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  1. Sep 2024
    1. Looking for a keyboarded writing device without harsh screen lights...

      Since you're asking in r/typewriters, here's a list of what some well known playwrights, screenwriters, and directors used and would likely have recommended for writing tools without harsh screens. Personally I'm in Tom Hank's camp and would recommend a Smith-Corona Clipper.

      • Edward Albee: Remington 17 or KMC
      • Ray Bradbury: Underwood (no. 5?), 1947 Royal KMM #3756210, IBM Selectric, IBM Wheelwriter, Silver-Seiko ultraportable (likely branded as Royal)
      • Bertolt Brecht: Erika
      • Mikhail Bulgakov: Olympia 8 (photo from Bulgakov museum)
      • Paddy Chayefsky (playwright, May 1954): Underwood Standard Model 6, ca. 1946; Royal HH; Olympia SG3
      • William Goldman: Olympia SM9
      • Matt Groening: Hermes Rocket
      • Alfred Hitchcock: '30s black Underwood Champion portable
      • Sidney Howard (screenwriter, Gone With the Wind): Remington Noiseless Portable #N49669
      • John Hughes (director): Olympia SM3
      • Buster Keaton: Blickensderfer no. 5
      • Stanley Kubrick: Adler Tippa S
      • Ring Lardner: L. C. Smith
      • Ernest Lehman: Royal Electress
      • David Mamet: Smith-Corona portable, Olympia SM4, Olympia SM9, IBM Selectric
      • Arthur Miller bought a used Smith-Corona portable in the late '30s (for one anonymous contest, he submitted a play that he said was "by Corona."). Later he used a '50s Smith-Corona Silent Super and a Royal KMG (1955 photo, another photo). He wrote his later plays on an IBM desktop computer. (Arthur Miller: His Life and Work, by Martin Gottfried, p. 26, 112, and 381.)
      • F. W. Murnau: Remington portable no. 2 (1931 photo)
      • Clifford Odets (1962): Royal Quiet DeLuxe, ca. 1957
      • Rod Serling: Royal KMG (photo 1, photo 2)
      • Neil Simon: Olympia SM9
      • Steven Spielberg: Smith-Corona Coronamatic 2200 (photo 1, photo 2)
      • James Thurber: Underwood no. 5
      • John Waters: ca. 1950 Underwood (1961 photo), IBM A or B
      • Orson Welles: 1926 woodgrain Underwood portable #4B73700 (Welles typing on it), ’30s Underwood Noiseless Portable, Smith-Corona (?)
      • Tennessee Williams: Remington portable no. 2, 1936 Corona Junior #1F9874J (formerly in Steve Soboroff's collection), mid-1940s Corona Sterling, Royal KMM, Hermes Baby (gift from Margo Jones, 1947, according to John Lahr, Tennessee Williams: Mad Pilgrimage of the Flesh, Bloomsbury, 2014), Olivetti Studio 44 (picture 1, picture 2, picture 3, picture 4 1955), Remington portable #5 flat top, Remington Standard M, Olympia SM8. (This man loved to have himself photographed with his writing machines!)

      If you need some other recommendations from novelists and others, you could try: https://site.xavier.edu/polt/typewriters/typers.html

      If you like Scrivener, but want to get away from screens, you can look back to Frank Daniels' method with index cards which he taught to thousands of screenwriters including David Lynch. Variations can be seen at https://www.youtube.com/watch?v=vrvawtrRxsw and https://www.youtube.com/watch?v=mwKjuBvNi40. Vladimir Nabokov used a very similar method for his novels which is fairly well documented: https://www.openculture.com/2014/02/the-notecards-on-which-vladimir-nabokov-wrote-lolita.html

    1. Caro has never revealed who his Simon & Schuster editor was, and when I ask him point-blank, he smiles firmly. “I’d rather not say. I’ve promised myself I’m not going to go down that road, and I never have.” (Gottlieb, in his memoir, was less discreet. It was Richard Kluger, who in 1973 quit editing to write books of his own, including the Pulitzer-winning Ashes to Ashes, a critical history of the tobacco business.)
    2. This particular shed was a floor sample, bought because he wanted it delivered right away. The business’s owner demurred. “So I said the following thing, which is always the magic words with people who work: ‘I can’t lose the days.’ She gets up, sort of pads back around the corner, and I hear her calling someone … and she comes back and she says, ‘You can have it tomorrow.’”

      "I can't lose the days." is a tremendous philosophy.

    1. What do you mean with Zettelkasten ratchet? I am too unfamiliar with the word ratchet to really understand the meaning.[9:46 AM] Or if someone else has an idea and can help me out

      The additional "hidden context" is that the rachet/gear seen in many of these diagrams is usually attached to a radial spring (or some other device) which, as it is wound, stores energy which is later used by the bigger device in which the rachet and pawl are encased. Examples include the stem of watches, which when wound, store energy which the watch later uses to run as it counts the seconds. Another example is the mainspring of a typewriter which is attached to a ratchet/pawl set up; when you push the carriage to the right, the spring gets wound up and stores energy which is slowly expended by the escapement a space or a letter at a time as you type. In the zettelkasten analogy, the box and numbered cards placed in it act as the pawl (the wedge that prevents backward movement), as you add more and more information, you're storing/building up "potential energy" in small bits. This "stored energy" can be spent at a later time by allowing you to more easily write an article, paper, book, etc. In some sense, the zettelkasten (as most tools do) allows you a "mechanical advantage" in the writing process over trying to remember everything you've ever read and then relying on your ability to spit it all back out in a well-ordered manner.


      reply to Muhammed Ali at https://discord.com/channels/992400632390615070/992400632776507447/1286577013439594497

      continuation of https://hypothes.is/a/GTPIPnYiEe-GTUu4YcdeAQ

    2. I enjoyed this podcast but got the feeling they see PKM as a kind of grueling Fordist production line. The process in your book seems a lot less like a grind and a lot more like fun!

      Zettelkasten is a method for creating "slow productivity" against a sea of information overload

      Some of the framing goes back to using the card index as a means of overcoming the eternal problem of "information overload" [see A. Blair, Yale University Press, 2010]. I ran into an example the other day in David Blight's DeVane Lectures at Yale in which he simultaneously shrugged at the problem while talking about (perhaps unknown to him) the actual remedy: https://boffosocko.com/2024/09/16/paul-conkins-zettelkasten-advice/

      It's also seen in Luhmann claiming he only worked on things he found easy/fun. The secret is that while you're doing this, your zettelkasten is functioning as a pawl against the ratchet of ideas so that as you proceed, you don't lose your place in your train of thought (folgezettel) even if it's months since you thought of something last. This allows you to always be building something of interest to you even (especially) if the pace is slow and you don't know where you're going as you proceed. It's definitely a form of advanced productivity, but not in the sort of "give-me-results-right-now" way that most have come to expect in a post-Industrial Revolution world. This distinction is what is usually lost on those coming from a productivity first perspective and causes friction because it's not the sort of productivity they've come to expect.


      In reply to writingslowly and Bob Doto at https://discord.com/channels/992400632390615070/992400632776507447/1285175583877103749<br /> Conversation/context not for direct attribution

    1. Typewriters? In 2024? Are You Nuts? by Jesse M. Slater for [[Raconteur Press]]

      A short, but relatively solid typewriter 101 story for someone looking for a distraction-free writing machine. Certainly not completist, but enough to get your toes wet.

      Slater uses his typewriter for a first draft, then edits the second draft as he re-types it into his computer to have a digital copy for further editing and distribution.

    1. If you want to make an educational technologist’s eyes sparkle, just mention “The Young Lady’s Illustrated Primer”. It’s a futuristic interactive schoolbook, described in Neal Stephenson’s The Diamond Age, where it lifts a young girl out of poverty and into sovereign power.

      Perhaps telling of the educational technology spaces I have hung out in, I've not heard mention of this book ever.

    1. reply to u/NoDoctor4602 at https://old.reddit.com/r/typewriters/comments/1fjrjns/ive_spent_a_few_days_searching_for_any_concrete/

      In the mid to late-1950's and after several typewriter manufacturers made limited runs of gold plated typewriters for special anniversaries or for bonuses to salespeople. They're uncommon, but not rare. I've seen at least 6 or seven pop up on auction sites in the last 6 months. If you really want one, watch the lower end of Facebook Marketplace, ShopGoodwill, Craigslist, et al. where one will assuredly pop up for a much more reasonable price. I'm not sure if it was this one or another I've seen since April, but one of these went up for sale on ShopGoodwill.com recently and sold for about $600. A week later it was listed on eBay for several thousand just like this one. Given the timeframe, I doubt they spent any time cleaning, oiling, or adjusting it in any fashion—it was a pure flip. I've also seen this recently with Royal typewriters with a less common, but highly collectible Vogue typeface: a Royal P sold for about $900 there and was listed on eBay shortly after for over $1,500 with no indication that it was cleaned or adjusted. (If you watch some of the sites carefully, you can pick up a Vogue machine for under $100 easily enough depending on the type and condition.)

      In my mind, as a collector, I'd try to find one in the wild and clean it up or I'd want it in stunning restored condition for over $2k. You might be just as well off picking up a working model for $100-$150 and gold plating the pieces yourself. It would probably be cheaper in the long run and you'd have a better machine in better condition. Some sucker with money to burn will eventually buy a Gold Olympia SM3 for over $2,000.

      Here's a vew posts/videos as examples of gold plated machines:<br /> - A video of another Gold Olympia: https://www.youtube.com/watch?v=JnUHgyABjw0<br /> - Royal QDL https://typespec.com/weve-got-gold-in-them-thar-hills/<br /> - https://www.huffpost.com/entry/kasbah-mod-typewriters_n_1453776

      If you're looking for something great that you'll use, I recommend visiting a repair shop that has some stock to try out some machines to see if you'd like their touch/fee/aesthetics first. Visiting a type-in or two might give you some experience with a wide variety of typewriter models as well. Then try to find a rare or exceptional version that's worth putting some money into. Why put so much into an Olympia if it turns out you're an Olivetti, Royal, or Smith-Corona person? https://site.xavier.edu/polt/typewriters/tw-repair.html (I desperately love Royals, but Smith-Coronas and Remingtons are much more forgiving of my mediocre typing technique, a fact which pains me dearly and cost a few hundred dollars and some sweat equity in cleaning and tuning machines to discover). Incidentally, I'll mention that for about $2,000 you could easily purchase a wide variety of about two dozen machines (even with shipping) and be able to get something truly exceptional in terms of condition and function.

      Incidentally, the higher prices of $250-600 for repaired/refurbished/restored machines being sold by repair shops are usually what Harry Beercan is using as a pricing guide when he's selling his grandmother's musty, broken, old typewriter online not knowing that several hundred dollars in labor and parts has been calculated into the selling price.

    1. Calling attention to the importance of "social forgetting", historian Guy Beiner has argued that "there is an evident need for major historical studies of lieux d’oubli to counterbalance the studies of lieux de mémoire."[11]

      What about the idea of "social ignorance" or maybe "social blindness" as American seems to have done with slavery in the post-Civil War to roughly the early 1990s?

    2. A lieu de mémoire (French for "site of memory" or memory space) is a physical place or object which acts as container of memory.[1] They are thus a form of memorialisation related to collective memory, stating that certain places, objects or events can have special significance related to group's remembrance.

      This feels like it's tangential to memory palaces, but I'll have to read more of Nora to discern if he had any experience here or if he's simply stumbled upon a related idea, but one which wasn't taken to it's logical extreme.

    1. University of Wisconsin—Madison, Madison, professor of history, 1967-76, Merle Curti Professor of History, beginning 1976;

      Paul Conkin taught at University of Wisconsin-Madison from 1967-1979 after which he moved to Vanderbilt.

      David Blight received his Master of Arts degree in American history from Michigan State in 1976 and a Doctor of Philosophy degree in the discipline from the University of Wisconsin–Madison in 1985.

      Presuming a '76-'85 range for his Ph.D., the two would have overlapped at Wisconsin-Madison from '76-'79.

      crossreference: https://youtu.be/A-8NnmWPNJk?si=xwHLBxLOR9-WBXdK&t=1079 and Conkin's notes

    1. Two people convicted of running a Chinese 'maternity hotel' in Rancho Cucamonga by [[Fiona Ng]]

      This was the case I had for jury duty last week. I only got to voir dire and didn't even make it into the box. Interesting to see it make the news after it was settled.

      The headline is a bit off. They were convicted of fraud and money laundering. There were no charges with respect to a maternity hotel operation based on what I heard on the first day before being excused.

    1. delivery-dan 2 points3 points4 points 6 hours ago (1 child)Mineral spirits with just a touch of transmission fluid. Used to own typewriter repair shop large parts washer with mineral spirits with transfluid strip off case and submerged in fluid ti clean then air blower to dry and reassemble. Wd 40 marvel mystery oil will only be temp fit and become worse over time.

      Some advice on cleaning typewriters from someone who previously had a typewriter shop.

      Recommendation: mineral spirits with a touch of transmission fluid.

    1. This photo of the Louis Vieux Elm Tree was taken by Willard Balderson, Wamego, in 1986. The tree stood 90 feet high with a crown spread of 104 feet, and a trunk circumference of 317 inches. For several years the Louis Vieux Elm Tree held the title of U.S. Champion. The estimated age of the elm tree was 300 years and since 1986 succumbed to age, weather, and disease leaving only a stump. In 2011, even the stump, which the Pottawatomie County Historical Society attempted to save, protect and shelter, was burned down, leaving nothing but a pile of ashes.

      via https://pob.tauycreek.com/post/35426971069/this-photo-of-the-louis-vieux-elm-tree-was-taken

    1. The book contains so far unpublished material, stories and poems, ballads and songs full of poetry and fantasy. Surprising observations and aphorisms show us some new perspectives to view the world with.

      So apparently German writer Michael Ende kept a zettelkasten for his writing output. It seems to be a bit more on the unpublished anthology side, but indicates that it has observations and aphorisms as well.

      Why have I not seen/heard about this example before?

    1. Typewriter Clear Plastic Card Guide Holder Clean Polish White Out Dirt Restore by [[Phoenix Typewriter]]

      For cleaning white out off of the clear plastic on card guides try the following: - scrape with fingernail<br /> - Simple Green - Marvel Mystery Oil (from automotive shops) followed by lacquer thinner in miniscule amounts (one drop). The oil helps protect the plastic from melting from the lacquer thinner. Rinse and repeat.

      Others have indicated that floor wax stripper will remove white out without damaging the plastic of the card guides.

    1. Fossilized Masking Tape Removed Cleaned from Typewriter Body by [[Phoenix Typewriter]]

      The paint on the metal of the SMC 6 series typewriters will generally stand up well to lacquer thinner and along with scratching can be used to remove the old residual masking tape often found on these typewriters.

      WD-40, gun bore cleaner, and Simple Green generally don't do much to this sort of tape residue.

    1. Type-in activities:<br /> - learning about typewriters, both using and how they work;<br /> - demonstrations of typewriter maintenance, cleaning, how to change a ribbon, and small repairs for common problems - typewriter tool showcases - what tools might you need to maintain, clean, and repair your typewriter? - lots of machines to try out, which might best suit your writing style, and typing touch? If you don't have a typewriter, this is a great way to try some out before buying your first one - typewriter purchasing and collecting advice - encouraging typing as a distraction and screen-free writing tool - writing (fiction, non-fiction, poetry) along with potential writing prompts (this could dovetail in with other library-related writing endeavors); - A group story: A single typewriter is reserved to one side upon which each participant can contribute by typing a single sentence to create a collaborative/group story "exquisite corpse"-style; - typewriter art and arttyping - Speed typing contest (with small prizes) - We'll bring stationery (paper, envelopes, stamps) to encourage participants to type letters to friends or family (bring an address for someone you'd like to write to); - typewriter swap and sale (optional depending on the venue's perspective; sales are not the primary purpose here) - typewriter repairs using 3D printing or designing replacement parts (if the venue can support this) - typewriter handicrafts (typewriter covers and sewing/repairing cases) - typewriter resources (repair shops, where to find ribbon, how old is my machine?, et al.) - a possible typewriter mystery game? - share stories - encourage community

      For a local library-specific type in:<br /> - library card applications which can be typewritten for potential patrons who don't have a library card - typewriter books (particularly if hosted at a library; place a hold on several typewriter-related books which attendees can browse through at the event and check out afterward) - 3D printing typewriter keys, spare parts; design of replacement parts for 3D printing

      Attendees are encouraged to bring one (or many more of their own favorite manual typewriters) to use, showcase, or demonstrate to others, but having your own typewriter is NOT a requirement for attendance.

    1. https://myoldtypewriter.com/2018/08/05/adler-j3-please-release-me/

      Adler's have a quirky locking mechanism for helping to lock the machines into their cases and after decades of storage, the rubber can compress thereby locking the typewriter into the case permanently. Removing the e-clips internally will unlock them at which point the rubber compression locks can be replaced.

      The article mentions other incidences of this. Another example at https://new.reddit.com/r/typewriters/comments/1fckg8f/removing_triumph_gabriele_1_from_case_base_plate/

    1. Gloria Mark, a professor of information science at the University of California, Irvine, and the author of “Attention Span,” started researching the way people used computers in 2004. The average time people spent on a single screen was 2.5 minutes. “I was astounded,” she told me. “That was so much worse than I’d thought it would be.” But that was just the beginning. By 2012, Mark and her colleagues found the average time on a single task was 75 seconds. Now it’s down to about 47.
  2. www.reddit.com www.reddit.com
    1. Aluminum Foil Method: Tear off a small piece of aluminum foil and dip it in water or vinegar. Rub the rust spots gently with the foil. Aluminum is softer than chrome and will not scratch the surface while effectively removing rust. As you rub, the foil reacts with the rust, helping to dissolve it. Steel Wool Method (Use with Caution): If the rust is more severe, use fine steel wool (#0000 grade) to gently scrub the rusty areas. Be careful not to press too hard, as steel wool can scratch chrome if applied too aggressively.

      Suggestions for removing rust from chrome on typewriters and typewriter cases.

    1. I wonder if there's a copy anywhere of the Macey business system book that they sold to explain how to use it?

      reply to u/atomicnotes at https://old.reddit.com/r/Zettelkasten/comments/1fa0240/early_1900s_3_x_5_inch_card_index_filing_cabinet/

      This is an excellent question. I strongly suspect you won't find a booklet or book from Macey after 1906 that does this, though there may have been something before that.

      You'll notice that on page 9, the 1906 Macy Catalog takes what I consider to be a pot shot at their Shaw-Walker competition in the section "Not a kindergarten". Shaw-Walker was selling not just furniture, but a more specific system, as well as a magazine. Since there's something to be learned for current knowledge managers and zettel-casters in the historical experience of these companies and the systems and methods they were selling, I'll quote that section here (substitute references to enterprise and business for yourself):

      Not a Kindergarten

      Every successful enterprise knows its own requirements best, and develops the best system for its own purpose. We manufacture business machinery. Our appliances and supplies are boiled down to a few parts, and simple forms, and will accommodate any system in any business. The office boy can understand and use them. If we undertook to teach the whole world how to run its business, we would have to saddle the cost on those who buy for what we tried to teach those who do not.

      System in business is desirable, but no system can make a business successful, where the management is deficient. So called ‘Systems’ often result in useless expense and disappointment. We retain what experience proves useful and practical; so far as possible, eliminating all complicated and useless features. This explains how we can employ the best workmanship and material, combined with pleasing designs, and sell our goods with profit at lower prices than the inferior articles offered by others.

      There may have been some booklets at some point, but I've not run across them for any of the major manufacturers of the time. (I've only loosely searched this area.) Some of the general principles were covered in various articles in System Magazine which was published by Shaw-Walker, a filing cabinet manufacturer, in the early century. System Magazine was sold to McGraw-Hill which renamed it Business Week, but it is now better known as Bloomberg Business Week. In the December 1906 issue of System, W. K. Kellogg, the President of the Toasted Corn Flake Company, is quoted touting the invaluable nature of the Shaw-Walker filing system at a time when his company was using 640 drawers of their system.

      To some extent the smaller discrete "system" was really a part of a broader range of information and knowledge of business and competition. This can be seen in the fact that System Magazine still exists, just under an alternate name, along with a much broader area of business schools and business systems. We've just "forgotten" (or take for granted) the art of the smaller systems and processes which seemed new in the late 1800s and early 1900s.

      Other companies had "systems" they sold or taught, much like Tiago Forte teaches his "Second Brain" method or Nick Milo teaches "Linking Your Thinking". However, most of them were really in the business of selling goods: furniture, filing cabinets, desks, index cards, card dividers, etc. and this was where the real money was to be found at the time.

      A similar example in the space is the Memindex System booklet that came with their box and index cards. The broad principles of the system can be described in a few paragraphs so that the average person can read it and modify it to their particular needs or use case. The company never felt the need to write an entire book along the lines of David Allen's Getting Things Done or Ryder Carroll's Bullet Journal Method. Allen and Carroll are selling systems by way of books or classes. Admittedly, Carroll does have custom printed notebooks for using his methods, but I suspect these are a tiny fraction of the overall notebook sales for those who use his method.

      Here's evidence of a correspondence course from the Library Bureau some time after 1927, which was when they'd been purchased by Remington Rand: https://www.ebay.com/itm/335534180049 . Library Bureau had an easier time as their system was standardized for libraries, though they did have efforts to cater to business concerns the way Shaw-Walker, The Macey Company, Globe-Wernicke and others certainly did.

      I think the best examples in broader book form from that time period are Kaiser's two books which still stand up pretty well today for those creating knowledge management systems, zettelkasten, commonplace books, getting things done/productivity systems, second brains, etc.

      Kaiser, J. Card System at the Office. The Card System Series 1. London: Vacher and Sons, 1908. http://archive.org/details/cardsystematoffi00kaisrich.

      ———. Systematic Indexing. The Card System Series 2. London: Sir Isaac Pitman & Sons, Ltd., 1911. http://archive.org/details/systematicindexi00kaisuoft.

    1. I visited the Supply Sergeant store on Hollywood Blvd yesterday, and for $15 they were selling a "regulator bag." This was 11 3/4" x 11 3/4" x 3". Perfect for carrying a Hermes Baby/Rocket! Here is another, but more expensive: https://www.akona.com/products/product?productId=11406

      u/pbasch is in the LA area

  3. Aug 2024
    1. I came across this note and saved it for you and all other Olympia SMx users; I do not know who the author is: "Can I just say, having been in the typewriter trade since 1975, PLEASE take it from me that the Group 1 (or Group 1001) ribbon intended for Olympia, Adler, Facit and many other makes DOES NOT have eyelets !! The ribbon mechanism is designed to trip and reverse when the ribbon gets taut as one spool becomes full and the other totally empty. Someone may well have fitted an eyeletted ribbon to a Group 1 spool as a bodge to get over a sluggish or badly adjusted ribbon reverse mechanism - to give the reversing fork an extra 'nudge'. The factory did not intend the ribbon to be reversed this way." In my experience, eyelets will often slip through the reversing arms and then hang up on the vibrator. You don't have to buy eyeletless ribbons; you can just cut them off the ends of your current ribbon and reattach to the spools.
    1. Advanced Typing - Shortcuts (1943)

      Advanced Typing: Shortcuts. 16 mm. Vol. MN-1512c. United States Navy Training Film, 1943. https://www.youtube.com/watch?v=JUJfCfqgsX0.

      Correct typing posture: fingers curved<br /> arms sloping up<br /> light fast strokes<br /> steady rhythm

      fast continuous motion of return lever<br /> using backing sheet (aka temping sheet ??)

      Shortcuts:<br /> mise en place for office supplies (she doesn't use this phrasing though) - greater efficiency - cuts down on searching

      tabulators can be helpful. There are two types:<br /> - automatic - handset

      Use tabs for paragraphs, dating letters, columns of numbers, and letter closings.

      To clear all tab stops, put carriage to left, hold tab clear key and move the carriage across. (Usually applies to Royal, Remington, Underwood, and Electromatic).

      On LC Smith and Woodstock machines sometimes have a tab clear lever on the back.

      Decimal tabulator keys help to align a variety of numbers around a decimal point.

      Always have a few tabs set to prevent a flying carriage which can be hard on the machine.

      When using carbon sheets which are slightly longer than the paper size, cut off a small triangle at the top left hand side. This makes it easier for one to separate the carbons from the copies by holding the top left with one hand and pulling the carbons out from the bottom of the stack.

      To align multiple sheets of paper for carbon copies, use a folded sheet at the top to taco the pages into the machine. Remove the folded sheet once the carbon pack is rolled forward.

      Paper bail rollers should be set to split the pages into thirds (for two rollers).

      Remington noiseless machines have a pressure indicator on the front of the machine (usually above the keyboard) which can be used when using thick carbon packs that may cause the ribbon guide to stick or bind.

      Only erase when the carriage is fully left or right to prevent eraser crumbs from falling into the machine.

      Use a soft eraser on carbon copies. Use and insert slips of paper behind the carbons and allowing them to stick out the sides, erasing from back sheet to front so as not to allow the eraser to mark your carbon copies. For the front sheet, use a shield and ink eraser and erase with a horizontal motion. After erasing, easily pull out the inserted sheets.

      When typing a correction, tap the key lightly two or three times rather than hard once.

      When in a rush and it's necessary to add a word (on double spacing), underline the last letter of the prior word and type a slash (/). Then move the typing line up and type the insertion above the prior line. This creates an "arrow" of sorts for the inserted word.

      Details for inserting extra letters in misspelled words using half-spacing machines. (Underwoods and Electromatics don't have this function.)

      Light pencil marks at the bottom of the sheet can help to indicate the coming bottom of the sheet.

      Putting up the card holders (fingers) on Underwoods and Royals. They help to hold the card and improve print quality and reduce noise.

      Card holders can cause markings on carbon packs if they're not lowered.

      Trick for quickly writing postcards in succession: Disengage the ratchet using the platen spring release (or variable platen switch) Type the address on the front of the card. When done give the platen a quick practiced spin. The postcard with "jump" up and stop at the paper table and be in position for rolling in the opposite direction to write the message on the back of the card! When done a faster spin of the platen will shoot the card over the back of the typewriter where it can land in a box to collect all the postcards which were written in such a manner. <br /> timestamp 23:22

      Time saving methods for addressing envelopes:

      • Front seat principle. Insert the envelope in the usual way and type out the address. When done, turn the envelope down through the machine with the right hand. With the left hand, place the next envelope between the top of the first envelope and the front of the platen. Feed the first envelope back through the machine (in reverse) and the second will be rolled in to place for typing. Continue in this fashion until finished. All the finished envelopes will stack up in the back at the paper table.

      • Chain feeding. The first envelope is inserted and rolled partway into the machine. A second envelope is inserted between the platen and the second envelope (behind the platen). Turn the first envelope to the writing line and type the address. Take out the first envelope and insert the next the same way as before.

      • Uses paper bail. Do the first envelope in the usual way. Spin it out of the machine up and behind the paper bail into a box behind the typewriter.

      For quickly doing labels or small cards:<br /> Create a small zig-zag fold into a piece of paper to create a pocket slot which can be scotch taped on either side. This template paper can then be inserted so that the pocket is visible above the writing line, but the paper below it is still in the platen. The label or card can be placed into the pocket and the platen reversed to feed the label or card in backwards to the desired typing line. Using a v-groove or hole in the typing line can create a pencil line to serve as a guide for inserting many labels at the same place so that the typing lines up between labels.

      Some offices had special platens for holding cards like this.

      Pockets like this can also be used to hold the page to add additional lines at the bottom of pages. Deeper pockets may need to be used for doing this with carbon packs whose carbons are longer than the pages.

      Alternately one can do something similar by creating a inverted u-shaped set of slits into an index card. to hold such labels.

      When in the midst of a page and needing to do another piece urgently, roll back the letter until about 2 inches from the top, and then place in the new page and one between each of the carbons. Then roll forward to do the short message as necessary. Turn back to the insertion position to remove the copies and then continue with the first letter where you left off.

      For drawing horizontal lines on typewriter paper, push the carriage to the extreme left and place the pencil or pen at the edge of the card guide and the scale. Then move the carriage to the right to effect the line. For vertical lines, put the carriage at the desired space and place the pencil at the card guide and scale and move the platen up/down as necessary.

    1. Typewriter Video Series - Episode 147: Font Sizes and the Writing Process by [[Joe Van Cleave]]

      typewriters for note making

      double or 1 1/2 spacing with smaller typefaces may be more efficient for drafting documents, especially first drafts

      editing on actual paper can be more useful for some

      Drafting on a full sheet folded in half provides a book-like reading experience for reading/editing and provides an automatic backing sheet

      typewritten (or printed) sheets may be easier to see and revise than digital formats which may hide text the way ancient scrolls did for those who read them.

      Jack Kerouac used rolls of paper to provide continuous writing experience. Doesn't waste the margins of paper at the top/bottom. This may be very useful for first drafts.

      JVC likes to thread rolls of paper into typewriters opposite to the original curl so as to flatten the paper out in the end.

    1. The Mesoamerican dumpling, made with nixtamalized corn dough and a variety of fillings, has been around for thousands of years. Called tamalli in Nahuatl, a language spoken by Indigenous peoples in Mexico and Central America, it’s still referred to in its singular as a tamal, or tamale.
    1. Last summer, as I reflected on how unconscious bias can creep into the kitchen, I realized that I should start cooking by considering what the recipe creator is offering — not by imposing myself on the recipe. By inserting my known likes and dislikes, I miss the opportunity to get to know another person, to see (and taste) her history and culture through her perspective. I want to experience a dish through the person most intimate with it.

      naturally this presumes that the author has some experience which can actually come through a recipe, many of which have become commoditized in a corporate way (think cook books full of recipes which were not fully or never tested).

    1. Michael: Pam, I have ideas on a daily basis. I know I do. I have a clear memory of telling people my ideas. Um, is there any chance you wrote any of my ideas down? In a folder? A "Michael-idea" folder?Pam: Sorry.Michael: That's unfortunate. How 'bout the suggestion box? There's tons of ideas in there.

      via Season 2 Episode 8: “Performance Review” - The Office<br /> https://genius.com/The-office-usa-season-2-episode-8-performance-review-annotated

      Here we see in Michael Scott's incompetence the potential value of writing down our ideas as we go. Had he written down his ideas, his upcoming meeting with his boss would have gone better.

      Isn't it telling that he hits on the idea of leveraging a commonly used communal zettelkasten structure (the suggestion box) to dig himself out?