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The Filius Solis et Lunae

Many creative people think these are the only options—both for them and their audience. Either they give the audience what it wants (the entertainer’s job) or else they put demands on the public (that’s where art begins).

ART SCRIBBLE TURNS INTO AN ALIEN MINNION

On average, I buy around 70 typewriter ribbons every three months. I probably use them more than anyone else on the planet. This is what I do every day, and I don’t know many people who can say the same.

When I started out back in 2014, I would print out artworks by Paul Smith and study them under a magnifying glass to better understand how he tackled certain subjects or material textures, be it fabrics, water, grass, reflections and along the way, I have developed my own techniques as well.

One drawing can take me anywhere between three to four weeks to type and contain more than 1 million individually typed letters, numbers, and punctuation marks all puzzle-pieced together.

Paul Smith, an American artist who lived with cerebral palsy and created extraordinary artworks using a typewriter. As a child, Paul was given a typewriter by his parents. Because of his condition, he couldn’t hold pens or pencils, and like any parent, they wanted to help him learn to write. The mechanical control of a typewriter not only allowed him to do that with precision, but also unlocked a way for him to express himself artistically.

Cook has been creating art with typewriters for nearly a decade. Though each piece can take weeks to complete, the prolific artist has produced over 300 works to date.

Leon Battista Alberti, who, as artist-architect-cryptographer-philosopher-poet-athlete, was perhaps the most Renaissanceof all Renaissance men.* Forty-three years older than Pacioli, he hadworked out the mathematics that underpinned perspective some thirty yearsbefore, completing his book De Pictura (‘On Painting’) in 1435.

Oh yeah. If you're generating text that could burn anywhere from 0.17 watt hours to 2 watt hours, equal to running this grill for about four seconds. Generating an image add 1.7 watt hours. All that, less than 10 seconds on the grill. But short videos can use far more power. In tests of various open source models, videos took anywhere between 20 watt hours and 110 watt hours. At 110 watt hours, one steamed electric grill steak, about equal to one video generation. I wouldn't eat it, but my dog would. At 220 watt hours, it was looking much more edible. So two video generations equals one pretty good looking steak.

Sottsass transcended the sameness of typewriter design to give it an endearing personality. He tuned into Pop art, citing the orange nipples and pink breasts in Tom Wesselman’s nudes as inspiration for the orange scroll caps.

Wesselmann, born in Cincinnati, Ohio and trained at both the Art Academy of Cincinnati and New York’s Cooper Union, helped pioneer steel-cut sculpture and the use of molded plastic within fine art.

TOM SACHS: But seriously, with Wesselmann you’ve got this perfect pop-abstract representation of the female figure. You’ve got near perfect primary colors, almost like Matisse; there’s something really cartoon about Wesselmann. He also turned up, in a way, in Stanley Kubrick’s A Clockwork Orange (1971), which people are rediscovering now on DVD. There’s a lot of art in that movie—even a Wesselmann-type painting. I think that movie represents pop art better than anything.

For anyone who has lost their house or apartment, we ask that you do not discard your old keys. We are establishing drop sites to collect them, and turn those many, many keys into a tribute to the devastated communities. We feel this will be a powerful visual statement that we hope will help people move forward.Caty Maxey, volunteer

I’m so excited by the wide carriage, I use my typewriter to edition prints and drawings, and I’m so excited to be able to edition larger ones now.

This vision, the white of the ancient world, is a lie. Though the idea is not new to archaeologists, academics, artists, and critics, it remains unknown to the average viewer. The truth is that the ancient world was a colorful one. Polychromatic traces of black, red, green, blue, orange, and gold leaf have all been found on ancient Greek and Roman statues, meaning that the average sculpture from that period is much more likely to resemble a brightly dressed carnival attendee than a ghostly apparition. What does this mean for us today? That the association between whiteness (and its related shades of beige – a stand in for ‘neutral’), is not only culturally produced but also a fiction. It proves that no one color has an inherent quality – the meaning is in the eye of the beholder and the eye is influenced by all the things that culture is made up of like history, values, and symbols.

Spotify was filling some of its popular and relaxing mood playlists—such as those for “jazz,” “chill,” and “peaceful piano” music—with cheap fake-artist offerings

"goods"

Inspired by the discarded typewriters and the ubiquitous construction materials she saw all over Berlin, she created "Writer's Block," an art installation with rebar-caged writing implements placed in Bebelplatz, where in 1933 Nazis burned piles of books.

Adrian Poisson grew up studying science and math by day and art after hours beginning at the age of five

St. Francis de Sales is the patron saint of deaf individuals. He is also the patron of journalists and writers because of his many written religious works. Because of these publications, he is depicted with a book in the left hand and a quill pen in the right. His feast day is January 24th.

I suggest to Caro that it’s become one of those things young New Yorkers do, or at least say they do, on the path to becoming a serious adult: Get a Met membership, figure out where Film Forum is, buy (and maybe even finish) The Power Broker.

Or as Leonardo da Vinci declared, “To develop a complete mind: Study the science of art; Study the art of science. Learn how to see. Realize that everything connects to everything else.”

a term of art

"No artist has ethical sympathies," Oscar Wilde once wrote. "An ethical sympathy in an artist is an unpardonable mannerism of style. All art is quite useless."

To address climate change, we need to change culture.

American Art Collaborative. And this was a 2017 project to take 14 art museum collections together and use these sort of linked data principles that these things were built on to say, could you bridge across 14 institutions? Could you find connections? Could you provide a unified discovery environment for that many institutions at the same time? And what came out of that was a project that is called linked art. Rob Sanderson, who I'm sure many of you know, he's a regular here and a good colleague of mine. He and I worked together to create this data model called linked art based on the data model of the American Art Collaborative, which was the underlying sort of connective data tissue, building on years and years of work in the academic community under C-Dark to say, what if we had a tool that could bridge these things together?

l'exposition à l'art a été démontrée comme entraînant le raisonnement cette cette cette 01:09:21 résistance à l'automatisme l' abstrait parce que justement l'art abstrait euh c'est un art qui porte plusieurs interprétations mais a je peux vous citer plusieurs dispositifs qui permettent le développement de la 01:09:34 capacité à assumer l'incertitude par exemple parler plusieurs langues c'est simple ça veut dire bah ça ça peut s'appeler de 50000 façons différentes selon les langues déjà ça apprend une flexibilité mentale euh il y a donc 01:09:46 l'exposition à l'abstrait moi je moi je pense voilà vous voyez ici que euh notre tolérance à l'ambigué la tolérance à l'ambiguïé qu'à l'enfant devant ce qu'il ne comprend pas tout à 01:09:59 fait diminue pardon augmente avec l'expérience de l'art et avec la pratique de l'art donc ça c'est je vous dis ce qui a été fait comme étude l'art on a 01:10:12 les différentes langues voilà la poésie ça ça développe cette capacité àcher l'incertitude

Author Vladimir Nabokov's doodlings.Location:Ithaca, NY, USDate taken:September 1958Photographer:Carl Mydans

There is no doubt that humans are an artistic species. We make music, television shows, and movies, plus we paint, draw, and sculpt. All of these things are art. Humans are able to think in the abstract. We imagine and create things that do not exist, such as unicorns, monsters, and superheroes. We also build upon the achievements of earlier periods to make art that is grounded in history but is also new.

youth in city spaces. Capetonians i

theworksprescribed in earlier years were much easier and written as lead sheets rather than detailed notations for both hands, which gave the performers the opportunity to rely more on their improvisational and arrangement skills rather than their reading skills to successfullyinterpret the works.

Articulation specifications such as the staccatomarkings in Ballad for Thomas(Example 2.2.2) and sempre legato in Two Studies for Piano(Example 2.2.3). •Scale patterns in the left hand in Example 2.2.1 bar 30 and Example 2.2.3 bar 2-4 in Two Studies for Piano. •The similarity of sudden change in time signature, which can be found throughoutAfrican Funk for Felix, Ballad for Thomas and Lutoslawski’s Two Studies forPiano.

Reddy use Western art music notation devices similar to those used by Lutoslawski in Two Studies for Piano no.1(Example 2.2.3):•There are detailed dynamic markings in both Ballad for Thomas and Lutoslawski’s Two Studies for Piano, although African Funk for Felix does not have any dynamic markings. It is important to note that Reddy states in the preface to Ballad for Thomasthat the dynamic markings are a mere suggestion (Reddy 2005c).•The use of Italian expressions, for example crescendoin Ballad for Thomas (Example 2.2.2) and sempre legatoin Two Studies for Piano(Example 2.2.3).

LIBERTATEA DE A CONTRACTA

when we go to school, it's to get us to follow the rules. And in art, it's different, because the rules are there as a scaffolding to be chipped away

If people have no awareness of history, and society suffers because of it, they also have no awareness of art history. So no awareness of cabaret history either. Werner Schneyder

SUNY Brockport’s Drake Memorial Library greets its userswith a typographically generated image of a card catalog:Your automated catalog, by DYNIX.Copyright (c) 1992 by DYNIX, Incorporated.

And some undetermined but large fraction of thetotality is being sent to an artist named Thomas Johnston, atWestern Washington University.

The delight-inducing art piece, A Place for Everything and Everything in its Place, is featured in the two elevator cars on the north side of the building, accessible in the Tom Bradley Wing.One car has cards for the "Comprehensive" and the other for the "Complete" works of various authors and topics. When moving, the elevator cars expose cards in the shaft window that reflect books that are found on the floor the elevator is passing.Artist David Bunn was given nearly 2 million catalog cards to play with for his art installation, yet he only used a little more than 9,500 in the two elevator cars. He has, since the early 1990s, been creating art projects, found poetry, and sculptures with the remaining cards.

The bad reader is lost amonggood books. He lacks the highest pleasure available to man,according to Mrs. Woolf. If she is right, none but a fool would refuseto learn to read as well as he can.

y at il une place pour le thérapeutique dans l'éducatif par rapport à ses enfants à comportement perturbateur notre âme en notamment à travers l'art de thérapie à l'école

After a bit of experimentation (and in a discovery that led us to collaborate), Southen found that it was in fact easy to generate many plagiaristic outputs, with brief prompts related to commercial films (prompts are shown).

I think there are opportunities for for 01:13:03 um reaching people in new ways emotionally powerful ways across those three emotional temperaments that we haven't exploited and I think people like James Cameron have an intuition for that they haven't either hadn't exploited yet

could art in the very general sense 01:10:39 story et cetera be used as one of those tools it's a great question and the answer is absolutely

there's things in the 10th Century in what we think of as now as broadly Western and Central Europe 01:13:46 that are beginning to show up particularly in art and architecture and poetry and music not an accident the musician we know that artists are often people who sense 01:13:59 things and are ahead of a culture they give the first articulation to a set of ideas and so if you today if next time you're in Ottawa I invite you to go to the 01:14:10 National Gallery because the National Gallery in Ottawa has one of the world's best collections of European northern European art and it starts about 1300 01:14:22 there's some before that but their collections of that's old enough to get you into it and it works through historically as you work through the rooms and at least it used to last time I brought it was there it brought you 01:14:36 out into a post-modern into postmodern art as if what's beyond what we think of as Modern Art uh into post-modern art

“This is the science that concerns itself with plants in their local association in the various climates. This science, as vast as its object, paints with a broad brush the immense space occupied by plants, from the regions of perpetual snows to the bottom of the ocean, and into the very interior of the earth, where there subsist in obscure caves some cryptogams that are as little known as the insects feeding upon them.”

The art of the biblical narrative, Alter hypothesized, was finalized in a late editorial stage by some unifying creative mind — a figure who, like a film editor, introduced narrative coherence through the art of montage. Alter called this method “composite artistry,” and he would also come to use the term “the Arranger” — a concept borrowed from scholarship on James Joyce — to describe the editor (or editors) who gave the text a final artistic overlay. It was a secular and literary method of reading the Hebrew Bible but, in its reverent insistence on the coherence and complex artistry of the central texts, it has appealed to some religious readers.

In Beijing and Shanghai, new art complexes have been built following European and American standards, showing that they are considered global standards

"curiosities," which had historical significance as unique and unclassifiable objects.

British army had specific procedures for legalizing plunder

Plunder was seen as a natural part of war, and it was managed by categorizing it as "prize"

no laws

evelopment of a field of art history on China. The objects had various meanings, representing the British army, the humiliation of the Chinese emperor, and the global discourse on non-European curiosities. The sell-off of imperial art in East Asia was influenced by war and revolution. Recently, mainland Chinese companies intervened to repatriate some of the plundered objects.

Plex is my very life - and has been all along, I suspect. From a creative and in-quisitive childhood, sampling all the arts, crafts, and sciences, through a strongliberal-arts background, to pure mathematics and electrical engineering - I foundmyself swept into the very exciting dawn of the computer age in my first graduate-student summer job, in 1952. Just as my marriage to Pat in the January breakof my senior year at Oberlin had been the perfect choice, my change to part-timeSpecial Student status, while embarking on my full-time professional career atMIT, can be seen as inevitable, when viewed from today's vantage point. Thereis an exquisite economy in the doings of nature, and for a long time, now, I havebeen firmly convinced that, whoever I may really be, my role in the scheme ofthings has been to initiate the discovery of Plex, not by chance, but as what Ido, simply because I'm me

You have not graspeda complex unity if all you know about it is how it is one. Youmust also know how it is many, not a many that consists of alot of separate things, but an organized many. If the partswere not organically related, the whole that they composedwould not be one. Strictly speaking, there would be no wholeat all but merely a collection.

The rules of such learningconstitute the art of unaided discovery.