Provide a complete description of the issue. If it works on A but not on B and others have to ask you: "so what is different between A and B" you are wasting everyone's time.

Synco is a tool for scripted synchronization and backups. It provides a custom Ruby DSL for describing backup and synchronization tasks involving one more more system and disk. It is designed to provide flexibility while reducing the complexity multi-server backups.

Utopia is a content-centric web application platform. It leverages the file-system to provide a mapping between logical resources and files on disk.

drip engine for managing, creating, and performing scheduled messages sequences

to give you a sense of my um trajectory

concomitante

But this other kind of anxiety was more like a quiet, unintelligible terror, a distant alarm bell, an uncaused danger

qu'est-ce qu'effectivement 00:06:13 l'adolescence

precipitous crags having rough and jagged peaks, standout starkly in sharp contrasts of light and shade.

onest hope is basically about making sure that our our our hope is grounded in a 00:22:07 in a realistic understanding as we face ourselves about how difficult say climate change is or or uh the economic crisis the world are facing that we actually 00:22:21 acknowledge with the best scientific information we have how serious those are so that's in a sense honest hope is a relationship to truth it's a moral stance towards truth

the third is as a psychological uh a psychological perspective on on what hope needs to be in order to give us a sense of agency 00:25:20 and powerful motivation to persevere through difficult times so those three components i mean frankly they're a reflection of my own kind of hope

the second of the 00:23:12 uh components of commanding hope is what i call astute hope and this is really uh more of an epistemological stance if the first is a moral attitude or a moral stance towards truth this is a 00:23:24 this is a a a kind of hope that reflects a particular form of knowledge uh in this case knowledge about how uh how we look at the world and what our 00:23:38 perspectives are especially our sort of ideological social and economic perspectives

this third book is very much a book about activism it's about personal engagement it's about agency how we can how we can make the world better as individuals and perhaps 00:20:38 collectively as as societies

project was launched in May 2017 as an attempt by Transparência Brasil

The Wilsons lived in poisonous silence, beneath a veneer of civility. (“We had a fatal gift for politeness,” as Andrew put it.)

PM2.5 particles

storm of grief

11 Subject

Audio Description (AD) is usually defined as a way to make TV, films, theater, and other art and media content accessible to blind and low vision audiences. In this standardized approach, AD is often reduced to an add-on that gets created only after artworks are finished. AD and the artwork, in other words, remain distinct. Hosted by the AIM Lab, artistic mentors to the exhibition, Cheryl Green and Thomas Reid, led a 3-part online workshop (September 2021) that challenged this separation. Instead of keeping AD apart from the artwork, they asked: why not consider AD as an art form in and of itself? Beginning from a place that centres the experiences of those who are Blind and recognizes the art in audio description, the workshop invited participants to reflect critically both on visual information and to view it as more than mere access. It encouraged creativity not only through describing an image or object but recognizing how description can generate new art. Participants began with a catalyst piece of art of media piece – audio described it, and then generated a whole new work using the audio description as the foundation. Instead of producing neutral or objective descriptions, participants were invited to experiment with approaches that highlighted the physical body, its situatedness, rich sensory experiences, and storytelling. The resulting series of works engage with AD in innovative and creative ways, exploring sound, text, movement, and their mixtures to build entire worlds. From an audio-logo to a binder that comes to life to sci-fi mediation to a lusty afternoon brewing mead to a video game adventure to artistic critiques of colonial pasts to glittering light that turn windowpanes into jellyfish, the collection of pieces in this online exhibit engages with the creative potentials of access.

Some call them the lifecycle methods of elements which I think is an apt description.

or maybe it was how he used fire 15 to describe the trees.

Documents of the time

Bating her lame foot and her leanness (this last a horrid draw-back to a woman, in my opinion), the girl had some pleasing qualities in the eye of a man. A dark, keen, clever face, and a nice clear voice, and a beautiful brown head of hair counted among her merits. A crutch appeared in the list of her misfortunes. And a temper reckoned high in the sum total of her defects.

In a minute more, Miss Rachel came downstairs–very nicely dressed in some soft yellow stuff, that set off her dark complexion, and clipped her tight (in the form of a jacket) round the waist. She had a smart little straw hat on her head, with a white veil twisted round it. She had primrose-coloured gloves that fitted her hands like a second skin. Her beautiful black hair looked as smooth as satin under her hat. Her little ears were like rosy shells–they had a pearl dangling from each of them. She came swiftly out to us, as straight as a lily on its stem, and as lithe and supple in every movement she made as a young cat. Nothing that I could discover was altered in her pretty face, but her eyes and her lips. Her eyes were brighter and fiercer than I liked to see; and her lips had so completely lost their colour and their smile that I hardly knew them again. She kissed her mother in a hasty and sudden manner on the cheek.

o miserably lean that he looked as if he had not got an ounce of flesh on his bones in any part of him.

This was a long, lean, wiry, brown, silent man. He had a weary look, and a very steady, attentive eye.

Then she remembered that the Diamond might take to shining of itself, with its awful moony light in the dark

If you know anything of the fashionable world, you have heard tell of the three beautiful Miss Herncastles. Miss Adelaide; Miss Caroline; and Miss Julia–this last being the youngest and the best of the three sisters, in my opinion; and I had opportunities of judging, as you shall presently see.

They were nearly as big as their brother; spanking, yellow-haired, rosy lasses, overflowing with super-abundant flesh and blood; bursting from head to foot with health and spirits.

tall old man, clean shaven save for a long white moustache,

His face was a strong—a very strong—aquiline, with high bridge of the thin nose and peculiarly arched nostrils; with lofty domed forehead, and hair growing scantily round the temples but profusely elsewhere. His eyebrows were very massive, almost meeting over the nose, and with bushy hair that seemed to curl in its own profusion. The mouth, so far as I could see it under the heavy moustache, was fixed and rather cruel-looking, with peculiarly sharp white teeth; these protruded over the lips, whose remarkable ruddiness showed astonishing vitality in a man of his years. For the rest, his ears were pale, and at the tops extremely pointed; the chin was broad and strong, and the cheeks firm though thin. The general effect was one of extraordinary pallor. Hitherto I had noticed the backs of his hands as they lay on his knees in the firelight, and they had seemed rather white and fine; but seeing them now close to me, I could not but notice that they were rather coarse—broad, with squat fingers. Strange to say, there were hairs in the centre of the palm. The nails were long and fine, and cut to a sharp point. As the Count leaned over me and his hands touched me, I could not repress a shudder. It may have been that his breath was rank, but a horrible feeling of nausea came over me, which, do what I would, I could not conceal. The Count, evidently noticing it, drew back; and with a grim sort of smile, which showed more than he had yet done his protuberant teeth, sat himself down again on his own side of the fireplace.

hey were driven by a tall man, with a long brown beard and a great black hat, which seemed to hide his face from us. I could only see the gleam of a pair of very bright eyes, which seemed red in the lamplight

hard-looking mouth, with very red lips and sharp-looking teeth, as white as ivory

We use a single stream/queue/channel to deliver messages from RPC to WS. RPC server acts as publisher: it pushes a JSON-encoded command. Pubsub connection is initialized lazily in this case (during the first #broadcast call). WS server (anycable-go) acts as subscriber: subscription is initialized on server start, messages are received, deserialized and passed to the app.

is a mechanism designed for creating an external host for character-mode subsystem activities that replace the user interactivity portion of the default console host window

We will dispatch rewards from our factory to our FOUR 3rd party fulfillment centers, to keep things as friendly* as possible worldwide in accordance with all worldwide laws. *"Friendly" to us means: We will collect and pay VAT/Taxes upon importing to our  fulfilment centers on everyone's behalf so we can send your rewards DDP vs DAP.  If we were not "Friendly" - we would send games direct (DAP) and you would have to pay VAT and admin fees as well as a postal fee to "pick up" your reward locally - vs DDP where that is all done for you and the reward is delivered to your doorstep, "friendly".  It costs lots of money to ship 4 containers to 4 different fulfilment centers - but we do that in an effort to help our backers and to be *friendly.

For instance, when you see a door handle, you assume its function is to open a door. When you see a light switch, you assume it can be flicked to turn on a light. When looking at a chair, you know it can be sat in. All of these are affordances. Don Norman refers to affordances as relationships in his book The Design of Everyday Things. He goes on to say that, “when affordances are taken advantage of, the user knows what to do just by looking: no picture, label, or instruction needed.”

<aside> is appropriate if the side note "could be considered separate from the content"

A general and intuitive description is that words in a semantic field are not necessarily synonymous, but are all used to talk about the same general phenomenon.

Analysis involves reaching a richer and more precise understanding of each requirement and representing sets of requirements in multiple, complementary ways.

Le président du conseil de discipline propose la sanction qui va être soumise au vote des membres du conseil de discipline. Il n’est pas tenu de mettre systématiquement au vote la sanction la plus sévère, l’exclusion définitive sans sursis. Il doit proposer aux membres du conseil de disciIl doit proposer aux membres du conseil de disciIl doit proposer aux membres du conseil de disciIl doit proposer aux membres du conseil de discipline la pline la pline la pline la sanction qui respectesanction qui respectesanction qui respectesanction qui respecterararara, selon lui, les principes g, selon lui, les principes g, selon lui, les principes g, selon lui, les principes généraux énéraux énéraux énéraux d’individuad’individuad’individuad’individualisation et de lisation et de lisation et de lisation et de proportionnalité, évoqués dans la première partie, proportionnalité, évoqués dans la première partie, proportionnalité, évoqués dans la première partie, proportionnalité, évoqués dans la première partie, et qui garantira la portée et qui garantira la portée et qui garantira la portée et qui garantira la portée éducative de cette éducative de cette éducative de cette éducative de cette procédure disprocédure disprocédure disprocédure disciplinaireciplinairecipli

DELIBERATIONS (elles ne figurent pas au PV)

Forme de dangerDéfinition

a green satin dress, a black velvet cloak and a white hat with purple feathers,

He was a man of about Grant’s age, or a little older. Thick coarse white hair fell over his forehead and his skin was leathery but pale, yellowish-white like an old wrinkled-up kid glove. His long face was dignified and melancholy and he had something of the beauty of a powerful, discouraged, elderly horse. But where Fiona was concerned he was not discouraged.

Qu’est-ce qu’un PIAL ?

svelte-htm - Hyperscript Tagged Markup for svelte; a jsx-like syntax using Tagged Templates

The RDF model encodes data in the form ofsubject,predicate,objecttriples. The subjectand object of a triple are both URIs that each identify a resource, or a URI and a stringliteral respectively. The predicate specifies how the subject and object are related, and isalso represented by a URI.

The custom code "fills in the blanks" for the framework, such as supplying a table of menu items and registering a code subroutine for each item

I encourage people to write good commit messages, with a good description that explains what it does.

This topic is not a support question

Anda bisa membuat email yang lebih profesional dan lebih cantik dengan sangat cepat dan mudah. Anda cukup menggeser (drag & drop) bagian-bagian yang Anda butuhkan.

Dengan Fitur Email Builder 3 Dari KIRIM.EMAIL, Anda Bisa Membuat Email Promosi Yang Lebih Profesional Dengan Cepat dan Mudah, Bahkan Untuk Pemula Sekalipun!

Code inside default is called "VU code", and is run over and over for as long as the test is running. Code outside of it is called "init code", and is run only once per VU.

Nix is a purely functional package manager. This means that it treats packages like values in purely functional programming languages such as Haskell — they are built by functions that don’t have side-effects, and they never change after they have been built.

As we are currently using it, the term includes the organization, study, modification, and execution of processes and process structures. Whereas concept structuring and symbol structuring together represent the language component of our augmentation means, process structuring represents the methodology component (plus a little more, actually). There has been enough previous discussion of process structures that we need not describe the notion here, beyond perhaps an example or two. The individual processes (or actions) of my hands and fingers have to be cooperatively organized if the typewriter is to do my bidding. My successive actions throughout my working day are meant to cooperate toward a certain over-all professional goal.

Before we pursue further direct discussion of the H-LAM/T system, let us examine some background material. Consider the following historical progression in the development of our intellectual capabilities:2c4a 2c4b (1) Concept Manipulation—Humans rose above the lower forms of life by evolving the biological capability for developing abstractions and concepts. They could manipulate these concepts within their minds to a certain extent, and think about situations in the abstract. Their mental capabilities allowed them to develop general concepts from specific instances, predict specific instances from general concepts, associate concepts, remember them, etc. We speak here of concepts in their raw, unverbalized form. For example, a person letting a door swing shut behind him suddenly visualizes the person who follows him carrying a cup of hot coffee and some sticky pastries. Of all the aspects of the pending event, the spilling of the coffee and the squashing of the pastry somehow are abstracted immediately, and associated with a concept of personal responsibility and a dislike for these consequences. But a solution comes to mind immediately as an image of a quick stop and an arm stab back toward the door, with motion and timing that could prevent the collision, and the solution is accepted and enacted. With only non-symbolic concept manipulation, we could probably build primitive shelter, evolve strategies of war and hunt, play games, and make practical jokes. But further powers of intellectual effectiveness are implicit in this stage of biological evolution (the same stage we are in today).2c4b1 (2) Symbol Manipulation—Humans made another great step forward when they learned to represent particular concepts in their minds with specific symbols. Here we temporarily disregard communicative speech and writing, and consider only the direct value to the individual of being able to do his heavy thinking by mentally manipulating symbols instead of the more unwieldly concepts which they represent. Consider, for instance, the mental difficulty involved in herding twenty-seven sheep if, instead of remembering one cardinal number and occasionally counting, we had to remember what each sheep looked like, so that if the flock seemed too small we could visualize each one and check whether or not it was there.2c4b2 (3) Manual, External, Symbol Manipulation—Another significant step toward harnessing the biologically evolved mental capabilities in pursuit of comprehension and problem solutions came with the development of the means for externalizing some of the symbol-manipulation activity, particularly in graphical representation. This supplemented the individual's memory and ability to visualize. (We are not concerned here with the value derived from human cooperation made possible by speech and writing, both forms of external symbol manipulation. We speak of the manual means of making graphical representations of symbols—a stick and sand, pencil and paper and eraser, straight edge or compass, and so on.) It is principally this kind of means for external symbol manipulation that has been associated with the evolution of the individual's present way of doing his concept manipulation (thinking).

Melody is a UI library for building JavaScript applications

Neutrino combines the power of webpack with the simplicity of presets

w them. On the 1st of April it rained and melted the ice, and in the early part of the day, which was very foggy, I heard a stray goose groping about over the pond and cackling as if lost, or like the spirit

The Coca-Cola Company is the world's largest nonalcoholic beverage company.

Like them, all frames basically define parts of our percep­tual environment as irrelevant, thus separating that which we attend in a focused manner from all the out-of-frame experience44 that we leave "in the background" and ignore.

A repertoire of very general, made-in-the-academy concepts and systems of concepts-"integration," "rationalization," "symbol," "ideology," "ethos," "revolution," "identity," "metaphor," "structure," "ritual," "world view," "actor," "function," "sacred," and, of course, "culture" itself-is woven into the body of thick-description ethnography in the hope of rendering mere occurrences scientifically eloquent

Such a view of how theory functions in an interpretive science suggests that the distinction, relative in any case, that appears in the experimental or observational sciences between "descrip­tion" and "explanation" appears here as one, even more relative, between "inscription" ("thick description") and "specification" ("diagnosis")-between setting down the meaning particular social actions have for the actors whose actions they are, and stating, as explicitly as we can manage, what the knowledge thus attained demonstrates about the society in which it is found, and beyond that, about social life as such. Our double task is to uncover the conceptual struc­tures that inform our subjects' acts, the "said" of social discourse, and to construct a system of analysis in whose terms what is generic to those structures, what belongs to them because they are what they are, will stand out against the other determinants of human behavior. In ethnog­raphy, the office of theory is to provide a vocabulary in which what symbolic action has to say about itself-that is, about the role of culture in human life-can be expressed.

conceptualization is directed toward the task of generating interpretations of matters already in hand, not toward projecting outcomes of experimental manipulations or deducing future states of a determined system. But that does not mean that theory has only to fit (or, more carefully, to generate cogent interpre­tations of) realities past; it has also to survive-intellectually survive-realities to come. Although we formulate our interpretation of an outburst of winking or an instance of sheep­raiding after its occurrence, sometimes long after, the theoretical framework in terms of which such an interpretation is made must be capable of continuing to yield defensible interpretations as new social phenomena swim into view

The first is the need for theory to stay rather closer to the ground than tends to be the case in sciences more able to give themselves over to imaginative abstraction. Only short flights of ratiocination tend to be effective in anthropology; longer ones tend to drift off into logical dreams, academic bemusements with formal symmetry. The whole point of a semiotic approach to culture is, as I have said, to aid us in gaining access to the conceptual world in which our subjects live so that we can, in some extended sense of the term, converse with them. The tension between the pull of this need to penetrate an unfamiliar universe of symbolic action and the requirements of technical advance in the theory of culture, between the need to grasp and the need to analyze, is, as a result, both necessarily great and essentially irremovable.

Ethnographic findings are not privileged, just particular: another country heard from. To regard them as anything more (or anything less) than that distorts both them and their implications, which are far profounder than mere primitivity, for social theory.

Cultural analysis is (or should be) guessing at meanings, assessing the guesses, and drawing explanatory conclusions from the better guesses, not discovering the Continent of Meaning and mapping out its bodiless landscape. So, there are three characteristics of ethnographic description: it is interpretive; what it is interpretive of is the flow of social discourse; and the interpreting involved consists in trying to rescue the "said" of such discourse from its perishing occasions and fix it in perusable terms ... But there is, in addition, a fourth characteristic of such description, at least as I practice it: it is microscopic.

But as the standard answer to our question has been, "He observes, he records, he analyzes"-a kind of veni, vidi, vici conception of the matter-it may have more deep-going consequences than are at first apparent, not the least of which is that distinguishing these three phases of knowledge­seeking may not, as a matter of fact, normally be possible; and, indeed, as autonomous "opera­tions" they may not in fact exist

But it is an aim to which a semiotic concept of culture is peculiarly well adapted. As interworked systems of construable signs (what, ignor­ing provincial usages, I would call symbols), culture is not a power, something to which social events, behaviors, institutions, or processes can be causally attributed; it is a context, some-· thing within which they can be intelligibly-that is, thickly-described ....

rom this view of what culture is follows a view equally assured, of what describing it is-the writing out of systematic rules, an ethnographic algorithm, which, if followed, would make it possible so to operate, to pass (physical appearance aside) for a native. In such a way, extreme subjectivism is married to extreme formalism, with the expected result: an explosion of debate as to whether particular analyses (which come in the form of taxonomies, paradigms, tables, trees, and other ingenuities) reflect what the natives "really" think or are merely clever simula­tions, logically equivalent but substantively different, of what they think. ...

One is to imagine that culture is a self-contained "super-organic" reality with forces and purposes of its own; that is, to reify it. Another is to claim that it consists in the brute pattern of behavioral events we observe in fact to occur in some identifiable community or other; that is, to reduce it.

Once human behavior is seen as (most of the time; there are true twitches) symbolic action-action which, like phonation in speech, pigment in painting, line in writing, or sonance in music, signifies-the question as to whether culture is patterned conduct or a frame of mind, or even the two somehow mixed together, loses sense

Here, in our text, such sorting would begin with distinguishing the three unlike frames of interpretation ingredient in the situation, Jewish, Berber, and French, and would then move on to show how (and why) at that time, in that place, their copresence produced a situation in which systematic misunderstanding reduced traditional form to social farce.

Analysis, then, is sorting out the structures of signification-what Ryle called established codes, a somewhat misleading expression, for it makes the enterprise sound too much like that of the cipher clerk when it is much more like that of the literary critic-and determining their social ground and import.

Quoted raw, a note in a bottle, this passage conveys, as any similar one similarly presented would do, a fair sense of how much goes into ethnographic description of even the most elemental sort-how extraordinarily "thick" it is. In finished anthropological writings, includ­ing those collected here, this fact-that what we call our data are really our own constructions of other people's constructions of what they and their compatriots are up to-is obscured because most of what we need to comprehend a particular event, ritual, custom, idea, or what­ever is insinuated as background information before the thing itself is directly examined.

But the point is that between what Ryle calls the "thin description" of what the rehearser (parodist, winker, twitcher ... ) is doing ("rapidly contracting his right eyelids") and the "thick description" of what he is doing ("practicing a burlesque of a friend faking a wink to deceive an innocent into thinking a conspiracy is in motion") lies the object of ethnography: a stratified hierarchy of meaningful structures in terms of which twitches, winks, fake-winks, parodies, rehearsals of parodies are produced, perceived, and interpreted, and without which they would not (not even the zero-form twitches, which, as a cultural category, are as much nonwinks as winks are nontwiches) in fact exist, no matter what anyone did or didn't do with his eyelids

LanguaL™ is a multilingual thesaural system using facetted classification.

the trees shiver,

All his long years of service gone for nothing!

Ὑπερβορέους

Δαλογενὴς

Περσᾶ[ν

Ἑλλάνων

Συρακοσίῳ

IfwefocusonhowpeopleenactthemselvesassubjectsofpowerthroughtheInternet,itinvolvesinvestigatinghowpeopleuselanguagetodescribethemselvesandtheirrelationstoothersandhowlanguagesummonsthemasspeakingbeings.Toputitdifferently,itinvolvesinvestigatinghowpeopledothingswithwordsandwordswiththingstoenactthemselves.ItalsomeansaddressinghowpeopleunderstandthemselvesassubjectsofpowerwhenactingthroughtheInternet.

Or that the dog at the bottom of the stairs keeps having mild strokes, which cause her to tilt her head inquisitively and also to fall over

EFO is a data-driven application ontology that reuses concepts from over 30 ontologies,

There was a pause as cars hooted on the road, jutka-drivers swore at their horses and the babble of the crowd agitated the semi-darkness of the park.

Caulobothrium anacolum sp. n.(Figs. 12-13, 19)DESCRIPTION (n = number of measurementsused): Strobila acraspedote, apolytic, 6.8-15.4mm long, composed of 13-32 (n = 30) pro-glottids. Scolex with four pedicellated, quad-rate bothridia; pedicels 50-150 long, wider atbothridium than at trunk; bothridia 648-804long by 324-700 wide, with 22-23 transversesepta forming 23—24 total loculi; median longi-tudinal septum absent. Cephalic peduncle120-360 long. Immature proglotticls widerthan long; mature ones 1.14-2.54 mm long by0.38 mm wide. Testes in anterior % of pro-glottid, 34-45 (x = 41, 11 = 20) in number,54-138 in diameter; 10-14 (12) postporally,5-7 (6) preporally, 18-27 (23) antiporally.Cirrus sac in anterior % of proglottid, 144-216long by 108-178 wide, containing spined ever-sible cirrus. Genital atrium inconspicuous.Genital pore 19-29% of proglottid length fromanterior end, irregularly alternating. Vaginaanterior to cirrus sac; vaginal sphincter present;posterior portion expanded to form seminalreceptacle. Ovary bilobed in frontal view, X-shaped in cross-section, follicular, 144-312 longby 96—300 \vide at isthmus in tci'minal pro-glottids. Vitelline follicles extending length ofproglottid, 12-60 in diameter.

Rhinebothrium magniphallum sp. n.(Figs. 15, 17)DESCRIPTION (n = number of measurementsused): Strobila acraspedote, apolytic, 2.28-3.06 mm long, composed of 8-12 (n = 40)proglottids. Scolex composed of four pedicel-lated, bilobed, elongate bothridia with indis-tinct hingelike constriction between lobes;pedicels up to 22 long; bothridia 264-488 longby 128—144 wide, divided transversely by 15-17 transverse septa forming 16-18 total loculi;median longitudinal septum absent. Cephalicpeduncle 24-60 long. Immature proglottidswider than long to longer than wide; matureones 444-912 long by 108-204 wide. Testesin anterior MJ of proglottid, in two longitudinalrows, 10-15 (x = 12, n = 21) in number, 17—41 in diameter. Cirrus sac at midproglottid,145-195 long by 46—75 wide, containing spinedeversible cirrus. Genital atrium prominent.Genital pore 36-48% of proglottid length fromanterior end, irregularly alternating. Vaginaanterior to cirrus sac; v a g i n al sphincter present.Ovary near posterior end of proglottid, lobesfused posteriorly, X-shaped in cross-section,116-238 long by 29-87 wide at isthmus interminal proglottids. Vitelline follicles extend-ing entire length of proglottid, may be conflu-ent posterior to ovary, 10-35 in diameter.HOST: Himantura schmardae.SITE: Spiral valve.LOCALITY: Caribbean Sea, 15 km. west ofLa Cienaga, Magdalena, Colombia.HOLOTYPE: USNM Helm. Coll. No. 73965.Paratypes: USNM Helm. Coll. No. 73966;Univ. Neb. S t a te Mus., H. W. Manter Lab. N o.20262.ETYMOLOGY: The species name refers to therelative size of the cirrus s a c.Rhinebothrium magniphallum resembles R.monodi Euzet, 1954 (17) and R. scobinaeEuzet and Carvajal, 1973 (19) in number ofbothridial loculi; R. hawaiiensis Comford, 1974(11-13), R. euzeti Williams, 1958 (12) andR. cadenati Euzet, 1954 (12-14) in number oftestes per proglottid; and R. scobinae and R.cadenati in lacking a median longitudinal sep-tum in each bothridium. The cirrus sac of R.magniphallum is relatively much larger thanthat of any other species.

Hier sehen Sie auf einen Blick, welche Betriebe des Netzwerkes "Demonstrationsbetriebe ökologischer Landbau" in Ihrer Nähe liegen. Die blauen und gelben Punkte zeigen an, wie viele Demonstrationsbetriebe sich in einer bestimmten Region befinden. Ein Klick darauf zoomt die Ansicht näher heran. Die roten Fähnchen markieren jeweils die genaue Lage der Demonstrationsbetriebe, ein Klick darauf führt Sie zum Betriebsporträt.

Christoph Goertz. He’s hip in a professorial, cardigan/jeans kind of way. He’s tall and lanky and white-haired, forty-seven years old, with an elegant trace of accent from his native Germany.

Now, let’s move on. I want to correct a misconception on your part—a spatial misconception. you are feeling that you are moving forward along a path, building upon a foundation of knowledge and ability to reason, which you have developed and exercised in the past. This is not the case. The fact is that you are moving backwards on the path which you have come. This is because, to a large degree, your path took you away from your Being and into a three-dimensional frame of reference. You are, so to speak, relaxing back out of that thinking process—that finite, reasoning, intellectual structure which you felt was getting you somewhere in a progressive sense. Our conversation right now is not the result of a thinking process at all. When you stand at the Door as the Door, the Wisdom, the Truth, the Knowledge that flows through and as your conscious experience of Being, is not the result of thought processes, nor of reasoning. Because It continues to flow on past you, It truly does not become a stored body of knowledge from which you may draw in the future. Standing as the Door means that, in this so-called “future,” whatever Knowledge and Understanding is applicable to the unfolding at that time will be there in exactly the same manner that It is here right now. You see, Paul, we are beginning to redefine what constitutes your conscious experience of Being.

Now, I want to correct a misconception on your part. Your ability to reason and think is not the equivalent of the three-dimensional frame of reference. Your thought processes and reasoning processes are not to be ignored. We would not be communicating at this very moment if you did not have the means to translate the meanings I am communicating into words and phrases. It is only by virtue of the fact that you have imagination, reason, perspicacity—all of the various capacities and functions of Consciousness—that you are able to correctly translate that which unfolds to you. This is true whether it is coming from me, or from that Place wherein you directly experience the Reality of Being. We run into trouble when we stand away from the Door, and begin our thinking or thought processes from their standpoint, and then extrapolate and come to conclusions without going within and being as Conscious Being. You see, Being unfolds Itself as meaning, not as language. It is through the function of Reason and Imagination that language is brought into play, for the purpose of verbalizing these infinite meanings which Being is unfolding. You do have a right to answers which will identify the Absolute Oneness of Being throughout your entire experience of Being.

The process of “observing” is the Conscious Function of Mind. That which is being “observed” is Mind’s Universal Function of being Conscious Being. In other words, Being—Mind—by being, projects or manifests Itself, and is the Observing of the Process. It is the projector, the image, and the observing of it. The more you learn to be out from Mind—rather than believing that you are some part of the image on the screen—the more you will become aware of the total harmony of the total process or function that constitutes your Being. What you apparently do, and what apparently is done to you, will become apparent as being totally harmonious. There will be no sense or experience of separation, lack, division, or opposition. The conscious experience of Being is all that is going on. The details, the drama, the story line, et cetera, are incidental to the whole Process.

You are the masculine figure, the point at which Life emerges into manifestation. You are also the feminine figure, that out of which the form is formed. You are the Life, and you are the Substance by means of which Life is Self-expressed. It is a total and complete Life process. Your Being is the Father/Mother God referred to in one of your prayers. As I said, all of you is always present.

On the other hand, Identity, when It is perceived to be the expression of the Universal, omnipresent divine Mind or Intelligence, is capable of expressing Itself on a sustained basis—so sustained that the word “eternal” is the only word that describes It. It is so substantial by virtue of Its Nature as Intelligence, that It is called Omnipotent.

There is only one infinite Life/Principle, one infinite Identity, infinitely expressed and seen as all that exists. It is what constitutes the center and circumference of Being—Your Self as you experience It, Susan’s Self as she experiences It, and my Self as I experience It. Its omnipotence or strength is constituted of Its absolute omnipresent Integrity, which is Its Intelligent Nature. it is not thrilling or exciting when contemplated from an egotistical standpoint. But It is satisfying in ways that are so meaningful that they cannot compare to the “thrills” of the ego. It also has this benefit: The satisfaction is eternal and unchanging.

Now, when I said that Substance is Energy, I did not mean that It was energy in the sense that your scientists measure and call electrical or atomic energy. it is Energy in the sense that It is Light. Even so, It is not Light in the sense of It being that energy which emanates from your sun. In terms of the manner in which It is experienced Fourth-dimensionally, it is very similar. It radiates, glows, or fluoresces, yet these are very poor words to describe it. Light, as it is experienced objectively, is seen only as it reflects off of an object. At night, when you look out into the objective universe and there is nothing in the sky to reflect light, the sky appears to be black, except where light is either reflected or generated as planets and stars. Fourth-dimensionally speaking, the Substance which is Light is illumined, apparently, from within. It is not a reflected light. The apparent space between specific manifestations of Mind will not be found to be dark, because the Fourth-dimensional equivalent of what appears to be empty space in the three-dimensional frame of reference, is filled with the omnipresent Substance of Being. Therefore, you will find that even “empty space” is filled with that living Illumination of the Universal Substance which is Light. Further, it must be understood that this Substance which is Light is Love, living Love. You have experienced this already in illumination, and so I know you understand what I am saying.

PAUL: Okay, Raj, I’m alone… RAJ: Although you caught it, I want to amplify on it. “Alone” is a three-dimensional concept implying that there’s everyone else, and then there’s “me.” This is ego. You’ve got to be alert. Notice that your body is having physical sensations that you recognize as feeling disheartened, worried, or fearful. Notice that it has an intent; it is not just a feeling. It is there to motivate you to “do” something objective. Notice that in observing it, the I that is You that is observing is clear, unmoved, and at peace. To be alone with one’s Being is to be totally Present, Universally Present, without one iota projected “out there.” It is to have no other Mind but God. Notice that Its intent is not directed at you. Notice that It does not try to coerce you. Notice that you are not aware of a separate selfhood upon which It can act. Don’t try to reason it out or figure it out. Just notice It. At the present moment, you are not completely free of the inclination to believe that you are what ego says, and that you are in a pickle. On the other hand, you are not buying the story, either. Just notice. You have never had to go all the way before, so this is new territory for you. But, as long as you don’t relinquish any of the territory you have gained so far, you will find yourself moving forward. You will not lose any ground. Okay, Let’s get back to your opening statement.

You are truly beginning to experience the Fourth- and third-dimensional frames of reference existing side by side. You are able to observe yourself, and actually experience what seems to you to be yourself, being depressed. At the same time, you are able to experience your Self as being totally clear, at peace, in harmony with your Being, and not emotionally vexed in any way.

March 19, 1982 Friday

Paul, it is impossible for your world to become integrated if you do not understand what the Substance of that Totality is. This is why we are discussing this point this morning. The only Substance there is throughout the Universe—and throughout all dimensions—is Light. This Light, in Its various aspects, is Life, Truth, Principle, Mind, Soul, and Spirit. It is also Intelligence and Substance. In everything you do, I want you to begin to be conscious of this idea that all there is to you—and all there is to everything—is this Light of Living Love. There are not two things going on. This Light is eternally living Itself as the intelligent expression of Conscious Experience, universally and specifically.

RAJ: This Light energy, which is constituted of the Christ-consciousness—God’s view of Himself—is what constitutes your consciousness and your experience, Totally and Completely. you must understand that there is nothing else going on—no other Presence but this Light. It is the Light of Living Love.

RAJ: The delight of Life is the signal which indicates the successful completion or Awakening in individual thought. This is because it indicates the amalgamation or connection of the Alpha and Omega—the inside and the outside—the spiritual and material—the Fourth Dimension with the first three as Conscious Experience. I know that this is very difficult for you to put up with, because you feel there are more pressing needs, but if you will bear with me a little longer, it will be worth your while.

Paul, all energy is Light, and Light is the omnipresent energy that constitutes all life forms, all ideas, and all of every aspect of Conscious Being. it is the pure Light that is Love. It is the pure Light that constitutes Substance. It is the pure Light which differentiates Itself according to Intelligence as all that appears and all that is.

Being is the Universal unfolding of It’s Self-perpetuating Action. Give up your attempts to grasp it, hold it, turn it over, and understand it by means of such examination. You must be willing to understand by virtue of Its Self-explanation. You must let go.

I understand completely, Paul. This is when you are experiencing the cohesiveness, the Oneness, of your Being. Your conscious experience should constantly be experienced from this Place. Go ahead and feel it and be consciously there. Notice that although you are relaxed, you are totally aware, and you are totally capable of movement and activity. But, you are quite aware that you are not in it and you are not investing your Self into any single experience. This is important.

Practice is truly a matter of not doing anything from a manipulative standpoint. It is truly a matter of relinquishing that finite concept of self, and going willingly within to that point where your Being is being consciously perceived as your Conscious Being.

Law, from a Universal standpoint, is constituted of Intelligence. It is the Mindful orderliness, the constituting of Harmony, of every aspect, and activity of Being. It is not a means of enforcement, but is, instead, the spontaneous but Absolute Principle according to which the functioning of Being occurs. Law is not a tool to use, but is the predisposing Nature of Intelligence to be inherently Principled.

Fig. 1 IAV requires the Ub-binding function of HDAC6 for capsid uncoating.

A tool to improve reproducibility of data intensive science, recording progress as you work with tools such as R and Python.

The goal of the DREAM Olfaction Prediction Challenge is to find models that can predict how a molecule smells from its physical and chemical features.

For between two absolutely different spheres, as between subject and object, there is no causality, no correctness, and no expression; there is, at most, an aesthetic relation: