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  1. Jun 2024
    1. Also are the key caps supposed to be that yellow or is that from cigarettes.

      For yellowed glass keys on typewriters, there's usually a key top covered by a piece of paper with the key glyph on it which is sandwiched in with a small piece of glass and a metal ring that holds it down with several metal tabs underneath the key to hold it all in place. There are custom keyring pliers for quickly removing and replacing the papers which needs care not to crack the glass. Otherwise you can manually bend the metal tabs on all your key rings to remove them and replace the papers. (This is generally a LOT of work either way.) See: https://www.reddit.com/r/typewriters/comments/1csni4d/neat_find_on_clients_kmg/

      I prefer the yellowed patina of the older key papers, so I tend to leave them versus spending the time and effort to replace them.

    1. The Four Hobbies, and Apparent Expertise by [[Marc Brooker]]

      Most hobbies, sports, and areas of interest can be split into four quadrants by an individual's particular sub-interest along the lines of doing/discussing versus the activity/gear for the activity. Many people will self-select into one of the four at the expense of the other three and this can affect the type and tenor of communities around that particular activity.

      Excellence in one area doesn't imply excellence in the others. "True" fanatics ought to attempt to excel in all four quadrants.

    1. While the ratio of wine to water is up to the drinker, when sold by an establishment, by law, schorle (pronounced “SHORE-luh”) must be at least 51 percent wine. “But we also have customers who say they want less wine,” he said. With lunch earlier that day, he’d made one with 10 percent wine, “just to give the water some aroma.”

      Schorle is a minimum of 51% wine (or juice) and sparkling mineral water

    2. The wine should be fruity, acidic and aged in stainless steel tanks, not wood (mineral water can bring out off flavors when mixed with wood barrel-aged wine), and they should be relatively low in alcohol content. “Not a wine with 13 or 14 percent alcohol, this is not the wine for Schorle,” Wegner said. Also important: temperature. “Schorle has to be cold, refrigerated,” he said.
    1. To Martin a liberal education meant “the kind of education which setsthe mind free from the servitude of the crowd and from vulgar self-interests.”

      He didn't have the framework to describe it in behavioral economic terms, but Everett Dean Martin's idea of a liberal education in 1926 was to encourage the use of Kahneman & Tversky's system two over system one. It takes more work, but system two thinking can generally beat out system one gut reactions for building a better life.

    2. In his 1926 work, The Meaning of a Liberal Education, heargued that education’s task is to “reorient the individual, to enablehim to take a richer and more significant view of his experiences, toplace him above and not within the system of his beliefs and ideals.”

      Is it possible to be above one's own system of beliefs and ideas? Doesn't the system make them a product of it? Evolving from a base at best?

      The idea sounds lovely, but is it possible anthropologically?

    3. As Leon Fink wrote of that period,“education ranked . . . high on the agenda” of Progressive intellectu-als and reformers. Considering the logic of reformers he added: “Ifthe people were to seize their democratic birthright for the greatergood . . . they must engage their higher faculties of reason” and be“schooled in sense of civic duty.” This would make them a “demo-cratic public.”8

      Check Fink to see where the seeds of this idea of linking education and democracy sprouted...

      TL's references for this:<br /> Leon Fink, Progressive Intellectuals and the Dilemmas of Democratic Commitment (Cambridge: Harvard University Press, 1997), 13–14; Robert B. Fisher, “The People’s Institute of New York City, 1897–1934: Culture, Progressive Democracy, and the People” (Ph.D. diss., New York University, 1974), 1, 9; Hugh S. Moorhead, “The Great Books Movement,” (PhD diss. University of Chicago, 1964), 110–111.

    4. This book, in contrast to Beam and in spite of Adler’s known flaws,is revisionary in that it rescues Adler from what E. P. Thompson called“the enormous condescension of posterity.” 3

      ref: E. P. Thompson, The Making of the English Working Class (New York: Pantheon Books, 1964), 12.

    5. Lawrence Levine’s The Opening of the AmericanMind (1996). Levine’s Culture Wars intervention is part history andpart polemic, as evident in the title’s refutation of Allan Bloom’s 1987sensation. Levine defended the evolution of multicultural college cur-ricula and was also concerned with the “larger struggle over how ourpast should be conserved, how our memory should function, andwhere the focus of our attention should be.”30

      Lawrence Levine<br /> The Opening of the American Mind (1996)<br /> note the coverage of "how our memory should function"

    6. Overall, this alternate cri-teria of assessment (in relation to Rubin) is indeed tenable because,as Menand noted, by the mid-1960s “the whole high-low paradigm”would “end up in the dustbin of history,” replaced by a “culture ofsophisticated entertainment.”25

      This would seem to be refuted by the thesis of Poor White Trash in which there was still low brow entertainment which only intensified over time into the social media era.

    7. Those larger goals highlighted edu-cation for good citizenship; to them great books were more of anantidote than a contributor to that bland, conformist mass culturefeared by mid-century critics (left and liberal and conservative) anddescribed by cultural historians.

      How, if at all, did the great books idea contribute to the idea of Manufacturing Consent for the 20th century?

    8. By prioritiz-ing a full longitudinal approach to Adler’s life, his intellectual cir-cle, and iterations of the great books idea, one can the see humanweaknesses of great books advocates even while acknowledging theirdreams, goals, and motivations.

      the word "dreams" here along with great books and classical education reminds me of Martin Luther King, Jr.'s education on the classics as seen in his zettelkasten.

      Surely his cultural up brining along with his religious training and his great books education empowered him to critically eye and change the culture around him.

    9. Middlebrow Culture

      this nudges me to ask the question: what sort of culture was John Waters creating in the early 1970s onward?

      He was juxtaposing queer culture with that of the prurient, the comedic and the ideas of "trash" and counter-culture to subtly shift the cultural milieu in which he was living and participating. His satire and subversiveness made his content more palatable for the masses which also allowed him to make more mainstream material which still pressed the boundaries while allowing him greater access to audience.

    10. Human dignity and freedom were subverted with thesereproductions, leaving behind mere conformity, the perverted twinof democratic equality.

      great phrasing here:

      mere conformity, the perverted twin of democratic equality

    11. Advocating for the great booksidea, then, could mean fighting against anti-intellectualism, antira-tionalism (i.e., the reliance on ideology), and “agnotology.”

      definition of agnotology:

      Within the sociology of knowledge, agnotology (formerly agnatology) is the study of deliberate, culturally induced ignorance or doubt, typically to sell a product, influence opinion, or win favour, particularly through the publication of inaccurate or misleading scientific data (disinformation). More generally, the term includes the condition where more knowledge of a subject creates greater uncertainty. https://en.wikipedia.org/wiki/Agnotology

    12. Teaching necessarilyinvolves some level of hierarchy and paternalism; teachers pass onknowledge and skills to another group lacking both.

      compare the dominance forms of education to to guides by the side

      ideas of John Taylor Gatto and unschooling...

      also indigenous teaching methods which also pass down culture as part of an overall "package"

    13. . On the one hand, thisincrease placed books in more people’s hands, effecting a democrati-zation of book ownership. On the other hand, the proliferation wassuch that the average person could not, without intense study, moni-tor the quality or quantity of new books published—estimated byone 1881 source at 25,000 annually. Even if incorrect, the estimateconveys a sense of despair felt about keeping up.20

      ref: Charles F. Richardson, The Choice of Books (New York: American Book Exchange, 1881), 6. The publication estimate came from a librarian, F. B. Perkins.

    14. democratic culture is always at risk. It requires an engaged citi-zenry full of informed, critical voters

      evidence?

      We hear this regularly, and it seems intuitive, but... where is the proof of this...

      Just how "informed" ought a person to be? How critical? Everyone is "critical", the internet is full of criticism, but not necessarily in the sense meant here.

      He and others are usually talking about some perceived "perfect democracy" which doesn't really exist in actuality.

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    1. Time, Work-Discipline, and Industrial Capitalism - Author(s): E. P. Thompson - Source: Past & Present, No. 38 (Dec., 1967), pp. 56-97 - Published by: Oxford University Press on behalf of The Past and Present Society - Stable URL: http://www.jstor.org/stable/649749

      <small><cite class='h-cite via'> <span class='p-author h-card'>Dan Allosso (@danallosso)</span> in Howard Zinn's A People's History, Part 1 (YouTube) (<time class='dt-published'>09/16/2021 09:28:56</time>)</cite></small>

  2. May 2024
    1. The phrase “great books idea” arose to capture the evident diversityin thinking about the topic—the who, what, where, when, and howassociated with the notion of a great book and great books. The word“idea” allows for the abstraction from material circumstances: lists,institutions, book production, particular debates, people, et cetera.
    2. In his renowned essay,“Battle of the Books” (1698), Jonathan Swift celebrated these texts asmore excellent than moderns realized—and he bequeathed a phraseto describe the honey of the ancients that Matthew Arnold wouldlater make infamous: “sweetness and light.”

      note the "honey of the ancients" description here with a tangential nod to the commonplace tradition

      see: <br /> - https://hypothes.is/a/mCsl9voQEeuP3t8jNOyAvw<br /> - https://hypothes.is/users/chrisaldrich?q=tag%3A%22jonathan+swift%22+tag%3A%22commonplace+books%22

    1. To be more specific on solvents for beginners, potentially try mineral spirits (white spirit in UK), paint thinner, naphtha (lighter fluid), kerosene, varnish remover, PB B'laster, or carburetor or brake cleaner. Be careful as many of these are flammable and some can remove paint or decals; use all of them in a well ventilated area. You may see some recommend household variations of alcohol, but these do contain water and generally aren't very effective solvents for the types of oil/grease/dust you'll probably want to remove; professional typewriter repair shops would not use alcohol on a machine. And for those in the back, no one but a psychopath would use WD-40 on a machine's internals.

      https://www.youtube.com/watch?v=xjumGF9NFE8 is a pretty solid cleaning primer. Searching YouTube will uncover some potential additional advice in addition to what you can find at https://site.xavier.edu/polt/typewriters/tw-restoration.html

      Good luck. That's a lovely machine!

    1. Don't feel bad. Your not the only one. This misconception has been going on for years simply because no typewriter repairman has stood up and said " Now wait a minute! " The collectors have done all the talking and publishing while the typewriter man isn't heard. Consequently, it's the big typewriter collectors that are heard. They never talk about how many times they had to reclean a machine. They often have several and may only use 1 or 2. Also there isn't that many of us real typewriter repairman left to do the talking.

      Due to the nature of online communication, it may often be the case that typewriter collectors and their colloquial advice may drown out the more experienced and professional typewriter repair people.

    2. Most typewriter shops did not use alcohol as it was ineffective and contained water. Industrial alcohols contained keytones and acetones that will melt plastic and remove paint.

      Solvents for typewriters used in repair shops: - White mineral spirits with a squeeze bottle. (Sometimes also called Varsol, Stoddard's Formula, and possibly Inhibisol) - Naphtha (aka lighter fluid; used in Zippo lighters, and frequently seen in Europe). PB B'laster is essentially pressurized naphtha in a can. - Auto carb and brake cleaners, usually pressurized in a can. These usually have acetone in them and will melt plastic. Will remove WD-40 if accidentally used on a typewriter.

      For cleaning typeslugs, one can use naphtha or mineral spirits with a brass bristle brush.

      For platen cleaning try mineral spirits or fedron.

      Only oil the carriage rails for the bearings or trucks.

      (This is all colloquial advice, albeit with experience, so check specific facts about what certain products contain.)

    1. I’ve seen plenty Royal Dreyfuss Quiet DeLuxe typewriters that are the gold metal plated anniversary edition.

      Example of a typewriter repairman calling a 1954 model a Royal Dreyfuss Quiet De Luxe.

      While they did have some of the general design elements of Henry Dreyfuss' 1948 redesign, would one really still call them a Dreyfuss?

    1. Holacracy is a system of corporate governance whereby members of a team or business form distinct, autonomous, yet symbiotic, teams to accomplish tasks and company goals. The concept of a corporate hierarchy is discarded in favor of a fluid organizational structure where employees have the ability to make key decisions within their own area of authority.
    1. Nabokov’s working notecards for “Lolita.”

      Nabokov used index cards for his research and writing. In one index card for research on Lolita, he creates a "weight-heigh-age table for girls of school age" to be able to specify Lolita's measurements. He also researched the Colt catalog of 1940 to get gun specifications to make those small points realistic in his writing.

      syndication link

    1. Congratulations on that beautiful machine!

      Don't listen to the nay-sayers who likely have very different priorities and esthetics. If this is your machine, and you love it, then "own it".

      It does look like a standard (as opposed to portable) typewriter. (Standards are often better and more robust typers due to their size and design.) Likely a Model 1 or Model 2, but I don't have specific knowledge beyond a cursory glance at the typewriter database. You can start by looking at examples of machine types and bodies at https://typewriterdatabase.com/smithcorona.86.typewriter-serial-number-database.

      From there, the Model 1 says "Electric Serial Numbers Concurrent with Standard", so scroll down the page and see if you can identify a year based on a serial number you should be able to find underneath the hood. You can try https://typewriterdatabase.com/Smith+Corona.Standard.86.bmys, but I don't see any later models there, so perhaps no one has documented one before and you could be the first.

      Then start with Richard Polt's site https://site.xavier.edu/polt/typewriters/ where you may likely find a manual and if you're lucky a repair manual. Surely there will be a few manuals for similar 50s standard S-C manual typewriters which should at least get you started. His site has a wealth of other information to give you pointers. His book The Typewriter Revolution (2015) has good intro chapters on cleaning, basic repair, and restoration. YouTube may have some useful videos as well. The typewriter database will have some later model S-C electric machines which you might try searching for on YouTube as well and it's highly likely that the design changes weren't so drastic that those may help you significantly.

      For basic cleaning, try https://www.youtube.com/watch?v=xjumGF9NFE8 which has some solid advice. Obviously take care with respect to getting the electrical portion of your machine wet.

      I've not done any electric machines before, but if I recall, I seem to have read/heard (maybe from Tom Hanks who I know has a 50s electric Smith-Corona) that the early electrics only went as far as doing power for the keys, so it should be reasonably repairable if it doesn't work out of the box.

      I'm sure you'll love it. With any luck, you'll also get some serious enjoyment and sense of accomplishment out of cleaning it up. If nothing else, it'll give you a wealth of experience in making the attempt and you can apply that to other machines if you continue collecting and typing. Some of my first machines weren't immediate "successes" until after I'd been able to tinker with others and was able to come back to them with a more experienced hand.

      Have fun with it!

      reply to https://www.reddit.com/r/typewriters/comments/1cuzy04/please_can_someone_identify_this/

    1. Blank tabbed 4x6 cards (self.Zettelkasten)submitted 1 day ago by SpacePatricianTrust me when I say this query is Zettelkasten-related. I've adopted the Voroscope method of organizing as per the Encyclopedia Propaedia, but it involves creating a lot of tab cards. I could make things go faster if I had white, blank, unruled tabbed index cards that I could set up a printer template for, but there don't seem to be any on the market in bulk. Any ideas of where I could find them off the beaten path?

      I've looked and looked for such a template and printer method to no avail myself. Your best bet here is probably either Avery Multi-use labels (maybe 5418 or 5428 depending on your card tabs) which have templates you can print a sheet at a time, or buying a labeler like the Brother P-touch which has a variety of different colored labels available. A third method is to line up multiple tabbed cards in your typewriter and do 3-4 at a time.

      Tabbed cards are significantly more expensive than standard index cards, so if you're all in on this, I'd recommend contacting one of the manufacturers directly and buying in bulk to drive the price down. Alibaba can also be your friend here for a bulk order too. Last year I got a bulk order of 15,000 4x6" index cards for well under $0.005 per card, while the current going rate on Amazon or most office supply stores is $0.02 - $0.03/card.

      Let me know if you find someone manufacturing inexpensive tabbed dividers in 1/5, 1/6, 1/7, or even 1/8 cut tabs. I'd love to buy a couple thousand of these in bulk as well.

      Knowing the extra work involved in this method, I HIGHLY recommend you try it out by hand for a bit to see if it's something you'll do for more than a few months before going all-in. I've read some of Joseph Voros' work, which I understood to be theoretical only. Did he ever fully implement it himself? Before you try, you might want to read up on others' earlier work like that of Paul Otlet, Mortimer J. Adler, et al. Many here will lionize Luhmann's method, but recall that S. D. Goitein managed to take a 1/3 of the notes that Luhmann did while creating a published output a 1/3 larger than Luhmann all while using a method similar to that of Adler and company which is also very close to the method recommended by almost all academics from Jacques Barzun to Umberto Eco.

      Definitely think about what you're hoping to accomplish before going straight down the rabbit hole too far.

      If you do go all-in, then buying a big storage box upfront can save you a lot of time and expense, try https://boffosocko.com/2022/12/26/the-ultimate-guide-to-zettelkasten-index-card-storage/ for some ideas. My daily driver now is a 60,000+ card index from Steelcase that I picked up on the used market for $125.


      LIFE. “The 102 Great Ideas: Scholars Complete a Monumental Catalog.” January 26, 1948.

      Eco, Umberto. How to Write a Thesis. Translated by Caterina Mongiat Farina and Geoff Farina. 1977. Reprint, Cambridge, MA, USA: MIT Press, 2015.

      Barzun, Jacques, and Henry F. Graff. The Modern Researcher. 6th ed. Belmont, CA: Thomson/Wadsworth, 2004.


      Reply to u/SpacePatrician at https://www.reddit.com/r/Zettelkasten/comments/1ctsu78/blank_tabbed_4x6_cards/

    1. You can cross check the data in the typewriter database for most of the big US and European brands to see the slow merging and dying out of the typewriter through the late 60s and early 70s onward. See, for example, Royal: https://typewriterdatabase.com/royal.72.typewriter-serial-number-database which has buyouts and mergers listed at the top. The database also has a huge volume of references for how it was compiled which will give you additional history.

      The early 70s saw a lot of plastic entering the space where more durable steel used to be. Most major US firms were shifting to electric after IBM in roughly 1961. Post war manufacture of machines picked up significantly in Italy, Spain, Holland, and even Wales which displaced some of the manufacturing in the US, where solid machines of the prior generation still worked and only needed servicing rather than outright replacement. (Planned obsolescence wasn't as much of a thing during the 30s and 40s, and in fact, [maintenance was heavily highlighted during the war](https://www.youtube.com/watch?v=ocdxgkxKAKo) when most US manufacturers ceased production of most models.) Eventually Japan displaced the business followed by India (which ceased in 2009) and China. Wrexham, Wales ceased manufacture of electronic Brother typewriters in 2012.

      Ever decreasing costs of materials and manufacturing, improved manufacturing technology, increased competition in the space, combined with containerized shipping, competition from computers, etc. all contributed to the cheapening of the typewriter and hastened the death of manufacturing (though not the use) of manual typewriters.

      Richard Polt's The Typewriter Revolution (2015) has a "microhistory" of typewriters in chapter 2 with references to some addition histories if you're interested.

      Your question about Olympia manufacture dates (and more) can be found via: https://typewriterdatabase.com/olympia.61.typewriter-serial-number-database

      x over it has a good two part series about the evolution of Olympias at:

      https://xoverit.blogspot.com/2015/02/olympia-sm-series-part-1-1948-1964.html

      https://xoverit.blogspot.com/2015/04/olympia-sm-series-part-2-1964-1980s.html

    1. Toaster-Typewriter – An investigation of humor in design by [[CreativeApplications.Net]]

      A cross between a typewriter and a toaster that writes by toasting bread.

      The toaster-typewriter is the work of [Ritika Kedia], and it forms part of her thesis in product design at the Parsons School of Design, New York. It’s written up very much from an artistic rather than a tech perspective, but it’s no less ingenious for that in the way it uses letters formed from hot wire on a clay substrate, mounted on the end of the typewriter arms in front of a toaster.<br /> —This Typewriter Types Toast by Jenny List

    1. What do literary stalwarts of the original typewriter era make of all this? “We old typists, it makes us feel young again to think there’s a new generation catching on,” said Gay Talese, 79. He still uses a typewriter, albeit electric, as does his friend, Robert A. Caro, 75, the Pulitzer-winning biographer of Robert Moses and President Lyndon B. Johnson. They discussed Mr. Caro’s Smith Corona while watching the Super Bowl.
    1. These were sometimes used to assist in the learning of touch typing. Clients would have their local repair person install these little black paper circles to cover the letters so they wouldn't be tempted to stare at the keyboard. Fairly rare, I've not seen them used on any of the 500+ machines I've serviced in the past 7 or so years. There were also dedicated blank caps designed to go over the keytops that were used, those are much more common than the blackout paper method.
    2. Even with keyring pliers and the skill to use them, the blackout paper method is a lengthy one.

      Keyring pliers are used to remove the metal rings off of both circular and tombstone glass typewriter keys so that the legends can be replaced or even covered over with black paper circles for teaching or learning typing. They take some practice and skill to use, but speed up the replacement of legends significantly.

    1. When you catch and idea, you see it in your mind's eye, and you feel it, and you can hear it. And then you write that idea down on a piece of paper, and you write it down in such a way that when you read it, the idea comes back in full.

      David Lynch Interview supposedly... source? (asking mrtnj at https://discord.com/channels/992400632390615070/992400632776507447)

      Interesting with respect to orality almost more than literacy.

    1. I was in a vintage shop about 30 minutes from downtown Los Angeles earlier in the week and the proprietor had a mostly functioning 1950 Smith-Corona Sterling for sale for a roughly equivalent US $150. (One key was disconnected, but fixable, and some keys were sticky, the ribbon was disintegrating, it was incredibly dirty, with a case in very poor condition.) The Sterling was similar to the Silent, but without some of the extra bells and whistles. She wouldn't accept an offer of $40 for it, which I thought was a reach for the dreadful condition it was in. Her reasoning was that she was sure that someone (read: a sucker) would pay the $150 for it. At a yard sale it might be worth $5. Cleaned up a bit maybe $30. In online platforms they're going for a bit more, but you're also saving yourself some level of "shoe leather" in the work of searching for the exact model you want.

      I've been specifically watching this model and a few related ones for a few months, and machines of indeterminate condition (though in my experience they're usually reasonably functionable or easily fixable), like this go for about $50 on ShopGoodWill.com (as auction items). There are usually about 4-5 per week which come up as this was a popular model in the 50s. You can probably find similar prices on eBay, though sellers there usually have a little more information about the working condition. They're definitely common enough that you could easily wait for the exact color options and typeface (pica or elite) that you're looking for, and could also probably purchase two for the price he's asking (including shipping.) I've been watching for a similar mid-50s Smith-Corona Clipper with similar colors and elite type for a while and just bought one online last week for $35. Patience definitely pays off.

      I would only go as high as $150 on that machine if I knew it was well functioning and had a brand new platen in the last several years. You can tell him that most of the expensive machines in the range he's asking for are all fully functioning, have been well maintained and/or recently serviced, and often have new platens, rubber rollers, and feet replaced. He'll know that this isn't the case with his and may come down in price. They're likely pricing it based on other listings they see and not pricing it based on actual sales. If it's their only machine, wait things out until they see that there aren't any takers. If it's a vintage shop, simply move on.

      The Smith-Corona Silents from this time period are really spectacular and solid machines, so good luck in your search for the perfect one.

    1. Walter Wellesley “Red” Smith used a version of this quote by 1949. In April of that year the influential and widely syndicated newspaper columnist Walter Winchell wrote. Boldface has been added to excerpts:[1]1949 April 06, Naugatuck Daily News, Walter Winchell In New York, Page 4, Column 5, Naugatuck, Connecticut. (NewspaperArchive) Red Smith was asked if turning out a daily column wasn’t quite a chore. …”Why, no,” dead-panned Red. “You simply sit down at the typewriter, open your veins, and bleed.”

      via 1949 April 06, Naugatuck Daily News, Walter Winchell In New York, Page 4, Column 5, Naugatuck, Connecticut. (NewspaperArchive)

      https://quoteinvestigator.com/2011/09/14/writing-bleed/

    1. Most Smith-Coronas in the 40s and 50s have similar ribbon set ups. Hopefully this photo and description will help:

      (Alt Text) Smith-Corona typewriter ribbon thread sample. A view into the type basket with the hood of the typewriter raised showing the ribbon coming out of a spool on the left, through a black ribbon guide (which actuates the autoswitch when the eyelet at the end of a spool gets stuck between it and the spool) next to the spool cup, and then into the two metal guides of the ribbon vibrator on either side of the the typing point. A silver pen's tip is pointing to the ribbon guide next to the spool cup at about the point where an eyelet clipped onto the middle of the end of a length of a ribbon would trip the ribbon auto switch.

      If your ribbon auto-switch isn't working one can usually switch the direction manually with the ribbon reverse lever usually found on the front left side of most machines.

      To speed up changing the ribbon on many machines, it can often help to switch the color selector to the red setting and then simultaneously press the G and H keys gently so that they're stuck together almost at the typing point which will raise the ribbon vibrator and make accessing the slots for threading the ribbon easier. Once the ribbon is installed, release the G and H typebars and select the correct color setting for the portion of the ribbon you want to use.

    1. where do I start?

      reply to u/rocklover7 at https://www.reddit.com/r/typewriters/comments/1cnljgm/where_do_i_start/

      The best thing you could do is to take a moment at the library or bookshop and pick up a copy of Polt, Richard. The Typewriter Revolution: A Typist’s Companion for the 21st Century. 1st ed. Woodstock, VT: Countryman Press, 2015.

      He looks at typewriters from a writers' writer perspective which I'm sure you'll appreciate. He's got experience with a wide variety of machines as well as a large collection himself. He goes over all of the common/popular (and solid machines) in a variety of sizes and formats to help you figure out which one you might like to start out with. He also covers some of the common problems and repairs that regularly pop up. The book is really a "best of" list of typewriter material from the past 15+ years of this reddit forum and material from the "typosphere" of which he's been not only an active member, but literal ring-leader. The vast majority of the questions which appear on a weekly basis here are discussed and addressed in his book, along with some emphasis on writerly concerns and practice which most beginners here wouldn't be asking. Even reading 3 or 4 of the 8 chapters which are rife with images will give you a solid crash course for exactly the sorts of typewriter (and writing) advice you're searching for.

      Definitely DO NOT pick up a new machine off of Amazon. They're even worse than some of the late 70s/early 80s machines. Instead, for beginners (and for the value) I'd recommend looking at Remingtons (Quiet-Riter), Royals (Quiet De Luxe), or Smith-Coronas (Clipper, Silent, Super) from roughly 1948-1958 which is generally the peak of U.S. typewriter manufacturing as well as for features. These were all built like tanks and are usually still in very good condition, even when they're in bad condition. I've provided links to some of these models in the typewriter database, so you have an idea visually of what to look out for.

      If desperate, and you live in an area where machines are priced starting over $50 or you're more price sensitive (making eBay, Facebook Marketplace or Craigslist less appealing), you can find some of these every day listed at shopgoodwill.com starting at $10. Even with heaving bidding on auctions, these usually don't go over $35 (except for some of the Smith-Coronas). I've even seen them (sadly) not move at all for $10. This would give you an incredibly solid and inexpensive machine to tinker on, and will most likely work for you out of the box (as long as it's got a ribbon.) You'll end up with a solid machine to start off on while you search for your dream machine. It'll also give you some experience cleaning up and maintaining one. Of the seven machines I've gotten this way and paid an average of about $30-35 each (all in with shipping, tax, etc.) All but one were all immediately usable and only needed moderate cleaning that one could do at home with a cloth, dish soap, a toothbrush and maybe some canned air. Two of the seven were in near mint condition and didn't need any work at all. Tag/garage sales are also inexpensive options that usually allow you test out a machine, but it requires some shoe leather and lots of patience. If you've got a favorite author you love and trust, you might try searching out their machines: https://site.xavier.edu/polt/typewriters/typers.html

      If there are any type-ins in your local area, try to go so you can not only meet others, but it might give you a chance to see and try out the machines of others to see what might suit you best.

      Happiness and best wishes on your search!

    1. it is not mold; it is plasticizers coming out of the plastic. I remove it with various means: alcohol, polishing with a very fine polish, Goo Gone™, naptha, and such.

      The white gunky substances seen on the plastic keys of old, unmaintained typewriters generally isn't mold, but plasticizers coming out of the plastic. These can usually be cleaned off using simple household cleaning products or if necessary heavier cleaners (Goo Gone, alcohol, naptha, etc. - test these on hidden parts first to ensure they don't react with or destroy the plastic or remove the paint of the key letters) followed up by light waxes or polishes and buffing.

    1. Now for the inks the biggest problem in inking a ribbon is finding inks that don’t dry out, therefore water based inks alone won’t work. However you can use a coloured ink pad to get the effect as the ink is mixed with glycerine keeping it from drying out!

      Glycerine mixed with ink may help keep typewriter ribbons from drying out.