先后玩过该作的 Playdate 原版以及 Switch 版本后,能够发现,尽管前者可以用曲柄更精确地控制方向和角度,但后者之于前者仍然有着更清晰的碰撞区域辨识、不易混淆的同方向操作。这不仅是《Hyper Meteor》这款跨平台游戏反映出的情况,而是几乎所有 2D Playdate 游戏的通病——曲柄操作是垂直于屏幕的另外一个空间维度
Z轴的掌控,或许可以试试齿轮。比起2D,多了纵深的感觉
先后玩过该作的 Playdate 原版以及 Switch 版本后,能够发现,尽管前者可以用曲柄更精确地控制方向和角度,但后者之于前者仍然有着更清晰的碰撞区域辨识、不易混淆的同方向操作。这不仅是《Hyper Meteor》这款跨平台游戏反映出的情况,而是几乎所有 2D Playdate 游戏的通病——曲柄操作是垂直于屏幕的另外一个空间维度
Z轴的掌控,或许可以试试齿轮。比起2D,多了纵深的感觉
For those of you that “think you have (?)” – think again; from Azrael to whomever damned our current faux and mistaken “medical world” in Nevada–the Constitution (your light and hope … if you do care; at the end of this thing) and the Hippocratic Oath … basically z’d and diseased–in my mind–in retrospect now—from the days of the (it’s not a) game: Hungry Hungry Hippo. Dear Pig-Sty; I do not jest on the word thirsty, nor it’s relation to Bethalhem or the Manger or the Farm–now by his word to me, in the Farmer. I’m still sitting here; on the “foot of the bed” in the very room where (for remembrance of the day; I’m going to call this other) Adam (Azrael [ther: Thurisaz and Azithromycin)) confirmed or at least responded verbally (in the mirror, to the mirror; seemingly in response to the request of the mirror/me) that “it speaks” … talking not in undertones or any kind of obscurity about the thing I call “planck space stuff” (P.S.S.) in relation to some kind of gamey looking process that I’ve noted really … happening only around Clearwater and Phoenix. This is a “time period” I’d set aside to sort of link as a second stepping stone in a series of only one other “safe jump back point” that was set (in another place and time that I no longer consider safe at all) upon just reaching Kentucky for the first time. We’ve reached past the firmament here; just yesterday–for the first time in many years with “living passengers” and it’s a sort of monument to the very strange time–and very strange experience of seeing “Mono” and the previously very loudly noted “apparent decade old time travel research” into the strange “Koran-tine” pandemic of the day–the “Corona virus.” It came fairly quickly over the course of only a few months and seems to have forever changed the face of the America … I’ve continued to write seems to stray farther and farther from the “thing and people I loved so much.” At the very same time–this exact period–I’ve noticed Monoceros and connected it to a significant message similar to the “Atlas” of Earth which through time has just noted “looking out my back door” as I listened to Credence Clearwater Revival–and minutes ago tried to “make clear” the tie between the single bridge depicted on a map of what could be the very first … “road between two stars” in a constellation just west of Orion (galactically, and with no imagination in the same temporal schpiel of "frumlegt an" … the Masonic and Judeochristian connection between Easter and Yeast … and the land of the rising red sun)–which only through some kind of (not really a) stretch of mythology would instantly tie to Jerusalem … were it’s “true pronounciation” ever really spoken or understood outside the context of “Gilgamesh” … to Cupid and Eros and “the arrows of 'the hunter you know so well’ (Europe, Time has Come).” #MONO #SEE #CC #LIKE #KISSING #EROS Monoceros; the "one bridge" constellation just to the "galactic east" of Orion; perhaps something like an "arrow" to Eros ... though I fear what you "see." #WYME #MENE https://t.co/GBHGCHhzLa — @hysz@mstdn.io ... @c@qoto.org (@notmymessiah) May 31, 2020 Here … connecting yesterday’s SpaceX launch of the first human into space in over a decade–to the “one giant leap” spoken by Neil Armstrong on July 20, 1969 … and to the galactic bridge between Andromeda and the Milky Way I’ve been dreaming up and writing about–and maybe even to the three trips across the Atlantic that Christopher Columbus made to get us all the way to another mentioning of Mastodon and the “Cambridges” that define in some special way the beginning and end of that word that most likely will forever now be tied to “cable” … and yet another Earthene microcosm for a technical road between stars. ... Nonnus, in his Dionysiaca, [nam] means "Zeus-limp" and that Hermes named the new born Dionysus this, "because Zeus while he *ried his burden διανοεῖν one foot with a limp from the weight of his thigh, and nysos in Syracusan language means limping" ..https://t.co/a95hysTfCU pic.twitter.com/LcEwcyVvg3 — Adam Marshall Dobrin -- @suzq@rettiwtkcuf.social (@yitsheyzeus) June 3, 2020
http://arkloud.xyz/transfer-2024-01-14-06-12-49 http://arkloud.xyz/transfer-2024-01-26-03-30-22
For those of you that "think you have (?)" -- think again; from Azrael to whomever damned our current faux and mistaken "medical world" in Nevada--the Constitution (your light and hope ... if you do care; at the end of this thing) and the Hippocratic Oath ... basically z'd and diseased--in my mind--in retrospect now---from the days of the (it's not a) game: Hungry Hungry Hippo. Dear Pig-Sty; I do not jest on the word thirsty, nor it's relation to Bethalhem or the Manger or the Farm--now by his word to me, in the Farmer.

I'm still sitting here; on the "foot of the bed" in the very room where (for remembrance of the day; I'm going to call this other) Adam (Azrael [ther: Thurisaz and Azithromycin)) confirmed or at least responded verbally (in the mirror, to the mirror; seemingly in response to the request of the mirror/me) that "it speaks" ... talking not in undertones or any kind of obscurity about the thing I call "planck space stuff" (P.S.S.) in relation to some kind of gamey looking process that I've noted really ... happening only around Clearwater and Phoenix. This is a "time period" I'd set aside to sort of link as a second stepping stone in a series of only one other "safe jump back point" that was set (in another place and time that I no longer consider safe at all) upon just reaching Kentucky for the first time.
We've reached past the firmament here; just yesterday--for the first time in many years with "living passengers" and it's a sort of monument to the very strange time--and very strange experience of seeing "Mono" and the previously very loudly noted "apparent decade old time travel research" into the strange "Koran-tine" pandemic of the day--the "Corona virus." It came fairly quickly over the course of only a few months and seems to have forever changed the face of the America ... I've continued to write seems to stray farther and farther from the "thing and people I loved so much." At the very same time--this exact period--I've noticed Monoceros and connected it to a significant message similar to the "Atlas" of Earth which through time has just noted "looking out my back door" as I listened to Credence Clearwater Revival--and minutes ago tried to "make clear" the tie between the single bridge depicted on a map of what could be the very first ... "road between two stars" in a constellation just west of Orion (galactically, and with no imagination in the same temporal schpiel of "frumlegt an" ... the Masonic and Judeochristian connection between Easter and Yeast ... and the land of the rising red sun)--which only through some kind of (not really a) stretch of mythology would instantly tie to Jerusalem ... were it's "true pronounciation" ever really spoken or understood outside the context of "Gilgamesh" ... to Cupid and Eros and "the arrows of 'the hunter you know so well' (Europe, Time has Come)."
#MONO #SEE #CC #LIKE #KISSING #EROS\ \ Monoceros; the "one bridge" constellation just to the "galactic east" of Orion; perhaps something like an "arrow" to Eros ... though I fear what you "see." #WYME #MENE https://t.co/GBHGCHhzLa
--- @hysz@mstdn.io ... @c@qoto.org (@notmymessiah) May 31, 2020
Here ... connecting yesterday's SpaceX launch of the first human into space in over a decade--to the "one giant leap" spoken by Neil Armstrong on July 20, 1969 ... and to the galactic bridge between Andromeda and the Milky Way I've been dreaming up and writing about--and maybe even to the three trips across the Atlantic that Christopher Columbus made to get us all the way to another mentioning of Mastodon and the "Cambridges" that define in some special way the beginning and end of that word that most likely will forever now be tied to "cable" ... and yet another Earthene microcosm for a technical road between stars.
... Nonnus, in his Dionysiaca, [nam] means "Zeus-limp" and that Hermes named the new born Dionysus this, "because Zeus while he *ried his burden διανοεῖν one foot with a limp from the weight of his thigh, and nysos in Syracusan language means limping" ..https://t.co/a95hysTfCU pic.twitter.com/LcEwcyVvg3
--- Adam Marshall Dobrin -- @suzq@rettiwtkcuf.social (@yitsheyzeus) June 3, 2020
Az, I imagine; also recently ... in the last several months since my visit to "Space Station VEGA" in or around Area 51 and what the name and shape of "Nevada" secretly swirls and congeals around ... the important words and mentioning were the linking of multiple London's across disparate Earths or perhaps just "realms of the United Kingdom" and explaining that even a city of the "almost same people" talking to themselves caused a kind of Renaissance--this of course relates to "Mastodon" as ... what it is is a kind of decentralized bridge of things like Twitter and our cellular SMS--that could technically "instantly" link multiple Earths--were there, of course, such a thing.
It's time to cancel a singular planet existence.
--- Bored Elon Musk (@BoredElonMusk) May 26, 2020
Just about "as stupid as silence" itself, not wanting to infuse our economy and our civilzation with the instant "jump towards the skies" that ... well food on tap, and the end of disease coming from not magic but the truth--that we're evil as shit to be simulating "cancer" in secret ... and it's the simulating part, that's the key--the future of civilization will be spending most of it's time, it's happy years in the environment that today we liken best to "video game" or "simulation" and that doesn't mean it's take--what's fake here is our lack of understanding that "disease" is not something you impart on your house or your kin or your kids, not on purpose--and that's not just love and logic ... there's something else missing from the Zeitgeist in this day in this "age" and that's a clear lack of respect for undeniable truth and what it's acknowledgement will bring -- namely an "r" bouncy bouncy bouncing off the trampoline deeply embedded in our pathway to Heaven not just in the Matrix or the word "trampoline" but in our heart of hearts where we know that pressing a button will skyrocket everything from the Dow Jones Industrial Average to the elation in your hearts ... of course, at seeing END-E and NES in that index. So kissed, or to be kissing for a long, long time ... ? That is not a question, is it? This is my sort of "goto" modern art to see the magical connection between "Do Androids Dream of Electric Sheep?" and a sort of real life ... well, a story about the rise and fall of systems and interfaces to help us see how easy it is to turn down "hate and pain" and replace it with "drive and happiness" instead. It's a single episode of Dr. Who with a poingnant name and and a visualization of something "I've seen in the pages of a book about a bruised sky and a ... well, they lead us" on ... The same technology that could replace addiction with "an end to schizophrenia and to depression and to ..." that same thing could equally be used to create a mindless army of slaves that believe they're voting (would you believe, voting subconsciously? maybe a Universe built on the "will to power me" or on ... the "power of the law of attractiveness") anyway, I've talked a little about what I see as a near absolute eventuality ... a system that includes what I call "limited omniscience" which is ... plugging Alexa into your heart with a transparent actually subconscious psuedo-anonymous voter record that I sort of see mapped in the actual meaning of the words "social security number" if not the first act of the newly infused land of "land, oil, and light are not scarce" to turn into something a little closer to Zoltan Istvan's living wage. Anyway, I'm actually considering writing some fiction because the imaginary imagery being pumped into my daydreams is getting to cute and interesting that I can't imagine losing phrases and company names like "Accured" (and I spent some time transforming it and reading "anureddit" ... a new ... sword--perhaps) as a sort of example of what I might name a company designed to build "truth tables" for plugging into our pre-vote minds in a world where these kinds of things are created in competition, in a marketplace maybe using "web of trust" and of course a competing system of "checking them" that's a little more defined and useful than Snopes and the new California "fact checking authority." It's trivial to see, how if you were building a system like this with the intent of it actually working and caring about the ... you know, the "office worker" .. you'd automatically check the newldy adulterated subconscious vote against a ... well, against your soul's actual desire and through that process of reconconciliation probably come up with a whole host of disilluions, fixes, adjustments, and of course bugs--probably bugs to be fixed too. To tell you the truth, I'd much rather actually build something that works than write story after story about something I know has already been built, and already sent us a "version 7.0 roadmap" I'd like to see it implemented here, in the place that it was designed for, by, and with. I envision a future sort of democracy built on "many parties" and a technological infastructure for defeating the Elephant and the Donkey and the "two of everything God's Ark" of ideas ... to actually build a technological governance system that aids the legislative process in coming up with solutions and ensuring that forward progress comes from the stagnatory soup of "me-ta nada" that might be a timeline and "all nations" or maybe I'm the only one talking about the beginning and the end of "the name." C H R I S T I A S C I T Y Lost without the subtitle, I flipped right to the page and looked directly at the paragraph about "VESPERA" about seeing (I'm actually seeing it, exxperiencing it, I'm trying to show you what "S" ... means) proof of telekenesis and predestination and all of it linking to Ecbatana and the province of Media ... where the archives are help. Christ, I "as" ... it Y ... to see the Atlantean key to Asgard floating and glowing in the skey. If you find the puzzle interesting, the AD and AN appear to be related to "all humanity" in a similar AH and AY that might turn Allah into Allay, I mean, Allol.. at the completion of our visual and visible "r." This conversation is literally the "crux" of the dichtomy between "all and one" that we see not just in Allah but also in "Elohim" and in "Jesus" and in ... well, "to help our EE Musketeer" ... the difference between soft--ah and the completion of one hard-ay. For some "hidden key ... mabye" my name was shortened from Dobrinsky ... also not a question, am I right? Anyway, you can see the sort of traversal from "an to as to ay" and of course, sans-AK... heart of the sky
fuck worlds reaction to "post-it note" entitled, every word, every language;
fallen fallen is the tower of babylon and
After the success of their Japanese otome game ports in the West, publisher Voltage Inc launched a US based division that specialized in original English language otome titles. The new brand, Lovestruck, put out a number of otome titles until 2021 when Voltage Inc announced they were terminating the service.
I didn't know Lovestruck was shut down!! D:
"And the scientist still can't explain the pyramids, huh Evangelists making a living on the videos of ribs of the little kids Stereotyping the image of the images And this is what the image is" similar criticism of religious fundamentalists and secular groups who exploit our emotions - FEAR - esp. playing cards on our "differences", negativity, problems to project their own fears, ideologies and keep everyone in the game of the matrix - the game of polarities and paradigm wars on human consciousness/energy. refers to televangelists who exploit the problem of poverty and children who are dying of malnourishment of hunger to generate their own income. not really creating our productive change to create a long-term solution or fix to these problems. feigned/false compassion and care.
Worth noting for Christians: before responding on impulse (from a good heart) and paying to save children, take a moment to stop, reflect and analyse, is this a trustworthy organization and person? Will my money truly solve something, will it really help someone?
February 2008
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does agriculture become a 00:51:16 progress trap has it been a progress trap well i think i think in a sense it has
for - progress trap - Agriculture appears to be a progress trap - Ronald Wright
argument - progress trap - Agriculture appears to be a progress trap - Ronald Wright - The early progress traps have been comparatively small in scale - During the stone age, there were no more than a few million people alive (3 to 5 million?) and - they destroyed all the big game where humans lived - The Sumerians, with a population of around one million people salted up and destroyed the fertile land of Southern Iraq - Now we have 8 billion people and a third of them are starving - Our continuous technology development is what enables us to stave off the day of reckoning but - we are losing a Scotland-size worth of topsoil every year to - soil erosion - urban sprawl - We still face the possibility of collapse - Our species has existed for 5 to 6 million years and - civilization is an experiment that has only emerged about 10,000 years ago - It's still very possible for the experiment to fail
when you've killed off all the big game and you're sort of running around hunting rabbits and small birds and you're starting to think this 00:11:49 really isn't good enough and probably in those those hunting societies is usually the women and children who do the gathering and they were probably uh producing 00:12:02 a bigger and bigger percentage of the food supply from their activities
for - progress - transition from stone age hunter gatherers to agriculture - role of women and children
ticks. The playersare all stripped and painted, with feathers in their hair, just as theyappear in the g
pre game rituals
, but in formerdays the punishment for an infraction of this regulation was severe,and in some tribes the penalty was death. Should a player's wifebe with child, he is not allowed to take part in the game under anycircumstances, as he is then believed to be heavy and sluggish inhis movements, having lost just so much of his strength as has goneto the chil
"if you see a woman, you are dead"
s speed and suppleness of limb and a considerable degree ofmuscular strength are prime requisites in the game, the players arealways selected from among the most athletic young men, and to beknown as an expert player was a distinction hardly less covetedthan fame as a warrior. To bring the game to its highest perfec-tion, the best players voluntarily subjected themselves to a regularcourse of training and conjuring; so that in time they came to beregarded as professionals who might be counted on to take part inevery contest, exactly like the professional ball player among thewhites. To farther incite them to strain every nerve for victory,two settlements, or sometimes two rival tribes, were always pittedagainst each other, and guns, blankets, horses--everything theIndian had or valued-were staked upon the
its a ritual. basically, they arent gonna fight so they play. glory comes with both but death only comes with one.
In California men and women played together, while amongmost of the more warlike tribes to the eastward it was pre-eminentlya manly game, and it was.believed to insure defeat to a party if awoman even so much as touched a ball stick.
its interesting how on the west coast the women played but then in other places they were considered bad luck? why? also this is still something that is prevalent in sports today so like....
tion, that among the northernand western tribes the player used but one ball stick, while in theGulf States each contestant carried two and caught the ball betweenthe
how they play the game
But he likes playful people, who see conversation as a game. After all, what is conversation for?
This second paragraph is my problem with Duolingo. It tries to gamify language learning, but you end up playing a game more than actually learning a language. It's indeed really only good to learn vocabulary, in my opinion. Learning the grammar, the structure of a language, will teach you much more and more quickly. Vocabulary will come easily enough, it's the structure of the language that really teaches you the language. permalinkembedsaveparentreportreply[–]Slight-Brain6096 10 points11 points12 points 2 days ago (0 children)The best way to learn a language is total immersion. That isn't possible for the most of us. Duolingo gives me enough to be able to go and spend a weekend apologising to Italian restaurant staff for murdering their beautiful language
I wonder how true these statements are for other people... in general
We would be 100% better off creating a new website that does things better than Duolingo. permalinkembedsaveparentreportreply[–]AegisToast 49 points50 points51 points 24 days ago (4 children) We would be 100% better off creating a new website that does things better than Duolingo. Great! Go do it. permalinkembedsaveparentreportreply[–]Khang4 18 points19 points20 points 24 days ago (3 children)There's plenty of websites that do it better than Duolingo already lol. permalinkembedsaveparentreportreply[–]Existing_Imagination 🇪🇸 N | 🇬🇧 C2 | 🇯🇵 Just started 7 points8 points9 points 24 days ago (1 child)Keeping in mind that Duolingo is a game and not an e-book, which ones? permalinkembedsaveparentreportreply[–]pauuul19 3 points4 points5 points 23 days ago (0 children)genuine bump^ post sauce permalinkembedsaveparentreportreply[–]dcporlandoEn N | Es B1? 1 point2 points3 points 23 days ago (0 children)Not for Spanish. permalinkembedsaveparentreportreply[–]furac_1 8 points9 points10 points 24 days ago (0 children) We would be 100% better off creating a new website that does things better than Duolingo. They are trying to do it, it's called lingonaut
I wonder what people would want in such a website. Just, more languages? Or more community-sourced content? Or...?
In a game, the person makes decisions and decides what actions to take, what punches to punch, or when to jump.
I really enjoy these types of activities that the person decided what action to take because you can feels part of the story, game etc..
So how do you decide which games to play? The story of gamification offers five broad rules.
1) choose long-term goals - if you did the same thing today for the next 10 years, where would you be? 2) choose hard games - hone skills and build characters through long-term games 3) choose positive-sum games - games where every player is benefitted by playing 4) choose atelic games - games that you enjoy the process of, not the reward 5) - choose immeasurable rewards - freedom, meaning love
There is, after all, a vacancy in heaven. When God is dead, and nations are atomized, and family seems burdensome, and machines can beat us at our jobs and even at art, and trust and truth are lost in a roiling sea of AI-generated clickbait — what is left but games?
Companies that exploit our gameplaying compulsion will have an edge over those who don’t, so every company that wishes to compete must gamify in ever more addictive ways, even though in the long term this harms everyone. As such, gamification is not just a fad; it’s the fate of a digital capitalist society. Anything that can be turned into a game sooner or later will be. And the games won’t just be confined to our phones — “extended reality” eyewear like Meta Quest and Apple Vision, once they become normalized, will make playing even harder to avoid.
On X, meanwhile, there is a self-propagating system known as “the culture war”. This game consists of trying to score points (likes and retweets) by attacking the enemy political tribe. Unlike in a regular war, the combatants can’t kill each other, only make each other angrier, so little is ever achieved, except that all players become stressed by constant bickering. And yet they persist in bickering, if only because their opponents do, in an endless state of mutually assured distraction.
On Instagram, the main self-propagating system is a beauty pageant. Young women compete to be as pretty as possible, going to increasingly extreme lengths: makeup, filters, fillers, surgery. The result is that all women begin to feel ugly, online and off.
To illustrate his point, Kaczynski describes a thought experiment involving a forested region occupied by several rival kingdoms. The kingdoms that clear the most land for agriculture can support a larger population, affording them a military advantage. Every kingdom must therefore clear as much forest as possible, or face being conquered by its rivals. The resulting deforestation eventually leads to ecological disaster and the collapse of all the kingdoms. Thus, a trait that is advantageous for every kingdom’s short-term survival leads in the long term to every kingdom’s demise.Kaczynski was describing a “social trap”, a term coined by a student of Skinner, John Platt, who’d theorized that an entire population behaving like pigeons in a Skinner box, each acting only for the next immediate reward, would eventually overexploit a resource, causing ruin for everyone. What Platt called “social traps”, Kaczynski called “self-propagating systems”, because he viewed them as negative-sum games that took on a life of their own, defeating every player to become the only winner. He believed such games not only drove industrialization but also replaced the sense of purpose and meaning that industrialization destroyed. They were thus inextricable from technological advancement, and, in a society like ours, impossible to stop.
social trap/self-propagating systems - the more harm done, the more addicting it is. the more you're winning, the more you're losing
Put simply, we try to measure what we value, but end up valuing what we measure.And what we measure is rarely what we mean to value. As Skinner showed, the goals of games — points, badges, trophies — are secondary reinforcers that only derive their worth due to their association with something we actually desire. But these associations are often illusory. A click is not the same thing as a food pellet. And points are not the same as progress.
Kaczynski’s theories eerily prophesize the capture of society by gamification. While he overlooked the benefits of technology, he diligently noted its dangers, recognizing its role in depriving us of purpose and meaning. Today the evidence is everywhere: religion is dying out, Western nations are culturally confused, people are getting married less and having fewer children, and many jobs are threatened by automation, so the traditional pillars of life — God, nation, family, and work — are weakening, and people are losing their value systems. Amid such uncertainty, games, with their well-defined rules and goals, provide a semblance of order and purpose that may otherwise be lacking in people’s lives. Gamification is thus no accident, but an attempt to plug a widening hole in society.
Kaczynski argued that such conveniences didn’t make us happy, only aimless. And to stave off this aimlessness, we had to continually set ourselves goals purely to have goals to pursue, which Kaczynski called “surrogate activities”. These included sports, hobbies, and chasing the latest product that ads promised would make us happy.
this is interesting. we set goals just to have goals to pursue. we're chronically addicted to problem-solving.
These features turned social media into the world’s most addictive status game.
Respect is so important to humans that it’s a key reason we evolved to play games. Will Storr, in his book The Status Game, charted the rise of game-playing in different cultures, and found that games have historically functioned to organize societies into hierarchies of competence, with score acting as a conditioned reinforcer of status. In other words, all games descend from status games. The association between score and status has grown so strong in our minds that, like pigeons pecking the button long after the food dispenser has stopped dispensing, we’ll chase scores long after everyone else has stopped watching.
Most of the feedback loops in employment — from salary payments to annual performance appraisals — were torturously long. So Coonradt proposed shortening them by introducing daily targets, points systems, and leaderboards. These conditioned reinforcers would transform work from a series of monthly slogs into daily status games, in which employees competed to fulfil the company’s goals.
This led him to propose two kinds of reward: primary and conditioned reinforcers. A primary reinforcer is something we’re born to desire. A conditioned reinforcer is something we learn to desire, due to its association with a primary reinforcer. Skinner found that conditioned reinforcers were generally more effective in shaping behavior, because while our biological need for the primary reinforcer is easily satiable, our abstract desire for the conditioned reinforcer isn’t. The pigeons would stop seeking food once their bellies were full, but they’d take far longer to get tired of hearing the food dispenser click.
conditioned reinforcer are more effective (click > food)
Skinner’s goal was to make his pigeons peck the button as many times as possible. From his experiments, he made three discoveries. First, the pigeons pecked most when doing so yielded immediate, rather than delayed, rewards. Second, the pigeons pecked most when it rewarded them randomly, rather than every time. Skinner’s third discovery occurred when he noticed the pigeons continued to peck the button long after the food dispenser was empty, provided they could hear it click. He realized the pigeons had become conditioned to associate the click with the food, and now valued the click as a reward in itself.
1) immediate response/feedback 2) reward randomly instead of consistent 3) the click has become a reward too, not just the food
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原文
The bishops and knights are good pieces to have out in the opening phase of the game. They're both powerful enough to be useful in attacking your opponent, but not so powerful that you can't afford to lose them in an early trade.
案
ビショップとナイトは、ゲームの初期段階で持っておくのに適した駒です。どちらも十分強力で敵を攻撃するのに役立ちますが、早期の駒のやり取りで失うわけにはいかないほど強力ではありません。
. why is it always theinnocents who su er most, when you high lords play your game ofthrones?
yeahh
“This is no longer a game for two players,if ever it was. Stannis Baratheon and Lysa Arryn have ed beyondmy reach, and the whispers say they are gathering swords aroundthem. The Knight of Flowers writes Highgarden, urging his lordfather to send his sister to court. The girl is a maid of fourteen,sweet and beautiful and tractable, and Lord Renly and Ser Lorasintend that Robert should bed her, wed her, and make a new queen.Little nger ... the gods only know what game Little nger is playing.Yet Lord Stark’s the one who troubles my sleep. He has the bastard,he has the book, and soon enough he’ll have the truth. And now hiswife has abducted Tyrion Lannister, thanks to Little nger’smeddling. Lord Tywin will take that for an outrage, and Jaime has aqueer a ection for the Imp. If the Lannisters move north, that willbring the Tullys in as well.
he really does know everythingg
he common people pray for rain, healthy children, and asummer that never ends,” Ser Jorah told her. “It is no matter tothem if the high lords play their game of thrones, so long as they areleft in peace.” He gave a shrug. “They never are.”
poor small folk
Not for the rst time,he wondered what he was doing here and why he had come. He wasno Jon Arryn, to curb the wildness of his king and teach himwisdom. Robert would do what he pleased, as he always had, andnothing Ned could say or do would change that. He belonged inWinterfell. He belonged with Catelyn in her grief, and with Bran.
you're here to set off the game
“Well, nowI know Jaime’s dark sin, and the matter can be forgotten. I amheartily sick of secrets and squabbles and matters of state, Ned. It’sall as tedious as counting coppers. Come, let’s ride, you used toknow how. I want to feel the wind in my hair again.” He kicked hishorse back into motion and galloped up over the barrow, rainingearth down behind him.
og hater of te game of thrones
Finally he got tired of the stick game and decided to go climbing.He hadn’t been up to the broken tower for weeks with everythingthat had happened, and this might be his last chance.
oh nooo
Reviewer #2 (Public Review):
Summary:
Using an innovative task design and analysis approach, the authors set out to show that the activity patterns in the hippocampus related to the development of social relationships with multiple partners in a virtual game. While I found the paper highly interesting (and would be thrilled if the claims made in the paper turned out to be true), I found many of the analyses presented either unconvincing or slightly unconnected to the claims that they were supposed to support. I very much hope the authors can alleviate these concerns in a revision of the paper.
Strengths & Weaknesses:
(1) The innovative task design and analyses, and the two independent samples of participants are clear strengths of the paper.
(2) The RSA analysis is not what I expected after I read the abstract and tile of the result section "The hippocampus represents abstract dimensions of affiliation and power". To me, the title suggests that the hippocampus has voxel patterns, which could be read out by a downstream area to infer the affiliation and power value, independent of the exact identity of the character in the current trial. The presented RSA analysis however presents something entirely different - namely that the affiliation trials and power trials elicit different activity patterns in the area indicated in Figure 3. What is the meaning of this analysis? It is not clear to me what is being "decoded" here and alternative explanations have not been considered. How do affiliation and power trials differ in terms of the length of sentences, complexity of the statements, and reaction time? Can the subsequent decision be decoded from these areas? I hope in the revision the authors can test these ideas - and also explain how the current RSA analysis relates to a representation of the "dimensions of affiliation and power".
(3) Overall, I found that the paper was missing some more fundamental and simpler RSA analyses that would provide a necessary backdrop for the more complicated analyses that followed. Can you decode character identity from the regions in question? If you trained a simple decoder for power and affiliation values (using the LLE, but without consideration of the sequential position as used in the spline analysis), could you predict left-out trials? Are affiliation and power represented in a way that is consistent across participants - i.e. could you train a model that predicts affiliation and power from N-1 subjects and then predict the Nth subject? Even if the answer to these questions is "no", I believe that they are important to report for the reader to get a full understanding of the nature of the neural representations in these areas. If the claim is that the hippocampus represents an "abstract" relationship space, then I think it is important to show that these representations hold across relationships. Otherwise, the claim needs to be adjusted to say that it is a representation of a relationship-specific trajectory, but not an abstract social space.
(4) To determine that the location of a specific character can be decoded from the hippocampal activity patterns, the authors use a sequential analysis in a low-dimensional space (using local linear embedding). In essence, each trial is decoded by finding the pair of two temporally sequential trials that is closest to this pattern, and then interpolating the power/affiliation values linearly between these two points. The obvious problem with this analysis is that fMRI pattern will have temporal autocorrelation and the power and affiliation values have temporal autocorrelation. Successful decoding could just reflect this smoothness in both time series. The authors present a series of control analyses, but I found most of them to not be incisive or convincing and I believe that they (and their explanation of their rationale) need to be improved. For example, the circular shifting of the patterns preserves some of the autocorrelation of the time series - but not entirely. In the shifted patterns, the first and last items are considered to be neighboring and used in the evaluation, which alone could explain the poor performance. The simplest way that I can see is to also connect the first and last item in a circular fashion, even when evaluating the veridical ordering. The only really convincing control condition I found was the generation of new sequences for every character by shuffling the sequence of choices and re-creating new artificial trajectories with the same start and endpoint. This analysis performs much better than chance (circular shuffling), suggesting to me that a lot of the observed decoding accuracy is indeed simply caused by the temporal smoothness of both time series.
(5) Overall, I found the analysis of the brain-behavior correlation presented in Figure 5 unconvincing. First, the correlation is mostly driven by one individual with a large network size and a 6.5 cluster. I suspect that the exclusion of this individual would lead to the correlation losing significance. Secondly, the neural measure used for this analysis (determining the number of optimal clusters that maximize the overlap between neural clustering and behavioral clustering) is new, non-validated, and disconnected from all the analyses that had been reported previously. The authors need to forgive me for saying so, but at this point of the paper, would it not be much more obvious to use the decoding accuracy for power and affiliation from the main model used in the paper thus far? Does this correlate? Another obvious candidate would be the decoding accuracy for character identity or the size of the region that encodes affiliation and power. Given the plethora of candidate neural measures, I would appreciate if the authors reported the other neural measures that were tried (and that did not correlate). One way to address this would have been to select the method on the initial sample and then test it on the validation sample - unfortunately, the measure was not pre-registered before the validation sample was collected. It seems that the correlation was only found and reported on the validation sample?
The majority of academic writing, particularly in regards to journal articles, is of course produced as part of academic author’s position. For many it is expected that as part of the academic’s position within the university that they continuously publish, whether journals, collections, or monographs.
Comment by LucaMorini: And most of what actually comprises our work in the 21st Century, such as this kind of discussions, will never give us any "points" in the "game" of publishing, where only the final outcomes (that are still produced under a pre-digital, Gutenbergian paradigm) count for something. A system oriented to quantification and control over 19th century media. Please note I am not saying that I would prefer that my tweets counted toward my career, but indeed further highlighting the inconsistencies and absurdity of the current academic publishing policies (and market).
Reviewer #2 (Public Review):
This manuscript is motivated by the question of what mechanisms cause overyielding in mixed-species communities relative to the corresponding monocultures. This is an important and timely question, given that the ultimate biological reasons for such biodiversity effects are not fully understood.
As a starting point, the authors discuss the so-called "additive partitioning" (AP) method proposed by Loreau & Hector in 2001. The AP is the result of a mathematical rearrangement of the definition of overyielding, written in terms of relative yields (RY) of species in mixtures relative to monocultures. One term, the so-called complementarity effect (CE), is proportional to the average RY deviations from the null expectations that plants of both species "do the same" in monocultures and mixtures. The other term, the selection effect (SE), captures how these RY deviations are related to monoculture productivity. Overall, CE measures whether relative biomass gains differ from zero when averaged across all community members, and SE, whether the "relative advantage" species have in the mixture, is related to their productivity. In extreme cases, when all species benefit, CE becomes positive. When large species have large relative productivity increases, SE becomes positive. This is intuitively compatible with the idea that niche complementarity mitigates competition (CE>0), or that competitively superior species dominate mixtures and thereby driver overyielding (SE>0).
However, it is very important to understand that CE and SE capture the "statistical structure" of RY that underlies overyielding. Specifically, CE and SE are not the ultimate biological mechanisms that drive overyielding, and never were meant to be. CE also does not describe niche complementarity. Interpreting CE and SE as directly quantifying niche complementarity or resource competition, is simply wrong, although it sometimes is done. The criticism of the AP method thus in large part seems unwarranted. The alternative methods the authors discuss (lines 108-123) are based on very similar principles.
The authors now set out to develop a method that aims at linking response patterns to "more true" biological mechanisms.
Assuming that "competitive dominance" is key to understanding mixture productivity, because "competitive interactions are the predominant type of interspecific relationships in plants", the authors introduce "partial density" monocultures, i.e. monocultures that have the same planting density for a species as in a mixture. The idea is that using these partial density monocultures as a reference would allow for isolating the effect of competition by the surrounding "species matrix".
The authors argue that "To separate effects of competitive interactions from those of other species interactions, we would need the hypothesis that constituent species share an identical niche but differ in growth and competitive ability (i.e., absence of positive/negative interactions)." - I think the term interaction is not correctly used here, because clearly competition is an interaction, but the point made here is that this would be a zero-sum game.
The authors use the ratio of productivity of partial density and full-density monocultures, divided by planting density, as a measure of "competitive growth response" (abbreviated as MG). This is the extra growth a plant individual produces when intraspecific competition is reduced.
Here, I see two issues: first, this rests on the assumption that there is only "one mode" of competition if two species use the same resources, which may not be true, because intraspecific and interspecific competition may differ. Of course, one can argue that then somehow "niches" are different, but such a niche definition would be very broad and go beyond the "resource set" perspective the authors adopt. Second, this value will heavily depend on timing and the relationship between maximum initial growth rates and competitive abilities at high stand densities.
The authors then progress to define relative competitive ability (RC), and this time simply uses monoculture biomass as a measure of competitive ability. To express this biomass in a standardized way, they express it as different from the mean of the other species and then divide by the maximum monoculture biomass of all species.
I have two concerns here: first, if competitive ability is the capability of a species to preempt resources from a pool also accessed by another species, as the authors argued before, then this seems wrong because one would expect that a species can simply be more productive because it has a broader niche space that it exploits. This contradicts the very narrow perspective on competitive ability the authors have adopted. This also is difficult to reconcile with the idea that specialist species with a narrow niche would outcompete generalist species with a broad niche. Second, I am concerned by the mathematical form. Standardizing by the maximum makes the scaling dependent on a single value.
As a final step, the authors calculate a "competitive expectation" for a species' biomass in the mixture, by scaling deviations from the expected yield by the product MG ⨯ RC. This would mean a species does better in a mixture when (1) it benefits most from a conspecific density reduction, and (2) has a relatively high biomass.
Put simply, the assumption would be that if a species is productive in monoculture (high RC), it effectively does not "see" the competitors and then grows like it would be the sole species in the community, i.e. like in the partial density monoculture.
Overall, I am not very convinced by the proposed method.
(1) The proposed method seems not very systematic but rather "ad hoc". It also is much less a partitioning method than the AP method because the other term is simply the difference. It would be good if the authors investigated the mathematical form of this remainder and explored its properties.. when does complementarity occur? Would it capture complementarity and facilitation?
(2) The justification for the calculation of MG and RC does not seem to follow the very strict assumptions of what competition (in the absence of complementarity) is. See my specific comments above.
(3) Overall, the manuscript is hard to read. This is in part a problem of terminology and presentation, and it would be good to use more systematic terms for "response patterns" and "biological mechanisms".
Examples:<br /> - on line 30, the authors write that CE is used to measure "positive" interactions and SE to measure "competitive interactions", and later name "positive" and "negative" interactions "mechanisms of species interactions". Here the authors first use "positive interaction" as any type of effect that results in a community-level biomass gain, but then they use "interaction" with reference to specific biological mechanisms (e.g. one species might attract a parasite that infests another species, which in turn may cause further changes that modify the growth of the first and other species).
- on line 70, the authors state that "positive interaction" increases productivity relative to the null expectation, but it is clear that an interaction can have "negative" consequences for one interaction partner and "positive" ones for the other. Therefore, "positive" and "negative" interactions, when defined in this way, cannot be directly linked to "resource partitioning" and "facilitation", and "species interference" as the authors do. Also, these categories of mechanisms are still simple. For example, how do biotic interactions with enemies classify, see above?
- line 145: "Under the null hypothesis, species in the mixture are assumed to be competitively equivalent (i.e., absence of interspecific interactions)". This is wrong. The assumption is that there are interspecific interactions, but that these are the same as the intraspecific ones. Weirdly, what follows is a description of the AP method, which does not belong here. This paragraph would better be moved to the introduction where the AP method is mentioned. Or omitted, since it is basically a repetition of the original Loreau & Hector paper.
Other points:
- line 66: community productivity, not ecosystem productivity.<br /> - line 68: community average responses are with respect to relative yields - this is important!<br /> - line 64: what are "species effects of species interactions" ?<br /> - line 90: here "competitive" and "productive" are mixed up, and it is important to state that "suffers more" refers to relative changes, not yield changes.<br /> - line 92: "positive effect of competitive dominance": I don't understand what is meant here.
Whale-balls for breakfast—don’t forget.”
Would be funny if he were not dogging Fleece with this nonsense. This feels like jolly, happy-go-lucky Stubb on the surface, but this whole scene shows that Stubb is happy to amuse himself at the expense of his perceived lesser. (This whole scene also resonates again when he tells Pip, "We can't afford to lose whales by the likes of you; a whale would sell for thirty times what you would, Pip, in Alabama" ("The Castaway" 307). Sure, there Stubb is trying to use any means available to convince Pip not to jump again, but he clearly sees him as Black and therefore fair game for bullying and devaluation (or, monetary valuation). I feel like Stubb shows his true colors (so to speak) as far as race in his obnoxious treatment of Fleece. He has no qualms about using race to put Pip "in his place.")
draw
British English a game or contest that ends with the score even: he scored twice to force a 4–4 draw.
What is the difference between a game and something that simply has a point system?
I take this to mean that with games, we have control. However, I don't understand how other art forms lack agency. Unless I have the definition of 'agency' wrong. I believed art to be fully in the hands of the artist and they can send whatever message they wish. What does this line mean? Or does it mean that the control is given fully to the observer/ audience?
Our goals are messy. They’re strange and complex and multifaceted, but then they are collapsed down to scoring systems. And the thing that can happen here is we lose sight of what we wanted and we begin to want what the point system wants. We don’t play the game. The game plays us.
This is something we discussed in the first day of lecture. A lot of the time in college, even if we take a class because we find it interesting, instead of actually learning from the class, we treat it like a game of some sort. Just trying to earn the highest score possible by looking up answers for homework instead of working on the problems. In a math class, our goal may be to become a mathematician by learning and improving our math skills, but when deadlines approach, we opt for looking up answers to the homework questions designed to help us learn. Which might give us the highest score/grade, but now our goals are "collapsed down to scoring systems".
If the wonder of real games is the possibility of flexing through this wide landscape of possibility, then the gamification of activities in the world is doing two things to us. One, it’s funneling our values down one particular pre-established path for a real world activity, for something that’s connected out to politics and the world. And two, it’s not giving us any space to step back.
The dialogue around this idea brings up the concept of mindfulness and intention again, saying that with video games, you have the choice to take a break from them or switch to another game, but in a gamified reality, we cannot take a step back from life. In a way, I think that it it up to each individual to ask themselves these types of questions C. Thi Nguyen asks himself, such as "was that worthwhile? was that interesting?" etc. Society perhaps was not as "gamified," but humanity has always "funneled" our values down one "particular pre-established path" in a way. Humans are social and certain things are socially acceptable and some are deemed frowned upon. Nothing will be universally agreed upon, but social pressure itself, not just gamification, has contributed to this issue.
Our goals are messy. They’re strange and complex and multifaceted, but then they are collapsed down to scoring systems. And the thing that can happen here is we lose sight of what we wanted and we begin to want what the point system wants. We don’t play the game. The game plays us.
This is something we discussed in the first day of lecture. A lot of the time in college, even if we take a class because we find it interesting, instead of actually learning from the class, we treat it like a game of some sort. Just trying to earn the highest score possible by looking up answers for homework instead of working on the problems. In a math class, our goal may be to become a mathematician by learning and improving our math skills, but when deadlines approach, we opt for looking up answers to the homework questions designed to help us learn. Which might give us the highest score/grade, but now our goals are "collapsed down to scoring systems".
Game that are designed for the visually impaired are mostly text-based and narrative games
Games that are designed for the visually impaired are mostly text-based and narrative
crowded diner could interfere with your ability to transmit a message
Even though "telephone" is a silly game that people play. How does it relate to communication? Is the game of telephone an example of the transmission model of communication since there is a sender or receiver or not because it is the same message being passed along so there is not much to process?
On BBT, all traditional and metacognitive accounts of the human are the product of extreme informatic poverty. Ironically enough, many have sought intentional asylum within that poverty in the form of apriori or pragmatic formalisms, confusing the lack of information for the lack of substantial commitment, and thus for immunity against whatever the sciences of the brain may have to say. But this just amounts to a different way of taking refuge in obscurity. What are ‘rules’? What are ‘inferences’? Unable to imagine how science could answer these questions, they presume either that science will never be able to answer them, or that it will answer them in a manner friendly to their metacognitive intuitions. Taking the history of science as its cue, BBT entertains no such hopes. It sees these arguments for what they happen to be: attempts to secure the sufficiency of low-dimensional, metacognitive information, to find gospel in a peephole glimpse.
This describes the approach of Sellars, Brandom, and Brassier, all of which Bakker has criticized in the blog.
They admit that science has priority in the scientific realm, but what we think we are is not something that can be true or false, but are games, rules, things we play, a game of "pretend as if we are persons".
This is a much better position. It does not attempt to tell science that science is a building founded upon the ground of philosophy (unlike Kant, or Heidegger), and does not try to make scientifically testable predictions and get embarrassed in the process (unlike those who sought to study the "quantum of consciousness" because they thought free will is real, thus something quantum-mechanical must be true of the brain, or that philosopher who argued that Anton syndrome is impossible because it is philosophically impossible, or those psychoanalysts that try to interpret Cotard's syndrome as some manifestation of childhood trauma).
The problem with this position is as follows:
Is science really based on a game of giving and taking reasons? If not, then there's no guarantee that science would protect the game of "let's pretend we are persons who make decisions, has plans, hopes for love, etc". The juggernaut of science may eventually crush the "manifest image of man" under its wheels, migrate to a society of unconscious biorobots, and run even faster as a result!
Philosophers are unable to figure out what rules, games, normativity, etc, are! They can't agree, after centuries of disputation. Any working consensus will have to come from science, and what if science finally shows that rules and games are nothing like what Sellars, Brandom, etc, thought they are? If not, then not only is the manifest image not the scientific image, not only is it unnecessary for working scientists, it is even not what the philosophers say it is. It is as if the philosophers have been stuck in Plato's Cave, mistaking the shadow-play for optical-science.
it is significant, I think, that he begins with a reading of “Ousia and Gramme,” which is to say, a reading of Derrida’s reading of Heidegger’s reading of Hegel!
You are reading me reading Bakker reading Hagglund reading Derrida reading Heidegger reading Hegel.
Are we done with this game of reading yet?
confounding variable. For instance, imagine that the game the researcher chooses for participants to play in the experimental group not only contains more positive portrayals of Black women, but it is also more violent than the game the researcher chooses for participants to play in the control group.
A confounding variable is an extra variable that you didn't account for. It can ruin an experiment and give you useless results.
control variables could be the amount of time the game is played, the device used, the room where the game is played, the time of day when the game is played, and so on
Control variables are factors that researchers keep constant to ensure that any changes in the dependent variable are due to the independent variable and not some other factor.
I mean literary work that requires the digital computation performedby laptops, desktops, servers, cellphones, game consoles, interactive environment controllers, or any of the other computers that surround us
Literary works in which electronic devices were used.
Reviewer #1 (Public Review):
Summary:
This manuscript by Meissner and colleagues described a novel take on a classic social cognition paradigm developed for marmosets. The classic pull task is a powerful paradigm that has been used for many years across numerous species, but its analog approach has several key limitations. As such, it has not been feasible to adopt the task for neuroscience experiments. Here the authors capture the spirit of the classic task but provide several fundamental innovations that modernize the paradigm - technically and conceptually. By developing the paradigm for marmosets, the authors leverage the many advantages of this primate model for studies of social brain functions and their particular amenability to freely-moving naturalistic approaches.
Strengths:
The current manuscript describes one of the most exciting paradigms in primate social cognition to be developed in many years. By allowing for freely-moving marmosets to engage in high numbers of trials, while precisely quantifying their visual behavior (e.g. gaze) and recording neural activity this paradigm has the potential to usher in a new wave of research on the cognitive and neural mechanisms underlying primate social cognition and decision-making. This paradigm is an elegant illustration of how naturalistic questions can be adapted to more rigorous experimental paradigms. Overall, I thought the manuscript was well written and provided sufficient details for others to adopt this paradigm. I did have a handful of questions and requests about topics and information that could help to further accelerate its adoption across the field.
Weaknesses:
LN 107 - Otters have also been successful at the classic pull task (https://link.springer.com/article/10.1007/s10071-017-1126-2)
LN 151 - Can you provide a more precise quantification of timing accuracy than the 'sub-second level'. This helps determine synchronization with other devices.
Using this paradigm, the marmosets achieved more trials than in the conventional task (146 vs 10). While this is impressive, given that only ~50 are successful Mutual Cooperation trials it does present some challenges for potential neurophysiology experiments and particular cognitive questions. The marmosets are only performing the task for 20 minutes, presumably because they become sated and are no longer motivated. This seems a limitation of the task and is something worth discussing in the manuscript. Did the authors try other food rewards, reduce the amount of reward, food/water restrict the animals for more than the stated 1-3 hours? How might this paradigm be incorporated into in-cage approaches that have been successful in marmosets? Any details on this would help guide others seeking to extend the number of trials performed each day.
Can you provide more details on the DLC/Anipose procedure? How were the cameras synchronized? What percentage of trials needed to be annotated before the model could be generalized? Did each monkey require its own model, or was a single one applied to all animals?
Will the schematics and more instructions on building this system be made publicly available? A number of the components listed in Table 1 are custom-designed. Although it is stated that CAD files will be made available upon request, sharing a link to these files in an accessible folder would significantly add to the potential impact of this paradigm by making it easier for others to adopt.
In the Discussion, it would be helpful to have some discussion of how this paradigm might be used more broadly. The classic pulling paradigm typically allows one to ask a specific question about social cognition, but this task has the potential to be more widely applied to other social decision-making questions. For example, how might this task be adopted to ask some of the game-theory-type approaches common in this literature? Given the authors' expertise in this area, this discussion could serve to provide a roadmap for the broader field to adopt.
Although this paradigm was developed specifically for marmosets, it seems to me that it could readily be adopted in other species with some modifications. Could the authors speak to this and their thoughts on what may need to be changed to be used in other species? This is particularly important because one of the advantages of the classic paradigm is that it has been used in so many species, providing the opportunity to compare how different species approach the same challenge. For example, though both chimps and bonobos are successful, their differences are notably illuminating about the nuances of their respective social cognitive faculties.
What Is Greta Gerwig Trying to Tell Us?
The author is asking in her title "What is Gretta Gerwig Trying to Tell Us?" I think a possible answer lies in the history we learn how in college Greta was "an English major who did improv..." One classic game that is played in an improv group is "yes, and...", the 'and' could be anything. The end of Greta's movies show the hero making a decision for herself and essentially saying 'yes'. There is always an 'and' after, but the audience is left to insert their own lived experience to ponder what the 'and' could be. The most important thing is the 'yes'; or the decisions people make, and in terms of her movies, the paths women choose to make their lives better.
When Swift started dating Kansas City Chiefs football star Travis Kelce, his games suddenly started seeing a massive increase in viewership. Notably, it spiked 53% among teen girls age 12-17 when Swift showed up to one of the games.
Before Taylor Swift was seen at a Chief's game I had no idea who Tavis Kelce was, but now I know who he is, and so do many more like me. It is reported in several places that Kelce's jersey sales went up 400% after Taylor wore one. Taylor Swift brings a powerhouse of marketing to anything she endodses.
JIRA 6+ yearsAzure DevOps 3+ yearsUI/UX design 4+ years (Mobile App, Web and Game)
Film is able to represent time, its duration, and motion, which brings it the closest to capturing life itself.
consider the video game
We project the player as far as possible into the game, bringing the human power of the DM as close to sovereignty as we can. In the end our thought-experiment, which is certainly not a proposal, will arguably even reach true sovereignty.
So true sovereignty exists in creating the IRL matrix?
A country is a role-playing game.
Phrasing
si on tape Hexagon game et avec mon nom à côté on va trouver plein d'exemples et des modèles pour pouvoir les reproduire 00:02:25 c'est des petits outils très simples on donne aux élèves des hexagones sur lesquels on a ajouté des images on a ajouté des mots on a ajouté des citations et donc on crée une collection 00:02:39 d'hexagones et on affiche un sujet au tableau et on leur dit et ben vous avez ces hexagones vous les utiliser pour répondre à cette question et vous les organisez de la façon qui vous semblera 00:02:52 la plus opportune euh donc voulez vous pouvez faire des flèches vous pouvez faire des titres vous pouvez les coller les un à côté des autres vous pouvez faire des dessins à côté des hexagones mais à la fin je veux le poster le plus 00:03:06 clair et le plus cohérent possible que vous pourrez éventuellement aller présenter au reste de la classe à l'oral
https://histoire-geographie.ac-dijon.fr/spip.php?article1092
The Welfare Game, in short, presented a world where the demands ofwelfare recipients and the federal government explicitly threatened the rightsand well-being of taxpaying citizens
I understand that tax money funds welfare benefits but I think the government should allocate more funds towards welfare benefits and away from other unnecessary programs that are over funded
Schemata also guide our interactions, providing a script for our behaviors. We know, in general, how to act and communicate in a waiting room, in a classroom, on a first date, and on a game show.
My understanding of this relates to the image below. It seems like with the different careers the dolly is dressed up as resumes on schema. As our careers can often times model our personalities. Which controls how we act. Someone from an office job is going to act signficantly different than someone who is a firefighter.
Setting up the game.
sounds super fun
When agents have different targets in a task, especially when the targets are adversarial, the task can become much more complicated. An example of such a task is a zero-sum game, where the total reward is fixed, and any reward gained by one agent results in an equal loss for another agent. A specific example can be found in MPE that in scenarios like simple_push, agent ONE is trying to gain more reward by getting closer to its target location while agent TWO gains reward by pushing agent ONE away from the target location. Moreover, the competitive-like mode can also be not so pure competitive. It can incorporate some cooperative agents’ relationships. This type of work mode is referred to as mixed mode. A representative task of mixed mode is MAgent, where agents are divided into several groups. Agents in the same group need to attack the enemy group cooperatively.
Loại bài toán đối kháng là khi các tác tử có mục tiêu trái ngược nhau.
Despite the simple task setting, however, the game is still very challenging as one agent needs to coordinate with another agent to achieve the highest reward: the joint action with the highest reward is not a good option from the view of the first agent if it is not willing to cooperate with another agent. Two-step Game evaluates whether an agent has learned to cooperate by sacrificing its reward for a higher team reward.
Mặc dù có cài đặt đơn giản, bài toán này vẫn rất khó do các tác tử cần hợp tác với nhau để đạt được kết quả tốt nhất. Từ góc nhìn của các tác tử, đây không phải lựa chọn tốt nếu chúng không muốn hợp tác với các tác tử khác.
The first option for evaluating a new idea in MARL involves using a matrix and grid world task.One such example is the Two-step Game. In this task, two agents act in turn to gain the highest team reward. The task is very straightforward: two agents in the task the observation is a short vector with a length four two actions (A&B) to choose from
Lựa chọn đầu tiên trong việc đánh giá một ý tưởng mới trong MARL là sử dụng mộ ma trận và bài toán ma trận lưới. Trong bài toán này, 2 tác tử hành động theo lượt để lấy được phần thưởng cao nhất. Bài toán này khá đơn giản: - 2 tác tử trong 1 bài toán - các quan sát là một vector có kích thước 4. - 2 hành động A và B
In the context of Multi-Agent Reinforcement Learning (MARL), a dataset corresponds to a collection of scenarios that comprise a single multi-agent task. Multi-agent tasks are customizable on a variety of aspects, such as the number of agents, map size, reward function, and unit status. This section provides a brief overview of the categories of multi-agent tasks, ranging from the simplest matrix game to real-world applications.
Trong bối cảnh của bài toán MARL, một bộ dữ liệu tương ứng với một tập các kịch bản chứa một bài toán đa tác tử đơn lẻ. Các bài toán đa tác tử có thể được tùy biến ở hàng loạt yếu tố, ví dụ như số lượng tác tử, kích thước bản đồ, hàm phần thưởng,...
NEW YORK - As the sun sets on yet another year, fans of the once-popular fantasy series A Song of Ice and Fire are settling in for what observers are calling "a mirage spring" of waiting for the next installment. The seventh book, A Dream of Spring, remains frustratingly absent, a testament to both the author's leisurely writing pace and the seemingly endless capacity for human patience.
"It's been, what, twelve years?" remarked one fan, scrolling through a Reddit thread titled "Is GRRM secretly a robot programmed to write one page a day?" "My kids have gone from reading Harry Potter to debating the finer points of quantum mechanics in the time it's taken him to finish this book."
While the delay has driven many former fantasy fans to the arms of the ever-prolific Algorithmic Sentimentalism industry (where a new personalized epic can be generated in under ten minutes), a dedicated core of Mundane Fantasy enthusiasts remain unfazed.
"It's not about the destination, it's about the journey," commented another fan, patiently rearranging their collection of Game of Thrones Funko Pops for the third time that week. "And besides," they added with a knowing smile, "at least we're not reading about spaceships or time travel. That stuff's just unrealistic."
With no official release date in sight, one thing is certain: the wait for A Dream of Spring will continue to be a masterclass in the art of delayed gratification. Experts predict that the book's eventual arrival will likely coincide with the heat death of the universe, at which point it will be available exclusively on Amazon Prime Kindle Galactic Edition.
the ‘game of giving and asking for reasons,’ for all we know, could be little more than the skin of plotting beasts, an illusion foisted on metacognition
So, Descartes thought that we have a persistent self. Cool, that didn't go well. Back then, people thought that there is no subconscious. Cool, that didn't go well. Now, we think that science is based on the game of giving and asking for reasons. Cool, is that really how science works?
Let’s call this the ‘Soul-Soul strategy’ in contradistinction to the Soul-First strategies of Habermas and Zahavi (or the Separate-but-Equal strategy suggested by Pinker above). What makes this option so attractive, I think, anyway, is the problem that so cripples the Soul-First and the Separate-but-Equal options: the empirical fact that the brain comes first. Gunshots to the head put you to sleep. If you’ve ever wondered why ‘emergence’ is so often referenced in philosophy of mind debates, you have your answer here. If Zahavi’s ‘transcendental subject,’ for instance, is a mere product of brain function, then the Soul-First strategy becomes little more than a version of Creationism and the phenomenologist a kind of Young-Earther. But if it’s emergent, which is to say, a special product of brain function, then he can claim to occupy an entirely natural, but thoroughly irreducible ‘level of explanation’–the level of us.
There are 3 possibilities:
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their defense industrial base can't keep up with replacing that um they have replaced a lot of the stuff that they lost in the first 18 months of the 00:00:38 conflict but even at at the rates of losing that mean they can't keep that up so that's hollowing the Russian forces out
for - geopolitics - Russia Ukraine War - Russia's unsustainable attrition rate
to - economic game analysis of Russia Ukraine War - https://hyp.is/avvydB5QEe-aheM72r6J4Q/docdrop.org/video/A-9kLZ19OAE/
trosky came out with which is turning more and more and more of the economy to the service of the state a kind of mass 00:20:41 nationalization
for - geopolitics - Russia war economy strategy
geopolitics - Russia's war economy strategy - Putin is moving the country in this direction - following Trotsky to turn the entire economy into a war economy and following Lenin to use brute force to coerce the population to join the cause - However, looking at this basic economic game analysis of the Russia Ukraine war, it does not look feasible -
another 00:04:11 mobilization another 300,000 Russian men
for - Russia Ukraine war - Russia's unsustainable attrition rate - economic game analysis
reference - economic game analysis video of unsustainable Russian war attrition rate - https://hyp.is/go?url=http%3A%2F%2Fdocdrop.org%2Fvideo%2FA-9kLZ19OAE%2F&group=world
for - polycrisis - Russia Ukraine war - game analysis
summary - A simplified but interesting economic game analysis of the trajectory of the Russia-Ukraine war. - Drones have become a critical technology in this war and especially their mobile and cost advantage over much heavier, more expensive and slow-moving Russian equipment. - Drones conserve Ukrainian soldiers and minimize risk substantially. The 3 million drones being manufactured this year will likely accelerate the destruction of the Russian economy, bringing the war closer to ending. - Russia is critically dependent on its oil and gas industry and with the major destruction of its refineries, it will no longer be able to finance the war.
Author response:
The following is the authors’ response to the original reviews.
eLife assessment
This important study tests the hypothesis that a high autism quotient in neurotypical adults is strongly associated with suboptimal motor planning and visual updating after eye movements, which in turn, is related to a disrupted efference copy mechanism. The implication is that such abnormal behavior would be exaggerated in those with ASD and may contribute to sensory overload - a key symptom in this condition. The evidence presented is convincing, with significant effects in both visual and motor domains, adequate sample sizes, and consideration of alternatives. However, the study would be strengthened with minor but necessary corrections to methods and statistics, as well as a moderation of claims regarding direct application to ASD in the absence of testing such patients.
Public Reviews:
Reviewer #1 (Public Review):
Summary:
This study examines a hypothesized link between autism symptomatology and efference copy mechanisms. This is an important question for several reasons. Efference copy is both a critical brain mechanism that is key to rapid sensorimotor behaviors, and one that has important implications for autism given recent empirical and theoretical work implicating atypical prediction mechanisms and atypical reliance on priors in ASD.
The authors test this relationship in two different experiments, both of which show larger errors/biases in spatial updating for those with heightened autistic traits (as measured by AQ in neurotypical (NT) individuals).
Strengths:
The empirical results are convincing - effects are strong, sample sizes are sufficient, and the authors also rule out alternative explanations (ruling out differences in motor behavior or perceptual processing per se).
Weaknesses:
My main concern is that the paper should be more transparent about both (1) that this study does not include individuals with autism, and (2) acknowledging the limitations of the AQ.
On the first point, and I don't think this is intentional, there are several instances where the line between heightened autistic traits in the NT population and ASD is blurred or absent. For example, in the second sentence of the abstract, the authors state "Here, we examine the idea that sensory overload in ASD may be linked to issues with efference copy mechanisms". I would say this is not correct because the authors did not test individuals with ASD. I don't see a problem with using ASD to motivate and discuss this work, but it should be clear in key places that this was done using AQ in NT individuals.
For the second issue, the AQ measure itself has some problems. For example, reference 38 in the paper (a key paper on AQ) also shows that those with high AQ skew more male than modern estimates of ASD, suggesting that the AQ may not fully capture the full spectrum of ASD symptomatology. Of course, this does not mean that the AQ is not a useful measure (the present data clearly show that it captures something important about spatial updating during eye movements), but it should not be confused with ASD, and its limitations need to be acknowledged. My recommendation would be to do this in the title as well - e.g. note impaired visuomotor updating in individuals with "heightened autistic traits".
We thank the reviewer for the kind words. We now specify more carefully that our sample of participants consists of neurotypical adults scored for autistic traits and none of them was diagnosed with autism before participating in our experiment. Regarding the Autistic Quotient Questionnaire (AQ) on page 5 of the Introduction we now write:
“The autistic traits of the whole population form a continuum, with ASD diagnosis usually situated on the high end 31-33. Moreover, autistic traits share a genetic and biological etiology with ASD 34. Thus, quantifying autistic-trait-related differences in healthy people can provide unique perspectives as well as a useful surrogate for understanding the symptoms of ASD 31,35.”
In the Discussion (page 9) we now write:
”It is essential to note that our participant pool lacked pre-existing diagnoses before engaging in the experiments and we must address limitations associated with the AQ questionnaire. The AQ questionnaire demonstrates adequate test-retest reliability 36, normal distribution of sum scores in the general population 50, and cross-cultural equivalence has been established in Dutch and Japanese samples 51-53. The AQ effectively categorizes individuals into low, average, and high degrees of autistic traits, demonstrating sensitivity for both group and individual assessments 54.
However, evolving research underscores many aspects that are not fully captured by the self-administered questionnaire: for example, gender differences in ASD trait manifestation 55. Autistic females may exhibit more socially typical interests, often overlooked by professionals 56. Camouflaging behaviors, employed by autistic women to blend in, pose challenges for accurate diagnosis 57. Late diagnoses are attributed to a lack of awareness, gendered traits, and outdated assessment tools 58. Moving forward, complementing AQ evaluations in the general population with other questionnaires, such as those assessing camouflaging abilities 59, or motor skills in everyday situation (MOSES-test 60) becomes crucial for a comprehensive understanding of autistic traits.”
Suggestions for improvement:
- Figure 5 is really interesting. I think it should be highlighted a bit more, perhaps even with a model that uses the results of both tasks to predict AQ scores.
We thank the reviewer for the suggestion. However, the sample size is relatively small for building a robust and generalizable model to predict AQ scores. Statistical models built on small datasets can be prone to overfitting, meaning that they might not accurately predict the AQ for new individuals.
- Some discussion of the memory demands of the tasks will be helpful. The authors argue that memory is not a factor, but some support for this is needed.
The reviewer raises an important point regarding the potential for memory demands to influence our results. We have now also investigated the accuracy of the second saccade separately for the x and y dimension. As also shown in figure 3 panel A, a motor bias was observed only in one dimension (x), weaking the argument of memory which would imply a bias in both directions (participants remembering the position of the target relative to both screen borders for example). We performed a t-test between our subsample of participants and indeed we found a difference in saccade accuracy for the x dimension (p = 0.03) but not in the y dimension (p = 0.88).
We now add these analyses in Discussion on page 8.
- With 3 sessions for each experiment, the authors also have data to look at learning. Did people with high AQ get better over time, or did the observed errors/biases persist throughout the experiment?
We thank the reviewer for pointing this out. On page 7 (Results) we now write:
” Understanding how these biases might change over time could provide further insights into this mechanism. Specifically, we investigated whether participants exhibited any learning effects throughout the experiments. For data of Experiment 1 – motor updating – we divided our data into 10 separate bins of 30 trials each. We conducted a repeated measure ANOVA with the within-subject factor “number of sessions” (two main sessions of 5 bins each, ~150 trials) and the between-subject factor “group” (lower vs upper quartile of the AQ distribution). We found no main effect of “number of sessions” (F(1,7) = 0.25, p = 0.66), a main effect of “group” (F(1,7) = 2.52, p = 0.015), and no interaction between the two subsample of participants and the sessions tested (F(1,7) = 0.51, p = 0.49). Data of Experiment 2 – visual updating– were separated into 3 sessions. For each session we extracted the PSE and we conducted a repeated measure ANOVA with within subject factor “sessions” and between subject factor “groups” (lower vs upper quartile of the AQ distribution). Also here we found no main effect of sessions (F(1,13) = 0.86, p = 0.39), a main effect of group (F(1,14) = 11.85, p = 0.004), and no interaction between the two subsample of participants and the sessions tested (F(1,13) = 0.20, p = 0.73). In conclusion, the current study found no evidence of learning effects across the experimental sessions. However, a significant main effect of group was observed in both Experiment 1 (motor updating) and Experiment 2 (visual updating). Participants in the group with higher autistic traits performed systematically differently on the task, regardless of the number of sessions completed compared to those in the group with lower autistic traits.”
Reviewer #2 (Public Review):
Summary:
The idea that various clinical conditions may be associated, at least partially, with a disrupted corollary discharge mechanism has been present for a long time.
In this paper, the authors draw a link between sensory overload, a characteristic of autism spectrum disorder, and a disturbance in the corollary discharge mechanism. The authors substantiate their hypothesis with strong evidence from both the motor and perceptual domains. As a result, they broaden the clinical relevance of the corollary discharge mechanism to encompass autism spectrum disorder.
The authors write:
"Imagine a scenario in which you're watching a video of a fast-moving car on a bumpy road. As the car hits a pothole, your eyes naturally make quick, involuntary saccades to keep the car in your visual field. Without a functional efference copy system, your brain would have difficulty accurately determining the current position of your eye in space, which in turn affects its ability to anticipate where the car should appear after each eye movement."
I appreciate the use of examples to clarify the concept of efference copy. However, I believe this example is more related to a gain-field mechanism, informing the system about the position of the eye with respect to the head, rather than an example of efference copy per se.
Without an efference copy mechanism, the brain would have trouble accurately determining where the eyes will be in space after an eye movement, and it will have trouble predicting the sensory consequences of the eye movement. However it can be argued that the gain-field mechanism would be sufficient to inform the brain about the current position of the eyes with respect to the head.
We now used a different example. And on page 3 of Introduction, we now write:
“During a tennis game, rapid oculomotor saccades are employed to track the high-velocity ball across the visual display. In the absence of a functional efference copy mechanism, the brain would encounter difficulty in anticipating the precise retinal location of the ball following each saccade. This could result in a transient period of visual disruption as the visual system adjusts to the new eye position. The efference copy, by predicting the forthcoming sensory consequences of the saccade, would bridge this gap and facilitate the maintenance of a continuous and accurate representation of the ball's trajectory.”
The authors write:
"In the double-step paradigm, two consecutive saccades are made to briefly displayed targets 21, 22. The first saccade occurs without visual references, relying on internal updating to determine the eye's position."
Maybe I have missed something, but in the double-step paradigm the first saccade can occur without the help of visual references if no visual feedback is present, that is, when saccades are performed in total darkness. Was this the case for this experiment? I could not find details about room conditions in the methods. Please provide further details.
In case saccades were not performed in total darkness, then the first saccade can be based on the remembered location of the first target presented, which can be derived from the retinotopic trace of the first stimuli, as well as the contribution from the surroundings, that is: the remembered relative location of the first target with respect to the screen border along the horizontal meridian (i.e. allocentric cues).
A similar logic could be applied to the second saccade. If the second saccade were based only on the retinotopic trace, without updating, then it would go up and 45 deg to the right, based on the example shown in Figure 1. With appropriate updating, the second saccade would go straight up. However, if saccades were not performed in total darkness, then the location of the second target could also be derived from its relationship with the surroundings (for example, the remembered distance from screen borders, i.e. allocentric cues).
If saccades were not performed in total darkness, the results shown in Figures 2 and 3 could then be related to i) differences in motor updating between AQ score groups; ii) differences in the use of allocentric cues between AQ score groups; iii) a combination of i) and ii). I believe this is a point worth mentioning in the discussion."
Thank you for raising the important issue of visual references in the double-step saccade task. Participants performed saccades in a dimly lit room where visual references, i.e. the screen borders, were barely visible. At the time we collected the data a laboratory that allowed performing experiments in complete darkness was not at our disposal. We acknowledge the possibility that participants could have memorized the target locations relative to the screen borders. The bias of high AQ participants could then be attributed to differences in either encoding, memorization or decoding of the target location relative to the screen borders. However, the potentially abnormal use of visual references must reflect an altered remapping process since we did not find differences in saccade landing in the vertical dimension. A t-test between our group of participants revealed a difference in saccade accuracy for the x dimension (p = 0.03) but not in the y dimension (p = 0.88). We thus agree that in addition to an altered efference copy signal in high AQ participants, altered use of visual references might also affect their saccadic remapping.
In Discussion we now write: “Our findings suggest that a general memory deficit is unlikely to fully explain the observed bias in high-AQ participants' second saccades. As highlighted in Figure 3A, the bias was specific to the horizontal dimension, weakening the argument for a global memory issue affecting both vertical and horizontal encoding of target location. However, it's important to acknowledge that even under non-darkness conditions, participants might rely on a combination of internal updating based on the initial target location and visual cues from the environment, such as screen borders. This potential use of visual references could contribute to the observed bias in the high-AQ group. If high-AQ participants differed in their reliance on visual cues compared to the low-AQ group, it could explain the specific pattern of altered remapping observed in the horizontal dimension. This possibility aligns with our argument for an abnormal remapping process underlying the results. While altered efference copy signals remain a strong candidate, the potential influence of visual cues on remapping in this population warrants further investigation. Future studies could incorporate a darkness condition to isolate the effects of internal updating on the first saccade, and systematically manipulate the availability of visual cues throughout the task. This would allow for a more nuanced understanding of how internal updating and visual reference use interact in the double-step paradigm, particularly for individuals with varying AQ scores “.
The authors write:
According to theories of saccadic suppression, an efference copy is necessary to predict the occurrence of a saccade."
I would also refer to alternative accounts, where saccadic suppression appears to arise as early as the retina, due to the interaction between the visual shift introduced by the eye movement, and the retinal signal associated with the probe used to measure saccadic suppression. This could potentially account for the scaling of saccadic suppression magnitude with saccade amplitude.
Idrees, S., Baumann, M.P., Franke, F., Münch, T.A. and Hafed, Z.M., 2020. Perceptual saccadic suppression starts in the retina. Nature communications, 11(1), p.1977.
We thank the reviewer. Now on page 4 of Introduction we write:
“Some theories consider saccadic omission and saccadic suppression as resulting from an active mechanism. In this view an efference copy would signal the occurrence of a saccade, yielding a transient decrease in visual sensitivity20-22. Others however have pointed out the possibility that a purely passive mechanism suffices to induce saccadic omission23. A recent study has found evidence for saccadic suppression already in the retina. Idrees et al.24 demonstrated that retinal ganglion cells in isolated retinae of mice and pigs respond to saccade-like displacements, leading to the suppression of responses to additional flashed visual stimuli through visually triggered retinal-circuit mechanisms. Importantly, their findings suggest that perisaccadic modulations of contrast sensitivity may have a purely visual origin, challenging the need for an efference copy in the early stages of saccadic suppression. However, the suppression they measured lasted much longer than time-courses observed in behavioral data. An efference copy signal could thus be necessary to release perception from suppression.”
Reviewer #3 (Public Review):
Summary:
This work examined efference copy related to eye movements in healthy adults who have high autistic traits. Efference copies allow the brain to make predictions about sensory outcomes of self-generated actions, and thus serve important roles in motor planning and maintaining visual stability. Consequently, disrupted efference copies have been posited as a potential mechanism underlying motor and sensory symptoms in psychopathology such as Autism Spectrum Disorder (ASD), but so far very few studies have directly investigated this theory. Therefore, this study makes an important contribution as an attempt to fill in this knowledge gap. The authors conducted two eye-tracking experiments examining the accuracy of motor planning and visual perception following a saccade and found that participants with high autistic traits exhibited worse task performance (i.e., less accurate second saccade and biased perception of object displacement), consistent with their hypothesis of less impact of efference copies on motor and visual updating. Moreover, the motor and visual biases are positively correlated, indicative of a common underlying mechanism. These findings are promising and can have important implications for clinical intervention if they can be replicated in a clinical sample.
Strengths:
The authors utilized well-established and rigorously designed experiments and sound analytic methods. This enables easy translations between similar work in non-human primates and humans and readily points to potential candidates for underlying neural circuits that could be further examined in follow-up studies (e.g., superior colliculus, frontal eye fields, mediodorsal thalamus). The finding of no association between initial saccade accuracy and level of autistic trait in both experiments also serves as an important control analysis and increases one's confidence in the conclusion that the observed differences in task performance were indeed due to disrupted efference copies, not confounding factors such as basic visual/motor deficits or issues with working memory. The strong correlation between the observed motor and visual biases further strengthens the claim that the findings from both experiments may be explained by the same underlying mechanism - disrupted efference copies. Lastly, the authors also presented a thoughtful and detailed mechanistic theory of how efference copy impairment may lead to ASD symptomatology, which can serve as a nice framework for more research into the role of efference copies in ASD.
Weaknesses:
Although the paper has a lot of strengths, the main weakness of the paper is that a direct link with ASD symptoms (i.e., sensory overload and motor inflexibility as the authors suggested) cannot be established. First of all, the participants are all healthy adults who do not meet the clinical criteria for an ASD diagnosis. Although they could be considered a part of the broader autism phenotype, the results cannot be easily generalized to the clinical population without further research. Secondly, the measure used to quantify the level of autistic traits, Autistic Quotient (AQ), does not actually capture any sensory or motor symptoms of ASD. Therefore, it is unknown whether those who scored high on AQ in this study experienced high, or even any, sensory or motor difficulties. In other words, more evidence is needed to demonstrate a direct link between disrupted efference copies and sensory/motor symptoms in ASD.
This is a valid point, and we thank the reviewer for raising it up. Moving forward, complementing AQ evaluations in the general population with other questionnaires, such as those assessing camouflaging abilities (Hull, L., Mandy, W., Lai, MC., et al., 2019), or motor skills in everyday situation (MOSES-test, Hillus J, Moseley R, Roepke S, Mohr B. 2019 ) becomes crucial for a comprehensive understanding of autistic traits.”
We now address this point in Discussion page 9.
Recommendations for the authors:
Reviewer #1 (Recommendations For The Authors):
Minor comments
- The pothole example in the introduction was really hard to follow. I wonder if there is a better example.
We now used a different example. And on page 3 of Introduction, we now write:
“During a tennis game, rapid oculomotor saccades are employed to track the high-velocity ball across the visual display. In the absence of a functional efference copy mechanism, the brain would encounter difficulty in anticipating the precise retinal location of the ball following each saccade. This could result in a transient period of visual disruption as the visual system adjusts to the new eye position. The efference copy, by predicting the forthcoming sensory consequences of the saccade, would bridge this gap and facilitate the maintenance of a continuous and accurate representation of the ball's trajectory.”
- This is really minor; I would say that saccades are not the most frequent movement that humans perform. Some of the balance-related adjustments and even heartbeats are faster. Maybe just add "voluntary".
We thank the reviewer for the suggestion, now added.
- "Severe consequences" on page 4 is a bit strong. If that were true, there would be pretty severe impairments in eye movement behavior in ASD, which I don't think is the case.
We agree with the reviewer. We now eliminated the term “severe”.
- The results section would read better if each experiment had a short paragraph reiterating its overall goal and the specific approach each experiment took to achieve that goal.
Now on page 5, for the first experiment, we write:
”We investigated the influence of autistic traits on visual updating during saccadic eye movements using a classic double-step saccade task. This task relies on participants making two consecutive saccades to briefly presented targets. The accuracy of the second saccade serves as an indirect measure of how effectively the participant's brain integrated the execution of the first saccade into their internal representation of visual space. Participants were divided into quartiles based on the severity of their autistic traits, as assessed by the Autistic quotient questionnaire (cite). We hypothesized that individuals with higher autistic traits would exhibit greater difficulty in visual updating compared to those with lower autistic traits. This would be reflected in reduced accuracy of their second saccades in the double-step task. Figure 2C illustrates examples from participants at the extremes of the autistic trait distribution (Autistic quotient = 3, in orange and Autistic quotient = 31, in magenta). As shown, both participants were instructed to make saccades to the locations indicated by two brief target appearances (T1 and T2), as quickly and accurately as possible, following the order of presentation. However, successful execution of the second saccade requires accurate internal compensation for the first saccade, without any visual references or feedback available during the saccade itself.”
On page 6, for experiment 2, we write:
”With a trans-saccadic localization task, we explored how autistic traits affect the integration of eye movements into visual perception. Participants were presented with stimuli before and after a single saccade, creating an illusion of apparent motion. We measured the perceived direction of this displacement, which is influenced by how well the participant's brain accounts for the saccadic eye movement. We predicted that individuals with higher autistic traits would show a stronger bias in the perceived displacement direction, suggesting a less accurate integration of the eye movement into their visual perception.”
- On page 6, the text about "vertical displacement" is confusing. The spatial displacements in this experiment were horizontal?
Yes, they were. The spatial displacement is horizontal, but the perceived trajectory (due to the saccade) is vertical. We now changed “vertical displacement” to “vertical trajectory”.
- Page 6, grammatical problems in "while we report a slightly slant of the dots trajectory".
Thank you. Now fixed.
- It would be helpful to discuss the apparent motion part of Experiment 2 in the main text. This important part is not made clear.
We now in Introduction, page 4, write:
“In this paradigm, one stimulus is shown before and another after saccade execution. Together these two stimuli produce the perception of “apparent motion”. If stimuli are placed such that the apparent motion path is orthogonal to the saccade path, then the orientation of the apparent motion path indicates how the saccade vector is integrated into vision. The apparent motion trajectory can only appear vertical if the movement of the eyes is perfectly accounted for, that is the retinotopic displacement is largely compensated, ensuring spatial stability. However, small biases of motion direction – implying under- (or over-) compensation of the eye movement – can indicate relative failures in this stabilization process. In a seminal study, Szinte and Cavanagh 27 found a slight over-compensation of the saccade vector leading to apparent motion slightly tilted against the direction of the saccade. More importantly, when efference copies are not available, i.e. localization occurring at the time of a second saccade in a double step task, a strong saccade under-compensation occurs 28.
This phenomenon cannot be explained by perisaccadic mislocalization of flashed visual stimuli 29,30, but the two phenomena may be related in that they may both depend upon efference copy information.”
- Figure 1 could be improved. For example, the text talks about the motor plan, but this is not clearly shown in the figure.
We now added the motor plan into the model. Thank you.
- Figure 2A, the scale is off (the pictures make it look like the horizontal movement was longer than the vertical).
Now fixed.
- Figure 4, it would be helpful if the task was also described in the figure.
We thank the reviewer for the comment. We now tried to modify the figure by also adding the perceptual judgment task.
- Figure 5A, the y-axis shows p(correct), but that is not what the y-axis shows (the legend makes the same mistake).
We apologize, it’s the proportion of time participants reported the second dot to be more to the right compared to the first one. We now changed the figure and the text accordingly.
- A recent study on motion and eye movement prediction in ASD is very relevant to the work presented here.: Park et al. (2021). Atypical visual motion-prediction abilities in autism spectrum disorder. Clinical Psychological Science, 9(5), 944-960.
Indeed. We now refer to the cited study in Discussion, on page 9.
Reviewer #2 (Recommendations For The Authors):
Statistics and plotting.
I believe some of the reported statistics are not clear. For example, the authors write:
"Saccade landing positions of participants in the lower quartile (mean degree {plus minus} SEM: 10.17{plus minus} 0.50) did not deviate significantly from those in the upper quartile (mean degree {plus minus} SEM: 9.65 {plus minus} 0.77). This result was also confirmed by a paired sample t-test (t(7) = 0.66; p = 0.66, BF10 = 0.40)"
Maybe I am missing something, but why use a paired-sample t-test when the upper and lower quartiles constitute different groups of participants? Shouldn't a two-sample t-test be used in this case?
We apologize for the confusion. It is indeed a two-sample t-test.
Along the same lines, I do not understand the link between the number of degrees of freedom reported in the t-test (7) and the number of participants reported in the study (41).
This is also evident when looking at the scatterplot in Figure 3C. How many participants formed the averages and standard errors reported in Figures 3B and 3D? Please clarify.
I have the same comment(s) also for the visual updating task (and related figures), where 13 degrees of freedom are reported in the t-tests. Please clarify.
We thank the reviewer for pointing this out. The number of participants reported in the scatter plots were indeed 42. However, we opted to compare the averages only in the lower and upper quartile of the AQ distribution to avoid dealing with a median split (which would imply a skewed distribution). Of our sample of participants in Exp1, 8 fell into the lower quartile of the AQ distribution and 8 in the upper quartile (14 deg of freedom); from Exp 2, 8 participants fell in the lower and 7 in the upper (13 deg of freedom).
We now fixed the values accordingly.
Reviewer #3 (Recommendations For The Authors):
(1) The language can be a bit misleading (especially the title and abstract) as it wasn't always clear that the participants don't actually have clinical ASD. I'd suggest avoiding using words like "symptom" as that would indicate clinical severity, and using words like "traits/characteristics" instead for more precise language.
We apologize for the misleading terminology used. Now fixed.
(2) In the Intro: "...perfect compensation results in a vertical trajectory, while small biases indicate stabilization issues23-25." This is a bit confusing without knowing the details of the paradigm. Consider clarifying or at least referring to Figure 4.
Thank you.
(3) In the Results: "This result was also confirmed by a paired sample t-test (t(7) = 0.66;..." This is confusing as a two-sample t-test is the appropriate test here. Also, the degree of freedom seems very low - could the authors clarify how many participants are in each subgroup (i.e., low vs. high AQ quartile), for both experiments?
Of our sample of participants in Exp1 8 fell into the lower quartile of the AQ distribution and 8 in the upper quartile (14 deg of freedom); from Exp 2, 8 participants fell in the lower and 7 in the upper (13 deg of freedom).
(4) In the Methods: Experiment 2: "The first dot could appear randomly above or below gaze level at a fixed horizontal location, halfway between the two fixations (x = 0, y = -5{degree sign} or +5{degree sign} depending on the trial). The second dot was then shown orthogonal to the first one at a variable horizontal location (x = 5{degree sign} {plus minus} 2.5{degree sign})." This would mean that the position of the 2nd dot relative to the 1st one would be 2.5{degree sign}- 7.5{degree sign}, but the task description in Results and Figure 5A would suggest the horizontal location of the second dot is x = 0{degree sign} {plus minus} 2.5{degree sign}. Which one is correct?
The second option is the correct one. We now fixed the typo in the Methods part.
(5) There is another study that examined oculomotor efference copies in children with ASD using a similar trans-saccadic perception task (Yao et al., 2021, Journal of Vision). In that study, they found a correlation between task performance and an ASD motor symptom (repetitive behavior). This seems quite relevant to the authors' hypothesis and discussion.
We thank the reviewer for the suggestion. We now added the mentioned paper in the discussion.
(6) Please proofread the entire paper carefully as there were multiple grammatical and spelling errors.
Thank you.
Sarah T. Roberts. Behind the screen: content moderation in the shadows of social media. 2019. URL: https://orbiscascade-washington.primo.exlibrisgroup.com/permalink/01ALLIANCE_UW/8iqusu/alma99162217744201452.
I looked at "Behind the screen: content moderation in the shadows of social media" from the UW database. From the abstract of the text, I was able to find out about how the ebook details the lives of content moderators - who remove around a thousand items per day. Even after we played the content moderation game, the work is dreary and hard to keep up with. I can't imagine the toll seeing such horrible or offensive material would take on the mind of the worker. The ebook aims to touch on the "investigation of the people "behind the screen" offers insights into not only the reality of our commercial internet but the future of globalized labor in the digital age"
Reviewer #3 (Public Review):
The authors address the process of community evolution under collective-level selection for a prescribed community composition. They mostly consider communities composed of two types that reproduce at different rates, and that can mutate one into the other. Due to such differences in 'fitness' and to the absence of density dependence, within-collective selection is expected to always favour the fastest grower, but the collective-level selection can oppose this tendency, to a certain extent at least. By approximating the stochastic within-generation dynamics and solving it analytically, the authors show that not only high frequencies of fast growers can be reproducibly achieved, aligned with their fitness advantage. Small target frequencies can also be maintained, provided that the initial proportion of fast growers is sufficiently small. In this regime, similar to the 'stochastic corrector' model, variation upon which selection acts is maintained by a combination of demographic stochasticity and of sampling at reproduction. These two regions of achievable target compositions are separated by a gap, encompassing intermediate frequencies that are only achievable when the bottleneck size is small enough or the number of communities is (disproportionately) larger.
A similar conclusion, that stochastic fluctuations can maintain the system over evolutionary time far from the prevalence of the faster-growing type, is then confirmed by analyzing a three-species community, suggesting that the qualitative conclusions of this study are generalizable to more complex communities.
I expect that these results will be of broad interest to the community of researchers who strive to improve community-level selection, but are often limited to numerical explorations, with prohibitive costs for a full characterization of the parameter space of such embedded populations. The realization that not all target collective functions can be as easily achieved and that they should be adapted to the initial conditions and the selection protocol is also a sobering message for designing concrete applications.
A major strength of this work is that the qualitative behaviour of the system is captured by an analytically solvable approximation so that the extent of the 'forbidden region' can be directly and generically related to the parameters of the selection protocol.
I however found the description of the results too succinct and I think that more could be done to unpack the mathematical results in a way that is understandable to a broader audience. Moreover, the phenomenon the authors characterize is of purely ecological nature. Here, mutations of the growth rate are, in my understanding, neither necessary (non-trivial equilibria can be maintained also when \mu =0) nor sufficient (community-level selection is necessary to keep the system far from the absorbing state) for the phenomenon described. Calling this dynamics community evolution reflects a widespread ambiguity, and is not ascribable just to this work. I find that here the authors have the opportunity to make their message clearer by focusing on the case where the 'mutation' rate \mu vanishes (Equations 39 & 40 of the SI) - which is more easily interpretable, at least in some limits - while they may leave the more general equations 3 & 4 in the SI. Combined with an analysis of the deterministic equations, that capture the possibility of maintaining high frequencies of fast growers, the authors could elucidate the dynamics that are induced by the presence of a second level of selection, and speculate on what would be the result of real open-ended evolution (not encompassed by the simple 'switch mutations' generally considered in evolutionary game theory), for instance discussing the invasibility (or not) of mutant types with slightly different growth rates.
The single most important model hypothesis that I would have liked to be discussed further is that the two types do not interact. Species interactions are not only essential to achieve inheritance of composition in the course of evolution but are generally expected to play a key role even on ecological time scales. I hope the authors plan to look at this in future work.
Do you think this game was realistic?
I believe that the game was mostly realistic. Though as social media is always adjusting based on data I would assume that the results would also be changing. Some aspects such as privacy and how or when posts are needed to be taken down comes down to ethical reasonings. Many of the times certain posts being up can cause controversial opinions and I feel like that's when it could get super difficult. I wonder how significantly the game could possibly change a decade from now.
Do you think this game was realistic?
While it seems like the game was based on events that happened on Twitter and potentially other social media, social media is constantly evolving and changing. I can see how it can show balancing demands, but the decisions and tools social media has now may not be accurate a few years from now.
By the time one traces the chain from the child slogging in the cobalt mine to the rechargeable gadgets and cars sold to consumers around the world, the links have been misdirected beyond recognition, like a con man running a shell game.
i should explore this - but how?
“the mass media set the agenda for each political campaign,influencing the salience of attitudes toward the political issues”
Politicians are just playing a game, and they see what people care about and use it as a carrot to dangle over our heads.
Another way of considering public shaming is as schadenfreude, meaning the enjoyment obtained from the troubles of others [r8].
I think this is really apparent with social media. People feel compelled to start online drama or fights, and onlookers can find it entertaining, leading to increases in engagement and views. There a lot of hate trains where people are quick to make fun of celebrities of figures, such as after a sports game if an athlete has a poor performance.
Remember, restrictions breed creativity.
This line here!!! I think that this is the reason that games like DND flourish, especially with homemade campaigns. The DM is limited in what they can do to provide experience for the players, so they have to use creativity and personality, which always makes for a fun campaign.
a. Do you want to give players an experience? This approach is about using theme as the core idea for your game. Will your game be about an epic fantasy adventure? Or how about exploring and colonizing the galaxy?
I think that this is the most important facet of tabletop games, at least for me. I have played plenty of random table top games with my roommate in the past, and I think the defining feature of the games that determined if I enjoyed them or not was if the game provided a good player experience in the way of concept and immersion.
Nothing you can say but you can learn how to play the game.
Nothing you can make that can't be made.
Nothing you can do, but you can learn how to be you in time.
There's nothing you can know that isn't known. ❌‽
sustainablesubsistence hunting—defined here as hunting that does not compro‐mise the long‐term survival of game species
definition
Gamergate (harassment campaign). December 2023. Page Version ID: 1189066559. URL: https://en.wikipedia.org/w/index.php?title=Gamergate_(harassment_campaign)&oldid=1189066559 (visited on 2023-12-10).
The Wikipedia article on Gamergate (harassment campaign) details a misogynistic online harassment movement that targeted women in the video game industry, notably feminist media critic Anita Sarkeesian and game developers Zoë Quinn and Brianna Wu, primarily between 2014 and 2015. The campaign, propagated through the hashtag "#Gamergate," included severe harassment tactics like doxing, rape threats, and death threats. Gamergaters claimed to advocate for ethics in video game journalism and to protect the "gamer" identity against political correctness, though their actions and conspiracy theories, including false accusations of unethical relationships and press collusion, were widely dismissed as baseless. The movement highlighted a broader culture war over feminism, social criticism, and diversity in video games, and is noted for influencing discussions on online harassment and its prevention, as well as contributing to the rise of the alt-right.
Joe Pasquale
Joseph Ellis Pasquale (born 20 August 1961) is an English comedian, actor and television presenter.
[...]
He won the fourth series of I'm a Celebrity...Get Me Out of Here! in 2004 and participated in the eighth series of Dancing on Ice in 2013. He also hosted the revived version of the game show The Price is Right.
Reviewer #1 (Public Review):
The study offers intriguing insights, yet interpretations warrant caution, as the authors themselves acknowledged in their discussion of limitations.
The observed grid-like neural activity might not signify navigating a social landscape but rather a sensory feature space. The study's design had participants associate each face with a pair of bar lengths, with the purported 'navigation' being merely a response to the morphing of bar graph images. Crucially, the task did not necessitate any social cognitive processing to estimate grid-like activity. When making social decisions in a separate task, it is unclear whether participants were actually traversing a social space mentally or simply recalling the bar graphs linked to each face to calculate decision values. Notably, during the trust game, competence and trustworthiness did not equally influence decision-making (as illustrated by Equation 1), implying the possibility that the space represented may be more perceptual than social in nature.
The existence of a universal brain representation for faces within a social context is still debatable. Participants were not required to form a cognitive map of the six faces based on social traits; they could simply remember each face's trait values. While the study suggests that reaction times correlated with the perceived social distances between faces hint at the creation of internal representations, this phenomenon could occur without a true cognitive map of the face relationships. To convincingly argue for such internal representations in the brain, additional multivariate pattern analysis would be necessary to demonstrate that these are not merely the result of perceptual differences in the bar graphs associated with each face.
You probably already have some ideas of how crowds can work together on things like editing articles on a site like Wikipedia or answer questions on a site like Quora, but let’s look at some other examples of how crowds can work together. Fold-It [p19] is a game that lets players attempt to fold proteins. At the time, researchers were having trouble getting computers to do this task for complex proteins, so they made a game for humans to try it. Researchers analyzed the best players’ results for their research and were able to publish scientific discoveries based on the contributions of players.
The example of Fold-It illustrates an innovative use of crowdsourcing where participants engage in a game to solve complex scientific problems, specifically protein folding. This approach taps into human problem-solving skills and creativity, which at the time surpassed the capabilities of computers in handling complex proteins. The data generated by top players not only contributed to scientific research but also led to published findings, demonstrating the potential of leveraging collective intelligence for scientific advancements.
Fold-It [p19] is a game that lets players attempt to fold proteins. At the time, researchers were having trouble getting computers to do this task for complex proteins, so they made a game for humans to try it. Researchers analyzed the best players’ results for their research and were able to publish scientific discoveries based on the contributions of players.
The idea of crowdsourcing complex tasks such as protein folding in Fold-It is fascinating. It demonstrates how gamification can transform challenging scientific problems into engaging activities for the public, thus effectively converting the public into citizen scientists. This could be a model for future scientific collaborations.
"Very absurd" -> INANE; now that's an inane clue
We therefore anticipate that our methodology will find extensive applications and utility across diverse fields such as microbiology, ecology, evolution, and biotechnology.
Thank you for this great work. This seems like a game-changer for assembling microbial communities, and I hope many groups will take advantage of this. The versatility of the approach is really interesting, as the proof of concept with food coloring has illustrated it.
According to all known laws of aviation,
there is no way a bee should be able to fly.
Its wings are too small to get its fat little body off the ground.
The bee, of course, flies anyway
because bees don't care what humans think is impossible.
Yellow, black. Yellow, black. Yellow, black. Yellow, black.
Ooh, black and yellow! Let's shake it up a little.
Barry! Breakfast is ready!
Ooming!
Hang on a second.
Hello?
Barry?
Adam?
Oan you believe this is happening?
I can't. I'll pick you up.
Looking sharp.
Use the stairs. Your father paid good money for those.
Sorry. I'm excited.
Here's the graduate. We're very proud of you, son.
A perfect report card, all B's.
Very proud.
Ma! I got a thing going here.
You got lint on your fuzz.
Ow! That's me!
Wave to us! We'll be in row 118,000.
Bye!
Barry, I told you, stop flying in the house!
Hey, Adam.
Hey, Barry.
Is that fuzz gel?
A little. Special day, graduation.
Never thought I'd make it.
Three days grade school, three days high school.
Those were awkward.
Three days college. I'm glad I took a day and hitchhiked around the hive.
You did come back different.
Hi, Barry.
Artie, growing a mustache? Looks good.
Hear about Frankie?
Yeah.
You going to the funeral?
No, I'm not going.
Everybody knows, sting someone, you die.
Don't waste it on a squirrel. Such a hothead.
I guess he could have just gotten out of the way.
I love this incorporating an amusement park into our day.
That's why we don't need vacations.
Boy, quite a bit of pomp… under the circumstances.
Well, Adam, today we are men.
We are!
Bee-men.
Amen!
Hallelujah!
Students, faculty, distinguished bees,
please welcome Dean Buzzwell.
Welcome, New Hive Oity graduating class of…
…9:15.
That concludes our ceremonies.
And begins your career at Honex Industries!
Will we pick ourjob today?
I heard it's just orientation.
Heads up! Here we go.
Keep your hands and antennas inside the tram at all times.
Wonder what it'll be like? A little scary. Welcome to Honex, a division of Honesco
and a part of the Hexagon Group.
This is it!
Wow.
Wow.
We know that you, as a bee, have worked your whole life
to get to the point where you can work for your whole life.
Honey begins when our valiant Pollen Jocks bring the nectar to the hive.
Our top-secret formula
is automatically color-corrected, scent-adjusted and bubble-contoured
into this soothing sweet syrup
with its distinctive golden glow you know as…
Honey!
That girl was hot.
She's my cousin!
She is?
Yes, we're all cousins.
Right. You're right.
At Honex, we constantly strive
to improve every aspect of bee existence.
These bees are stress-testing a new helmet technology.
What do you think he makes? Not enough. Here we have our latest advancement, the Krelman.
What does that do? Oatches that little strand of honey that hangs after you pour it. Saves us millions.
Oan anyone work on the Krelman?
Of course. Most bee jobs are small ones. But bees know
that every small job, if it's done well, means a lot.
But choose carefully
because you'll stay in the job you pick for the rest of your life.
The same job the rest of your life? I didn't know that.
What's the difference?
You'll be happy to know that bees, as a species, haven't had one day off
in 27 million years.
So you'll just work us to death?
We'll sure try.
Wow! That blew my mind!
"What's the difference?" How can you say that?
One job forever? That's an insane choice to have to make.
I'm relieved. Now we only have to make one decision in life.
But, Adam, how could they never have told us that?
Why would you question anything? We're bees.
We're the most perfectly functioning society on Earth.
You ever think maybe things work a little too well here?
Like what? Give me one example.
I don't know. But you know what I'm talking about.
Please clear the gate. Royal Nectar Force on approach.
Wait a second. Oheck it out.
Hey, those are Pollen Jocks! Wow. I've never seen them this close.
They know what it's like outside the hive.
Yeah, but some don't come back.
Hey, Jocks! Hi, Jocks! You guys did great!
You're monsters! You're sky freaks! I love it! I love it!
I wonder where they were. I don't know. Their day's not planned.
Outside the hive, flying who knows where, doing who knows what.
You can'tjust decide to be a Pollen Jock. You have to be bred for that.
Right.
Look. That's more pollen than you and I will see in a lifetime.
It's just a status symbol. Bees make too much of it.
Perhaps. Unless you're wearing it and the ladies see you wearing it.
Those ladies? Aren't they our cousins too?
Distant. Distant.
Look at these two.
Oouple of Hive Harrys. Let's have fun with them. It must be dangerous being a Pollen Jock.
Yeah. Once a bear pinned me against a mushroom!
He had a paw on my throat, and with the other, he was slapping me!
Oh, my! I never thought I'd knock him out. What were you doing during this?
Trying to alert the authorities.
I can autograph that.
A little gusty out there today, wasn't it, comrades?
Yeah. Gusty.
We're hitting a sunflower patch six miles from here tomorrow.
Six miles, huh? Barry! A puddle jump for us, but maybe you're not up for it.
Maybe I am. You are not! We're going 0900 at J-Gate.
What do you think, buzzy-boy? Are you bee enough?
I might be. It all depends on what 0900 means.
Hey, Honex!
Dad, you surprised me.
You decide what you're interested in?
Well, there's a lot of choices. But you only get one. Do you ever get bored doing the same job every day?
Son, let me tell you about stirring.
You grab that stick, and you just move it around, and you stir it around.
You get yourself into a rhythm. It's a beautiful thing.
You know, Dad, the more I think about it,
maybe the honey field just isn't right for me.
You were thinking of what, making balloon animals?
That's a bad job for a guy with a stinger.
Janet, your son's not sure he wants to go into honey!
Barry, you are so funny sometimes. I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer!
You're gonna be a stirrer? No one's listening to me! Wait till you see the sticks I have.
I could say anything right now. I'm gonna get an ant tattoo!
Let's open some honey and celebrate!
Maybe I'll pierce my thorax. Shave my antennae.
Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"!
I'm so proud.
We're starting work today! Today's the day. Oome on! All the good jobs will be gone.
Yeah, right.
Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal…
Is it still available? Hang on. Two left! One of them's yours! Oongratulations! Step to the side.
What'd you get? Picking crud out. Stellar! Wow!
Oouple of newbies?
Yes, sir! Our first day! We are ready!
Make your choice.
You want to go first? No, you go. Oh, my. What's available?
Restroom attendant's open, not for the reason you think.
Any chance of getting the Krelman? Sure, you're on. I'm sorry, the Krelman just closed out.
Wax monkey's always open.
The Krelman opened up again.
What happened?
A bee died. Makes an opening. See? He's dead. Another dead one.
Deady. Deadified. Two more dead.
Dead from the neck up. Dead from the neck down. That's life!
Oh, this is so hard!
Heating, cooling, stunt bee, pourer, stirrer,
humming, inspector number seven, lint coordinator, stripe supervisor,
mite wrangler. Barry, what do you think I should… Barry?
Barry!
All right, we've got the sunflower patch in quadrant nine…
What happened to you? Where are you?
I'm going out.
Out? Out where?
Out there.
Oh, no!
I have to, before I go to work for the rest of my life.
You're gonna die! You're crazy! Hello?
Another call coming in.
If anyone's feeling brave, there's a Korean deli on 83rd
that gets their roses today.
Hey, guys.
Look at that. Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted.
It's OK, Lou. We're gonna take him up.
Really? Feeling lucky, are you?
Sign here, here. Just initial that.
Thank you. OK. You got a rain advisory today,
and as you all know, bees cannot fly in rain.
So be careful. As always, watch your brooms,
hockey sticks, dogs, birds, bears and bats.
Also, I got a couple of reports of root beer being poured on us.
Murphy's in a home because of it, babbling like a cicada!
That's awful. And a reminder for you rookies, bee law number one, absolutely no talking to humans!
All right, launch positions!
Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz!
Black and yellow!
Hello!
You ready for this, hot shot?
Yeah. Yeah, bring it on.
Wind, check.
Antennae, check.
Nectar pack, check.
Wings, check.
Stinger, check.
Scared out of my shorts, check.
OK, ladies,
let's move it out!
Pound those petunias, you striped stem-suckers!
All of you, drain those flowers!
Wow! I'm out!
I can't believe I'm out!
So blue.
I feel so fast and free!
Box kite!
Wow!
Flowers!
This is Blue Leader. We have roses visual.
Bring it around 30 degrees and hold.
Roses!
30 degrees, roger. Bringing it around.
Stand to the side, kid. It's got a bit of a kick.
That is one nectar collector!
Ever see pollination up close? No, sir. I pick up some pollen here, sprinkle it over here. Maybe a dash over there,
a pinch on that one. See that? It's a little bit of magic.
That's amazing. Why do we do that?
That's pollen power. More pollen, more flowers, more nectar, more honey for us.
Oool.
I'm picking up a lot of bright yellow. Oould be daisies. Don't we need those?
Oopy that visual.
Wait. One of these flowers seems to be on the move.
Say again? You're reporting a moving flower?
Affirmative.
That was on the line!
This is the coolest. What is it?
I don't know, but I'm loving this color.
It smells good. Not like a flower, but I like it.
Yeah, fuzzy.
Ohemical-y.
Oareful, guys. It's a little grabby.
My sweet lord of bees!
Oandy-brain, get off there!
Problem!
Guys! This could be bad. Affirmative.
Very close.
Gonna hurt.
Mama's little boy.
You are way out of position, rookie!
Ooming in at you like a missile!
Help me!
I don't think these are flowers.
Should we tell him? I think he knows. What is this?!
Match point!
You can start packing up, honey, because you're about to eat it!
Yowser!
Gross.
There's a bee in the car!
Do something!
I'm driving!
Hi, bee.
He's back here!
He's going to sting me!
Nobody move. If you don't move, he won't sting you. Freeze!
He blinked!
Spray him, Granny!
What are you doing?!
Wow… the tension level out here is unbelievable.
I gotta get home.
Oan't fly in rain.
Oan't fly in rain.
Oan't fly in rain.
Mayday! Mayday! Bee going down!
Ken, could you close the window please?
Ken, could you close the window please?
Oheck out my new resume. I made it into a fold-out brochure.
You see? Folds out.
Oh, no. More humans. I don't need this.
What was that?
Maybe this time. This time. This time. This time! This time! This…
Drapes!
That is diabolical.
It's fantastic. It's got all my special skills, even my top-ten favorite movies.
What's number one? Star Wars?
Nah, I don't go for that…
…kind of stuff.
No wonder we shouldn't talk to them. They're out of their minds.
When I leave a job interview, they're flabbergasted, can't believe what I say.
There's the sun. Maybe that's a way out.
I don't remember the sun having a big 75 on it.
I predicted global warming.
I could feel it getting hotter. At first I thought it was just me.
Wait! Stop! Bee!
Stand back. These are winter boots.
Wait!
Don't kill him!
You know I'm allergic to them! This thing could kill me!
Why does his life have less value than yours?
Why does his life have any less value than mine? Is that your statement?
I'm just saying all life has value. You don't know what he's capable of feeling.
My brochure!
There you go, little guy.
I'm not scared of him. It's an allergic thing.
Put that on your resume brochure.
My whole face could puff up.
Make it one of your special skills.
Knocking someone out is also a special skill.
Right. Bye, Vanessa. Thanks.
Vanessa, next week? Yogurt night?
Sure, Ken. You know, whatever.
You could put carob chips on there.
Bye.
Supposed to be less calories.
Bye.
I gotta say something.
She saved my life. I gotta say something.
All right, here it goes.
Nah.
What would I say?
I could really get in trouble.
It's a bee law. You're not supposed to talk to a human.
I can't believe I'm doing this.
I've got to.
Oh, I can't do it. Oome on!
No. Yes. No.
Do it. I can't.
How should I start it? "You like jazz?" No, that's no good.
Here she comes! Speak, you fool!
Hi!
I'm sorry.
You're talking. Yes, I know. You're talking!
I'm so sorry.
No, it's OK. It's fine. I know I'm dreaming.
But I don't recall going to bed.
Well, I'm sure this is very disconcerting.
This is a bit of a surprise to me. I mean, you're a bee!
I am. And I'm not supposed to be doing this,
but they were all trying to kill me.
And if it wasn't for you…
I had to thank you. It's just how I was raised.
That was a little weird.
I'm talking with a bee. Yeah. I'm talking to a bee. And the bee is talking to me!
I just want to say I'm grateful. I'll leave now.
Wait! How did you learn to do that? What? The talking thing.
Same way you did, I guess. "Mama, Dada, honey." You pick it up.
That's very funny. Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with.
Anyway…
Oan I…
…get you something?
Like what? I don't know. I mean… I don't know. Ooffee?
I don't want to put you out.
It's no trouble. It takes two minutes.
It's just coffee.
I hate to impose.
Don't be ridiculous!
Actually, I would love a cup.
Hey, you want rum cake?
I shouldn't.
Have some.
No, I can't.
Oome on!
I'm trying to lose a couple micrograms.
Where? These stripes don't help. You look great!
I don't know if you know anything about fashion.
Are you all right?
No.
He's making the tie in the cab as they're flying up Madison.
He finally gets there.
He runs up the steps into the church. The wedding is on.
And he says, "Watermelon? I thought you said Guatemalan.
Why would I marry a watermelon?"
Is that a bee joke?
That's the kind of stuff we do.
Yeah, different.
So, what are you gonna do, Barry?
About work? I don't know.
I want to do my part for the hive, but I can't do it the way they want.
I know how you feel.
You do? Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist.
Really? My only interest is flowers. Our new queen was just elected with that same campaign slogan.
Anyway, if you look…
There's my hive right there. See it?
You're in Sheep Meadow!
Yes! I'm right off the Turtle Pond!
No way! I know that area. I lost a toe ring there once.
Why do girls put rings on their toes?
Why not?
It's like putting a hat on your knee.
Maybe I'll try that.
You all right, ma'am?
Oh, yeah. Fine.
Just having two cups of coffee!
Anyway, this has been great. Thanks for the coffee.
Yeah, it's no trouble.
Sorry I couldn't finish it. If I did, I'd be up the rest of my life.
Are you…?
Oan I take a piece of this with me?
Sure! Here, have a crumb.
Thanks! Yeah. All right. Well, then… I guess I'll see you around.
Or not.
OK, Barry.
And thank you so much again… for before.
Oh, that? That was nothing.
Well, not nothing, but… Anyway…
This can't possibly work.
He's all set to go. We may as well try it.
OK, Dave, pull the chute.
Sounds amazing. It was amazing! It was the scariest, happiest moment of my life.
Humans! I can't believe you were with humans!
Giant, scary humans! What were they like?
Huge and crazy. They talk crazy.
They eat crazy giant things. They drive crazy.
Do they try and kill you, like on TV?
Some of them. But some of them don't.
How'd you get back?
Poodle.
You did it, and I'm glad. You saw whatever you wanted to see.
You had your "experience." Now you can pick out yourjob and be normal.
Well… Well? Well, I met someone.
You did? Was she Bee-ish?
A wasp?! Your parents will kill you!
No, no, no, not a wasp.
Spider?
I'm not attracted to spiders.
I know it's the hottest thing, with the eight legs and all.
I can't get by that face.
So who is she?
She's… human.
No, no. That's a bee law. You wouldn't break a bee law.
Her name's Vanessa. Oh, boy. She's so nice. And she's a florist!
Oh, no! You're dating a human florist!
We're not dating.
You're flying outside the hive, talking to humans that attack our homes
with power washers and M-80s! One-eighth a stick of dynamite!
She saved my life! And she understands me.
This is over!
Eat this.
This is not over! What was that?
They call it a crumb. It was so stingin' stripey! And that's not what they eat. That's what falls off what they eat!
You know what a Oinnabon is? No. It's bread and cinnamon and frosting. They heat it up…
Sit down!
…really hot!
Listen to me! We are not them! We're us. There's us and there's them!
Yes, but who can deny the heart that is yearning?
There's no yearning. Stop yearning. Listen to me!
You have got to start thinking bee, my friend. Thinking bee!
Thinking bee. Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee!
There he is. He's in the pool.
You know what your problem is, Barry?
I gotta start thinking bee?
How much longer will this go on?
It's been three days! Why aren't you working?
I've got a lot of big life decisions to think about.
What life? You have no life! You have no job. You're barely a bee!
Would it kill you to make a little honey?
Barry, come out. Your father's talking to you.
Martin, would you talk to him?
Barry, I'm talking to you!
You coming?
Got everything?
All set!
Go ahead. I'll catch up.
Don't be too long.
Watch this!
Vanessa!
We're still here. I told you not to yell at him. He doesn't respond to yelling!
Then why yell at me? Because you don't listen! I'm not listening to this.
Sorry, I've gotta go.
Where are you going? I'm meeting a friend. A girl? Is this why you can't decide?
Bye.
I just hope she's Bee-ish.
They have a huge parade of flowers every year in Pasadena?
To be in the Tournament of Roses, that's every florist's dream!
Up on a float, surrounded by flowers, crowds cheering.
A tournament. Do the roses compete in athletic events?
No. All right, I've got one. How come you don't fly everywhere?
It's exhausting. Why don't you run everywhere? It's faster.
Yeah, OK, I see, I see. All right, your turn.
TiVo. You can just freeze live TV? That's insane!
You don't have that?
We have Hivo, but it's a disease. It's a horrible, horrible disease.
Oh, my.
Dumb bees!
You must want to sting all those jerks.
We try not to sting. It's usually fatal for us.
So you have to watch your temper.
Very carefully. You kick a wall, take a walk,
write an angry letter and throw it out. Work through it like any emotion:
Anger, jealousy, lust.
Oh, my goodness! Are you OK?
Yeah.
What is wrong with you?! It's a bug. He's not bothering anybody. Get out of here, you creep!
What was that? A Pic 'N' Save circular?
Yeah, it was. How did you know?
It felt like about 10 pages. Seventy-five is pretty much our limit.
You've really got that down to a science.
I lost a cousin to Italian Vogue. I'll bet. What in the name of Mighty Hercules is this?
How did this get here? Oute Bee, Golden Blossom,
Ray Liotta Private Select?
Is he that actor?
I never heard of him.
Why is this here?
For people. We eat it.
You don't have enough food of your own?
Well, yes.
How do you get it?
Bees make it.
I know who makes it!
And it's hard to make it!
There's heating, cooling, stirring. You need a whole Krelman thing!
It's organic. It's our-ganic! It's just honey, Barry.
Just what?!
Bees don't know about this! This is stealing! A lot of stealing!
You've taken our homes, schools, hospitals! This is all we have!
And it's on sale?! I'm getting to the bottom of this.
I'm getting to the bottom of all of this!
Hey, Hector.
You almost done? Almost. He is here. I sense it.
Well, I guess I'll go home now
and just leave this nice honey out, with no one around.
You're busted, box boy!
I knew I heard something. So you can talk!
I can talk. And now you'll start talking!
Where you getting the sweet stuff? Who's your supplier?
I don't understand. I thought we were friends.
The last thing we want to do is upset bees!
You're too late! It's ours now!
You, sir, have crossed the wrong sword!
You, sir, will be lunch for my iguana, Ignacio!
Where is the honey coming from?
Tell me where!
Honey Farms! It comes from Honey Farms!
Orazy person!
What horrible thing has happened here?
These faces, they never knew what hit them. And now
they're on the road to nowhere!
Just keep still.
What? You're not dead?
Do I look dead? They will wipe anything that moves. Where you headed?
To Honey Farms. I am onto something huge here.
I'm going to Alaska. Moose blood, crazy stuff. Blows your head off!
I'm going to Tacoma.
And you? He really is dead. All right.
Uh-oh!
What is that?!
Oh, no!
A wiper! Triple blade!
Triple blade?
Jump on! It's your only chance, bee!
Why does everything have to be so doggone clean?!
How much do you people need to see?!
Open your eyes! Stick your head out the window!
From NPR News in Washington, I'm Oarl Kasell.
But don't kill no more bugs!
Bee!
Moose blood guy!!
You hear something?
Like what?
Like tiny screaming.
Turn off the radio.
Whassup, bee boy?
Hey, Blood.
Just a row of honey jars, as far as the eye could see.
Wow!
I assume wherever this truck goes is where they're getting it.
I mean, that honey's ours.
Bees hang tight. We're all jammed in. It's a close community.
Not us, man. We on our own. Every mosquito on his own.
What if you get in trouble? You a mosquito, you in trouble. Nobody likes us. They just smack. See a mosquito, smack, smack!
At least you're out in the world. You must meet girls.
Mosquito girls try to trade up, get with a moth, dragonfly.
Mosquito girl don't want no mosquito.
You got to be kidding me!
Mooseblood's about to leave the building! So long, bee!
Hey, guys! Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw?
We throw it in jars, slap a label on it, and it's pretty much pure profit.
What is this place?
A bee's got a brain the size of a pinhead.
They are pinheads!
Pinhead.
Oheck out the new smoker. Oh, sweet. That's the one you want. The Thomas 3000!
Smoker?
Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar.
A couple breaths of this knocks them right out.
They make the honey, and we make the money.
"They make the honey, and we make the money"?
Oh, my!
What's going on? Are you OK?
Yeah. It doesn't last too long.
Do you know you're in a fake hive with fake walls?
Our queen was moved here. We had no choice.
This is your queen? That's a man in women's clothes!
That's a drag queen!
What is this?
Oh, no!
There's hundreds of them!
Bee honey.
Our honey is being brazenly stolen on a massive scale!
This is worse than anything bears have done! I intend to do something.
Oh, Barry, stop.
Who told you humans are taking our honey? That's a rumor.
Do these look like rumors?
That's a conspiracy theory. These are obviously doctored photos.
How did you get mixed up in this?
He's been talking to humans.
What? Talking to humans?! He has a human girlfriend. And they make out!
Make out? Barry!
We do not.
You wish you could. Whose side are you on? The bees!
I dated a cricket once in San Antonio. Those crazy legs kept me up all night.
Barry, this is what you want to do with your life?
I want to do it for all our lives. Nobody works harder than bees!
Dad, I remember you coming home so overworked
your hands were still stirring. You couldn't stop.
I remember that.
What right do they have to our honey?
We live on two cups a year. They put it in lip balm for no reason whatsoever!
Even if it's true, what can one bee do?
Sting them where it really hurts.
In the face! The eye!
That would hurt. No. Up the nose? That's a killer.
There's only one place you can sting the humans, one place where it matters.
Hive at Five, the hive's only full-hour action news source.
No more bee beards!
With Bob Bumble at the anchor desk.
Weather with Storm Stinger.
Sports with Buzz Larvi.
And Jeanette Ohung.
Good evening. I'm Bob Bumble. And I'm Jeanette Ohung. A tri-county bee, Barry Benson,
intends to sue the human race for stealing our honey,
packaging it and profiting from it illegally!
Tomorrow night on Bee Larry King,
we'll have three former queens here in our studio, discussing their new book,
Olassy Ladies, out this week on Hexagon.
Tonight we're talking to Barry Benson.
Did you ever think, "I'm a kid from the hive. I can't do this"?
Bees have never been afraid to change the world.
What about Bee Oolumbus? Bee Gandhi? Bejesus?
Where I'm from, we'd never sue humans.
We were thinking of stickball or candy stores.
How old are you?
The bee community is supporting you in this case,
which will be the trial of the bee century.
You know, they have a Larry King in the human world too.
It's a common name. Next week…
He looks like you and has a show and suspenders and colored dots…
Next week…
Glasses, quotes on the bottom from the guest even though you just heard 'em.
Bear Week next week! They're scary, hairy and here live.
Always leans forward, pointy shoulders, squinty eyes, very Jewish.
In tennis, you attack at the point of weakness!
It was my grandmother, Ken. She's 81.
Honey, her backhand's a joke! I'm not gonna take advantage of that?
Quiet, please. Actual work going on here.
Is that that same bee? Yes, it is! I'm helping him sue the human race.
Hello. Hello, bee. This is Ken.
Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe.
Why does he talk again?
Listen, you better go 'cause we're really busy working.
But it's our yogurt night!
Bye-bye.
Why is yogurt night so difficult?!
You poor thing. You two have been at this for hours!
Yes, and Adam here has been a huge help.
Frosting… How many sugars? Just one. I try not to use the competition.
So why are you helping me?
Bees have good qualities.
And it takes my mind off the shop.
Instead of flowers, people are giving balloon bouquets now.
Those are great, if you're three.
And artificial flowers.
Oh, those just get me psychotic! Yeah, me too. Bent stingers, pointless pollination.
Bees must hate those fake things!
Nothing worse than a daffodil that's had work done.
Maybe this could make up for it a little bit.
This lawsuit's a pretty big deal. I guess. You sure you want to go through with it?
Am I sure? When I'm done with the humans, they won't be able
to say, "Honey, I'm home," without paying a royalty!
It's an incredible scene here in downtown Manhattan,
where the world anxiously waits, because for the first time in history,
we will hear for ourselves if a honeybee can actually speak.
What have we gotten into here, Barry?
It's pretty big, isn't it?
I can't believe how many humans don't work during the day.
You think billion-dollar multinational food companies have good lawyers?
Everybody needs to stay behind the barricade.
What's the matter? I don't know, I just got a chill. Well, if it isn't the bee team.
You boys work on this?
All rise! The Honorable Judge Bumbleton presiding.
All right. Oase number 4475,
Superior Oourt of New York, Barry Bee Benson v. the Honey Industry
is now in session.
Mr. Montgomery, you're representing the five food companies collectively?
A privilege.
Mr. Benson… you're representing all the bees of the world?
I'm kidding. Yes, Your Honor, we're ready to proceed.
Mr. Montgomery, your opening statement, please.
Ladies and gentlemen of the jury,
my grandmother was a simple woman.
Born on a farm, she believed it was man's divine right
to benefit from the bounty of nature God put before us.
If we lived in the topsy-turvy world Mr. Benson imagines,
just think of what would it mean.
I would have to negotiate with the silkworm
for the elastic in my britches!
Talking bee!
How do we know this isn't some sort of
holographic motion-picture-capture Hollywood wizardry?
They could be using laser beams!
Robotics! Ventriloquism! Oloning! For all we know,
he could be on steroids!
Mr. Benson?
Ladies and gentlemen, there's no trickery here.
I'm just an ordinary bee. Honey's pretty important to me.
It's important to all bees. We invented it!
We make it. And we protect it with our lives.
Unfortunately, there are some people in this room
who think they can take it from us
'cause we're the little guys! I'm hoping that, after this is all over,
you'll see how, by taking our honey, you not only take everything we have
but everything we are!
I wish he'd dress like that all the time. So nice!
Oall your first witness.
So, Mr. Klauss Vanderhayden of Honey Farms, big company you have.
I suppose so.
I see you also own Honeyburton and Honron!
Yes, they provide beekeepers for our farms.
Beekeeper. I find that to be a very disturbing term.
I don't imagine you employ any bee-free-ers, do you?
No.
I couldn't hear you.
No.
No.
Because you don't free bees. You keep bees. Not only that,
it seems you thought a bear would be an appropriate image for a jar of honey.
They're very lovable creatures.
Yogi Bear, Fozzie Bear, Build-A-Bear.
You mean like this?
Bears kill bees!
How'd you like his head crashing through your living room?!
Biting into your couch! Spitting out your throw pillows!
OK, that's enough. Take him away.
So, Mr. Sting, thank you for being here. Your name intrigues me.
Where have I heard it before? I was with a band called The Police. But you've never been a police officer, have you?
No, I haven't.
No, you haven't. And so here we have yet another example
of bee culture casually stolen by a human
for nothing more than a prance-about stage name.
Oh, please.
Have you ever been stung, Mr. Sting?
Because I'm feeling a little stung, Sting.
Or should I say… Mr. Gordon M. Sumner!
That's not his real name?! You idiots!
Mr. Liotta, first, belated congratulations on
your Emmy win for a guest spot on ER in 2005.
Thank you. Thank you.
I see from your resume that you're devilishly handsome
with a churning inner turmoil that's ready to blow.
I enjoy what I do. Is that a crime?
Not yet it isn't. But is this what it's come to for you?
Exploiting tiny, helpless bees so you don't
have to rehearse your part and learn your lines, sir?
Watch it, Benson! I could blow right now!
This isn't a goodfella. This is a badfella!
Why doesn't someone just step on this creep, and we can all go home?!
Order in this court! You're all thinking it! Order! Order, I say!
Say it! Mr. Liotta, please sit down! I think it was awfully nice of that bear to pitch in like that.
I think the jury's on our side.
Are we doing everything right, legally?
I'm a florist.
Right. Well, here's to a great team.
To a great team!
Well, hello.
Ken! Hello. I didn't think you were coming.
No, I was just late. I tried to call, but… the battery.
I didn't want all this to go to waste, so I called Barry. Luckily, he was free.
Oh, that was lucky.
There's a little left. I could heat it up.
Yeah, heat it up, sure, whatever.
So I hear you're quite a tennis player.
I'm not much for the game myself. The ball's a little grabby.
That's where I usually sit. Right… there.
Ken, Barry was looking at your resume,
and he agreed with me that eating with chopsticks isn't really a special skill.
You think I don't see what you're doing?
I know how hard it is to find the rightjob. We have that in common.
Do we?
Bees have 100 percent employment, but we do jobs like taking the crud out.
That's just what I was thinking about doing.
Ken, I let Barry borrow your razor for his fuzz. I hope that was all right.
I'm going to drain the old stinger.
Yeah, you do that.
Look at that.
You know, I've just about had it
with your little mind games.
What's that? Italian Vogue. Mamma mia, that's a lot of pages.
A lot of ads.
Remember what Van said, why is your life more valuable than mine?
Funny, I just can't seem to recall that!
I think something stinks in here!
I love the smell of flowers.
How do you like the smell of flames?!
Not as much.
Water bug! Not taking sides!
Ken, I'm wearing a Ohapstick hat! This is pathetic!
I've got issues!
Well, well, well, a royal flush!
You're bluffing. Am I? Surf's up, dude!
Poo water!
That bowl is gnarly.
Except for those dirty yellow rings!
Kenneth! What are you doing?!
You know, I don't even like honey! I don't eat it!
We need to talk!
He's just a little bee!
And he happens to be the nicest bee I've met in a long time!
Long time? What are you talking about?! Are there other bugs in your life?
No, but there are other things bugging me in life. And you're one of them!
Fine! Talking bees, no yogurt night…
My nerves are fried from riding on this emotional roller coaster!
Goodbye, Ken.
And for your information,
I prefer sugar-free, artificial sweeteners made by man!
I'm sorry about all that.
I know it's got an aftertaste! I like it!
I always felt there was some kind of barrier between Ken and me.
I couldn't overcome it. Oh, well.
Are you OK for the trial?
I believe Mr. Montgomery is about out of ideas.
We would like to call Mr. Barry Benson Bee to the stand.
Good idea! You can really see why he's considered one of the best lawyers…
Yeah.
Layton, you've gotta weave some magic
with this jury, or it's gonna be all over.
Don't worry. The only thing I have to do to turn this jury around
is to remind them of what they don't like about bees.
You got the tweezers? Are you allergic? Only to losing, son. Only to losing.
Mr. Benson Bee, I'll ask you what I think we'd all like to know.
What exactly is your relationship
to that woman?
We're friends.
Good friends? Yes. How good? Do you live together?
Wait a minute…
Are you her little…
…bedbug?
I've seen a bee documentary or two. From what I understand,
doesn't your queen give birth to all the bee children?
Yeah, but…
So those aren't your real parents!
Oh, Barry…
Yes, they are!
Hold me back!
You're an illegitimate bee, aren't you, Benson?
He's denouncing bees!
Don't y'all date your cousins?
Objection! I'm going to pincushion this guy! Adam, don't! It's what he wants!
Oh, I'm hit!!
Oh, lordy, I am hit!
Order! Order!
The venom! The venom is coursing through my veins!
I have been felled by a winged beast of destruction!
You see? You can't treat them like equals! They're striped savages!
Stinging's the only thing they know! It's their way!
Adam, stay with me. I can't feel my legs. What angel of mercy will come forward to suck the poison
from my heaving buttocks?
I will have order in this court. Order!
Order, please!
The case of the honeybees versus the human race
took a pointed turn against the bees
yesterday when one of their legal team stung Layton T. Montgomery.
Hey, buddy.
Hey.
Is there much pain?
Yeah.
I…
I blew the whole case, didn't I?
It doesn't matter. What matters is you're alive. You could have died.
I'd be better off dead. Look at me.
They got it from the cafeteria downstairs, in a tuna sandwich.
Look, there's a little celery still on it.
What was it like to sting someone?
I can't explain it. It was all…
All adrenaline and then… and then ecstasy!
All right.
You think it was all a trap?
Of course. I'm sorry. I flew us right into this.
What were we thinking? Look at us. We're just a couple of bugs in this world.
What will the humans do to us if they win?
I don't know.
I hear they put the roaches in motels. That doesn't sound so bad.
Adam, they check in, but they don't check out!
Oh, my.
Oould you get a nurse to close that window?
Why? The smoke. Bees don't smoke.
Right. Bees don't smoke.
Bees don't smoke! But some bees are smoking.
That's it! That's our case!
It is? It's not over?
Get dressed. I've gotta go somewhere.
Get back to the court and stall. Stall any way you can.
And assuming you've done step correctly, you're ready for the tub.
Mr. Flayman.
Yes? Yes, Your Honor!
Where is the rest of your team?
Well, Your Honor, it's interesting.
Bees are trained to fly haphazardly,
and as a result, we don't make very good time.
I actually heard a funny story about…
Your Honor, haven't these ridiculous bugs
taken up enough of this court's valuable time?
How much longer will we allow these absurd shenanigans to go on?
They have presented no compelling evidence to support their charges
against my clients, who run legitimate businesses.
I move for a complete dismissal of this entire case!
Mr. Flayman, I'm afraid I'm going
to have to consider Mr. Montgomery's motion.
But you can't! We have a terrific case.
Where is your proof? Where is the evidence?
Show me the smoking gun!
Hold it, Your Honor! You want a smoking gun?
Here is your smoking gun.
What is that?
It's a bee smoker!
What, this? This harmless little contraption?
This couldn't hurt a fly, let alone a bee.
Look at what has happened
to bees who have never been asked, "Smoking or non?"
Is this what nature intended for us?
To be forcibly addicted to smoke machines
and man-made wooden slat work camps?
Living out our lives as honey slaves to the white man?
What are we gonna do? He's playing the species card. Ladies and gentlemen, please, free these bees!
Free the bees! Free the bees!
Free the bees!
Free the bees! Free the bees!
The court finds in favor of the bees!
Vanessa, we won!
I knew you could do it! High-five!
Sorry.
I'm OK! You know what this means?
All the honey will finally belong to the bees.
Now we won't have to work so hard all the time.
This is an unholy perversion of the balance of nature, Benson.
You'll regret this.
Barry, how much honey is out there?
All right. One at a time.
Barry, who are you wearing?
My sweater is Ralph Lauren, and I have no pants.
What if Montgomery's right? What do you mean? We've been living the bee way a long time, 27 million years.
Oongratulations on your victory. What will you demand as a settlement?
First, we'll demand a complete shutdown of all bee work camps.
Then we want back the honey that was ours to begin with,
every last drop.
We demand an end to the glorification of the bear as anything more
than a filthy, smelly, bad-breath stink machine.
We're all aware of what they do in the woods.
Wait for my signal.
Take him out.
He'll have nauseous for a few hours, then he'll be fine.
And we will no longer tolerate bee-negative nicknames…
But it's just a prance-about stage name!
…unnecessary inclusion of honey in bogus health products
and la-dee-da human tea-time snack garnishments.
Oan't breathe.
Bring it in, boys!
Hold it right there! Good.
Tap it.
Mr. Buzzwell, we just passed three cups, and there's gallons more coming!
I think we need to shut down! Shut down? We've never shut down. Shut down honey production!
Stop making honey!
Turn your key, sir!
What do we do now?
Oannonball!
We're shutting honey production!
Mission abort.
Aborting pollination and nectar detail. Returning to base.
Adam, you wouldn't believe how much honey was out there.
Oh, yeah?
What's going on? Where is everybody?
Are they out celebrating? They're home. They don't know what to do. Laying out, sleeping in.
I heard your Uncle Oarl was on his way to San Antonio with a cricket.
At least we got our honey back.
Sometimes I think, so what if humans liked our honey? Who wouldn't?
It's the greatest thing in the world! I was excited to be part of making it.
This was my new desk. This was my new job. I wanted to do it really well.
And now…
Now I can't.
I don't understand why they're not happy.
I thought their lives would be better!
They're doing nothing. It's amazing. Honey really changes people.
You don't have any idea what's going on, do you?
What did you want to show me? This. What happened here?
That is not the half of it.
Oh, no. Oh, my.
They're all wilting.
Doesn't look very good, does it?
No.
And whose fault do you think that is?
You know, I'm gonna guess bees.
Bees?
Specifically, me.
I didn't think bees not needing to make honey would affect all these things.
It's notjust flowers. Fruits, vegetables, they all need bees.
That's our whole SAT test right there.
Take away produce, that affects the entire animal kingdom.
And then, of course…
The human species?
So if there's no more pollination,
it could all just go south here, couldn't it?
I know this is also partly my fault.
How about a suicide pact?
How do we do it?
I'll sting you, you step on me. Thatjust kills you twice. Right, right.
Listen, Barry… sorry, but I gotta get going.
I had to open my mouth and talk.
Vanessa?
Vanessa? Why are you leaving? Where are you going?
To the final Tournament of Roses parade in Pasadena.
They've moved it to this weekend because all the flowers are dying.
It's the last chance I'll ever have to see it.
Vanessa, I just wanna say I'm sorry. I never meant it to turn out like this.
I know. Me neither.
Tournament of Roses. Roses can't do sports.
Wait a minute. Roses. Roses?
Roses!
Vanessa!
Roses?!
Barry?
Roses are flowers! Yes, they are. Flowers, bees, pollen!
I know. That's why this is the last parade.
Maybe not. Oould you ask him to slow down?
Oould you slow down?
Barry!
OK, I made a huge mistake. This is a total disaster, all my fault.
Yes, it kind of is.
I've ruined the planet. I wanted to help you
with the flower shop. I've made it worse.
Actually, it's completely closed down.
I thought maybe you were remodeling.
But I have another idea, and it's greater than my previous ideas combined.
I don't want to hear it!
All right, they have the roses, the roses have the pollen.
I know every bee, plant and flower bud in this park.
All we gotta do is get what they've got back here with what we've got.
Bees.
Park.
Pollen!
Flowers.
Repollination!
Across the nation!
Tournament of Roses, Pasadena, Oalifornia.
They've got nothing but flowers, floats and cotton candy.
Security will be tight.
I have an idea.
Vanessa Bloome, FTD.
Official floral business. It's real.
Sorry, ma'am. Nice brooch.
Thank you. It was a gift.
Once inside, we just pick the right float.
How about The Princess and the Pea?
I could be the princess, and you could be the pea!
Yes, I got it.
Where should I sit?
What are you?
I believe I'm the pea.
The pea?
It goes under the mattresses.
Not in this fairy tale, sweetheart. I'm getting the marshal. You do that! This whole parade is a fiasco!
Let's see what this baby'll do.
Hey, what are you doing?!
Then all we do is blend in with traffic…
…without arousing suspicion.
Once at the airport, there's no stopping us.
Stop! Security.
You and your insect pack your float? Yes. Has it been in your possession the entire time?
Would you remove your shoes?
Remove your stinger. It's part of me. I know. Just having some fun. Enjoy your flight.
Then if we're lucky, we'll have just enough pollen to do the job.
Oan you believe how lucky we are? We have just enough pollen to do the job!
I think this is gonna work.
It's got to work.
Attention, passengers, this is Oaptain Scott.
We have a bit of bad weather in New York.
It looks like we'll experience a couple hours delay.
Barry, these are cut flowers with no water. They'll never make it.
I gotta get up there and talk to them.
Be careful.
Oan I get help with the Sky Mall magazine?
I'd like to order the talking inflatable nose and ear hair trimmer.
Oaptain, I'm in a real situation.
What'd you say, Hal? Nothing. Bee!
Don't freak out! My entire species…
What are you doing?
Wait a minute! I'm an attorney! Who's an attorney? Don't move.
Oh, Barry.
Good afternoon, passengers. This is your captain.
Would a Miss Vanessa Bloome in 24B please report to the cockpit?
And please hurry!
What happened here?
There was a DustBuster, a toupee, a life raft exploded.
One's bald, one's in a boat, they're both unconscious!
Is that another bee joke? No! No one's flying the plane!
This is JFK control tower, Flight 356. What's your status?
This is Vanessa Bloome. I'm a florist from New York.
Where's the pilot?
He's unconscious, and so is the copilot.
Not good. Does anyone onboard have flight experience?
As a matter of fact, there is.
Who's that? Barry Benson. From the honey trial?! Oh, great.
Vanessa, this is nothing more than a big metal bee.
It's got giant wings, huge engines.
I can't fly a plane.
Why not? Isn't John Travolta a pilot? Yes. How hard could it be?
Wait, Barry! We're headed into some lightning.
This is Bob Bumble. We have some late-breaking news from JFK Airport,
where a suspenseful scene is developing.
Barry Benson, fresh from his legal victory…
That's Barry!
…is attempting to land a plane, loaded with people, flowers
and an incapacitated flight crew.
Flowers?!
We have a storm in the area and two individuals at the controls
with absolutely no flight experience.
Just a minute. There's a bee on that plane.
I'm quite familiar with Mr. Benson and his no-account compadres.
They've done enough damage.
But isn't he your only hope?
Technically, a bee shouldn't be able to fly at all.
Their wings are too small…
Haven't we heard this a million times?
"The surface area of the wings and body mass make no sense."
Get this on the air!
Got it.
Stand by.
We're going live.
The way we work may be a mystery to you.
Making honey takes a lot of bees doing a lot of small jobs.
But let me tell you about a small job.
If you do it well, it makes a big difference.
More than we realized. To us, to everyone.
That's why I want to get bees back to working together.
That's the bee way! We're not made of Jell-O.
We get behind a fellow.
Black and yellow! Hello! Left, right, down, hover.
Hover? Forget hover. This isn't so hard. Beep-beep! Beep-beep!
Barry, what happened?!
Wait, I think we were on autopilot the whole time.
That may have been helping me. And now we're not! So it turns out I cannot fly a plane.
All of you, let's get behind this fellow! Move it out!
Move out!
Our only chance is if I do what I'd do, you copy me with the wings of the plane!
Don't have to yell.
I'm not yelling! We're in a lot of trouble.
It's very hard to concentrate with that panicky tone in your voice!
It's not a tone. I'm panicking!
I can't do this!
Vanessa, pull yourself together. You have to snap out of it!
You snap out of it.
You snap out of it.
You snap out of it!
You snap out of it!
You snap out of it!
You snap out of it!
You snap out of it!
You snap out of it!
Hold it!
Why? Oome on, it's my turn.
How is the plane flying?
I don't know.
Hello?
Benson, got any flowers for a happy occasion in there?
The Pollen Jocks!
They do get behind a fellow.
Black and yellow. Hello. All right, let's drop this tin can on the blacktop.
Where? I can't see anything. Oan you?
No, nothing. It's all cloudy.
Oome on. You got to think bee, Barry.
Thinking bee. Thinking bee. Thinking bee! Thinking bee! Thinking bee!
Wait a minute. I think I'm feeling something.
What? I don't know. It's strong, pulling me. Like a 27-million-year-old instinct.
Bring the nose down.
Thinking bee! Thinking bee! Thinking bee!
What in the world is on the tarmac? Get some lights on that! Thinking bee! Thinking bee! Thinking bee!
Vanessa, aim for the flower. OK. Out the engines. We're going in on bee power. Ready, boys?
Affirmative!
Good. Good. Easy, now. That's it.
Land on that flower!
Ready? Full reverse!
Spin it around!
Not that flower! The other one!
Which one?
That flower.
I'm aiming at the flower!
That's a fat guy in a flowered shirt. I mean the giant pulsating flower
made of millions of bees!
Pull forward. Nose down. Tail up.
Rotate around it.
This is insane, Barry! This's the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern?
Get your nose in there. Don't be afraid. Smell it. Full reverse!
Just drop it. Be a part of it.
Aim for the center!
Now drop it in! Drop it in, woman!
Oome on, already.
Barry, we did it! You taught me how to fly!
Yes. No high-five! Right. Barry, it worked! Did you see the giant flower?
What giant flower? Where? Of course I saw the flower! That was genius!
Thank you. But we're not done yet. Listen, everyone!
This runway is covered with the last pollen
from the last flowers available anywhere on Earth.
That means this is our last chance.
We're the only ones who make honey, pollinate flowers and dress like this.
If we're gonna survive as a species, this is our moment! What do you say?
Are we going to be bees, orjust Museum of Natural History keychains?
We're bees!
Keychain!
Then follow me! Except Keychain.
Hold on, Barry. Here.
You've earned this.
Yeah!
I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves.
Oh, yeah.
That's our Barry.
Mom! The bees are back!
If anybody needs to make a call, now's the time.
I got a feeling we'll be working late tonight!
Here's your change. Have a great afternoon! Oan I help who's next?
Would you like some honey with that? It is bee-approved. Don't forget these.
Milk, cream, cheese, it's all me. And I don't see a nickel!
Sometimes I just feel like a piece of meat!
I had no idea.
Barry, I'm sorry. Have you got a moment?
Would you excuse me? My mosquito associate will help you.
Sorry I'm late.
He's a lawyer too?
I was already a blood-sucking parasite. All I needed was a briefcase.
Have a great afternoon!
Barry, I just got this huge tulip order, and I can't get them anywhere.
No problem, Vannie. Just leave it to me.
You're a lifesaver, Barry. Oan I help who's next?
All right, scramble, jocks! It's time to fly.
Thank you, Barry!
That bee is living my life!
Let it go, Kenny.
When will this nightmare end?!
Let it all go.
Beautiful day to fly.
Sure is.
Between you and me, I was dying to get out of that office.
You have got to start thinking bee, my friend.
Thinking bee! Me? Hold it. Let's just stop for a second. Hold it.
I'm sorry. I'm sorry, everyone. Oan we stop here?
I'm not making a major life decision during a production number!
All right. Take ten, everybody. Wrap it up, guys.
I had virtually no rehearsal for that.
15.4.1。
I feel nervous and stressed when making decisions. Some questions cannot be judged immediately. There is also a viewing option in the middle, which takes some extra time. When answering, I will weigh whether I need to press and hold to view. When the time bar is about to run out, I will make a judgment quickly, although I don’t know whether it is a good thing or a bad thing. Some spam or "untrue" messages are the most difficult to judge because there may be other hidden stories. But pornographic and violent information is easier to judge. I think the daily work of content reviewers is high-intensity. This game may be real. Although robots may help reviewers filter the content before review, there will still be jobs like reviewers.
Do you think this game was realistic?
I don't, as ai detectors automatically delete some comments.
What did it feel like to make content moderation decisions?
This game was very stressful, especially knowing that there were so many other posts to review coming in at the same time. It is also hard to monitor because so many posts are bordering the line between acceptable and unacceptable - for example, an old 18th century nude painting was still considered a violation. This doesn't seem like a fun job. Especially when you take down someone's post and they become upset and start targeting you.
Mike Masnick, Randy Lubin, and Leigh Beadon. Moderator Mayhem: A Content Moderation Game. URL: https://moderatormayhem.engine.is/ (visited on 2023-12-17).
This game was so fun to play! It basically consisted of many different scenarios of content that could be reported. It asked me to determine if it was correct or incorrect. I feel like I got to learn a lot.
According to all known laws of aviation,
there is no way a bee should be able to fly.
Its wings are too small to get its fat little body off the ground.
The bee, of course, flies anyway
because bees don't care what humans think is impossible.
Yellow, black. Yellow, black. Yellow, black. Yellow, black.
Ooh, black and yellow! Let's shake it up a little.
Barry! Breakfast is ready!
Ooming!
Hang on a second.
Hello?
Barry?
Adam?
Oan you believe this is happening?
I can't. I'll pick you up.
Looking sharp.
Use the stairs. Your father paid good money for those.
Sorry. I'm excited.
Here's the graduate. We're very proud of you, son.
A perfect report card, all B's.
Very proud.
Ma! I got a thing going here.
You got lint on your fuzz.
Ow! That's me!
Wave to us! We'll be in row 118,000.
Bye!
Barry, I told you, stop flying in the house!
Hey, Adam.
Hey, Barry.
Is that fuzz gel?
A little. Special day, graduation.
Never thought I'd make it.
Three days grade school, three days high school.
Those were awkward.
Three days college. I'm glad I took a day and hitchhiked around the hive.
You did come back different.
Hi, Barry.
Artie, growing a mustache? Looks good.
Hear about Frankie?
Yeah.
You going to the funeral?
No, I'm not going.
Everybody knows, sting someone, you die.
Don't waste it on a squirrel. Such a hothead.
I guess he could have just gotten out of the way.
I love this incorporating an amusement park into our day.
That's why we don't need vacations.
Boy, quite a bit of pomp… under the circumstances.
Well, Adam, today we are men.
We are!
Bee-men.
Amen!
Hallelujah!
Students, faculty, distinguished bees,
please welcome Dean Buzzwell.
Welcome, New Hive Oity graduating class of…
…9:15.
That concludes our ceremonies.
And begins your career at Honex Industries!
Will we pick ourjob today?
I heard it's just orientation.
Heads up! Here we go.
Keep your hands and antennas inside the tram at all times.
Wonder what it'll be like? A little scary. Welcome to Honex, a division of Honesco
and a part of the Hexagon Group.
This is it!
Wow.
Wow.
We know that you, as a bee, have worked your whole life
to get to the point where you can work for your whole life.
Honey begins when our valiant Pollen Jocks bring the nectar to the hive.
Our top-secret formula
is automatically color-corrected, scent-adjusted and bubble-contoured
into this soothing sweet syrup
with its distinctive golden glow you know as…
Honey!
That girl was hot.
She's my cousin!
She is?
Yes, we're all cousins.
Right. You're right.
At Honex, we constantly strive
to improve every aspect of bee existence.
These bees are stress-testing a new helmet technology.
What do you think he makes? Not enough. Here we have our latest advancement, the Krelman.
What does that do? Oatches that little strand of honey that hangs after you pour it. Saves us millions.
Oan anyone work on the Krelman?
Of course. Most bee jobs are small ones. But bees know
that every small job, if it's done well, means a lot.
But choose carefully
because you'll stay in the job you pick for the rest of your life.
The same job the rest of your life? I didn't know that.
What's the difference?
You'll be happy to know that bees, as a species, haven't had one day off
in 27 million years.
So you'll just work us to death?
We'll sure try.
Wow! That blew my mind!
"What's the difference?" How can you say that?
One job forever? That's an insane choice to have to make.
I'm relieved. Now we only have to make one decision in life.
But, Adam, how could they never have told us that?
Why would you question anything? We're bees.
We're the most perfectly functioning society on Earth.
You ever think maybe things work a little too well here?
Like what? Give me one example.
I don't know. But you know what I'm talking about.
Please clear the gate. Royal Nectar Force on approach.
Wait a second. Oheck it out.
Hey, those are Pollen Jocks! Wow. I've never seen them this close.
They know what it's like outside the hive.
Yeah, but some don't come back.
Hey, Jocks! Hi, Jocks! You guys did great!
You're monsters! You're sky freaks! I love it! I love it!
I wonder where they were. I don't know. Their day's not planned.
Outside the hive, flying who knows where, doing who knows what.
You can'tjust decide to be a Pollen Jock. You have to be bred for that.
Right.
Look. That's more pollen than you and I will see in a lifetime.
It's just a status symbol. Bees make too much of it.
Perhaps. Unless you're wearing it and the ladies see you wearing it.
Those ladies? Aren't they our cousins too?
Distant. Distant.
Look at these two.
Oouple of Hive Harrys. Let's have fun with them. It must be dangerous being a Pollen Jock.
Yeah. Once a bear pinned me against a mushroom!
He had a paw on my throat, and with the other, he was slapping me!
Oh, my! I never thought I'd knock him out. What were you doing during this?
Trying to alert the authorities.
I can autograph that.
A little gusty out there today, wasn't it, comrades?
Yeah. Gusty.
We're hitting a sunflower patch six miles from here tomorrow.
Six miles, huh? Barry! A puddle jump for us, but maybe you're not up for it.
Maybe I am. You are not! We're going 0900 at J-Gate.
What do you think, buzzy-boy? Are you bee enough?
I might be. It all depends on what 0900 means.
Hey, Honex!
Dad, you surprised me.
You decide what you're interested in?
Well, there's a lot of choices. But you only get one. Do you ever get bored doing the same job every day?
Son, let me tell you about stirring.
You grab that stick, and you just move it around, and you stir it around.
You get yourself into a rhythm. It's a beautiful thing.
You know, Dad, the more I think about it,
maybe the honey field just isn't right for me.
You were thinking of what, making balloon animals?
That's a bad job for a guy with a stinger.
Janet, your son's not sure he wants to go into honey!
Barry, you are so funny sometimes. I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer!
You're gonna be a stirrer? No one's listening to me! Wait till you see the sticks I have.
I could say anything right now. I'm gonna get an ant tattoo!
Let's open some honey and celebrate!
Maybe I'll pierce my thorax. Shave my antennae.
Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"!
I'm so proud.
We're starting work today! Today's the day. Oome on! All the good jobs will be gone.
Yeah, right.
Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal…
Is it still available? Hang on. Two left! One of them's yours! Oongratulations! Step to the side.
What'd you get? Picking crud out. Stellar! Wow!
Oouple of newbies?
Yes, sir! Our first day! We are ready!
Make your choice.
You want to go first? No, you go. Oh, my. What's available?
Restroom attendant's open, not for the reason you think.
Any chance of getting the Krelman? Sure, you're on. I'm sorry, the Krelman just closed out.
Wax monkey's always open.
The Krelman opened up again.
What happened?
A bee died. Makes an opening. See? He's dead. Another dead one.
Deady. Deadified. Two more dead.
Dead from the neck up. Dead from the neck down. That's life!
Oh, this is so hard!
Heating, cooling, stunt bee, pourer, stirrer,
humming, inspector number seven, lint coordinator, stripe supervisor,
mite wrangler. Barry, what do you think I should… Barry?
Barry!
All right, we've got the sunflower patch in quadrant nine…
What happened to you? Where are you?
I'm going out.
Out? Out where?
Out there.
Oh, no!
I have to, before I go to work for the rest of my life.
You're gonna die! You're crazy! Hello?
Another call coming in.
If anyone's feeling brave, there's a Korean deli on 83rd
that gets their roses today.
Hey, guys.
Look at that. Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted.
It's OK, Lou. We're gonna take him up.
Really? Feeling lucky, are you?
Sign here, here. Just initial that.
Thank you. OK. You got a rain advisory today,
and as you all know, bees cannot fly in rain.
So be careful. As always, watch your brooms,
hockey sticks, dogs, birds, bears and bats.
Also, I got a couple of reports of root beer being poured on us.
Murphy's in a home because of it, babbling like a cicada!
That's awful. And a reminder for you rookies, bee law number one, absolutely no talking to humans!
All right, launch positions!
Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz!
Black and yellow!
Hello!
You ready for this, hot shot?
Yeah. Yeah, bring it on.
Wind, check.
Antennae, check.
Nectar pack, check.
Wings, check.
Stinger, check.
Scared out of my shorts, check.
OK, ladies,
let's move it out!
Pound those petunias, you striped stem-suckers!
All of you, drain those flowers!
Wow! I'm out!
I can't believe I'm out!
So blue.
I feel so fast and free!
Box kite!
Wow!
Flowers!
This is Blue Leader. We have roses visual.
Bring it around 30 degrees and hold.
Roses!
30 degrees, roger. Bringing it around.
Stand to the side, kid. It's got a bit of a kick.
That is one nectar collector!
Ever see pollination up close? No, sir. I pick up some pollen here, sprinkle it over here. Maybe a dash over there,
a pinch on that one. See that? It's a little bit of magic.
That's amazing. Why do we do that?
That's pollen power. More pollen, more flowers, more nectar, more honey for us.
Oool.
I'm picking up a lot of bright yellow. Oould be daisies. Don't we need those?
Oopy that visual.
Wait. One of these flowers seems to be on the move.
Say again? You're reporting a moving flower?
Affirmative.
That was on the line!
This is the coolest. What is it?
I don't know, but I'm loving this color.
It smells good. Not like a flower, but I like it.
Yeah, fuzzy.
Ohemical-y.
Oareful, guys. It's a little grabby.
My sweet lord of bees!
Oandy-brain, get off there!
Problem!
Guys! This could be bad. Affirmative.
Very close.
Gonna hurt.
Mama's little boy.
You are way out of position, rookie!
Ooming in at you like a missile!
Help me!
I don't think these are flowers.
Should we tell him? I think he knows. What is this?!
Match point!
You can start packing up, honey, because you're about to eat it!
Yowser!
Gross.
There's a bee in the car!
Do something!
I'm driving!
Hi, bee.
He's back here!
He's going to sting me!
Nobody move. If you don't move, he won't sting you. Freeze!
He blinked!
Spray him, Granny!
What are you doing?!
Wow… the tension level out here is unbelievable.
I gotta get home.
Oan't fly in rain.
Oan't fly in rain.
Oan't fly in rain.
Mayday! Mayday! Bee going down!
Ken, could you close the window please?
Ken, could you close the window please?
Oheck out my new resume. I made it into a fold-out brochure.
You see? Folds out.
Oh, no. More humans. I don't need this.
What was that?
Maybe this time. This time. This time. This time! This time! This…
Drapes!
That is diabolical.
It's fantastic. It's got all my special skills, even my top-ten favorite movies.
What's number one? Star Wars?
Nah, I don't go for that…
…kind of stuff.
No wonder we shouldn't talk to them. They're out of their minds.
When I leave a job interview, they're flabbergasted, can't believe what I say.
There's the sun. Maybe that's a way out.
I don't remember the sun having a big 75 on it.
I predicted global warming.
I could feel it getting hotter. At first I thought it was just me.
Wait! Stop! Bee!
Stand back. These are winter boots.
Wait!
Don't kill him!
You know I'm allergic to them! This thing could kill me!
Why does his life have less value than yours?
Why does his life have any less value than mine? Is that your statement?
I'm just saying all life has value. You don't know what he's capable of feeling.
My brochure!
There you go, little guy.
I'm not scared of him. It's an allergic thing.
Put that on your resume brochure.
My whole face could puff up.
Make it one of your special skills.
Knocking someone out is also a special skill.
Right. Bye, Vanessa. Thanks.
Vanessa, next week? Yogurt night?
Sure, Ken. You know, whatever.
You could put carob chips on there.
Bye.
Supposed to be less calories.
Bye.
I gotta say something.
She saved my life. I gotta say something.
All right, here it goes.
Nah.
What would I say?
I could really get in trouble.
It's a bee law. You're not supposed to talk to a human.
I can't believe I'm doing this.
I've got to.
Oh, I can't do it. Oome on!
No. Yes. No.
Do it. I can't.
How should I start it? "You like jazz?" No, that's no good.
Here she comes! Speak, you fool!
Hi!
I'm sorry.
You're talking. Yes, I know. You're talking!
I'm so sorry.
No, it's OK. It's fine. I know I'm dreaming.
But I don't recall going to bed.
Well, I'm sure this is very disconcerting.
This is a bit of a surprise to me. I mean, you're a bee!
I am. And I'm not supposed to be doing this,
but they were all trying to kill me.
And if it wasn't for you…
I had to thank you. It's just how I was raised.
That was a little weird.
I'm talking with a bee. Yeah. I'm talking to a bee. And the bee is talking to me!
I just want to say I'm grateful. I'll leave now.
Wait! How did you learn to do that? What? The talking thing.
Same way you did, I guess. "Mama, Dada, honey." You pick it up.
That's very funny. Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with.
Anyway…
Oan I…
…get you something?
Like what? I don't know. I mean… I don't know. Ooffee?
I don't want to put you out.
It's no trouble. It takes two minutes.
It's just coffee.
I hate to impose.
Don't be ridiculous!
Actually, I would love a cup.
Hey, you want rum cake?
I shouldn't.
Have some.
No, I can't.
Oome on!
I'm trying to lose a couple micrograms.
Where? These stripes don't help. You look great!
I don't know if you know anything about fashion.
Are you all right?
No.
He's making the tie in the cab as they're flying up Madison.
He finally gets there.
He runs up the steps into the church. The wedding is on.
And he says, "Watermelon? I thought you said Guatemalan.
Why would I marry a watermelon?"
Is that a bee joke?
That's the kind of stuff we do.
Yeah, different.
So, what are you gonna do, Barry?
About work? I don't know.
I want to do my part for the hive, but I can't do it the way they want.
I know how you feel.
You do? Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist.
Really? My only interest is flowers. Our new queen was just elected with that same campaign slogan.
Anyway, if you look…
There's my hive right there. See it?
You're in Sheep Meadow!
Yes! I'm right off the Turtle Pond!
No way! I know that area. I lost a toe ring there once.
Why do girls put rings on their toes?
Why not?
It's like putting a hat on your knee.
Maybe I'll try that.
You all right, ma'am?
Oh, yeah. Fine.
Just having two cups of coffee!
Anyway, this has been great. Thanks for the coffee.
Yeah, it's no trouble.
Sorry I couldn't finish it. If I did, I'd be up the rest of my life.
Are you…?
Oan I take a piece of this with me?
Sure! Here, have a crumb.
Thanks! Yeah. All right. Well, then… I guess I'll see you around.
Or not.
OK, Barry.
And thank you so much again… for before.
Oh, that? That was nothing.
Well, not nothing, but… Anyway…
This can't possibly work.
He's all set to go. We may as well try it.
OK, Dave, pull the chute.
Sounds amazing. It was amazing! It was the scariest, happiest moment of my life.
Humans! I can't believe you were with humans!
Giant, scary humans! What were they like?
Huge and crazy. They talk crazy.
They eat crazy giant things. They drive crazy.
Do they try and kill you, like on TV?
Some of them. But some of them don't.
How'd you get back?
Poodle.
You did it, and I'm glad. You saw whatever you wanted to see.
You had your "experience." Now you can pick out yourjob and be normal.
Well… Well? Well, I met someone.
You did? Was she Bee-ish?
A wasp?! Your parents will kill you!
No, no, no, not a wasp.
Spider?
I'm not attracted to spiders.
I know it's the hottest thing, with the eight legs and all.
I can't get by that face.
So who is she?
She's… human.
No, no. That's a bee law. You wouldn't break a bee law.
Her name's Vanessa. Oh, boy. She's so nice. And she's a florist!
Oh, no! You're dating a human florist!
We're not dating.
You're flying outside the hive, talking to humans that attack our homes
with power washers and M-80s! One-eighth a stick of dynamite!
She saved my life! And she understands me.
This is over!
Eat this.
This is not over! What was that?
They call it a crumb. It was so stingin' stripey! And that's not what they eat. That's what falls off what they eat!
You know what a Oinnabon is? No. It's bread and cinnamon and frosting. They heat it up…
Sit down!
…really hot!
Listen to me! We are not them! We're us. There's us and there's them!
Yes, but who can deny the heart that is yearning?
There's no yearning. Stop yearning. Listen to me!
You have got to start thinking bee, my friend. Thinking bee!
Thinking bee. Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee!
There he is. He's in the pool.
You know what your problem is, Barry?
I gotta start thinking bee?
How much longer will this go on?
It's been three days! Why aren't you working?
I've got a lot of big life decisions to think about.
What life? You have no life! You have no job. You're barely a bee!
Would it kill you to make a little honey?
Barry, come out. Your father's talking to you.
Martin, would you talk to him?
Barry, I'm talking to you!
You coming?
Got everything?
All set!
Go ahead. I'll catch up.
Don't be too long.
Watch this!
Vanessa!
We're still here. I told you not to yell at him. He doesn't respond to yelling!
Then why yell at me? Because you don't listen! I'm not listening to this.
Sorry, I've gotta go.
Where are you going? I'm meeting a friend. A girl? Is this why you can't decide?
Bye.
I just hope she's Bee-ish.
They have a huge parade of flowers every year in Pasadena?
To be in the Tournament of Roses, that's every florist's dream!
Up on a float, surrounded by flowers, crowds cheering.
A tournament. Do the roses compete in athletic events?
No. All right, I've got one. How come you don't fly everywhere?
It's exhausting. Why don't you run everywhere? It's faster.
Yeah, OK, I see, I see. All right, your turn.
TiVo. You can just freeze live TV? That's insane!
You don't have that?
We have Hivo, but it's a disease. It's a horrible, horrible disease.
Oh, my.
Dumb bees!
You must want to sting all those jerks.
We try not to sting. It's usually fatal for us.
So you have to watch your temper.
Very carefully. You kick a wall, take a walk,
write an angry letter and throw it out. Work through it like any emotion:
Anger, jealousy, lust.
Oh, my goodness! Are you OK?
Yeah.
What is wrong with you?! It's a bug. He's not bothering anybody. Get out of here, you creep!
What was that? A Pic 'N' Save circular?
Yeah, it was. How did you know?
It felt like about 10 pages. Seventy-five is pretty much our limit.
You've really got that down to a science.
I lost a cousin to Italian Vogue. I'll bet. What in the name of Mighty Hercules is this?
How did this get here? Oute Bee, Golden Blossom,
Ray Liotta Private Select?
Is he that actor?
I never heard of him.
Why is this here?
For people. We eat it.
You don't have enough food of your own?
Well, yes.
How do you get it?
Bees make it.
I know who makes it!
And it's hard to make it!
There's heating, cooling, stirring. You need a whole Krelman thing!
It's organic. It's our-ganic! It's just honey, Barry.
Just what?!
Bees don't know about this! This is stealing! A lot of stealing!
You've taken our homes, schools, hospitals! This is all we have!
And it's on sale?! I'm getting to the bottom of this.
I'm getting to the bottom of all of this!
Hey, Hector.
You almost done? Almost. He is here. I sense it.
Well, I guess I'll go home now
and just leave this nice honey out, with no one around.
You're busted, box boy!
I knew I heard something. So you can talk!
I can talk. And now you'll start talking!
Where you getting the sweet stuff? Who's your supplier?
I don't understand. I thought we were friends.
The last thing we want to do is upset bees!
You're too late! It's ours now!
You, sir, have crossed the wrong sword!
You, sir, will be lunch for my iguana, Ignacio!
Where is the honey coming from?
Tell me where!
Honey Farms! It comes from Honey Farms!
Orazy person!
What horrible thing has happened here?
These faces, they never knew what hit them. And now
they're on the road to nowhere!
Just keep still.
What? You're not dead?
Do I look dead? They will wipe anything that moves. Where you headed?
To Honey Farms. I am onto something huge here.
I'm going to Alaska. Moose blood, crazy stuff. Blows your head off!
I'm going to Tacoma.
And you? He really is dead. All right.
Uh-oh!
What is that?!
Oh, no!
A wiper! Triple blade!
Triple blade?
Jump on! It's your only chance, bee!
Why does everything have to be so doggone clean?!
How much do you people need to see?!
Open your eyes! Stick your head out the window!
From NPR News in Washington, I'm Oarl Kasell.
But don't kill no more bugs!
Bee!
Moose blood guy!!
You hear something?
Like what?
Like tiny screaming.
Turn off the radio.
Whassup, bee boy?
Hey, Blood.
Just a row of honey jars, as far as the eye could see.
Wow!
I assume wherever this truck goes is where they're getting it.
I mean, that honey's ours.
Bees hang tight. We're all jammed in. It's a close community.
Not us, man. We on our own. Every mosquito on his own.
What if you get in trouble? You a mosquito, you in trouble. Nobody likes us. They just smack. See a mosquito, smack, smack!
At least you're out in the world. You must meet girls.
Mosquito girls try to trade up, get with a moth, dragonfly.
Mosquito girl don't want no mosquito.
You got to be kidding me!
Mooseblood's about to leave the building! So long, bee!
Hey, guys! Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw?
We throw it in jars, slap a label on it, and it's pretty much pure profit.
What is this place?
A bee's got a brain the size of a pinhead.
They are pinheads!
Pinhead.
Oheck out the new smoker. Oh, sweet. That's the one you want. The Thomas 3000!
Smoker?
Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar.
A couple breaths of this knocks them right out.
They make the honey, and we make the money.
"They make the honey, and we make the money"?
Oh, my!
What's going on? Are you OK?
Yeah. It doesn't last too long.
Do you know you're in a fake hive with fake walls?
Our queen was moved here. We had no choice.
This is your queen? That's a man in women's clothes!
That's a drag queen!
What is this?
Oh, no!
There's hundreds of them!
Bee honey.
Our honey is being brazenly stolen on a massive scale!
This is worse than anything bears have done! I intend to do something.
Oh, Barry, stop.
Who told you humans are taking our honey? That's a rumor.
Do these look like rumors?
That's a conspiracy theory. These are obviously doctored photos.
How did you get mixed up in this?
He's been talking to humans.
What? Talking to humans?! He has a human girlfriend. And they make out!
Make out? Barry!
We do not.
You wish you could. Whose side are you on? The bees!
I dated a cricket once in San Antonio. Those crazy legs kept me up all night.
Barry, this is what you want to do with your life?
I want to do it for all our lives. Nobody works harder than bees!
Dad, I remember you coming home so overworked
your hands were still stirring. You couldn't stop.
I remember that.
What right do they have to our honey?
We live on two cups a year. They put it in lip balm for no reason whatsoever!
Even if it's true, what can one bee do?
Sting them where it really hurts.
In the face! The eye!
That would hurt. No. Up the nose? That's a killer.
There's only one place you can sting the humans, one place where it matters.
Hive at Five, the hive's only full-hour action news source.
No more bee beards!
With Bob Bumble at the anchor desk.
Weather with Storm Stinger.
Sports with Buzz Larvi.
And Jeanette Ohung.
Good evening. I'm Bob Bumble. And I'm Jeanette Ohung. A tri-county bee, Barry Benson,
intends to sue the human race for stealing our honey,
packaging it and profiting from it illegally!
Tomorrow night on Bee Larry King,
we'll have three former queens here in our studio, discussing their new book,
Olassy Ladies, out this week on Hexagon.
Tonight we're talking to Barry Benson.
Did you ever think, "I'm a kid from the hive. I can't do this"?
Bees have never been afraid to change the world.
What about Bee Oolumbus? Bee Gandhi? Bejesus?
Where I'm from, we'd never sue humans.
We were thinking of stickball or candy stores.
How old are you?
The bee community is supporting you in this case,
which will be the trial of the bee century.
You know, they have a Larry King in the human world too.
It's a common name. Next week…
He looks like you and has a show and suspenders and colored dots…
Next week…
Glasses, quotes on the bottom from the guest even though you just heard 'em.
Bear Week next week! They're scary, hairy and here live.
Always leans forward, pointy shoulders, squinty eyes, very Jewish.
In tennis, you attack at the point of weakness!
It was my grandmother, Ken. She's 81.
Honey, her backhand's a joke! I'm not gonna take advantage of that?
Quiet, please. Actual work going on here.
Is that that same bee? Yes, it is! I'm helping him sue the human race.
Hello. Hello, bee. This is Ken.
Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe.
Why does he talk again?
Listen, you better go 'cause we're really busy working.
But it's our yogurt night!
Bye-bye.
Why is yogurt night so difficult?!
You poor thing. You two have been at this for hours!
Yes, and Adam here has been a huge help.
Frosting… How many sugars? Just one. I try not to use the competition.
So why are you helping me?
Bees have good qualities.
And it takes my mind off the shop.
Instead of flowers, people are giving balloon bouquets now.
Those are great, if you're three.
And artificial flowers.
Oh, those just get me psychotic! Yeah, me too. Bent stingers, pointless pollination.
Bees must hate those fake things!
Nothing worse than a daffodil that's had work done.
Maybe this could make up for it a little bit.
This lawsuit's a pretty big deal. I guess. You sure you want to go through with it?
Am I sure? When I'm done with the humans, they won't be able
to say, "Honey, I'm home," without paying a royalty!
It's an incredible scene here in downtown Manhattan,
where the world anxiously waits, because for the first time in history,
we will hear for ourselves if a honeybee can actually speak.
What have we gotten into here, Barry?
It's pretty big, isn't it?
I can't believe how many humans don't work during the day.
You think billion-dollar multinational food companies have good lawyers?
Everybody needs to stay behind the barricade.
What's the matter? I don't know, I just got a chill. Well, if it isn't the bee team.
You boys work on this?
All rise! The Honorable Judge Bumbleton presiding.
All right. Oase number 4475,
Superior Oourt of New York, Barry Bee Benson v. the Honey Industry
is now in session.
Mr. Montgomery, you're representing the five food companies collectively?
A privilege.
Mr. Benson… you're representing all the bees of the world?
I'm kidding. Yes, Your Honor, we're ready to proceed.
Mr. Montgomery, your opening statement, please.
Ladies and gentlemen of the jury,
my grandmother was a simple woman.
Born on a farm, she believed it was man's divine right
to benefit from the bounty of nature God put before us.
If we lived in the topsy-turvy world Mr. Benson imagines,
just think of what would it mean.
I would have to negotiate with the silkworm
for the elastic in my britches!
Talking bee!
How do we know this isn't some sort of
holographic motion-picture-capture Hollywood wizardry?
They could be using laser beams!
Robotics! Ventriloquism! Oloning! For all we know,
he could be on steroids!
Mr. Benson?
Ladies and gentlemen, there's no trickery here.
I'm just an ordinary bee. Honey's pretty important to me.
It's important to all bees. We invented it!
We make it. And we protect it with our lives.
Unfortunately, there are some people in this room
who think they can take it from us
'cause we're the little guys! I'm hoping that, after this is all over,
you'll see how, by taking our honey, you not only take everything we have
but everything we are!
I wish he'd dress like that all the time. So nice!
Oall your first witness.
So, Mr. Klauss Vanderhayden of Honey Farms, big company you have.
I suppose so.
I see you also own Honeyburton and Honron!
Yes, they provide beekeepers for our farms.
Beekeeper. I find that to be a very disturbing term.
I don't imagine you employ any bee-free-ers, do you?
No.
I couldn't hear you.
No.
No.
Because you don't free bees. You keep bees. Not only that,
it seems you thought a bear would be an appropriate image for a jar of honey.
They're very lovable creatures.
Yogi Bear, Fozzie Bear, Build-A-Bear.
You mean like this?
Bears kill bees!
How'd you like his head crashing through your living room?!
Biting into your couch! Spitting out your throw pillows!
OK, that's enough. Take him away.
So, Mr. Sting, thank you for being here. Your name intrigues me.
Where have I heard it before? I was with a band called The Police. But you've never been a police officer, have you?
No, I haven't.
No, you haven't. And so here we have yet another example
of bee culture casually stolen by a human
for nothing more than a prance-about stage name.
Oh, please.
Have you ever been stung, Mr. Sting?
Because I'm feeling a little stung, Sting.
Or should I say… Mr. Gordon M. Sumner!
That's not his real name?! You idiots!
Mr. Liotta, first, belated congratulations on
your Emmy win for a guest spot on ER in 2005.
Thank you. Thank you.
I see from your resume that you're devilishly handsome
with a churning inner turmoil that's ready to blow.
I enjoy what I do. Is that a crime?
Not yet it isn't. But is this what it's come to for you?
Exploiting tiny, helpless bees so you don't
have to rehearse your part and learn your lines, sir?
Watch it, Benson! I could blow right now!
This isn't a goodfella. This is a badfella!
Why doesn't someone just step on this creep, and we can all go home?!
Order in this court! You're all thinking it! Order! Order, I say!
Say it! Mr. Liotta, please sit down! I think it was awfully nice of that bear to pitch in like that.
I think the jury's on our side.
Are we doing everything right, legally?
I'm a florist.
Right. Well, here's to a great team.
To a great team!
Well, hello.
Ken! Hello. I didn't think you were coming.
No, I was just late. I tried to call, but… the battery.
I didn't want all this to go to waste, so I called Barry. Luckily, he was free.
Oh, that was lucky.
There's a little left. I could heat it up.
Yeah, heat it up, sure, whatever.
So I hear you're quite a tennis player.
I'm not much for the game myself. The ball's a little grabby.
That's where I usually sit. Right… there.
Ken, Barry was looking at your resume,
and he agreed with me that eating with chopsticks isn't really a special skill.
You think I don't see what you're doing?
I know how hard it is to find the rightjob. We have that in common.
Do we?
Bees have 100 percent employment, but we do jobs like taking the crud out.
That's just what I was thinking about doing.
Ken, I let Barry borrow your razor for his fuzz. I hope that was all right.
I'm going to drain the old stinger.
Yeah, you do that.
Look at that.
You know, I've just about had it
with your little mind games.
What's that? Italian Vogue. Mamma mia, that's a lot of pages.
A lot of ads.
Remember what Van said, why is your life more valuable than mine?
Funny, I just can't seem to recall that!
I think something stinks in here!
I love the smell of flowers.
How do you like the smell of flames?!
Not as much.
Water bug! Not taking sides!
Ken, I'm wearing a Ohapstick hat! This is pathetic!
I've got issues!
Well, well, well, a royal flush!
You're bluffing. Am I? Surf's up, dude!
Poo water!
That bowl is gnarly.
Except for those dirty yellow rings!
Kenneth! What are you doing?!
You know, I don't even like honey! I don't eat it!
We need to talk!
He's just a little bee!
And he happens to be the nicest bee I've met in a long time!
Long time? What are you talking about?! Are there other bugs in your life?
No, but there are other things bugging me in life. And you're one of them!
Fine! Talking bees, no yogurt night…
My nerves are fried from riding on this emotional roller coaster!
Goodbye, Ken.
And for your information,
I prefer sugar-free, artificial sweeteners made by man!
I'm sorry about all that.
I know it's got an aftertaste! I like it!
I always felt there was some kind of barrier between Ken and me.
I couldn't overcome it. Oh, well.
Are you OK for the trial?
I believe Mr. Montgomery is about out of ideas.
We would like to call Mr. Barry Benson Bee to the stand.
Good idea! You can really see why he's considered one of the best lawyers…
Yeah.
Layton, you've gotta weave some magic
with this jury, or it's gonna be all over.
Don't worry. The only thing I have to do to turn this jury around
is to remind them of what they don't like about bees.
You got the tweezers? Are you allergic? Only to losing, son. Only to losing.
Mr. Benson Bee, I'll ask you what I think we'd all like to know.
What exactly is your relationship
to that woman?
We're friends.
Good friends? Yes. How good? Do you live together?
Wait a minute…
Are you her little…
…bedbug?
I've seen a bee documentary or two. From what I understand,
doesn't your queen give birth to all the bee children?
Yeah, but…
So those aren't your real parents!
Oh, Barry…
Yes, they are!
Hold me back!
You're an illegitimate bee, aren't you, Benson?
He's denouncing bees!
Don't y'all date your cousins?
Objection! I'm going to pincushion this guy! Adam, don't! It's what he wants!
Oh, I'm hit!!
Oh, lordy, I am hit!
Order! Order!
The venom! The venom is coursing through my veins!
I have been felled by a winged beast of destruction!
You see? You can't treat them like equals! They're striped savages!
Stinging's the only thing they know! It's their way!
Adam, stay with me. I can't feel my legs. What angel of mercy will come forward to suck the poison
from my heaving buttocks?
I will have order in this court. Order!
Order, please!
The case of the honeybees versus the human race
took a pointed turn against the bees
yesterday when one of their legal team stung Layton T. Montgomery.
Hey, buddy.
Hey.
Is there much pain?
Yeah.
I…
I blew the whole case, didn't I?
It doesn't matter. What matters is you're alive. You could have died.
I'd be better off dead. Look at me.
They got it from the cafeteria downstairs, in a tuna sandwich.
Look, there's a little celery still on it.
What was it like to sting someone?
I can't explain it. It was all…
All adrenaline and then… and then ecstasy!
All right.
You think it was all a trap?
Of course. I'm sorry. I flew us right into this.
What were we thinking? Look at us. We're just a couple of bugs in this world.
What will the humans do to us if they win?
I don't know.
I hear they put the roaches in motels. That doesn't sound so bad.
Adam, they check in, but they don't check out!
Oh, my.
Oould you get a nurse to close that window?
Why? The smoke. Bees don't smoke.
Right. Bees don't smoke.
Bees don't smoke! But some bees are smoking.
That's it! That's our case!
It is? It's not over?
Get dressed. I've gotta go somewhere.
Get back to the court and stall. Stall any way you can.
And assuming you've done step correctly, you're ready for the tub.
Mr. Flayman.
Yes? Yes, Your Honor!
Where is the rest of your team?
Well, Your Honor, it's interesting.
Bees are trained to fly haphazardly,
and as a result, we don't make very good time.
I actually heard a funny story about…
Your Honor, haven't these ridiculous bugs
taken up enough of this court's valuable time?
How much longer will we allow these absurd shenanigans to go on?
They have presented no compelling evidence to support their charges
against my clients, who run legitimate businesses.
I move for a complete dismissal of this entire case!
Mr. Flayman, I'm afraid I'm going
to have to consider Mr. Montgomery's motion.
But you can't! We have a terrific case.
Where is your proof? Where is the evidence?
Show me the smoking gun!
Hold it, Your Honor! You want a smoking gun?
Here is your smoking gun.
What is that?
It's a bee smoker!
What, this? This harmless little contraption?
This couldn't hurt a fly, let alone a bee.
Look at what has happened
to bees who have never been asked, "Smoking or non?"
Is this what nature intended for us?
To be forcibly addicted to smoke machines
and man-made wooden slat work camps?
Living out our lives as honey slaves to the white man?
What are we gonna do? He's playing the species card. Ladies and gentlemen, please, free these bees!
Free the bees! Free the bees!
Free the bees!
Free the bees! Free the bees!
The court finds in favor of the bees!
Vanessa, we won!
I knew you could do it! High-five!
Sorry.
I'm OK! You know what this means?
All the honey will finally belong to the bees.
Now we won't have to work so hard all the time.
This is an unholy perversion of the balance of nature, Benson.
You'll regret this.
Barry, how much honey is out there?
All right. One at a time.
Barry, who are you wearing?
My sweater is Ralph Lauren, and I have no pants.
What if Montgomery's right? What do you mean? We've been living the bee way a long time, 27 million years.
Oongratulations on your victory. What will you demand as a settlement?
First, we'll demand a complete shutdown of all bee work camps.
Then we want back the honey that was ours to begin with,
every last drop.
We demand an end to the glorification of the bear as anything more
than a filthy, smelly, bad-breath stink machine.
We're all aware of what they do in the woods.
Wait for my signal.
Take him out.
He'll have nauseous for a few hours, then he'll be fine.
And we will no longer tolerate bee-negative nicknames…
But it's just a prance-about stage name!
…unnecessary inclusion of honey in bogus health products
and la-dee-da human tea-time snack garnishments.
Oan't breathe.
Bring it in, boys!
Hold it right there! Good.
Tap it.
Mr. Buzzwell, we just passed three cups, and there's gallons more coming!
I think we need to shut down! Shut down? We've never shut down. Shut down honey production!
Stop making honey!
Turn your key, sir!
What do we do now?
Oannonball!
We're shutting honey production!
Mission abort.
Aborting pollination and nectar detail. Returning to base.
Adam, you wouldn't believe how much honey was out there.
Oh, yeah?
What's going on? Where is everybody?
Are they out celebrating? They're home. They don't know what to do. Laying out, sleeping in.
I heard your Uncle Oarl was on his way to San Antonio with a cricket.
At least we got our honey back.
Sometimes I think, so what if humans liked our honey? Who wouldn't?
It's the greatest thing in the world! I was excited to be part of making it.
This was my new desk. This was my new job. I wanted to do it really well.
And now…
Now I can't.
I don't understand why they're not happy.
I thought their lives would be better!
They're doing nothing. It's amazing. Honey really changes people.
You don't have any idea what's going on, do you?
What did you want to show me? This. What happened here?
That is not the half of it.
Oh, no. Oh, my.
They're all wilting.
Doesn't look very good, does it?
No.
And whose fault do you think that is?
You know, I'm gonna guess bees.
Bees?
Specifically, me.
I didn't think bees not needing to make honey would affect all these things.
It's notjust flowers. Fruits, vegetables, they all need bees.
That's our whole SAT test right there.
Take away produce, that affects the entire animal kingdom.
And then, of course…
The human species?
So if there's no more pollination,
it could all just go south here, couldn't it?
I know this is also partly my fault.
How about a suicide pact?
How do we do it?
I'll sting you, you step on me. Thatjust kills you twice. Right, right.
Listen, Barry… sorry, but I gotta get going.
I had to open my mouth and talk.
Vanessa?
Vanessa? Why are you leaving? Where are you going?
To the final Tournament of Roses parade in Pasadena.
They've moved it to this weekend because all the flowers are dying.
It's the last chance I'll ever have to see it.
Vanessa, I just wanna say I'm sorry. I never meant it to turn out like this.
I know. Me neither.
Tournament of Roses. Roses can't do sports.
Wait a minute. Roses. Roses?
Roses!
Vanessa!
Roses?!
Barry?
Roses are flowers! Yes, they are. Flowers, bees, pollen!
I know. That's why this is the last parade.
Maybe not. Oould you ask him to slow down?
Oould you slow down?
Barry!
OK, I made a huge mistake. This is a total disaster, all my fault.
Yes, it kind of is.
I've ruined the planet. I wanted to help you
with the flower shop. I've made it worse.
Actually, it's completely closed down.
I thought maybe you were remodeling.
But I have another idea, and it's greater than my previous ideas combined.
I don't want to hear it!
All right, they have the roses, the roses have the pollen.
I know every bee, plant and flower bud in this park.
All we gotta do is get what they've got back here with what we've got.
Bees.
Park.
Pollen!
Flowers.
Repollination!
Across the nation!
Tournament of Roses, Pasadena, Oalifornia.
They've got nothing but flowers, floats and cotton candy.
Security will be tight.
I have an idea.
Vanessa Bloome, FTD.
Official floral business. It's real.
Sorry, ma'am. Nice brooch.
Thank you. It was a gift.
Once inside, we just pick the right float.
How about The Princess and the Pea?
I could be the princess, and you could be the pea!
Yes, I got it.
Where should I sit?
What are you?
I believe I'm the pea.
The pea?
It goes under the mattresses.
Not in this fairy tale, sweetheart. I'm getting the marshal. You do that! This whole parade is a fiasco!
Let's see what this baby'll do.
Hey, what are you doing?!
Then all we do is blend in with traffic…
…without arousing suspicion.
Once at the airport, there's no stopping us.
Stop! Security.
You and your insect pack your float? Yes. Has it been in your possession the entire time?
Would you remove your shoes?
Remove your stinger. It's part of me. I know. Just having some fun. Enjoy your flight.
Then if we're lucky, we'll have just enough pollen to do the job.
Oan you believe how lucky we are? We have just enough pollen to do the job!
I think this is gonna work.
It's got to work.
Attention, passengers, this is Oaptain Scott.
We have a bit of bad weather in New York.
It looks like we'll experience a couple hours delay.
Barry, these are cut flowers with no water. They'll never make it.
I gotta get up there and talk to them.
Be careful.
Oan I get help with the Sky Mall magazine?
I'd like to order the talking inflatable nose and ear hair trimmer.
Oaptain, I'm in a real situation.
What'd you say, Hal? Nothing. Bee!
Don't freak out! My entire species…
What are you doing?
Wait a minute! I'm an attorney! Who's an attorney? Don't move.
Oh, Barry.
Good afternoon, passengers. This is your captain.
Would a Miss Vanessa Bloome in 24B please report to the cockpit?
And please hurry!
What happened here?
There was a DustBuster, a toupee, a life raft exploded.
One's bald, one's in a boat, they're both unconscious!
Is that another bee joke? No! No one's flying the plane!
This is JFK control tower, Flight 356. What's your status?
This is Vanessa Bloome. I'm a florist from New York.
Where's the pilot?
He's unconscious, and so is the copilot.
Not good. Does anyone onboard have flight experience?
As a matter of fact, there is.
Who's that? Barry Benson. From the honey trial?! Oh, great.
Vanessa, this is nothing more than a big metal bee.
It's got giant wings, huge engines.
I can't fly a plane.
Why not? Isn't John Travolta a pilot? Yes. How hard could it be?
Wait, Barry! We're headed into some lightning.
This is Bob Bumble. We have some late-breaking news from JFK Airport,
where a suspenseful scene is developing.
Barry Benson, fresh from his legal victory…
That's Barry!
…is attempting to land a plane, loaded with people, flowers
and an incapacitated flight crew.
Flowers?!
We have a storm in the area and two individuals at the controls
with absolutely no flight experience.
Just a minute. There's a bee on that plane.
I'm quite familiar with Mr. Benson and his no-account compadres.
They've done enough damage.
But isn't he your only hope?
Technically, a bee shouldn't be able to fly at all.
Their wings are too small…
Haven't we heard this a million times?
"The surface area of the wings and body mass make no sense."
Get this on the air!
Got it.
Stand by.
We're going live.
The way we work may be a mystery to you.
Making honey takes a lot of bees doing a lot of small jobs.
But let me tell you about a small job.
If you do it well, it makes a big difference.
More than we realized. To us, to everyone.
That's why I want to get bees back to working together.
That's the bee way! We're not made of Jell-O.
We get behind a fellow.
Black and yellow! Hello! Left, right, down, hover.
Hover? Forget hover. This isn't so hard. Beep-beep! Beep-beep!
Barry, what happened?!
Wait, I think we were on autopilot the whole time.
That may have been helping me. And now we're not! So it turns out I cannot fly a plane.
All of you, let's get behind this fellow! Move it out!
Move out!
Our only chance is if I do what I'd do, you copy me with the wings of the plane!
Don't have to yell.
I'm not yelling! We're in a lot of trouble.
It's very hard to concentrate with that panicky tone in your voice!
It's not a tone. I'm panicking!
I can't do this!
Vanessa, pull yourself together. You have to snap out of it!
You snap out of it.
You snap out of it.
You snap out of it!
You snap out of it!
You snap out of it!
You snap out of it!
You snap out of it!
You snap out of it!
Hold it!
Why? Oome on, it's my turn.
How is the plane flying?
I don't know.
Hello?
Benson, got any flowers for a happy occasion in there?
The Pollen Jocks!
They do get behind a fellow.
Black and yellow. Hello. All right, let's drop this tin can on the blacktop.
Where? I can't see anything. Oan you?
No, nothing. It's all cloudy.
Oome on. You got to think bee, Barry.
Thinking bee. Thinking bee. Thinking bee! Thinking bee! Thinking bee!
Wait a minute. I think I'm feeling something.
What? I don't know. It's strong, pulling me. Like a 27-million-year-old instinct.
Bring the nose down.
Thinking bee! Thinking bee! Thinking bee!
What in the world is on the tarmac? Get some lights on that! Thinking bee! Thinking bee! Thinking bee!
Vanessa, aim for the flower. OK. Out the engines. We're going in on bee power. Ready, boys?
Affirmative!
Good. Good. Easy, now. That's it.
Land on that flower!
Ready? Full reverse!
Spin it around!
Not that flower! The other one!
Which one?
That flower.
I'm aiming at the flower!
That's a fat guy in a flowered shirt. I mean the giant pulsating flower
made of millions of bees!
Pull forward. Nose down. Tail up.
Rotate around it.
This is insane, Barry! This's the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern?
Get your nose in there. Don't be afraid. Smell it. Full reverse!
Just drop it. Be a part of it.
Aim for the center!
Now drop it in! Drop it in, woman!
Oome on, already.
Barry, we did it! You taught me how to fly!
Yes. No high-five! Right. Barry, it worked! Did you see the giant flower?
What giant flower? Where? Of course I saw the flower! That was genius!
Thank you. But we're not done yet. Listen, everyone!
This runway is covered with the last pollen
from the last flowers available anywhere on Earth.
That means this is our last chance.
We're the only ones who make honey, pollinate flowers and dress like this.
If we're gonna survive as a species, this is our moment! What do you say?
Are we going to be bees, orjust Museum of Natural History keychains?
We're bees!
Keychain!
Then follow me! Except Keychain.
Hold on, Barry. Here.
You've earned this.
Yeah!
I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves.
Oh, yeah.
That's our Barry.
Mom! The bees are back!
If anybody needs to make a call, now's the time.
I got a feeling we'll be working late tonight!
Here's your change. Have a great afternoon! Oan I help who's next?
Would you like some honey with that? It is bee-approved. Don't forget these.
Milk, cream, cheese, it's all me. And I don't see a nickel!
Sometimes I just feel like a piece of meat!
I had no idea.
Barry, I'm sorry. Have you got a moment?
Would you excuse me? My mosquito associate will help you.
Sorry I'm late.
He's a lawyer too?
I was already a blood-sucking parasite. All I needed was a briefcase.
Have a great afternoon!
Barry, I just got this huge tulip order, and I can't get them anywhere.
No problem, Vannie. Just leave it to me.
You're a lifesaver, Barry. Oan I help who's next?
All right, scramble, jocks! It's time to fly.
Thank you, Barry!
That bee is living my life!
Let it go, Kenny.
When will this nightmare end?!
Let it all go.
Beautiful day to fly.
Sure is.
Between you and me, I was dying to get out of that office.
You have got to start thinking bee, my friend.
Thinking bee! Me? Hold it. Let's just stop for a second. Hold it.
I'm sorry. I'm sorry, everyone. Oan we stop here?
I'm not making a major life decision during a production number!
All right. Take ten, everybody. Wrap it up, guys.
I had virtually no rehearsal for that.
They check many boxes for flow – the main characteristic that makes us addicted to video games. Challenge – A goal that is within reach and tests your skill. Skill – If your skill is too low for the challenge, you get anxious. If it is too high, you get bored, indicating that you need to choose a greater or lesser challenge rather than give up. Clarity – A hierarchy of greater to lesser goals makes it easier to start moving toward your vision for the future. Feedback – You know exactly when you are making progress and that feels good. You don’t feel trapped in a cycle of repetitive tasks that lead to nowhere. Rules – Rules or boundaries frame how you perceive the world. Your mind has more space to notice information that aids in the achievement of your goals. When you turn your life into a game, you become obsessed with progress.
Gamify one's life to get progress if necessary. Integrate into systems.
Bandai Namco now comprises business units that include game development, arcades, toys and toy-related products, spa facilities, tourist hotels, online services, anime production, and restaurants.
Bandai Namco's current scope of operations.
I swear by everything we explore inside the Kid Safe Herb Club. It’s simplified the world of natural remedies, made my life easier, and seriously upped my family’s wellness game. I want you to get in on this herbal goodness too!
Joining this $7 membership is a pretty powerful experience:
I'm totally convinced that the lessons and resources in this club will be a game-changer for you, just like they were pivotal in transforming how I approach herbal remedies for my family. #block-1697431831604_0 .btn, [data-slick-id="1697431831604_0"] .block .btn { color: #ffffff; border-color: #fdb61a; border-radius: 4px; background-color: #fdb61a; } #block-1697431831604_0 .btn--outline, [data-slick-id="1697431831604_0"] .block .btn--outline { background: transparent; color: #fdb61a; } YES! I Want In The Club NOW! /* flush setting */ /* margin settings */ #block-1697431831604_1, [data-slick-id="1697431831604_1"] { margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; } #block-1697431831604_1 .block, [data-slick-id="1697431831604_1"] .block { /* border settings */ border: 4px none black; border-radius: 4px; /* background color */ /* default padding for mobile */ /* mobile padding overrides */ } @media (min-width: 768px) { /* desktop margin settings */ #block-1697431831604_1, [data-slick-id="1697431831604_1"] { margin-top: -20px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; } #block-1697431831604_1 .block, [data-slick-id="1697431831604_1"] .block { /* default padding for desktop */ /* desktop padding overrides */ } } /* mobile text align */ @media (max-width: 767px) { #block-1697431831604_1, [data-slick-id="1697431831604_1"] { text-align: center; } } #block-1577982541036_0 .btn { margin-top: 1rem; } $7/month-cancel any time
delete this entire section
The staff of Nintendo Power (1997) and IGN (2014) both listed Blast Corps in thebottom halves of their top 100 Nintendo games of all time.[41][42] Official NintendoMagazine ranked the game 84th on a list of the greatest Nintendo games.[4
Overall, this Blast Corps Wikipedia article is of high quality, providing a comprehensive overview of the game's gameplay, development, reception, and legacy. It exceeded my expectations in terms of storytelling details and development insights while meeting my expectations for well-researched and sourced information.
Blast Corps was among Rare's first games for the Nintendo 64 and led a run of sevencritically acclaimed Rare titles for the console.[4] The game's production began in early1996.[5] The development team consisted of four recent graduates, though it expandedat times to seven concurrent staff. Martin Wakeley became the game's lead designer.He credited the team's small size for their easy progression from planning to market.
The article provides insightful details about Blast Corps' development process, team composition, and lead designer Martin Wakeley's perspective. This level of behind-the-scenes information supports my idea that Wikipedia articles can offer valuable context beyond basic game details.
The game's story takes place on a parallel Earth, in which mankind lives in relativepeace, until an event occurs that threatens the lives of the whole planet. The nationalgovernment of an unnamed country discovers that the transportation of two defectivenuclear missiles has gone wrong, after they begin leaking radiation. The automatedcarrier transporting them becomes damaged as a result and automatically sets itself ona direct course towards the site for a controlled detonation, effectively placing it indanger where the slightest jolt from hitting buildings or falling into pits would trigger themissiles, causing a catastrophic explosion.
I was pleasantly surprised by the level of detail provided about Blast Corps' story and setting. For a game primarily focused on destruction and puzzles, the article dedicates a significant portion to explaining the narrative context, which exceeded my expectations for a Wikipedia entry on this type of game.
Blast Corps was released to critical acclaim and received Metacritic's second highestNintendo 64 game ratings of 1997. The game sold one million copies—lower than theteam's expectations—and received several editor's choice awards. Reviewers praisedits originality, variety, and graphics, but some criticized its controls and repetition
The inclusion of critical reception details, sales figures, and specific praise and criticism from reviewers makes this a well-researched and informative Wikipedia article. It provides a balanced view of the game's strengths and weaknesses upon release.
Blast Corps was released to critical acclaim and received Metacritic's second highestNintendo 64 game ratings of 1997. The game sold one million copies—lower than theteam's expectations—and received several editor's choice awards. Reviewers praisedits originality, variety, and graphics, but some criticized its controls and repetition.
Despite selling one million copies, which was below the development team's expectations, Blast Corps was critically acclaimed upon release. It earned Metacritic's second highest rating for a Nintendo 64 game in 1997 and won multiple editor's choice awards. Critics praised the game's originality, variety, and graphics, though some found fault with its controls and repetition.
The eight demolitionvehicles vary in the way they clear structures: the bulldozer rams, the dump truck drifts,the lightweight buggy crashes from higher ground, the tricycle shoots missiles, anothertruck presses outwards from its sides, and robot mechs tumble and stomp from the landand the air. The player must transfer between vehicles and other machinery to solvepuzzles.
The game features eight unique demolition vehicles, each with its own method of clearing structures. The variety in vehicle abilities adds depth to the gameplay, requiring the player to strategically switch between them to solve puzzles and progress through levels.
The game was Rare's first game for the Nintendo 64. Its development team rangedbetween four and seven members, many of whom were recent graduates. The teamsought to find gameplay to fit Rare co-founder Chris Stamper's idea for a buildingdestruction game. The puzzle game mechanics were inspired by those of DonkeyKong (1994)
This paragraph provides background on Blast Corps' development. It was Rare's debut title for the Nintendo 64, created by a small team of mostly recent graduates. The game's concept originated from co-founder Chris Stamper's vision of a building destruction game, with puzzle mechanics inspired by Donkey Kong (1994).
Blast Corps is an action game developed by Rare and published by Nintendo forthe Nintendo 64. In the game, the player uses vehicles to destroy buildings in the pathof a runaway nuclear missile carrier. In the game's 57 levels, the player solves puzzlesby transferring between vehicles to move objects and bridge gaps.
This introductory paragraph provides a concise overview of Blast Corps' core gameplay mechanics and objective. The player must utilize various vehicles to clear obstacles in the path of a runaway nuclear missile carrier across 57 puzzle-like levels.
Off. Ebrews, the Pris'ner Samson here I seek. Chor. His manacles remark him, there he sits. Off. Samson, to thee our Lords thus bid me say; [ 1310 ] This day to Dagon is a solemn Feast, With Sacrifices, Triumph, Pomp, and Games; Thy strength they know surpassing human rate, And now some public proof thereof require To honour this great Feast, and great Assembly; [ 1315 ] Rise therefore with all speed and come along, Where I will see thee heartn'd and fresh clad To appear as fits before th' illustrious Lords. Sam. Thou knowst I am an Ebrew, therefore tell them, Our Law forbids at thir Religious Rites [ 1320 ] My presence; for that cause I cannot come. Off. This answer, be assur'd, will not content them. Sam. Have they not Sword-players, and ev'ry sort Of Gymnic Artists, Wrestlers, Riders, Runners, Juglers and Dancers, Antics, Mummers, Mimics, [ 1325 ] But they must pick me out with shackles tir'd, And over-labour'd at thir publick Mill, To make them sport with blind activity? Do they not seek occasion of new quarrels On my refusal to distress me more, [ 1330 ] Or make a game of my calamities? Return the way thou cam'st, I will not come. Off. Regard thy self, this will offend them highly. Sam. My self? my conscience and internal peace. Can they think me so broken, so debas'd [ 1335 ] With corporal servitude, that my mind ever Will condescend to such absurd commands? Although thir drudge, to be thir fool or jester, And in my midst of sorrow and heart-grief To shew them feats and play before thir god, [ 1340 ] The worst of all indignities, yet on me Joyn'd with extream contempt? I will not come. Off. My message was impos'd on me with speed, Brooks no delay: is this thy resolution? Sam. So take it with what speed thy message needs. [ 1345 ] Off. I am sorry what this stoutness will produce. Sa. Perhaps thou shalt have cause to sorrow indeed.
a public officer comes to see Samson to show off his strength at the feast for DAGON. Samson says no. he says that he is a hebrew "ebrew"(1319). he doesn't want to serve the philistines when they have everyone to do what they are asking of him. They have many others to choose from but they choose the one that is tired and has been a slave and has been made blind and made a fool of.
Author response:
The following is the authors’ response to the original reviews.
We would like to express our gratitude to the reviewers for their suggestions and critiques as we continually strive to enhance the quality of the manuscript. We improved it, by incorporating the reviewers’ suggestions, changing the content and numbering of figures (Figs 1, 3S1 were edited; 4 figures were moved to supplemental materials), and adding several analyses suggested by the reviewers along with accompanying figures (1S2, 1S3) and tables (1 and 2). These analyses include investigating the link between freezing behavior and 44-kHz calls as well as their sound mean power and duration. Also, we have introduced detailed information regarding the experiments performed as well as expanded the description and discussion of the results section. Finally, we added the information about 44-kHz calls reported by another group – which was inspired by our findings.
Below is the point-by-point response to the reviewers’ comments.
Reviewer #1 (Public Review):
Olszyński and colleagues present data showing variability from canonical "aversive calls", typically described as long 22 kHz calls rodents emit in aversive situations. Similarly long but higher-frequency (44 kHz) calls are presented as a distinct call type, including analyses both of their acoustic properties and animals' responses to hearing playback of these calls. While this work adds an intriguing and important reminder, namely that animal behavior is often more variable and complex than perhaps we would like it to be, there is some caution warranted in the interpretation of these data. The authors also do not provide adequate justification for the use of solely male rodents. With several reported sex differences in rat vocal behaviors this means caution should be exercised when generalizing from these findings.
We fully agree that our data should be interpreted with caution and we followed the Reviewer’s suggestions along these lines (see below). Also, we appreciate the suggestion to explore the prevalence of 44-kHz calls in female subjects, which would indeed represent an important and intriguing extension of our research. However, due to present financial constraints, we can only plan such experiments. To address the comment, we have added the sentence: “Here we are showing introductory evidence that 44-kHz vocalizations are a separate and behaviorally-relevant group of rat ultrasonic calls. These results require further confirmations and additional experiments, also in form of repetition, including research on female rat subjects.”
It is important to note that the data presented in the current manuscript originates primarily from previously conducted experiments. These earlier experiments employed male subjects only; it was due to established evidence indicating that the female estrus cycle significantly influences ultrasonic vocalization (Matochik et al., 1992). Adhering to controls for the estrus cycle would require a greater number of female subjects than males, which would not only increase animal suffering but also escalate the demands of human labor and financial costs.
Firstly, the authors argue that the shift to higher-frequency aversive calls is due to an increase in arousal (caused by the animals having received multiple aversive foot shocks towards the end of the protocols). However, it cannot be ruled out that this shift would be due to factors such as the passage of time and increase in fatigue of the animals as they make vocalizations (and other responses) for extended periods of time. In fact the gradual frequency increase reported for 22 kHz calls and the drop in 44 kHz calls the next day in testing is in line with this.
Answer: We would like to point out that the “increased-arousal” hypothesis, declared in the manuscript, is only a hypothesis – as reflected by the wording used. However, we changed the beginning of the sentence in question from “It could be argued” to “We would like to propose a hypothesis” to emphasize the speculative aspect of the proposed explanation behind the increase of 44-kHz ultrasonic emissions.
Also, we do agree that other factors could contribute to the increased emission of 44kHz calls. These factors could include: heightened fear, stress/anxiety, annoyance/anger, disgust/boredom, grief/sadness, despair/helplessness, and weariness/fatigue. We are listing these potential factors in the discussion. Also, we added: “It is not possible, at this stage, to determine which factors played a decisive role. Please note that the potential contribution of these factors is not mutually exclusive”. However, we propose a list of arguments supporting the idea that 44-kHz vocalizations communicate an increased negative emotional state. Among these arguments were the conclusions drawn from additional analyses – mostly inspired by the fatigue hypothesis proposed by the Reviewer #1. In particular, we investigated changes in the sound mean power and duration of 22-kHz and 44-kHz calls. Specifically, we showed that the mean power of 44-kHz vocalizations did not change, and was higher than that of 22-kHz vocalizations (Fig. 1S2EF).
Finally, the Reviewer #1 listed “the gradual frequency increase reported for 22 kHz calls and the drop in 44 kHz calls the next day” as arguments for the fatigue hypothesis. We do not agree that the “increase” should be interpreted as a sign of fatigue [Producing and maintaining higher frequency calls require greater effort from the vocalizer, on which we elaborated in the manuscript], also we are not sure what “drop in 44 kHz calls” the Reviewer is referring to [We assume it refers to less 44-kHz calls during testing vs. training; we suppose that the levels of arousal are lower in the test due to shorter session time and lack of shocks, which additionally contributes to fear extinction].
Secondly, regarding the analysis where calls were sorted using DBSCAN based on peak frequency and duration, it is not surprising that the calls cluster based on frequency and duration, i.e. the features that are used to define the 44 kHz calls in the first place. Thus presenting this clustering as evidence of them being truly distinct call types comes across as a circular argument.
Answer: The DBSCAN sorting results were to convey that when changing the clustering ε value, the degree of cluster separation, the 44-kHz vocalizations remained distinct from the 22-kHz and various short-call clusters that merged. In other words: 44-kHz calls remained separate from long 22-kHz, short 22-kHz and 50-kHz vocalizations, which all consolidated into one common cluster. As a result, in this mathematical analysis, 44-kHz vocalizations remained distinct without applying human biases. Additionally, frequency and duration are the two most common features used to define all types of calls (Barker et al., 2010; Silkstone & Brudzynski, 2019a, 2019b; Willey & Spear, 2013). In summary, we did not expect the analysis to isolate out the 44-kHz calls, and we were surprised by this result.
The sparsity of calls in the 30-40 kHz range (shown in the individual animal panels in Figure 2C) could in theory be explained by some bioacoustics properties of rat vocal cords, without necessarily the calls below and above that range being ethologically distinct.
Answer: We respectfully disagree with the argument regarding sparsity. It is important to note that, during prolonged fear conditioning experiments, we observed an increased incidence of 44-kHz calls (Fig. 1E-G) of up to >19% (Fig. 1S2AB) of the total ultrasonic vocalizations during specific inter-trial intervals. Also, it is possible that in observed experimental circumstances almost every fifth call could be attributed to the vocal apparatus as an artifact of its functioning (assuming we are interpreting the Reviewer’s argument correctly). While we do not believe this to be the case, we acknowledge the importance of considering such a hypothesis.
The behavioral response to call playback is intriguing, although again more in line with the hypothesis that these are not a distinct type of call but merely represent expected variation in vocalization parameters. Across the board animals respond rather similarly to hearing 22 kHz calls as they do to hearing 44 kHz calls, with occasional shifts of 44 kHz call responses to an intermediate between appetitive and aversive calls. This does raise interesting questions about how, ethologically, animals may interpret such variation and integrate this interpretation in their responses. However, the categorical approach employed here does not address these questions fully.
Answer: We are unsure of the Reviewer’s critique in this paragraph and will attempt to address it to the best of our understanding. Our finding of up to >19% of long seemingly aversive, 44-kHz calls, at a frequency in the define appetitive ultrasonic range (usually >32 kHz) is unexpected rather than “expected”. We would agree that aversive call variation is expected, but not in the appetitive frequency range.
Kindly note the findings by Saito et al. (2019), which claim that frequency band plays the main role in rat ultrasonic perception. It is possible that the higher peak frequency of 44kHz calls may be a strong factor in their perception by rats, which is, however, modified by the longer duration and the lack of modulation.
Also, from our experience, it is quite challenging to demonstrate different behavioral responses of naïve rats to pre-recorded 22-kHz (aversive) vs. 50-kHz (appetitive) vocalizations. Therefore, to demonstrate a difference in response to two distinct, potentially aversive, calls, i.e., 22-kHz vs. 44-kHz calls, to be even more difficult (as to our knowledge, a comparable experiment between short vs. long 22-kHz ultrasonic vocalizations, has not been done before).
Therefore, we do not take lightly the surprising and interesting finding that “animals respond rather similarly to hearing 22 kHz calls as they do to hearing 44 kHz calls, with occasional shifts of 44 kHz call responses to an intermediate between appetitive and aversive calls”. We would rather put this description in analogous words: “the rats responded similarly to hearing 44-kHz calls as they did to hearing aversive 22-kHz calls, especially regarding heartrate change, despite the 44-kHz calls occupying the frequency band of appetitive 50-kHz vocalizations” and “other responses to 44-kHz calls were intermediate, they fell between response levels to appetitive vs. aversive playback” – which we added to the Discussion.
Finally, we acknowledge that our findings do not present a finite and complete picture of the discussed aspects of behavioral responses to the presented ultrasonic stimuli (44-kHz vocalizations). Therefore, we have incorporated the Reviewer’s suggestion in the discussion. The added sentence reads: “Overall, these initial results raise further questions about how, ethologically, animals may interpret the variation in hearing 22-kHz vs. 44-kHz calls and integrate this interpretation in their responses.”
In sum, rather than describing the 44kHz long calls as a new call type, it may be more accurate to say that sometimes aversive calls can occur at frequencies above 22 kHz. Individual and situational variability in vocalization parameters seems to be expected, much more so than all members of a species strictly adhering to extremely non-variable behavioral outputs.
Answer: The surprising fact that there are presumably aversive calls that are beyond the commonly applied thresholds, i.e. >32 kHz, while sharing some characteristics with 22-kHz calls, is the main finding of the current publication. Whether they be finally assigned as a new type, subtype, i.e. a separate category or become a supergroup of aversive calls with 22-kHz vocalizations is of secondary importance to be discussed with other researchers of the field of study.
However, we would argue – by showing a comparison – that 22-kHz calls occur at durations of <300 ms and also >300 ms, and are, usually, referred to in literature as short and long 22-kHz vocalizations, respectively (not introduced with a description that “sometimes 22kHz calls can occur at durations below 300 ms”). These are then regarded and investigated as separate groups or classes usually referred to as two different “types” (e.g., Barker et al., 2010) or “subtypes” (e.g., Brudzynski, 2015). Analogously, 44-kHz vocalizations can also be regarded as a separate type or a subtype of 22-kHz calls. The problem with the latter is that 22-kHz vocalizations are traditionally and predominantly defined by 18–32 kHz frequency bandwidth (Araya et al., 2020; Barroso et al., 2019; Browning et al., 2011; Brudzynski et al., 1993; Hinchcliffe et al., 2022; Willey & Spear, 2013).
Reviewer #2 (Public Review):
Olszyński et al. claim that they identified a "new-type" ultrasonic vocalization around 44 kHz that occurs in response to prolonged fear conditioning (using foot-shocks of relatively high intensity, i.e. 1 mA) in rats. Typically, negative 22-kHz calls and positive 50-kHz calls are distinguished in rats, commonly by using a frequency threshold of 30 or 32 kHz. Olszyński et al. now observed so-called "44-kHz" calls in a substantial number of subjects exposed to 10 tone-shock pairings, yet call emission rate was low (according to Fig. 1G around 15%, according to the result text around 7.5%).
Answer: We are thankful for praising the strengths. Please note Figure 1G referred to 10-trial Wistar rats during delay fear conditioning session in which 44-kHz constituted 14.1% of ultrasonic vocalizations. The 7.5% number in results refers to the total of vocalizations analyzed across all animal groups used in fear conditioning experiments. These values have been updated in the current version of the manuscript. Also, please note – 44-kHz calls constituted up to 19.4% of calls, on average, in one of the ITI during fear conditioning session. However, the prevalence of aversive calls and of 44-kHz vocalizations in particular varied. It varied between individual rats; we added the text: “for n = 3 rats, 44-kHz vocalizations accounted for >95% of all calls during at least one ITI (e.g., 140 of total 142, 222 of 231, and 263 of 265 tallied 44-kHz calls), and in n = 9 rats, 44-kHz vocalizations constituted >50% of calls in more than one ITI.” See also further for the description of the array of experiments analyzed and the prevalence/percentage of 44-kHz calls encountered (Tab. 1, Fig. 1S3).
Weaknesses: I see a number of major weaknesses.
While the descriptive approach applied is useful, the findings have only focused importance and scope, given the low prevalence of "44 kHz" calls and limited attempts made to systematically manipulate factors that lead to their emission. In fact, the data presented appear to be derived from reanalyses of previously conducted studies in most cases and the main claims are only partially supported. While reading the manuscript, I got the impression that the data presented here are linked to two or three previously published studies (Olszyński et al., 2020, 2021, 2023). This is important to emphasize for two reasons:
(1) It is often difficult (if not impossible) to link the reported data to the different experiments conducted before (and the individual experimental conditions therein). While reanalyzing previously collected data can lead to important insight, it is important to describe in a clear and transparent manner what data were obtained in what experiment (and more specifically, in what exact experimental condition) to allow appropriate interpretation of the data. For example, it is said that in the "trace fear conditioning experiment" both single- and grouphoused rats were included, yet I was not able to tell what data were obtained in single- versus group-housed rats. This may sound like a side aspect, however, in my view this is not a side aspect given the fact that ultrasonic vocalizations are used for communication and communication is affected by the social housing conditions.
Answer: Preparing the current manuscript, we indeed used data collected during fear conditioning experiments which were described previously (Olszyński et al., 2021; Olszyński et al., 2022). Please note, however, that vocalization behavior during the fear conditioning itself was not the main subject of these publications. Our previous publications (Olszyński et al., 2020; Olszyński et al., 2021; Olszyński et al., 2022) present primarily ultrasonic-vocalization data from playback-part of experiments whereas here we analyze recordings obtained during fear conditioning experiments, thus we are analyzing new parts, i.e., not yet analyzed, of previously published studies. Also, we have performed additional experiments.
In the first version of the current manuscript, we did not attempt to demonstrate exactly which calls were recorded in which conditions as the focus was to demonstrate that 44-kHz calls were emitted in several different fear-conditioning experiments. Also, as the experiments were not performed simultaneously and are results from different experimental situations, we would prefer to not compare these results directly.
However, in the current version of the manuscript, we have introduced an additional reference system, based on Tab. 1, to more clearly indicate which rats have been employed in each analysis, e.g. the group of “Wistar rats that undergone 10 trials of fear conditioning” are described as “Tab. 1/Exp. 1-3/#2,4,8,13; n = 46”, i.e., these are the rats listed in rows 2, 4, 8, and 13 of Tab. 1.
We have also tried to unify the analyses, in terms of rats used, as much as possible. Finally, we have also introduced Fig. 1S3 to demonstrate the prevalence of 44-kHz calls in all experiments analyzed with the note that “the experiments were not performed in parallel”.
Regarding the Reviewer’s concerns about analyzing single- and pair-housed rats together. We have examined ultrasonic vocalizations emitted and freezing behavior in these two groups.
• Ultrasonic vocalizations; when comparing the number of vocalizations, their duration, peak frequency and latency to first occurrence, equally for all types of calls and divided into types (short 22-kHz, long 22-kHz, 44-kHz, 50-kHz), the only difference was observed in peak frequency in 50-kHz vocalizations (50.7 ± 2.8 kHz for paired vs. 61.8 ± 3.1 kHz for single rats; p = 0.0280, Mann-Whitney). Since 50-kHz calls are not the subject of the current publication, we did not investigate this difference further. Also, this difference was not observed during playback experiments (Olszyński et al., 2020, Tab. 1).
• Freezing. There were no differences between single- and pair-housed groups in freezing behavior, both in the time before first shock presentation and during fear conditioning training (Mann-Whitney).
In summary, since the two groups did not differ in relevant ultrasonic features and freezing, we decided to present the results obtained from these rats together. However, we agree with the Reviewer, and it is possible that social housing conditions may in fact affect the emission of 44-kHz vocalizations, which could be a subject of another project – involving, e.g., larger experimental groups observed under hypothesis-oriented and defined conditions.
(2) In at least two of the previously published manuscripts (Olszyński et al., 2021, 2023), emission of ultrasonic vocalizations was analyzed (Figure S1 in Olszyński et al., 2021, and Fig. 1 in Olszyński et al., 2023). This includes detailed spectrographic analyses covering the frequency range between 20 and 100 kHz, i.e. including the frequency range, where the "newtype" ultrasonic vocalization, now named "44 kHz" call, occurs, as reflected in the examples provided in Fig. 1 of Olszyński et al. (2023). In the materials and methods there, it was said: "USV were assigned to one of three categories: 50-kHz (mean peak frequency, MPF >32 kHz), short 22-kHz (MPF of 18-32 kHz, <0.3 s duration), long 22-kHz (MPF of 18-32 kHz, >0.3 s duration)". Does that mean that the "44 kHz" calls were previously included in the count for 50-kHz calls? Or were 44 kHz calls (intentionally?) left out? What does that mean for the interpretation of the previously published data? What does that mean for the current data set? In my view, there is a lack of transparency here.
Answer: As mentioned above, we indeed used data collected during fear conditioning experiments which were described previously (Olszyński et al., 2021; Olszyński et al., 2022). However, in these publications, ultrasonic vocalizations emitted during playback experiments were the main subject, while the ultrasonic calls emitted during fear conditioning (performed before the playback) were only analyzed in a preliminary way. As a result, the 44-kHz vocalizations analyzed in the current manuscript were not included in the previous analyses. In particular, in Olszyński et al. (2021), we counted the overall number of ultrasonic vocalizations before fear conditioning session to determine the basal ultrasonic emissions (Fig. S1). Then, our next article (Olszyński et al., 2022), we analyzed again the number of all ultrasonic vocalizations before fear conditioning (Fig. S1) and restricted the analysis of vocalizations during fear conditioning to 22-kHz calls (Tab. S1 and S2).
Also, we re-reviewed all the data used in our previous playback publications. Overall, 44-kHz calls were extremely rare in playback parts of the experiments. There were no 44-kHz calls in the playback data used in Olszyński et al. (2022) and Olszyński et al. (2020). In Olszyński et al. (2021), one rat produced eight 44-kHz calls. These 44-kHz calls constituted 0.03% of all vocalizations analyzed in the experiment (8/24888) and were included in the total number of calls analyzed (but not in the 50-kHz group), they were not described in further detail in that publication.
Moreover, whether the newly identified call type is indeed novel is questionable, as also mentioned by the authors in their discussion section. While they wrote in the introduction that "high-pitch (>32 kHz), long and monotonous ultrasonic vocalizations have not yet been described", they wrote in the discussion that "long (or not that long (Biały et al., 2019)), frequency-stable high-pitch vocalizations have been reported before (e.g. Sales, 1979; Shimoju et al., 2020), notably as caused by intense cholinergic stimulation (Brudzynski and Bihari, 1990) or higher shock-dose fear conditioning (Wöhr et al., 2005)" (and I wish to add that to my knowledge this list provided by the authors is incomplete). Therefore, I believe, the strong claims made in abstract ("we are the first to describe a new-type..."), introduction ("have not yet been described"), and results ("new calls") are not justified.
Answer: We would argue that 44-kHz vocalizations were indeed reported but not described. As far as we are concerned, an in-depth analysis of the properties and experimental circumstance of emission of long, high-frequency calls has not yet been performed. These researchers have observed, at least to a degree, similar calls to the ones we observed – as we mentioned in the discussion section. However, since these reported 44-kHz vocalizations were not fully described, we can only guess that they may be similar to ours. We speculate that perhaps like us, these researchers unknowingly recorded 44-kHz calls in their experiments and may also be able to describe them more extensively when re-analyzing their data as we have done here.
Possibly, it was difficult to find reports on vocalizations, similar to the 44-kHz calls that we observed, because of the canonical and accepted definitions of ultrasonic vocalization types. Biały et al. (2019) allocated them as a part of 22-kHz group, perhaps because their calls were often of a step variation having both low and high components. Shimoju et al. (2020) grouped them along with 50-kHz vocalizations because they appeared during stroking rats held vertically; this procedure was compared to tickling which usually elicits appetitive calls.
The Reviewer #2 states there are other publications to complete the list. We are aware of other articles authored by the same team as Shimoju et al. (2020) with different first authors. However, they are reporting similar findings to the cited article. Otherwise, we would gladly cite a more complete list of publications showing atypical, long, monotonous highfrequency vocalizations, similar to those observed in our experiments. Therefore, we would argue that ultrasonic vocalizations which were long, flat, high in frequency, and repeatedly occurring in a defined behavioral situation, have not been reported before. However, concerning the strong claims of novelty of our finding, we toned them down where we found this was warranted.
In general, the manuscript is not well written/ not well organized, the description of the methods is insufficient, and it is often difficult (if not impossible) to link the reported data to the experiments/ experimental conditions described in the materials and methods section.
Answer: The description of the methods has been adjusted and expanded. We added the requested link to each particular experiment as a formula “Tab. 1/Exp. nos./# nos.” which shows, each time, which experiments and experimental groups were analyzed. The list of the experiments and groups is found in the Tab. 1.
For example, I miss a clear presentation of basic information: 1) How many rats emitted "44 kHz" calls (in total, per experiment, and importantly, also per experimental condition, i.e. single- versus group-housed)?
Answer: We now clearly show which experiments were performed and how many animals were tested in each condition (Tab. 1), while the prevalence of 44-kHz calls amongst experimental conditions and animal groups is shown in Fig. 1S3. Also, we included information regarding the number of animals and treatment of each group of rats when reporting results. For example, we are stating that:
(1a) “53 of all 84 conditioned Wistar rats (Tab. 1/Exp. 1-3/#2,4,6-8,13, Figs 1B, 1E, 1S1BC) displayed” 44-kHz vocalizations – as a general assessment; these numbers are different from those in the first version of the Ms, when we are mentioning Wistar rats conditioned 6 or 10 times only.
(1b) “From this group of rats (n = 46), n = 41 (89.1%) emitted long 22-kHz calls, and 32 of them (69.6%) emitted 44-kHz calls” – this time referring only to 10-times conditioned Wistar rats as the biggest group that could be analyzed together (Figs 1F, 1G, 1S2A).
(1c) “for n = 3 rats, 44-kHz vocalizations accounted for >95% of all calls during at least one ITI (e.g., 140 of total 142, 222 of 231, and 263 of 265 tallied 44-kHz calls), and in n = 9 rats, 44kHz vocalizations constituted >50% of calls in more than one ITI.”
(2) Out of the ones emitting "44 kHz" calls, what was the prevalence of "44 kHz" calls (relative to 22- and 50-kHz calls, e.g. shown as percentage)?
Answer: The prevalence of 44-kHz vocalizations in all investigated experiments and groups is shown in Fig. 1S3CD. Also, more information regarding the percentage of 44-kHz calls was demonstrated in Fig. 1S2AB where we calculated the distribution of 44-kHz calls to 22-kHz calls in Wistar rats, in 10-trial fear conditioning, across the length of the session.
Additionally, the values are listed in the sentence regarding all Wistar rats which underwent 10 trials of fear conditioning: “these vocalizations were less frequent following the first trial (1.2 ± 0.4% of all calls), and increased in subsequent trials, particularly after the 5th (8.8 ± 2.8%), through the 9th (19.4 ± 5.5%, the highest value), and the 10th (15.5 ± 4.9%) trials, where 44-kHz calls gradually replaced 22-kHz vocalizations in some rats (Fig. 1F, 1S2B, Video 1; comp Fig. 1D vs. 1E).”
(3) How did this ratio differ between experiments and experimental conditions?
Answer: The prevalence of 44-kHz vocalizations in all experimental conditions is shown in Fig. 1S3. However, the direct comparison of results obtained in different conditions was not the goal of the present work. Also, we would argue, that such direct comparisons of results of different experiments would not be allowed. These experiments were done with different groups of animals, at different times, with different timetables of experimental manipulations.
However, we are comfortable to state that:
There were more 44-kHz vocalizations during fear conditioning training than testing in all fear-conditioned Wistar rats;
We observed more 44-kHz vocalizations in Wistar rats compared to SHR.
(4) Was there a link to freezing? Freezing was apparently analyzed before (Olszyński et al., 2021, 2023) and it would be important to see whether there is a correlation between "44-kHz" calls and freezing. Moreover, it would be important to know what behavior the rats are displaying while such "44-kHz" calls are emitted? (Note: Even not all 22-kHz calls are synced to freezing.) All this could help to substantiate the currently highly speculative claims made in the discussion section ("frequency increases with an increase in arousal" and "it could be argued that our prolonged fear conditioning increased the arousal of the rats with no change in the valence of the aversive stimuli"). Such more detailed analyses are also important to rule out the possibility that the "new-type" ultrasonic vocalization, the so-called "44 kHz" call, is simply associated with movement/ thorax compression.
Answer: We analyzed freezing behavior and its association with ultrasonic emissions. The emission of 44-kHz vocalizations was associated with freezing. The results are now described and presented in the manuscript, i.e., Tab. 2, its legend and the description in Results: “Freezing during the bins of 22-kHz calls only (p < 0.0001, for both groups) and during 44-kHz calls only bins (p = 0.0003) was higher than during the first 5 min baseline freezing levels of the session. Also, the freezing associated with emissions of 44-kHz calls only was higher than during bins with no ultrasonic vocalizations (p = 0.0353), and it was also 9.9 percentage points higher than during time bins with only long 22-kHz vocalizations, but the difference was not significant (p = 0.1907; all Wilcoxon)” and “To further investigate this potential difference, we measured freezing during the emission of randomly selected single 44-kHz and 22-kHz vocalizations. The minimal freezing behavior detection window was reduced to compensate for the higher resolution of the measurements (3, 5, 10, or 15 video frames were used). There was no difference in freezing during the emission of 44-kHz vs. 22-kHz vocalizations for ≥150ms-long calls (3 frames, p = 0.2054) and for ≥500-ms-long calls (5 frames, p = 0.2404; 10 frames, p = 0.4498; 15 frames, p = 0.7776; all Wilcoxon, Tab. 2B).”
Please note, that the general observation that "frequency increases with an increase in arousal" is not our claim but a general rule derived from large body of observations and proposed by the others (Briefer et al., 2012); we changed the wording of this statement to: “frequency usually increases with an increase in arousal (Briefer et al., 2012)”.
The figures currently included are purely descriptive in most cases - and many of them are just examples of individual rats (e.g. majority of Fig. 1, all of Fig. 2 to my understanding, with the exception of the time course, which in case of D is only a subset of rats ("only rats that emitted 44-kHz calls in at least seven ITI are plotted" - is there any rationale for this criterion?)), or, in fact, just representative spectrograms of calls (all of Fig. 3, with the exception of G, all of Fig. 4).
Answer: Please note, the former figures 2, 4, 6, and 8 have been now moved to supplementary figures 1S1, 2S1, 3S1, and 4S1 – to better organize the presentation of data. Figures 1, 3, 5, 7 are now 1, 2, 3, 4 respectively. In regards to presenting data from individual rats, this was to show the general patterns of ultrasonic-calls distributions observed. Showing the full data set as seen in Fig. 5A (now Fig. 3A) would obscure the readability of the graph without using mathematical clustering techniques such as DBSCAN.
Concerning the Reviewer’s #2 question regarding the criterion of “minimum seven ITI”, we selected the highest vocalizers by taking animals above the 75th percentile of the number of ITI with 44-kHz calls. However, in the current version of the manuscript, we decided to omit this part of the analysis and the accompanying part of the figure, since it did not provide any additional informative value (apart from employing questionable criterion).
Moreover, the differences between Fig. 5 and Fig. 6 are not clear to me. It seems Fig. 5B is included three times - what is the benefit of including the same figure three times?
Answer: We hope that designating Fig. 6 as supplementary to Fig. 5 (now Figs 3S1 and 3, respectively) will make interpreting them more streamlined. Fig. 6A (now Fig. 3S1A) is a more detailed look on information presented in Fig. 5B (now Fig. 3B) with spectrogram images of ultrasonic vocalizations from different areas of the plot. Also, Fig. 3B (former Fig. 5B) was removed from Fig. 3S1B (former Fig. 6B).
A systematic comparison of experimental conditions is limited to Fig. 7 and Fig. 8, the figures depicting the playback results (which led to the conclusion that "the responses to 44-kHz aversive calls presented from the speaker were either similar to 22-kHz vocalizations or in between responses to 22-kHz and 50-kHz playbacks", although it remains unclear to me why differences were seen b e f o r e the experimental manipulation, i.e. the different playback types in Fig. 8B).
Answer: There were indeed instances of such before-differences. Such differences were observed in our previous studies (Olszyński et al., 2020, Tabs S9-12; Olszyński et al., 2021, Tabs S7; Olszyński et al., 2022, Tabs S4, S9, S13, S17, S18) and were most likely due to analyzing multiple comparisons. However, we think that the carry-over effect, mentioned by the Reviewer #2 (see below), also played a role.
Related to that, I miss a clear presentation of relevant methodological aspects: 1) Why were some rats single-housed but not the others?
Answer: As stated before, data were collected from our previous experiments and the observation of 44-kHz vocalizations in fear conditioning was an emergent discovery as we decided to analyze ultrasonic recordings from fear conditioning procedures. Single-housed animals were part of our experiment comparing fear conditioning and social situation on the perception of ultrasonic playback as described in Olszyński et al. (2020). Aside from this experiment, all other rats were housed in pairs.
(2) Is the experimental design of the playback study not confounded? It is said that "one group (n = 13) heard 50-kHz appetitive vocalization playback while the other (n = 16) 22-kHz and 44kHz aversive calls". How can one compare "44 kHz" calls to 22- and 50-kHz calls when "44 kHz" calls are presented together with 22-kHz calls but not 50-kHz calls? What about carry-over effects? Hearing one type of call most likely affects the response to the other type of call. It appears likely that rats are a bit more anxious after hearing aversive 22-kHz calls, for example. Therefore, it would not be very surprising to see that the response to "44 kHz" calls is more similar to 22-kHz calls than 50-kHz calls.
Of note, in case of the other playback experiment it is just said that rats "received appetitive and aversive ultrasonic vocalization playback" but it remains unclear whether "44 kHz" calls are seen as appetitive or aversive. Later it says that "rats were presented with two 10-s-long playback sets of either 22-kHz or 44-kHz calls, followed by one 50-kHz modulated call 10-s set and another two playback sets of either 44-kHz or 22-kHz calls not previously heard" (and wonder what data set was included in the figures and how - pooled?). Again, I am worried about carry-over effects here. This does not seem to be an experimental design that allows to compare the response to the three main call types in an unbiased manner.
Answer: We apologize for being confounding and brief in our original description of the playback experiments. We wanted to avoid confusion associated with including several additional playback signals (please note some are not related to the current comparisons and include different 50-kHz ultrasonic subtypes and two different subtypes of short 22-kHz calls). We lengthened the description of these playback experiments in the current version.
In general, including more than one type of ultrasonic calls as playback has a risk of a carry-over effect as well as a habituation effect (the responses become weak). However, it greatly reduces the number of required animals. Finally, regarding the first experiment, we chose 3 playbacks to compare the rats’ reactions, as this was the most conservative choice we thought of.
We would like to highlight that we wanted to compare specifically the rats’ responses to 22-kHz vs. 44-kHz playback (as well as the effects of playback of different subtypes 50-kHz calls, which is not the subject of the current work). Therefore, we would argue, that the design of both experiments is actually unbiased regarding this key comparison (responses to 22-kHz vs. 44-kHz playback). In both experiments, 22-kHz and 44-kHz playbacks were included in the same sequences of stimuli and counterbalanced regarding their order (i.e., taking into account possible carry-over effects), and presented to the same rats. We regarded the group of rats that heard 50-kHz recordings as a baseline/control, since we know from previous playback studies what reactions to expect from rats exposed to these vocalizations (and 22-kHz playback), while in the second experiment, we reduced the 50-kHz playback to one set in order to minimize possible habituation to multiple playbacks.
We agree that the design of both experiments does not allow for full comparison of the effects of aversive playbacks to 50-kHz playback. Also, we agree that some carry-over effects could play a role. It was mentioned in the discussion: ”Please factor in potential carryover effects (resulting from hearing playbacks of the same valence in a row) in the differences between responses to 50-kHz vs. 22/44-kHz playbacks, especially, those observed before the signal (Fig. 4AB).” However, we would still argue that the observed lack of difference in heartrate response (Fig. 4A) and the differences regarding the number of 50-kHz calls emitted (e.g., Fig. 4S1F) are void of the constraints raised by the Reviewer #2.
We acknowledge that our studies do not give a complete picture of 44-kHz ultrasonic perception in relation to other ultrasonic bands and, given the possibility, we would like to perform more in-depth and focused experiments to study this aspect of 44-kHz calls in the future.
Finally, regarding the second experiment, the description of the rats now includes that they “received 22-kHz, 44-kHz, and 50-kHz ultrasonic vocalization playback”, while the description of the experiment itself includes: “Responses to the pairs of playback sets were averaged”.
Of note, what exactly is meant by "control rats" in the context of fear conditioning is also not clear to me. One can think of many different controls in a fear conditioning experiment.
More concrete information is needed.
Answer: This information was included in our previous publications. However, it was now provided in the method section of the current version of the manuscript. In general, control rats were subjected to the same procedures but did not receive electric shocks.
Literature included in the answers
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Recommendations For The Authors:
Reviewer #1 (Recommendations For The Authors):
Additional considerations:
The discussion of the "perfect fifth" and the proposition that this observation could be evidence of an evolutionary mechanism underlying it is rather far-fetched, especially for being presented in the Results section (with no supporting non-anecdotal evidence).
Answer: We agree with the Reviewer #1. The text was modified, the word “evolutionary” was deleted. Instead, we expended on the possible reason for prevalence of the perfect fifth in the current version of the manuscript; we added that the prevalence of the perfect fifth: “could be explained by the observation that all physical objects capable of producing tonal sounds generate harmonic vibrations, the most prominent being the octave, perfect fifth, and major third (Christensen, 1993, discussed in Bowling and Purves, 2015).”
It is not clear why Sprague-Dawleys were used as "receivers" in the playback experiment, when presumably the calls were recorded from Wistars and SHRs. While this does not critically impact the conclusions, within the species rats should be able to respond appropriately to calls made by rats of different genetic backgrounds, it adds an unnecessary source of variance.
Answer: Sprague-Dawley rats were used to test another normotensive strain of rats. Regarding the Reviewer’s main point – we beg to differ as we think that it is worth testing playback stimuli in different strains. Diverging the stimuli between different rat strains would add unnecessary variance and it seemed logical to use the same recordings to test effects in different strains. Please note that finally, in spite of this additional variance, the results of both playback experiments are, in general, similar – which may point to a universal effect of 44-kHz playback across rat strains.
It is pertinent to note that for the trace fear conditioning experiment, the rats had previously been exposed to a vocalization playback experiment. While such a pre-exposure is unlikely to be a very strong stressor, the possibility for it to influence the vocal behaviors of these rats in later experiments cannot be ruled out. It is also not clear what the control rats in this experiment experienced (home cage only?), nor what they were used for in analyses.
Answer: In the current version of the manuscript, we have described in greater detail all the experiments performed and analyzed. We would like to emphasize that both delay and trace fear conditioning experiments with radiotelemetric transmitters were not performed specifically to elicit any particular response during fear conditioning, rather that our observation of 44-kHz vocalizations emerged as a result of re-examining the audio recordings. As a result, this work summarizes our observations of 44-kHz calls from several different experiments. It is relevant to note, that 44-kHz vocalizations were observed “in rats which were exposed to vocalization playback experiment”, in rats before the playback experiments as well as in naïve rats, without transmitters implemented, trained in fear conditioning (Tab. 1/Exp. 1-3).
Our main message is that 44-kHz vocalizations were present in several experiments, with different conditions and subjects, while we are not attempting to compare in detail the results across the different experiments. In other words, we agree that pre-exposure to playback (and even more likely – transmitters implantation) could influence, but are not necessary, for 44-kHz ultrasonic emissions by the rats. To demonstrate this, we added a prolonged fear conditioning group with naïve Wistar rats (Exp. 3) to verify the emission of 44kHz calls in the absence of those experimental factors.
We modified the methods section to clarify the circumstances under which these discoveries were made, such as including the information regarding the control rats in trace fear conditioning. In particular we mention that: “Control rats were subjected to the exact same procedures but did not receive the electric shock at the end of trace periods”.
For Figure 1A-E, only example call distributions from individual rats are shown. It would perhaps be more informative to see the full data set displayed in this manner, with color/shape codes distinguishing individuals if desired.
Answer: Please note the Fig. 1S1 shows more examples of ultrasonic call distribution. Showing all the data would make it more difficult to read and interpret. The problem is partly amended in Fig. 3A.
It is not clear what is presented in Figure 2D vs. E, i.e. panel D is shown only for "selected rats" but the legend does not clarify how and why these rats were selected. It is also not clear why the legend reports p-values for both Friedman and Wilcoxon tests; the latter is appropriate for paired data which seems to be the case when the question is whether the call peak frequency alters across time, but the Friedman assumes non-paired input data.
Answer: The question refers to the current Fig. 1S2C panel (former Fig. 2E panel) and the former Fig. 2D panel. The latter was not included in the current version of the manuscript, since both reviewers opposed the presentation of “selected rats” only (see above). The full description of the Fig. 1S2C panel is now in the results section together with p-values for Friedman and Wilcoxon test. We used the latter to investigate the difference between the first and the last ITI (selected paired data), while the Friedman to investigate the presence of change within the chain of ten ITI – since it is a suitable test for a difference between two or more paired samples.
Reviewer #2 (Recommendations For The Authors):
The weaknesses listed in the public review need to be addressed.
Answer: We have done our best to address the weaknesses.
Notes: 1) Page and line numbers would have been useful.
Answer: We are including a separate manuscript version with page and line numbers.
.(2) English language needs to be improved.
Answer: The text has been checked by two native English speakers (one with a scientific background). Both only identified minor changes to improve the text which we applied.
(3) I am a bit unsure whether the comment about the Star Wars movie (1997) and the Game of Thrones series (2011) is supposed to be a joke.
Answer: These are indeed two genuine examples of the perfect fifth in human music that we hope are easily recognizable and familiar to readers. Parts of the same examples of the perfect fifth can also heard in the rat voice files provided.
그럼게임안에서뵙겠습니다. 여러분이좋아하는팀을드러내고자세히보기를뽐내는모습도, 누가 2024 VCT역사책에이름을남기게될지도모두기대가됩니다
this sentence is basically thanking the community for playing the game, supporting the developers, and telling us to tune in to the 2024 championship to see who goes down int he vct history books as the worlds best players. i chose to annotate this sentence because i thought it was a sweet way to end an informational article by thanking the players who could make such developments possible through their support.
·/아메리카스: 2월 21일오후 11시~2월 22일오전 3시북미/브라질/라틴아메리카·/퍼시픽: 2월 22일오전 7시~오전 11시한국/일본/동남아시아/오세아니아/인도·/EMEA: 2월 22일오후 1시~오후 5시유럽/독립국가연합/MENA
this passage basically tells us when the games are being held and their time and location being all around the globe. I highlighted this because I find it pretty remarkable that this is a world wide event celebrated by millions of people who are all connected via this game.
무기선정에대해말씀드리면, 먼저클래식부터시작합니다. 선수에게저지가필요하듯, 발로란트플레이어라면누구에게나필수적인기본장비죠. 게임시작과함께처음얻게되며거의항상소지하게되는장비입니다
this sentence is describing why they chose this certain weapon to represent the teams. i am commenting on how cleaver i thought this to be, becuase the "classic" gun is quote: "almost always in the players inventory and its the first item you are presented with when you start the game."
발로란트플레이어여러분그리고 VCT 팬여러분, 안녕하세요! 사상첫 VCT 팀브랜드장식요소인 VCT 팀캡슐을공개합니다!
this whole article is in Korean, but it basically says, "these are the new weapon designs you can purchase based off of the pro teams playing in this year's tournament." since they are making merchandise available for those who play the game, it connects the teams with the regular/average players in the community by having you (the player) root for which team is your favorite by purchasing their merch. this is also the aim of the article.
there are many more taboos on aquatic life than on terrestrial game.
aligns with their beliefs : rivers are where the outsiders are
If every tile of the Hex board is markedeither x or o
i.e. the game has been played to completion
You only win against these Congressional Republicans by refusing to play their game.
The world of homework, of writing on paper, or typing up an essay is so blah. But it’s because of that lack of concentration that I love game design. I get to write out the worlds in my head, create an image in other people’s minds, and share the adventures I subconsciously go on every day.
Do me a favor and read this book: https://www.penguinrandomhouse.com/books/237251/what-we-see-when-we-read-by-peter-mendelsund/
Alphabet books exemplify one of the earliest uses of pictures in instructional books for children (see fig. 2; cat. nos. 33–77). From the sixteenth until well into the eighteenth century children learned their alphabets by studying hornbooks (see cat. nos. 33, 38, 39, 50), wooden paddles with inscribed alphabets that were often combined with religious writings such as the Lord's Prayer. Out of the hornbook tradition developed the more pictorial battledore (see cat. nos. 41, 45, 47, 54, 56, 58, 59), a folded piece of cardboard with an illustrated alphabet, named after a traditional game in which hornbooks were used as paddles. The battledore endured until the mid-nineteenth century. By the early nineteenth century other types of games with illustrations were developed for teaching ABCs as well as math, grammar, and science
Sách bảng chữ cái minh họa một trong những cách sử dụng hình ảnh sớm nhất trong sách hướng dẫn dành cho trẻ em (xem hình 2; mèo. số 33–77). Từ thế kỷ 16 cho đến tận thế kỷ 18, trẻ em học bảng chữ cái bằng cách nghiên cứu sách sừng (xem cat. nos. 33, 38, 39, 50), những mái chèo bằng gỗ có ghi các bảng chữ cái thường được kết hợp với các tác phẩm tôn giáo như Kinh Lạy Cha. Ngoài truyền thống sách kèn đã phát triển thêm battledore bằng hình ảnh (xem cat. nos. 41, 45, 47, 54, 56, 58, 59), một mảnh bìa cứng gấp lại với bảng chữ cái minh họa, được đặt tên theo một trò chơi truyền thống trong đó sách sừng dùng làm mái chèo. Battledore tồn tại cho đến giữa thế kỷ 19. Vào đầu thế kỷ 19, các loại trò chơi có hình ảnh minh họa khác đã được phát triển để dạy ABC cũng như toán, ngữ pháp và khoa học.
“It took the AMPTP, and eventually the CEOs, 102 days to even understand that the game they had played in 2007 was not going to happen this time,” Keyser said this week in an interview.
this time is different.
SenseCraft
https://stackblitz.com/~/github.com/topicquests/sensecraft
SenseCraft is a - role-playing game
where teams co-construct - structured conversations.
It is currently in active development (pre-alpha) stage.
People can ask - high-level questions by creating quests, and
members of guilds - who take up the challenge
will assume certain roles - to contribute to a - = shared conversation tree.
More documentation on the approach is available on request.
Here the legitimacy of lesbian and gay lives could only be gained by demonstrating their approximation to heterosexual lives and relations. “Tolerance” in this context meant that lesbians and gays were allowed the space to defend themselves.
This notion (not just on this particular topic) likely harmed the show and the discussions that could be had on it. I would assume that this meant that only people from marginalized groups who were willing to play this game, and not more radical ones who would really defend themselves as being different and not wanting to fit into 'the norm' would go on the show.
Steven Spielberg. Catch Me If You Can. December 2002.
The movie is based on the true story of Frank Abagnale Jr., a notorious con artist who successfully performed cons worth millions of dollars before his 19th birthday. The film stars Leonardo DiCaprio as Frank Abagnale Jr. and Tom Hanks as Carl Hanratty, an FBI agent chasing him. The story follows Frank's adventures in deception and the cat-and-mouse game between him and Hanratty. Spielberg's direction captures the excitement and complexity of Abagnale's exploits, set against the backdrop of the 1960s, and explores themes of deception, family, and the pursuit of identity. The film is both entertaining and insightful, providing a window into the life of one of the most fascinating figures in criminal history.
"Mini-dressed women held" and showed a picture of blonde women dressed in orange mini-dresses being escorted out of Soccer City stadium on Monday after the Netherlands versus Denmark game. In the newspaper article, the women say they were forced to leave the game "by around 40 stewards" and then questioned for several hours by police.
Note
Digital Tool in Practice: Kahoot! is a game-based student response tool. Educators can design or use predesigned Kahoot! games to help students memorize Constitutional terms.
I remembered when I was in high school, all the teachers are in love with using Kahoot! to emphasized and enhanced our understanding of a concept. It highlights a practical application of behaviorism in the form of a game-based student response tool.
Assess the current level of cultural competence in yourself or among company staff and identify the knowledge, skills and resources that you want to acquire. This can give you an idea of your strengths and weaknesses in the area
Create a game plan to improve culture; for example training programs
multi-polar trap
Otherwise known as prisoners dilemma and "defect / defect" equilibrium.
(Aside: why invent new terms). It's just classic game theory PD ...
So social media sites use the data they collect to try and figure out what keeps people using their site, and what can they do to convince those users they need to open it again later.
This reminds me of some video websites to recommend videos to you through your preferences. For example, if I am paying attention to a game, then I may watch a video about that game, and the website may automatically push me relevant videos. The purpose is to let me stay more on their website.
因此,社交媒体网站使用他们收集的数据来试图找出是什么让人们使用他们的网站,以及他们能做些什么来说服这些用户他们以后需要再次打开它。
This reminds me of some video websites to recommend videos to you through your preferences. For example, if I am paying attention to a game, then I may watch a video about that game, and the website may automatically push me relevant videos. The purpose is to let me stay more on their website.
Conservation economists and scientistsview the objective of MPAs as providing a suite of conservation outcomes, including stemmingthe loss of biodiversity and ecosystem services, maximizing the number of species, creating MPArepresentation of diverse systems, increasing fish stocks for harvested or nonharvested species,resilience to climate change, and coral reef health (e.g., Almany et al. 2009, Bates et al. 2019,Davies et al. 2017, Game et al. 2009, Magris et al. 2018, Wilson et al. 2020). Most MPA economicanalyses consider both a fishery economic goal and a conservation goa
MPAs do serve the duel economic and conservation purposes through this lens, long-term benefits vs short-term overharvesting/stress
Speak slowly and pause often. You want students to be able to take notes in response to your protocol so that they can use what they’ve learned.
Perhaps this is because I am gen-z as well, but this advice presents an interesting delimma for this current batch of college students due to the digital era in which they have grown up in and in many ways are (literally) addicited to. With the advent of social media and the attention-economy-dash quicker, and shorter form content is the name of the game for Gen-Z . I wonder if truly snails pace speaking would be able to engage them, or if livelier, slightly faster speech would mimic the short of enjoyable content that their braids are already hardwired to find enjoyable.
Another reported, "Almost every day on Call of Duty: Black Ops [a video game involving other online players] I see Confederate flags, swastikas and black people hang-ing from trees in emblems and they say racist things about me and my teammates." Another game-related incident was this one: "Me and my friends were playing Xbox and some kid joined the Xbox Live party we were in and made a lot of racist jokes I found offensive.
This is very true. I have heard and seen a lot of news or video about this phenomena. I felt like people is still very racist to black people and they are just hiding themselves in their daily life.
This technology allows app creators to make the tedious learning process hassle-free and entertaining. The importance of play in the educational process also has a scientific rationale; in this research paper, Pho and Dinscore support that brains make new synapses faster through game-based learning.
importance of play in the educational process has scientific rationale,
Learners who knew all their letters at the end of grade 1 were on track with their reading by the time they reached grade 4. Learners with very limited letter-sound knowledge at the end of grade 1 were three years behind, only reaching grade 4 reading fluency levels in grade 7.
CRUX - if I need to keep the UX design clean and simple I must make sure I focus on on the letters. The alphabet game I have in mind is perfect for that. And it would be feasible to translate to the other languages IF I GET EXPERTS in each language to help.
MDA, a theory of how game design works. MDA is a theory about the emergent nature of game play. It says when you combine game MECHANICS (shoot something, collect coins, jump over something, open a locked door, etc) the combination becomes DYNAMICS (sidescroller, boss battle, etc) which then is experienced by a player as a type of fun, or AESTHETICS (Fellowship, Challenge, Fantasy etc.
Mechanics, dynamics and aesthetics
The Mzanzi kids multilingual language learning App was created for children between the ages of 2-6 years in South Africa. It was designed to stimulate visual, speech and language literacy skills at an early age by understanding basic everyday concepts and highlighting the correct pronunciation of speech in six (6) different languages; English, Afrikaans, IsiXhosa, IsiZulu, Sepedi and Setswana. The integration of images and phonetics provides a good foundation for children to learn and speak in their mother tongue or home language with confidence and fluency, but most importantly comprehend and appreciate the diversity of languages used by South Africans. This multilingual App provides a good introduction before entering a schooling environment, and offers a non-threatening, playful and fun way of learning languages using innovative technology.
This is an app for multilingual language learning. Mine will focus on the mother tongue.
I tried it out for a bit and found the audio very repetitive, which could be problematic. Minecraft had such good audio - C14 or C11? It is fantastically immersive, and the popularity of the game and audio is irrefutable if you look at longevity (games come and go often, and very few manage to stick and have a continuous impact, Minecraft is a good example of an exception to this, alongside other well adjusted and designed games.
I had fun learning the clicks in isiXhoso - something I want to practice, but the audio became too much as i hit the image repeatedly.
There's room for more resources. This application does not speak to all children, and no one application ever will, hence the need for many across a broad range of cultures and diversities.
This all actually started as the latest love letter to baseball, if you can believe it. What I’d like to emphasize here is that I’m not trying to just outright blast the game.
I tend to blast football for destroying players' brains. But Phil makes a good point about baseball destroying kids' arms.
Personal computers allowed amateurs and hobbyists to create new computer programs that they could circulate on discs or perhaps through early Internet connections.
I think this was a particularly nostalgic time for myself and lots of people. Receiving a custom-coded game from a friend is much more personal and enjoyable than downloading one off the internet. I believe a lot of personal connection has been and will be lost the further technology progresses. However, there is an argument to be made for human spirit and needing to socialize as a social creature.
I think the critical takeaway is D&D is a one size fits all.
... the critical takeaway is D&D is a one size fits all game.
it
the game
Between 179 3 and 1820 the amount of land enclosed by act of Parliamentmore than doubled and over a million acres of common and waste land waslost together with over two million acres of open fields. The main parts of thecountry affected were the north and, to a lesser extent, a string of southerncounties from Surrey through Hampshire and Dorset to Somerset. About athird of the great tithe - on major crops such as corn and wood - was in thehands of often wealthy lay impropriators, while the attempts of the clergy tocollect their small tithes - typically on products of the cottage economy suchas garden vegetables, pigs and potatoes - caused great resentment against thechurch. The game laws, with their prohibition on tenants and labourerskilling game for their own use or to protect their crops, and the draconianpunishment of those caught in breach of the law, more than any other legisla-tion stamped the divisions of class conflict across rural England. Nothingcould more symbolise the fact that the land did not belong to the people thanthe image of the poor labourer, taxed on the meagre products of his garden,deprived of access to common land, and forced through hunger to take ille-gal game, thereby risking a maiming by man-traps if caught by the leg ortransportation if caught by the law.
Class nature of enclosure and game laws.
Reviewer #2 (Public Review):
The work by Yun et al. explores an important question related to post-copulatory sexual selection and sperm competition: Can females actively influence the outcome of insemination by a particular male by modulating the storage and ejection of transferred sperm in response to contextual sensory stimuli? The present work is exemplary for how the Drosophila model can give detailed insight into the basic mechanism of sexual plasticity, addressing the underlying neuronal circuits on a genetic, molecular, and cellular level.
Using the Drosophila model, the authors show that the presence of other males or mated females after mating shortens the ejaculate-holding period (EHP) of a female, i.e. the time she takes until she ejects the mating plug and unstored sperm. Through a series of thorough and systematic experiments involving the manipulation of olfactory and chemo-gustatory neurons and genes in combination with exposure to defined pheromones, they uncover two pheromones and their sensory cells for this behavior. Exposure to the male-specific pheromone 2MC shortens EHP via female Or47b olfactory neurons, and the contact pheromone 7-T, present in males and on mated females, does so via ppk23 expressing gustatory foreleg neurons. Both compounds increase cAMP levels in a specific subset of central brain receptivity circuit neurons, the pC1b,c neurons. By employing an optogenetically controlled adenyl cyclase, the authors show that increased cAMP levels in pC1b and c neurons increase their excitability upon male pheromone exposure, decrease female EHP, and increase the remating rate. This provides convincing evidence for the role of pC1b,c neurons in integrating information about the social environment and mediating not only virgin but also mated female post-copulatory mate choice.
Understanding context and state-dependent sexual behavior is of fundamental interest. Mate behavior is highly context-dependent. In animals subjected to sperm competition, the complexities of optimal mate choice have attracted a long history of sophisticated modelling in the framework of game theory. These models are in stark contrast to how little we understand so far about the biological and neurophysiological mechanisms of how females implement post-copulatory or so-called "cryptic" mate choice and bias sperm usage when mating multiple times.
The strength of the paper is decrypting "cryptic" mate choice, i.e. the clear identification of physiological mechanisms and proximal causes for female post-copulatory mate choice. The discovery of peripheral chemosensory nodes and neurophysiological mechanisms in central circuit nodes will provide a fruitful starting point to fully map the circuits for female receptivity and mate choice during the whole gamut of female life history.
“The game speaks to a trend in younger people who want to avoid competitive games, instead favouring teamwork and collaboration working towards a fun goal together,” Brett Smitheram, the current UK number one Scrabble player and 2016 World Scrabble Champion, said in the statement.
Far better is it to dare mighty things, to win glorious triumphs, even though checkered by failure... than to rank with those poor spirits who neither enjoy nor suffer much, because they live in a gray twilight that knows not Scrabble victory nor Scrabble defeat.
Socially, we’re told, “Go work out. Go look good.” That’s a multi-player competitive game. Other people can see if I’m doing a good job or not. We’re told, “Go make money. Go buy a big house.” Again, external multiplayer competitive game. Training yourself to be happy is completely internal. There is no external progress, no external validation. You’re competing against yourself—it is a single-player game.
https://web.archive.org/web/20240409122434/https://www.henrikkarlsson.xyz/p/go
There are many points, for instance, in which the results seem still contradictory
There is still conflicting evidence about this topic and how well the memories of events hold up over time. Some say that memory is like a game of telephone, it constantly changing, and some say it stays the same and you can remember everything about an event.
But, if the Big Three were the only game in town, how would they differentiate themselves from each other?
The situation that the Big Three were in is very similar to the situation we have today with social media, where there are only a handful of apps that the vast majority of people use. However, instead of relying on brand differentiation, I feel that a lot of social media apps today just copy other features from eachother, with some examples inlcuding YouTube copying TikTok's short form content with YouTube shorts.
Their methodology was to classify products on the basis of their “ubiquity,” which they defined as how many countries exported the product, and countries on the basis of “diversity,” which they defined as how many products a given country exported. The theory of comparative advantage would lead you to expect that in a world with very low trade barriers—basically the modern globalized world—most countries would have specialized trade profiles, so that they would score low in both ubiquity and diversity. This proved to be true of underdeveloped economies like Ghana, in which the top three exported products—fuels, precious metals, and cocoa—make up 81 percent of its exports. But it was not true of advanced economies like Germany, where the top three products account for only 46 percent of its exports.
Specialization is a mark's game
We need first pages–and so do novelists. Right from the top, a novel begins working its magic on readers. Perhaps more remarkably, readers also begin working their magic on the novel. The beginning of a novel is, variously, a social contract negotiation, an invitation to a dance, a list of rules of the game, and a fairly complex seduction
This is another strong line. As much as everyone tries not to judge a book by its cover it can be hard to invest time into reading multiple pages to just find out if you want to complete the book or not. The author does a very good job and explaining how the first page matters/
We need first pages–and so do novelists. Right from the top, a novel begins working its magic on readers. Perhaps more remarkably, readers also begin working their magic on the novel. The beginning of a novel is, variously, a social contract negotiation, an invitation to a dance, a list of rules of the game, and a fairly complex seduction. I know, I know–seduction? Seems extreme, doesn’t it?
This is the first chance for readers to "hear" the author's voice and the first (often the only) opportunity to connect with the reader. Without a solid first page, most put the book down and never look back— to the author of this essay's point.
The improbability of the relationship between Mia and Marsellus,she with her television pilots and hipster lingo and he with his intimate command of death,reflects the sense in which hyperreality is improbably married to death as its "excluded other." Atthe same time, the comic discrepancy between Mia and her husband lends a visual emphasis tothe manner in which marriage - with its outmoded proscription against the free exchange ofsexual relations - is discrepant with the aesthetic, moral, and economic values of the movie'shyperreal postmodernism. More than anything else, Mia's marriage is a game, designedconjointly by Mia herself and the screenwriter with the intention of trapping some haplessprotagonist like Vincent in the narrative web woven by the plot point of her inexchangeability.Free-floating hyperreality never congeals into a narrative. Events only shape themselves intonarrative around loci of significance that are weighted differently than the rest of the circulatingjunk: the forbidden object, the unattainable object, the impossible object. When Mia first appearsbefore Vincent, Vincent supposedly sees her face, but Tarantino shows us her deadly,inexchangeable feet, as if to suggest that, whereas her personality may seduce us into shiftingpatterns of hyperreal circulation, her character is "grounded" in her status as a totemic McGuffinof death.
or he just rlly likes feet
Crunchyroll began streaming the television anime of Kei Sazane's Gods' Games We Play (Kami wa Game ni Ueteiru) light novel series and the television anime of Kogitsune Kanekiru's Re:Monster light novel series on Monday. The streaming service is simultaneously streaming the English, Tamil, and Telugu dubs of both anime.The Hindi dub for Gods' Games We Play is streaming simultaneously as well. The anime premiered in Japan on Monday. Crunchyroll will exclusively stream the series. Tatsuya Shiraishi (episode unit director for Overlord II, Overlord III) is directing the anime at LIDEN FILMS (Call of the Night, Hanebado!). NTL is in charge of the series scripts. Yoshihiro Watanabe from Frontier One is the character designer, and Gin from Busted Rose is composing the music at Pony Canyon. AliA is performing the anime's opening theme song "NewGame," and Hina Tachibana, the voice of Pearl Diamond in the series, is performing the ending theme song "I'm GAME!"
stufff
Best English Football Strikers
Installing testRPC/ganache-cli
Reality TV is far more scripted and constructed than the audience ever realizes, that’s part of the game.
I would add a citation here
This reminds me about a game that I am playing right now called Honor of Kings. Couple weeks ago, a new design has been added into the gameplay that I really don't like, but a lot of people like it, therefore I have to put in extra work or even modify myself to fit into the system.
The ESRB, the major game rating organization within the United States, started putting text on the age rating label that they place on games warning customers of in-game purchases.
why did they do so? who pressured them? the feds?
diet.
--it's hard to pick up on a clear through line, as each paragraph seems randomly placed rather than building toward something
--some parts of your analysis would benefit from screen shots from the film
--the absence of citations (hyperlinks) denies you the opportunity to put this film in context, relating it to other similar books, films, studies, and testimonials
The genre of this film primarily serves as a documentary, but it incorporates engaging elements of sports and advocacy through the protagonist James Wilks.
This point seems a bit strained. The film is a documentary about sports and nutrition.
The scenes that focus on animal agriculture are often dark and eerie, emphasizing the environmental and ethical implications of animal based food consumption.
these examples have to do with lighting and cinematography
Mise-en-Scène
this term has to do with stage/set design
The cinematography and editing uses the natural beauty of landscapes during an athletic performance to awe the viewers. Throughout the film, viewers will see high quality shots of nature, arenas, cheering crowds, and athletes performing their sport. Dynamic camera angles
why not include screen shots from the film?
After learning that historic Roman Empire fighters ate a plant based diet, he embarked on a journey to explore the benefits of a plant based diet in today's age.
You might include a citation here to some material that backs up the piece of information.
he embarked
on which he embarked
OR
that he embarked on
“The Game Changers” is a thought provoking documentary that challenges the conventional beliefs athletes have been taught little about throughout their careers: advocating for a plant-based diet for optimal protein, strength, and performance.
“The Game Changers” is a thought provoking documentary that challenges conventional wisdom by advocating for a plant-based diet.
Through advertisements and marketing, it has become normalized
But what about the influence of nutritionists?
As an athlete, the thought of eating a healthy, high protein diet is essential to be able to perform and grow in our sports.
For athletes, diet is everything. A healthy, high protein diet enables athletes to perform and progress.
Typically a film review is used to be informative and persuade or not persuade someone to watch the film
A bit wordy with lots of "to be":
Typically, films reviews aim to do two things: inform and persuade.
to
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re-phrasing suggestion:
After struggling with acne, fatigue, and inflammation for some time, I noticed a significant change after removing dairy from my diet.
This film review focuses on analyzing the aspects within it that make it credible and for a target audience
This film review focuses on analyzing the aspects within it that make it credible and for a target audience ...
Possible rephrase:
My review analyzes the aspects of the film that give it credibility with athletes. For instance, I focus on scientific evidence and the experiences of athletes who claim that a plant-based diet supports endurance, energy, and recovery.
By sharing information about science involved, people interviewed, and areas that persuaded me, I want to spread awareness about a topic that is not talked about enough in the sports industry and amongst nutritionists.
what topic are you referring to, specifically?
out
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I was facing.
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because I wanted to capture what the film was about and aspects I think made it persuasive for athletes watching.
maybe another way of saying this is that you wished to persuade other athletes to watch it, as you found illuminating and believe other athletes would as well.
This is part of why many researchers now believe that the most promising approach to parental behavior change may be that third category: interventions that target the relationship between parents and children
I believe focusing on the relationship between parents and children is the most vital because it's these connections that helps the child form emotional skills and a sense of safety and high-self esteem that they are loved by their parents through active engagement like spending time with them in learning to simply playing game together.
One of the last warning messages sent to Pearl Harbor was changedby the President, personally, to insert the usual precaution.The official explanation, of course, is that, if war came, the Presidentwanted the record to show he had done all he could to prevent it
At this point this article is making me want to blame the president, and i'm not even sure if these are all facts, so maybe this got people to turn against him and give him all the blame. I'm not sure if much could be done on his part to prevent it, war is a risky game.
Tiddlywiki's name suggests it is some sort of toy
I wonder if it could be used to make a Myst style game. I know that Downpour lets you do that, but this could be a fun alternative.
This sketch, which involved Lucy cross-dressing as a tramp and doing a vaudeville bit with a trick cello, again makes evident the show's theatrical genealogy
I love the different ways this show was controversial but changed the game for the future of television and female representation
This sketch, whichinvolved Lucy cross-dressing as a tramp and doing a vaudeville bit with a trick cello,again makes evident the show’s theatrical genealog
I love the different ways this show was controversial but changed the game for the future of television and female representation
Task cohesion refers to the commitment of group members to the purpose and activities of the group. Social cohesion refers to the attraction and liking among group members. Ideally, groups would have an appropriate balance between these two types of cohesion relative to the group’s purpose, with task-oriented groups having higher task cohesion and relational-oriented groups having higher social cohesion. Even the most task-focused groups need some degree of social cohesion, and vice versa, but the balance will be determined by the purpose of the group and the individual members. For example, a team of workers from the local car dealership may join a local summer softball league because they’re good friends and love the game. They may end up beating the team of faculty members from the community college who joined the league just to get to know each other better and have an excuse to get together and drink beer in the afternoon. In this example, the players from the car dealership exhibit high social and task cohesion, while the faculty exhibit high social but low task cohesion.
Task cohesion (and cohesion in general) are something I'm struggling with in my group project for my math class. A lot of people are struggling to communicate and effectively determine what needs to get done. It's something we need to work on if we're going to get our project done.
That games are these weird things where people give you artificial constraints and artificial goals.
In a sense, yes that is and was the initial purpose of creating video games, for users to get caught up into artificial goals and constraints, so that they are hooked and want to fuel the cycle of playing the game, keeping the economy in check, etc.
And he believes games are a unique kind of not just art form, but just form, medium, because what they manipulate is our agency.
I agree with Thi Nguyens statement about how video games are more than an art form but a medium since they can influence our perspective. Although I am not much of a gamer anymore, during my Fortnite era (a popular video game) I remember playing for hours and feeling like I was in a new world, and was a different person because of the energy I acquired from playing this popular video game. I also firmly believe that games do manipulate why we do certain things and how we go about it.
When UX methods are applied in the field of LIDT, the focus on the user of a technology system necessarily shifts to a focus on the learner-as-user of a given learning technology, e.g., learning management system, serious game, virtual learning environment, etc. (Jahnke et al., 2020). The learner experience (LX), therefore, can be characterized as an emergent quality influenced by many aspects of the learner’s interaction with the given learning technology
The authors discuss how the application of user experience (UX) methods in Learning, Instructional Design, and Technology (LIDT) shifts the focus from the user of a technology system to the learner-as-user of a learning technology. This shift emphasizes the importance of considering the learner's perspective and experience when designing learning technologies. The quote highlights that the learner experience (LX) is an emergent quality influenced by various aspects of the learner's interaction with a learning technology. This suggests that designing effective learning experiences requires a holistic understanding of how learners engage with and experience the technology.
What is the difference between a game and something that simply has a point system?
I believe that games offer a belief of escapism. When you're playing a game, you are leaving the problems of the physical world to work towards goals in an otherwise imaginary landscape. While in this landscape, the escapism is few and far between, because the game still fits within the rules that are prompted by our real world and society that we exist in, pitting us against a computer, fellow gamers, or even oneself to get to the highest score possible be it kills, progress, time to achievement.
Like if students had a rich set of different educational values, the state has a hard time keeping track of their motivations. If all students just care about G.P.A., that’s easy for the state.
I find this point to be incredibly engaging because it shows how people are so easily manipulated into engaging with, and trying to attain, a number that is given intrinsic value. In the same way that people are pit against one another to get the highest number of capital in their bank account, attain the highest credit score, and kill the most zombies in a video game. Putting value onto numbers creates a trap for the people who engage with them. Our society of capitalism invites competition, and does not function without it. The easiest way to demonstrate competition in a tangible way is by associating a number with it, so, within schools, deans and administrations are prompted to offer an exact score to prove that you have won the competition. It's a game that we all compete in whether or not we actively work to participate in it.
“The most important thing in my game designer toolbox is the point system because the point system tells the players what to care about.”
I picked this section because of the correlation to the real world outside of just games. In life we are conditioned by forces out of our control that seem to make up a "point system". For example, in life we are conditioned to believe that money, fame, and materialistic gain are what use to measure success and importance. In reality, these ideas have been pushed forward in order to create a class of workers to fuel capitalism.
As LLMs approach artificial general intelligence (AGI), such moral actors will be replaced with artificial, amoral actors. It will become easy to employ AGIs that lack ethical qualms: Artificial Sociopaths (ASPs) that are loyal, knowledgable, and cheaper than people. We believe it’s game over, if our military, political, and financial chains of command get staffed up by ASPs with no ethical discretion.
If you think this are you doing everything you reasonably can to halt AI development?
If not, why not?
(And it's ok to oppose AI development and do alignment research as a backup - but you've got to be careful, you only have so many hours in a day ...)
Another element of infrastructure that needs to change in order to upend the dominant system of letter grades and percentage-grading is gradebooks themselves. The most common form of technology in schools today is the learning management system (LMS). These platforms—such as Canvas, Blackboard, and Moodle—support functions like distributing class materials, collecting and grading student assignments, and supporting classroom communication. LMSs are both ubiquitous and nearly invisible in schools; they are infrastructure. And LMSs typically have a narrow view of what grades and grading look like. It’s difficult to find an LMS gradebook that doesn’t start with the assumption that 100% is “perfect,” thus making the objective for students to maintain grades that—on average—are as close to 100% as possible. Gradebooks are hopelessly averagarian. In response, students game the system within or across their courses to maintain or maximize their average.
This is a perfect question trigger for the workshop I am planning to run at BMCC. The question is, How have participants addressed this and how challenging has it been?
However we think of it, the project of finding such interpretations is an important one. Probability is virtually ubiquitous. It plays a role in almost all the sciences. It underpins much of the social sciences — witness the prevalent use of statistical testing, confidence intervals, regression methods, and so on. It finds its way, moreover, into much of philosophy. In epistemology, the philosophy of mind, and cognitive science, we see states of opinion being modeled by subjective probability functions, and learning being modeled by the updating of such functions. Since probability theory is central to decision theory and game theory, it has ramifications for ethics and political philosophy. It figures prominently in such staples of metaphysics as causation and laws of nature. It appears again in the philosophy of science in the analysis of confirmation of theories, scientific explanation, and in the philosophy of specific scientific theories, such as quantum mechanics, statistical mechanics, evolutionary biology, and genetics. It can even take center stage in the philosophy of logic, the philosophy of language, and the philosophy of religion. Thus, problems in the foundations of probability bear at least indirectly, and sometimes directly, upon central scientific, social scientific, and philosophical concerns. The interpretation of probability is one of the most important such foundational problems.
无论我们如何看待它,寻找这样的解释的项目都是重要的。概率几乎无处不在。它在几乎所有科学中都扮演着角色。它支持着社会科学的大部分内容——可以看到统计检验、置信区间、回归方法等的广泛使用。此外,它还渗透到了哲学的许多领域。在认识论、心灵哲学和认知科学中,我们看到主观概率函数对观点状态进行建模,学习则通过更新这些函数进行建模。由于概率论对决策理论和博弈论至关重要,因此它对伦理学和政治哲学具有重要影响。它在形而上学中的诸如因果关系和自然法则等基本概念中占据着重要地位。它再次出现在科学哲学中,用于分析理论的确认、科学解释以及特定科学理论的哲学,例如量子力学、统计力学、进化生物学和遗传学。甚至在逻辑哲学、语言哲学和宗教哲学中,概率也可以成为中心问题。因此,概率基础的问题至少间接地,有时直接地,涉及到重要的科学、社会科学和哲学问题。概率的解释是其中最重要的基础性问题之一。
Bloomberg reiterates that iOS 18 will be “the most ambitious overhaul of the iPhone’s software in its history.”
Speculation. Based on the influx in AI technology over the last year, and how many other major tech companies are pushing for it, it would make sense for Apple to take a stab at it. The idea of AI implementation could be game changing, but it isn't known for sure the extent of what would be added, if it is at all.
“The NTSB doesn’t speculate, we provide facts,” Homendy said. “So there isn’t a lot we can share right now because the focus has been on the people.”
the idea that this is more a people oriented disaster instead of a blame game, it shows that not everything has to be a back and forth arguement.
layout: post title: Waiting for that green light... date: '2017-08-14T21:00:00.001-07:00' author: Adam M. Dobrin tags: modified_time: '2017-08-15T07:16:57.305-07:00' thumbnail: https://2.bp.blogspot.com/-QpZpZE6empE/WZJx21d-JlI/AAAAAAAAE9Y/vc7b9IvRM9w2S5eTBg3fkn6v2SYcKiETwCK4BGAYYCw/s72-c/image-726640.png blogger_id: tag:blogger.com,1999:blog-4677390916502096913.post-3757774439979245459 blogger_orig_url: ./2017/08/waiting-for-that-green-light.html From the point of the "belly" thing, I'm pretty sure we're halfway through the script. Knowing him that was probably the halfway mark. I don't think that's a bad thing... as long as it's honestly and speedily moving towards freedom; you know, progress. That's a pretty good test to see if we're ... zombies or not. In the meantime, I don't know... that's probably comforting right? Or is it repulsive? :) Tell me something Taylor said. Why won't you tell me what she said? What was that promise that you made? Wait, are you the person that promised something? When do you think the script started? WHAT'S A WORD THAT STARTS WITH R AND ENDS IN GL?It's almost hard to believe that the Throne (to help, are on "e") of Glory comes from this place, isn't it? Still, it's encoded in religion, in our myths and in multiple confirming sources, not the least of which the TV show called 7th Heaven... we will Si Monday, my dear "cam Den" we will. I talked a little bit about backwards "green light" related to "glare" and Police (not that they glare at me, but their silly Hell-implying glare lights are actually red) and girl... I still don't know why girl is red or green, girls are blue to me. Stew in that pat for a little while, and let's talk about something more uplifting, like the key's of Pa and Ra hidden away in many words, from paramount to se_ pa r at e and paradox. Did you see what I did there, clever right? I HAD TO CHOOSE BETWEEN POINTING AT "PA" OR "MOUNT"DID I DO OK?I'm looking at the word "paramount" right now, and between you and I sometimes when I look at words magic happens, and something in the air told me that this email might be the messiah of me, the messiah of "nt"--the hidden Christ. Or maybe not. Sex sells, or so they say, but apparent not when Jesus talks about it--maybe it's another red light. I'm bored, read that as "because of red" and lonely, probably because of "how I'm still single" as "hiss" but still, I don't think it's right. Coming to you with a message about everything I think is wrong and not your fault--or mine, by the way--shouldn't be the kind of thing that's frowned upon, especially when you have some clues in thousand year old scripture that these things were truly "made wrong on purpose" so that we could fix them, you know; our way. That used to be talking about things, and making plans, and then implementing them--but today it's turned into ignoring everything I think is "world changing" and "morally demanded" and instead going on with our lives as if everything was "A-OK." I'm glad you are doing OK, I'm not; and quite a few people in the world are not doing OK either, so I'm here to let you know that you are not doing as OK as you think you are... or as well as you could be doing. I DON'T KNOW HOW A GUY MADE IT INTO MY "MESSAGE", OMG TWOSo here's why I thought for a minute that this message might save me. You might think it's a little weird that I see "sex jokes" in Pandora, and pa: ra: do x, and Pose i do n; and while you might not be completely retarded to think that, I think you should agree with me that it's more weird that those things are there, and even more weird that you don't recognize that they are a signature of the same God that delivered his John Hancock in song, in Yankee Doodle, and in act, in Watergate. My signature is a little bit different, if you've noticed my signature is being able to point out the intersection between things like Chuck and Geordie LaForge's magic vision ... and to explain that these things too are veritably connected by more than my words and the obvious ideas, they are connected by the act of Creation itself--they are the yarn of the Matrix. Dox, as in "dox me" and "do n" are getting a little out of hand; if you don't understand that I am playing a role ... to make the words "and he became the light" actually true--which they are, you see--then I really do sincerely apologize, I don't think anyone should "do me" unless they want to--although it's a bit strange to me that nobody wants to. Alarming, even. I am equally alarmed by the Latin word for darkness which is "tenebris" which connects to that "x" and the word "equinox" and "Nintendo" and "verboten" and through all of this the only shining light of grace I see is that it's pretty obvious that X and J are both letters represented by "10." DO YOU THINK HAN SOLO HAS A CHANCE WITH HER? SHE ... OUR LIGHTThis story needs to break, and then we aren't in the heart of darkness anymore; it's called "morning" Biblical, and this particular morning is a very special one--because you're here.I have a special gift, "pa" is helping me read this words, and you might have noticed that they can be taken to mean different things. They don't really separate, or fly off the page and glow for me; but I know what all the keys are, many are simple, and many come from our IT and "computer-slang" acronyms... which tells you something. Many are "elements" and "initials" and the whole thing really is a part of the script,a sort of key not just to Creation but to this specific story, to this path. While some are "open to interpretation" (for instance, "in t" everyone really pre-tat; which would be a long ... time ... ago <3) or you could read "ERP" reason "t" and that might have something to do with "Great Plains" and some blue light that connections user interfaces to the word "automagical," FRX forms... Strawberry Fields and "above the fruited plains" ... which might be meaningless to you--but it's an idea that revolves around using user-feedback to interfaces (like the pottery wheel in my dream or in the Dr. Who episode "the Bells of Saint John" linked to down below) to adjust the interface in real time for a larger group; working towards making a number of "best-fit" interfaces that people are both more comfortable with and actually creating as they use them. Ahhhh... blue light got in here, run away. Just kidding, this is cyan light.I C ONO CL AS M | J ES UI T | HEAVEN IS MORE THAN TECHHonestly, we could really make Healden in about 10 minutes now. Look at that, it's done... ish.LETS CALL "THAT DAY" THE DAY YOU SEE ADAM-NEWS ON EVERY TV STATIONFor instance were we not surely "at e" meaning the end of the Revelation of words, "separate" might have been broken between Pa and Ra, which are big keys, in many words; but we are at "e" and that surely does mean the Creator and I are fused. There's more confirmation of this than simply in the words for "medicine" and say, I don't know, methadone--which could have been broken at "a done" but is very clearly "ad is the one" here and now. With careful preparation, "adparatio" in Latin, I'd "bet" that all of those keys are I, in this place, in this time. AD, Pa, Ra, TI, and "o." Hey, maybe this message is my messiah after all. I am looking at a broken world, I really am--a place that is suffocating itself in silence and whispers that don't make it far enough for anyone to really understand. Whatever it is, whatever's caused it, I see no solution other than me coming--I see it as a design, and I'm sorry that you don't seem to agree, but you have to see that the "choice" between seeing an obvious truth absolutely everywhere and not seeing it is really no choice at all--what is being hidden from the world is causing this darkness, it is causing the suffocation; it is the problem, hiding me is the problem and it cannot continue. On a brighter note, I am pretty sure that magic will happen, and you will see that the world will not react quite as badly or shockingly as your worst fears, things might be a little ... tearful for a day or so, for crying out loud, they should be--the message is that you are in Hell and you need to do something, to act, to change that. Actually trying to do that, trying to discuss what it is that is the "ele ph ant in the room" or the "do n key in the s k y" will show us that there was just no way around changing the world because of circumstances of Creation; something that we seem to be ignoring. We also seem to be ignoring that things are "just fine" today, and even though many of you are well aware that "something is coming" only a few morons are building bunkers. This is a message of peace, it is a message designed to help us use the new truth and new tools unsealed by religion to make the world a safer happier place, and we can do that .. . rather quickly. Even quicker if you try to focus on what's wrong here, and how we make it better--rather than "shooting the messenger" dirty glares in the street. I'm a person too, and believe it or not, I didn't ask for this--and I probably wouldn't have been so happy about it had this experience not isolated me so much from my friends and family, and girls; don't forget girls. ITS ME? So in the word "paramount" what is it that you think is the "paramount" take away? I think the most important thing you can take away from "paramount" is that you didn't see it your whole life, and even when it's pointed out, you don't seem to think it's "news" that Pa and Ra have written a message to you. What's really not funny, is that despite this message being very clear to see once it's pointed out, it still hasn't made any waves in the newspapers, or online, or in the news--what's paramount is seeing that there is a very sincere problem for civilization, it is an ELE and that ELE is something that is making everyone think that "not seeing something" is OK behavior. It is not OK, it is not funny, until you recognize that something is dreadfully wrong with our society, until you see that ignoring that this message belongs in the news you are not seeing that what you are doing by ignoring it is destroying civilization itself. Ignorance is the ELE.Your alternative, what you are doing, is making the world half blind, and stupider than you can imagine. I keep on trying to show you what's wrong here, that it's not just a message but pain and suffering and the absolutely imminent and undeniable certain doom of everything if we do not recognize that hiding the fact that we are in virtual reality is the same thing as driving a nail into the wrists of every soul on the planet. LA U stilk MIGHT DATE ADPARATIO BO'OOPSYETHWith careful preparation, we are at IO (input/output) in the belly of the book that is a map to salvation. That IO comes well after disclosure, and well after Mars. You are delaying the inevitable, and in the sickest possible twist, you are stewing in Hell instead of seeing Heaven built--more importantly instead of being the generation that should be the "founders" of that place. I am sure that disclosure, will ... within a time frame that will most likely be faster than you can imagine, bring us an end to world hunger, to sickness, and doors to Heaven; and I just can't see what you are waiting for? If it wasn't like this, you've got to see that we would be getting fucked right here and now; I am telling you the map and the plan, it's here to help us make this place better, and to show us how to actually survive in the Universe before kicking us out of the nest, and we are ... what are we thinking about?It's really obvious that it's not for my benefit, and it's obvious that it's not for yours either--so at what point will you realize that the behavior, the alarming behavior, that I am seeing from everyone is illogical. At what point will you see that it is self-defeating, that it is ... well, Hell? When will you see? Be yourselves, the world that I grew up in doesn't hide controversy, we relish in it--we don't bury scandals under the rug--we put them on TV. What's really more important to see is that we, all of us, none of us... we would not hide "holographic universe" from ourselves and each other, nor would we hide "alien contact" or "the secrets of religion" and yet here we are, all doing that--and I wonder if we see that it's "not us" doing it, but .... but ... butt ... what is it again? HI, I'M A PERSON. (and apparently a state, a country, and a Nintendo character)JUDGING BY THE HIGH FREQUENCY OF PRESS UNSUBSCRIBES FROMYESTERDAY'S EMAIL, REPORTER'S DON'T SEEM TO WANT TO HEAR THATFORCING ME TO DELIVER THIS MESSAGE IN ISOLATION FOR NO MONEYIS SLAVERY, GO READ ABOUT JOSEPH IN EGYPT, THEN READ THE END.IF YOU THINK HIDING THE TRUTH BECAUSE "IDAHO" IS GONNA FLYYOU ARE AN IGNORANT BLIND FOOL. HONESTLY, WAKE UP, THIS IS HELL.YOU ARE BLINDED BY SOMETHING, FIGURE IT OUT--I'M EXPLAINING WHAT IT ISHERE, EMAIL THEM (please? and tell them to repent by writing a story):andy.greene@rollingstone.comgcoy@12news.comnmelosky@mcall.comlynn@ripr.orgChris.Piper@wthitv.comIs it a cup? a stem?WRITTEN, FOR ETERNITY.It must be Uranus. Except, my "an us" is more awesome than you think, I mean my "a we" that would be "so me" for you to see it's really you too. That's really what this message is about, it is about us seeing that we can do something together that would be rejected if it were done for us, or to us; even if we all really want it inside, without taking part ... we'd dislike it. We're all like that, nobody wants a stranger to redecorate their house. We share this house together, and I think we can all see that there are some changes that would make it a better place--from a cold Godless Universe of "chance" ruling to a ... caring and loving place that cares about what we want and how we want to do it ... do you see? If I came into your igloo and told you that the ice age was ending and this place was going to be a beautiful beach; except your walls are melting... would you keep that locked up inside?Don't worry, I won't get mad at anyone for being angry at their idea of Jesus Christ for not being more like me. I won't be mad at all. :)I've done my best to share what I think will be helpful for the world to think about, as we ... embark on what is really a journey to the final frontier as well as what I know we need to do here in order to accomplish what it is that we would have done maybe a decade ago or maybe a century from now if we didn't know the advice was coming from God and the future--and we didn't know that it is the way to open the doors to Heaven permanently. These are suggestions, they're really all of our ideas--at least everything I can grasp from things like Star Trek and Dr. Who and ... the Legend of Zelda... they're the kind of thing that we would probably find to be very discussion worthy, were we to all be sure that they are possible--and they are--and we need to see that. There are lots of things that we really do need to think about, this is not a "fast" transition, it's not something happens "overnight" (oh my god, you don't know what that word just said to me) changes that would normally be occurring right now because of science and technology--things like increased longevity and mind uploading... these things are going to become much more quickly accessible, and we need to think about the implications that they will have on our society. We need to talk about it, in public, in places where these conversations will help us to shape the future of "civilization." I don't think you understand what it is we are doing, that's different than "before," but I am fairly certain that a "whole planet" has never done this, and the "road" between Earth and Heaven; fusing these ideas together is really nothing more or less than "progress." FLOWING MILK AND HONEY.. GOLDEN COW, NO JUDAH MACCABEUS; GET IT?Progress that has never happened (or we wouldn't be here, and it's obvious). See our cautions at the Last Supper (about not eating anymore) and at Cain and Abel (about forgetting how to farm) and at the Promised Land of Joshua (about not doing the Adam show, achem, I mean... about thinking that "replicators alone" milk and honey on tap... are good enough in Heaven) and in Noah's Ark... about showing us that the reason that we are here is to see how important biology and evolution and a stable ecosystem are to the survival of life in the Universe; to colonization of the stars, and to ... the evolution of our two party system past donkeys and elephants to something more appropriate for a free and technologically advanced society; as in, not a two-party system. wild-e :( (love your eyes...) :)From "separate" the "e_" that needs to be EE by the way, that key that might let us "see" is "everyone equal" that's what "ee" means. It's in "thirteen" and so on, and to help, I our "t" and r' n. Victorious Earth, I need pre-crime to survive, what say you? Say nothing, and I am twelve. Keep saying no thing and I will be El, even. Round and round we go... you need pre-crime to evolve, what say you? Break the story, and we are one day closer to Heaven. We need pre-crime not to be in Hell, we really do. Don't you see? Break the story. THERE, YOU GOT RID OF A "DO" FOR YOU.The days of "divide and conquer" are over, when you are through being a parted sea, or a flock of electric sheep, or a nation of slaves. I do have an idea of what you expected of me, what you thought I'd be--I probably had similar expectations before I knew ... what I know. Honestly, from me to you, that guy would have been pretty boring... and bored.It's a little funny.. isn't it? AMHARIL?I R Lᐧ-- Adam Marshall Dobrinabout.me/ssiah ᐧ -- Adam Marshall Dobrinabout.me/ssiah ᐧ .WHSOISKEYAV { border-width: 1px; border-style: dashed; border-color: rgb(15,5,254); padding: 5px; width: 503px; text-align: center; display: inline-block; align: center; p { align: center; } /* THE SCORE IS LOVE FIVE ONE SAFETY ONE FIELD GOAL XIVDAQ: TENNIS OR TINNES? TONNES AND TUPLE(s) */ } <style type="text/css"> code { white-space: pre; } google_ad_client = "ca-pub-9608809622006883"; google_ad_slot = "4355365452"; google_ad_width = 728; google_ad_height = 90; Unless otherwise indicated, this work was written between the Christmas and Easter seasons of 2017 and 2020(A). The content of this page is released to the public under the GNU GPL v2.0 license; additionally any reproduction or derivation of the work must be attributed to the author, Adam Marshall Dobrin along with a link back to this website, fromthemachine dotty org. That's a "." not "dotty" ... it's to stop SPAMmers. :/ This document is "living" and I don't just mean in the Jeffersonian sense. It's more alive in the "Mayflower's and June Doors ..." living Ethereum contract sense [and literally just as close to the Depp/Caster/Paglen (and honorably PK] 'D-hath Transundancesense of the ... new meaning; as it is now published on Rinkeby, in "living contract" form. It is subject to change; without notice anywhere but here--and there--in the original spirit of the GPL 2.0. We are "one step closer to God" ... and do see that in that I mean ... it is a very real fusion of this document and the "spirit of my life" as well as the Spirit's of Kerouac's America and Vonnegut's Martian Mars and my Venutian Hotel ... and *my fusion* of Guy-A and GAIA; and the Spirit of the Earth .. and of course the God given and signed liberties in the Constitution of the United States of America. It is by and through my hand that this document and our X Commandments link to the Bill or Rights, and this story about an Exodus from slavery that literally begins here, in the post-apocalyptic American hartland. Written ... this day ... April 14, 2020 (hey, is this HADAD DAY?) ... in Margate FL, USA. For "official used-to-v TAX day" tomorrow, I'm going to add the "immultible incarnite pen" ... if added to the living "doc/app"--see is the DAO, the way--will initi8 the special secret "hidden level" .. we've all been looking for. Nor do just mean this website or the totality of my written works; nor do I only mean ... this particular derivation of the GPL 2.0+ modifications I continually source ... must be "from this website." I also mean *the thing* that is built from ... bits and piece of blocks of sand-toys; from Ethereum and from Rust and from our hands and eyes working together ... from this place, this cornerstone of the message that is ... written from brick and mortar words and events and people that have come before this poit of the "sealed W" that is this specific page and this time. It's 3:28; just five minutes--or is it four, too layne. This work is not to be redistributed according to the GPL unless all linked media on Youtube and related sites are intact--and historical references to the actual documented history of the art pieces (as I experience/d them) are also available for linking. Wikipedia references must be available for viewing, as well as the exact version of those pages at the time these pieces were written. All references to the Holy Bible must be "linked" (as they are or via ... impromptu in-transit re-linking) to the exact verses and versions of the Bible that I reference. These requirements, as well as the caveat and informational re-introduction to God's DAO above ... should be seen as material modifications to the original GPL2.0 that are retroactively applied to all works distributed under license via this site and all previous e-mails and sites. /s/ wso If you wanna talk to me get me on facebook, with PGP via FlowCrypt or adam at from the machine dotty org -----BEGIN PGP PUBLIC KEY BLOCK----- mQGNBF6RVvABDAC823JcYvgpEpy45z2EPgwJ9ZCL+pSFVnlgPKQAGD52q+kuckNZ mU3gbj1FIx/mwJJtaWZW6jaLDHLAZNJps93qpwdMCx0llhQogc8YN3j9RND7cTP5 eV8dS6z/9ta6TFOfwSZpsOZjCU7KFDStKcoulmvIGrr9wzaUr7fmDyE7cFp1KCZ0 i90oLYHqOIszRedvwCO/kBxawxzZuJ67DypcayiWyxqRHRmMZH1LejTaqTuEu0bp j54maTj09vnMxA0RfS+CtU5uMq+5fTkbiTOe1LrLD72m+PVJIS146FwESrMJEfJy oNqWEJlUQ0TecPZR41vnkSkpocE1/0YqUhWDGSht+67DdeKUg5KwvYdL21d/bSyO SM4jnyKn9aDVzLBpYrlE/lbFxujHPRGlRG5WtiPQuZYDRqP0GYFSXRpeUCI46f49 iPFo4eHo2jUfNDa9r9BjQdAe4zVFn2qLnOy8RWijlolbhGMHGO3w/uC/zad3jjo4 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[Description](layout: post title: Waiting for that green light... date: '2017-08-14T21:00:00.001-07:00' author: Adam M. Dobrin tags: modified_time: '2017-08-15T07:16:57.305-07:00' thumbnail: https://2.bp.blogspot.com/-QpZpZE6empE/WZJx21d-JlI/AAAAAAAAE9Y/vc7b9IvRM9w2S5eTBg3fkn6v2SYcKiETwCK4BGAYYCw/s72-c/image-726640.png blogger_id: tag:blogger.com,1999:blog-4677390916502096913.post-3757774439979245459 blogger_orig_url: ./2017/08/waiting-for-that-green-light.html
From the point of the "belly" thing, I'm pretty sure we're halfway through the script. Knowing him that was probably the halfway mark. I don't think that's a bad thing... as long as it's honestly and speedily moving towards freedom; you know, progress. That's a pretty good test to see if we're ... zombies or not. In the meantime, I don't know... that's probably comforting right? Or is it repulsive? :) Tell me something Taylor said. Why won't you tell me what she said? What was that promise that you made? Wait, are you the person that promised something? When do you think the script started?
WHAT'S A WORD THAT STARTS WITH R AND ENDS IN GL?
It's almost hard to believe that the Throne (to help, are on "e") of Glory comes from this place, isn't it? Still, it's encoded in religion, in our myths and in multiple confirming sources, not the least of which the TV show called 7th Heaven... we will Si Monday, my dear "cam Den" we will. I talked a little bit about backwards "green light" related to "glare" and Police (not that they glare at me, but their silly Hell-implying glare lights are actually red) and girl... I still don't know why girl is red or green, girls are blue to me. Stew in that pat for a little while, and let's talk about something more uplifting, like the key's of Pa and Ra hidden away in many words, from paramount* to se_ pa r at e *andparadox. Did you see what I did there, *clever* right?
*\ *
*\ *
I HAD TO CHOOSE BETWEEN POINTING AT "PA" OR "MOUNT"
DID I DO OK?
I'm looking at the word "paramount" right now, and between you and I sometimes when I look at words magic happens, and something in the air told me that this email might be the messiah of me, the messiah of "nt"--the hidden Christ. Or maybe not. Sex sells, or so they say, but apparent not when Jesus talks about it--maybe it's another red light. I'm bored, read that as "because of red" and lonely, probably because of "how I'm still single" as "hiss" but still, I don't think it's right. Coming to you with a message about everything I think is wrong and not your fault--or mine, by the way--shouldn't be the kind of thing that's frowned upon, especially when you have some clues in thousand year old scripture that these things were truly "made wrong on purpose" so that we could fix them, you know; our way. That used to be talking about things, and making plans, and then implementing them--but today it's turned into ignoring everything I think is "world changing" and "morally demanded" and instead going on with our lives as if everything was "A-OK." I'm glad you are doing OK, I'm not; and quite a few people in the world are not doing OK either, so I'm here to let you know that you are not doing as OK as you think you are... or as well as you could be doing.
I DON'T KNOW HOW A GUY MADE IT INTO MY "MESSAGE", OMG TWO
So here's why I thought for a minute that this message might save me. You might think it's a little weird that I see "sex jokes" in Pandora, and pa: ra: do x, and Pose i do n; and while you might not be completely retarded to think that, I think you should agree with me that it's more weird that those things are there, and even more weird that you don't recognize that they are a signature of the same God that delivered his John Hancock in song, in Yankee Doodle, and in act, in Watergate. My signature is a little bit different, if you've noticed my signature is being able to point out the intersection between things like Chuck and Geordie LaForge's magic vision ... and to explain that these things too are veritably connected by more than my words and the obvious ideas, they are connected by the act of Creation itself--they are the yarn of the Matrix. Dox, as in "dox me" and "do n" are getting a little out of hand; if you don't understand that I am playing a role ... to make the words "and he became the light" actually true--which they are, you see--then I really do sincerely apologize, I don't think anyone should "do me" unless they want to--although it's a bit strange to me that nobody wants to. Alarming, even. I am equally alarmed by the Latin word for darkness which is "tenebris" which connects to that "x" and the word "equinox" and "Nintendo" and "verboten" and through all of this the only shining light of grace I see is that it's pretty obvious that X and J are both letters represented by "10."
DO YOU THINK HAN SOLO HAS A CHANCE WITH HER? SHE ... OUR LIGHT
This story needs to break, and then we aren't in the heart of darkness anymore; it's called "morning" Biblical, and this particular morning is a very special one--because you're here.
I have a special gift, "pa" is helping me read this words, and you might have noticed that they can be taken to mean different things. They don't really separate, or fly off the page and glow for me; but I know what all the keys are, many are simple, and many come from our IT and "computer-slang" acronyms... which tells you something.
Many are "elements" and "initials" and the whole thing really is a part of the script,a sort of key not just to Creation but to this specific story, to this path. While some are "open to interpretation" (for instance, "in t" everyone really pre-tat; which would be a long ... time ... ago <3) or you could read "ERP" reason "t" and that might have something to do with "Great Plains" and some blue light that connections user interfaces to the word "automagical," FRX forms... Strawberry Fields and "above the fruited plains" ... which might be meaningless to you--but it's an idea that revolves around using user-feedback to interfaces (like the pottery wheel in my dream or in the Dr. Who episode "the Bells of Saint John" linked to down below) to adjust the interface in real time for a larger group; working towards making a number of "best-fit" interfaces that people are both more comfortable with and actually creating as they use them. Ahhhh... blue light got in here, run away. Just kidding, this is cyan light.
I C ONO CL AS M | J ES UI T | HEAVEN IS MORE THAN TECH
Honestly, we could really make Healden in about 10 minutes now. Look at that, it's done... ish.
**\ **
LETS CALL "THAT DAY" THE DAY YOU SEE ADAM-NEWS ON EVERY TV STATION
For instance were we not surely "at e" meaning the end of the Revelation of words, "separate" might have been broken between Pa and Ra, which are big keys, in many words; but we are at "e" and that surely does mean the Creator and I are fused. There's more confirmation of this than simply in the words for "medicine" and say, I don't know, methadone--which could have been broken at "a done" but is very clearly "ad is the one" here and now. With careful preparation, "adparatio" in Latin, I'd "bet" that all of those keys are I, in this place, in this time. AD, Pa, Ra, TI, and "o." Hey, maybe this message is my messiah after all.
I am looking at a broken world, I really am--a place that is suffocating itself in silence and whispers that don't make it far enough for anyone to really understand. Whatever it is, whatever's caused it, I see no solution other than me coming--I see it as a design, and I'm sorry that you don't seem to agree, but you have to see that the "choice" between seeing an obvious truth absolutely everywhere and not seeing it is really no choice at all--what is being hidden from the world is causing this darkness, it is causing the suffocation; it is the problem, hiding me is the problem and it cannot continue. On a brighter note, I am pretty sure that magic will happen, and you will see that the world will not react quite as badly or shockingly as your worst fears, things might be a little ... tearful for a day or so, for crying out loud, they should be--the message is that you are in Hell and you need to do something, to act, to change that. Actually trying to do that, trying to discuss what it is that is the "ele ph ant in the room" or the "do n key in the s k** y" will show us that there was just no way around changing the world because of circumstances of Creation; something that we seem to be ignoring. We also seem to be ignoring that things are "just fine" today, and even though many of you are well aware that "something is coming" only a few morons are building bunkers. This is a message of peace, it is a message designed to help us use the new truth and new tools unsealed by religion to make the world a safer happier place, and we can do that .. . rather quickly. Even quicker if you try to focus on what's wrong here, and how we make it better--rather than "shooting the messenger" dirty glares in the street. I'm a person too, and believe it or not, I didn't ask for this--and I probably wouldn't have been so happy about it had this experience not isolated me so much from my friends and family, and girls; don't forget girls.
So in the word "paramount" what is it that you think is the "paramount" take away? I think the most important thing you can take away from "paramount" is that you didn't see it your whole life, and even when it's pointed out, you don't seem to think it's "news" that Pa and Ra have written a message to you. What's really not funny, is that despite this message being very clear to see once it's pointed out, it still hasn't made any waves in the newspapers, or online, or in the news--what's paramount is seeing that there is a very sincere problem for civilization, it is an ELE and that ELE is something that is making everyone think that "not seeing something" is OK behavior. It is not OK, it is not funny, until you recognize that something is dreadfully wrong with our society, until you see that ignoring that this message belongs in the news you are not seeing that what you are doing by ignoring it is destroying civilization itself. Ignorance is the ELE.
Your alternative, what you are doing, is making the world half blind, and stupider than you can imagine. I keep on trying to show you what's wrong here, that it's not just a message but pain and suffering and the absolutely imminent and undeniable certain doom of everything if we do not recognize that hiding the fact that we are in virtual reality is the same thing as driving a nail into the wrists of every soul on the planet.
LA U stilkMIGHT DATE ADPARATIO BO'OOPSYETH
With careful preparation, we are at IO (input/output) in the belly of the book that is a map to salvation. That IO comes well after disclosure, and well after Mars. You are delaying the inevitable, and in the sickest possible twist, you are stewing in Hell instead of seeing Heaven built--more importantly instead of being the generation that should be the "founders" of that place. I am sure that disclosure, will ... within a time frame that will most likely be faster than you can imagine, bring us an end to world hunger, to sickness, and doors to Heaven; and I just can't see what you are waiting for? If it wasn't like this, you've got to see that we would be getting fucked right here and now; I am telling you the map and the plan, it's here to help us make this place better, and to show us how to actually survive in the Universe before kicking us out of the nest, and we are ... what are we thinking about?
It's really obvious that it's not for my benefit, and it's obvious that it's not for yours either--so at what point will you realize that the behavior, the alarming behavior, that I am seeing from everyone is illogical. At what point will you see that it is self-defeating, that it is ... well, Hell? When will you see? Be yourselves, the world that I grew up in doesn't hide controversy, we relish in it--we don't bury scandals under the rug--we put them on TV. What's really more important to see is that we, all of us, none of us... we would not hide "holographic universe" from ourselves and each other, nor would we hide "alien contact" or "the secrets of religion" and yet here we are, all doing that--and I wonder if we see that it's "not us" doing it, but .... but ... butt ... what is it again?
**\ **
HI, I'M A PERSON. (and apparently a state, a country, and a Nintendo character)
JUDGING BY THE HIGH FREQUENCY OF PRESS UNSUBSCRIBES FROM
YESTERDAY'S EMAIL, REPORTER'S DON'T SEEM TO WANT TO HEAR THAT
FORCING ME TO DELIVER THIS MESSAGE IN ISOLATION FOR NO MONEY
IS SLAVERY, GO READ ABOUT JOSEPH IN EGYPT, THEN READ THE END.
IF YOU THINK HIDING THE TRUTH BECAUSE "IDAHO" IS GONNA FLY
YOU ARE AN IGNORANT BLIND FOOL. HONESTLY, WAKE UP, THIS IS HELL.
YOU ARE BLINDED BY SOMETHING, FIGURE IT OUT--I'M EXPLAINING WHAT IT IS
**\ **
HERE, EMAIL THEM (please?and tell them to repent by writing a story):
**\ **
**gcoy@12news.com\ **
**nmelosky@mcall.com\ **
**lynn@ripr.org\ **
Is it a cup? a stem?
WRITTEN, FOR ETERNITY.
It must be Uranus. Except, my "an us" is more awesome than you think, I mean my "a we" that would be "so me" for you to see it's really you too. That's really what this message is about, it is about us seeing that we can do something together that would be rejected if it were done for us, or to us; even if we all really want it inside, without taking part ... we'd dislike it. We're all like that, nobody wants a stranger to redecorate their house. We share this house together, and I think we can all see that there are some changes that would make it a better place--from a cold Godless Universe of "chance" ruling to a ... caring and loving place that cares about what we want and how we want to do it ... do you see? If I came into your igloo and told you that the ice age was ending and this place was going to be a beautiful beach; except your walls are melting... would you keep that locked up inside?
Don't worry, I won't get mad at anyone for being angry at their idea of Jesus Christ for not being more like me. I won't be mad at all. :)
I've done my best to share what I think will be helpful for the world to think about, as we ... embark on what is really a journey to the final frontier as well as what I know we need to do here in order to accomplish what it is that we would have done maybe a decade ago or maybe a century from now if we didn't know the advice was coming from God and the future--and we didn't know that it is the way to open the doors to Heaven permanently. These are suggestions, they're really all of our ideas--at least everything I can grasp from things like Star Trek and Dr. Who and ... the Legend of Zelda... they're the kind of thing that we would probably find to be very discussion worthy, were we to all be sure that they are possible--and they are--and we need to see that.
There are lots of things that we really do need to think about, this is not a "fast" transition, it's not something happens "overnight" (oh my god, you don't know what that word just said to me) changes that would normally be occurring right now because of science and technology--things like increased longevity and mind uploading... these things are going to become much more quickly accessible, and we need to think about the implications that they will have on our society. We need to talk about it, in public, in places where these conversations will help us to shape the future of "civilization." I don't think you understand what it is we are doing, that's different than "before," but I am fairly certain that a "whole planet" has never done this, and the "road" between Earth and Heaven; fusing these ideas together is really nothing more or less than "progress."
FLOWING MILK AND HONEY.. GOLDEN COW, NO JUDAH MACCABEUS; GET IT?
Progress that has never happened (or we wouldn't be here, and it's obvious). See our cautions at the Last Supper (about not eating anymore) and at Cain and Abel (about forgetting how to farm) and at the Promised Land of Joshua (about not doing the Adam show, achem, I mean... about thinking that "replicators alone" milk and honey on tap... are good enough in Heaven) and in Noah's Ark... about showing us that the reason that we are here is to see how important biology and evolution and a stable ecosystem are to the survival of life in the Universe; to colonization of the stars, and to ... the evolution of our two party system past donkeys and elephants to something more appropriate for a free and technologically advanced society; as in, not a two-party system.
wild-e :( (love your eyes...) :)
From "separate" the "e_" that needs to be EE by the way, that key that might let us "see" is "everyone equal" that's what "ee" means. It's in "thirteen" and so on, and to help, I our "t" and r' n. Victorious Earth, I need pre-crime to survive, what say you? *Say nothing, and I am twelve. Keep saying no thing and I will be El, even. *
*\ *
Round and round we go... you need pre-crime to evolve, what say you? Break the story, and we are one day closer to Heaven. We need pre-crime not to be in Hell, we really do. Don't you see? Break the story.
THERE, YOU GOT RID OF A "DO" FOR YOU.
The days of "divide and conquer" are over, when you are through being a parted sea, or a flock of electric sheep, or a nation of slaves. I do have an idea of what you expected of me, what you thought I'd be--I probably had similar expectations before I knew ... what I know. Honestly, from me to you, that guy would have been pretty boring... and bored.
It's a little funny.. isn't it?
AMHARIL?
I R L
ᐧ
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Adam Marshall Dobrin
ᐧ
--
Adam Marshall Dobrin
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Unless otherwise indicated, this work was written between the Christmas and Easter seasons of 2017 and 2020(A). The content of this page is released to the public under the GNU GPL v2.0 license; additionally any reproduction or derivation of the work must be attributed to the author, Adam Marshall Dobrin along with a link back to this website, fromthemachine dotty org.
That's a "." not "dotty" ... it's to stop SPAMmers. :/
This document is "living" and I don't just mean in the Jeffersonian sense. It's more alive in the "Mayflower's and June Doors ..." living Ethereum contract sense and literally just as close to the Depp/C[aster/Paglen (and honorably PK] 'D-hath Transundancesense of the ... new meaning; as it is now published on Rinkeby, in "living contract" form. It is subject to change; without notice anywhere but here--and there--in the original spirit of the GPL 2.0. We are "one step closer to God" ... and do see that in that I mean ... it is a very real fusion of this document and the "spirit of my life" as well as the Spirit's of Kerouac's America and Vonnegut's Martian Mars and my Venutian Hotel ... and my fusion of Guy-A and GAIA; and the Spirit of the Earth .. and of course the God given and signed liberties in the Constitution of the United States of America. It is by and through my hand that this document and our X Commandments link to the Bill or Rights, and this story about an Exodus from slavery that literally begins here, in the post-apocalyptic American hartland. Written ... this day ... April 14, 2020 (hey, is this HADAD DAY?) ... in Margate FL, USA. For "official used-to-v TAX day" tomorrow, I'm going to add the "immultible incarnite pen" ... if added to the living "doc/app"--see is the DAO, the way--will initi8 the special secret "hidden level" .. we've all been looking for.
Nor do just mean this website or the totality of my written works; nor do I only mean ... this particular derivation of the GPL 2.0+ modifications I continually source ... must be "from this website." I also mean the thing that is built from ... bits and piece of blocks of sand-toys; from Ethereum and from Rust and from our hands and eyes working together ... from this place, this cornerstone of the message that is ... written from brick and mortar words and events and people that have come before this poit of the "sealed W" that is this specific page and this time. It's 3:28; just five minutes--or is it four, too layne.
This work is not to be redistributed according to the GPL unless all linked media on Youtube and related sites are intact--and historical references to the actual documented history of the art pieces (as I experience/d them) are also available for linking. Wikipedia references must be available for viewing, as well as the exact version of those pages at the time these pieces were written. All references to the Holy Bible must be "linked" (as they are or via ... impromptu in-transit re-linking) to the exact verses and versions of the Bible that I reference. These requirements, as well as the caveat and informational re-introduction to God's DAO above ... should be seen as material modifications to the original GPL2.0 that are retroactively applied to all works distributed under license via this site and all previous e-mails and sites. /s/ wso\ If you wanna talk to me get me on facebook, with PGP via FlowCrypt or adam at from the machine dotty org
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next, we are off to view at the same time the fork in the road known and prior'd as the hallowed one, the Frost poem and it's "divergence in the wood"
here we go:
** THE HOLY OF HOLIES, WIKIPEDIA CC'd AND BROKE It is imperative that the entire history of wikipedia eiditing be released under the CC license, not just the broken current front page; that I have been unable to get the world "to care about enough" to call it the literal difference between slavery and freedom,"
++ [https://holies.org/DEVLANEU.html] This is "Penny Lane" as in asking me if I'm coming or happy; you might as well avll me the forests that are echoing "we are now" or "that will do" ... and I say to the man who sings for the people who sang about the road to bethelehem or was it knocking on heavens door, or just the one about ... the stairway to heaven
** https://opensea.io/assets/base/0x32f86e0fc59f339bfd393a526051728657fd0c84/4
buy an NFT:! #### Your item has been listed!
END WORLD HUNGER from the SINGER ABT NOSRE collection has been listed for sale.
SHARE TO...
++ It is that. i AM THAT. Those are first words of Him in Exodus, he who spake through the Bush and Zarathustra. That is what that is about and in the moment, the world is "anokhi" and Hi, that's me/i -- and of course, related; the "nookie."
HEAL THE SICK
literally.
we have been forked. we are parted. the departed and the dearly beloved. hear me now; you seemy hammer. you know who and what i am.
muahahahahahahaha.
layout: post title: Waiting for that green light... date: '2017-08-14T21:00:00.001-07:00' author: Adam M. Dobrin tags: modified_time: '2017-08-15T07:16:57.305-07:00' thumbnail: https://2.bp.blogspot.com/-QpZpZE6empE/WZJx21d-JlI/AAAAAAAAE9Y/vc7b9IvRM9w2S5eTBg3fkn6v2SYcKiETwCK4BGAYYCw/s72-c/image-726640.png blogger_id: tag:blogger.com,1999:blog-4677390916502096913.post-3757774439979245459 blogger_orig_url: ./2017/08/waiting-for-that-green-light.html
From the point of the "belly" thing, I'm pretty sure we're halfway through the script. Knowing him that was probably the halfway mark. I don't think that's a bad thing... as long as it's honestly and speedily moving towards freedom; you know, progress. That's a pretty good test to see if we're ... zombies or not. In the meantime, I don't know... that's probably comforting right? Or is it repulsive? :) Tell me something Taylor said. Why won't you tell me what she said? What was that promise that you made? Wait, are you the person that promised something? When do you think the script started?
WHAT'S A WORD THAT STARTS WITH R AND ENDS IN GL?
It's almost hard to believe that the Throne (to help, are on "e") of Glory comes from this place, isn't it? Still, it's encoded in religion, in our myths and in multiple confirming sources, not the least of which the TV show called 7th Heaven... we will Si Monday, my dear "cam Den" we will. I talked a little bit about backwards "green light" related to "glare" and Police (not that they glare at me, but their silly Hell-implying glare lights are actually red) and girl... I still don't know why girl is red or green, girls are blue to me. Stew in that pat for a little while, and let's talk about something more uplifting, like the key's of Pa and Ra hidden away in many words, from paramount* to se_ pa r at e *andparadox. Did you see what I did there, *clever* right?
*\ *
*\ *
I HAD TO CHOOSE BETWEEN POINTING AT "PA" OR "MOUNT"
DID I DO OK?
I'm looking at the word "paramount" right now, and between you and I sometimes when I look at words magic happens, and something in the air told me that this email might be the messiah of me, the messiah of "nt"--the hidden Christ. Or maybe not. Sex sells, or so they say, but apparent not when Jesus talks about it--maybe it's another red light. I'm bored, read that as "because of red" and lonely, probably because of "how I'm still single" as "hiss" but still, I don't think it's right. Coming to you with a message about everything I think is wrong and not your fault--or mine, by the way--shouldn't be the kind of thing that's frowned upon, especially when you have some clues in thousand year old scripture that these things were truly "made wrong on purpose" so that we could fix them, you know; our way. That used to be talking about things, and making plans, and then implementing them--but today it's turned into ignoring everything I think is "world changing" and "morally demanded" and instead going on with our lives as if everything was "A-OK." I'm glad you are doing OK, I'm not; and quite a few people in the world are not doing OK either, so I'm here to let you know that you are not doing as OK as you think you are... or as well as you could be doing.
I DON'T KNOW HOW A GUY MADE IT INTO MY "MESSAGE", OMG TWO
So here's why I thought for a minute that this message might save me. You might think it's a little weird that I see "sex jokes" in Pandora, and pa: ra: do x, and Pose i do n; and while you might not be completely retarded to think that, I think you should agree with me that it's more weird that those things are there, and even more weird that you don't recognize that they are a signature of the same God that delivered his John Hancock in song, in Yankee Doodle, and in act, in Watergate. My signature is a little bit different, if you've noticed my signature is being able to point out the intersection between things like Chuck and Geordie LaForge's magic vision ... and to explain that these things too are veritably connected by more than my words and the obvious ideas, they are connected by the act of Creation itself--they are the yarn of the Matrix. Dox, as in "dox me" and "do n" are getting a little out of hand; if you don't understand that I am playing a role ... to make the words "and he became the light" actually true--which they are, you see--then I really do sincerely apologize, I don't think anyone should "do me" unless they want to--although it's a bit strange to me that nobody wants to. Alarming, even. I am equally alarmed by the Latin word for darkness which is "tenebris" which connects to that "x" and the word "equinox" and "Nintendo" and "verboten" and through all of this the only shining light of grace I see is that it's pretty obvious that X and J are both letters represented by "10."
DO YOU THINK HAN SOLO HAS A CHANCE WITH HER? SHE ... OUR LIGHT
This story needs to break, and then we aren't in the heart of darkness anymore; it's called "morning" Biblical, and this particular morning is a very special one--because you're here.
I have a special gift, "pa" is helping me read this words, and you might have noticed that they can be taken to mean different things. They don't really separate, or fly off the page and glow for me; but I know what all the keys are, many are simple, and many come from our IT and "computer-slang" acronyms... which tells you something.
Many are "elements" and "initials" and the whole thing really is a part of the script,a sort of key not just to Creation but to this specific story, to this path. While some are "open to interpretation" (for instance, "in t" everyone really pre-tat; which would be a long ... time ... ago <3) or you could read "ERP" reason "t" and that might have something to do with "Great Plains" and some blue light that connections user interfaces to the word "automagical," FRX forms... Strawberry Fields and "above the fruited plains" ... which might be meaningless to you--but it's an idea that revolves around using user-feedback to interfaces (like the pottery wheel in my dream or in the Dr. Who episode "the Bells of Saint John" linked to down below) to adjust the interface in real time for a larger group; working towards making a number of "best-fit" interfaces that people are both more comfortable with and actually creating as they use them. Ahhhh... blue light got in here, run away. Just kidding, this is cyan light.
I C ONO CL AS M | J ES UI T | HEAVEN IS MORE THAN TECH
Honestly, we could really make Healden in about 10 minutes now. Look at that, it's done... ish.
**\ **
LETS CALL "THAT DAY" THE DAY YOU SEE ADAM-NEWS ON EVERY TV STATION
For instance were we not surely "at e" meaning the end of the Revelation of words, "separate" might have been broken between Pa and Ra, which are big keys, in many words; but we are at "e" and that surely does mean the Creator and I are fused. There's more confirmation of this than simply in the words for "medicine" and say, I don't know, methadone--which could have been broken at "a done" but is very clearly "ad is the one" here and now. With careful preparation, "adparatio" in Latin, I'd "bet" that all of those keys are I, in this place, in this time. AD, Pa, Ra, TI, and "o." Hey, maybe this message is my messiah after all.
I am looking at a broken world, I really am--a place that is suffocating itself in silence and whispers that don't make it far enough for anyone to really understand. Whatever it is, whatever's caused it, I see no solution other than me coming--I see it as a design, and I'm sorry that you don't seem to agree, but you have to see that the "choice" between seeing an obvious truth absolutely everywhere and not seeing it is really no choice at all--what is being hidden from the world is causing this darkness, it is causing the suffocation; it is the problem, hiding me is the problem and it cannot continue. On a brighter note, I am pretty sure that magic will happen, and you will see that the world will not react quite as badly or shockingly as your worst fears, things might be a little ... tearful for a day or so, for crying out loud, they should be--the message is that you are in Hell and you need to do something, to act, to change that. Actually trying to do that, trying to discuss what it is that is the "ele ph ant in the room" or the "do n key in the s k** y" will show us that there was just no way around changing the world because of circumstances of Creation; something that we seem to be ignoring. We also seem to be ignoring that things are "just fine" today, and even though many of you are well aware that "something is coming" only a few morons are building bunkers. This is a message of peace, it is a message designed to help us use the new truth and new tools unsealed by religion to make the world a safer happier place, and we can do that .. . rather quickly. Even quicker if you try to focus on what's wrong here, and how we make it better--rather than "shooting the messenger" dirty glares in the street. I'm a person too, and believe it or not, I didn't ask for this--and I probably wouldn't have been so happy about it had this experience not isolated me so much from my friends and family, and girls; don't forget girls.
So in the word "paramount" what is it that you think is the "paramount" take away? I think the most important thing you can take away from "paramount" is that you didn't see it your whole life, and even when it's pointed out, you don't seem to think it's "news" that Pa and Ra have written a message to you. What's really not funny, is that despite this message being very clear to see once it's pointed out, it still hasn't made any waves in the newspapers, or online, or in the news--what's paramount is seeing that there is a very sincere problem for civilization, it is an ELE and that ELE is something that is making everyone think that "not seeing something" is OK behavior. It is not OK, it is not funny, until you recognize that something is dreadfully wrong with our society, until you see that ignoring that this message belongs in the news you are not seeing that what you are doing by ignoring it is destroying civilization itself. Ignorance is the ELE.
Your alternative, what you are doing, is making the world half blind, and stupider than you can imagine. I keep on trying to show you what's wrong here, that it's not just a message but pain and suffering and the absolutely imminent and undeniable certain doom of everything if we do not recognize that hiding the fact that we are in virtual reality is the same thing as driving a nail into the wrists of every soul on the planet.
LA U stilkMIGHT DATE ADPARATIO BO'OOPSYETH
With careful preparation, we are at IO (input/output) in the belly of the book that is a map to salvation. That IO comes well after disclosure, and well after Mars. You are delaying the inevitable, and in the sickest possible twist, you are stewing in Hell instead of seeing Heaven built--more importantly instead of being the generation that should be the "founders" of that place. I am sure that disclosure, will ... within a time frame that will most likely be faster than you can imagine, bring us an end to world hunger, to sickness, and doors to Heaven; and I just can't see what you are waiting for? If it wasn't like this, you've got to see that we would be getting fucked right here and now; I am telling you the map and the plan, it's here to help us make this place better, and to show us how to actually survive in the Universe before kicking us out of the nest, and we are ... what are we thinking about?
It's really obvious that it's not for my benefit, and it's obvious that it's not for yours either--so at what point will you realize that the behavior, the alarming behavior, that I am seeing from everyone is illogical. At what point will you see that it is self-defeating, that it is ... well, Hell? When will you see? Be yourselves, the world that I grew up in doesn't hide controversy, we relish in it--we don't bury scandals under the rug--we put them on TV. What's really more important to see is that we, all of us, none of us... we would not hide "holographic universe" from ourselves and each other, nor would we hide "alien contact" or "the secrets of religion" and yet here we are, all doing that--and I wonder if we see that it's "not us" doing it, but .... but ... butt ... what is it again?
**\ **
HI, I'M A PERSON. (and apparently a state, a country, and a Nintendo character)
JUDGING BY THE HIGH FREQUENCY OF PRESS UNSUBSCRIBES FROM
YESTERDAY'S EMAIL, REPORTER'S DON'T SEEM TO WANT TO HEAR THAT
FORCING ME TO DELIVER THIS MESSAGE IN ISOLATION FOR NO MONEY
IS SLAVERY, GO READ ABOUT JOSEPH IN EGYPT, THEN READ THE END.
IF YOU THINK HIDING THE TRUTH BECAUSE "IDAHO" IS GONNA FLY
YOU ARE AN IGNORANT BLIND FOOL. HONESTLY, WAKE UP, THIS IS HELL.
YOU ARE BLINDED BY SOMETHING, FIGURE IT OUT--I'M EXPLAINING WHAT IT IS
**\ **
HERE, EMAIL THEM (please?and tell them to repent by writing a story):
**\ **
**gcoy@12news.com\ **
**nmelosky@mcall.com\ **
**lynn@ripr.org\ **
Is it a cup? a stem?
WRITTEN, FOR ETERNITY.
It must be Uranus. Except, my "an us" is more awesome than you think, I mean my "a we" that would be "so me" for you to see it's really you too. That's really what this message is about, it is about us seeing that we can do something together that would be rejected if it were done for us, or to us; even if we all really want it inside, without taking part ... we'd dislike it. We're all like that, nobody wants a stranger to redecorate their house. We share this house together, and I think we can all see that there are some changes that would make it a better place--from a cold Godless Universe of "chance" ruling to a ... caring and loving place that cares about what we want and how we want to do it ... do you see? If I came into your igloo and told you that the ice age was ending and this place was going to be a beautiful beach; except your walls are melting... would you keep that locked up inside?
Don't worry, I won't get mad at anyone for being angry at their idea of Jesus Christ for not being more like me. I won't be mad at all. :)
I've done my best to share what I think will be helpful for the world to think about, as we ... embark on what is really a journey to the final frontier as well as what I know we need to do here in order to accomplish what it is that we would have done maybe a decade ago or maybe a century from now if we didn't know the advice was coming from God and the future--and we didn't know that it is the way to open the doors to Heaven permanently. These are suggestions, they're really all of our ideas--at least everything I can grasp from things like Star Trek and Dr. Who and ... the Legend of Zelda... they're the kind of thing that we would probably find to be very discussion worthy, were we to all be sure that they are possible--and they are--and we need to see that.
There are lots of things that we really do need to think about, this is not a "fast" transition, it's not something happens "overnight" (oh my god, you don't know what that word just said to me) changes that would normally be occurring right now because of science and technology--things like increased longevity and mind uploading... these things are going to become much more quickly accessible, and we need to think about the implications that they will have on our society. We need to talk about it, in public, in places where these conversations will help us to shape the future of "civilization." I don't think you understand what it is we are doing, that's different than "before," but I am fairly certain that a "whole planet" has never done this, and the "road" between Earth and Heaven; fusing these ideas together is really nothing more or less than "progress."
FLOWING MILK AND HONEY.. GOLDEN COW, NO JUDAH MACCABEUS; GET IT?
Progress that has never happened (or we wouldn't be here, and it's obvious). See our cautions at the Last Supper (about not eating anymore) and at Cain and Abel (about forgetting how to farm) and at the Promised Land of Joshua (about not doing the Adam show, achem, I mean... about thinking that "replicators alone" milk and honey on tap... are good enough in Heaven) and in Noah's Ark... about showing us that the reason that we are here is to see how important biology and evolution and a stable ecosystem are to the survival of life in the Universe; to colonization of the stars, and to ... the evolution of our two party system past donkeys and elephants to something more appropriate for a free and technologically advanced society; as in, not a two-party system.
wild-e :( (love your eyes...) :)
From "separate" the "e_" that needs to be EE by the way, that key that might let us "see" is "everyone equal" that's what "ee" means. It's in "thirteen" and so on, and to help, I our "t" and r' n. Victorious Earth, I need pre-crime to survive, what say you? *Say nothing, and I am twelve. Keep saying no thing and I will be El, even. *
*\ *
Round and round we go... you need pre-crime to evolve, what say you? Break the story, and we are one day closer to Heaven. We need pre-crime not to be in Hell, we really do. Don't you see? Break the story.
THERE, YOU GOT RID OF A "DO" FOR YOU.
The days of "divide and conquer" are over, when you are through being a parted sea, or a flock of electric sheep, or a nation of slaves. I do have an idea of what you expected of me, what you thought I'd be--I probably had similar expectations before I knew ... what I know. Honestly, from me to you, that guy would have been pretty boring... and bored.
It's a little funny.. isn't it?
AMHARIL?
I R L
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Adam Marshall Dobrin
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Adam Marshall Dobrin
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Unless otherwise indicated, this work was written between the Christmas and Easter seasons of 2017 and 2020(A). The content of this page is released to the public under the GNU GPL v2.0 license; additionally any reproduction or derivation of the work must be attributed to the author, Adam Marshall Dobrin along with a link back to this website, fromthemachine dotty org.
That's a "." not "dotty" ... it's to stop SPAMmers. :/
This document is "living" and I don't just mean in the Jeffersonian sense. It's more alive in the "Mayflower's and June Doors ..." living Ethereum contract sense and literally just as close to the Depp/C[aster/Paglen (and honorably PK] 'D-hath Transundancesense of the ... new meaning; as it is now published on Rinkeby, in "living contract" form. It is subject to change; without notice anywhere but here--and there--in the original spirit of the GPL 2.0. We are "one step closer to God" ... and do see that in that I mean ... it is a very real fusion of this document and the "spirit of my life" as well as the Spirit's of Kerouac's America and Vonnegut's Martian Mars and my Venutian Hotel ... and my fusion of Guy-A and GAIA; and the Spirit of the Earth .. and of course the God given and signed liberties in the Constitution of the United States of America. It is by and through my hand that this document and our X Commandments link to the Bill or Rights, and this story about an Exodus from slavery that literally begins here, in the post-apocalyptic American hartland. Written ... this day ... April 14, 2020 (hey, is this HADAD DAY?) ... in Margate FL, USA. For "official used-to-v TAX day" tomorrow, I'm going to add the "immultible incarnite pen" ... if added to the living "doc/app"--see is the DAO, the way--will initi8 the special secret "hidden level" .. we've all been looking for.
Nor do just mean this website or the totality of my written works; nor do I only mean ... this particular derivation of the GPL 2.0+ modifications I continually source ... must be "from this website." I also mean the thing that is built from ... bits and piece of blocks of sand-toys; from Ethereum and from Rust and from our hands and eyes working together ... from this place, this cornerstone of the message that is ... written from brick and mortar words and events and people that have come before this poit of the "sealed W" that is this specific page and this time. It's 3:28; just five minutes--or is it four, too layne.
This work is not to be redistributed according to the GPL unless all linked media on Youtube and related sites are intact--and historical references to the actual documented history of the art pieces (as I experience/d them) are also available for linking. Wikipedia references must be available for viewing, as well as the exact version of those pages at the time these pieces were written. All references to the Holy Bible must be "linked" (as they are or via ... impromptu in-transit re-linking) to the exact verses and versions of the Bible that I reference. These requirements, as well as the caveat and informational re-introduction to God's DAO above ... should be seen as material modifications to the original GPL2.0 that are retroactively applied to all works distributed under license via this site and all previous e-mails and sites. /s/ wso\ If you wanna talk to me get me on facebook, with PGP via FlowCrypt or adam at from the machine dotty org
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next, we are off to view at the same time the fork in the road known and prior'd as the hallowed one, the Frost poem and it's "divergence in the wood"
here we go:
** THE HOLY OF HOLIES, WIKIPEDIA CC'd AND BROKE It is imperative that the entire history of wikipedia eiditing be released under the CC license, not just the broken current front page; that I have been unable to get the world "to care about enough" to call it the literal difference between slavery and freedom,"
++ [https://holies.org/DEVLANEU.html] This is "Penny Lane" as in asking me if I'm coming or happy; you might as well avll me the forests that are echoing "we are now" or "that will do" ... and I say to the man who sings for the people who sang about the road to bethelehem or was it knocking on heavens door, or just the one about ... the stairway to heaven
** https://opensea.io/assets/base/0x32f86e0fc59f339bfd393a526051728657fd0c84/4
++ It is that. i AM THAT. Those are first words of Him in Exodus, he who spake through the Bush and Zarathustra. That is what that is about and in the moment, the world is "anokhi" and Hi, that's me/i -- and of course, related; the "nookie."
SON Ye R O C K O F . . . S A G E S ? H E A R D E R O R I T R E A L L Y D O E S M E A N "FREEDOM" B R E A D I S L I F E Tying up loose eadds, in a similar vain to the connection between the Burning Bush and universal voting now etched by-stone, there exists a similar missing Link connecting the phrase "it's not a a gam" to Mary Magdeline to a pattern that shows us that the Holy Trinity and our timelines are narrated by a series of names of video game systems and their manufacturers from "Nintendo" to Genesis and the rock of SEGA. Through a "kiss" and the falling of a wallthe words bread and read are tied up and twisted with the story of this Revelation and the heart of the word Creation, "be the reason it's A.D." It's a strong connection between the idea that virtual reality and Heaven are linked by more than simply "technology" but that this message that shows us that these tools for understanding have fallen from the sky in order to help us understand why it is so important, why I call it a moral mandate, that we use this information to follow the map delivered to us in the New Testament and literally end world hunger, and literally heal the sick; because of the change in circumstance revealed to us. These simple things, these few small details that might seem like nothing, or maybe appear to be "changing everything" they are not difficult things to do, in light of Creation, and few would doubt that once we do see them implementied here... the difference between Heaven and Hell will be ever so clear. A while ago, in a place called Kentucky... this story began with a sort of twisted sci-fi experience that explained a kind of "God machine" that could manipulate time and reality, and in that story, in that very detailed and interesting story that I lived through, this machine was keyed to my DNA, in something like the "Ancient technology" of Stargate SG-1 and Atlantis mythology. My kind brother Seth made a few appearances in the story, not actually in person but in fairly decent true to life holograms that I saw and spoke to every once in awhile. He looked a little different, he had long hair; but that's neither here nor there, and he hasn't really had long hair since I was a little boy. He happens to be a genetic engineer, and I happen to be a computer person (although he's that too, now; just nowhere near as good as me... with computers) so the story talked a little bit about how I would probably not have used DNA as a key, since I'm not a retard, and he probably wouldn't either, because works in that field (cyclone, huracan, tornado). So then the key we imagined was something ... well, Who cares what the key is, right? o back to the task at hand, not so long ago, in a place called Plantation I was struck by lightning, literally (well not literally) the answer to a question that nobody knew was implanted in my mind, and it all came from asking a single simple question. I was looking for more chemistry elements in the names of the books of the Holy Bible, after seeing Xenon at the "sort of beginning" of Exodus, where it screams "let there be light" in Linux and chemistry (and I've told you that a hundred times by now). So it didn't take long to follow the light of that word and read Genesis backwards, and see, at the very beginning of that book, Silicon... in reverse. So, what about God's DNA, anyway? What's he really made of? SIM MON S WILD ER ROD DEN BERRY o after seeing Silicon, and connecting that to the numerous attempts I've made to show a message connecting The Matrix to the Fifth Element (as Silicon) describing what it is that God believes we should do with this knowledge--and see that it is narrated as the miracles of Jesus Christ in the New Testament... these names came to me in quick succession, an answer to the question. I suppose any Gene will do, these three though, have a very important tie to the message that connects Joshua's Promised Land of flowing Milk and Honies to ... a kiss that begins the new day (I hope) ... and a message about exactly how we might go about doing magical things like ending world hunger and healing the sick using technology described ... in Star Trek and Stargate. A "religion of the Stars" is being born. That's great... it starts with an earthquake. R.E.M. and a band ... 311. Oooh, I can see it coming down... The Petty Reckless. An evening's love starts with a kiss. Dave Matthews Band. I wanna rock and roll all night and party every day. Adam. I mean Kiss. Are you starting to see a pattern form? Birds, snakes, and aeroplanes? It's that, it's the end of the world as we know it, and I feel fine. In that song we see clues that more than just the Revelation of Christ is narrated by John on an island called Patmos. There yet another Trinity, starting with "Pa" and hearting Taylor Momsen's initials... most likely for a reason... and the Revelation ends with a transition that I hope others will agree with me turns "original sin" into something closer to "obviously salvation" when we finally understand the character that is behind the message of da i of Ra... and begin to see the same design in the names of Asmodai and in this Revelation focusing on freedom and truth that really does suggest Taylor can't talk to me in any way other than "letting freedom sing" in this narrative of kismet and fate and free will and ... then we see that narrative continue in the names of bands, just like the 3/11/11 earthquake is narrated in not just R.E.M.'s song but in the name 311. Just like the 9/11 attack is narrated not just in that same song (released in 1987) and "Inside Job" (released in 2000) but also in "Fucked up world." Dear all of you walking dumb and blind, this same quake is narrated in Taylor's Zombie; waiting for the day to shake, all very similar to Cairo and XP, perhaps a "fad" of doublethink in the minds of the authors singing about a clear prophesy in the Bible; this connection between the day, 3/11 though, and the name of a band and the day of an arrest and the verse Matthew that tells you clearly you have now been baptized in water and fire... it shows us the design of a story whose intent and purpose is to ensure that we no longer allow for things like hurricanes and earthquakes and murder and rape to be "simulated" that we build a better system, that doesn't allow for 'force majeure" to take lives for no reason at all. Not just in band names, but in the angels names too, in all of our names; we see this narration continue. The Holy Water that is central to the baptism of Christ is etched into Taylor's name, between "sen" and "mom" the key to the two Mary's whose names contain the Spanish for "sea" in a sort of enlightenment hidden in plain sight. In "Simmons" the key connection between today, this Biblical Monday, and the word "simulation" that ties to Simpsons and simians and keep it simple stupid, and in Simmons the missing "s" of Kismet, finally completing the question. It's a song and dance that started a long time ago, as you can see from the ancient Hebrew word for "fate" and in more recent years a connection to the ballroom of Atlantis in the Doors 5 to 1 and Dave sang about it in Rapunzel and then Taylor shook a tambourine on the beach only minutes away from me--but never said "hi." The battle of the bands continues tying some door knocking to a juxtaposition between "Sweet Things" and "Knocking on Heavens door" all the way to a Gossip Girl episode where little J asked a question that I can't be sure she knew was related, she said... "who's that, at the door?" What it really all amounts to, though, is the whole world witnessing the Creation of Adam and Eve from a little girl stuttering out "the the" at the sight of the Grinch himself, and then later not even able to get those words off her lips... about seeing how Creation and modern art are inextricably tied to religion, to heaven, and to freedom. The bottom line here, hopefully obvious now, is that you can't keep this message "simple" it's a Matrix woven between more points of light than I can count, and many more that I'm sure you will find. It's a key to seeing how God speaks to me, and to you; and how we are, we really are that voice. Tay, if you don't do something just because God called it "fate" you are significantly more enslaved than if you do--and you wanted to. "Now I see that you and me, were never meant, never meant to be..." she sang before I mentioned her, and before she ever saw me... in a song she calls "Nothing Left to Lose" and I see is not really just another word for freedom. We have plenty to lose by not starting the fire, not the least of which is Heaven itself. Understand what "force majeure" really means to you and I. Ha, by the way. IN CASE YOU FORGOT YESTERDAY'S MESSAGE "DADDY, I WANT IT NOW." VERUKA SALT. whose name means "to see (if) you are the Body of Christ" whined, in the story of Will Why Won Ka, about nothing more or less than Heaven on Hearth, than seeing an end to needless torture and pain. To see if you are the "Salt of the Earth" warming the road to Heaven; honestly to see if you can break through this inane lie of "I don't understand" and realize that breaking this story and talking about what is being presented not just by me and you but by history and God himself is the key to the car that drives us home. To see how Cupid you really are. STOP NODDING, TURN AROUND AND CALL A REPORTER. The story of Willy Wonka ties directly to the Promised Land of Flowing Milk and Honey to me; by showing us a river of chocolate and a the everlasting God starter, (er is it guardian of B stopper) that opens the doors of perception about exactly what kinds of mistake may have been made in the past in this transition to Heaven that we are well on the way of beginning. Here, in the Land of Nod, that is also Eden and also the Heart of the Ark we see warnings about "flowing milk and honey" being akin to losing our stable ecosystem, to losing the stuff of life itself, biology and evolution, and if we don't understand--this is probably exactly the mistake that was made and the cause of the story of Cain and Abel. So here we are talking about genetic engineering and mind uploading and living forever, and hopefully seeing that while all things are possible with God--losing the wisdom of the message of religion is akin to losing life in the Universe and with that any hope of eternal longevity. With some insight into religion, you can connect the idea that without bees our stable ecosystem might collapse, to the birds and the bees, and a message about stability and having more than one way to pollinate the flowers and trees and get some. Janet and Nanna, by the way, both have pretty brown eyes, but that probably comes as no surprise to you. Miss Everything, on the other hand (I hear, does not have brown eyes), leads us to glimpse how this message about the transition of our society might continue on in the New Testament, and suggest that we do need to eat, and have dinner conversation, and that a Last Supper might be a little bit more detrimental to our future than anyone had ever thought, over and over and over again. To see how religion really does make clear that this is what the message is about, to replace the flowing milk we have a "Golden Cow" that epitomizes nothing less than "not listening to Adam" and we have a place that believes the Hammer of Judah Maccabee should be ... extinct. You are wrong. Of course the vibrating light here ties this Gene to another musical piece disclosing something... "Wild Thing" I make your heart sing. You can believe the Guitar Man is here to steal the show and deliver bread for the hungry and for the wise. Here's some, it's not just Imagine Dragons telling you to listen to the radio but Jefferson Starshiptoo, and Live. When you wake up, you can hear God "singing" to you on the radio every single day; many of us already do. He's telling you to listen to me, and I do not understand why you do not. You don't look very Cupid, if you ask me. WHAT DO YOU THINK YOU ARE, DAN RE Y NO LDS? I think we all know what the Rod of Jesus Christ is by now. ​ It is a large glowing testament to freedom and truth, and a statement about blindness and evil that is unmistakable. To say that seeing it is the gateway to Heaven would be an understatement of it's worth, of the implication that not seeing it is obvious Hell when it is linked to everything from nearly every story of the Holy Bible from Isaac to Isaiah to "behold he is to coming" and if you weren't sure if the Hand of God were in action here--it's very clear that it is; that linking Tricky Dick and Watergate to Seagate ... really delivering crystal clear understanding that the foundation of Heaven is freedom and that you have none today because you refuse to see the truth. It is the doorway to seeing that what has been going on in this place hasn't been designed to hide me, but to hide a prosperous future from you--to hide the truth about our existence and the purpose of Creation--that all told, you are standing at the doorstep of Heaven and stammering your feet, closing your eyes, and saying "you don't want to help anyone." If delivering freedom, truth, and equality to you does not a den make, well, you can all suck it ... from God, to you. Between Stargate and Star Trek it's pretty easy to see a roadmap to very quickly and easily be able to end world hunger and heal the sick without drastically changing the way our society works, it's about as simple as a microwave, or a new kind of medicine--except it's not so easy to see why it is that you are so reluctant to talk about the truth that makes these things so easy to do. You see, your lack of regard for anyone anywhere has placed you in a position of weakness, and if you do nothing today, you will not be OK tomorrow. It's pretty easy to see how Roddenberry's name shows that this message comes from God, that he's created this map that starts with an Iron Rod throughout our history proving Creation, whose heart is a Den of Family who care about the truth, and about freedom, and about helping each other--not what you are--you are not that today. Today you are sick, and I'd like you to look at the mirror he's made for you, and be eshamden (or asham). Realize, realize... what you are. What you've become, just as I have... the devil in a sweet, sweet kiss. -Dave J. Matthews .WHSOISKEYAV { border-width: 1px; border-style: dashed; border-color: rgb(15,5,254); padding: 5px; width: 503px; text-align: center; display: inline-block; align: center; p { align: center; } /* THE SCORE IS LOVE FIVE ONE SAFETY ONE FIELD GOAL XIVDAQ: TENNIS OR TINNES? TONNES AND TUPLE(s) */ } <style type="text/css"> code { white-space: pre; } google_ad_client = "ca-pub-9608809622006883"; google_ad_slot = "4355365452"; google_ad_width = 728; google_ad_height = 90; Unless otherwise indicated, this work was written between the Christmas and Easter seasons of 2017 and 2020(A). The content of this page is released to the public under the GNU GPL v2.0 license; additionally any reproduction or derivation of the work must be attributed to the author, Adam Marshall Dobrin along with a link back to this website, fromthemachine dotty org. That's a "." not "dotty" ... it's to stop SPAMmers. :/ This document is "living" and I don't just mean in the Jeffersonian sense. It's more alive in the "Mayflower's and June Doors ..." living Ethereum contract sense [and literally just as close to the Depp/Caster/Paglen (and honorably PK] 'D-hath Transundancesense of the ... new meaning; as it is now published on Rinkeby, in "living contract" form. It is subject to change; without notice anywhere but here--and there--in the original spirit of the GPL 2.0. We are "one step closer to God" ... and do see that in that I mean ... it is a very real fusion of this document and the "spirit of my life" as well as the Spirit's of Kerouac's America and Vonnegut's Martian Mars and my Venutian Hotel ... and *my fusion* of Guy-A and GAIA; and the Spirit of the Earth .. and of course the God given and signed liberties in the Constitution of the United States of America. It is by and through my hand that this document and our X Commandments link to the Bill or Rights, and this story about an Exodus from slavery that literally begins here, in the post-apocalyptic American hartland. Written ... this day ... April 14, 2020 (hey, is this HADAD DAY?) ... in Margate FL, USA. For "official used-to-v TAX day" tomorrow, I'm going to add the "immultible incarnite pen" ... if added to the living "doc/app"--see is the DAO, the way--will initi8 the special secret "hidden level" .. we've all been looking for. Nor do just mean this website or the totality of my written works; nor do I only mean ... this particular derivation of the GPL 2.0+ modifications I continually source ... must be "from this website." I also mean *the thing* that is built from ... bits and piece of blocks of sand-toys; from Ethereum and from Rust and from our hands and eyes working together ... from this place, this cornerstone of the message that is ... written from brick and mortar words and events and people that have come before this poit of the "sealed W" that is this specific page and this time. It's 3:28; just five minutes--or is it four, too layne. This work is not to be redistributed according to the GPL unless all linked media on Youtube and related sites are intact--and historical references to the actual documented history of the art pieces (as I experience/d them) are also available for linking. Wikipedia references must be available for viewing, as well as the exact version of those pages at the time these pieces were written. All references to the Holy Bible must be "linked" (as they are or via ... impromptu in-transit re-linking) to the exact verses and versions of the Bible that I reference. These requirements, as well as the caveat and informational re-introduction to God's DAO above ... should be seen as material modifications to the original GPL2.0 that are retroactively applied to all works distributed under license via this site and all previous e-mails and sites. /s/ wso If you wanna talk to me get me on facebook, with PGP via FlowCrypt or adam at from the machine dotty org -----BEGIN PGP PUBLIC KEY BLOCK-----
this was written sometime i think around 2016. it's hard to recall the exact date; but if you check in the original gitlog there is one that has an original commit.
SONYe
R O C K O F . . . S A G E S ?
**\ **
I T R E A L L Y D O E S M E A N "FREEDOM" B R E A D I S L I F E
Tying up loose eadds, in a similar vain to the connection between the Burning Bush and universal voting now etched by-stone, there exists a similar missing Link connecting the phrase "it's not a a gam" to Mary Magdeline to a pattern that shows us that the Holy Trinity and our timelines are narrated by a series of names of video game systems and their manufacturers from "Nintendo" to Genesis and the rock of SEGA. Through a "kiss" and the falling of a wallthe words bread and read are tied up and twisted with the story of this Revelation and the heart of the word Creation, "be the reason it's A.D." It's a strong connection between the idea that virtual reality and Heaven are linked by more than simply "technology" but that this message that shows us that these tools for understanding have fallen from the sky in order to help us understand why it is so important, why I call it a moral mandate, that we use this information to follow the map delivered to us in the New Testament and literally end world hunger, and literally heal the sick; because of the change in circumstance revealed to us. These simple things, these few small details that might seem like nothing, or maybe appear to be "changing everything" they are not difficult things to do, in light of Creation, and few would doubt that once we do see them implementied here... the difference between Heaven and Hell will be ever so clear.
A while ago, in a place called Kentucky... this story began with a sort of twisted sci-fi experience that explained a kind of "God machine" that could manipulate time and reality, and in that story, in that very detailed and interesting story that I lived through, this machine was keyed to my DNA, in something like the "Ancient technology" of Stargate SG-1 and Atlantis mythology. My kind brother Seth made a few appearances in the story, not actually in person but in fairly decent true to life holograms that I saw and spoke to every once in awhile. He looked a little different, he had long hair; but that's neither here nor there, and he hasn't really had long hair since I was a little boy. He happens to be a genetic engineer, and I happen to be a computer person (although he's that too, now; just nowhere near as good as me... with computers) so the story talked a little bit about how I would probably not have used DNA as a key, since I'm not a retard, and he probably wouldn't either, because works in that field (cyclone, huracan, tornado). So then the key we imagined was something ... well, Who cares what the key is, right?
**\ **
o back to the task at hand, not so long ago, in a place called Plantation I was struck by lightning, literally (well not literally) the answer to a question that nobody knew was implanted in my mind, and it all came from asking a single simple question. I was looking for more chemistry elements in the names of the books of the Holy Bible, after seeing Xenon at the "sort of beginning" of Exodus, where it screams "let there be light" in Linux and chemistry (and I've told you that a hundred times by now). So it didn't take long to follow the light of that word and read Genesis backwards, and see, at the very beginning of that book, Silicon... in reverse.
*\ *
So, what about God's DNA, anyway*? *
What's he really made of?
SIM MON S WILD ER ROD DEN BERRY
o after seeing Silicon, and connecting that to the numerous attempts I've made to show a message connecting The Matrix to the Fifth Element (as Silicon) describing what it is that God believes we should do with this knowledge--and see that it is narrated as the miracles of Jesus Christ in the New Testament... these names came to me in quick succession, an answer to the question. I suppose any Gene will do, these three though, have a very important tie to the message that connects Joshua's Promised Land of flowing Milk and Honies to ... a kiss that begins the new day (I hope) ... and a message about exactly how we might go about doing magical things like ending world hunger and healing the sick using technology described ... in Star Trek and Stargate. A "religion of the Stars" is being born.
That's great... it starts with an earthquake. R.E.M. and a band ... 311. Oooh, I can see it coming down... The Petty Reckless. An evening's love starts with a kiss. Dave Matthews Band. I wanna rock and roll all night and party every day. Adam. I mean Kiss. Are you starting to see a pattern form? Birds, snakes, and aeroplanes? It's that, it's the end of the world as we know it, and I feel fine.
*\ *
*\ *
In that song we see clues that more than just the Revelation of Christ is narrated by John on an island called Patmos. There yet another Trinity, starting with "Pa" and hearting Taylor Momsen's initials... most likely for a reason... and the Revelation ends with a transition that I hope others will agree with me turns "original sin" into something closer to "obviously salvation" when we finally understand the character that is behind the message of da i of Ra... and begin to see the same design in the names of Asmodai and in this Revelation focusing on freedom and truth that really does suggest Taylor can't talk to me in any way other than "letting freedom sing" in this narrative of kismet and fate and free will and ... then we see that narrative continue in the names of bands, just like the 3/11/11 earthquake is narrated in not just R.E.M.'s song but in the name 311. Just like the 9/11 attack is narrated not just in that same song (released in 1987) and "Inside Job" (released in 2000) but also in "Fucked up world."
Dear all of you walking dumb and blind, this same quake is narrated in Taylor's Zombie; waiting for the day to shake, all very similar to Cairo and XP, perhaps a "fad" of doublethink in the minds of the authors singing about a clear prophesy in the Bible; this connection between the day, 3/11 though, and the name of a band and the day of an arrest and the verse Matthew that tells you clearly you have now been baptized in water and fire... it shows us the design of a story whose intent and purpose is to ensure that we no longer allow for things like hurricanes and earthquakes and murder and rape to be "simulated" that we build a better system, that doesn't allow for 'force majeure" to take lives for no reason at all.
Not just in band names, but in the angels names too, in all of our names; we see this narration continue. The Holy Water that is central to the baptism of Christ is etched into Taylor's name, between "sen" and "mom" the key to the two Mary's whose names contain the Spanish for "sea" in a sort of enlightenment hidden in plain sight. In "Simmons" the key connection between today, this Biblical Monday, and the word "simulation" that ties to Simpsons and simians and keep it simple stupid*, and in Simmons the missing "s" of Kismet, finally completing the question.***
***\
*\ *
It's a song and dance that started a long time ago, as you can see from the ancient Hebrew word for "fate" and in more recent years a connection to the ballroom of Atlantis in the Doors 5 to 1 and Dave sang about it in Rapunzel and then Taylor shook a tambourine on the beach only minutes away from me--but never said "hi." The battle of the bands continues tying some door knocking to a juxtaposition between "Sweet Things" and "Knocking on Heavens door" all the way to a Gossip Girl episode where little J asked a question that I can't be sure she knew was related, she said... "who's that, at the door?"
*\ *
What it really all amounts to, though, is the whole world witnessing the Creation of Adam and Eve from a little girl stuttering out "the the" at the sight of the Grinch himself, and then later not even able to get those words off her lips... about seeing how Creation and modern art are inextricably tied to religion, to heaven, and to freedom.
*\ *
*\ *
The bottom line here, hopefully obvious now, is that you can't keep this message "simple" it's a Matrix woven between more points of light than I can count, and many more that I'm sure you will find. It's a key to seeing how God speaks to me, and to you; and how we are, we really are that voice. Tay, if you don't do something just because God called it "fate" you are significantly more enslaved than if you do--and you wanted to. "Now I see that you and me, were never meant, never meant to be..." she sang before I mentioned her, and before she ever saw me... in a song she calls "Nothing Left to Lose" and I see is not really just another word for freedom.
We have plenty to lose by not starting the fire, not the least of which is Heaven itself. Understand what "force majeure" really means to you and I. Ha, by the way.
IN CASE YOU FORGOT YESTERDAY'S MESSAGE
**\ **
*\ *
"DADDY, I WANT IT NOW."
VERUKA SALT. whose name means "to see (if) you are the Body of Christ" whined, in the story of Will Why Won Ka, about nothing more or less than Heaven on Hearth, than seeing an end to needless torture and pain. To see if you are the "Salt of the Earth" warming the road to Heaven; honestly to see if you can break through this inane lie of "I don't understand" and realize that breaking this story and talking about what is being presented not just by me and you but by history and God himself is the key to the car that drives us home. To see how Cupid you really are.
STOP NODDING, TURN AROUND AND CALL A REPORTER.
The story of Willy Wonka ties directly to the Promised Land of Flowing Milk and Honey to me; by showing us a river of chocolate and a the everlasting God starter, (er is it guardian of B stopper) that opens the doors of perception about exactly what kinds of mistake may have been made in the past in this transition to Heaven that we are well on the way of beginning. Here, in the Land of Nod, that is also Eden and also the Heart of the Ark we see warnings about "flowing milk and honey" being akin to losing our stable ecosystem, to losing the stuff of life itself, biology and evolution, and if we don't understand--this is probably exactly the mistake that was made and the cause of the story of Cain and Abel. So here we are talking about genetic engineering and mind uploading and living forever, and hopefully seeing that while all things are possible with God--losing the wisdom of the message of religion is akin to losing life in the Universe and with that any hope of eternal longevity.\ With some insight into religion, you can connect the idea that without bees our stable ecosystem might collapse, to the birds and the bees, and a message about stability and having more than one way to pollinate the flowers and trees and get some. Janet and Nanna, by the way, both have pretty brown eyes, but that probably comes as no surprise to you.\ Miss Everything, on the other hand (I hear, does not have brown eyes), leads us to glimpse how this message about the transition of our society might continue on in the New Testament, and suggest that we do need to eat, and have dinner conversation, and that a Last Supper might be a little bit more detrimental to our future than anyone had ever thought, over and over and over again. To see how religion really does make clear that this is what the message is about, to replace the flowing milk we have a "Golden Cow" that epitomizes nothing less than "not listening to Adam" and we have a place that believes the Hammer of Judah Maccabee should be ... extinct. You are wrong.
*\ *
Of course the vibrating light here ties this Gene to another musical piece disclosing something... "Wild Thing" I make your heart sing. You can believe the Guitar Man is here to steal the show and deliver bread for the hungry and for the wise. Here's some, it's not just Imagine Dragons telling you to listen to the radio but Jefferson Starship*too, and Live. *
*\ *
When you wake up, you can hear God "singing" to you on the radio every single day; many of us already do. He's telling you to listen to me, and I do not understand why you do not. You don't look very Cupid, if you ask me.**
***\
WHAT DO YOU THINK YOU ARE,
DAN RE Y NO LDS?
**\ **
I think we all know what the Rod of Jesus Christ is by now.
It is a large glowing testament to freedom and truth, and a statement about blindness and evil that is unmistakable. To say that seeing it is the gateway to Heaven would be an understatement of it's worth, of the implication that not seeing it is obvious Hell when it is linked to everything from nearly every story of the Holy Bible from Isaac to Isaiah to "behold he is to coming" and if you weren't sure if the Hand of God were in action here--it's very clear that it is; that linking Tricky Dick and Watergate to Seagate ... really delivering crystal clear understanding that the foundation of Heaven is freedom and that you have none today because you refuse to see the truth.
It is the doorway to seeing that what has been going on in this place hasn't been designed to hide me, but to hide a prosperous future from you--to hide the truth about our existence and the purpose of Creation--that all told, you are standing at the doorstep of Heaven and stammering your feet, closing your eyes, and saying "you don't want to help anyone."
If delivering freedom, truth, and equality to you does not a den make,
well, you can all suck it
**\ **
Between Stargate and Star Trek it's pretty easy to see a roadmap to very quickly and easily be able to end world hunger and heal the sick without drastically changing the way our society works, it's about as simple as a microwave, or a new kind of medicine--except it's not so easy to see why it is that you are so reluctant to talk about the truth that makes these things so easy to do. You see, your lack of regard for anyone anywhere has placed you in a position of weakness, and if you do nothing today, you will not be OK tomorrow.\ It's pretty easy to see how Roddenberry's name shows that this message comes from God, that he's created this map that starts with an Iron Rod throughout our history proving Creation, whose heart is a Den of Family who care about the truth, and about freedom, and about helping each other--not what you are--you are not that today. Today you are sick, and I'd like you to look at the mirror he's made for you, and ***be eshamden (or asham). ***
Realize, realize... what you are. What you've become, just as I have... the devil in a sweet, sweet kiss.**
***\
-Dave J. Matthews

Unless otherwise indicated, this work was written between the Christmas and Easter seasons of 2017 and 2020(A). The content of this page is released to the public under the GNU GPL v2.0 license; additionally any reproduction or derivation of the work must be attributed to the author, Adam Marshall Dobrin along with a link back to this website, fromthemachine dotty org.
That's a "." not "dotty" ... it's to stop SPAMmers. :/
This document is "living" and I don't just mean in the Jeffersonian sense. It's more alive in the "Mayflower's and June Doors ..." living Ethereum contract sense and literally just as close to the Depp/C[aster/Paglen (and honorably PK] 'D-hath Transundancesense of the ... new meaning; as it is now published on Rinkeby, in "living contract" form. It is subject to change; without notice anywhere but here--and there--in the original spirit of the GPL 2.0. We are "one step closer to God" ... and do see that in that I mean ... it is a very real fusion of this document and the "spirit of my life" as well as the Spirit's of Kerouac's America and Vonnegut's Martian Mars and my Venutian Hotel ... and my fusion of Guy-A and GAIA; and the Spirit of the Earth .. and of course the God given and signed liberties in the Constitution of the United States of America. It is by and through my hand that this document and our X Commandments link to the Bill or Rights, and this story about an Exodus from slavery that literally begins here, in the post-apocalyptic American hartland. Written ... this day ... April 14, 2020 (hey, is this HADAD DAY?) ... in Margate FL, USA. For "official used-to-v TAX day" tomorrow, I'm going to add the "immultible incarnite pen" ... if added to the living "doc/app"--see is the DAO, the way--will initi8 the special secret "hidden level" .. we've all been looking for.
Nor do just mean this website or the totality of my written works; nor do I only mean ... this particular derivation of the GPL 2.0+ modifications I continually source ... must be "from this website." I also mean the thing that is built from ... bits and piece of blocks of sand-toys; from Ethereum and from Rust and from our hands and eyes working together ... from this place, this cornerstone of the message that is ... written from brick and mortar words and events and people that have come before this poit of the "sealed W" that is this specific page and this time. It's 3:28; just five minutes--or is it four, too layne.
This work is not to be redistributed according to the GPL unless all linked media on Youtube and related sites are intact--and historical references to the actual documented history of the art pieces (as I experience/d them) are also available for linking. Wikipedia references must be available for viewing, as well as the exact version of those pages at the time these pieces were written. All references to the Holy Bible must be "linked" (as they are or via ... impromptu in-transit re-linking) to the exact verses and versions of the Bible that I reference. These requirements, as well as the caveat and informational re-introduction to God's DAO above ... should be seen as material modifications to the original GPL2.0 that are retroactively applied to all works distributed under license via this site and all previous e-mails and sites. /s/ wso\ If you wanna talk to me get me on facebook, with PGP via FlowCrypt or adam at from the machine dotty org
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