10,000 Matching Annotations
  1. Mar 2023
    1. Heyde, Johannes Erich. Technik des wissenschaftlichen Arbeitens. (Sektion 1.2 Die Kartei) Junker und Dünnhaupt, 1931.

      annotation target: urn:x-pdf:00126394ba28043d68444144cd504562

      (Unknown translation from German into English. v1 TK)

      The overall title of the work (in English: Technique of Scientific Work) calls immediately to mind the tradition of note taking growing out of the scientific historical methods work of Bernheim and Langlois/Seignobos and even more specifically the description of note taking by Beatrice Webb (1926) who explicitly used the phrase "recipe for scientific note-taking".

      see: https://hypothes.is/a/BFWG2Ae1Ee2W1HM7oNTlYg

      first reading: 2022-08-23 second reading: 2022-09-22

      I suspect that this translation may be from Clemens in German to Scheper and thus potentially from the 1951 edition?

      Heyde, Johannes Erich. Technik des wissenschaftlichen Arbeitens; eine Anleitung, besonders für Studierende. 8., Umgearb. Aufl. 1931. Reprint, Berlin: R. Kiepert, 1951.

    1. 9/8b2 "Multiple storage" als Notwendigkeit derSpeicherung von komplexen (komplex auszu-wertenden) Informationen.

      Seems like from a historical perspective hierarchical databases were more prevalent in the 1960s and relational databases didn't exist until the 1970s. (check references for this historically)

      Of course one must consider that within a card index or zettelkasten the ideas of both could have co-existed in essence even if they weren't named as such. Some of the business use cases as early as 1903 (earlier?) would have shown the idea of multiple storage and relational database usage. Beatrice Webb's usage of her notes in a database-like way may have indicated this as well.

    2. 9/8b2 "Multiple storage" als Notwendigkeit derSpeicherung von komplexen (komplex auszu-wertenden) Informationen.

      9/8b2 "Multiple storage" as a necessity of<br /> storage of complex (complex<br /> evaluating) information.

      Fascinating to see the English phrase "multiple storage" pop up in Luhmann's ZKII section on Zettelkasten.

      This note is undated, though being in ZKII likely occurred more than a decade after he'd started his practice. One must wonder where he pulled the source for the English phrase rather than using a German one? Does the idea appear in Heyde? It certainly would have been an emerging question within systems theory and potentially computer science ideas which Luhmann would have had access to.

    1. Die vermutlich zwischen 1952 und Anfang 1997 entstandenen Aufzeichnungen, mithilfe derer Luhmann die Ergebnisse seiner exzessiven und interdisziplinär breit angelegten Lektüre systematisch organisiert hat, dokumentieren die Theorieentwicklung auf eine einzigartige Weise, so dass man die Sammlung auch als eine intellektuelle Autobiographie verstehen kann.

      The researchers at the Niklas Luhmann-Archive studying Niklas Luhmann's Zettelkasten consider that "the collection can be understood as an intellectual autobiography" (translation mine) even though his slips were generally undated.

    2. Hierbei handelt es sich um eine Sammlung von Notizen, die Luhmann vermutlich zwischen 1952 und 1961 angelegt hat (mit einzelnen späteren Nachträgen; Notizen insbesondere zum Themenkomplex Weltgesellschaft wurden allerdings noch bis ca. 1973 durchweg in diese Sammlung eingestellt). Die insgesamt ca. 23.000 Zettel verteilen sich auf die ersten sieben physischen Auszüge des Kastens sowie auf kleinere Registerabteilungen, die im 17. Auszug der zweiten Sammlung (physischer Auszug 24) stehen. Die Notizen sind im Wesentlichen in der Zeit entstanden, als Luhmann als Rechtsreferendar in Lüneburg bzw. als Regierungsrat im Kultusministerium in Niedersachen gearbeitet hat und dokumentieren seine Lektüre verwaltungs- bzw. staatswissenschaftlicher, philosophischer und zunehmend auch organisationstheoretischer sowie soziologischer Literatur.

      According to the Niklas Luhmann-Archiv, Luhmann began his first zettelkasten in 1952 likely when he was working as a legal trainee in Lüneburg or as a government councilor in the Ministry of Education in Lower Saxony.

      This timeframe would have been just after Johannes Erich Heyde had published the 8th edition of Technik des wissenschaftlichen Arbeitens in 1951.

      Link to: - https://hypothes.is/a/Jn9elsk5Ee2hsLP5WWBEBw on dates of NL ZK - https://hypothes.is/a/CqGhGvchEey6heekrEJ9WA aktenzeichen - https://hypothes.is/a/4wxHdDqeEe2OKGMHXDKezA Clemens Luhmann link

    1. Bender, Emily M., Timnit Gebru, Angelina McMillan-Major, and Shmargaret Shmitchell. “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big? 🦜” In Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency, 610–23. FAccT ’21. New York, NY, USA: Association for Computing Machinery, 2021. https://doi.org/10.1145/3442188.3445922.

      Would the argument here for stochastic parrots also potentially apply to or could it be abstracted to Markov monkeys?

    1. What type of note did Niklas Luhmann average 6 times a day? .t3_11z08fq._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to u/dotphrasealpha at https://www.reddit.com/r/Zettelkasten/comments/11z08fq/what_type_of_note_did_niklas_luhmann_average_6/

      The true insight you're looking for here is: Forget the numbers and just aim for quality followed very closely by consistency!

      Of course most will ignore my insight and experience and be more interested in the numbers, so let's query a the 30+ notes I've got on this topic in my own zettelkasten to answer the distal question.

      Over the 45 years from 1952 to 1997 Luhmann produced approximately 90,000 slips which averages out to:

      • 45 years * 365 days/year = 16,425 days
      • 90,000 slips / 16,425 days = 5.47 slips per day

      In a video, Ahrens indicates that Luhmann didn't make notes on weekends, and if true, this would revise the count to 7.69 slips per day.

      260 working days a year (on average, not accounting for leap years or potential governmental holidays)

      • 45 years x 260 work days/year = 11,700 days
      • 90,000 slips / 11,700 days = 7.69 slips per day

      Compare these closer numbers to Ahrens' stated and often quoted 6 notes per day in How to Take Smart Notes.

      I've counted from the start of '52 through all of '97 to get 45 years, but the true amount of time was a bit shorter than this in reality, so the number of days should be slightly smaller.

      Keep in mind that Luhmann worked at this roughly full time for decades, so don't try to measure yourself against him. (He also published in a different era and broadly without the hurdle of peer review.) Again: Aim for quality over quantity! If it helps, S.D. Goitein created a zettelkasten of 27,000 notes which he used to publish almost a third more papers and books than Luhmann. Wittgenstein left far fewer notes and only published one book during his lifetime, but published a lot posthumously and was massively influential. Similarly Roland Barthes had only about 12,500 slips and loads of influential work.

      I keep notes on various historical practitioners' notes/day output over several decades using these sorts of practices. Most are in the 1-2 notes per day range. A sampling of them can be found here: https://boffosocko.com/2023/01/14/s-d-goiteins-card-index-or-zettelkasten/#Notes%20per%20day.

      Anecdotally, I've found that most of the more serious people here and on the zettelkasten.de forum are in the 4-10 slips per week range.

      <whisper>quality...</whisper>

    1. Übersicht über die Auszüge des Zettelkastens Der Zettelkasten Niklas Luhmanns besteht aus insgesamt 27 Auszügen mit jeweils 2500 bis 3500 Zetteln. Diese verteilen sich auf zwei getrennte Zettelsammlungen: Zettelkasten I: 7 Auszüge mit Notizen aus dem Zeitraum von ca. 1952 bis 1961, insgesamt ca. 23.000 Zettel Zettelkasten II: 20 Auszüge mit Notizen aus dem Zeitraum von 1961 bis Anfang 1997, insgesamt ca. 67.000 Zettel. In den Auszügen 15-17 des ZK II, die Teil des hölzernen Zettelkastens sind, sowie den Auszügen 18-20, die außerhalb dieses Kastens in einzelnen Schubern gelagert waren, befinden sich die bibliographischen Abteilungen des ZK II. Teil des Auszugs 17 sind zudem mehrere Schlagwortregister und ein Personenregister des ZK II sowie einige weitere Spezialabteilungen, außerdem das Schlagwortregister sowie die bibliographische Abteilung und eine Themenübersicht des ZK I.

      Niklas Luhmann's zettelkasten consists of a total of 27 sections/drawers each containing from 2,500 to 3,500 slips.

      • ZK1 comprises 7 sections with about 23,000 notes written from about 1952 to 1961
      • ZKII comprises 20 sections with approximately 67,000 slips written between 1961 to early 1997.

      Sections 15, 16, 17 were part of the beechwood zettelkasten and along with sections 18, 19, and 20 which were stored outside of the main boxes in individual slipcases contain the bibliographic portions of ZKII

      Part of section 17 contains some of the index as well as an index of people for ZKII in addition to some other special portions along with the index of keywords, bibliographical slips, and an overview of topics from ZKI.

      The primary wooden boxes frequently pictured as "Luhmann's zettelkasten" is comprised of six wooden four-drawer card index filing cabinets which were supplemented by three individual slipcases.


      One would suspect the individual slipcases were like the one pictured on his desk here: Luhmann zuhause am Zettelkasten (vermutlich Ende der 1970er/Anfang 1980er Jahre)<br /> Copyright Michael Wiegert-Wegener<br /> via Niklas Luhmann Online: die Erschließung seines Nachlasses - Geistes- & Sozialwissenschaften

      The Luhmann archive has a photo of the beechwood portion with 24 drawers and one of the additional slipboxes on top of it:

      (via https://niklas-luhmann-archiv.de/nachlass/zettelkasten)

      Most of the photos from the museum exhibition and elsewhere only focus on or include the main wooden portion of six cabinets with the 24 drawers.


      See also: https://niklas-luhmann-archiv.de/nachlass/zettelkasten

      Over the 45 years from 1952 to 1997 this production of approximately 90,000 slips averages out to

      45 years * 365 days/year = 16,425 days 90,000 slips / 16,425 days = 5.47 slips per day.

      260 working days a year (on average, not accounting for leap years or potential governmental holidays) 45 years x 260 work days/year = 11,700 90,000 slips / 11,700 days = 7.69 slips per day

      In a video, Ahrens indicates that Luhmann didn't make notes on weekends, and if true this would revise the count to 7.69 slips per day.

      Compare these closer numbers to Ahrens' stated 6 notes per day in How to Take Smart Notes. <br /> See: https://hypothes.is/a/iwrV8hkwEe2vMSdjnwKHXw

      I've counted from the start of '52 through all of '97 to get 45 years, but the true amount of time was a bit shorter than this in reality, so the number of days should be slightly smaller.

    1. A.I. Is Mastering Language. Should We Trust What It Says?<br /> by Steven Johnson, art by Nikita Iziev

      Johnson does a good job of looking at the basic state of artificial intelligence and the history of large language models and specifically ChatGPT and asks some interesting ethical questions, but in a way which may not prompt any actual change.


      When we write about technology and the benefits and wealth it might bring, do we do too much ethics washing to help paper over the problems to help bring the bad things too easily to pass?

    2. We know from modern neuroscience that prediction is a core property of human intelligence. Perhaps the game of predict-the-next-word is what children unconsciously play when they are acquiring language themselves: listening to what initially seems to be a random stream of phonemes from the adults around them, gradually detecting patterns in that stream and testing those hypotheses by anticipating words as they are spoken. Perhaps that game is the initial scaffolding beneath all the complex forms of thinking that language makes possible.

      Is language acquisition a very complex method of pattern recognition?

    3. Another way to widen the pool of stakeholders is for government regulators to get into the game, indirectly representing the will of a larger electorate through their interventions.

      This is certainly "a way", but history has shown, particularly in the United States, that government regulation is unlikely to get involved at all until it's far too late, if at all. Typically they're only regulating not only after maturity, but only when massive failure may cause issues for the wealthy and then the "regulation" is to bail them out.

      Suggesting this here is so pie-in-the sky that it only creates a false hope (hope washing?) for the powerless. Is this sort of hope washing a recurring part of

    4. Whose values do we put through the A.G.I.? Who decides what it will do and not do? These will be some of the highest-stakes decisions that we’ve had to make collectively as a society.’’

      A similar set of questions might be asked of our political system. At present, the oligopolic nature of our electoral system is heavily biasing our direction as a country.

      We're heavily underrepresented on a huge number of axes.

      How would we change our voting and representation systems to better represent us?

    5. In June 2021, OpenAI published a paper offering a new technique for battling toxicity in GPT-3’s responses, calling it PALMS, short for ‘‘process for adapting language models to society.’’ PALMS involves an extra layer of human intervention, defining a set of general topics that might be vulnerable to GPT-3’s being led astray by the raw training data: questions about sexual abuse, for instance, or Nazism.
    6. The mainstream adoption of intelligent assistants like Siri and Alexa demonstrated that even scripted agents could be breakout consumer hits.

      Johnson states that Alexa and Siri are breakout consumer hits, but Amazon is actively scaling back it's Alexa teams and products as the devices haven't been as popular as we might otherwise expect. Siri is fine, but it's bundled into the already popular iPhone without an explicit choice.

    1. GPT and other large language models are aesthetic instruments rather than epistemological ones. Imagine a weird, unholy synthesizer whose buttons sample textual information, style, and semantics. Such a thing is compelling not because it offers answers in the form of text, but because it makes it possible to play text—all the text, almost—like an instrument.

      ChatGPT as an instrument that allows one to play text like an instrument.

    1. What do you guys think of this note taking style? (Just follow the arrows from one box to another)

      reply to u/mouseVed at https://www.reddit.com/r/NoteTaking/comments/11xu4vh/what_do_you_guys_think_of_this_note_taking_style/

      Looks a tad messy to me, but I'm not the audience for it, you are. Some additional empty space on the page could potentially help. If this style works for you, perhaps take a look at the sketchnotes space. This book might be a good place to start (especially the sections on Visual Direction, Headers, and Layouts:<br /> Mills, Emily. The Art of Visual Notetaking: An Interactive Guide to Visual Communication and Sketchnoting. Illustrated edition. Walter Foster Publishing, 2019.

      If you're keen on location as a key to memory and learning, you should also take a look at the idea of the 'method of loci'/memory palaces/songlines. The best modern coverage of this and various methods can be found in:<br /> Kelly, Lynne. Memory Craft: Improve Your Memory Using the Most Powerful Methods from around the World. Pegasus Books, 2019.

    1. How do you store and classify index cards? I usually have boxes that fit my index cards, and add a plastic tab with the reference in Author (Date) format. Other people use different classification systems (by keyword, by topic, by author). I just recommend that the process be consistent across.

      Pacheco-Vega stores his card with plastic tabs labeled by the references rather than by keyword or topic.

      He does recommend consistency in filing though.

    2. the Content Index Card is a combination type of index card that includes direct quotations, draft notes and ideas, conceptual diagrams, etc. that are all associated with the main article, book chapter or book discussed in the index card. I use larger (5″ x 8″) index cards for those cases.

      Pacheco-Vega defines a "combined" or "content index card" or one might say a content note as a one with "direct quotations, draft notes and ideas, conceptual diagrams, etc. that are associated with" the work in question. These seem similar to Ahrens' fleeting notes, though seem a bit more fleshed out.

    1. Since Luhmann’s system of the slip box is well-known, Ahrens’ valuable contribution lies less in providing an innovative technique of note-taking and the organization of academic writing, but more in reflecting critically on the very nature of writing as a medium of knowledge generation.

      I think that by saying "Luhmann's system of the slip box is well-known", Stephanie Schiller is not talking about his specific box or his specific method, but the broader rhetorical method of the ars excerpendi and note taking in general. There isn't a whole lot of evidence to indicate that, except for a small segment of sociologists who may have know his work, that Luhmann's slip box was specifically well known at all up to the point of Ahrens' book.

    1. I agree with Ahrens that most writing books teach you about making time to write (Zeruvabel), taking it easy with your writing (Jensen), writing properly and without bullshit (Bernoff), producing text (Dunleavy, Kamler & Thomson), but very few if any teach note-taking FOR WRITING

      Raul Pacheco-Vega 2018-11-29 https://twitter.com/raulpacheco/status/1068166332947021825

      Some excellent references on writing and their strengths. Heavy focus on academic writing.

      (via longer thread starting with https://twitter.com/raulpacheco/status/1325630582894850048?lang=en)

    1. If I have many notes, is it more effective to load into chapters, or into ZK, organise, then load into chapters? .t3_11xcnqg._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to u/jaybestnz https://www.reddit.com/r/Zettelkasten/comments/11xcnqg/if_i_have_many_notes_is_it_more_effective_to_load/

      Part of the benefit of having a Luhmann-esque structured ZK, which is what I'm presuming your definition of a zettelkasten is, is that you're doing some of the interconnecting and building links and structures along the way. Instead, you'll now be doing that work after the fact and en-masse.

      The underlying question is: do you plan on keeping and maintaining a more Luhmann-esque zettelkasten after your book? If you do, then it may be useful to take that step, otherwise, you're likely doing additional work that you may not see benefit from.

      Making some broad assumptions about what you may have so far... If you've got physical index cards, things will be easier to collate and arrange. In your case, the closest (easy) workflow is that of Ryan Holiday who outlines his process in this video: https://www.youtube.com/watch?v=dU7efgGEOgk

      Beyond this, your next best bets might be informed by:

      If you prefer your writing structural advice in written form, then perhaps you're already in the latter part of the process broadly described by Umberto Eco in How to Write a Thesis (MIT, 2015).

    1. I find that last claim highly unlikely. If you walk through a bog, you get bogged down. That's where the phrase comes from, Magnus.

      In re: Last lines of: https://www.nb.admin.ch/snl/en/home/about-us/sla/insights-outlooks/einsichten---aussichten-2012/aus-dem-nachlass-von-james-peter-zollinger.html

      Google translate does a reasonable job on translating it as 'getting bogged down' but the original sich ‹verzettelt› would mean roughly to "get lost in the slips", perhaps in a way similar to Anatole France's novel Penguin Island (L’Île des Pingouins. Calmann-Lévy, 1908) but without the storm or the death.

      A native and bi-lingual German speaker might be better at explaining it, but this is a useful explanation of the prefix (sich) ver- : https://yourdailygerman.com/german-prefix-ver-meaning/

    2. I guess a collection of notes is now a zettelkasten.

      Don't be blinded by availability bias. It was historically almost always thus! Especially in Germany. (The French have traditionally called it a fichier boîte and in English it's the card index.) It's only been since the rise in popularity of the use of the German word in English (beginning in late 2013 with zettelkasten.de) where it has almost always been associated with Niklas Luhmann that has has most people now associating Luhmann's method with the word Zettelkasten.

      If you look back at the 2013 exhibition "Zettelkästen. Machines of Fantasy" at the Museum of Modern Literature, Marbach am Neckar, you'll notice that there were six zettelkasten featured there including those of Arno Schmidt, Walter Kempowski, Friedrich Kittler, Aby Warburg, Paul, Blumenberg, and Luhmann. Of those, the structure of Luhmann's was the exception which wasn't primarily organized broadly by subject heading. You'll also find some historians and sociologists organizing theirs by date or geographic regions as well as other custom arrangements as their needs and work might dictate.

      The preponderance of books talking about these note taking methods suggest a topic heading arrangement for filing, including the book by Johnannes Erich Heyde from which Luhmann's son has indicated he learned an old technique from which he evolved his own practice.

      See also:

      Rarely does a week go by that I don't run across another new/significant example of a zettelkasten. Thanks u/atomicnotes for keeping up the pace with James Peter Zollinger. (Though this week may be a twofer given my notes on Ludwig Wittgenstein's over the last few days.)

    1. The Mountains of Pi

      Not sure of the truth of the story either @Josh, but thanks for the trip down memory lane. My math teacher gave me that article when I was in the 12th grade because he knew I had been variously killing time in his math classes since 9th grade memorizing the first 8,000 digits of pi and reading for fun.

    1. Value the process, rather than the product.

      Good writing is often about practices and process to arrive at an end product and not just the end product itself.

      Writing is a means to an end, but most don't have the means to begin with.

      Writing with a card index, zettelkasten, commonplace book or other related tools can dramatically help almost any writer because it provides them with a means from the start rather than facing a blank page and having to produce whole cloth in bulk.

    1. After most of the typed fragments had been traced to theirsources, comparison of them with their original forms, togetherwith certain physical features, shewed clearly that Wittgensteindid not merely keep these fragments, but worked on them,altered and polished them in their cut-up condition. This sug-gested that the addition of separate MS pieces to the box wascalculated; the whole collection had a quite different characterfrom the various bundles of more or less 'stray' bits of writingwhich were also among his Nachlass.
    2. We were naturally at first rather puzzled to account for thisbox. Were its contents an accidental collection of left-overs?Was it a receptacle for random deposits of casual scraps ofwriting? Should the large works which were some of its sourcesbe published and it be left on one side?

      This section makes me question whether or not the editors of this work were aware of the zettelkasten tradition?!?

    3. Often fragments on the same topic were clipped together; butthere were also a large number lying loose in the box. Someyears ago Peter Geach made an arrangement of this material,keeping together what were in single bundles, and otherwisefitting the pieces as well as he could according to subject matter.This arrangement we have retained with a very few alterations

      This brings up the question of how Ludwig Wittgenstein arranged his own zettelkasten...


      Peter Geach made an arrangement of Wittgenstein's zettels which was broadly kept in the edited and published version Zettel (1967). Apparently fragments on the same topic were clipped together indicating that Wittgenstein's method was most likely by topical headings. However there were also a large number of slips "lying loose in the box." Perhaps these were notes which he had yet to file or which some intervening archivist may have re-arranged?

      In any case, Geach otherwise arranged all the materials as best as he could according to subject matter. As a result the printed book version isn't necessarily the arrangement that Wittgenstein would have made, but the editors of the book felt that at least Geach's arrangement made it an "instructive and readable compilation".

      This source doesn't indicate the use of alphabetical dividers or other tabbed divisions.

    4. The earliest time of composition of any of these fragmentswas, so far as we can judge, 1929. The date at which the latestdatable fragment was written was August 1948. By far thegreatest number came from typescripts which were dictated from1945- 1948

      Based on the dating provided by Anscombe and von Wright, Wittgenstein's zettelkasten slips dated from 1929 to 1948.


      for reference LW's dates were 1889-1951


      Supposing that the notes preceded the typescripts and not the other way around as Anscombe and von Wright indicate, the majority of the notes were turned into written work (typescripts) which were dictated from 1945-1948.

      What was LW's process? Note taking, arranging/outlining, and then dictation followed by editing? Dictating would have been easier/faster certainly if he'd already written down his cards and could simply read from them to a secretary.

    5. Others again were in manuscript,apparently written to add to the remarks on a particular matterpreserved in the box.

      Some of the manuscript notes in Wittgenstein's zettelkasten were "apparently written to add to the remarks on a particular matter preserved in the box".ᔥ So much like Niklas Luhmann's wooden conversation partner, Wittgenstein was not only having conversations with the texts he was reading, he was creating a conversation between himself and his pre-existing notes thus extending his lines of thought within his zettelkasten.

    6. . They were for the most partcut from extensive typescripts of his, other copies of which stillexist. Some few were cut from typescripts which we have notbeen able to trace and which it is likely that he destroyed but forthe bits that he put in the box.

      In Zettel, the editors indicate that many of Wittgenstein's zettels "were for the most part cut from extensive typescripts of his, other copies of which still exist." Perhaps not knowing of the commonplace book or zettelkasten traditions, they may have mistook the notes in his zettelkasten as having originated in his typescripts rather than them having originated as notes which then later made it into his typescripts!

      What in particular about the originals may have made them think it was typescript to zettel?

    1. Sam Charter’s LP anthology on Folkways, The Country Blues. This opened up a rabbit hole that still has no end. The LP was meant as a supplement to Charter’s book of the same name, although I didn’t read the book until much later. I first heard the album cold, with no historical context or biographical information. The music was stunning. ‘Careless Love’ by Lonnie Johnson I played over and over again. To this day I love Lonnie Johnson. There was ‘Fixin’ To Die’ by Bukka White and ‘Statesboro Blues’ by Blind Willie McTell. Masterpieces! These performances knocked my socks off. And Gus Cannon’s ‘Walk Right In’—I remembered that as a radio hit by the Rooftop Singers, only this was a thousand times better. The Country Blues anthology gave me an appetite to hear more of this stuff, and to find out more about these musicians.
    1. Medicine shows became popular after the Civil War when patent medicine salesmen traveled the "kerosene circuit" in rural America. Flourishing until the passage of 1906 Fair Food and Drug Act made them obsolete, medicine shows provided entertainment to attract audiences and then used their intermissions to sell their products.

      This pattern would later be seen in later radio and television when product pitchmen sponsored entertainment in return for commercial time.

      (Bob Dylan, Theme Time Radio Hour, "Doctors," February 20, 2008 via http://www.oldhatrecords.com/)

      See also: https://en.wikipedia.org/wiki/Medicine_show


      Also related to tent revival shows which featured music and religion as entertainment and socializing.

      Example in music: Neil Diamond's song: Brother Love's Travelling Salvation Show

    1. I found the format of these Hypothes.is notes to be much more readable than the notes on the same topic in Evernote.

      https://forum.zettelkasten.de/discussion/comment/17617#Comment_17617

      There is definitely something here from a usability (and reusability) perspective when notes are broken down into smaller pieces the way that is encouraged by Hypothes.is or by writing on index cards.

      Compare: - ://www.evernote.com/shard/s170/sh/d69cf793-1f14-48f4-bd48-43f41bd88678/DapavVTQh954eMRGKOVeEPHm7FxEqxBKvaKLfKWaSV1yuOmjREsMkSHvmQ - https://via.hypothes.is/https://www.otherlife.co/pkm/

      The first may be most useful for a note taker who is personally trying to make sense of material, but it becomes a massive wall of text that one is unlikely to re-read or attempt to reuse at a later date. If they do attempt to reuse it at a later date, it's not clear which parts are excerpts of the original and which are the author's own words. (This page also looks like it's the sort of notes, highlighting, and underlining recommended by Tiago Forte's Building a Second Brain text using progressive summarization.)

      The second set, are more concrete, more atomic, more understandable, and also as a result much more usable.

    2. "Personal Knowledge Management Is Bullshit"

      reply to jameslongley at https://forum.zettelkasten.de/discussion/2532/personal-knowledge-management-is-bullshit

      I find that these sorts of articles against the variety of practices have one thing in common: the writer fails to state a solid and realistic reason for why they got into it in the first place. They either have no reason "why" or, perhaps, just as often have all-the-reasons "why", which may be worse. Much of this is bound up in the sort of signaling and consumption which @Sascha outlines in point C (above).

      Perhaps of interest, there are a large number of Hypothes.is annotations on that original article written by a variety of sense-makers with whom I am familiar. See: https://via.hypothes.is/https://www.otherlife.co/pkm/ Of note, many come from various note making traditions including: commonplace books, bloggers, writers, wiki creators, zettelkasten, digital gardening, writers, thinkers, etc., so they give a broader and relatively diverse perspective. If I were pressed to say what most of them have in common philosophically, I'd say it was ownership of their thought.

      Perhaps it's just a point of anecdotal evidence, but I've been noticing that who write about or use the phrase "personal knowledge management" are ones who come at the space without an actual practice or point of view on what they're doing and why—they are either (trying to be) influencers or influencees.

      Fortunately it is entirely possible to "fake it until you make it" here, but it helps to have an idea of what you're trying to make.

    1. Sue Hart, commissioning editor at Hodder and Stoughton, was "pretty pleased" when, in the months that followed a BBC2 broadcast about Thomas, she managed to persuade him to distil his magic on to a series of cassettes and CDs.

      Sue Hart at Hodder & Stoughton was able to persuade Michel Thomas to create a series of language courses on cassettes and CDs following his BBC2 broadcast of The Language Master.

    1. Michel Thomas Method Review

      Michel Thomas method also includes: - atomic pieces built up as building blocks into larger pieces - lots of encouragement to prevent the feeling of failure

      Downsides: - there is no failure mode which can nudge people into a false sense of performance when using their language with actual native speakers

      This reviewer indicates that there is some base level of directed mnemonic work going on, but the repetition level isn't such that long term retention (at least in the space repetition sort of way) is a specific goal. We'll need to look into this piece more closely to firm this up, however.

    1. The Michel Thomas Method in a nutshell

      https://www.youtube.com/watch?v=U9Xh-by50pI

      This video indicates that small mnemonic hooks are inserted for some words in the Michel Thomas method. This was not immediately apparent or seen in the 1997 BBC documentary about his method and wasn't immediately apparent in Harold Goodman's discussion.

      Is it apparent in Goodman's session with his nephews? Was it part of Thomas' method originally or was it added later? Is it truly necessary or does it work without it as in the SSiW method which doesn't use it.

    1. The Language Master<br /> BBC - Michel Thomas<br /> [English CC]<br /> [Leg. PT-BR]

      Michel Thomas is one of the most brilliant language teachers in the world. His usual clients are movie stars and business leaders. This programme takes him to a Sixth Form College in London to work with school pupils, to test his claim that he can teach anyone a language in a week - with no reading, writing or homework. The film also explores his personal history - as a hero of the French Resistance during WW II.

      The Michel Thomas method involves: - slow build up of words, phrases, natural grammar - forced production of the language through practice - positive interaction - patience - no stress - no judgement - encouragement - constant evidence of progress

      How does "understanding" of the language evolve out of this method? It's more like revelation rather than understanding...

      This method appears much more atomic than that of SSiW (Aran Jones), but some of this is down to the fact that there's a live person who is able to unjudgementally prompt one with pieces which they've missed. The teacher has the context whereas the taped instructors do not. Presumably this sort of interpersonal prompting and context isn't necessarily required, but it can help to better lower the learner's stress and potentially speed up the learning process. It would require some standardization to set up a specific experiment to test between these two modes to tease this data out.

      Reference key: [[Levy1997]]<br /> “The Language Master.” 1:33 : 1, color. London, UK: BBC 2, March 23, 1997. https://www.youtube.com/watch?v=O0w_uYPAQic.

    1. Dr. Pimsleur’s research on memory was perhaps one of his most revolutionary achievements. He discovered that if learners were reminded of new words at gradually increasing intervals, each time they would remember longer than the time before. He documented the optimal spacing for information to move from short-term into long-term, or permanent, memory.

      I thought Ebbinghaus did this in the late 1800s?! 😜

    1. If someone tells you that your Zettelkasten is not a Zettelkasten, just refer him to the late Wittgenstein and send him a three-legged horse. It might not solve the issue but bring some peace to your mind.

      Perhaps apropos from Wittgenstein's own zettelkasten? 🐎

      1. ''Putting the cart before the horse" may be said of an explanation like the following: we tend someone else because by analogy with our own case we believe that he is experiencing pain too.—Instead of saying: Get to know a new aspect from this special chapter of human behaviour—from this use of language. (p96)

      Wittgenstein, Ludwig. Zettel. Edited by Gertrude Elizabeth Margaret Anscombe and Georg Henrik von Wright,. Translated by G. E. M. Anscombe. Second California Paperback Printing. 1967. Reprint, Berkeley and Los Angeles, California: University of California Press, 2007.

    2. the very point of a Zettelkasten is to ditch the categories.

      If we believe as previously indicated by Luhmann's son that Luhmann learned the basics of his evolved method from Johannes Erich Heyde, then the point of the original was all about categories and subject headings. It ultimately became something which Luhmann minimized, perhaps in part for the relationship of work and the cost of hiring assistants to do this additional manual labor.

    3. The Zettelkasten Method seems to get more and more popular. With popularity of methods there always comes a problem: Overzealous Orthodoxy. Some people, for various reasons, try to state what a Zettelkasten is and what not.

      The hilarious part of this is that within a much broader tradition of Western intellectual history, Niklas Luhmann's zettelkasten is one of the most heterodox approaches on the map.

    1. http://www.shopbrodart.com/Library-School-Furniture/Adult-and-Teen-Furniture/Computer-Furniture/Card-Catalog-Trays-and-Cabinets/_/Brodart-Wood-Charging-Trays/?q=tray&s=MToyNTY6NDo6Ojo6OjA6

      Brodart Mini Single Charging Tray Mini single charging tray with 600-card capacity More Info Price: $76.76

      • Adjustable steel follower block with automatic lock
      • Felt pads on tray bottom protect desktop
      • Mini charging tray fits on your lap
      • 4"H x 4"W x 8"D
      • Holds 600 5"H x 3"W cards
      • Includes antimicrobial finish
      • Made in the USA

      This could be used for a modern day Memindex box for portrait oriented 3 x 5" index cards.

    1. My Ten Years With Michel Thomas - Dr. Harold Goodman

      https://youtu.be/askAFNzI9Rc

      Michel Thomas taught languages conversationally in both languages by creating absolutely no pressure or worry and always keeping students in the "now".

      Find:<br /> Kaplan, Howard. “The Language Master.” The Jerusalem Report, August 11, 1994.

      Watch:<br /> “The Language Master.” 1:33 : 1, color. London, UK: BBC 2, March 23, 1997. https://www.youtube.com/watch?v=O0w_uYPAQic.

    1. he gained popularity, particularly among young men, by promoting what he presented as a hyper-masculine, ultra-luxurious lifestyle.

      Andrew Tate, a former kickboxer and Big Brother (17, UK) housemate, has gained popularity among young men for promoting a "hyper-masculine, ultra-luxurious lifestyle".

      Where does Tate fit into the pantheon of the prosperity gospel? Is he touching on it or extending it to the nth degree? How much of his audience overlaps with the religious right that would internalize such a viewpoint?

    1. The Hittites treated their defeated enemies the same way other Near Eastern states did. Cities were generally looted,except for their temple precincts. Captured populations were deported, either in whole or in part

      Defeated Hatti enemies who weren't deported were usually left to rebuild with a three year tax exemption.

    2. When they were inducted into the army, soldiers and junior officers had to swear elaborate oaths of loyalty tothe Great King, including a bringing down of curses on their heads if they were disloyal.

      Some of the oaths taken by Hatti warriors involved mutton fat and melted wax on one's hands. Another version indicated that the breaking of the oath would turn them into women, their troops into women, and their weapons destroyed and replaced with weaving sticks and mirrors.

    3. Dise, Jr., Robert L. “Ancient Empires Before Alexander: Course Guidebook.” The Teaching Company, 2009. https://www.thegreatcourses.com/courses/ancient-empires-before-alexander.

      annotation target: urn:x-pdf:1e4821a1d889703f671b666411312026 annotations: https://hypothes.is/users/chrisaldrich?q=urn%3Ax-pdf%3A1e4821a1d889703f671b666411312026

      Ancient Empires before Alexander. DVD. Vol. 3150 The Great Courses: History. Chantilly, VA: The Teaching Company, 2013.https://www.thegreatcourses.com/courses/ancient-empires-before-alexander.

    1. Wilusa (Hittite: 𒌷𒃾𒇻𒊭 URUwi5-lu-ša) or Wilusiya was a Late Bronze Age city in western Anatolia known from references in fragmentary Hittite records. The city is notable for its identification with the archaeological site of Troy, and thus its potential connection to the legendary Trojan War.

      Wilusa is a city in western Anatolia in the Late Bronze Age which we identify as a Hittite word for the city of Troy.

      Mentioned briefly in lecture 10 of Ancient Empires before Alexander.

    1. AMS Open Math Notes

      Resources and inspiration for math instruction and learning

      Welcome to AMS Open Math Notes, a repository of freely downloadable mathematical works hosted by the American Mathematical Society as a service to researchers, faculty and students. Open Math Notes includes: - Draft works including course notes, textbooks, and research expositions. These have not been published elsewhere and are subject to revision. - Items previously published in the Journal of Inquiry-Based Learning in Mathematics, a refereed journal - Refereed publications at the AMS

      Visitors are encouraged to download and use any of these materials as teaching and research aids, and to send constructive comments and suggestions to the authors.

    1. As ajournalist, historian, novelist, and autobiographer, Adams was con-stantly focused on the American experiment, testing a statementoffered by another figure in Democracy: ‘You Americans believe your-selves to be excepted from the operation of general laws. You care notfor experience’ (LA 37–8).

      In Chapter 1: American Exceptionalism of Myth America (Basic Books, 2023) historian David A. Bell indicates that Jay Lovestone and Joseph Stalin originated the idea of American Exceptionalism in 1920, but in Democracy (1880, p.72) Henry Adams seems to capture an early precursor of the sentiment:

      "Ah!" exclaimed the baron, with his wickedest leer, "what for is my conclusion good? You Americans believe yourselves to be excepted from the operation of general laws. You care not for experience. I have lived seventy-five years, and all that time in the midst of corruption. I am corrupt myself, only I do have courage to proclaim it, and you others have it not. Rome, Paris, Vienna, Petersburg, London, all are corrupt; only Washington is pure! Well, I declare to you that in all my experience I have found no society which has had elements of corruption like the United States. The children in the street are corrupt, and know how to cheat me. The cities are all corrupt, and also the towns and the counties and the States' legislatures and the judges. Every where men betray trusts both public and private, steal money, run away with public funds.

      Had a flavor of American Exceptionalism been brewing for decades before Stalin's comment?

    1. Scott Scheper has popularized a numbering scheme based on Wikipedia's Outline of Academic Disciplines.

      It's not just me who's noticed this.

      Interesting that for someone propounding Luhmann's zettelkasten system that Scheper has done this. Was it because he did it himself and then didn't want to change (likely) or because he spent time seeing others' problems with Luhmann's numbering system and designed a better way (less likely)?

    1. Google Books .pdf document equivalence problem #7884

      I've noticed on a couple of .pdf documents from Google books that their fingerprints, lack thereof, or some other glitch in creating document equivalency all seem to clash creating orphans.

      Example, the downloadable .pdf of Geyer's Stationer 1904 found at https://www.google.com/books/edition/Geyer_s_Stationer/L507AQAAMAAJ?hl=en&gbpv=0 currently has 109 orphaned annotations caused by this issue.

      See also a specific annotation on this document: https://hypothes.is/a/vNmUHMB3Ee2VKgt4yhjofg

    1. Seen in a Hoskins business equipment advertisement in Business magazine (1903) for card index:

      YOUR BUSINESS AT YOUR FINGER ENDS

      Close to the phrase "at your finger tips". Would it have appeared before or after this?

      Business: The Magazine for Office, Store and Factory. Vol. 16. Business Man’s Publishing Company, 1903. https://www.google.com/books/edition/Business/QKaxezfHjL0C?hl=en&gbpv=0.

    1. Trademark for Memindex

      Ser. No. 511,916. WILSON MEMINDEX COMPANY, Rochester, N. Y. Filed Aug. 23, 1947.<br /> FOR LOOSE-LEAF DAILY MEMORANDUM CARD SYSTEM COMPRISING MEMORANDUM CARDS AND POCKET AND DESK CASES THEREFOR.<br /> Claims use since Aug. 1, 1903.

      (p58, SEPTEMBER 7, 1948) (aside: interesting to note that Wurlitzer is on the same page!)

      Memindex, Wilson Company, Rochester, N. Y. Loose - leaf daily memorandum card system . Serial No. 511,916, Sept. 7. Class 37.

      Official Gazette of the United States Patent Office. Vol. 614. United States Patent Office, 1948.

    1. General instructions for using a Memindex

      HOW IT IS USED <br /> Things to be done today, jot on face card. Things to be done tomorrow or next Friday, jot on card for that day. Things to keep before you until done, jot on opposite front card. A matter for January 10th jot on a short card put under the band till you return to your desk, then file next to card for January 10th when it will come out and refresh your memory.

      Things to be done when in New York or Chicago jot on card "N" or "C." The new address of Mr. Jones, under "J." Ideas on advertising jot on card tabbed "adv." Things for your clerk to do, on his card , etc., etc. Retire today's card tonight, carrying forward things not completed and put next card in the file in has proved that almost back of pocket case. The alphabet enables one to index all jottings for instant reference. This system is very comprehensive yet perfectly simple. You soon the learn to depend on it every hour of every day.

      Within the general instructions in a 1904 Memindex advertisement (next to an ad for "Genuine Edison Incandescent Lamps") we see the general ideas of indexing things into the future and carrying undone tasks forward, just as is done in the bullet journal method.

  2. books.googleusercontent.com books.googleusercontent.com
    1. Hudson & Hudson are also supplying business housesthe rubber, and gives many odd and curious shapes. How- with “ Memindex, " the vest pocket card index, which makesever, it is somewhat difficult for us to describe these cards it impossible for any business appointment or transaction

      Hudson & Hudson of Toledo, OH were one of the early distributors of Howard L. Wilson's Memindex system.

      Geyers Stationer. “The Revolving Desk Tray.” Geyer’s Stationer: Devoted to the Interests of the Stationery, Fancy Goods and Notion Trades, November 10, 1904. vol. 38, issue 940, p25. https://www.google.com/books/edition/Geyer_s_Stationer/L507AQAAMAAJ?hl=en&gbpv=0.

    2. mindex.THIS is the name Howard L. Wilson, of Rochester, N.Y.,hasgivenhisvestpocket cardsystem.Itisa

      Geyers Stationer. “Memindex Advertisement.” Geyer’s Stationer: Devoted to the Interests of the Stationery, Fancy Goods and Notion Trades, September 15, 1904. https://www.google.com/books/edition/Geyer_s_Stationer/L507AQAAMAAJ?hl=en&gbpv=0

      Howard L. Wilson of Rochester, NY named his vest pocket card index system the Memindex.

    1. Altfranzösisches etymologisches Wörterbuch : AGATE

      I recall that the Oxford English Dictionary was also compiled using a slip box method of sorts, and more interestingly it was a group effort.

      Similarly Wordnik is using Hypothes.is to recreate these sorts of patterns for collecting words in context on digital cards.

      Many encyclopedias followed this pattern as did Adler's Syntopicon.

  3. takingnotenow.blogspot.com takingnotenow.blogspot.com
    1. When I looked it up in the OED (the Oxford English Dictionary), I discovered to my surprise that it wasn't even in the main volumes but had been added in the Supplement, because the first known written reference in English ("non-fictional wares") occurred in a library journal in 1903. That is to say, "nonfiction" was evidently a term coined by a librarian trying to decide how to label all the works of narrative prose in her collection that weren't fiction, and rather than call them, say, "fact," had thoughtlessly exiled them into the Slough of Non.

      According to the Oxford English dictionary, 'non-fiction' was coined in 1903 in a library journal by a librarian attempting to define the opposite of fiction.

    1. Those verity works already noted by the 47 listmakers are included here too, to allow for easier comparison; they are the italicized items.

      Italicized works on this verity list are already noted on one or more of the 47 other lists.