Basic Typing: Methods, 1943. https://www.youtube.com/watch?v=ztyzGit1dTI.

A Primer on Typewriter Ribbons & Spools by [[Damon DiMarco]]

Typewriter ribbon is 1/2" wide (12.7mm) which has been standardized as DIN2103.

The DIN 32755 spool, aka a Universal spool, or a Group 1 spool.

Olivetti typewriters use Group 4 spools.

Nine Steps to Follow Before You Buy a Thrift Shop Typewriter by [[Damon DiMarco]]

Typewriter repairman still in business in 2024 by [[Fox 9 Minneapolis-St. Paul]]

Mark Soderbeck started repairing typewriters in 1974. Working at cutting back and retiring soon.

Typewriter Repair Failure by [[Joe Van Cleave]]

Creating a REAL Typewriter Font by [[Janinagans]]

quote following the thunking sound of a typewriter carriage being pushed to one side.

I've picked up about 20 of the typewriters in my collection from ShopGoodwill.

Only two were impeccably/properly packaged and shipped and one of these was a special machine that I emailed them after purchase with written details and links to videos about how to pack and ship it just to be on the safe side.

Three were dreadful disasters: one was a 40 pound standard that was dropped and the frame bent drastically (it had almost no padding materials inside the box), two were shoved into cases (one upside down and the other right side up, but neither locked into their cases properly nor with their carriage locks engaged so they both bounced around for the entire trip) and put into boxes with almost no packing material. All three refunded portions of the price and/or all the shipping costs.

Most of the remainder (all portables with cases) were packaged with a modicum of care (some packing material in the case and some outside the case with reasonable boxes) and showed up in reasonable condition.

Two of the machines were local enough that I did a local pick up to ensure better care.

Generally, it's a crapshoot, but this is also the reason why I don't spend more than $20 on any machine I get from them (except one reasonably rare German typewriter in the US and a Royal with a Vogue typeface that still came out at less than $100 because only one other person noticed its rarity in the photos).

Only one of the machines was clean as a whistle and ready to type on day one. All the remainder required serious cleanings at a minimum. Two were missing internal pieces, two had repairable drawband issues, one had dramatically bad escapement issues, and one had a destroyed mainspring that I need to replace.

Only one of the group had a platen with any life left in it. One had a completely unusable platen, but it was also relatively obvious in the photos. Most of the rest were hard, but usable.

I live in the US and typically only bid on machines that are in the top 20% of their class cosmetically.

I'll echo the thought of others that I wouldn't have a machine from them shipped directly to someone as a present unless I knew they were a tinkerer and had the mechanical ability, the facilities/tools, and desire to clean and service their own machine. Otherwise, I'd do that myself and ship it to them directly.

reply to u/Tico_Typer at https://old.reddit.com/r/typewriters/comments/1g28v6z/i_am_curious_about_the_shopping_goodwill_websites/

Windigo Norval Morrisseau, Windigo, tempera on brown paper, ca. 1963.(courtesy Glenbow Museum/64.37.9)

via The Canadian Encyclopedia<br /> https://www.thecanadianencyclopedia.ca/en/article/windigo

But isn't that what the confirmation process is all about here in Washington? And isn't that what the confirmation process is all about? Weeding out the truly qualified to get to the truly available.<br /> —Jon Stewart, White House Correspondents' Dinner 1997

Young Pre-'Daily Show' Jon Stewart's Compelling Performance (1997 WH Correspondents Dinner)

Typing Technique and Typewriter Design by [[Will Davis]] and [[Dave Davis]]

As early as 1932 Royal salesmen would use poor typing technique on purpose to cause skipping and piling and then use proper technique on their own machine to show how much better their typewriters were compared to the others.

Some repair and service manuals had sections about tuning a typewriter to the level of technique of the user. These may have included 5-6 specific adjustments for allowance to a particular user's technique, as an example indicated in this video.

"pounded out" - used by a heavy handed typist and now skipping (mentioned possibly in an Ames Repair Manual)

In the mid-century, the service life of a standard machine was 1-3 years of continual (heavy) use. After this it would have been remanufactured or swapped out.

https://www.weather.gov/grb/peshtigofire

Peshtigo fire occurred the same day as the Great Chicago fire on October 8, 1871. Less well known likely in part due to communication ability at the time.

https://en.wikipedia.org/wiki/Peshtigo_fire

I just got a 1950 version of this KMG this week in medium rough shape too. (My 7th Royal and my 2nd Standard)

Looks like a Royal KMG with the Henry Dreyfuss glass tombstone keys in Gray Frieze paint. https://typewriterdatabase.com/Royal.KMG.72.bmys

Mine has some minor carriage issues that I'm hoping clear up with some cleaning. Otherwise it may need some tools and internal repair work and/or parts. If yours is generally working, a good cleaning and oiling should get you going: https://boffosocko.com/2024/08/09/on-colloquial-advice-for-degreasing-cleaning-and-oiling-manual-typewriters/

Diagram of parts: https://site.xavier.edu/polt/typewriters/RoyalKMGdiagram.jpg

Manual of the prior model KMM which preceeded it, so the functionalilty should be almost exactly the same: https://site.xavier.edu/polt/typewriters/RoyalKMM.pdf (Royal Standard internals were almost exactly the same from the Ten (1909) through the FP/Empress (1966).)

Home Study Course in Typewriter Repair and Service: ca. 1959, published by the Typewriter Repair School in Little Falls, New Jersey. Focuses on the Royal KMM among others: https://site.xavier.edu/polt/typewriters/homestudycourse.pdf

See also:<br /> - https://typewriterdatabase.com/manuals.php - https://typewriterdatabase.com/1968-Ames_Standard_SVC.royal-repair.manual - https://typewriterdatabase.com/1960-Ames_Gen_Cat_10-March.royal-parts-01.manual

Searching on YouTube for cleaning and repair advice should help out a lot. Phoenix Typewriter has some solid videos on related models (search also the Royal X (ten), KH, KHM, KMM, KMG, HH, FP, and Empress which are all roughly the same internals with slightly different body styles.)

If you need some basic typewriter 101, try: https://www.youtube.com/playlist?list=PLJtHauPh529XYHI5QNj5w9PUdi89pOXsS

reply to u/MajesticWear5478 https://old.reddit.com/r/typewriters/comments/1g1i440/tips_for_cleaning_and_fixing_a_1949_royal/#lightbox

The Office S4.E8 The Deposition, Nov 15, 2007<br /> https://www.imdb.com/title/tt1031476/

Michael is put in an awkward position when Jan sues Dunder Mifflin for wrongful termination and he is deposed as a witness.

Jan: Remember, it's not just a pattern. It's a pattern of disrespect and inappropriate behaviors.

Michael "Dis-ray." My friend Dis Ray got new specs. Dis Ray Spect. My friend In-A-Pro drives a Prius with his behind neighbor.

Jan: Does this work for you?

Michael: Yep.

Michael Scott makes up some truly incredible (bad) mnemonics to try to memorize specific phrases for a deposition.

Miles, 1905 uses an arrow symbol with a hash on it to indicate a "connecting link between two Sentences or Paragraphs, etc."

It's certainly an early example of what we would now consider a hyperlink. It actively uses a "pointer" in it's incarnation.

Are there earlier examples of these sorts of idea links in the historical record? Surely there were circles and arrows on a contiguous page, but what about links from one place to separate places (possibly using page numbers?) Indexing methods from 11/12C certainly acted as explicit sorts of pointers.

When was the use of the caret first made for indicating the insertion of material?

Eustace Miles has an example from 1905.

Eustace Miles suggests the use of "special marks on cards" (annotations) in the top left corners, though he doesn't provide specific examples of how they might be used in practice. He does mention "The Abbreviations and Marks need be clear only to the Writer [sic] himself. They save ever so much time."

• "X": As contrasted with—
• "Q": Quotation
• Black triangle in corner: important
• Arrow pointing to corner of card: As compared with
• Angled parallel lines in the bottom right corner of card: End of Paragraph (or Chapter).
• Arrow pointing to the corner of card with hash mark: Connecting Link between two Sentences or Paragraphs, etc.
• Upside down V (or caret): An omission, e.g. to be filled in afterwards
• ?: A doubtful point

In Miles' visual examples of cards, he presents them in portrait (rather than landscape) orientation.

This goes against the broad grain of most standard card index filing systems of the time, but may be more in line with the earlier French use of playing cards orientation.

His portrait orientation also matches with the size ratios seen in his Card-Tray suggestion on p187. https://hypothes.is/a/llEgpIf4Ee-dVfcaIGUryQ

He's repeating (and thus emphasizing) the admonition that a card system is not expensive, particularly in relation to the savings in time and effort.

Miles suggests using a Card-Tray (in 1899) with various compartments and potentially an open top rather than some of the individual trays or card index boxes which may have been more ubiquitous

This shows a slight difference at the time in how an individual would use one of these in writing versus how a business might use them in drawers of 1, 2, 3 or cabinets with many more.

The image he shows seems more reminiscent of a 5x3" library charging tray than of some of the business filing appliances of the day and the decade following.

very similar to the self-made version at https://hypothes.is/a/DHU_-If6Ee-mGieKOjg8ZQ

How does he define "labelled" and "catalogued"?

Presumably he means a version of tagging/categorization and possibly indexing them to be able to easily find them again?

Miles goes against the grain of using "cards of equal size", but does so to emphasize the affordance of using them for "Arrangement and Clearness".

Miles admits that one can use both sides of index cards in a card system, but primarily because he's writing at a time (1899) when, although paper is cheap (which he mentions earlier), some people may have an objection to the system's use due to the expense, which he places at the top of his list of objections. (And he does this in a book in which he emphasizes multiple times the ideas of selection and ordering!)

Miles lists the following objections: - expense - inconvenience - unusual (new, novel)

Notice that he starts not with benefits or affordances, but with the objections.

What would a 2024 list of objections look like? - anachronism - harder than digital methods - lack of easier search - complexity - ... others?

Miles' uses the ubiquity of card systems (even at the writing in 1899, prior to publication) within business as evidence for bolstering their use in writing and composition.

(Recall that he's also writing in the UK.)

Interesting to see a mention of Alphonse Loisette here!

But also nice to see the concept of linking ideas and association (associative memory) pop up here in the context of note making, writing, and creating card systems.

This book was finally published in 1905. The introduction was written in 1899 and the mentioned Feb 1900 publication of How to Remember didn't happen until 1901.

Miles, Eustace Hamilton. How to Remember: Without Memory Systems or with Them. Frederick Warne & Co., 1901.

writing and waiting is useful in many instances, and particularly for clarity of expression.

see also: <br /> - angry letter https://hypothes.is/a/6OoqHofyEe-1mtOohGA63w - diffuse thinking<br /> - typewriter (waiting) <br /> - editing (waiting) https://hypothes.is/a/VxRNeofvEe-5n1dpCEM48Q

Recall: Abraham Lincoln's angry letter - put it in a drawer

Using a card system, particularly while travelling, can help to more efficiently use one's time in preventing idleness while travelling and waiting.

Compare this with the reference in @Kimmerer2013 about responsibility to the tree and not wasting paper: https://hypothes.is/a/pvQ_4ofxEe-NfSOv5wMFGw

where is the balance?

It could be interesting/useful to create a checklist or set of procedures (perhaps a la Oblique Strategies") for editing a major work.

Sections in this TOC could be useful for creating such.

relationship to Adler's levels of reading?

Even in 1905 writers had to wait interminably after submitting their writing...

it's only gotten worse since then...

The process of having a work typewritten forced the affordance of creating time away from the writing of a piece. This allows for both active and diffuse thinking on the piece as well as the ability to re-approach it with fresh eyes days or weeks later.

Even as early as 1905 (or 1899 if we go by the dating of the introduction), typewritten manuscripts were de rigueur for submission to editors and publishers.

Note that he's writing in 1899 (via the introduction), and certainly not later than 1905 (publication date).

One of the major values of fame is that it often allows the dropping of context in communication between people.

Example: Carlyle references in @Miles1905

It bears noting in this book on writing and composition, Miles (nor the indexer if it was done by someone else) never uses Carlyle's first name (Thomas) in any of the eleven instances in which it appears, as he's famous enough in the context (space, time) to need only a single name.

One ought to ask what purpose this Rhyme serves?

• Providing emphasis of the material in the chapter;
• scaffolding for hanging the rest of the material of the book upon, and
• potentially meant to be memorized as a sort of outline of the book and the material.

did I miss the "rhyme" in this section or is he using a more figurative sense (as in "rhyme or reason")?

Ha! Didn't get far enough, it's on page 36, but also works the other way as well.

This chapter is essentially what one ought to glean from skimming the TOC, the Index, and doing a brief inspectional read (Adler, 1972).

Echoes of my own advice to "practice, practice, practice".

Definition of the "first department of composition": <br /> The preparation (mise en place) for writing as opposed to the actual expression of the writing. By this he likely means the actions of Part II (collecting, selecting, arranging) of this book versus Part III.

How is this accomplished exactly? How could one imitate this effect?

How do we break down his material and style to re-create it?

"Brevity is not always the same as Vigour, but the two generally go hand in hand." -Miles

Notice that again he's emphasizing breaking down the problem into steps, and he's using a little analogy to do so, just like he had described previously.

(see: https://hypothes.is/a/NDArGoemEe-9BXcYJSUyMQ)

Attempting to escape the huge list of potential "Chief faults in composition" is a solid reason not to try to cram a paper or essay in a single night/day.

By abstracting and concatenating portions of material, one can more efficiently learn material that would otherwise take more time.

It's difficult to teach when you've forgotten how you learned a thing yourself. It's hard to un-know a topic to empathize with the beginner.

This statement follows the broad thesis that imitation is far easier than innovation.

A fine recommendation by a future Olympian!

One of the major affordances of using a zettelkasten or card index for writing is that it forces the writer to break things down into their constituent parts, thereby making the entire process of writing far easier and less complex. One can separately focus their attention on the smaller steps of collecting, selecting, and arranging the material before beginning to actually write.

he capitalizes five words here to emphasize their importance... I wonder what he says in his section on capitalization???

Creating a comparison or illustration of an idea is a means of emphasizing it. It also serves as a form of repetition and aide-memoire.

the list of broad parts of writing an essay

Interesting to see this tennis analogy in writing in 1905 from a top-notch player who will win a silver metal in the 1908 Olympics...

Miles, Eustace Hamilton. How to Prepare Essays, Lectures, Articles, Books, Speeches and Letters, with Hints on Writing for the Press. London: Rivingtons, 1905. http://archive.org/details/howtoprepareessa00mileuoft.

An example of a self-made zettelkasten box using (1/2"?) wooden planks to create 4 rows of card storage and a smaller 3/4" slot for accessories.

via post by u/fer_mese at https://reddit.com/r/antinet/comments/t541j2/been_working_on_this_zettlekasten_for_my_thesis/

Ventura Highway, track 14 on the album Here & Now by America (1972-11-04)

It’s unsure whether a connection between this lyric and the famous Prince song (which was released 12 years after “Ventura Highway”) exists, but at least two journalists from The San Diego Union and the Post-Tribune wrote that Prince got the phrase “Purple Rain” from here.

Asked to explain the phrase “purple rain” in “Ventura Highway,” Gerry Beckley responded: “You got me.”

https://en.wikipedia.org/wiki/Eustace_Miles

Blog on Dave! by [[Frank Meeuwsen]]

The Time I Met New York’s Patron Saint of Typewriters by [[Thaisa Frank]] March 12, 2019

Stanley Adelman of Osner's Typewriter Repair in New York

(closed in 2001)

The patron saint of typewriter collectors by [[Richard Polt]]

Step Back In Time At The Mesa Typewriter Exchange by [[Phil Latzman]]

Let's Compare 1955 & 1957 Royal Quiet De Luxe Typewriters by [[Scott Drudge]] of Old Bob's Old Typewriters

In David Gerrold's The Trouble with Tribbles: The Story Behind Star Trek's Most Popular Episode, he describes how he used a 12-pitch Selectric to type the 1967 episode. When the studio retyped it in pica (10-pitch) it came out to 90 pages and had to be cut down significantly to fit the show's running time.

The difference amounts to approximately 3 words per page and about 50 words per page.

The November 1952 issue of Boys Life had an advertisement for contest for a gold-plated Royal Quiet De Luxe typewriter.

timestamp

Needs exact sourcing, but Ian Flemming had a gold-plated Royal that he paid $174 for in 1952 and which sold in 1995 by Christys' for $89,229.

timestamp

https://oldbobsoldtypewriters.com/

Scott Drudge is the proprietor<br /> Second generation typewriter repair as his dad Bob was the original namesake of Old Bob's Old Typewriters.

Taking a sabbatical in 2024 and expected back in late 2024.

https://oldbobsoldtypewriters.com/manuals-and-repair-guides/

https://oldbobsoldtypewriters.com/typewriter-repair-shops/

Typographical Typewriter Fun by [[Joe Van Cleave]]

titling<br /> centering<br /> dates<br /> 1/2 line spacing<br /> 1/2 space spacing<br /> shadow effects

The 2024 Phoenix Type-In by [[Joe Van Cleave]]

Platen shrinkage

• most typewriters are 6 lines per inch
• 6.5 lines per inch based on actual measurement per JVC on one of his machines
• 2mm shrinkage??
• Per Bob/Typewriter Muse 1.1

Bob had a machine that was supposed to be 1.27 but was measured at 1.259 when pulled off. So shrinkage of platens can be roughly fifteen hundredths of an inch (0.015" or about 0.4mm)

Bob at Typewriter Muse custom tunes platens to the typewriter. Only place doing platens outside of JJ Short.

JVC's partner took him to the Phoenix Type-in for her birthday.

Bill Wahl of Mesa Typewriter Exchange

grandfather started in the 40s<br /> bill started in 73<br /> part time help to 92 and now by himself<br /> does his benchwork after hours and chats during the day

Ted Munk

adding machine database consideration

looking for service manuals for: - royal portables 50-59<br /> - skyriter 40s / 50s<br /> - sm9 service manual

Royal Mercury manual is a clear, well-written manual. The Smith-Corona series 5 typewriter manuals are great too, though a bit more dense.

Brian Goode and Christy organized this year's Phoenix Type-In.

Often after you resurface a platen, it slightly changes the configuration of the platen with respect to the typeface. As a result one usually may need to do three adjustments in a specific order to get things to align properly again. These can definitely be done at home with some patience.

Usually the order for tweaking is: * Ring and Cylinder adjustment (distance of platen from typeface; the type shouldn't touch the platen or you'll find you're imprinting on your paper, making holes in the paper and/or ribbon, which isn't good). Sometimes using a simple backing sheet can remedy a bit of this distance problem, especially on platens which have hardened or shrunk slightly over time. * On Feet adjustment (vertical adjustment so that letters are bright and clear and neither top or bottom of characters are too light/faint) Repair shops will often type /// or a variety of characters with longer ascenders/descenders to make sure that the type is clear from top to bottom. * Motion adjustment (the lower and upper case letters are at the same level with respect to each other) The best way to test this is to type a center character like HHHhhhHHH to see if they line up on the bottom (the last three Hs are usually done with the Shift Lock on to make sure that's properly set).

You can search YouTube videos for your model (or related models) and these words which may uncover someone doing a similar repair, so you have a better idea of what you're doing and where to make the adjustments.

Here's Joe Van Cleave describing some of it in one of his early videos: https://www.youtube.com/watch?v=C0AozF2Jfo0

The general principles for most typewriters are roughly the same with slight variations depending on whether your machine is a segment shift or a carriage shift. You should roughly be able to puzzle out which screws to adjust on your particular model to get the general outcome you want.

Related blogposts: * https://munk.org/typecast/2022/01/23/adjusting-ring-cylinder-on-a-brother-jp-1/<br /> * https://munk.org/typecast/2013/07/30/typewriter-repair-101-adjusting-vertical-typeface-alignment-segmentbasket-shift-typewriters/

You might find a related repair manual for your machine with more detail and diagrams for these adjustments via the Typewriter Database or on Richard Polt's typewriter site.

For those not mechanically inclined you may be better off taking it onto a repair shop for a quick adjustment. https://site.xavier.edu/polt/typewriters/tw-repair.html 

Reply to u/Acethease at https://www.reddit.com/r/typewriters/comments/1d76ygx/got_a_as_a_gift_corona_3_recentlyish_and_i_need/

https://ashby.info/journal/index.html

Note that the URL http://www.rossashby.info/index.html has moved.

https://forum.zettelkasten.de/discussion/1516/zettelkasten-method-and-math-related-sciences

https://www.reddit.com/r/Zettelkasten/comments/17bqztm/applying_zettelkasten_for_math_heavy_subjects/

https://reddit.com/r/Zettelkasten/comments/qir1j6/zettelkasten_examples_from_mathcomputer_science/

https://forum.zettelkasten.de/discussion/2415/zettelkaesten-in-the-fields-of-science-and-history

reply to Signynt at https://discord.com/channels/686053708261228577/979886299785863178/1293207926013427733

Does Carl Linnaeus' incarnation work? Isabelle Charmantier and Staffan Müller-Wille have a number of journal articles on his "invention" and use of index cards in his research and writing work. If you dig around you'll find references to Gottfried Wilhelm von Leibniz' use of index cards and the Arca Studiorum (Krajewski, MIT, 2011); Computer scientist Gerald Weinberg wrote Gerald M. Weinberg on Writing: The Fieldstone Method. New York, N.Y: Dorset House, 2005, which might appeal; you'll also find examples in physicist Mario Bunge, and, although he had a mixed practice of notebooks and index cards, W. Ross Ashby's collection of notes on complexity can be found at https://ashby.info/. Hundreds of other scientists and mathematicians had practices, though theirs typically fall under the heading of commonplace books (Erasmus Darwin, Charles Darwin, et al.) or as in the case of Isaac Newton and others the heading of "waste books". While looking at others' examples or reading about it may feel like it's going to get you somewhere (better?), having some blind faith and proceeding with your own practice is really the better way to go. Others have certainly done it. Generally it's far rarer for mathematicians, engineers, or scientists to write about their note making/methods so you're unlikely to find direct treatises the way you would for historians, sociologists, anthropologists, humanists, etc.

syndication link: https://discord.com/channels/686053708261228577/979886299785863178/1293663556197417082

Brooklyn Engineers’ Club. Brooklyn Engineer’ Club Proceedings for 1906: Constitution and By-Laws and Catalogue of Reference Works Added to the Library During the Year. Brooklyn Engineers’ Club, 1907.

I've generally found that Olympia machines with a dedicated 1 key and a 4/$ key will usually have a script font. Additionally they don't have ribbon selectors (which are most often on the right hand side of the keyboard when they are present) or only have black and stencil settings.

The lack of bichrome settings on these machines is due to the taller/lower extenders on many script glyphs.

https://www.liberatingstructures.com/1-1-2-4-all/

https://app.thebrain.com/brain/3d80058c-14d8-5361-0b61-a061f89baf87/fee4a5d8-6d7d-417a-8be2-2b2cc0e97966

Typewriter Video Series - Episode 85: Integral Paper Rolls by [[Joe Van Cleave]]

https://en.wikipedia.org/wiki/Shifting_balance_theory

Russell's paradox (1901) in set theory can be stated as:

If $$P$$ is the set of all sets, one can form the set $$Q = {A \in P | A \notin A}$$ which can lead to the contradiction $$Q \in Q$$ iff $$Q \notin Q$$.

This can be done by dividing P into two non-empty subsets, $$P_1 = {A \in p | A \notin A}$$ and $$P_2={A \in P | A \in A}$$. We then have the contradiction $$P_1 \in P_1$$ iff $$P_1 \notin P_1$$.

The paradox happens when we allow as sets A for which $$A \in A$$. It can be remedied by agreeing that no collection can be a set which would be an element of itself.

Relation to Groucho Marx's quote (earliest 1949) about resigning membership of a club which would have him as a member: https://hypothes.is/a/3_zAfITjEe-H5-PlfOlK8A

In 1963 Paul Cohen completed the work of Gödel by proving the independence of the axiom of choice and the continuum hypothesis from the Zermelo-Fraenkel set theory axioms. He did this by showing that neither could be deduced from the existing axioms and specifically by showing that the negation of each could be added to ZF consistently.

Gödel's breakthrough in 1940 was to prove that one could extend the axioms of set theory to include the axiom of choice or the continuum hypothesis without introducing contradictions.

Willard, Stephen. General Topology. Addison-Wesley Series in Mathematics. Addison-Wesley Publishing Company, Inc., 1970.

Annotation url: urn:x-pdf:eb874067e68a720ea298d18714fcd41e

Alternate annotations at: https://jonudell.info/h/facet/?user=chrisaldrich&max=100&exactTagSearch=true&expanded=true&url=urn%3Ax-pdf%3Aeb874067e68a720ea298d18714fcd41e

https://quoteinvestigator.com/2011/04/18/groucho-resigns/

ref: 1949 October 20, Dunkirk Evening Observer, In Hollywood by Erskine Johnson, Page 22, Column 5, Dunkirk, New York. (NewspaperArchive)

https://www.amsterdamtypewriter.com/en-us/products/typewriter-care-kit-diy

Amsterdam Typewriter's kit contains all the following essentials:<br /> * Brass wire brush (for cleaning the typeface) * Natural bristled brush (general cleaning purposes) * Microfiber cotton cloth (for polishing, gentle to paint) * New ribbon (black, red or black or purple color) * 3 compact cotton tissues (disposable, soak in cleaner or mild soap solution to clean typewriter) * Alcohol spray for cleaning (removes ink, oxidation, stains, surface rust) * Deodorizing spray (for disinfection and removing odor from cases and felt lining) * 10 Special cotton buds with long reach (do not leave cotton strings behind) * Our miracle polishing paste (wonderfully revives paint, also polishes on metal, paint, glass, fiberglass, plastic) * Leather rolling pouch for carrying * Comfy cotton bag for storage * Checklist for cleaning * Copy of manual with tips on cleaning of your typewriter and detailed steps

https://www.amsterdamtypewriter.com/en-us/products/typewriter-key-inserts-universal?variant=49394561876302&_pos=1&_psq=glass+key&_ss=e&_v=1.0

Amsterdam Typewriter began selling these around 2024-09-24: https://www.facebook.com/groups/typewritermaintenance/posts/3869850413252379/

One set consists of 45 normal keys (12.2mm) + 4 shift keys (16.2mm)

Suggestions for rubber feet replacement options for typewriters:

• 4 single hole rubber stoppers and 1/4 20 bolts or studs. About 5$ per typewriter.

• multiple rubber washers (glued together)
• rubber feet designed for guitar amplifiers
• Antony Valoppi sells some https://www.facebook.com/groups/1794856020751839/user/546380959/
• shock absorption bumpers from auto parts stores
• https://mytypewriter.com sells

via various people at https://www.facebook.com/groups/typewritermaintenance/posts/3877326325838121/

https://www.facebook.com/groups/typewritermaintenance/posts/3414723442098414/

Dealing with stripped screws

https://www.facebook.com/groups/1794856020751839/user/100013305603420/

For those who need to hear it, even Duane Jensen of Phoenix Typewriter regularly asks questions about typewriter repair jobs which stump him.

https://www.instagram.com/p/DAveGA2OiyF/ via Richard Polt

Oliver Sacks Archive Heads to the New York Public Library by [[Jennifer Schuessler]]

The voluminous papers of the celebrated neurologist include letters, notebooks, drafts and other traces of a man who couldn’t stop writing.

You have to love the boos, notebooks, papers, fountain pen, typewriter, computer, printer, and even writing software all pictured in this... Add the glasses and it just reeks of someone who reads and writes.

quote from Kate Edgar, Sacks' assistant and editor

Asking my own zettelkasten this question: (responses in no particular order as individual affordances are sure to vary in usefulness by user; some framed as problems while others are framed as affordances, the difference should hopefully be clear to most):

• information overload
• mitigating time loss and context collapse in regularly interrupted work
  • Acts as a ratchet and pawl for thinking work
• tool for thought, and a particularly inexpensive one
• a catalytic surface for thought - see creativity
• removal of cognitive bias by allowing direct juxtaposition of ideas
• "a plan for life and not just a book"
• creativity acceleration
• artificial memory storage/improved memory
  • spaced repetition tool
• improved search by indexing ideas over time
• Clarity/specificity: it's a reminder to be specific about what you're thinking
• a system for marshalling resources (collecting)
• new context creation through context shifting and/or erasure
• "slow burn" productivity
• focusing attention
• fun
• serendipity generation
• attempting to look cool by doing what the cool kids are doing (this usually results in failure modes however)
  • related: fear of missing out (FOMO)

Julius Reizen in reviewing over Umberto Eco's index card system in How to Write a Thesis, defines his own "insurance card" as one which contains "hard-to-classify thoughts, questions, and areas for further inquiry". These he would keep together so that they don't otherwise get lost in the variety of other locations one might keep them

These might be akin to Ahrens' "fleeting notes" but are ones which may not easily or even immediately be converted in to "permanent notes" for one's zettelkasten. However, given their mission critical importance, they may be some of the most important cards in one's repository.

link this to - idea of centralizing one's note taking practice to a single location

Is this idea in Eco's book and Reizen is the one that gives it a name since some of the other categories have names? (examples: bibliographic index cards, reading index cards (aka literature notes), cards for themes, author index cards, quote index cards, idea index cards, connection cards). Were these "officially" named and categorized by Eco?

May be worthwhile to create a grid of these naming systems and uses amongst some of the broader note taking methods. Where are they similar, where do they differ?

Multi-search tools that have full access to multiple trusted data stores (ostensibly personal ones across notebooks, hard drives, social media services, etc.) could potentially solve the problem of needing to remember where you noted something.

Currently, in the social media space especially, this is not a realized service.

This is reminiscent of the idea that indigenous peoples regularly met at annual feasts to not only celebrate, but to review over their memory palaces and perform their rituals as a means of reviewing and strengthening their memories and ideas.

Appropriate context for this: https://www.jeremycherfas.net/blog/a-garden-with-a-water-feature

iylock mentions using a PVC Junction Box (Door Latch type) for their card index box. A solid benefit here is that it ought to be waterproof.

via https://forum.zettelkasten.de/discussion/comment/21420/#Comment_21420

How to ZK a fiction book! Zettelkasten for Fiction- Where Imagination Finds Order'- Book WIP ep. 78 by [[Victoria Crowder]]

meh... interested in the mention, but nothing directly actionable here. Perhaps in her other material?...

u/AmsterdamAssassin typewriter collection https://old.reddit.com/r/typewriters/comments/1fvj11a/my_current_collection_of_vintage_mechanical/

So they've mentioned research in the 1960s, but rely on a 2016 paper for a basic definition of spaced repetition?

I'm beginning to think that the entirety of this work is AI generated...

If this study actually says this, it's unlikely supported by direct research in that paper.

Check it after reading: https://www.shs-conferences.org/articles/shsconf/abs/2021/17/shsconf_mtde2021_04008/shsconf_mtde2021_04008.html

Compared to? I'll bet the referenced paper doesn't have enough data to back up this claim here.

cross reference: https://mahkuscript.com/articles/10.5334/mjfar.73

What a crappy sentence this is. digitalization? majorly?

How can we take these researchers seriously if they're saying 1960s and not referencing Ebbinghaus?

They're dropping random references at the drop of a hat without any seriousness, where's their references from the 1960s?

Why are they referencing this third party source that doesn't use the phrase "knowledge management"? It also only mentions zettelkasten once and references Ahrens which may have been a better reference here. Otherwise, why cite this line at all?

Which studies? Where?

I'll have to look closer at these, but they don't generally appear to be supported by research to back up this claim.

A more solid definition of the form and structure of such a system is required here. I'm not sure what of these first two sentences they're referencing Helbig for here?

I'm already highly suspicious of this paper now.

Malashenko, Gevorg T., Mikhail E. Kosov, Svetlana V. Frumina, Olga A. Grishina, Roman A. Alandarov, Vadim V. Ponkratov, Tatyana A. Bloshenko, Lola D. Sanginova, Svetlana S. Dzusova, and Munther F. Hasan. “A Digital Model of Full-Cycle Training Based on the Zettelkasten and Interval Repetition System.” Emerging Science Journal 7, no. 0 (March 18, 2023): 1–15. https://doi.org/10.28991/ESJ-2023-SIED2-01.

Not that it couldn't be done, but I'll suggest that following the structure/order of a Luhmann-artig zettelkasten may be a bit more limiting or difficult for creating fiction.

There's a rich history of researching, outlining, and writing with card indexes as part of the creative process. Perhaps looking briefly at some examples particularly focusing on fiction may be helpful? Once you've done this, you can pick and choose the portions and affordances that work best for your preferred way of thinking and working.

Some quick examples:

• Vladimir Nabokov https://www.openculture.com/2014/02/the-notecards-on-which-vladimir-nabokov-wrote-lolita.html
• David Lynch process via Frank Daniel: https://hypothes.is/users/chrisaldrich?q=tag%3A%27David+Lynch%27
• Variations of this method include:
  • Dustin Lance Black https://www.youtube.com/watch?v=vrvawtrRxsw
  • Ben Rowland https://www.youtube.com/watch?v=mwKjuBvNi40
• Randy Ingermanson. “The Snowflake Method For Designing A Novel.” Advanced Fiction Writing, circa 2013. https://www.advancedfictionwriting.com/articles/snowflake-method/

Perhaps querying my digital zettelkasten may be helpful for you? Start with: https://hypothes.is/users/chrisaldrich?q=tag%3A%27card+index+for+writing%27

Ultimately, you can only spend so much time going down the rabbit hole of how you ought to do this work and taking suggestions or reading about how others have done it. The more difficult but more fruitful portion is to pick a method which seems like it will work for you and experiment with it by actually using or evolving it for yourself. How you start may not necessarily be how you end, but you won't know what's best for you if you don't start. Practice, practice, practice will get you much farther faster.

reply to u/Atreides_Lion at https://reddit.com/r/Zettelkasten/comments/1ft4r3z/a_very_important_matter_for_me/

https://flux1.ai/examples

October 2, 2024 - PBS News Hour full episode

Sublette, Ned, and Constance Sublette. The American Slave Coast: A History of the Slave-Breeding Industry. Lawrence Hill Books, 2015. https://www.amazon.com/American-Slave-Coast-Slave-Breeding-Industry/dp/1613748205/.

Recommended by Jerry Michalski

https://www.ebay.com/b/barnett-jaffe-slide-case/bn_7024798534

Barnett & Jaffe made tweed cases in the mid-century for carrying around several drawers of 35mm slides.

These could potentially be repurposed as portable zettelkasten.

Stress Testing Our Democracy: A Conversation with Barton Gellman<br /> Episode 384 of Sam Harris podcast<br /> https://www.samharris.org/podcasts/making-sense-episodes/384-stress-testing-our-democracy

Suggested by Flancian at FoTL

After 24 Years, Scholar Completes 3,000-Page Translation Of The Hebrew Bible by [[Rachel Martin]]

Globetrotting Boy Detective by [[Jerry Michalski]]

Also in this pantheon, though later, are Where in the World Is Carmen San Diego and Wild Kratts.

The Mad Scientists' Club was in the genre, but with less globetrotting.

The Mad Scientists' Club<br /> https://www.amazon.com/Mad-Scientists-Club-Scientist/dp/1948959313/