18,755 Matching Annotations
  1. Nov 2022
    1. https://dainty-sable-264aa3.netlify.app/project/measuring_thinking_tools.html

      Openness should be broken out into smaller subsections to highlight the importance of supporting standards as a primary item by itself. Many of these axes are easier, low-hanging fruit that developers will iterate on anyway. Focusing on the harder and more subtle features like standards is a better way to go for the audience that can really use this now.

      Many of these axes are better for a commercial market.

    1. Leeson, R. A. Travelling Brothers: The Six Centuries’ Road from Craft Fellowship to Trade Unionism. London: G. Allen & Unwin, 1979.

      https://www.goodreads.com/book/show/4467218-travelling-brothers

      Suggested by Jerry Michalski on 2022-11-02

    1. Language/location related Mastodon Instances:

      • https://ailbhean.co-shaoghal.net/
        • This server is aimed at Gaelic speakers. Tha am frithealaiche seo ann do luchd na Gàidhlig.
      • https://mastodon.scot
        • A community primarily intended for (but not limited to) people in Scotland or who identify as Scottish.
      • https://mastodon.ie/
        • Irish Mastodon
      • https://toot.wales
        • Twt is the free and open community for Wales and the Welsh, at home and abroad.
    2. Directory of Mastodon and related servers that operate primarily in or are targeted to a locality or region
    1. Can we all agree that Zettelkasten note-taking is probably WAY more complexity than we need as creators?<br><br>Here's how to take the best parts & leave the rest to the academics pic.twitter.com/LFnAeBkbpG

      — ⚡️ Ev Chapman 🚢 | Creative Entrepreneur (@evielync) February 21, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. Interesting. So it's like an analog CRM? Multiple people have brought this type of thing up.

      reply to u/sscheper<br /> https://www.reddit.com/r/antinet/comments/yka3ro/vintage_yawman_and_erbe_card_index_filing_systems/

      These were commonly used for what we now call CRM as well as for accounting, general filing, and all sorts of business and back office use cases in the early 20th century which are now handled by computers. A dozen or so companies made large wooden and metal index card filing cabinets and sold them by the truckload to businesses of every sort.

      A lot of the digiterati are just repeating and attempting to reinvent these sorts of ideas using Obsidian, Notion, etc.

    1. fulgence LANGUAGE FAMILY: indo-european > italic > latinORIGIN: latin NAME ROOT: FULGĕO > FULGENS / FULGēRE > FULGENTIUSMEANING: This name derives from the Latin “fulgĕo > fulgens / fulgēre > Fulgentius”, meaning “illustrious, beautiful, famous, shine brightly, glitter, sparkle”. Fabius Planciades Fulgentius was a Latin writer of late antiquity. Four extant works are commonly attributed to him, as well as a possible fifth which some scholars include in compilations with much reservation. His mytho-graphic work was greatly admired and highly influential throughout much of the medieval period, but is viewed with little favor today.

      in relation to the character in the satire Penguin Island by Anatole France who dies by zettelkasten

      Naturally a tapir is the nocturnal hoofed mammal with a stout body, sturdy limbs, and a short flexible proboscis, native to the forests of tropical America and Malaysia.

      So the name Fulgence Tapir is essentially "a sparkling foraging pig".

    1. Tout introduced original research into the undergraduate programme, culminating in the production of a Final Year thesis based on primary sources.[7]

      Thomas F. Tout, one of the founders of the Historical Association, was one of the first professors to introduce original research into the undergraduate program in the early 1900s.

    1. https://en.wikipedia.org/wiki/Charles_Johnson_(historian)

      Charles Johnson wrote a manual with some general advice about zettelkasten, note taking, and indexing:<br /> The Mechanical Processes of the Historian, Helps for Students of History (London: Society for the Promotion of Christian Knowledge, 1922)

    1. raphy. Surely the fault of that savant was not neglecbut over-confidence in the virtue of the fiche, and the true morthat there is no necessary salvation in the fiche and the card-indTh

      Surely the fault of that savant was not neglect, but over-confidence in the virtue of the fiche [index card], and the true moral is that there is no necessary salvation in the fiche and the card-index [aka zettelkasten].

      Here the author is referencing part of the preface of Anatole France's book Penguin Island (1908) where a scholar drowns in a whirlpool of index cards.

      see: https://hypothes.is/a/rYHu0FQZEe2mm4_z4pvWLw

    2. es the sad fate of M. Fulgence Tapir to his neglecting the mechaniside of historiography.

      neglecting the mechanical side of historiography

      the mechanical side of historiography is a round about way of saying note taking using a card index or zettelkasten.

    3. e. T. F. T.

      What is this editor's actual name?

      My first guess is "Tools for Thought", but that can't be right. 🤣

    4. le guidance. It has even a touch ohumour in it, as when he remarks, " Saints, Popes, Kings, Jews aWelshmen may be regarded as having no surnames " ; and the woerr
    5. This is a doctrine so practically important that we could have wismore than two pages of the book had been devoted to note-takiand other aspects of the " Plan and Arrangement of CollectionsContrariw

      In the 1923 short notices section of the journal History, one of the editors remarked in a short review of "The Mechanical Processes of the Historian" that they wished that Charles Johnson had spent more than two pages of the book on note taking and "other aspects of the 'Plan and Arrangement of Collections'" as the zettelkasten "is a doctrine so practically important" to historians.

    6. T., T. F., A. F. P., E. R. A., H. E. E., R. C., E. L. W., F. J. C. H., and E. J. C. “Short Notices.” History 8, no. 31 (1923): 231–37.

    1. <small><cite class='h-cite via'> <span class='p-author h-card'>atomicnotes </span> in Death by Zettelkasten: a haunting story of information overload! : Zettelkasten (<time class='dt-published'>11/01/2022 12:03:47</time>)</cite></small>

      T., T. F., A. F. P., E. R. A., H. E. E., R. C., E. L. W., F. J. C. H., and E. J. C. “Short Notices.” History 8, no. 31 (1923): 231–37.

    1. He earned the nickname "The Killer" — not for his music or wild life, but because that's what he called everybody else when he couldn't remember their names. So that's what they called him.
    2. his 1964 album Live At The Star-Club Hamburg, recorded by the Dutch label Philips as part of a series of live recordings from the German venue, and about which Rolling Stone Magazine later raved, "It's not an album, it's a crime scene ... with no survivors but The Killer."

      what a great review...

    3. She told WHYY's Fresh Air in 1989 that her husband was a walking contradiction — a wild man on stage, boozing and womanizing, who wouldn't allow a drop of alcohol in his own home.
    4. Lewis made it through a just a few tour dates before succumbing to the press and public's censure, and retreated back to the U.S. That doesn't mean that he was ever publicly regretful. His marriage to Myra lasted a decade
    5. I just loved the blues. It was the real thing. I kinda always figured I was the real thing too."
    1. Zettelkasten for technical sciences .t3_yibchw._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to: https://www.reddit.com/r/Zettelkasten/comments/yibchw/zettelkasten_for_technical_sciences/

      Presumably you've been the member of or seen a journal club/discussion group for scientific articles, and if not, you could start your own journal club (with yourself) using a zettelkasten by excerpting ideas from what you read, annotating them, writing down open questions, thoughts about what researchers get right/wrong, what could be done better, etc. A zettelkasten practice can be highly fruitful in the sciences. Carl Linnaeus, Newton, and Leibnitz (among many others) had similar looking practices.

    1. https://zettelkasten.de/posts/luhmanns-zettel-translated/

      Sascha's German to English translation of Luhmann's zettelkasten section ZK II / 9/8.

      https://niklas-luhmann-archiv.de/bestand/zettelkasten/zettel/ZK_2_NB_9-8_V

    2. Topic: Communication with the Zettelkasten: How to get an adequate partner, junior partner? – important after working with staff becomes more and more difficult and expensive. Zettel’s reality

      The best and most challenging communication partner you may experience is a version of your past self. A searchable set of notes is the closest approximation of this one is likely to find.

    3. Zettelkasten with the complicated digestive system of a ruminant. All arbitrary ideas, all coincidences of readings, can be brought in. The internal connectivity then decides.

      another in a long line of using analogizing thinking to food digestion.... I saw another just earlier today.

    4. The Zettelkasten Method is based on this experience: One cannot think without writing - at least not in demanding contexts that anticipate selective access to memory. This also means: without notching differences one cannot think.

      Sönke Ahrens roughly quoted this passage or one like it (check the reference), but I criticized it for not being inclusive of indigenous people or oral methods. Luhmann, however, went further and was at least passively more inclusive by saying that one needs to be able to "notch differences" to be able to think, and this is a much better framing.

    5. On the general organisation of memory see Ashby 1967, p103. It is therefore important that one is not dependent on a myriad of point-by-point accesses, but to be able to rely on relations between notes, i.e. on references that make more available at once than one has in mind when following a search impulse or fixating on a thought

      Fascinating to see Ashby pop up in Luhmann's section on zettelkasten in part because Ashby had a similar note taking practice, though part notebook/part index card based, and was highly interested in systems theory.

  2. Oct 2022
    1. Pomeroy, Earl. “Frederic L. Paxson and His Approach to History.” The Mississippi Valley Historical Review 39, no. 4 (1953): 673–92. https://doi.org/10.2307/1895394

      read on 2022-10-30 - 10-31

    2. A recent writer has called attention to apassage in Paxson's presidential address before the American Historical Associationin 1938, in which he remarked that historians "needed Cheyney's warning . . . not towrite in 1917 or 1918 what might be regretted in 1927 and 1928."

      There are lessons in Frederic L. Paxson's 1938 address to the American Historical Association for todays social media culture and the growing realm of cancel culture when he remarked that historians "needed Cheyney's warning... not to write in 1917 or 1918 what might be regretted in 1927 and 1928.

    3. After his retirement in 1947 the Carnegie Corporation of New York persuadedhim to write a history of American state universities, which came to interest him in-tensely. At the end of a year he had written half of the book and sorted his lastnotes. He notified the university administration that he was unable to complete thejob before leaving his study for the hospital where he died, October 24, 1948. Thevolume is being completed by one of his students, Professor Walton E. Bean of theUniversity of California.

      Even following his retirement in 1947, Paxson continued to take notes specifically on education for a project which he never got to finish before he died in hospital on October 24, 1948.

    4. Thus Paxson was not content to limit historians to the immediateand the ascertainable. Historical truth must appear through some-thing short of scientific method, and in something other than scien-tific form, linked and geared to the unassimilable mass of facts.There was no standard technique suited to all persons and purposes,in note-taking or in composition. "The ordinary methods of his-torical narrative are ineffective before a theme that is in its essen-tials descriptive," he wrote of Archer B. Hulbert's Forty- Niners(1931) in 1932. "In some respects the story of the trails can notbe told until it is thrown into the form of epic poetry, or comes un-der the hand of the historical novelist." 42

      This statement makes it appear as if Paxson was aware of the movement in the late 1800s of the attempt to make history a more scientific endeavor by writers like Bernheim, Langlois/Seignobos, and others, but that Pomeroy is less so.

      How scientific can history be as an area of study? There is the descriptive from which we might draw conclusions, but how much can we know when there are not only so many potential variables, but we generally lack the ability to design and run discrete experiments on history itself?

      Recall Paxson's earlier comment that "in history you cannot prove an inference". https://hypothes.is/a/LIWSoFlLEe2zUtvMoEr0nQ

      Had enough time elapsed up to this writing in 1953, that the ideal of a scientific history from the late 1800s had been borne out not to be accomplished?

    5. I am not much like Turner ; but I believe that I am like him in that Iam aware that in history you cannot prove an inference. You cannotprove causation, much as you crave to do it. You may present sequencesof events, whose relationship suggests a link-up of cause and consequence ;

      you may carry on the inquiry for a lifetime without discovering other events inconsistent with the hypothesis which has caught your eye. But you can never get beyond a circumstantial case. . . .<br /> "A Footnote to the Safety-Valve," August 15, 1940, Paxson Papers (University of California Library, Berkeley)

    6. McMaster's Stephen Girard(1918), he said, was a "series of anecdotes . . . without connection"and with little interpretation or analysis." In Rhodes's last twovolumes the facts rarely appeared "to have meaning or to be partsof a coherent structure." " "No simple theme, like that whichdominated his great work, is apparent here. Mr. Rhodes has notseen any constructive unity in the years he covers. Instead of mak-ing a synthesis that would of itself lead the reader to a clearerunderstanding of American history . . . , he has developed his topicsparagraph by paragraph, with often abrupt transition from themeto theme." 26 His failure in the final product followed,

      Paxson would have considered it a failure in note taking to have only compiled but not to have synthesized one's accumulated knowledge.

      Why take notes if one is not going to use them to some end, whether that be personally in one's life, or to extend and expand the depth and breadth of human knowledge by analyzing and synthesizing the ideas to create something new for others' benefit?

    7. Paxson wrote several unusually sharp reviews of books by Mc-Master, Rhodes, and Ellis P. Oberholtzer, historians whose methodshave been compared with his own

      Examples of other historians who likely had a zettelkasten method of work.


      Rhodes' method is tangentially mentioned by Earle Wilbur Dow as being "notebooks of the old type". https://hypothes.is/a/PuFGWCRMEe2bnavsYc44cg

    8. the writer of "scissors and paste history" ;

      One cannot excerpt their way into knowledge, simply cutting and pasting one's way through life is useless. Your notes may temporarily serve you, but unless you apply judgement and reason to them to create something new, they will remain a scrapheap for future generations who will gain no wisdom or use from your efforts.

      relate to: notes about notes being only useful to their creator

    9. The Verdict of History," he scrawled on anote : "There is none — . . . Apart from verif of facts There is noverdict only onesided testimony." "

      Note, n.d. (probably made during the 1920's), unsorted, Paxson File.

    10. He felt that the Beards had gonetoo far in making their facts "generally incidental to some conclu-sion that has pre-determined their selection and arrangement." 1

      One can easily leave out bits of evidence or cherry pick evidence to arrive at a given a priori conclusion. The truest thinker or historian will use the fullest context of evidence available at the time to arrive at their conclusion.

      Naturally, additional evidence and emergent effects as history unfolds may change some of these conclusions over time.

    11. "Say what one may of historical philos-ophy," he wrote in 1926, "history is a matter of facts; and theestablishment of facts, desiccated as they may be, is the chief func-tion of the genuine historian."

      Review of John B. Black, The Art of History; A Study of Four Great His- torians of the Eighteenth Century (New York, 1926), New York Herald Tribune Books, December 12, 1926, p. 12.

    12. On the whole, his efficiency probablyreduced the time required for taking and filing notes to the amountother historians spent in note-taking alone. What he wrote in hisnotes was brief, and yet specific enough so that he saved himself thejob of searching at length for what he had read. His mind was freeto reflect and appraise.

      Earl Pomeroy suggests that Paxson's note taking method freed his mind to better reflect and appraise his work. This allows a greater efficiency of work, particularly when it comes to easier search and recall as well as the overall process which becomes easier through practice.

    13. he kepthis note pads always in his pocket

      The small size and portability of index cards make them easy to have at hand at a moment's notice.

    14. He took it toWashington when he went into war service in 1917-1918;

      Frederic Paxson took his note file from Wisconsin to Washington D.C. when he went into war service from 1917-1918, which Earl Pomeroy notes as an indicator of how little burden it was, but he doesn't make any notation about worries about loss or damage during travel, which may have potentially occurred to Paxson, given his practice and the value to him of the collection.

      May be worth looking deeper into to see if he had such worries.

    15. He had a separate bibliographical file,kept in six scantily filled drawers in his coat closet, and it is obvious

      that he used it little in later years. His author-title entries usually went into the main file, after the appropriate subject index cards.

      This is a curious pattern and not often seen. Apparently it was Paxson's practice to place his author-title entries into his main file following the related subject index cards instead of in a completely separate bibliographical file. He did apparently have one comprised of six scantily filled drawers which he kept in his coat closet, but it was little used in his later years.


      What benefits might this relay? It certainly more directly relates the sources closer in physical proximity within one's collection to the notes to which they relate. This might be of particular beneficial use in a topical system where all of one's notes relating to a particular subject are close physically rather than being linked or cross referenced as they were in Luhmann's example.

      A particular color of cards may help in this regard to more easily find these sources.


      Also keep in mind that Paxson's system was topical-chronological, so there may also be reasons for doing this that fit into his chronological scheme. Was he filing them in sections so that the publication dates of the sources fit into this scheme as well? This may take direct review to better known and understand his practice.

    16. While he didnot attempt to write down all that he thought and knew, apparentlyhe was seldom if ever at a loss to find a place for a note. He filedaway successive series of lecture notes, notes that he took on seminarreports, even notes on the scenery that he saw from a train.

      notes on pretty much everything....

      shows a more commonplace practice rather than just a zettelkasten focusing on his direct work.

    17. he also put the scraps to-gether into patterns that fascinated his students.
    18. Onesuspected that Paxson's love for his work may have tempted him tolabor too long, and that he established a schedule to protect him-self and the keenness of his mind, to keep himself from his deskinstead of at it, as is some men's purpose.

      Pomeroy suspects that Paxson may have kept to a strict work schedule to keep his mind sharp, but he doesn't propose or suspect that it may have been the case that Paxson's note taking practice was the thing which not only helped to keep his mind sharp, but which allowed him the freedom and flexibility to keep very regular work hours.

    19. The mass of Paxson's paper work may appear more clearly nowthan the zest with which he labored, but the essence of his methodwas in the spirit rather than in the product.

      Ahrens and others following him have argued that there is a sort of lightness imbued both in one's thinking processes and life by making and accumulating notes. The cognitive load is lessened by offloading one's thoughts onto pieces of paper that can be revised, compared, and juxtaposed as a means of building some written or creative endeavor, even if it's slowly over time.

      Frederic L. Paxson's mode of life made this seem to be the case for him. There is evidence that he was easier able to manage his daily life by his note taking system. He accumulated no work on his desk and carried none home and was able to more easily give his attention to others.

      Is this a result of breaking things down into tiny, bite sized chunks that were difficult to actually interrupt?

      Was it the system or his particular temperament? Are there other examples of this easier mode of life for note takers? Is there a pattern? What portions can be attributed to the system and one's ability to stick to it versus their particular temperaments?

      Other than small examples in my own life, this may be one of the first examples I've seen of this mode of work. Definitely worth looking at others.

    20. November 7, 1916: "I expect to vote for Woodrow Wilson

      I wonder if others use the sense making features of a note card system to think through their voting decisions? This seems an interesting and useful exercise which Paxson has done.

    21. And our president must be teacher as well as doer.

      Our president must be in equal measures a teacher, a leader, and a doer.

    22. None of these notes wasever used in his writing; probably they were taken with no thoughtof specific use, but out of absorption in the American scene.

      It's quite likely that one will take a large number of notes with no immediate goal or plan for use and this is completely acceptable. Often these notes go towards the more immediate goal of forming one's own understanding and setting of a broader tableau for material one will write in the future.

    23. "Do not take out of a secondarywork a paragraph or its substance and incorporate it in your work. . . . Use it if youmust, but restate it in your own terms, and make its form entirely yours. Give thefootnote of course but remember that you must be the author."

      Paxson advised that one should completely know, understand, and own one's sources and materials so that they would be able to act as auteur when relaying those ideas in their own theses.

    24. "There is no reason why a writer should not useopenly . . . the contributions of a corps of helpers," he said ofJames Ford Rhodes ; "but the result of such historical method isunlikely to be volumes that reveal unity of historical constructionor the ripe judgment and point of view that come only to the writerwho has done his own selecting and discarding among the sources."

      Review of James Ford Rhodes, History of the United States From Hayes to McKinley, 1877-1896 (New York, 1919), American Historical Review (New York), XXV (April, 1920), 525. Paxson sometimes filed notes handed in by students in the course of routine checks on their work (to about 1913), and he regularly took notes on students' oral seminar reports, but he apparently did not depend on such notes. On the other hand, he often went out of his way, in his own writings, to refer to related works by his students.

      This almost sounds like he's proposing an auteur theory for historical studies rather than film studies.

    25. Note, "Quotations: make them brief," n.d., unclassified, Paxson File, and note,"Your sentences must be your own." "A long quotation burdens your text. Theprinter commonly puts it in a different type and indicates that it is a thing apart.The quotation will be most effective when it is brief and pertinent and may beamalgamated in your own paragraph. The more completely you understand yoursources the more aptly & gracefully you will quote." "Do not take out of a secondarywork a paragraph or its substance and incorporate it in your work. . . . Use it if youmust, but restate it in your own terms, and make its form entirely yours. Give thefootnote of course but remember that you must be the author."

      Paxson doesn't directly indicate to rewrite for one's own digestion and understanding process, but hints at it strongly when he says that "Your sentences must be your own." By making and owning your sentences, you ought to have completely understood the ideas and made them a part of you prior to transmitting them back along to others.


      Under Paxon's framing and knowing that he also sometimes held onto is notes for a while before forming final opinions, one's notes, even when public (like my own are), are still just partial truths of thought caught in the moment. It takes further digestion and juxtaposition with additional thoughts which are later rewritten in longer form to make articles, books, etc.


      Note taking is a process of sense making seeking out the truth of a situation.

    26. the author must not merely articulate his sources; he mustdigest them. A long passage quoted or closely followed "remainsan undigested bit of foreign matter." "Over quotation may meanunder thought."
    27. A note system, he told his stu-dents, should permit rearrangement and study of notes in differentrelationships "until the fact itself is brought out against the back-ground in all its important details."
      1. Note headed "notes," n.d., Paxson File, unclassified.
    28. Hethus followed, over a wider range of data than any one man couldhope to use fully, the advice that he sometimes gave in reviews,that a historian should work fully through the background material.

      Frederic L. Paxson frequently advised that a historian should work fully through the background material.

    29. At all events notes on news-papers comprise the greater part of the Paxson note collection
    30. He was impressed by the difference between written history and(though he did not use the phrase) what Charles A. Beard called"history as actuality"
    31. s notes accumulated, hefiled them under new and subsidiary headings, with cross-references(on the index card) to related headings, which might be numerousand many years remote.
    32. he file wascomplex enough, and the task it represented was large enough, sothat few of his sixty-five doctors, who watched the file grow in theseminar as part of the historical laboratory process, have main-tained full files of their own.

      Owing to the size and complex nature of Paxson's note collection which he used and demonstrated to his students in his teaching and historical laboratory process, few of the sixty-five doctors who studied under him maintained files of their own.

    33. he three-by-five inch slipsof thin paper eventually filled about eighty wooden file drawers.And he classified the notes day by day, under topical-chronologicalheadings that eventually extended from 4639 B.C. to 1949, theyear after his death.

      Frederic L. Paxson kept a collection of 3 x 5 " slips of thin paper that filled eighty wooden file drawers which he organized using topical-chronologic headings spanning 4639 BCE to 1949.

    34. Occasionally he noted down what he heard and saw aswell as what he read, and sometimes what he said and did, althoughhe also kept a diary in separate form.

      In addition to an extensive note collection, Paxson kept a separate diary, indicating a different practicing in a different form.

    35. The notes that Paxson left are unique both inscope and in organization. They span his professional lifetime,from the years when he studied colonial history with Channing atHarvard and taught ancient and medieval history at the College ofColorado

      span of note taking

    36. Most men's notes are useless stuff to others, useless even to them-selves with the passage of time, and useless especially because ofchaotic arrangement.
    37. tie left, however, a record of his own approach to theproblems of writing history in his book reviews, which with hisarticles are probably his most characteristic writings, and in a half-century's accumulation of notes that he used in writing his books,and that he might have used in writing other books.

      half-century's accumulation of notes

    38. Turner'

      The author seems to take for granted that we know who Turner is. Would have been nice to have his full name up front at least.

      https://en.wikipedia.org/wiki/Frederick_Jackson_Turner

    Tags

    Annotators

    1. It is possible this Miscellany collection was assembled by Schutz as part of his own research as an historian, as well as the letters and documents collected as autographs for his interest as a collector;

      https://catalog.huntington.org/record=b1792186

      Is it possible that this miscellany collection is of a zettelkasten nature?

      Found via a search of the Huntington Library for Frederic L. Paxson's zettelkasten

    1. Frederick Jackson Turner died in 1932 in Pasadena, California,[1] where he had been a research associate at the Huntington Library.
    2. Turner's sectionalism essays are collected in The Significance of Sections in American History, which won the Pulitzer Prize in History in 1933. Turner's sectionalism thesis had almost as much influence among historians as his frontier thesis, but never became widely known to the general public as did the frontier thesis. He argued that different ethnocultural groups had distinct settlement patterns, and this revealed itself in politics, economics and society.

      Was sectionalism discussed or mentioned in Colin Woodard's American Nations (2011) as part of an underlying piece of his thesis about American history? It seems applicable.

    3. Turner was never comfortable at Harvard; when he retired in 1922 he became a visiting scholar at the Huntington Library in Los Angeles, where his note cards and files continued to accumulate, although few monographs got published. His The Frontier in American History (1920) was a collection of older essays.

      Where did Turner's note cards and files end up? Are they housed at the Huntington Library? What other evidence or indication is there that this was an extensive zettelkasten practice here?

    4. His best known publication is his essay "The Significance of the Frontier in American History," the ideas of which formed the frontier thesis. He argued that the moving western frontier exerted a strong influence on American democracy and the American character from the colonial era until 1890.
    1. Thomas, Keith. “Diary: Working Methods.” London Review of Books, June 10, 2010. https://www.lrb.co.uk/the-paper/v32/n11/keith-thomas/diary.

      Historian Keith Thomas talks about his methods of note taking and work as a historian. A method which falls into the tradition of commonplacing and zettelkasten, though his was in note taking and excerpting onto slips which he kept in envelopes instead of notebooks or a card index.

    2. It is only too easy to misapply excerpted passages by taking them out of their original context. Ideally, I should have followed the technique, recommended as long ago as 1615 by the learned Jesuit Francesco Sacchini, of always making two sets of notes, one to be sliced up and filed, the other to be kept in its original form.

      Francesco Sacchini advised in 1615 that one should make two sets of notes: one to be cut up and filed, and the other kept in it's original form so as to keep the full context of the original author's context.


      This is broadly one of the values of note taking in Hypothes.is. One can take broader excerpts of an authors' works as well as maintain links for fuller context to reconsult, but still have the shorter excerpts as well as one's own notes.

    3. ‘What tho’ his head be empty, provided his common-place book be full?’ sneered Jonathan Swift.
    4. For without a clear conceptual plan, an accumulation of excerpts, what Milton called ‘a paroxysm of citations’, can rapidly become a substitute for thought.
    5. I feel sympathy for Robert Southey, whose excerpts from his voracious reading were posthumously published in four volumes as Southey’s Common-Place Book. He confessed in 1822 that,Like those persons who frequent sales, and fill their houses with useless purchases, because they may want them some time or other; so am I for ever making collections, and storing up materials which may not come into use till the Greek Calends. And this I have been doing for five-and-twenty years! It is true that I draw daily upon my hoards, and should be poor without them; but in prudence I ought now to be working up these materials rather than adding to so much dead stock.
    6. In his essay ‘On Intellectual Craftsmanship’, appended to his The Sociological Imagination (1959), C. Wright Mills reassuringly remarks that ‘the way in which these categories change, some being dropped and others being added, is an index of your intellectual progress ... As you rearrange a filing system, you often find that you are, as it were, loosening your imagination.’

      One's notes are an index of their intellectual progress. In sorting through and re-arranging them one "loosens their imagination".

    7. As Francis Bacon warned long ago, ‘One man’s notes will little profit another.’
    8. The awful warning is Lord Acton, whose enormous learning never resulted in the great work the world expected of him. An unforgettable description of Acton’s Shropshire study after his death in 1902 was given by Sir Charles Oman. There were shelves and shelves of books, many of them with pencilled notes in the margin. ‘There were pigeonholed desks and cabinets with literally thousands of compartments into each of which were sorted little white slips with references to some particular topic, so drawn up (so far as I could see) that no one but the compiler could easily make out the drift.’ And there were piles of unopened parcels of books, which kept arriving, even after his death. ‘For years apparently he had been endeavouring to keep up with everything that had been written, and to work their results into his vast thesis.’ ‘I never saw a sight,’ Oman writes, ‘that more impressed on me the vanity of human life and learning.’

      Lord Acton read widely and collected notes which he kept in pigeonholed desks and cabinets with thousands of compartments. Sadly he died in 1902 without having written anything using them, and being only made sense of by the compiler were broadly useless.

    9. It is possible to take too many notes; the task of sorting, filing and assimilating them can take for ever, so that nothing gets written.
    10. As Beatrice Webb rightly said, the very process of shuffling notes can be intellectually fertile.

      Keith Thomas indicates that through his personal experience that Beatrice Webb was right in saying that "shuffling notes can be intellectually fertile."

    11. Unfortunately, such diverse topics as literacy, numeracy, gestures, jokes, sexual morality, personal cleanliness or the treatment of animals, though central to my concerns, are hard to pursue systematically. They can’t be investigated in a single archive or repository of information. Progress depends on building up a picture from a mass of casual and unpredictable references accumulated over a long period. That makes them unsuitable subjects for a doctoral thesis, which has to be completed in a few years. But they are just the thing for a lifetime’s reading. So when I read, I am looking out for material relating to several hundred different topics. Even so, I find that, as my interests change, I have to go back to sources I read long ago, with my new preoccupations in mind.

      For a variety of topics and interests there are not archives of information that can be consulted or referenced. As a result one must slowly, but methodically collect this sort of information over a lifetime to be able to analyze it and build theses.

    12. Periodically, I file them away in old envelopes, devoting a separate envelope to each topic.

      Filing notes away in envelopes, while keeping them safely collected together, puts them both out of site and out of mind. It may also take longer to retrieve them and make them less accessible to use and reuse.

    13. another long forgotten manual for students, History and Historical Research (1928) by C.G. Crump of the Public Record Office: ‘Never make a note for future use in such a form ... that even you yourself will not know what it means, when you come across it some months later.’
    14. Filing is a tedious activity and bundles of unsorted notes accumulate. Some of them get loose and blow around the house, turning up months later under a carpet or a cushion. A few of my most valued envelopes have disappeared altogether. I strongly suspect that they fell into the large basket at the side of my desk full of the waste paper with which they are only too easily confused.

      Relying on cut up slips of paper rather than the standard cards of equal size, Keith Thomas has relayed that his slips often "get loose and blow around the house, turning up months later under a carpet or cushion."

      He also suspects that some of his notes have accidentally been thrown away by falling off his desk and into the nearby waste basket which camouflages his notes amongst similar looking trash.

    15. When I go to libraries or archives, I make notes in a continuous form on sheets of paper, entering the page number and abbreviated title of the source opposite each excerpted passage. When I get home, I copy the bibliographical details of the works I have consulted into an alphabeticised index book, so that I can cite them in my footnotes. I then cut up each sheet with a pair of scissors. The resulting fragments are of varying size, depending on the length of the passage transcribed. These sliced-up pieces of paper pile up on the floor. Periodically, I file them away in old envelopes, devoting a separate envelope to each topic. Along with them go newspaper cuttings, lists of relevant books and articles yet to be read, and notes on anything else which might be helpful when it comes to thinking about the topic more analytically. If the notes on a particular topic are especially voluminous, I put them in a box file or a cardboard container or a drawer in a desk. I also keep an index of the topics on which I have an envelope or a file. The envelopes run into thousands.

      Historian Keith Thomas describes his note taking method which is similar to older zettelkasten methods, though he uses larger sheets of paper rather than index cards and files them away in topic-based envelopes.

    16. Since Anatole France’s description in Penguin Island of the scholar drowned by an avalanche of his own index cards, it has been hard to take them seriously.

      In Penguin Island, Anatole France describes a scholar drowned by an avalanche of their own index cards!

    17. When I did, though, I was reassured to see that, in a slipshod sort of way, I had arrived at something vaguely approximating to their prescriptions. En route I had made all the obvious beginner’s mistakes.

      Keith Thomas wasn't taught, nor did he read (until much too late), methods on note taking, but still managed to puzzle out most of the specifics for his note taking practice in his historical work, or at least everything but taking notes on note cards instead of on sheets of paper.

    18. In his delightful autobiography, Memories Migrating, the late John Burrow records his perplexities when this injunction was conveyed to him by his graduate supervisor, George Kitson Clark: ‘I brooded on this. What was a fact? And what made it one fact? Surely most facts were compound. How would I know when I had reached bedrock, the ultimate, unsplittable atomic fact?’

      Historian John Burrow brooded over the definition of the atomicity of an idea in his autobiography Memories Migrating (2009).


      Individual facts link together into small networks to create context for each other.

    19. Before the Xerox machine, this was a labour-intensive counsel of perfection; and it is no wonder that many of the great 19th-century historians employed professional copyists.

      According to Keith Thomas, "many of the great 19th-century historians employed professional copyists" as a means of keeping up with filing copies of their note slips under multiple subject headings.

    20. If a passage is interesting from several different points of view, then it should be copied out several times on different slips.

      I don't recall Langlois and Seignobos suggesting copying things several times over. Double check this point, particularly with respect to the transference to Luhmann.

    21. In his book on The Footnote, Anthony Grafton quotes a letter by the great Swiss historian of the Renaissance Jacob Burckhardt, reporting that he had just cut up his notes on Vasari’s Lives into 700 little slips and rearranged them to be glued into a book, organised by topic.
    22. As the historian Thomas Fuller remarked, ‘A commonplace book contains many notions in garrison, whence the owner may draw out an army into the field on competent warning.’
    23. I have always been impressed by those academics who can sit impassively through a complex lecture by some visiting luminary without finding it necessary to make a single note, even a furtive one on the back of an envelope. They’d lose face, no doubt, if they were seen copying it all down, like a first-year undergraduate.

      In academia, the act of not taking notes can act as an external signal of superiority or even indifference.

    24. John Aubrey tells us that Hobbes ‘always carried a note booke in his pocket, and as soon as a thought darted, he presently entred it into his booke, or otherwise he might have lost it. He had drawn the designe of the book into chapters, etc., so he knew whereabout it would come in.’
    25. Another help to the memory is the pocketbook in which to enter stray thoughts and observations: what the Elizabethans called ‘tablets’.

      Elizabethans called pocketbooks or small notebooks "tablets."

    26. The pencilled dots in the margin of many books in the Codrington Library at All Souls are certain evidence that A.L. Rowse was there before you.
    27. But historians still make newspaper cuttings. At breakfast, I often take a pair of scissors to the LRB, the TLS or the New York Review of Books.

      HIstorian Keith Thomas indicated in 2010 that he still regularly took scissors to his newspapers and magazines to excerpt material from them.

    28. Christopher Hill, used to pencil on the back endpaper of his books a list of the pages and topics which had caught his attention. He rubbed out his notes if he sold the book, but not always very thoroughly, so one can usually recognise a volume which belonged to him.

      https://en.wikipedia.org/wiki/Christopher_Hill_(historian)

      Christopher Hill's practice of creating indices of topics of interest to him in the end papers of his books is similar to that of Mortimer J. Adler who attested this practice as well.

    29. J.H. Plumb once showed me a set of Swift’s works given him by G.M. Trevelyan; it had originally belonged to Macaulay, who had drawn a line all the way down the margin of every page as he read it, no doubt committing the whole to memory.

      A line in the margin doesn't fit with any mnemotechniques I'm aware of, so it's more likely a method to indicate what he had read, and up to what point. Likely not an indicator of storage to memory.

    30. Newton used to turn down the corners of the pages of his books so that they pointed to the exact passage he wished to recall.
    31. According to the Jacobean educational writer John Brinsley, ‘the choycest books of most great learned men, and the notablest students’ were marked through, ‘with little lines under or above’ or ‘by some prickes, or whatsoever letter or mark may best help to call the knowledge of the thing to remembrance’.
    32. Macaulay claimed that his memory was good enough to enable him to write out the whole of Paradise Lost. But when preparing his History of England, he made extensive notes in a multitude of pocketbooks of every shape and colour.

      By what method did Macaulay memorize Paradise Lost?

    33. In his splendid recent autobiography, History of a History Man, Patrick Collinson reveals that when as a young man he was asked by the medievalist Geoffrey Barraclough at a job interview what his research method was, all he could say was that he tried to look at everything which was remotely relevant to his subject: ‘I had no “method”, only an omnium gatherum of materials culled from more or less everywhere.’

      How does a medievalist reference "omnium gatherum" without an explicit mention of even florilegia which generally translates as "gatherings of flowers" as their method?!

    34. It never helps historians to say too much about their working methods. For just as the conjuror’s magic disappears if the audience knows how the trick is done, so the credibility of scholars can be sharply diminished if readers learn everything about how exactly their books came to be written.

      Except that, seemingly, many historians have written and published about just this very topic!

      People often talk about the "magic of note taking", but it's not frequent that they frame the methods as magician's secrets.

    Tags

    Annotators

    URL

    1. https://www.reddit.com/r/Zettelkasten/comments/yg2g8l/a_thought_experiment_what_if_luhmann_had_been_a/


      reply (unsent)<br /> I appreciate where you're coming from, and it's an excellent thought experiment. However, knowing that there was a clear older prior zettelkasten tradition for several hundred years prior to Luhmann which also included a number of mathematician practitioners including not only Leibnitz but also Newton, who incidentally invented his version of calculus in his waste book (also a part of that tradition). (See also: https://www.newtonproject.ox.ac.uk/texts/notebooks?sort=date&order=desc).

    2. influenced Maturo and Varela's work on biological autopoesis.
    3. His social theory, developed over thirty years, owes a massive intellectual debt to the work of the English philosopher and mathematician George Spencer-Brown. Spencer-Brown's work of algebraic locic, Laws of Form (1969), was a minor cult hit in the 1970s
    1. elaboration n. 1. the process of interpreting or embellishing information to be remembered or of relating it to other material already known and in memory. The levels-of-processing model of memory holds that the level of elaboration applied to information as it is processed affects both the length of time that it can be retained in memory and the ease with which it can be retrieved.
    1. The essential truth of every social network is that the product is content moderation, and everyone hates the people who decide how content moderation works.
    2. the problems with Twitter are not engineering problems. They are political problems. Twitter, the company, makes very little interesting technology; the tech stack is not the valuable asset. The asset is the user base: hopelessly addicted politicians, reporters, celebrities, and other people who should know better but keep posting anyway.

      Twitter's primary asset is not their technology, but their addicted user base.

    1. now we need a much needed and truer history of zetelcaston and thankfully Chris aldricks is the person to provide us that

      We need a much needed and truer history of zettelkasten and thankfully Chris Aldrich is the person to provide us that. Stop reading all those other zettelkasten articles until you have a broader understanding of the historical perspective of where all this came from. I can't tell you how much I learned. There was more I didn't know than I did know by a... and it wasn't even close. So thank you Chris. You definitely need to read The Two Definitions of Zettelkasten.<br /> —Nick Milo, Linking Your Thinking, 2022-10-26,

    1. His topics include the rhetoric and impact of culture wars in American political life and the relationship between politics and culture in the United States.
    1. http://drummer.this.how/AndySylvester99/Andy_Zettelkasten.opml

      Andy Sylvester's experiment in building a digital zettelkasten using OPML and tagging. Curious to see how it grows and particularly whether or not it will scale with this sort of UI? On first blush, the first issue I see as a reader is a need for a stronger and immediate form of search.

      RSS feeds out should make for a more interesting UI for subscribing and watching the inputs though.

    1. https://gabz.blog/2022/10/27/what-about-them.html

      Why do people not have strong note taking practices or desire to do so? - Some of it may come down to lack of a practice (or model) to follow - some don't have a clearly stated need for why they're doing it in the first place - some spread their notes out over many tools and applications which prevents a quorum of power building up in one place, thus defeating a lot of the purpose. (This is why having all of one's notes in one place is so important as a rule.) - This particular post is a good example of this cardinal sin. - Lack of easy search defeats the ability to extract value back out of having made the notes in the first place. - Note repositories aren't always all of the value proposition. Often the fact of the work that went into making a note to learn and understand ideas is all of the value for a reasonable portion of notes.

  3. www.indxd.ink www.indxd.ink
    1. https://www.indxd.ink/

      A digital, web-based index tool for your analog notebooks. Ostensibly allows one to digitally index their paper notebooks (page numbers optional).

      It emails you weekly text updates, so you've got a back up of your data if the site/service disappears.

      This could potentially be used by those who have analog zettelkasten practices, but want the digital search and some back up of their system.


      <small><cite class='h-cite via'> <span class='p-author h-card'>sgtstretch </span> in @Gaby @pimoore so a good friend of mine makes [INDXD](https://www.indxd.ink/) which is for indexing analog notebooks and being able to find things. I don't personally use it, but I know @patrickrhone has written about it before. (<time class='dt-published'>10/27/2022 17:59:32</time>)</cite></small>

    1. The question often asked: "What happens when you want to add a new note between notes 1/1 and 1/1a?"

      Thoughts on Zettelkasten numbering systems

      I've seen variations of the beginner Zettelkasten question:

      "What happens when you want to add a new note between notes 1/1 and 1/1a?"

      asked at least a dozen times in the Reddit fora related to note taking and zettelkasten, on zettelkasten.de, or in other places across the web.

      Dense Sets

      From a mathematical perspective, these numbering or alpha-numeric systems are, by both intent and design, underpinned by the mathematical idea of dense sets. In the areas of topology and real analysis, one considers a set dense when one can choose a point as close as one likes to any other point. For both library cataloging systems and numbering schemes for ideas in Zettelkasten this means that you can always juxtapose one topic or idea in between any other two.

      Part of the beauty of Melvil Dewey's original Dewey Decimal System is that regardless of how many new topics and subtopics one wants to add to their system, one can always fit another new topic between existing ones ad infinitum.

      Going back to the motivating question above, the equivalent question mathematically is "what number is between 0.11 and 0.111?" (Here we've converted the artificial "number" "a" to a 1 and removed the punctuation, which doesn't create any issues and may help clarify the orderings a bit.) The answer is that there is an infinite number of numbers between these!

      This is much more explicit by writing these numbers as:<br /> 0.110<br /> 0.111

      Naturally 0.1101 is between them (along with an infinity of others), so one could start here as a means of inserting ideas this way if they liked. One either needs to count up sequentially (0, 1, 2, 3, ...) or add additional place values.

      Decimal numbering systems in practice

      The problem most people face is that they're not thinking of these numbers as decimals, but as natural numbers or integers (or broadly numbers without any decimal portions). Though of course in the realm of real numbers, numbers above 0 are dense as well, but require the use of their decimal portions to remain so.

      The tough question is: what sorts of semantic meanings one might attach to their adding of additional place values or their alphabetical characters? This meaning can vary from person to person and system to system, so I won't delve into it here.

      One may find it useful to logically chunk these numbers into groups of three as is often done using commas, periods, slashes, dashes, spaces, or other punctuation. This doesn't need to mean anything in particular, but may help to make one's numbers more easily readable as well as usable for filing new ideas. Sometimes these indicators can be confusing in discussion, so if ever in doubt, simply remove them and the general principles mentioned here should still hold.

      Depending on one's note taking system, however, when putting cards into some semblance of a logical sort-able order (perhaps within a folder for example), the system may choke on additional characters beyond the standard period to designate a decimal number. For example: within Obsidian, if you have a "zettelkasten" folder with lots of numbered and named files within it, you'll want to give each number the maximum number of decimal places so that when doing an alphabetic sort within the folder, all of the numbered ideas are properly sorted. As an example if you give one file the name "0.510 Mathematics", another "0.514 Topology" and a third "0.5141 Dense Sets" they may not sort properly unless you give the first two decimal expansions to the ten-thousands place at a minimum. If you changed them to "0.5100 Mathematics" and "0.5140 Topology, then you're in good shape and the folder will alphabetically sort as you'd expect. Similarly some systems may or may not do well with including alphabetic characters mixed in with numbers.

      If using chunked groups of three numbers, one might consider using the number 0.110.001 as the next level of idea between them and then continuing from there. This may help to spread some of the ideas out as surely one may have yet another idea to wedge in between 0.110.000 and 0.110.001?

      One can naturally choose almost any any (decimal) number, so long as it it somewhat "near" the original behind which one places it. By going out further in the decimal expansion, one can always place any idea between two others and know that there will be a number that it can be given that will "work".

      Generally within numbers as we use them for mathematics, 0.100000001 is technically "closer" by distance measurement to 0.1 than 0.11, (and by quite a bit!) but somehow when using numbers for zettelkasten purposes, we tend to want to not consider them as decimals, as the Dewey Decimal System does. We also have the tendency to want to keep our numbers as short as possible when writing, so it seems more "natural" to follow 0.11 with 0.111, as it seems like we're "counting up" rather than "counting down".

      Another subtlety that one sees in numbering systems is the proper or improper use of the whole numbers in front of the decimal portions. For example, in Niklas Luhmann's system, he has a section of cards that start with 3.XXXX which are close to a section numbered 35.YYYY. This may seem a bit confusing, but he's doing a bit of mental gymnastics to artificially keep his numbers smaller. What he really means is 3000.XXX and 3500.YYY respectively, he's just truncating the extra zeros. Alternately in a fully "decimal system" one would write these as 0.3000.XXXX and 0.3500.YYYY, where we've added additional periods to the numbers to make them easier to read. Using our original example in an analog system, the user may have been using foreshortened indicators for their system and by writing 1/1a, they may have really meant something of the form 001.001/00a, but were making the number shorter in a logical manner (at least to them).

      The close observer may have seen Scott Scheper adopt the slightly longer numbers in the thousands (like 3500.YYYY) as a means of remedying some of the numbering confusion many have when looking at Luhmann's system.

      Those who build their systems on top of existing ones like the Dewey Decimal Classification, or the Universal Decimal Classification may wish to keep those broad categories with three to four decimal places at the start and then add their own idea number underneath those levels.

      As an example, we can use the numbering for Finsler geometry from the Dewey Decimal Classification wikipedia page shown as:

      ``` 500 Natural sciences and mathematics

      510 Mathematics
      
          516 Geometry
      
              516.3 Analytic geometries
      
                  516.37 Metric differential geometries
      
                      516.375 Finsler geometry
      

      ```

      So in our zettelkasten, we might add our first card on the topic of Finsler geometry as "516.375.001 Definition of Finsler geometry" and continue from there with some interesting theorems and proofs on those topics.

      Of course, while this is something one can do doesn't mean that one should do it. Going too far down the rabbit holes of "official" forms of classification this way can be a massive time wasting exercise as in most private systems, you're never going to be comparing your individual ideas with the private zettelkasten of others and in practice the sort of standardizing work for classification this way is utterly useless. Beyond this, most personal zettelkasten are unique and idiosyncratic to the user, so for example, my math section labeled 510 may have a lot more overlap with history, anthropology, and sociology hiding within it compared with others who may have all of their mathematics hiding amidst their social sciences section starting with the number 300. One of the benefits of Luhmann's numbering scheme, at least for him, is that it allowed his system to be much more interdisciplinary than using a more complicated Dewey Decimal oriented system which may have dictated moving some of his systems theory work out of his politics area where it may have made more sense to him in addition to being more productive on a personal level.

      Of course if you're using the older sort of commonplacing zettelkasten system that was widely in use before Luhmann's variation, then perhaps using a Dewey-based system may be helpful to you?

      A Touch of History

      As both a mathematician working in the early days of real analysis and a librarian, some of these loose ideas may have occurred tangentially to Gottfried Wilhelm Leibniz (1646 - 1716), though I'm currently unaware of any specific instances within his work. One must note, however, that some of the earliest work within library card catalogs as we know and use them today stemmed from 1770s Austria where governmental conscription needs overlapped with card cataloging systems (Krajewski, 2011). It's here that the beginnings of these sorts of numbering systems begin to come into use well before Melvil Dewey's later work which became much more broadly adopted.

      The German "file number" (aktenzeichen) is a unique identification of a file, commonly used in their court system and predecessors as well as file numbers in public administration since at least 1934. We know Niklas Luhmann studied law at the University of Freiburg from 1946 to 1949, when he obtained a law degree, before beginning a career in Lüneburg's public administration where he stayed in civil service until 1962. Given this fact, it's very likely that Luhmann had in-depth experience with these sorts of file numbers as location identifiers for files and documents. As a result it's reasonably likely that a simplified version of these were at least part of the inspiration for his own numbering system.

      Your own practice

      At the end of the day, the numbering system you choose needs to work for you within the system you're using (analog, digital, other). I would generally recommend against using someone else's numbering system unless it completely makes sense to you and you're able to quickly and simply add cards to your system with out the extra work and cognitive dissonance about what number you should give it. The more you simplify these small things, the easier and happier you'll be with your set up in the end.

      References

      Krajewski, Markus. Paper Machines: About Cards & Catalogs, 1548-1929. Translated by Peter Krapp. History and Foundations of Information Science. MIT Press, 2011. https://mitpress.mit.edu/books/paper-machines.

      Munkres, James R. Topology. 2nd ed. 1975. Reprint, Prentice-Hall, Inc., 1999.

    1. Supabase is an open source Firebase alternative. Start your project with a Postgres database, Authentication, instant APIs, Edge Functions, Realtime subscriptions, and Storage.

      https://supabase.com/


      Found as presumably it's being used by https://www.explainpaper.com/ with improper configurations

    1. Given your talents, if you've not explored some of the experimental fiction side of things (like Mark Bernstein's hypertext fiction http://www.eastgate.com/catalog/Fiction.html, Robin Sloan's fish http://www.robinsloan.com/fish/ or Writing with the Machine https://www.robinsloan.com/notes/writing-with-the-machine/, or a variety of others https://hypothes.is/users/chrisaldrich?q=tag%3A%22experimental+fiction%22), perhaps it may be fun and allow you to use some of your technology based-background at the same time?

    2. Congratulations (I guess?) on finding my semi-secret Substack: a place away from my main site to discuss my journey from technologist (a pompous term that really just means I do computers) to writer (a pompous term that really just means I do computers but now it’s art).

      This quote is art... :)

    1. https://www.explainpaper.com/

      Another in a growing line of research tools for processing and making sense of research literature including Research Rabbit, Connected Papers, Semantic Scholar, etc.

      Functionality includes the ability to highlight sections of research papers with natural language processing to explain what those sections mean. There's also a "chat" that allows you to ask questions about the paper which will attempt to return reasonable answers, which is an artificial intelligence sort of means of having an artificial "conversation with the text".

      cc: @dwhly @remikalir @jeremydean

    1. https://www.youtube.com/watch?v=Mvxbl7Iwep4

      Lots of levels here to pull apart, but this should be particularly interesting to novices.

      Modes of note taking: * note taking for raw information * note taking (or writing) for understanding * note taking for relationships of and between knowledge * note taking for creating proficiency * note taking for productivity

      Sung takes the viewpoint that linear note taking isn't as effective as mind mapping and drawing out relationships; in part this is why handwriting is more effective means of note taking compared to typing, particularly as most note taking apps force one into a linear pathway that doesn't mirror the affordances available within handwriting.

      This video is definitely more about note taking than note making.

    1. Noy, Natalya F, and Deborah L McGuinness. “Ontology Development 101: A Guide to Creating Your First Ontology,” 2001, 25.

      suggested via:

      New @tana_inc folks seem hungry for in-depth books on ontologies & schemas.<br>Initial reaction was... books are overkill? There's not much to know? Just google it? But then tried googling. And it is *noisy* and poorly curated out there.<br><br>A few recommendations:

      — Maggie Appleton (@Mappletons) October 21, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. https://www.reddit.com/r/Zettelkasten/comments/yd7t7u/creating_a_zk_dont_break_the_chain_calendar_in/\

      Much like the way the Obsidian journal plugin counts words within one's daily journal page, this app counts zettels within a folder to help encourage one to maintain some level of output.

    2. Creating a ZK Don't Break the Chain Calendar in Obsidian

      For those interested in the research on the "Write Every Day" mantra:

      Sword, Helen. “‘Write Every Day!’: A Mantra Dismantled.” International Journal for Academic Development 21, no. 4 (October 1, 2016): 312–22. https://doi.org/10.1080/1360144X.2016.1210153.

    1. https://www.youtube.com/watch?v=mI3yiPA6npA

      Generally interesting and useful, but is broadly an extended advertisement for JetPens products.

      Transparent sticky notes allow one to take notes on them, but the text is still visible through the paper.

      One can use separate pages to write notes and then use washi tape to tape the notes to the page in a hinge-like fashion similar to selectively interleaving one's books.

    1. Today, the people in politics who most often invoke the name of Jesus for their political causes tend to be the most merciless and judgmental, the most consumed by rage and fear and vengeance. They hate their enemies, and they seem to want to make more of them. They claim allegiance to the truth and yet they have embraced, even unwittingly, lies. They have inverted biblical ethics in the name of biblical ethics.
    2. Samuel Perry, a sociology professor at the University of Oklahoma, a scholar of Christian nationalism, and himself a person of the Christian faith
    1. Workflow for capturing and processing online content for use in a Zettlekasten

      reply to https://www.reddit.com/r/Zettelkasten/comments/ye3bvk/workflow_for_capturing_and_processing_online/

      While it's possible that some set of tools will work best for you and potentially be more "fun" than other combinations, the upper limit you'll find on efficiency and productivity in this area is limited.

      As a result, I'd recommend looking at the quality of the material you're putting into your stream as potentially the best means of improvement at your disposal. The quality of your ideas and thought will increase if you're reading and conversing with the highest quality sources you can get your hands on. Well-researched, long form material (books, journal articles) will have likely done a lot of the filtering and heavy work for you, so use those as input when you can.

      Unless you're a sociologist or cultural anthropologist looking for examples of behaviors and material in social media, it may not be the best place to turn. Before I open social media apps I remind myself of note #1267 from Goethe's slipbox (Maxims and Reflections): "Ignorant people raise questions which were answered by the wise thousands of years ago."

      Similarly, upon hearing the words "firehose", "drowning", or "information overload", I'm reminded that, presuming you'd even want to make the effort, there's only one way to eat a whale: one bite at a time.

    1. Handwriting + Zettelkasten

      I've used Livescribe pens/paper for note taking (including with audio) before, and they've got OCR software to digital workflows. Or for the paper motivated, one could use their larger post it notes and just stick them to index cards as a substrate for your physical ZK with digitally searchable back ups? Now that I've thought about it and written this out, I may have to try it to see if it's better than my prior handwritten/digital experiments.

    2. I have been using Apple notes, but began to wonder if I could find an app that supports zettelkasten in digital handwritten form. The closest thing I found is CardNotes however it is underdeveloped imo, and maybe dead?

      Someone looking for handwriting apps that allow one to use handwriting in digital contexts.

      https://www.reddit.com/r/Zettelkasten/comments/ydwl32/handwriting_zettelkasten/

    1. Very nice to differentiate between core notes (notes that we have worked a lot on) and peripheral notes.

      Very nice to differentiate between core notes (notes that we have worked a lot on) and peripheral notes.

      — Bianca Pereira | PKM Coach and Researcher (@bianca_oli_per) October 24, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

      Coming from the Strange New Worlds Plugin, Bianca Pereira defines core notes (those worked on and thus likely of more value) versus peripheral notes.

      Core notes have a similar connotation to so-called permanent notes while peripheral notes have connection to fleeting notes, though peripheral notes would seem to have a higher connotation of value than fleeting notes.

      Some of this is similar to my commonplacing practice and collection versus my more focused Luhmann-esque zettelkasten practice.

    1. For everything there is a season, and atime for every matter under heaven:² a time to be born, and a time to die;a time to plant, and a time to pluck upwhat is planted;³ a time to kill, and a time to heal;a time to break down, and a time to buildup;⁴ a time to weep, and a time to laugh;a time to mourn, and a time to dance;⁵ a time to throw away stones, and a timeto gather stones together;

      The writers of the Bible were ostensibly as interested as modern day productivity gurus, bloggers, and influencers in some of the basic principles of productivity.

      (Originally scribbled on 2022-10-23)

    1. New in Reader: Share your annotated documents publicly .t3_xrc7b7._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } AnnouncementsWe just shipped a v1 of a sharing feature inside Reader that enables you to make a public version of an article you read and annotated.

      Readwise announced on 2022-09-29, that they've shipped the ability to use their feed reader product to share public versions of one's read and annotated articles.

      https://www.reddit.com/r/readwise/comments/xrc7b7/new_in_reader_share_your_annotated_documents/

    1. TweetSee new TweetsConversationSamuele Onelia @SamueleOneliaI added a new note to my #Zettelkasten after a month of inactivity. It still remains my favorite kind of mental therapy.

      I added a new note to my #Zettelkasten after a month of inactivity.<br><br>It still remains my favorite kind of mental therapy. <br><br>BTW this is the note (from the book: Effortless) 👇 pic.twitter.com/QF2Uy3W3T6

      — Samuele Onelia 😺 (@SamueleOnelia) October 24, 2022
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. For Tim, the practice is managed by routine.“My quota for writing is two crappy pages a day,” he explains. Those two pages help him get started, matter what other commitments he is meeting that day. And even if they’re bad, they’re at least done.The idea is to set goals that are “easily winnable” so you don’t panic when one day passes and you don’t make that goal, because you always know you can easily pick back up the next day.“If I don’t write my two pages I don’t panic and go into the spiral.”

      Tim Ferris has a routine for writing and has indicated "My quota for writing is two crappy pages a day." and "If I don't write my two pages, I don't panic and go into the spiral."

      (summary); possibly worth watching video for verifying quotes and pulling out additional practices.


      Note that this piece seems to indicate that his writing practice includes an idea of doing "morning pages", but this implication is likely false as Ferriss likely isn't doing this, but writing toward productive goals rather than to "clear his mental space" as is usually implied by morning pages.

    1. What would you suggest instead if my goal is taking notes on various topics in order to remember them? (no output needed)

      reply to dhXcol https://www.reddit.com/r/Zettelkasten/comments/yc35nl/comment/itlmjbn/?utm_source=reddit&utm_medium=web2x&context=3

      You might appreciate the pre-Luhmann zettelkasten (or commonplace book traditions) which could serve this purpose, and most of the applications that you can use for ZK will work for these purposes if you're not an index card person. Some differentiation and pointers here: https://boffosocko.com/2022/10/22/the-two-definitions-of-zettelkasten/

    1. Les murs du cabinet de travail, le plancher, le plafond même portaient des liasses débordantes, des cartons démesurément gonflés, des boîtes où se pressait une multitude innombrable de fiches, et je contemplai avec une admiration mêlée de terreur les cataractes de l'érudition prêtes à se rompre. —Maître, fis-je d'une voix émue, j'ai recours à votre bonté et à votre savoir, tous deux inépuisables. Ne consentiriez-vous pas à me guider dans mes recherches ardues sur les origines de l'art pingouin? —Monsieur, me répondit le maître, je possède tout l'art, vous m'entendez, tout l'art sur fiches classées alphabétiquement et par ordre de matières. Je me fais un devoir de mettre à votre disposition ce qui s'y rapporte aux Pingouins. Montez à cette échelle et tirez cette boîte que vous voyez là-haut. Vous y trouverez tout ce dont vous avez besoin. J'obéis en tremblant. Mais à peine avais-je ouvert la fatale boîte que des fiches bleues s'en échappèrent et, glissant entre mes doigts, commencèrent à pleuvoir. Presque aussitôt, par sympathie, les boîtes voisines s'ouvrirent et il en coula des ruisseaux de fiches roses, vertes et blanches, et de proche en proche, de toutes les boîtes les fiches diversement colorées se répandirent en murmurant comme, en avril, les cascades sur le flanc des montagnes. En une minute elles couvrirent le plancher d'une couche épaisse de papier. Jaillissant de leurs inépuisables réservoirs avec un mugissement sans cesse grossi, elles précipitaient de seconde en seconde leur chute torrentielle. Baigné jusqu'aux genoux, Fulgence Tapir, d'un nez attentif, observait le cataclysme; il en reconnut la cause et pâlit d'épouvante. —Que d'art! s'écria-t-il. Je l'appelai, je me penchai pour l'aider à gravir l'échelle qui pliait sous l'averse. Il était trop tard. Maintenant, accablé, désespéré, lamentable, ayant perdu sa calotte de velours et ses lunettes d'or, il opposait en vain ses bras courts au flot qui lui montait jusqu'aux aisselles. Soudain une trombe effroyable de fiches s'éleva, l'enveloppant d'un tourbillon gigantesque. Je vis durant l'espace d'une seconde dans le gouffre le crâne poli du savant et ses petites mains grasses, puis l'abîme se referma, et le déluge se répandit sur le silence et l'immobilité. Menacé moi-même d'être englouti avec mon échelle, je m'enfuis à travers le plus haut carreau de la croisée.

      France, Anatole. L’Île Des Pingouins. Project Gutenberg 8524. 1908. Reprint, Project Gutenberg, 2005. https://www.gutenberg.org/cache/epub/8524/pg8524.html

      Death by Zettelkasten!!

      (Coming soon to a theater near you...)

      In the preface to the novel Penguin Island (L'Île des Pingouins. Calmann-Lévy, 1908) by Nobel prize laureate Anatole France, a scholar is drowned by an avalanche of index cards which formed a gigantic whirlpool streaming out of his card index (Zettelkasten).

      Link to: Historian Keith Thomas has indicated that he finds it hard to take using index cards for excerpting and research seriously as a result of reading this passage in the satire Penguin Island.<br /> https://hypothes.is/a/rKAvtlQCEe2jtzP3LmPlsA


      Translation via: France, Anatole. Penguin Island. Translated by Arthur William Evans. 8th ed. 1908. Reprint, New York, NY, USA: Dodd, Mead & Co., 1922. https://www.google.com/books/edition/Penguin_Island/6UpWAvkPQaEC?hl=en&gbpv=0

      Small changes in the translation by me, comprising only adding the word "index" in front of the occurrences of card to better represent the historical idea of fiches used by scholars in the late 1800s and early 1900s, are indicated in brackets.

      The walls of the study, the floor, and even the ceiling were loaded with overflowing bundles, paste board boxes swollen beyond measure, boxes in which were compressed an innumerable multitude of small [index] cards covered with writing. I beheld in admiration mingled with terror the cataracts of erudition that threatened to burst forth.

      “Master,” said I in feeling tones, “I throw myself upon your kindness and your knowledge, both of which are inexhaustible. Would you consent to guide me in my arduous researches into the origins of Penguin art?"

      “Sir," answered the Master, “I possess all art, you understand me, all art, on [index] cards classed alphabetically and in order of subjects. I consider it my duty to place at your disposal all that relates to the Penguins. Get on that ladder and take out that box you see above. You will find in it everything you require.”

      I tremblingly obeyed. But scarcely had I opened the fatal box than some blue [index] cards escaped from it, and slipping through my fingers, began to rain down.

      Almost immediately, acting in sympathy, the neighbouring boxes opened, and there flowed streams of pink, green, and white [index] cards, and by degrees, from all the boxes, differently coloured [index] cards were poured out murmuring like a waterfall on a mountain-side in April. In a minute they covered the floor with a thick layer of paper. Issuing from their in exhaustible reservoirs with a roar that continually grew in force, each second increased the vehemence of their torrential fall. Swamped up to the knees in cards, Fulgence Tapir observed the cataclysm with attentive nose. He recognised its cause and grew pale with fright.

      “ What a mass of art! ” he exclaimed.

      I called to him and leaned forward to help him mount the ladder which bent under the shower. It was too late. Overwhelmed, desperate, pitiable, his velvet smoking-cap and his gold-mounted spectacles having fallen from him, he vainly opposed his short arms to the flood which had now mounted to his arm-pits . Suddenly a terrible spurt of [index] cards arose and enveloped him in a gigantic whirlpool. During the space of a second I could see in the gulf the shining skull and little fat hands of the scholar; then it closed up and the deluge kept on pouring over what was silence and immobility. In dread lest I in my turn should be swallowed up ladder and all I made my escape through the topmost pane of the window.

    1. As an example, in The Crown season 1 episode 4 “Act of God” (Netflix, 2016) there is a scene portraying former British Prime Minister Clement Atlee in his office in which he is prominently bookended in the background by two four drawer card indexes: one 3 x 5″ and the other 4 x 6″.

      This example comes directly from my notes: https://hypothes.is/a/Cz7e_lHKEe2Qv79IbEgmNw