18,755 Matching Annotations
  1. Nov 2022
    1. Aram Saroyam and, I believe, Jackson Maclow produced something similar. MacLow's The Pronouns was super important to me back in grad school.

      reply to Bob Doto on https://www.reddit.com/r/antinet/comments/z3f8kb/comment/ixlocl7/?utm_source=reddit&utm_medium=web2x&context=3

      Do you have something particular on Saroyam for this? I found The Pronouns by Jackson Mac Low, but only tangential hits on Saroyam.

      Similar useful efforts, though not in as clear-cut card format are: * Project Zero's thinking routines: https://pz.harvard.edu/thinking-routines * Untools: https://untools.co/

    2. https://www.reddit.com/r/antinet/comments/z3f8kb/oblique_strategies_a_custom_zettelkasten_for/

      Brian Eno and Peter Schmidt published a card index of un-numbered and purposefully unordered ideas in 1975 as a tool for increasing creativity. They called it "Oblique Strategies". Each card contained an aphorism for helping one to reframe their approach to problems or questions they faced.

      Black box with cards containing aphorisms to help increase creativity. Photo by V&A Images from the David Bowie Archive.

      Wikipedia: https://en.wikipedia.org/wiki/Oblique_Strategies<br /> Canonical site with complete list of versions: http://www.rtqe.net/ObliqueStrategies/OSintro.html

      ZK practitioners might profitably have a subsection in their box with these strategies to help themselves randomly increase their own creativity while working either inside or outside of their boxes. Potentially useful for writing, music, art, etc.

    1. https://untools.co/

      Tools for better thinking Collection of thinking tools and frameworks to help you solve problems, make decisions and understand systems.

      <small><cite class='h-cite via'> <span class='p-author h-card'>Howard Rheingold</span> in Howard Rheingold: "Y'all know about "Tools for …" - Mastodon (<time class='dt-published'>11/13/2022 17:33:07</time>)</cite></small>


      Looks similar to Project Zero https://pz.harvard.edu/thinking-routines

    1. Trope, trope, trope, strung into a Gish Gallop.

      One of the issues we see in the Sunday morning news analysis shows (Meet the Press, Face the Nation, et al.) is that there is usually a large amount of context collapse mixed with lack of general knowledge about the topics at hand compounded with large doses of Gish Gallop and F.U.D. (fear, uncertainty, and doubt).

    2. a more nuanced view of context.

      Almost every new technology goes through a moral panic phase where the unknown is used to spawn potential backlashes against it. Generally these disappear with time and familiarity with the technology.

      Bicycles cause insanity, for example...

      Why does medicine and vaccines not follow more of this pattern? Is it lack of science literacy in general which prevents it from becoming familiar for some?

    3. What if instead of addressing individual pieces of misinformation reactively, we instead discussed the underpinnings — preemptively?

      Perhaps we might more profitably undermine misinformation by dismantling the underlying tropes the underpin them?

    4. Journalists often emphasize that something is novel when they cover it because novelty supports something being newsworthy, and is appealing to audiences

      Journalists emphasize novelty because it underlines newsworthiness.

      Alternately, researchers underline novelty, particularly in papers, because it underlines technology that might be sold/transferred and thus patented, a legal space that specifically looks at novelty as a criterion. By saying something is novel in the research paper, it's more likely that a patent examiner will be primed to believe it.

    1. And that, perhaps, is what we might get to via prebunking. Not so much attempts to counter or fact-check misinfo on the internet, but defanging the tropes that underpin the most recurringly manipulative claims so that the public sees, recognizes, & thinks:

      And that, perhaps, is what we might get to via prebunking. Not so much attempts to counter or fact-check misinfo on the internet, but defanging the tropes that underpin the most recurringly manipulative claims so that the public sees, recognizes, & thinks:😬

      — Renee DiResta (@noUpside) June 19, 2021
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. <small><cite class='h-cite via'> <span class='p-author h-card'>Renee DiResta</span> in Twittter Thread by @noUpside about tropes and misinformation - Thread Reader App (<time class='dt-published'>06/21/2021 14:22:17</time>)</cite></small>

    1. https://www.youtube.com/watch?v=zCLCIw-HSJc

      I'm curious if you knew if Nelson, Engelbart or any of their contemporaries had/maintained/used commonplace books or card indexes as precursors of their computing work? That is, those along the lines of those most commonly used by academics, for example as described by Markus Krajewski in Paper Machines (MIT Press, 2011) or even Beatrice Webb's Appendix C on Note Taking in My Apprenticeship (Longmans, 1926) in which she describes a slip (or index card)-based database method of scientific note taking. I've always felt that Vannevar Bush held things back unnecessarily by not mentioning commonplace book traditions in As We May Think.

    1. https://whatever.scalzi.com/2022/11/25/how-to-weave-the-artisan-web/

      “But Scalzi,” I hear you say, “How do we bring back that artisan, hand-crafted Web?” Well, it’s simple, really, and if you’re a writer/artist/musician/other sort of creator, it’s actually kind of essential:

    1. https://www.youtube.com/watch?v=pRc7MUybCsE

      Interview with BBC in which Brian Eno discusses the origin of his Oblique Strategies with Peter Schmidt.

    2. Changing the order in which you do things. —Brian Eno, Oblique Strategies

      This sounds like the sort of shift Walter Murch made in his sound editing by doing his first cut completely without sound. If you can't tell the story visually without sound the whole thing will fall apart. But you can use the sound, music, etc. to supplement, gild, and improve a picture.

    1. Austin Kleon made his own deck of Oblique Strategies by handwriting them onto the front of playing cards with black sharpie.

      Making my own Oblique Strategies deck. https://t.co/a1FpNifdLp pic.twitter.com/XsnRBt0GNW

      — Austin Kleon (@austinkleon) November 1, 2015
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
  2. learn-ap-southeast-2-prod-fleet01-xythos.content.blackboardcdn.com learn-ap-southeast-2-prod-fleet01-xythos.content.blackboardcdn.com
    1. Kalir, Jeremiah H. “The Value of Social Annotation for Teaching and Learning: Promoting Comprehension, Collaboration and Critical Thinking with Hypothesis.” White paper. San Francisco: Hypothes.is, October 21, 2022. https://web.hypothes.is/research-white-paper/

    2. Social Annotation and Mathematics Education

      My internal mathematician wishes there was more substance in this particular portion.

      • Use of \(LaTeX\)
      • annotating the breakdown of logic in problems
      • providing missing context
      • filling in details of problems left as an exercise for the student
      • others?
    3. TE LESS FORMAL ACADEMIC STUFF
    4. We find favorwith Mortimer J. Adler’s stance, from 1940,that “marking up a book is not an act ofmutilation but of love.”18

      also:

      Full ownership of a book only comes when you have made it a part of yourself, and the best way to make yourself a part of it—which comes to the same thing—is by writing in it. —Adler, Mortimer J., and Charles Van Doren. How to Read a Book. Revised and Updated edition. 1940. Reprint, New York: Simon & Schuster, 1972.

      They also suggest that due to the relative low cost of books, it's easier to justify writing in them, though they carve out an exception for the barbarism of scribbling in library books.

    5. The prevalence of annotation online is a reminderthat the web is an information fabric woven together by linked resources. Annotationincreases the thread count of that fabric.
    6. onversation among groups ofreaders over time.

      An intriguing story of influential annotations in the history of science can be seen in Gingerich's The Book Nobody Read in which he traces annotations by teachers and students of Copernicus' De revolutionibus to show spread of knowledge in early modern astronomy.

      Gingerich, Owen. The Book Nobody Read: Chasing the Revolutions of Nicolaus Copernicus. William Heinemann, 2004.

    7. Samuel Taylor Coleridge, who’scredited with the first use of the term marginalia, in 1819, coined the term as literarycriticism and to spark public dialogue.6

      6 Coleridge, S. T. (1819). Character of Sir Thomas Brown as a writer.Blackwood’s Magazine 6(32), 197.

    8. Edgar Allan Poe, who wrote in 1844, “In the marginalia, too, we talkonly to ourselves; we therefore talk freshly — boldly — originally — with abandonnement— without conceit.”1

      Poe, E. A. (1844). Marginalia. United States Magazine and Democratic Review, 15, 484, https://www.eapoe.org/works/misc/mar1144.htm

      Curious that Poe framed marginalia as a self-conversation rather than a conversation with the text itself...

    1. https://www.evernote.com/shard/s204/client/snv?noteGuid=5b7828b7-c4f9-4242-b62f-788eeb44c76e&noteKey=34f69bfeebbb6bca&sn=https%3A%2F%2Fwww.evernote.com%2Fshard%2Fs204%2Fsh%2F5b7828b7-c4f9-4242-b62f-788eeb44c76e%2F34f69bfeebbb6bca&title=Powerful%252C%2Bnon-judgmental%2Bquestions

      Powerful, non-judgmental questions

      • If you had to guess, what would have to be true for you to...?
      • If you did know...
      • (on tangent) ...and how does that relate to you?
      • What's not allowing you to...?
      • What prevents you from asking…?
      • Do you want to go into this?
      • What's your criteria for saying yes?
      • What would have you say yes?
      • What are the things we're lacking?
      • What's the scary question that you're not asking?
      • What are the qualities you want for [being, action, process, etc.]?
      • How would you behave if you were the best in the world at what you do?

      I'm starting a list of powerful, non-judgmental questions for coaching or just relationships in general. Here's the starting batch https://t.co/ktsYVxkQna pic.twitter.com/Dq1zQnWqAS

      — Tiago Forte (@fortelabs) January 15, 2019
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

      These questions and similar ones (work this out) could be interesting prompts to be included on a syllabus or as starts for an annotated syllabus. (eg: What do you want to get out of this class? What do you already know about these areas? How can we expand on what you know? What would you like to explore?, etc.)

    1. In late 2006, Eno released 77 Million Paintings, a program of generative video and music specifically for home computers. As its title suggests, there is a possible combination of 77 million paintings where the viewer will see different combinations of video slides prepared by Eno each time the program is launched. Likewise, the accompanying music is generated by the program so that it's almost certain the listener will never hear the same arrangement twice.

      Brian Eno's experiments in generative music mirror some of the ideas of generative and experimental fiction which had been in the zeitgeist and developing for a while.

      Certainly the fictional ideas were influential to the zeitgeist here, but the technology for doing these sorts of things in the musical realm lagged the ability to do them in the word realm.

      We're just starting to see some of these sorts of experimental things in the film space and with artificial intelligence they're becoming much easier to do in all of these media spaces.

      In some of the film spaces, they exist, but may tend to be short in nature, in part given the technology and processing power required.

      see also: Deepfake TikTok of Keanu Reeves which I've recently run across (algorithmically) on Instagram: https://www.dailydot.com/debug/unreal-keanu-reeves-ai-deepfake/

      Had anyone been working on generative art? Marcel Duchamp, et al? Some children's toys can mechanically create generative art which can be subtly modified by the children using axes of color, form, etc. Etch-a-sketch, kaleidoscopes, doodling robots (eg: https://www.amazon.com/4M-Doodling-Robot-Packaging-Vary/dp/B002EWWW9O).

    2. In 1971, Eno co-formed the glam and art rock band Roxy Music. He had a chance meeting with saxophonist Andy Mackay at a train station, which led to him joining the band. Eno later said: "If I'd walked ten yards further on the platform, or missed that train, or been in the next carriage, I probably would have been an art teacher now".[24]

      How does idea density influence the rate of creativity?

      What are the thermodynamics of creativity? I've probably got enough material for a significant book chapter if not perhaps a book on this topic.

      May need a more public friendly name. Burning Creativity?

    3. At one point, Eno had to earn money as paste-up assistant for the advertisement section of a local paper for three months. He quit and became an electronics dealer by buying old speakers and making new cabinets for them before selling them to friends.[12]

      One moment this article describes Eno as eschewing conventional jobs, but then describes him going back to two different ones. The second one as an electronics dealer is at least tangential to his music/sound career and may have helped give him some tools for operating in the space which he wanted to be.

    4. Whilst at school, Eno used a tape recorder as a musical instrument[17]

      I personally did something akin to this when I was a child sometime between 9 and 12 with our family tape recorder. Did I do so because it was simply a creativity tool, which is generally how I used it, in my environment, or had Brian Eno and others' influences seeped into the culture encouraging this? Where does zeitgeist start and stop?

    5. In 1964, after earning four O-levels, including one in art and maths, Eno had developed an interest in art and music and had no interest in a "conventional job".[12]

      When did the definition of a so-called "conventional job" emerge? Presumably after the start of the industrial revolution when people began moving from traditional crafts, home work, farm work, and other general subsistence work.

      What defines a non-conventional job? Does it subsume caring work? What does David Graeber have to say about this in Bullshit Jobs?

    6. In the mid-1970s, he co-developed Oblique Strategies, a deck of cards featuring aphorisms intended to spur creative thinking.
    1. A few years ago I came up with a new word. I was fed up with the oldart-history idea of genius - the notion that gifted individuals turn up out ofnowhere and light the way for all the rest of us dummies to follow. Ibecame (and still am) more and more convinced that the importantchanges in cultural history were actually the product of very large numbers of people and circumstances conspiring to make something new. Icall this ‘scenius’ - it means ‘the intelligence and intuition of a whole cultural scene’. It is the communal form of the concept of genius. This word isnow starting to gain some currency - the philosopher James Ogilvy uses itin his most recent book.

      Book Source: Eno, Brian. A Year With Swollen Appendices: Brian Eno’s Diary. 1st edition. London: Faber & Faber, 1996. Section: A Letter to Dave Stewart, p 354

      Cross reference quote and further usage/refinement of the word from popular blog post by Kevin Kelly Scenius, or Communal Genius: https://hypothes.is/a/SgYqomnBEe2_Yaf4i1JnCg

    1. Scenius is like genius, only embedded in a scene rather than in genes. Brian Eno suggested the word to convey the extreme creativity that groups, places or “scenes”  can occasionally generate. His actual definition is:  “Scenius stands for the intelligence and the intuition of a whole cultural scene. It is the communal form of the concept of the genius.”
    1. I think that there’s also the kind of what Brian Eno called scenius, that there are times like Xerox PARC in the 1970s or Florence during the Renaissance when there are just a number of people in contact with each other, and their ideas spark each other. And again, it’s a matter of building on what has been done before.

      Definition of scenius, a portmanteau of scene and genius, meaning roughly the output of combining the ideas of zeitgeist with combinatorial creativity to create sustained output which might be considered genius level work.

      Generally it gives more credit to the people and time than is generally seen in other instances which are often frame as lone genius.

      My definition may be more complex and nuanced than that of the version coined (?) by Brian Eno.

    1. Genealogy Garage: Researching at the Huntington Library

      <iframe width="560" height="315" src="https://www.youtube-nocookie.com/embed/0f2j2K6JWGg" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
      • Julie Huffman jhuffman@lapl.org (host)
      • Stephanie Arias
      • Anne Blecksmith
      • Li Wei Yang
      • Clay Stalls cstalls@huntington.org

      ECPP

      Huntington Library

      Visit checklist

    1. Can someone point me to a writeup or venn diagram explaining the relationship between the #Fedivers and #IndieWeb?Doing a lot of learning and not afraid to dig in on the protocol level. Do these protocols compete? Interoperate? Complement each other?

      https://mastodon.social/@tbeseda@indieweb.social/109368520955574335

      At a base level, the Fediverse is a subset within the bigger IndieWeb. Parts of the Fediverse, have and support some of the IndieWeb building blocks, but none that I'm aware of support them all. Example: Mastodon has microformats markup, but doesn't support sending webmentions or have micropub support. Currently it's easier for the IndieWeb to communicate into and read the Fediverse, but the Fediverse doesn't do a good job of seeing or interacting with things outside it.

    2. I need to create a sense of obligation on myself, so I'll toot anything I add to my reading queue, hashtag #queued. Then, when I've pushed it along further, I can return to that toot to add my thoughts...

      reply to thread: https://mastodon.social/@mathew@campaign.openworlds.info/109371453439113339

      Perhaps underneath the My Library you need to have an alternate path labeled "Antilibrary". Perhaps that will alleviate a lot of your cognitive dissonance and guilt.

    1. https://thomasmdickinson.github.io/lab-soc-about/

      <small><cite class='h-cite via'> <span class='p-author h-card'>Keeper of the Labyrinth </span> in Keeper of the Labyrinth: "#Mastodon #Hometown #Admin I love documentation…" - Labyrinth.Social (<time class='dt-published'>11/19/2022 01:31:45</time>)</cite></small>

      In putting it together, I looked at a lot of other instances to see what kind of docs and policies they had, so now I want to pay it forward and put it out there for others to use as a basis.

      If you run a small instance or are thinking of doing so, feel free to repurpose what I've put together!

    1. The erupting volcano represents Productive ambiguity. This is where the real work is done at scale. Concepts can be productively ambiguous through straight metaphor, or by mass (media) convergence on a particular term. It resonates with many people.

      New, relatively well-formed ideas may have lost much of their ambiguity to their creators, but they're solid enough to be communicated at scale to others. The newness of the concepts as they're accepted and used by others provides a tremendous level of productive ambiguity as the ideas spread and further solidify and are combined with a broader field of pre-existing ideas.

    2. Creative ambiguity. This is where one part of an idea is fixed, but the other part has a lot of freedom of movement. A good example of this would be appending ‘digital’ or ‘e-‘ to existing ideas – such as ‘e-books’ or ‘digital literacy’. Others can begin to see what the person is getting at.

      As portions of ideas begin to become clear and crystalize, they still maintain some creative ambiguity while the remaining portions aren't necessarily clearly defined. Creatively ambiguous ideas are better defined than generatively ambiguous ones.

    3. The lowest strata represents Generative ambiguity. Here, words are used as symbols for ideas that are very hard to express; an individual gives a name to a nebulous collection of ideas or thoughts. They struggle to make this approach make sense to others.

      Generative ambiguity is the process of giving names, potentially tentative, to a nebulous collection of nascent and unclear ideas in an effort to help make sense of them both to themselves as well as others.

    4. https://dougbelshaw.com/blog/2015/01/22/volcanoes-and-ambiguity/

      <small><cite class='h-cite via'> <span class='p-author h-card'>Aaron Davis </span> in 📑 The Two Definitions of Zettelkasten | Read Write Collect (<time class='dt-published'>11/18/2022 19:54:00</time>)</cite></small>

    1. JohnPhilpin I have read a number of questions from people in different communities I am part of, asking for Podcast recommendations. I don’t think it is an easy question to answer. 1) There are millions of these puppies 2) Because I like something doesn’t mean you will 3) My recommendations this week might be different next - because 'moods' 4) and and and I wrote this post as a starting point. Happy to share my current OPML with anyone who wants it - add a comment below - or email me. Happy to offer my thoughts on what you might like if I know more about what you like. I won't typically offer BIG NAME podcasts.

      https://micro.blog/JohnPhilpin/14165886

      @JohnPhilpin Recommendations can often come cheap, particularly on iTunes where everyone begs for reviews. I prefer hearing about what people actually listened to. What did you invest your time in/on? This is why I sporadically maintain what I call a faux-cast or a feed of podcasts and audio I've actually listened to: https://boffosocko.com/2018/03/08/podcasts-of-things-ive-listened-to-or-want-to-listen-to/

    1. https://medium.com/@ben_fry/tracing-the-origin-65011dc20877

      Could be interesting to apply this sort of process to a variety of texts over time. A draft of Mary Shelley's Frankenstein comes to mind.


      How to view this through the lens of Thomas Kuhn's The Structure of Scientific Revolutions? particularly as this was the evolution of an idea by the same author over time...

    2. The only diagram or image in The Origin of Species, a tree depicting divergence (source)

      Darwin's On the Origin of Species only contains one diagram, a branching tree diagram which shows divergence of species.

    3. he was working on the same theme with Stefanie Posavec. They completed their piece some time later, depicting the changes as lovely branching trees — a kind of homage to Darwin’s lone diagram in the book.

      Greg McInerny of Microsoft Research and Stefanie Posavek created a version of Darwin's On the Origin of Species that displayed variations between the editions as a branching tree diagram, a nod to the only diagram which appeared in Darwin's original work. .

    4. Fifty years ago, coinciding with the centennial of the release of Darwin’s manuscript, author Morse Peckham collected all six editions into a single “variorum” text. Peckham painstakingly created a reference system that denotes the modifications and changes between editions. The text was created by Peckham’s careful enumeration of every sentence from every edition, copied onto index cards; from these cards, he carefully assembled them into a final text.
    1. The final thing I will say is, we have the 2016 model in our mind that, if there's a normie Republican, they get crushed by Donald Trump. Why should a Mike DeWine, not that he's going to run, but why — normie Republicans did way better than the performative Republicans.

      https://www.pbs.org/newshour/show/brooks-and-capehart-on-the-midterm-results-and-what-it-means-trumps-role-in-the-gop#transcript

      video: https://www.youtube.com/watch?v=o8Km_Vyhvww

      David Brooks here (coins?) uses the phrase "normie Republican" to describe Republicans who tend to center rather than to the far right, Christian right, or who are Trump Republicans. Some of those people might describe these normie Republicans as Rhinos (Republicans in name only.)

      Typically I've only seen "normie" used by those who identify as ADHD, Aspergers, or otherwise on the (neurodiverse) spectrum to describe average people who don't display those behaviors.


      Judy Woodruff: So, I just want to be clear. We're using the word normie, as in — this is a David Brooks word, right? (LAUGHTER)

      David Brooks: No, this — I did not invent this. I think two generations below me invented that word. (LAUGHTER)

      Brooks admits he learned the word from others, but he's also using it with a different meaning and context than the original "normie" unadorned.

    1. https://blog.mahabali.me/pedagogy/pedagogical-snacking-transforming-classroom-dynamics/

      Providing a snack break during classes can dramatically improve the participants' participation and cohesion.

    2. And so I’m blogging this to reflect on and record this dynamic, so I never forget this idea of trying the snack break ahead of a “peer feedback” session.

      Providing a snack break before a peer feedback classroom session can dramatically improve the interactions during it.

      This is not dissimilar to conferences providing socializing and snacking time/spaces both at the start of the event and throughout the day.

    3. Building community alone has value.
    1. Dr. Johnathan Flowers @shengokai@zirk.usThis is a good one. My response? These platforms host publics, but are not publics themselves. Publics form through using the affordances of the platforms to give rise to a community of shared interests which enable members to cooperate for mutual flourishing.https://sci

      https://mastodon.social/@shengokai@zirk.us/109352048879045130

      https://sciences.social/@Chanders/109352022415374012

  3. tinysubversions.com tinysubversions.com
    1. A tool that turns Twitter threads into blog posts, by Darius Kazemi.

      https://tinysubversions.com/spooler/

      <small><cite class='h-cite via'> <span class='p-author h-card'>Darius Kazemi</span> in Darius Kazemi: "thread unroller apps" - Friend Camp (<time class='dt-published'>11/16/2022 08:27:44</time>)</cite></small>

    1. manton Interesting post by @simon@simonwillison.net that Mastodon is just blogs. Except Mastodon’s design runs counter to blog features like domain names and custom designs. I’d say Mastodon is more Twitter-like than blog-like… Which is fine, but not the same as a blog-first platform.

      https://micro.blog/manton/14045523

      @manton When I was looking at Fediverse instances the other day I noticed that one of the biggest platforms within it was Write.as, which are more blog centric. Is there a better/easier way for m.b. to federate/interact or serve as a reader for that part of the ecosystem? Perhaps worth exploring?

    1. danielsantos @chrisaldrich thanks for sharing… personally, I tend to associate ZK with Luhman. But I’ll read your shared article later to broaden my perspective :)

      @danielsantos Almost everyone in the space exclusively associates ZK with Luhmann, in part because of the use of the foreign (unfamiliar) German word and the lost cultural memory of the use of card indexes as note taking tools or as commonplace books in index card form. Hopefully we can change this misperception which also opens up these practices to a lot more people with a lot less confusion.

    1. Germany was able to memorialize the Holocaust more easily because there were almost no Jews left to deal with or confront in daily life as the memorialization was done. This is not the case with the descendants of slaves in America who are a sizeable portion of the population in the United States.

      <small><cite class='h-cite via'> <span class='p-author h-card'>Morning Edition </span> in What the U.S. can learn from Germany on grappling with sins of the past : NPR (<time class='dt-published'>11/15/2022 08:31:18</time>)</cite></small>

    1. Hancock's pseudoarchaeological theories are the basis of the Netflix series Ancient Apocalypse, which was released on 10 November 2022. At Netflix, Hancock's son Sean is "senior manager of unscripted originals".[31]
    1. Robert Amsler is a retired computational lexicology, computational linguist, information scientist. His P.D. was from UT-Austin in 1980. His primary work was in the area of understanding how machine-readable dictionaries could be used to create a taxonomy of dictionary word senses (which served as the motivation for the creation of WordNet) and in understanding how lexicon can be extracted from text corpora. He also invented a new technique in citation analysis that bears his name. His work is mentioned in Wikipedia articles on Machine-Readable dictionary, Computational lexicology, Bibliographic coupling, and Text mining. He currently lives in Vienna, VA and reads email at robert.amsler at utexas. edu. He is currenly interested in chronological studies of vocabulary, esp. computer terms.

      https://www.researchgate.net/profile/Robert-Amsler

      Apparently follow my blog. :)

      Makes me wonder how we might better process and semantically parse peoples' personal notes, particularly when they're atomic and cross-linked?

    1. jessekelber @collin oooh, so many great options! My 2 personal favorites would be the LAMY Al-Star and the TWSBI Diamond 580. I'm sure others will offer up other great options, but that's my proverbial $0.02.

      @jessekelber @collin I'll second the Diamond 580, though if they're completely new, the ECO T may be a useful choice as the grip design helps to nudge a better grip for beginners. It's also a little less expensive (if they have fear of breaking or losing their nice new pen), and gives them space to dream upwards without breaking their own bank when you've turned them into a lifelong collector.

    1. danielsantos @chrisaldrich @jean I second this. It would be very nice to have a tagmoji for PKM and it’s apps… I instantly thought about a brain 🧠, though.

      @danielsantos @jean I almost included the brain emoji, but I feel like it's far too closely associated with Tiago Forte's commercial/paid Second Brain courses and book, and doesn't have the feel of written (or even typed/digital) representation of note taking the way the card file box 🗃️ does historically. I've seen many in the zettelkasten space use the card file box emoji regularly and it generally doesn't have any negative connotations that I've seen or am aware of. I've also seen some in the digital gardening spaces make use of some of the plant-related emoji for their notes, but those generally have a more clear cut gardening use case on the web and might otherwise cause confusion. Some of the other logical choices of pens, pencils, and journals are already either in use for those topics or ought to be kept for them if necessary.

    1. https://zettelkasten.social/about

      Someone has registered the domain and it is hosted by masto.host, but not yet active as of 2022-11-13

  4. tantek.com tantek.com
    #TwitterMigration, first time? Have posted notes to https://tantek.com/ since 2010, POSSEd tweets & #AtomFeed. Added one .htaccess line today, and thanks to #BridgyFed, #Mastodon users can follow my #IndieWeb site @tantek.com@tantek.com No Mastodon install or account needed. Just one line in .htaccess: RewriteRule ^.well-known/(host-meta|webfinger).* https://fed.brid.gy/$0 [redirect=302,last] is enough for Mastodon users to search for and follow that @tantek.com@tantek.com username. Took a little more work to setup Bridgy Fed to push new posts to followers. Note by the way both the redundancy & awkwardness (it’s not a clickable URL) of such @-@ (AT-AT) usernames when you’re already using your own domain. Why can’t Mastodon follow a username of “@tantek.com”? Or just “tantek.com”? And either way expanding it internally if need be to the AT-AT syntax. Why this regression from what we had with classic feed readers where a domain was enough to discover & follow a feed? Also, why does following show a blank result? Contrast that with classic feed readers which immediately show you the most recent items in a feed you subscribed to. Lastly (for now), I asked around and no one knew of a simple public way to “preview” or “validate” that @tantek.com@tantek.com actually “worked”. You have to be *logged-in* to a Mastodon instance and search for a username to check to see if it works. Contrast that with https://validator.w3.org/feed/ which you can use without any log-in to validate your classic feed file. Why these regressions from the days of feed readers? - Tantek
    1
  5. view.connect.americanpublicmedia.org view.connect.americanpublicmedia.org
    1. The word “kafala” in Arabic has traditionally been used to describe a social and moral “responsibility to another.”  Researchers Ray Jureidini and Said Fares Hassan write, “kafala contracts were used to protect the weak and vulnerable by instituting the patronage of a prominent local who provided whatever protection was required.” Think of raising an orphaned child, for example. In business, kafala originally referred to contracts where a guarantor assumes liability for another person (e.g. a cosigner for a loan).    Kafala nowadays is often used to describe the legal relationship between businesses and migrant workers. Employers, typically citizens, act as sponsors for workers and assume legal responsibility for their movement and actions in exchange for their right to work in a geographic area. 

      The use of kafala shows a shift from a meaning of social responsibility into a meaning co-opted by capitalism and social contract.

    2. Most of the tourist and sporting infrastructure had to be built at enormous expense — estimates range anywhere from$200 billion to $300 billion. Yet the return on investment for huge events like this is rarely positive. The Olympics are infamously pricey  to put on, and the economic benefits for residents of the host city are questionable.  So, with the big price tag and not much to show in return, why do countries like Qatar, Russia and Brazil offer up billions of dollars to host global sporting events? According to Victor Matheson, a professor of economics at the College of the Holy Cross and a former Major League Soccer referee, they may be seeking to burnish their reputations through international media coverage.   “If you’re putting any sort of significant money into infrastructure like Qatar obviously is doing, there’s just no way you can make that back on ticket sales, on media rights, [or] on the amount of money you make from tourists coming to visit your country,” Matheson said in an interview with Marketplace’s David Brancaccio. “So obviously, you’re hoping for some sort of long-run benefits, some sort of legacy, and often that is an improvement in your reputation, either as a tourist destination or as a world player in some ways.” 

      Alternate thesis for why countries and cities vie to host money-losing events like the World Cup and the Olympics: grift.

      With the necessary need for building infrastructure, there's easy and ample opportunity for cooking the books and pushing cash flow into the pockets of contractors and political figures as well as into the pockets of the governing bodies and their officials.

      Cross reference FIFA bribery

      Some of the money may go into the local economy and workers which is good, but who's really benefitting here? Where is the money going? Who is footing the loss? It can't all be written off to goodwill.

    1. Empiricism was thenew intellectual trend. Before this, just about any difficult question on anysubject at all could find a perfectly acceptable answer in authority of one kind oranother—in ‘It is God’s will’, rather than ‘Let’s find out’.
    2. two streams of thought which run through the history of education—they areusually called the progressive and the formal.
    1. Those sticking with Musk must be prepared to work “maniacally,” he says, to support whatever move he makes next, creating an ongoing environment where employees can’t easily predict their day to day, which experts say makes it even more likely that turnover will remain high.

      A billionaire following a $44 billion dollar company purchase pushing employees to work "maniacally"? As if they weren't working hard before?

      What value did he possibly see here?

    2. “If you have a compelling product, people will buy it,” Musk told staff. “That has been my experience at SpaceX and Tesla.”

      Alternately, if you have toxic leadership, employees will leave and the company will collapse.

    1. Athens Research is winding down their note taking application.

      Potentially the first of more to come?

      Athens the OSS project is winding down. The company is still operating, but taking time to reset and explore new ideas. Open to chats and convos. Thanks all ❤️ https://t.co/Y7ROM86WSy

      — Jeff Tang 🏛 (Ohio) (@tangjeff0) November 11, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. https://commoncog.com/

      If you're:<br><br>- An independent consultant<br>- A systems thinker<br>- Trying to change organizations<br>- Interested in theory & practice<br><br>Then you'll love CommonCog

      — Tom Critchlow (@tomcritchlow) November 9, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. Kirschner, Paul, and Carl Hendrick. How Learning Happens: Seminal Works in Educational Psychology and What They Mean in Practice. 1st ed. Routledge, 2020. https://www.routledge.com/How-Learning-Happens-Seminal-Works-in-Educational-Psychology-and-What-They/Kirschner-Hendrick/p/book/9780367184575.

      The Ten Deadly Sins of Education by @P_A_Kirschner & @C_Hendrick <br><br>Multitasking was v interesting to read about in their book! Learning pyramid & styles still hang around, sometimes students find out about learning styles & believe it to be true so it's important to bust myths! pic.twitter.com/Kx5GpsehGm

      — Kate Jones (@KateJones_teach) November 10, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. Dave Lane at OERu where they have been running an instance for a few years at https://mastodon.oeru.org/ – he has some Docker stuff written - he is super generous / helpful

      <small><cite class='h-cite via'> <span class='p-author h-card'>cogdog</span> in How About A Fediverse Space? - Feature Requests - Reclaim Hosting Community Forums (<time class='dt-published'>11/11/2022 11:32:46</time>)</cite></small>

    1. To create accurate animations, we generate the speech, run it through our in-house speech recognition and pronunciation models, and get the timing for each word and phoneme (speech sound). Each sound is mapped onto a visual representation, or viseme, in a set we designed based on linguistic features.

      viseme, an atomic speech visualization of a particular phoneme

    1. Nostalgia, a sentimental longing for one's past, predicts or augments psychological wellbeing (PWB).

      Could this, in part, be behind some of the bump for slogans like "Make America Great Again" by looking back to an imagined past?


      Kelley, Nicholas J., William E. Davis, Jianning Dang, Li Liu, Tim Wildschut, and Constantine Sedikides. “Nostalgia Confers Psychological Wellbeing by Increasing Authenticity.” Journal of Experimental Social Psychology 102 (September 1, 2022): 104379. https://doi.org/10.1016/j.jesp.2022.104379.

    1. He outspent Bass by very wide margins, largely using his own money (see below).

      https://laist.com/news/politics/2022-election-california-general-live-results-los-angeles-city-mayor-bass-caruso

      What the hell is Rick Caruso doing spending over $100M!! to defeat Karen Bass? He put in $101,477,500 of his own money along with $3.4M from a group opposing Bass compared to Bass's roughly $18M raise.

      So many better things he could have done with that money, if in fact, people really think that he's got ideas that will actively make the city better.

      Caruso outspent Bass 5 to 1.

      Caruso spent $400 per vote for the 252,476 votes he got (as of 2022-11-09 9:24 AM).

    1. https://web.archive.org/web/20061012215828/http://www.chass.utoronto.ca/~klausner/part.html

      Check-list of common particles

      GMW=D. Simon Evans Grammar of Middle Welsh (Dublin, 1964)

      Y

      • definite article (yr before vowels and h), GMW 24.
      • unstressed possessive pronoun, masc. or fem., sing. or pl., GMW 53.
      • preposition 'to' (inflected forms, GMW 60; can take infixed pronoun).
      • oblique relative particle, used when relative stands in genitival relationship, or is governed by a preposition, adverb, or nominal predicate. GMW 64ff.
      • conjunction 'that' (yd before vowels), GMW 171.
      • y (4) + y (2 or 5) = y.
      • affirmative preverbal particle (also appears as yd, ydd, ytt), GMW 171.

      A

      • affirmative preverbal particle, especially to support infixed pronoun, GMW 171.
      • relative pronoun/particle, GMW 172.
      • preposition 'with' (can take infixed pronoun), GMW 181.
      • conjunction 'and' (can take infixed pronoun), GMW 230.
      • variant of 'o', preposition 'of, from', GMW 205.
      • interrogative particle, GMW 174.
      • vocative particle (interjection), GMW 245.
      • 3 sing. pres. ind. of 'mynet', GMW 132.

      O

      • preposition 'of, from' (inflected forms, GMW 59); can take infixed pronoun.
      • conjunction 'if', GMW 240.
      • interjection 'alas', GMW 245.
      • in composite prepositions, GMW 205-6.
    1. brief review:

      Some interesting material that one doesn't hear in the broader media. I had wished there would have been more solutions in the end, but honestly simply debunking the broadly held myths by itself is a tall enough order to shift the conversation.

      More of the material here should be commonly known and discussed. American can definitely do a better job than sticking to the myths of our past.

      I've been reading David Graeber's Bullshit Jobs at the same time as this and the two make interesting companions.

    Tags

    Annotators

    1. There are student editions of the poems of Dafyd ap Gwilym, and of Y Gododdin, the strange, and rather difficult medieval Welsh epic poem about the battle of the men of the north at Catraeth, part of the Welsh contribution to Celtic Arthurian literature.
    2. Geiriadur Prifysgol Cymru The Really Big Welsh dictionary, the Welsh equivalent of the OED
    3. Rachel Bromwich and Simon Evans have recently re-edited Culwch ac Olswen, this time including the text in Welsh and the notes in English, and a glossary.
    4. the Pedeir Keinc y Mabinogi edited by Ifor Williams from the White Book manuscript is still the standard edition of the four branches; it includes lengthy notes as well as the edited text, all in Welsh.