W. (1914). The Great Book of Magical Art, Hindu Magic and East Indian Occultism. Chicago: The de Laurence Co. p. 183. ^ MacGregor Mathers, S. L. (1458). The Book of the Sacred Magic. p. 110. ISBN 9781425454142. ^ Voltaire (1824). A Philosophical Dictionary. 1. London: J. & H. L. Hunt. p. 286. ^ Jump up to:a b Leland, Charles Godfrey (1902). Flaxius: Leaves from the Life of an Immortal. London: Philip Wellby. p. 72. ^ Jump up to:a b "Asmodeus, or Ashmedai". Jewish Encyclopedia. Funk and Wagnalls. 1906. Retrieved May 1, 2013. ^ Jewish encyclopedia 1906 full text unedited version , entry "Asmodeus" paragraph "Asmodeus, Ashmedai, and Æshma." ^ Stave, E., ÆSHMA (ASMODEUS, ASHMEDAI), Jewish Encyclopedia, unedited full text 1906 version ^ Strave, Erik. "Æshma (Asmodeus) etymology in Jewish Encyclopedia". Though "Æshma" does not occur in the Avesta in conjunction with "dæva", it is probable that a fuller form, such as "Æshmo-dæus," has existed, since it is paralleled by the later Pahlavi-form "Khashm-dev" ("Khashm dev" = "Æshma dev"), written with the Aramaic "sheda," but pronounced "dev." ^ Ibid. Jewish Encyclopedia. In fine, Asmodeus (Ashmedai) embodies an expression of the influence that the Persian religion or Persian popular beliefs have exercised on the Jewish—an influence that shows itself very prominently in the domain of demonology. Thus 'Ασμο' ... corresponds to "Æshma", and the ending δαῖος ... to "dæva". ^ Talmud. Gittin. pp. 68b. ^ Robert Lebling Legends of the Fire Spirits: Jinn and Genies from Arabia to Zanzibar I.B.Tauris 2010 ISBN 978-0-857-73063-3 ^ Schwartz, Howard (1988). Lilith's cave: Jewish tales of the supernatural. San Francisco, CA: Harper & Row. p. 8. ISBN 978-0-06-250779-2. LCCN 87045196. OCLC 62241318. ^ Conybeare, Frederick Cornwallis (trans.) (October 1898). "The Testament of Solomon". The Jewish Quarterly Review. 11 (1): 1–45. doi:10.2307/1450398. ISSN 0021-6682. JSTOR 1450398. Retrieved 2012-02-09. ^ Kramer, Heinrich; Summers, Montague (trans.) (1928) [1486]. "Question IV: By which Devils are the Operations of Incubus and Succubus Practised?". Malleus Maleficarum. 1. London, England: J. Rodker. LCCN 29017069. OCLC 504248484. But the very devil of Fornication, and the chief of that abomination, is called Asmodeus, which means the Creature of Judgement: for because of this kind of sin a terrible judgement was executed upon Sodom and the four other cities. ^ Jump up to:a b Rudwin 1970, p. 93. ^ Jump up to:a b Mathers & Crowley 1995, pp. 68–70. ^ Mathers & Crowley 1995, p. 32. ^ Barrett, Francis (2008) [1801]. "VIII: The Annoyance of Evil Spirits, and the Preservation we have from Good Spirits". The Magus, a Complete System of Occult Philosophy. Book II. New York: Cosimo Classics. pp. 49–52. ISBN 978-1-60520-301-0. LCCN 11015009. OCLC 428109956. Retrieved 2010-09-28. ^ Rudwin 1970, p. 20. ^ Dumas, Alexandre (1634). "Urbain Grandier: Chapter V". Urbain Grandier. Celebrated Crimes. ^ Jump up to:a b c d Rudwin 1970, p. 87. ^ Rudwin 1970, p. 92. ^ Luis Vélez de Guevara ^ "Luis Vélez de Guevara | Spanish author". ^ Rudwin 1970, p. 88. ^ Rudwin 1970, p. 50. ^ Duyckinck, Evert A. Evert A. Duyckinck to Abraham Lincoln, Saturday, February 18, 1865 (Sends clipping with story Lincoln allegedly told at Hampton Roads conference) – The Abraham Lincoln Papers at the Library of Congress. Archived from the original on February 22, 2013. Retrieved February 3, 2013. ^ Scholem, G. (1948). "New Chapters in the Story of Ashmedai and Lilith / פרקים חדשים מענייני אשמדאי ולילית". Tarbiẕ. Mandel Institute for Jewish Studies. 19 (3–4): 160–175. JSTOR 23585831. ^ Sami Helewa Models of Leadership in the Adab Narratives of Joseph, David, and Solomon: Lament for the Sacred Lexington Books 2017 ISBN 978-1-498-55267-7 page 167 ^ Tabari History of al-Tabari Vol. 3, The: The Children of Israel SUNY Press 2015 ISBN 978-0-791-49752-4 page 170 ^ Christian Lange Locating Hell in Islamic Traditions BRILL 978-90-04-30121-4 p. 12-13 ^ Qisas Al-Anbiya of al-Tha'labi ^ Kubicek, John (April 12, 2018). "'Supernatural' Recap: A Big death and a Happy Return". BuddyTV. ^ John Rockwell (March 31, 1976). "Harold Prince Stages His First Opera". The New York Times. ^ D'Angelo, Alex; Tony, Grogan (1997). Tafelberg. Missing or empty |title= (help) Sources Rudwin, Maximilian Josef (1970) [1931]. "Asmodeus, dandy among demons". The Devil in Legend and Literature. New York: AMS Press Open Court Publishing Company. ISBN 978-0-404-05451-9. LCCN 71111780. OCLC 257946679. Mathers, Samuel Liddell MacGregor (trans.); Crowley, Aleister (1995) [1904]. The Goetia: The Lesser Key of Solomon the King. Samuel Weiser, Inc. ISBN 978-0-87728-847-3. LCCN 95037057. OCLC 33044028. External links[edit] Wikimedia Commons has media related to Asmodeus.
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Cortical tension, contact tension and tissue segregation: A clarification.
This article reports a study on the role of ephrin-Eph signalling in cell sorting. Ephrin-Eph signalling is one of the major molecular mechanism involved in tissue segregation (Fagotto, 2014; Fagotto, 2020; Fagotto et al., 2014). Kindberg and colleagues reproduce this ephrin-Eph-dependent sorting in an artificial system, namely the human HEK cell line. The authors confront two cell populations, one expressing an ephrin, the other a cognate Eph receptor. This simplified system roughly mimics the situation in embryonic tissues: Ephrin-Eph signalling in the latter is usually more complex, due to the expression of multiple ephrins and Eph receptors, but the general logic based on asymmetric expression of selective ligands and receptors is similar (Fagotto et al., 2014). Using virtually identical assays as those previously applied to embryonic cells by our team, Kindberg et al obtain results that are largely in agreement with our previous data and model (Canty et al., 2017). Yet, they also propose additional properties about which some clarification is needed.
To put this discussion in the right context, a reminder of the principles of tissue segregation is required: Cell sorting and cell positioning within a tissue are directed by contractile forces exerted on the cortex and cell-cell adhesion. A unifying model formulated by Brodland (Brodland and Chen, 2000), emphasizes the dominant role of actomyosin cortical contractility, which must be downregulated along cell-cell contacts to allow effective adhesion. Brodland defined a “cell to medium interfacial tension”, which corresponds to the “cortical tension” along free edges of the cell, and a “cell to cell interfacial tension”, also named “contact tension” (Winklbauer, 2015)(*). Stemming from this principle, the “Differential Interfacial Tension Hypothesis” (DITH) posed that cell sorting was driven by global differences in tissue stiffness (Brodland, 2002; Krieg et al., 2008). However, ample experimental evidence and theoretical considerations have brought quite a different view of the process.
Firstly, it is now clear that what dictates sorting is not a difference in the stiffness of the two cell types, but rather local enhanced contact tension at heterotypic contacts (which we coined high heterotypic interfacial tension, HIT (Canty et al., 2017; Fagotto, 2020)). This came as an unavoidable conclusion of our own experimental results on early embryonic boundaries in Xenopus, in particular on the dissection and reconstitution of the process of separation of dorsal mesoderm and ectoderm (and not endoderm, as incorrectly referred by Kindberg et al) (Canty et al., 2017; Rohani et al., 2011; Rohani et al., 2014). Importantly, our biophysical simulations showed that the principle of HIT could be generalized to any type of tissue boundary (Canty et al., 2017). This conclusion, confirmed independently by Manning and colleagues using a different model of simulation (Sussman et al., 2018), was in full agreement with experimental data in various systems. Furthermore, the fact that tension is highest at heterotypic contacts can be simply inferred from the straightness of tissue boundaries, as noted by the Dahmann and Sanson teams in the case of compartment boundaries in Drosophila (Aliee et al., 2012; Landsberg et al., 2009; Monier et al., 2010). Ephrin-Eph signalling is obviously an optimal mechanism to boost tension at a heterotypic contact, thus producing HIT, although various other types of mechanisms can produce the same effect (Fagotto, 2015; Luu et al., 2015; Sharrock and Sanson, 2020; Wang and Dahmann, 2020).
The second issue is the effect of contractility on relative positioning of the two cell populations. In this case, tension at cell surfaces exposed to the medium plays an important role, thus softer cells tend to engulf the stiffer cells. This has led to an apparent contradiction (Krieg et al., 2008), because, in embryos, the ectoderm is typically stiffer than mesoderm and endoderm, yet it takes a peripheral position. The solution to this conundrum, definitively solved by Ninoyima and Winklbauer (Ninomiya and Winklbauer, 2008), is simple: Under physiological conditions, most cells are not exposed to the “medium”, and tissues are largely “protected” by the non-adhesive apical domain of an epithelial layer. As such, this domain cannot participate to the minimization of contacts and by default it must occupy the peripheral position, and is therefore excluded from the game between adhesion and contractility. Thus, in practice, sorting WITHIN the tissue is controlled by the relative tension at different types of cell-cell contacts. Importantly, although global cell stiffness does impact the properties of cell contacts, this effect cannot be simply inferred from the tension present at the cell-medium interface. Indeed, complex reactions occur at contacts, which might enhance or dampen contact tension, and/or reinforce cell-cell adhesion. Thus, it is important to evaluate contact tension for each particular combination of cells. In any case, the key point here is that differences in cortical tension can directly influence cell positioning only in the immediate vicinity of a (non-coated) tissue surface.
With this is mind, one can now evaluate the observation by Kindberg et al of EphB2 expression increasing free cortical tension. The authors propose that this property significantly contributes to cell sorting. However, this model can be directly applied only under conditions where cells expose significant surface to the medium. This is true in the type of non-confluent in vitro cultures used in their study (although the interaction with the extracellular matrix is likely to impact the tension along these edges). What about actual tissues? As said, most tissues are covered by either an epithelial layer, or by other tissues. The degree of freedom is even lower in the case of purely epithelial tissues, such as Drosophila embryonic blastoderm or wing imaginal disc, as cells can only move in the plane of the epithelium. Could one conceive, however, a relevance for non-epithelial tissues, which are less tight and have interstitial spaces? This could be the case if tension along these spaces is comparable to that at a “free” edge as measured in vitro for isolated cell doublets. Xenopus ectodermal inner layer is so far the only model where a precise analysis was performed. Quite interestingly, Winklbauer and colleagues demonstrated that the tension is in fact quite low, very much in the range of contact tension (Barua et al., 2017; Parent et al., 2017). Thus, interstitial spaces cannot be compared to the simple medium used in cell culture: Cells appear to control their environment, probably through secretion of extracellular glycoproteins acting as “surfactants”, in order to avoid unwanted cortical tension to build inside the tissue. These considerations indicate that a model involving differences in cortical tension at free cell edges is likely to be of limited significance in the physiological context of real tissues.
The interesting observation by Kindberg et al of an effect of EphB2 ectopic expression on cortical tension of HEK cells should be included among the many interesting complications of ephrin-Eph systems (Pasquale, 2010). Similarly, ephrinB1 and EphB4 appear to have a proadhesive activity in the Xenopus ectoderm (Rohani et al., 2011), thus opposed to the stereotypical repulsive function of these molecules. The actual impact of these properties on cell sorting and tissue segregation will continue to be a fascinating issue, which will require further investigation.
A last note about the cadherin independence of the EphB2 phenotype reported by Kindberg et al. This conclusion was based on experiments in a medium with low calcium, a condition that certainly strongly decreases, but does not fully block cadherin adhesion. Furthermore, it has been proposed that non-specific surface proteins may significantly contribute to adhesion (Winklbauer, 2019). Finally, it is also conceivable that EphB2 may interact with low levels of endogenous ephrins, in a regime that could directly provide some adhesion to the cells (Poliakov et al., 2004).
*Note: The original term “interfacial tension” (Brodland and Chen, 2000), included in the definition of the “Differential Interfacial Tension Hypothesis” (DITH) (Brodland, 2002), directly came from the ANALOGY with liquid surface tension. It is used in the Kindberg et al. article. However, this terminology can be confusing when describing morphogenetic processes, and, for the sake of clarity, we rather prefer to use “contact tension”, from the terminology proposed by Winklbauer (Winklbauer, 2015), and keep the term “interface” to refer to supracellular structures, i.e. tissue and compartment interfaces.
References Aliee, M., J.C. Roper, K.P. Landsberg, C. Pentzold, T.J. Widmann, F. Julicher, and C. Dahmann. 2012. Physical mechanisms shaping the Drosophila dorsoventral compartment boundary. Current biology : CB. 22:967-976. Barua, D., S.E. Parent, and R. Winklbauer. 2017. Mechanics of Fluid-Filled Interstitial Gaps. II. Gap Characteristics in Xenopus Embryonic Ectoderm. Biophys J. 113:923-936. Brodland, G.W. 2002. The Differential Interfacial Tension Hypothesis (DITH): a comprehensive theory for the self-rearrangement of embryonic cells and tissues. Journal of biomechanical engineering. 124:188-197. Brodland, G.W., and H.H. Chen. 2000. The mechanics of heterotypic cell aggregates: insights from computer simulations. Journal of biomechanical engineering. 122:402-407. Canty, L., E. Zarour, L. Kashkooli, P. Francois, and F. Fagotto. 2017. Sorting at embryonic boundaries requires high heterotypic interfacial tension. Nature communications. 8:157. Fagotto, F. 2014. The cellular basis of tissue separation. Development. 141:3303-3318. Fagotto, F. 2015. Regulation of cell adhesion and cell sorting at embryonic boundaries. Curr Top Dev Biol. 112:19-64. Fagotto, F. 2020. Tissue segregation in the early vertebrate embryo. Seminars in cell & developmental biology. 107:130-146 Fagotto, F., R. Winklbauer, and N. Rohani. 2014. Ephrin-Eph signaling in embryonic tissue separation. Cell adhesion & migration. 8:308-326. Kindberg, A.A., V. Srivastava, J.M. Muncie, V.M. Weaver, Z.J. Gartner, and J.O. Bush. 2021. EPH/EPHRIN regulates cellular organization by actomyosin contractility effects on cell contacts. J Cell Biol. 220. Krieg, M., Y. Arboleda-Estudillo, P.H. Puech, J. Kafer, F. Graner, D.J. Muller, and C.P. Heisenberg. 2008. Tensile forces govern germ-layer organization in zebrafish. Nat Cell Biol. 10:429-436. Landsberg, K.P., R. Farhadifar, J. Ranft, D. Umetsu, T.J. Widmann, T. Bittig, A. Said, F. Julicher, and C. Dahmann. 2009. Increased cell bond tension governs cell sorting at the Drosophila anteroposterior compartment boundary. Current biology : CB. 19:1950-1955. Luu, O., E.W. Damm, S.E. Parent, D. Barua, T.H. Smith, J.W. Wen, S.E. Lepage, M. Nagel, H. Ibrahim-Gawel, Y. Huang, A.E. Bruce, and R. Winklbauer. 2015. PAPC mediates self/non-self-distinction during Snail1-dependent tissue separation. J Cell Biol. 208:839-856. Monier, B., A. Pelissier-Monier, A.H. Brand, and B. Sanson. 2010. An actomyosin-based barrier inhibits cell mixing at compartmental boundaries in Drosophila embryos. Nat Cell Biol. 12:60-65; sup pp 61-69. Ninomiya, H., and R. Winklbauer. 2008. Epithelial coating controls mesenchymal shape change through tissue-positioning effects and reduction of surface-minimizing tension. Nat Cell Biol. 10:61-69. Parent, S.E., D. Barua, and R. Winklbauer. 2017. Mechanics of Fluid-Filled Interstitial Gaps. I. Modeling Gaps in a Compact Tissue. Biophys J. 113:913-922. Pasquale, E.B. 2010. Eph receptors and ephrins in cancer: bidirectional signalling and beyond. Nat Rev Cancer. 10:165-180. Poliakov, A., M. Cotrina, and D.G. Wilkinson. 2004. Diverse roles of eph receptors and ephrins in the regulation of cell migration and tissue assembly. Dev Cell. 7:465-480. Rohani, N., L. Canty, O. Luu, F. Fagotto, and R. Winklbauer. 2011. EphrinB/EphB signaling controls embryonic germ layer separation by contact-induced cell detachment. PLoS Biol. 9:e1000597. Rohani, N., A. Parmeggiani, R. Winklbauer, and F. Fagotto. 2014. Variable combinations of specific ephrin ligand/Eph receptor pairs control embryonic tissue separation. PLoS Biol. 12:e1001955. Sharrock, T.E., and B. Sanson. 2020. Cell sorting and morphogenesis in early Drosophila embryos. Seminars in cell & developmental biology. 107:147-160. Sussman, D.M., J.M. Schwarz, M.C. Marchetti, and M.L. Manning. 2018. Soft yet Sharp Interfaces in a Vertex Model of Confluent Tissue. Physical review letters. 120:058001. Wang, J., and C. Dahmann. 2020. Establishing compartment boundaries in Drosophila wing imaginal discs: An interplay between selector genes, signaling pathways and cell mechanics. Seminars in cell & developmental biology. 107:161-169. Winklbauer, R. 2015. Cell adhesion strength from cortical tension - an integration of concepts. J Cell Sci. 128:3687-3693. Winklbauer, R. 2019. Dynamic cell-cell adhesion mediated by pericellular matrix interaction - a hypothesis. J Cell Sci. 132.
Anne: What was home life like when you were growing up in the US?Armando: It was fun.Anne: When your father and mother worked, were they around a lot? Were they—Armando: Yeah. Yeah. Actually, my dad worked all the time. My mom, she was at home, so she'd take me to school. And I had a lot of fun. I had a lot of stuff that I never would have got here, I never would have had here, to be honest with you, so these—Anne: What kind of stuff?Armando: I think I had a better education, to be honest with you. I had a, to be honest with you, better life of the way you dress, eat, and a lot of stuff that I'll see here's... Like, you know how the baby games are. Here, I seen a lot of kids, they always want, "I want a video game. I want this, I want that," but it's so expensive. So the mom, the dad, just barely make it here. That's another different thing over there. See, like here, when you go to a McDonald's, you got to take 500 pesos at least. Over there, with a dollar or two, you go buy your burger. Or your kids want something to eat, you don't need a lot of money over there, like a couple dollars and you buy them at least a dollar burger. Here, you're not [Chuckles]. Here, you got to have at least—Anne: A lot, yeah.Armando: So I did enjoy a lot of stuff from over there, that I knew that if I would've been here during my childhood, I would have never had.Anne: Did you do sports or—Armando: Yes, absolutely. I used to love to play soccer.Anne: Yeah?Armando: In middle school and high school, I loved playing soccer. And I loved my teachers. I ain't going to lie. I had some wonderful teachers, wonderful. I'm never going to forget my science teacher though. That was my best teacher I had. She helped me out a lot. She was real nice with me. She helped me out a lot, a lot, a lot. I had my science teacher and my social studies teacher. She was from French.
growing up in the United States, school, friends, opportunity, family, sports
2021-03-03
Avoiding the blame game: Reframing conversations on racialised health inequalities. (2021, March 3). Cost Of Living | Cost of Living: The Politics, Economics and Sociology of Health and Health Care. https://www.cost-ofliving.net/avoiding-the-blame-game-reframing-conversations-on-racialised-health-inequalities/
Conversations about the disproportionate impact of COVID-19 felt by racially minoritised communities in the UK have also highlighted the pervasive and longstanding health inequalities they experience.
Avoiding the blame game: Reframing conversations on racialised health inequalities
courses are being brought to life like never before, creating maximum impact.
This is translated into new experience which is game changer, and will impact foreign language education in so many levels. Thanks to virtual and augmented reality people are able to learn about different places through languages from one place. I truly believe that the different affordances that technology offers can help us as foreign language teachers better meet our learners' needs.
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There is so much good stuff in here but I think my two main takeaways are asking the question "what kind of ancestor do I want to be?" this hits me as a very hopeful question- it's one that requires belief in the future and future generations. It's really pulls into focus the idea that what we are doing and working on now will impact the long game. The second thing that I'm chewing on is the way that the speakers problematized public domain.
Dungless is another GameMaker Studio asset flip from serial copy+paste infringers, Imperium Game. All these guys do is rip off game templates and projects from the Yoyogames/GameMaker Studio store and try to scam people into paying for someone else's work on Steam.This time they've ripped off a basic template for a 2D retro pixel platformer/brawler. In line with this asset flipping behaviour, the game was dumped immediately at launch into DailyIndieGame shovelware bundles.In line with dishonest asset flippers, this has a number of fake positive reviews from compromised accounts, all in the same broken English. Even if this wasn't just an asset flip, it would be garbage. Impossible to recommend.
Developers leave in glaring issues that should have been resolved in the base game. For example, the original development had fuel, then scrapped it, then 3 or 4 years later they realize that logistics is actually important.The monetization scheme is inherently predatory. Charge your customers for a game that without DLC is without a backbone.
This is somehow the only game where you can play as an anti-fascist faction in Nazi Germany, drive the Nazis into the ocean, kill Hitler and reclaim Germany as a democracy, and that's somehow the most boring possible outcome.
Terminator 2: Judgment Day - Wikipediahttps://en.wikipedia.org › wiki › Terminator_2:_Judgm...https://en.wikipedia.org › wiki › Terminator_2:_Judgm...About this resultBETASourceWikipedia is a free content, multilingual online encyclopedia written and maintained by a community of volunteer contributors through a model of open collaboration, using a wiki-based editing system.WikipediaYour connection to this site is securehttps://en.wikipedia.org/wiki/Terminator_2:_Judgment_DayThis is a search result, not an ad. Only ads are paid, and they'll always be labeled with "Sponsored" or "Ad."Send feedback on this info Privacy settingsHow Search worksCachedSimilarTerminator 2: Judgment Day (also promoted as T2) is a 1991 American science fiction action film produced and directed by James Cameron, who co-wrote the ...Production; companies: Carolco Pictures; Paci...Produced by: James CameronMusic by: Brad FiedelWritten by: James Cameron; William WisherT-1000 · T2: The Arcade Game · Terminator 3: Rise of the · Edward Furlongterminator 3terminator 2 castterminator 2 full movieterminator 2 onlineterminator 2 release dateterminator 2 netflixPeople also search for
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Terminator 2: Judgment Day (also promoted as T2) is a 1991 American science fiction action film produced and directed by James Cameron, who co-wrote the ...
Production; companies: Carolco Pictures; Paci...
Produced by: James Cameron
Music by: Brad Fiedel
Written by: James Cameron; William Wisher
T-1000 - T2: The Arcade Game) - Terminator 3: Rise of the - Edward Furlong
i saw this before the first one, which honestly was not really enthralling, like this
8,100,000 results (0.84 seconds) .ULSxyf{margin-bottom:44px}.hlcw0c{margin-bottom:44px}.tF2Cxc{position:relative}.IsZvec,.GELlw{max-width:48em;color:#4d5156;line-height:1.58}.VwiC3b{word-wrap:break-word}.VwiC3b sup{line-height:0.9}.yuRUbf{font-weight:normal;font-size:small;line-height:1.58;}.FyYA1e{margin:5px 0}a:hover h3.LC20lb{text-decoration:underline}.LC20lb{display:inline-block;line-height:1.3;margin-bottom:3px;}.DKV0Md{padding-top:4px;padding-top:5px;}.VjDLd .TieM1d .tjvcx,.IVvPP .tjvcx,.kno-kp .tjvcx,.VjDLd .kp-wholepage-osrp .tjvcx,#rhs .ss6qqb .tjvcx{display:inline-block;height:19px;overflow-y:hidden}.qzEoUe{color:#202124;white-space:-webkit-nowrap}.dyjrff{color:#5f6368}.B6fmyf{position:absolute;top:0;height:0;visibility:hidden;white-space:nowrap}.csDOgf{display:inline;visibility:visible;position:absolute}.eFM0qc{display:inline-block;padding-bottom:2px;padding-top:1px;padding-left:2px;visibility:visible}.EwsJzb{display:block}.B8Kd8d{position:absolute}.IjabWd{margin-left:2px}.xTFaxe{fill:#70757a;top:2px}.D6lY4c{height:22px;width:22px;position:absolute;border-radius:11px;top:-1px}.iTPLzd{cursor:pointer;top:0;left:0;width:28px;z-index:1;line-height:16px;}.GUHazd{padding-bottom:12px}.eY4mx{padding-left:12px}.lUn2nc{padding-right:12px}@keyframes forced-chip-animation {50%{background:#d2e3fc;border-color:#8ab4f8}}.yXK7lf em{color:#5f6368}.yXK7lf a:visited em,.yXK7lf a em{color:inherit}.MUxGbd{padding-top:0px;margin-bottom:0px}.lyLwlc{color:#202124}.yDYNvb.lyLwlc{color:#4d5156}.yDYNvb.lyLwlc b{color:#5f6368}.lEBKkf{display:-webkit-box;-webkit-box-orient:vertical;overflow:hidden}.OSrXXb{text-overflow:ellipsis;overflow:hidden}.wFMWsc{padding-left:15px}.wFMWsc.JCsJK{padding-left:0}.rEYMH{}.dvDNH{color:#70757a;font-weight:bold;}.gyWzne{color:#70757a;}.IThcWe{display:table;table-layout:fixed;white-space:normal;line-height:1.58;width:100%}.YgpRwf{display:table-row;vertical-align:top;white-space:nowrap}.wFMWsc{display:table-cell;vertical-align:bottom}.jYOxx{margin-top:0px}.HiHjCd{color:#70757a}Search ResultsWeb resultsWarGames - Wikipediahttps://en.wikipedia.org › wiki › WarGameshttps://en.wikipedia.org › wiki › WarGamesAbout this resultBETASourceWikipedia is a free content, multilingual online encyclopedia written and maintained by a community of volunteer contributors through a model of open collaboration, using a wiki-based editing system.WikipediaYour connection to this site is securehttps://en.wikipedia.org/wiki/WarGamesThis is a search result, not an ad. Only ads are paid, and they'll always be labeled with "Sponsored" or "Ad."Send feedback on this info Privacy settingsHow Search worksCachedSimilarWarGames is a 1983 American Cold War science fiction techno-thriller film written by Lawrence Lasker and Walter F. Parkes and directed by John Badham.Release date: May 7, 1983 (Cannes); June 3, ...Directed by: John BadhamBox office: $79.6 millionProduction; companies: United Artists; Sherwo...WarGames match · Video game · WarGames: Defcon 1 · Interactive mediawargames gamewargames: the dead codewargames streamingwargames castwargames netflixwargames wrestlingPeople also search for
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https://en.wikipedia.org › wiki › WarGames
WarGames is a 1983 American Cold War science fiction techno-thriller film written by Lawrence Lasker and Walter F. Parkes and directed by John Badham.
Release date: May 7, 1983 (Cannes); June 3, ...
Directed by: John Badham
Box office: $79.6 million
Production; companies: United Artists; Sherwo...
WarGames match - Video game) - WarGames: Defcon 1 - Interactive media)
WOULDNT YOU RATHER PLAY A NICE GAME OF CHESS MATEY? CHECK...
what's a queen check?
If a bulb is on, it has a 50% chance that it will turn off in the next time step. If a bulb is off, it has a 50% chance of turning on in the next time step if it is directly connected to a bulb which is currently on; otherwise it stays off in the next time step.
This whole bit reminded me of celullar automata and Conway's game of life.
intolerant of any ambiguity or uncertainty
Interestingly, I have worked in classrooms that were both intolerant of uncertainty and ones that embraced it. I've found that, while some classrooms are understandable nervous about ambiguity because children find routine and predictability comforting, leaving some amount of space for uncertainty in a schedule ultimately benefits the children because it allows for the class to make game-time decisions about what the children need.
《纽约时报》在题为《新的软件游戏：来自苏联》的报道中除了表达电子游戏让人上瘾，还担心随着苏联软件业崛起，迟早会出现“苏联的乔布斯”。
The Metaverse is often mis-described as virtual reality. This is like saying the mobile internet is the iPhone. The iPhone isn’t the mobile internet; it’s the consumer hardware and app platform most frequently used to access the mobile internet.Sometimes the Metaverse is described as a virtual user-generated content (UGC) platform. This is like saying the internet is Yahoo!, Facebook, or World of Warcraft. Yahoo! is an internet portal/index, Facebook is a UGC-focused social network, World of Warcraft is an MMO. Other times we receive a more sophisticated explanation, such as ‘the Metaverse is a persistent virtual space enabling continuity of identity and assets’. This is much closer to the truth, but it too is insufficient. It’s a bit like saying the internet is Verizon, or Safari, or HTML. Those are a broadband provider that connects you to the entire web, a web browser that can access/render all of the internet’s webpages from a single screen and IP identifier, and a markup language that enables the creation and display of the web. And certainly, the Metaverse doesn’t mean a game or virtual space where you can hang out (similarly, the Metaverse isn’t now ‘here’ just because more of us now are hanging out virtually and/or more often).Instead, we need to think of the Metaverse as a sort of successor state to the mobile internet. And while consumers will have core devices and platforms through which they interact with the Metaverse, the Metaverse depends on so much more. There’s a reason we don’t say Facebook or Google is an internet. They are destinations and ecosystems on or in the internet, each accessible via a browser or smartphone that can also access the vast rest of the internet. Similarly, Fortnite and Roblox feel like the Metaverse because they embody so many technologies and trends into a single experience that, like the iPhone, is tangible and feels different from everything that came before. But they do not constitute the Metaverse.
Metaverse 经常被错误地描述为虚拟现实。这就像说移动互联网就是 iPhone。iPhone 不是移动互联网；它是最常用于访问移动互联网的消费硬件和应用程序平台。
有时，Metaverse 被描述为虚拟用户生成内容 (UGC) 平台。这就像说互联网是雅虎、Facebook 或魔兽世界。其他时候，我们会收到更复杂的解释，例如“Metaverse是一个持久的虚拟空间，可实现身份和资产的连续性”。这更接近事实，但也不够。这有点像说互联网是 Verizon、Safari 或 HTML。它们是将您连接到整个网络的宽带提供商、可以从单个屏幕和 IP 标识符访问/呈现所有互联网网页的网络浏览器，以及能够创建和显示网络的标记语言。当然，Metaverse 并不意味着您可以闲逛的游戏或虚拟空间（同样，Metaverse 现在不“在这里”只是因为我们现在有更多人在虚拟和/或更频繁地闲逛）。
相反，我们需要将 Metaverse 视为移动互联网的一种继承状态。虽然消费者将拥有与Metaverse互动的核心设备和平台，但Metaverse所依赖的远不止这些。我们不说 Facebook 或 Google 是互联网是有原因的。他们的目的地和生态系统上或在互联网上，通过浏览器或智能手机也可以访问广大每个可访问的互联网。同样，Fortnite和Roblox感觉像 Metaverse，因为它们将如此多的技术和趋势体现在一个单一的体验中，就像 iPhone 一样，是有形的，感觉与之前的一切都不同。但它们并不构成Metaverse。
《The Long Game: China’s Grand Strategy to Displace American Order》是一本关于中美竞争的新书。作者Rush Doshi是美国智库布鲁金斯学会“中国战略计划”的创始负责人。这里是这本书的简介和摘录，我们可以从中看到美国政策界的重要声音是如何看待中国崛起和中美关系的。
Reading and listening are thought of as receiving communication from someone who is actively engaged in giving or sending it. The mistake here is to suppose that receiving communication is like receiving a blow or a legacy or a judgment from the court. On the contrary, the reader or listener is much more like the catcher in a game of baseball. Catching the ball is just as much an activity as pitching or hitting it. The pitcher or batter is the sender in the sense that his activity initiates the motion of the ball. The catcher or fielder is the receiver in the sense that his activity terminates it. Both are active, though the activities are different.
Reading is a receptive active undertaking in the same way as a catcher receiving a pitch in baseball.
Most machine learning algorithms are good at perceptive tasks that would take a person under a second to perform, such as recognizing a voice or a face. But deep reinforcement learning can learn tactical sequences of actions, things like winning a board game or delivering a package.
'Simple' recognition vs sequences or patterns of behaviour.
I didn't know this game called Jeopardy, so I decided to look it up and I found this video of how Watson won Jeopardy. https://www.youtube.com/watch?v=P18EdAKuC1U
Jeopardy!
I could imagine that this was the beginning of the famous game called Jeopardy. You can create you own in here https://jeopardylabs.com/
People are spending a lot of money to express themselves online and most of what they’re paying for is basically the digital equivalent of an emo kid’s backpack covered in Hot Topic pins, random little digital artifacts that bely some kind of personal identity.
Bear with me for a second because I've yet to get through the VC blog series, partially owing to my desperate desire to not have to listen to VC opinions, but...
One thing I think a lot about is how the potential for actual expressiveness online is very tied to the technical potential for jankiness. Myspace profiles were genuinely expressive, and that was tied to how people could load up their pages with bunch of crap that would break the layout, increase huge load time, etc. A creator of a project I'm following talked explicitly about this concept in their dev log.
That has implications for "the Metaverse". Even if you have cool community asset infrastructure, technical limitations on user-driven creativity are going to have to exist in order to keep the experience smooth enough -- poly count, texture resolution, whatever. This will have to be enforced at some level. The level that does the enforcement will have an incentive to monetize exceptions, so the Official Universal Studios Minions Skin can look smoother and better than the community knock-off. People will always notice that the corner of the world where the garden has been walled off just runs more smoothly than the open part they like. Sure, there might be some protocol level of Wow It's Interoperable, but the Facebook-compatible avatar standard necessary to access the Zuckerworld AR metalayer will have an awful weight. And every engineer saying it's just a hard technical limit in order to make the AR function or whatever will be right at the same time as it all boils the frog into garbage megaplatform experiences for the benefit of corporate bottom lines.
Cool stuff is only going to come from subcultures so unpalatable to the mainstream that they can't be coopted while they're still incubating the tech and practices. The furries that made Four Seasons Total Landscaping or hold VR conventions seem the most promising. How do we know that they're way ahead of the rest of us?
As the day went on some trolls got word that there was a furry convention happening in VRChat. There seems to be this weird underbelly of people that will go into VRChat worlds and intentionally ruin other people's fun by using avatars that spawn a bajillionty particles to crash the game.
That smells like the future.
or Jonas, one of the questions we must face is this“What force shall represent the future in the present?”
This is a pressing question which our governments pay far too little attention to.
approach to literacy based on game design. Myargument is that there is an emerging set of skills and competencies, a setof new ideas and practices that are going to be increasingly a part of what itmeans to be literate in the coming century.
I completely agree. Digital literacy and citizenship is becoming increasingly more important for students to learn in order to be set up for success outside of the classroom.
Game design involves math andlogic, aesthetics and storytelling, writing and communication, visual andaudio design, human psychology and behavior, and understanding culturethrough art, entertainment, and popular media.
I love how it talks about all the great things that game designing involves. There are so many benefits to designing games and it takes a lot of different pieces to design a great game.
Whilewe are not all going to be game designers, game design and gaming literacyoffer a valuable model for what it will mean to become literate, educated,and successful in this playful world.
We will all have different roles and ideas about gaming, but it's important that we prepare ourselves and our students for the world as it will be.
But games and game design areone promising approach, making use of a cultural form that is wildlypopular and wildly varied, both incredibly ancient and strikingly con-temporary. And intrinsically playful as well
It's so important to recognize how quickly the teaching field changes. Nothing stay the same very long, or nothing effective anyways. It's just as important for teachers to learn and grow alongside their students as they learn new and better ways to teach.
As an exploration of process, as the rigorous creation of meaning, andas a uniquely interdisciplinary endeavor, game design represents multi-modal forms of learning that educators and literacy theorists have beentalking about for years
As teachers, it's so important for us to acknowledge the impact that a lesson can have on a student when it teaches multiple things. It's like we always talk about in Language Arts, you can't teach a student how to write a paragraph without also teaching the prompt. Interdisciplinary ideas are everywhere and often more impactful, which could be part of why games are so impactful.
The ideas in this essay are not just my own, but are part of a growingconversation that can be heard across universities, commercial game com-panies, grade-school classrooms, non-profit foundations, and in otherplaces where game players, game makers, scholars, and educators intersect
It strikes me that digit games have become the "ball-park" and "street-games" of yesteryear. I am wondering if there are studies on changes in social skill levels and interactions of these changes. Are they just different venues? Or, are there social skill ramifications that game designers need to take into consideration as they design games. There definitely is a commercial aspect to game designs, is there also a social responsibility that game designers should be held to in design. I'd like to read more conversations about that.
As a game unfolds through play, metaplay, and transformative play,unexpected things happen, patterns that are impossible to completely pre-dict.
I find this interesting because it is so much like developing curriculum and instruction for a classroom. Anyone who has taught a lesson understands that you can develop and create the most fabulous lesson, but until it interacts and engages with that particular group of students you don't really know how it will engage or "play" with the students.
Rules really do not seem like much fun atall. But when rules are taken on and adopted by players who enter themagic circle and agree to follow the rules, play happens. Play in many waysis the opposite of rules: as much as rules are closed and fixed, play isimprovisational and uncertain.
I'd like to make a connection here to a theme that I've picked up through many of the articles we've read throughout this unit that has been bit generalized and annoying. Many authors have made the conclusion that we as teachers need to stop teaching from books and move to digital techniques because students learn better that way. I'd like to propose that school, like rules, can be made to sound not fun, but good teachers can take a book deemed boring and passé and create a "magic circle" around it as well. So all his/her game playing students who came in talking about their evening Fortnite games are now shouting over each other because they are so passionate about their opinions about the characters decisions. It really comes down to teaching in the "magic circle" with games or without it.
While manysocial and cultural meanings certainly do move in and out of any game
I can connect to this in a positive way. My son is on the spectrum and collaborating with friends on Minecraft and other Steam Games that involve strategy, building and problem solving has greatly improved his verbal skills outside of the game environment. When he loses it or becomes frustrated, the game is enough of a motivation for him, that he'll reset quickly and come back to communicate correctly with his peer.
Gaming literacy is also not about training professional gamedesigners, or even about the idea that anyone can be a gamedesigner.
Over the past three years I have had so many students tell me they want to be Youtubers or Video Game Designers that although this isn't a goal, I think it does lead to some buy in on the student's part. I understand this isn't something that is being pushed by participating though.
based on game design
I appreciate this wording because I think many educators that go into this idea of using gamification think they have to use all elements, but as I read more and more about it there are so many options and ways you can use just parts of game techniques.
Rules really do not seem like much fun atall. But when rules are taken on and adopted by players who enter themagic circle and agree to follow the rules, play happens.
This past school year we would play games virtually, students were put into a small groups. They would take turns and we always went over the rules before starting. Although they didn't like the rules they knew how important they were to the game to make sure the game was fair for everyone.
which strategies are moreeffective, analyzing the game’s rules to see how they ramify into a player’sexperience, and designing a game by playtesting, modifying the rules, andplaytesting again, are all examples of how games naturally and powerfullylend themselves to systems literacy
This breakdown is literally no different than writing (literacy) you figure out which strategy or style to write, analyze the prompt, plan and write (design), editing (modifying), rewriting (playtesting again) -- I don't know why it's taken me so long to see how gaming and "traditional" literacy are practically identical.
systems to play, we shift focus from the game to the players
I love this idea of shifting focus from the systems(game) to the play(players) and having our experiences be more focused on students.
The good news is that games, so often maligned, have much to offer ourcomplex world. And not just so-called “serious games” with explicit edu-cational goals, but any game.
This is where I get hung up on the idea of gaming literacy. I've read so many books and articles that point to video games as being so incredibly addictive and detrimental to social development and mental health. Do we just ignore this? How do we balance these seemingly opposing viewpoints?
The good news is that games, so often maligned, have much to offer ourcomplex world. And not just so-called “serious games” with explicit edu-cational goals, but any game.
Games are ancient and primal. You can find games in every culture and games are used to teach all ages in a fun and interactive way. There is a lot to offer from gamifying and I believe it is the new frontier of endless possibilities and creations.
Playing a game well to see which strategies are moreeffective, analyzing the game’s rules to see how they ramify into a player’sexperience, and designing a game by playtesting, modifying the rules, andplaytesting again, are all examples of how games naturally and powerfullylend themselves to systems literacy.
Similar to teaching a lesson in the classroom, game design requires innovation, feedback and modifying so that the best lesson is taught.
Morethan other kinds of culture and media which have been the focus of lit-eracy in the past, then, games are uniquely well-suited to teach systemsliteracy
This helps me make sense of what we're talking about when we're referring to systems and how gaming literacy can help students understand this as well. Knowing the "rules of the game", or the system, helps us understand how a system works and can help us see its weaknesses as well.
A chess king, for example, is just a little figurine sitting on acoffee table. But when a game of chess starts, it suddenly acquires all kindsof very specific strategic, psychological, and even narrative meanings
This statement really made the concepts of gaming literacy meaningful to me. I love chess but prior to learning all the roles, rules, strategies, narratives (the literacies), it was simply a decoration.
While
I think back to the vastness of the ways that communication shifted during covid and lockdown. These games and game systems, while teaching content, also teach us how to communicate within a world that will forever be changed (and arguably, more virtual) than it ever was before.
media literacy
The closest thing we have to something like a media literacy class at our school is communication studies, but I don't think they involve any sort of game or gamification (it's mostly social media and film). It would be really interesting to either do a follow-up class, like Communication Studies: Games and Game Systems, or to look at the curriculum and see where changes need to be made in order to orient games and game systems.
Rather than focusing on what happens inside the artificial world of a game,gaming literacy asks how playing, understanding, and designing games allembody crucial ways of looking at and being in the world.
Any way for students to take what they are learning in the class and apply it to their life in the real world is a positive to me. It is good to hear and see that gaming literacy embodies how to look at the world in different was and make connections. A good skill to have exposure and practice with.
Play in many waysis the opposite of rules: as much as rules are closed and fixed, play isimprovisational and uncertain.
Never thought to make the connection between rules and play like it was done here. This allows for some balance in the game/activity.
we have begun a number of gaming literacy projects.
I'm glad that there are so many resource out there these days with games that are already made that you can have your students play. Since gamification is such a new concept to me, I struggle trying to create my own game. It's convenient to just find games that are already made and you can seamlessly integrate them into your classroom. My goal is to one day create some kind of game in my own classroom. (I really liked the cooking teacher that we read in our Gamify Literacy book and how she emulated the Master Chef show).
models for learning and action inthe real world.
Just another great benefit to gamification--allowing opportunity to apply material learned in class to the real world. In another TIP class I took, I remember reading an article about icivics and playing a game on the website. It was so much fun and I remember liking it so much because it showed how the laws were used. You got to be a lawyer and people would come in and tell you their situation and if you could help them you did but others didn't apply for their help. Ultimately, my point is that it was a very meaningful way of learning!
Games as play are social eco-systems and personal experience, and these dimensions are key aspects of awell-rounded literacy.
Games in this sense also promote individual's social skills if they are playing with other individuals or trying to explain the game to someone else. The individual needs to use the proper vocabulary and word order in order to get their point across which comes into play involving literacy.
Games are notjust about following rules, but also about breaking them,
This seems to connect well with the idea in "Gamify Literacy" where students do not fear failing at a game. If they know they can go into a game and break the rules and fail, then they will take those risks because there is no fear associated with it.
https://hedgehogreview.com/web-features/thr/posts/writing-a-life
Jacobs suggests taking the idea of "walking a mile in another's shoes" to a higher level. He takes Herman Hesse's idea in The Glass Bead Game of the Castalian community's writing a Life in which people write an autobiography about seeing themselves placed in other times/places in history.
Similar examples he includes:
Jacob suggests this could be a useful exercise for people to attempt, particularly as a senior exercise for university students.
may use that information to harass within the game and even in real life (even minors, who are many who play habitually)
potential material/moral harm & vulnerable data subjects (minors, teens, kids)
Game Mechanic Alignment Theory and DiscoveryMichael Green, Ahmed Khalifa, Rodrigo Canaan, Philip Bontrager and Julian Togelius
This may be aligned with my project. Check it out.
Increasing player engagement, retention and performance through the inclusion of educational content in a citizen science gameRogerio de Leon Pereira, Anthony Tan, Andrea Bunt and Olivier Tremblay-Savard
I want to understand how the authors have included educational content in the game.
Integrating Serious and Casual Game Design Approaches: A Framework for Activist-Casual Game DesignDaniel King
This talk is really important and close to my research interests. I should definitely check this out.
we have discovered a game-changing way of structuring cyberspaces: the Social Web, where content orbits the author like planets orbit a star
I've also articulated this point, but in a negative context. This piece speaks of actor-indexed content in a positive light. I maintain that actor-indexed content is on the whole negative. It's a direct and indirect cause of the familiar social media ills and has wide-reaching privacy implications, which is bad in and of itself, but especially so when you realize that this in turn leads to a chilling effect where people simply opt not to play because it's the only remedy.
We'd do well socially to abandon the "game-changing" practice of indexing based on actor and return to topic-based indexing, which better matches the physical world.
Adaptive Soundtracks in Games
Adaptive music: Responds to events in game. Calm to tense when you enter a battle. Drops back down to calm.
Nintendo is really good at this. In mario, soundtrack remains the same but the instruments used change (signifying a change in environment/place).
In some games, audio speeds up as you accelerate.
Rules of the game explained well, but loud music throughout the whole thing.
Austrian data privacy activist Max Schrems warns citizens should be careful of the rights they are giving away at a time of global panic. “I am worried that we will accept state surveillance during the health crisis but that it will then take years in court to get rid of it.”However, he says there are apps that help citizens choose which data they share, leading to a more efficient tracking of the virus. “If people can decide themselves if they want to participate or not, then we have privacy-friendly alternatives. That’s a game changer.”Some analysts worry that the data sets could be put to other uses in the future. “They need to demand reassurances from governments [that the data] won’t be repurposed. The last thing they want is to wake up after Covid-19 and find that the data is still being used for other purposes. How do you police who is using it?” asks one industry executive. “There has to be a sunset clause.” The telecoms industry has had to tread a fine line on the use of data or face punitive action. In the US, the Federal Communications Commission last month fined the four largest industry players a combined $208m over the historic sale of location data to third parties without the explicit consent of users. Francisco Montalvo, Telefónica’s chief data officer, argues that governments need to combine the need to use the data without endangering privacy rights. “Governments and regulators should find a proper balance between privacy and public interest,” he says.
note7 We hope to strike a balance between personal privacy and public interest, and ensure that big data can be used effectively without leaking personal privacy, so that this behavior can be effectively regulated.
However, he says there are apps that help citizens choose which data they share, leading to a more efficient tracking of the virus. “If people can decide themselves if they want to participate or not, then we have privacy-friendly alternatives. That’s a game changer.”
Gives out a solution to solve the problem.
Sergio: What's one of the first memories you have of the US?Rodolfo: One of the very first memories I have of the US, was, I was in a truck with my mom—I'm not sure if this was before or after the fact, that we had already arrived because we arrived in Phoenix, Arizona—was somebody asking my mom, "Have you and your son ate?" I remember my mom telling him, "No, but I have a sandwich here and some snacks for him." He went, "No, here, you're in America now, you're in Phoenix now, let's go get a burger." I remember that somebody bought me—I don't know if it was her or him, the driver—a kid's meal from MacDonald's. This is when they had... I'm not sure…it was like the little hand-held games. I'm not sure, I think it was the Rug Rats or something like that. I remember getting that little toy and thinking, wow, it's a kid's... It had little fries and a burger, and you get a toy.Rodolfo: It was the first time I had ever saw that, and I got really happy, because I was playing the little game and all that. I thought that was the coolest thing in the world. After then, we went into a room... it couldn't have been more... It was just a standard living room, but there was probably like 50 or 60 people in there. Some of them were sitting and it smelled horrible. It obviously wasn't the best place. I guess it was just for people waiting for their relatives to go pick them up or something, I'm not sure. It was just my mother and I and I remember there was a lady with a big pot, and she was just cooking. I'm not sure what she was cooking but we went into another room and all I remember hearing was a big slam.Rodolfo: I looked back and it was a cage. It was literally like they fashioned a metal door with metal bars between the thresholds of the living room from end to end so nobody could get out. Then the windows were the same, they had burglar bars so nobody would get out. I was wondering, why is this happening? At that time, obviously, you were a kid, you don't understand what's going on. First I got fed, I have a little game, and now I'm in this steel cage that smells horrible. I remember somebody arguing with the other person that, "The bucket was full. The bucket was full." I was hearing that, "You need to empty out this bucket." I realized that was the bathroom, that's why it smelled so horrible.Rodolfo: I remember the guy just closing a curtain, and just telling me to, "Shut up." That's when I felt fear for the first time. Even though I was in the desert and everything, that's the very, very first time I felt genuine fear. I didn't know what was going on. I felt it because my mom felt it. She was just hugging me, and that was like the last thing I remember. After that I remember just waking up in the apartment complex. In a room, but it was completely different, it was somebody else. I guess these people knew my mother, because they spoke to her by name and everything. That was one of the very first memories.
Time in the US, Arriving in the US, First impressions, Restaurants, Age, Awareness of what was happening; Feelings, Fear, Happiness, Anxiety
keying into the rhythm of the game and modeling an attitude of attention and care. The teacher seeks to extend the children’s intellec-tual stamina and attention span; increase their range of investigation strategies; enhance their concentration and effort; and still allow them to fully experience pleasure and joy in the
Rhythm is so important during the learning process, it keeps everyone on board and with a full concentration
o. We must be able to catch the ball that the children throw us, and toss it back to them in a way that makes the children want to continue the game with us, developing, perhaps, other games as we go along. (F
Reggio Teacher is a great marketing expert among children as her role is to engage, promote and gain interest among children
The metaphor of “catching the ball that the children throw us, and then tossing it back to continue the game” is a favorite one in Reggio Emilia.
This is an important concept to understand for a teacher. It is up to the teacher to follow through when the children throw the ball.
The teacher seeks to extend the children’s intellec-tual stamina and attention span; increase their range of investigation strategies; enhance their concentration and effort; and still allow them to fully experience pleasure and joy in the game.
The teacher has many motivations for providing new occasions for learning all of which are done while maintaining the goal of maintaining pleasure and joy.
We must be able to catch the ball that the children throw us, and toss it back to them in a way that makes the children want to continue the game with us, developing, perhaps, other games as we go along.
This indicates active participation of both the child and the adult that leads to a co-construction of understanding of "the game" perhaps even developing a new game based of new understandings.
We must be able to catch the ball that the children throw us, and toss it back to them in a way that makes the children want to continue the game with us, developing, perhaps, other games as we go along.
I love this analogy! With excellent attention, a teacher can engage a child in "the game" for a long time.
“Unlike the exoskeletons built beforehand that could only be used for limited amounts of time due to the battery life, this could be a game changer,” Ekso says.
What is the "game-changer"?
When memes or the subjects of a meme are used for commercial purposes without permission, the meme creator may sue, as the effect of the commercial use on the market value of the original meme usually prevents a finding of fair use. In 2013, the owners of the cats featured in the “Nyan Cat” and “Keyboard Cat” memes won a lawsuit against Warner Bros. and 5th Cell Media for respectively distributing and producing a video game using images of their cats.
I think people always forget that memes are still someone's work and sadly people end up getting sued because they just throw around the image like it's nothing.
By contrast, the state-space complexity for chess is 10¹²⁰
Not true, it's 10^47: https://www.chessprogramming.org/Chess#:~:text=Chess%20has%20an%20estimated%20state,game%20length%20of%2080%20ply%20.
城市规划师成为SimCity的玩家并不罕见。第一版SimCity于1989年发布，该游戏的出现被认为是鼓舞了整整一代城市理论家。SimCity“可以说是有史以来最具影响力的城市设计理论作品”，最早的SimCity的设计师Will Wright在2006年的《纽约客》简介中如是说道。
wants to level up their game can we front end them with some kind of a chat bot or individuals with judgment who are available for quick questions for what process should like my group is stuck we're trying to do this kind of
Jerry describing here something very similar to what AsWeThink Platform meant to be about, once integrated with AsWeThink Network and AsWeThink Know Hub
an attempt to make surfing the web into a multiplayer game
Ana: Yeah, actually that day was like really bad because we were... I don't know how they call it, but the police actually catch us crossing the border, but my dad is really persuasive. So, he was talking with this guy and he was actually Mexican and he was talking to him a little bit more about his childhood and everything. So, he let us leave. So, it was kind of confusing for me because I mean I was four years old, so I was just not understanding what was going on. And my dad was just like trying to make us think that they were playing.Ana: So, they were just like telling us it was like a cool game and we have to go with it. But I mean, at that time we didn't speak English. So, I was not really aware of the situation. So, whenever we get with our uncle, they were all crying and they were all really sad. So, I didn't understand why, because it was supposed to be a game. Right? So, I'm the older, so my brother and my sister were also like really freaking out and I don't know, it was just so weird to be far away from my house.
Migration from Mexico, border crossing, general, border patrol;
Learning from people who have skin in the game is the most powerful way to gain experiential knowledge from others
2
The Corn Field is a region of mythological status where once naughty avatars were sent to think about what they had done.
"mythological status"
Reinforcing middle school grammar and writing skills while promoting social learning around topics such as a mythology in a game such as Minecraft or Roblox.
APB: Ephemeral Flan, Booklady...wilson Huckleberry too
This annotation flags archive.org's 2009 capture (its earliest) of this Second Life Wiki article. It could also be a launchpad* for an assignment.
LTI Note archive.org's timeline panel, in the context of constructive learning, could lead to engaging inquiry about particular subjects.
When it comes to masterpieces, they take the stance of appreciation, not a hermeneutic of suspicion—big mistake, and we knew better. Our game of endless interpretation aimed to kill those very joys of immersion and identification.
I don't buy this one bit. My mother might well have used the phrase "hermeneutic of suspicion" when describing how I went at The Hitchhiker's Guide To The Galaxy as a child, and I was joyful as hell about it. It's a kind of immersion, and it can be really fun outside of the painful context of the academy
To the extent that self-help and how-to genres flourish in modernizing societies, we could speculate that people consider them useful when they think that their fate is not determined by the accident of birth, when they believe that they can rise above their parents’ social station (or fall beneath it)—when people see life as a game of chutes and ladders.
Or that they feed on a certain kind of uncertainty.
‘Don’t get fooled by those mangled teeth she sports on camera!’ says the ABC News host introducing the woman who plays Pennsatucky. ‘Taryn Manning is one beautiful and talented actress.’ This suggestion that bad teeth and talent, in particular, are mutually exclusive betrays our broad, unexamined bigotry toward those long known, tellingly, as ‘white trash.’ It’s become less acceptable in recent decades to make racist or sexist statements, but blatant classism generally goes unchecked. See the hugely successful blog People of Walmart that, through submitted photographs, viciously ridicules people who look like contemporary US poverty: the elastic waistbands and jutting stomachs of diabetic obesity, the wheelchairs and oxygen tanks of gout and emphysema. Upper-class supremacy is nothing new. A hundred years ago, the US Eugenics Records Office not only targeted racial minorities but ‘sought to demonstrate scientifically that large numbers of rural poor whites were genetic defectives,’ as the sociologist Matt Wray explains in his book Not Quite White: White Trash and the Boundaries of Whiteness (2006). The historian and civil rights activist W E B du Bois, an African American, wrote in his autobiography Dusk of Dawn (1940) that, growing up in Massachusetts in the 1870s, ‘the racial angle was more clearly defined against the Irish than against me. It was a matter of income and ancestry more than colour.’ Martin Luther King, Jr made similar observations and was organising a poor-people’s march on Washington at the time of his murder in 1968.
examples of upper-class supremacy
This seems an interesting sociological issue. What is the root cause? Is it the economic sense of "keeping up with the Jonses"? Is it a zero-sum game? really?
Without the personal involvement and interest of senior management, it is unlikely that these options would have surfaced. From a practical standpoint, they look like much too big an investment to serve the needs of just one customer. And think of the leverage needed to advocate and nurture such radical options through the existing Chevron structure. Isn’t it the stuff of which career-ending moves are made? But if the benefits for the mining company, the chemical company, and Chevron are large enough, any such investment can justify itself in short order. And that’s just one chain. Chevron is still investigating its options in this area, and its plans currently remain confidential. But imagine the degree of strategic freedom created for the company by these senior level insights. Chevron has moved away from the win-lose game of commodity negotiation and entered the win-win world of differentiation.
playing the threading game:
I figured out the mindgraph noderunner game both inside my own head, and in my body of work (notes, blog, twitter). On Twitter I began to really appreciate that this is a multiplayer game. We can connect our brightest nodes to each other's:Quote Tweet
mindgraph noderunner game
With Ex Machina, the directorial debut of 28 Days Later and Sunshine writer Alex Garland, we can finally put the Turing test to rest. You've likely heard of it -- developed by legendary computer scientist Alan Turing (recently featured in The Imitation Game), it's a test meant to prove artificial intelligence in machines. But, given just how easy it is to trick, as well as the existence of more rigorous alternatives for proving consciousness, passing a test developed in the '50s isn't much of a feat to AI researchers today.
This is not true. Turing never said anything about "consciousness". He actually asked, “Can machines communicate in natural language in a manner indistinguishable from that of a human being?” The Turing test is not a test of artificial intelligence. And it's definitely not a test aimed at "proving" consciousness.
Computers are much better than us at only one thing — at matching known patterns.
This is weird because there's a ton of what we do that's just pattern matching. In fact, you could probably make a decent argument that most of what we do that we call "intelligence" is "just" pattern matching. If this is the only thing that computers are better at, then I'd say that's pretty close to saying that the game is over.
In an interview with Michael Gavin and Kathleen Marie Smith, Brett Bobley rattles off a list of activities that fall under the umbrella of digital humanities. Some, like data mining, are commonly associated with digital humanities, but others, like media studies, less so. What links them together is technology, which Bobley describes as a “game changer”: “Technology has radically changed the way we read, the way we write, and the way we learn. Reading, writing, learning–three things that are pretty central to the humanities” [2].
I completely agree that technology has changed the way we read, write, and learn. You can do all three of those things using a computer nowadays. I am doing it right now to write this post. In any assignment I get in a class I immediately go to online articles for research or start typing up notes on my laptop. I was not always so dependent upon it, when I was younger we used books and notebooks. Kids today are growing up with it almost right away though. I think everything is going to continue to be done digitally because that seems to be where we are heading. Technology links the components of digital humanities together and in the article Brett Bobley describes it as a game changer. I think that it is as well because we are learning new things and are going to be able to use the humanities in different ways.
Reminded by Connor of Mortimer Adler's Syntopicon. I'm pretty sure I've got it in my list of encyclopedias growing out of the commonplace book tradition, but... just in case.
If I recall it was compiled using index cards, thus also placing it in the zettelkasten tradition.
(via Almay)
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>If you’re generalizing Zettelkasten to “All Non-Linear Knowledge Management Strategies” You should include Mortimer Adler and the Syntopicon, and John Locke’s guide to how to set up a commonplace book<br><br>This isn’t a game of calling “dibs”<br><br>it’s about 🧠👶shttps://t.co/sH3JO6d9Jq
— Conor White-Sullivan 𐃏🇸🇻 (@Conaw) July 8, 2021
Anita: Things got difficult for you guys after that, right?Ruben: Yes, it actually did. I mean, as it was we were low income and with that situation it actually got difficult for my dad to keep going to work.Anita: Isn't it after that that they started deporting people.Ruben: Yeah, actually, they started deporting people at the time. My parents got lucky because they had been over there for a minute and they basically had records and they applied and they actually got their permit to be there. I remember my little sister was like three years old. She was really scared. She was scared and at the same time, she will say, "Go get me a game, go get me a game." Something to keep her busy.Anita: So did the police get tougher on you guys after that?Ruben: Well, it actually got tough on everybody, on the whole community around there because it was more African American people. But with us it will be only with certain people.Anita: Yeah.Ruben: They will stop people to see if they got a driver's license. I remember there was no transportation for a couple of days. So my dad had to work, I mean had to walk from two in the morning till five to get to work, and at night he will get home at 12 at night. Because he had two jobs. But we lived through it. We became a little stronger and stronger minded but took us like around nine months.
Immigration status, living undocumented, hiding, in the shadows; Police: US, fear of; Racial profiling; Feelings, fear;
This isn’t a game of calling “dibs”
It's definitely not a game of "dibs", but we're all fooling ourselves if we're not taking a look at the incredibly rich history of these ideas.
WARNING: I suspect FAKE or "purchased" positive reviews as there is at least one "positive" review that already shows almost 100 hours of game time.. and well this game is nothing but a mess of cobbled together assets off of the Unreal asset marketplace
just another coppy of a game witch allredy exist on steam, you just need to find it
what you would not tend to do, at least if you wanted to keep within the spirit of things, is spend a month thinking hard about the problem and then come back and write ten pages about it. Rather, you would contribute ideas even if they were undeveloped and/or likely to be wrong.
rules of the game
Some economists see the increased investment as encouraging. For much of the past two decades, the U.S. economy has struggled with weak productivity growth, leaving workers and stockholders to compete over their share of the income — a game that workers tended to lose. Automation may harm specific workers, but if it makes the economy more productive, that could be good for workers as a whole, said Katy George, a senior partner at McKinsey, the consulting firm.
Which workers might it be good for?
Massively multiplayer online role-playing game
Scenario: students follow lesson links to this page, having
...and, all bundled in one tool [or a new browser]...
...then plug content from another space (i.e., Canvas, or maybe WebQuests) and sky's the limit.
This new edition is based on an exhaustive two-year study by the Designer of the records that have come to light since the fall of the Berlin Wall. The game combines highly accurate information on the forces the Warsaw Pact actually had with now de-classified reports from the CIA and the Defense Intelligence Agency regarding what satellite surveillance and HUMINT revealed about their actual plans.
A board game that explores what If the Soviets attacked first in 1941?
This Kickstarter was made to be run during WellyCon, New Zealand's board game convention (which carefully and successfully hosted the world's biggest live board game con in 2020!)
If you are interested in developing an integration
Evernote's UI/UX is top shelf; slick, elegant; but, is it extensible? Does it bring the X in XMPP?
For example: An empty button could be added to the pop-up. A module that can be customized to inject approved widgets...such as chat/IM, or just a Home button keyed to the school's website.
I once bought a game add-on ($2-3) that came with an extensible button by default. That was a million dollar seller, if memory serves. (See mystical cookie).
The Elo rating system is a method for calculating the relative skill levels of players in zero-sum two-player games.
Actually, the ELO system should work for n-player games. Here is an example of using it for the cardgame Hearts: https://worldofcardgames.com/hearts-card-game-rankings.html
game 1 moscow vs mjyland game 2 milan vs moscow
stream a game directly to a user’s device
Stream audio and video from a remote device to a local device and stream input from the local device to the remote device.
A Guide to Teaching Writing With Minecraf
I am super excited to learn how to use Minecraft in my classroom. I have so many students that are obsessed with this game!
Among Us’
My students are OBSESSED with this game! I have seen teachers online be very creative with classroom management using this game and I would love to try it.
Week
My students talk about "Among Us" a lot and I have very little knowledge of the game. I can't wait to see their faces when I incorporate their video games into our writing block.
Rodolfo: One of the very first memories I have of the US, was, I was in a truck with my mom—I'm not sure if this was before or after the fact, that we had already arrived because we arrived in Phoenix, Arizona—was somebody asking my mom, "Have you and your son ate?" I remember my mom telling him, "No, but I have a sandwich here and some snacks for him." He went, "No, here, you're in America now, you're in Phoenix now, let's go get a burger." I remember that somebody bought me—I don't know if it was her or him, the driver—a kid's meal from MacDonald's. This is when they had... I'm not sure…it was like the little hand-held games. I'm not sure, I think it was the Rug Rats or something like that. I remember getting that little toy and thinking, wow, it's a kid's... It had little fries and a burger, and you get a toy.Rodolfo: It was the first time I had ever saw that, and I got really happy, because I was playing the little game and all that. I thought that was the coolest thing in the world. After then, we went into a room... it couldn't have been more... It was just a standard living room, but there was probably like 50 or 60 people in there. Some of them were sitting and it smelled horrible. It obviously wasn't the best place. I guess it was just for people waiting for their relatives to go pick them up or something, I'm not sure. It was just my mother and I and I remember there was a lady with a big pot, and she was just cooking. I'm not sure what she was cooking but we went into another room and all I remember hearing was a big slam.Rodolfo: I looked back and it was a cage. It was literally like they fashioned a metal door with metal bars between the thresholds of the living room from end to end so nobody could get out. Then the windows were the same, they had burglar bars so nobody would get out. I was wondering, why is this happening? At that time, obviously, you were a kid, you don't understand what's going on. First I got fed, I have a little game, and now I'm in this steel cage that smells horrible. I remember somebody arguing with the other person that, "The bucket was full. The bucket was full." I was hearing that, "You need to empty out this bucket." I realized that was the bathroom, that's why it smelled so horrible.Rodolfo: I remember the guy just closing a curtain, and just telling me to, "Shut up." That's when I felt fear for the first time. Even though I was in the desert and everything, that's the very, very first time I felt genuine fear. I didn't know what was going on. I felt it because my mom felt it. She was just hugging me, and that was like the last thing I remember. After that I remember just waking up in the apartment complex. In a room, but it was completely different, it was somebody else. I guess these people knew my mother, because they spoke to her by name and everything. That was one of the very first memories.
Migration from Mexico, border crossing, coyotes, illness, migrants;
very time I restarted the “game” to exploreanother fork in the path, I got a little lesssqueamish about drug abuse, about self-harm,about murder.
Why less squeamish? Does the act of making plot choice undermine our suspension of disbelief?
May 24, 2020 HL Essay Guiding Question: For what purpose does Shakespeare incorporate indirect characterization encompassing stereotypical preconceptions into The Merchant of Venice to depict foreigners? The Merchant of Venice: Influence of Negative Stereotypes on Depicting Individuals Throughout The Merchant of Venice, the ostensible antagonist of the play, Shylock, and Portia’s non-European suitors are depicted through negative preconceived notions, and the oppressive society surrounding them reflects the role stereotypes retain in people’s development of misconstrued conceptions. By interweaving metaphors, similes, symbolism, and indirect characterization, Shakespeare portrays his foreign characters through a negative lens that highlights the xenophobia present in society. The playwright’s work exemplifies the IB concept of ‘culture’, as the societal stratification evident in Elizabethan England and Venice is reflected in the Venetian characters’ treatment of foreigners. On March 29, 1516, the Venetian Senate, all Jews residing in Venice were forced to move to ghettos and be constantly monitored by Christian guards due to their different appearances and religious values (Katz 2011). In Shakespeare’s play, the incorporation of indirect characterization and symbolism captures the influence of societal stereotypes in the dehumanization of an individual, as well as the era’s discriminatory sentiment against foreigners. In Language A: literature assessed student work HL essay example A: student work 2 Shih 2 writing of the foreign princes’ selfishness and failures to win Portia’s hand and Jessica and Shylock’s characters as ones being stripped of their identity, Shakespeare elucidates society’s manifestation of stereotypical preconceptions and the role repression retains in ostracizing individuals. Through the depiction of the princes of Morocco and Arragon as egocentric and the symbolism of gold and silver caskets as superficial, Shakespeare illustrates the fear of foreign domination and highlights how stereotypical preconceived notions can influence one’s understanding of others. When hosting the casket game in order to find her suitor, Portia interprets her suitors as
individuals who c
keying into the rhythm of the game and modeling an attitude of attention and care.
Being attentive to the rhythm of the class is so challenging for me. I often miss threads of their learning or overemphasize/misconstrue what the children are actually seeking. I imagine through a more developed documentation/reflection process these skills can be refined.
Yordani: Uh-huh (affirmative). Uh-huh (affirmative). You'd get less credits, you had to earn less credits to graduate. And there I guess, it's more about crowds, so it's like I had even less reason to really graduate and I ended up just dropping out like when I was 18. And from there I guess I got addicted to video games, like really addicted to video games. I guess... I don't know, to escape, I feel like I had my reason, I guess that was my reason to get good at that game, because that was my reason for living, I guess.Yordani: And the other... We moved away from town, where I would hang out with all my friends and yeah, so I just isolated myself with some games. I spent like five, like three, seven, four, five, six, seven years just doing that. I got really bad, I guess my social skills got really bad, just lost all my friends. Got new friends online that weren't really friends. I didn't even know who they were. And yeah, I was just in a really bad state of mind, you know? I hated going outside, it was so... I guess I didn't know where to get help. I guess I had a computer, so I'd be on the computer and I'd just research a bunch of stuff.
Feelings, isolation, anxiety
What do you miss most because of the pandemic – celebrating with family and friends, going to a game or simply getting together? We all want these things back.This Is Our Shot to be #TogetherAgain is a movement aimed to rally Canadians and encourage each other to replace vaccine hesitancy with confidence so that we can end the pandemic – together.To be #TogetherAgain, we must continue to protect ourselves, our families, and our communities. Let’s start by acknowledging that getting vaccinated isn’t as easy for some people as it is for others. We must all work together to make sure everyone has access to the facts and information they need to make informed decisions.This Is Our Shot to end the pandemic, Canada.
Roberto: And well you know I'll give it another try. I would like to go to the States, things have changed. I would like to visit, I would love to study. It will be nice studying over there. But I always say that Mexico is always going to be a country where you have things in legendary mode. If you were playing like a video game, and you put it in hard mode or in legendary mode. You'll get stuff, but you have to work for it, like really, really, really hard. And in this case in the United States, well, I think you have it more easier, a little bit more easy. So if you're successful here in Mexico, I think in the States you can be a badass. Yeah, that's what I always think.
Mexico, challenges, policy for reintegration;
But a better path forward is one of true global cooperation based on mutual benefit and reciprocity.
This is the case for so many human endeavors.
How might game theory help to ensure it? Are there other factors that could assist as well?
Headmistress Hufflepuff had first introduced the innovation because one of her students had wanted to play the game but not been suited to the usual roles
That was HJPEV original guess as soon as he heard about this game
JC: Well I'm going to be honest with you, okay? Not in soccer [Both laugh]. But all the other sports obviously yes. My favorite team, and I hate to admit it, has been the Rams ever since Jerome Bennis was with them back in the early 90s. I remember the LA Lakers—also my favorite team back in the day when Abdul Kareem Jabbar and Magic Johnson were still in the team—way back before Magic had AIDS. Obviously, the Dodgers, I love going to the stadium. When I couldn't get into Dodgers Stadium, I remember going in front right over the five freeway, right at Griffith Park, and I'd watch the game straight from the park, just across the freeway you could look right into the field. I mean all of that, of course, I love all of that. I love fourth of July, I love going to Long Beach on fourth of July and watching the pier fireworks, all of that.
Identity, American, sports, basketball;
By Azeem Azhar
