Calon Lân Course<br /> by SaySomethingin

Lesson 1: https://www.saysomethingin.com/wp-content/uploads/2023/01/Calon-Lan-Lesson1.mp3

Lesson 2: https://www.saysomethingin.com/wp-content/uploads/2023/01/Calon-Lan-Lesson2.mp3

Calon Lân

https://www.nytimes.com/2015/04/28/magazine/how-not-to-report-on-an-earthquake.html

https://www.wnycstudios.org/podcasts/otm/segments/breaking-news-consumers-handbook-tectonic-edition

https://www.youtube.com/watch?v=utW4xlL2GkM

Failing to see the forest for the trees (or the wood for trees).

Wood = Pren<br /> Trees = Coed<br /> Forest = Coedwig

https://www.insider.com/lift-every-voice-sing-black-national-anthem-super-bowl-sheryl-2023-2

https://en.wikipedia.org/wiki/Aesopian_language

Parents often use variations of double entendre to communicate between each other with out children understanding while present.

It's also likely that Indigenous elders may use this sort of communication with uninitiated members nearby.

Internet ‘algospeak’ is changing our language in real time, from ‘nip nops’ to ‘le dollar bean’ by [[Taylor Lorenz]]

shifts in language and meaning of words and symbols as the result of algorithmic content moderation

instead of slow semantic shifts, content moderation is actively pushing shifts of words and their meanings

article suggested by this week's Dan Allosso Book club on Pirate Enlightenment

There seems to be a number of issues with the positive and negative feedback systems these social media companies are trying to create. What are they really measuring? The either aren't measuring well or aren't designing well (or both?)...

Could it be the sift from person to person (known in both directions) to massive broadcast that is driving issues with content moderation. When it's person to person, one can simply choose not to interact and put the person beyond their individual pale. This sort of shunning is much harder to do with larger mass publics at scale in broadcast mode.

How can bringing content moderation back down to the neighborhood scale help in the broadcast model?

follow up on this for the relevant forthcoming paper....

Is algorithmic content moderation creating a new sort of cancel culture online?

Where's the balance for professionalism with respect to dodging the algorithmic filters for serious health-related conversations online?

link to: https://hypothes.is/a/uBq9HKqWEe22Jp_rjJ5tjQ

Where does the line exist for moving from coded language into the space of dog whistles and a "wink and a nod"?

Do these exist in all cultures?

What level is contextual?

What about non-marginalized toxic communities like Neo-Nazis?

Social media has slowly moved away from communication between people who know each other to people who are farther apart in social spaces. Increasingly in 2021 onward, some platforms like TikTok have acted as a distribution platform and ignored explicit social connections like follower/followee in lieu of algorithmic-only feeds to distribute content to people based on a variety of criteria including popularity of content and the readers' interests.

Internet ‘algospeak’ is changing our language in real time, from ‘nip nops’ to ‘le dollar bean’ by Taylor Lorenz

https://bombas.com/products/mens-gripper-slipper-sherpa-lined?variant=charcoal

An early Valentines Day gift

https://www.cyberneticforests.com/ai-images

Critical Topics: AI Images is an undergraduate class delivered for Bradley University in Spring 2023. It is meant to provide an overview of the context of AI art making tools and connects media studies, new media art, and data ethics with current events and debates in AI and generative art. Students will learn to think critically about these tools by using them: understand what they are by making work that reflects the context and histories of the tools.

Happy to see that @hirnbloggade@bildung.social has got some Welsh and somehow knows I do too.

https://mastodon.social/@hirnbloggade@bildung.social/109835728484596323

https://www.cs.ru.nl/F.Wiedijk/euclid/elements-1.html

http://sunsite.ubc.ca/DigitalMathArchive/Euclid/bookI/bookI.html

http://aleph0.clarku.edu/~djoyce/java/elements/toc.html

Sloan, Robin. “Author’s Note.” Experimental fiction. Wordcraft Writers Workshop, November 2022. https://wordcraft-writers-workshop.appspot.com/stories/robin-sloan.

brilliant!

How fitting that the amanuensis in a short story written with the help of artificial intelligence has done the opposite of what the author intended!

There's a catalog for this exhibition available:

Meschede, Friedrich, ed. Serendipity. Vom Glück des Findens. Snoeck Verlagsges, 2015. https://www.buecher.de/shop/buecher/serendipity-vom-glueck-des-findens/broschiertes-buch/products_products/detail/prod_id/43762021/.

Serendipity - Vom Glück des Findens Niklas Luhmann Ulrich Rückriem Jörg Sasse 11 07 15 11 10 15 - Kunsthalle Bielefeld

ᔥ[[Andreas Fasel]] in Niklas Luhmann: Ein Zettelkasten als zweites Gehirn at 2015-06-28<br /> (accessed:: 2023-02-13 11:45:39)

Fasel, Andreas. “Niklas Luhmann: Ein Zettelkasten als zweites Gehirn.” Die Welt, June 28, 2015, web edition, sec. North Rhine-Westphalia. (https://www.welt.de/regionales/nrw/article143147819/Ein-Zettelkasten-war-Luhmanns-zweites-Gehirn.html.

google translate:

The Zettelkasten will be shown in the exhibition “ Serendipity – From the Luck of Finding ” at the Kunsthalle Bielefeld, July 11 to October 11

In addition to having appeared in the Marbach zettelkasten exhibition in 2013, Niklas Luhmann's zettelkasten also appeared in the exhibition "Serendipity: From the Luck of Finding" at Kunsthalle Bielefeld from July 11 - October 11, 2015.

link to: https://hypothes.is/a/lNF9RKvTEe28Rqcr9qzi8w

Coincidence that Schmidt shows a journalist Luhmann's zettelkasten in 2015 and asks if they're disappointed?

It's reasonably likely that he'd already read ZKII 9/8,3.

see: https://hypothes.is/a/GFj15IcbEe21OIMwT2TOJA

in the article which follows below, there's an explicit mention of this specific zettel, so the question on priority here is closed.

google translate:

It's a pity that Schmidt shouldn't be interested in such private matters. Because the aim of his research project, which is funded by the NRW Academy of Sciences and Arts, is to prepare Niklas Luhmann's scientific estate for his scientific descendants.

When everything is scanned, note by note must be transferred from handwriting to typescript. Then all cross-references with which Luhmann has networked his slips of paper should also be linked digitally. "And in the end, individual sections of the box could perhaps also be published in book form," explains Schmidt. Duration of the project: 16 years.

Schmidt's work on Niklas Luhmann's scientific estate is funded by the NRW Academy of Sciences and Arts, and the project is expected to last 16 years. The careful observer will notice that this duration is over half of Luhmann's own expected project length of 30 years. The cost of which is also significantly more than the "cost: none" that Luhmann projected at the time.

link to https://hypothes.is/a/zUjEIvfWEeykOiO1E8YAYw

Researchers ought to account for the non-insignificant archival cost of their work once it's done.

google translate:

The world of Niklas Luhmann – Schmidt now sometimes finds it on the back of the slip. Because Luhmann apparently recycled every scrap of paper he could find for his box. So it can happen that on the front of the note there are condensed reflections on the concept of autopoiesis or summaries of unknown treatises from earlier centuries, while on the back you can find the first arithmetic exercises by Luhmann's children. Or check statements. Or instructions to the household help: “Sweep and wipe the basement stairs thoroughly”, for example.

Luhmann adhered to the standard advice to write only on one side of his cards, though perhaps not just for the usual reasons, but in part because he recycled the papers he had at hand to make his slips. On the backs of his notes one can find instructions he'd made to his household help, his children's homework papers, bank statements, and other papers he happened to have at hand.

Schmidt estimated in 2015 that it would take at least a year to scan in the entire corpus of Niklas Luhmann's zettelkasten, imaging 50 cards at a time.

Instead of using pre-made stiff index cards, Luhmann used standard paper which he cut up into DIN A6 sized slips which he packed into his drawers. Schmidt had trouble removing slips from some of the boxes because they were packed so tightly.

Exactly how much space would be saved writing on standard paper versus index cards in a collection as large as Luhmann's?

google translate:

And yet he never found what he was actually looking for, but something new and surprising.

While you'll only find in your zettelkasten exactly what you placed there, you may be surprised to find more than you expected.

google translate:

The curiosity of his students and colleagues, who wanted to analyze the box, was correspondingly high. For years, however, Luhmann's children fought in court about the scientific legacy, and for a long time there was no question of a reappraisal. It was not until 2011 that the University of Bielefeld was able to buy Luhmann's intellectual legacies. And now, since the beginning of the year, research has actually been going on into what this box, which sociologists have sometimes referred to as the Holy Grail, is all about.

Bielefeld University sued Luhmann's estate (his children) over his intellectual legacy. In 2011 they were finally able to purchase his papers, but research on his papers and zettelkasten didn't begin until early 2015.

google translate:

When the universal scholar, who was as lovable as he was odd, died in 1998, he not only left behind a work of world renown, but also that box of papers that was already the subject of legends during his lifetime.

This article indicates that Luhmann's zettelkasten was legendary during his lifetime, but was this really the case? Luhmann indicated people's disappointment in his own writing (ZKII 9/8,3), but is there other anecdotal evidence that this wasn't the case?

What does the lawsuit between the family and the Bielefeld over his papers indicate?

Hennemann, Alexa. “Ausstellungseröffnung am 4. März: »Zettelkästen. Maschinen der Phantasie« Mit Navid Kermani, Norbert Miller und Meike Werner. Zum 250. Geburtstag von Jean Paul.” Deutches Literatur Archiv Marbach, February 13, 2013. https://www.dla-marbach.de/presse/presse-details/news/pm-11-2013/.

https://www.dignitymemorial.com/obituaries/riverside-ca/fred-aldrich-6032921

Fred Waldo Aldrich, Jr. (1927-12-10 - 2014-06-29) engineer of Marlborough, MA.

https://www.imdb.com/name/nm0017674/?ref_=tt_cl_t_12

book idea w/ title:

Uncredited: The Life of Fred Aldrich

was he related to Robert Aldrich?

http://www.pearltrees.com/barockschloss/knowledge-management-germany/id12863560

Knowledge Management in Germany by Barockschloss

Example of someone using the social bookmarking application Pearltrees as a form of digital zettelkasten. They've created a collection of cards about zettelkasten.

A Guide to Thesis Writing and a Guide to Life<br /> by Hua Hsu

neocapitalism of information!!

Is information overload compounded by our information hoarding tendencies?

https://www.deepl.com/translator

https://www.reddit.com/r/Zettelkasten/comments/r6nzos/niklas_luhmanns_daily_work_routine/

An Introduction to Proofs and the Mathematical Vernacular<br /> by Martin Day

I've experienced and seen this myself.

Lesen lernen<br /> by Daniel Lüdecke

Wolff, Tobias. “Bullet in the Brain.” The New Yorker, September 17, 1995. https://www.newyorker.com/magazine/1995/09/25/bullet-in-the-brain.

a perfect phrase here

Wordcraft Writers Workshop by Andy Coenen - PAIR, Daphne Ippolito - Brain Research Ann Yuan - PAIR, Sehmon Burnam - Magenta

cross reference: ChatGPT

We definitely need more focus on digital humanism.

This is, in part, why the tools for thought space should be looking at intellectual history to see how people have worked in the past.

Rather than looking at how writers have previously worked and building something specific that supports those methods, they've taken a tool designed for something else and just thrown it into the mix. Perhaps useful creativity stems from it in a new and unique way, but most likely writers are going to continue their old methods.

When does using an artificial intelligence-based writing tool make the writer an editor of the computer's output rather than the writer themself?

If I were going to use an AI, I'd want to plugin and give massive priority to my commonplace book and personal notes followed by the materials I've read, watched, and listened to secondarily.

How much of our creativity and authorial voice is based on our own experiences and material we've read, watched, listened to?

Wordcraft's hallucinations can create interesting and creatively surreal suggestions.

How might one dial up or down the ability to hallucinate or create surrealism within an artificial intelligence used for thinking, writing, etc.?

Because one may need to spend an inordinate amount of time filtering through potentially bad suggestions of artificial intelligence, the time and energy spent keeping a commonplace book or zettelkasten may pay off magnificently in the long run.

Examples of artificial intelligence pushing toward pre-existing biases based on training data sets.

How to improve on this state of the art?

Presumably the use of rubber-ducking here is an indicator of Nelly Garcia's background with programming and prior AI tool use?

The rubber duck as a writing partner?

Presumably being used for rubber ducking?

Was it also used as research feedback for the program itself?

Eugenia Triantafyllou is talking about crutches for creativity and inspiration, but seems to miss the value of collecting interesting tidbits along the road of life that one can use later. Instead, the emphasis here becomes one of relying on an artificial intelligence doing it for you at the "hit of a button". If this is the case, then why not just let the artificial intelligence do all the work for you?

This is the area where the cultural loss of mnemonics used in orality or even the simple commonplace book will make us easier prey for (over-)reliance on technology.

Is serendipity really serendipity if it's programmed for you?

Again note the reference to magic with respect to the artificial intelligence: "the ability to conjure ideas 'out of thin air'".

Just as using a text for writing generative annotations (having a conversation with a text) is a useful exercise for writers and thinkers, creative writers can stand to have similar textual creativity prompts.

Compare Wordcraft affordances with tools like Nabokov's card index (zettelkasten) method, Twyla Tharp's boxes, MadLibs, cadavre exquis, et al.

The key is to have some sort of creativity catalyst so that one isn't working in a vacuum or facing the dreaded blank page.

How much training did they get with the tool prior to use, particularly those without any experience?

The interface of Wordcraft sounds like some of that interface that note takers and thinkers in the tools for thought space would appreciate in their

Rather than pairing it with artificial intelligence and prompts for specific writing tasks, one might pair tools for though interfaces with specific thinking tasks related to elaboration and continuation. Examples of these might be gleaned from lists like Project Zero's thinking routines: https://pz.harvard.edu/thinking-routines

The sense of writing partner here is similar to that mentioned by Niklas Luhmann in Communicating with Slip Boxes: An Empirical Account (1981), though in his case his writing partner was a carefully constructed database archive of his past notes.

see: Luhmann, Niklas. “Kommunikation mit Zettelkästen: Ein Erfahrungsbericht.” In Öffentliche Meinung und sozialer Wandel / Public Opinion and Social Change, edited by Horst Baier, Hans Mathias Kepplinger, and Kurt Reumann, 222–28. Wiesbaden: VS Verlag für Sozialwissenschaften, 1981. https://doi.org/10.1007/978-3-322-87749-9_19.<br /> translation at https://web.archive.org/web/20150825031821/http://scriptogr.am/kuehnm.

The engineers behind Wordcraft refer to it "as a 'magic text editor'". This is a cop-out for many versus a more concrete description of what is actually happening under the hood of the machine.

It's also similar, thought subtly different to the idea of the "magic of note taking" by which writers are taking about ideas of emergent creativity and combinatorial creativity which occur in that space.

Is LaMDA really able to "learn higher-level concepts" or is it just a large, straight-forward information theoretic-based prediction engine?

https://pair.withgoogle.com/

People + AI Research (PAIR) is a multidisciplinary team at Google that explores the human side of AI by doing fundamental research, building tools, creating design frameworks, and working with diverse communities.

Ippolito, Daphne, Ann Yuan, Andy Coenen, and Sehmon Burnam. “Creative Writing with an AI-Powered Writing Assistant: Perspectives from Professional Writers.” arXiv, November 9, 2022. https://doi.org/10.48550/arXiv.2211.05030.

See also: https://wordcraft-writers-workshop.appspot.com/learn

A Google project entering the public as ChatGPT was released and becoming popular.

For additional experiences, see: https://www.robinsloan.com/newsletters/authors-note/

https://www.youtube.com/playlist?list=PLMiCg48VN5JcFvSl4D20w6b16UgMtDCep

One or two interesting tidbits in this playlist. Many I've already trolled through.

https://www.youtube.com/watch?v=pZgMpjjgCRA

Combining sketchnotes with Cornell Notes in a fairly straightforward manner.

He mentions anecdotally that teachers who have used custom icons for their subjects see students drawing some of them on their exam papers as mental associative tags. This is the same sort of use that drolleries had in medieval manuscripts.

Author's note by Robin Sloan<br /> November 2022

An interesting theory...

An Occurrence at Owl Creek Bridge by Ambrose Bierce comes to mind as an excellent example.

"I see what you did there" as a genre of writing is interesting for its cleverness, but many authors will prefer readers to love their work instead of admiring their cleverness in one part.

PolitiFact - People are using coded language to avoid social media moderation. Is it working?<br /> by Kayla Steinberg<br /> November 4, 2021

A shared language and even more specifically a coded shared language can be used to create a sense of community or define an in group identity.

Zettelkasten workflow<br /> by pqnelson

r/Zettelkasten - Workflow of a Mathematical Zettelkasten<br /> by u/thmprover

a subtle catch about Ahrens' terminology

Codebreakers find long-lost secret letters of Scottish queen beheaded in 1587: "Like uncovering buried treasure"

https://de-crypt.org/

https://www.youtube.com/watch?v=vLV4EDBtuas

Quotes I've made that I never expected to be excerpted... 🤣

Perry analogizes many people's experience of writing to passing a kidney stone and then contrasts it with me talking about the Mozart composing/cow peeing analogy.

http://www.wisdomofchopra.com/...

A random generator using Deepak Chopra tweets.

Reminiscent of https://hypothes.is/a/bzlr9l06Ee23w7voPzbY5g

https://www.amazon.com/Shakespeare-Insult-Generator-Match-Insults/dp/1452127751

Suggested by Dan Allosso

https://www.reddit.com/r/Zettelkasten/comments/tb04cc/how_to_take_smart_notes_by_ahrens_receives_its/

https://gitlab.com/sthesing/zettels

Arbeiten mit Zettelkästen<br /> by Daniel Lüdecke

at this time in 2013-08-29, Christian Tietze was hosting zettelkasten.de on his personal domain before it moved later that year to its ultimate site, thus the reason that the Twitter link here resolves to Christian's site https://christiantietze.de/ now.

At the time, Daniel was obviously aware of both Christian and Manfred Kuehn's Taking Note blog.

He was also aware of Kuehn's original translation of Luhmann's essay in it's original location at http://scriptogr.am/kuehnm/post/2012-12-22-111621 before it moved. (I remember spending ages puzzling out the original location via the Internet Archive).

https://zettels.info/en/inf/impressum.asp

https://zettels.info/en/int/default.asp

A digital note taking product

ᔥ[[Frank Berzbach]] in Künstliche Intelligenz aus Holz - sciencegarden - Magazin für junge Forschung at 2002-06-30<br /> (accessed:: 2023-02-10 06:59:08)<br /> where he referred to it as "A free online Zettelkasten by Joachim Richter"

http://www.verzetteln.de/synapsen/<br /> Markus Krajewski's digital zettelkasten product.

ᔥ[[Frank Berzbach]] in Künstliche Intelligenz aus Holz - sciencegarden - Magazin für junge Forschung at 2001-06-30 (accessed:: 2023-02-10 06:53:55)

Does austerity have a hidden agenda? by David Brancaccio and Ariana Rosas

listened to on 2023-02-08

https://play.publicradio.org/web/o/marketplace/segments/2023/02/08/mp_20230208_seg_MMR_-_Mattei_Austerity_Q_64.mp3

A Luhmann web article from 2001-06-30!

Berzbach, Frank. “Künstliche Intelligenz aus Holz.” Online magazine. Magazin für junge Forschung, June 30, 2001. https://sciencegarden.net/kunstliche-intelligenz-aus-holz/.

Interesting to see the stark contrast in zettelkasten method here in an article about Luhmann versus the discussions within the blogosphere, social media, and other online spaces circa 2018-2022.

ᔥ[[Daniel Lüdecke]] in Arbeiten mit (elektronischen) Zettelkästen at 2013-08-30 (accessed:: 2023-02-10 06:15:58)

google translate:

So if you raise such a wooden life partner, you will get more and more interesting answers to your questions after a few years...

I love the idea of rearing a zettelkasten as a "wooden life partner".

google translate:

The Zettelkasten always tends to know less than you do, but always as much as we have written on cards.

Google translate:

In addition to the methods of conventional research, card boxes are usually created in which index cards are used to record what needs to be constantly quoted. Students often try this out intensively for their diploma thesis for the first time. Notes are sorted alphabetically according to keywords and authors, and what has been sorted into the box can also be taken out again.

An indication from 2001 of the state of the art of zettelkasten written in German. Note that the description is focused more on the index card or slip-based version of a commonplace book sorted alphabetically by keywords and authors primarily for quoting. Most students trying the method for the first time are those working on graduate level theses.

Arbeiten mit Zettelkästen – das Netzkartenprinzip<br /> by Daniel Lüdecke

https://yellowchicken.wordpress.com/2018/07/21/personal-knowledge-base-features/

Interesting blogpost from 2018-07-21 as the rise in PKM and Zettelkasten was just about to take off. Provides a list of some of what was available in and around the space at the time.

https://www.pearltrees.com/

bookmark tool in the vein of pinboard, pinterest, etc.

Umberto Eco und das Verzetteln gegen das Verzetteln - Edyssee<br /> by Esther Debus

Luhmanns Arbeitsweise im elektronischen Zettelkasten<br /> by Daniel Lüdecke

translation: Luhmann's way of working in the electronic zettelkasten

https://github.com/Zettelkasten-Team/Zettelkasten

https://strengejacke.wordpress.com/2015/10/16/neue-zettelkasten-version-erschienen/

Interesting to see Daniel posting about improving more Luhmann-esque facing features two weeks after a presentation at a digital humanities conference on the topic.

Link to: https://hypothes.is/a/88n0XKmeEe2OwjcsrCLuhw

Luhmann talks about the Zettelkasten<br /> by Daniel Lüdecke

Daniel Lüdecke apparently subtitled a Luhmann interview, but it seems to have disappeared since his 2007-07-06 post.

Lüdecke, Daniel. “Introduction to Luhmann’s Zettelkasten - Thinking and Its Technical Implementation.” Presented at the Trier Digital Humanities Autumn School 2015, Trier University, October 1, 2015. https://strengejacke.files.wordpress.com/2015/10/introduction-into-luhmanns-zettelkasten-thinking.pdf..

Note the recommendation to keep notes short without any stated reason why this should/ought to be done.

The fact that Luhmann changed the structure of his zettelkasten with respect to the longer history of note taking and note accumulation allowed him several useful affordances.

In older commonplacing and slip box methods, one would often store their notes by topic category or perhaps by project. This mean that after collection one had to do additional work of laying them out into some sort of outline to create arguments and then write them out for publication. This also meant that one was faced with the problem of multiple storage or copying out notes multiple times to file under various different subject headings.

Luhmann overcame both of these problems by eliminating categories and placing ideas closest to their most relevant neighbor and numbering them in a branching fashion. Doing this front loads some of the thinking and outlining work which would often be done later, though it's likely easier to do when one has the fullest context of a note after they've made it when it is still freshest in their mind. It also means that each note is linked to at least one other note in the system. This helps notes from being lost and allows a simpler indexing structure whereby one only needs to use a few index entries to get close to the neighborhood of an idea as most other related ideas are likely to be nearby within a handful or more of index cards.

Going from index to branches on the tree is relatively easy and also serves the function of reminding one of interesting prior reading and ideas as one either searches for specific notes or searches for placing future notes.

When it comes to ultimately producing papers, one's notes already have a pre-arranged sort of outline which can then be more easily copied over for publication, though one can certainly still use other cross-links and further rearranging if one wishes.

Older methods focused on broad accretion of materials into subject ordered piles while Luhmann's practice not only aggregated them, but slowly and assuredly grew them into more orderly trains of thought as he collected.

Link to: The description in Technik des wissenschaftlichen Arbeitens (section 1.2 Die Kartei) at https://hypothes.is/a/-qiwyiNbEe2yPmPOIojH1g which heavily highlights all the downsides, though it doesn't frame them that way.

Within the history of personal knowledge management, one was often faced with where to store their notes so that it would be easy to find and use them again. Often this was done using slip methods by means of "multiple storage" by making multiple copies and filing them under various headings. This copying process was onerous and breaks the modern database principle "don't repeat yourself" (DRY).

Alternate means of doing this include storing it in one place and then linking that location to multiple subject headings in an index, though this may cause issues of remembering which subject heading when there are many appropriate potential synonyms.

Modern digital methods allow one to store a note in one location and refer to it in multiple ways electronically as well as with aliases.

Niklas Luhmann's Zettelkasten<br /> http://fremdlesen.de/?p=297

Zettelkasten: Niklas hol' mir 'n Bier!<br /> Niklas Luhmann: Hatte ich doch bloss nie diessen ver-fluchten zettelkasten erfunden!

translation:

Niklas get me a beer!<br /> If only I had never invented that damn note box!

Link to: Effort of maintaining a zettelkasten: https://hypothes.is/a/ahU8YqmoEe2tL79vZF9PvQ

https://strengejacke.wordpress.com/2015/10/07/introduction-to-luhmanns-zettelkasten-thinking-and-its-technical-implementation/

https://danallosso.substack.com/p/new-york-in-1687

Source: "Condition of New York in 1687", by Thomas Dongan, in E. B. O’Callaghan, The Documentary History of the State of New-York (Albany, 1850), I, 101-117. https://archive.org/details/in.ernet.dli.2015.45493/page/n561/mode/2up

In New York in 1687, Thomas Dongan reports that people didn't convert their slaves to their own religions.

https://www.uclaextension.edu/education/higher-education-adult-educators/course/how-edtech-can-change-way-we-learn-educ-7271

For 2023-02-10 at 11:00 AM - 12:00PM

https://www.uclaextension.edu/instructors/c-scott-hindell

Marcel Proust on What Writing Is<br /> by William Benton

source? Swann's Way?

Definitely from a literacy forward perspective!

"stayed with me" as a phrase to mean an idea so powerful and compelling that one regularly revisits it in their mind at various intervals without spending time on memorizing or actively trying to remember it.

CAA Raises Eight to Agent by Mia Galuppo

Kate Arenson, Jessica Brown, Sydney Chance, Emmett Gordon, Ron Jordan, Sydney Lipsitz, Peter Morton and Andi Wong have been upped.

read on Fri 2022-12-09 7:10 AM

You have reached your destination: Google elegantly says goodbye to Waze by Omer Kabir

read on Sun 2022-12-11 7:13 AM

Common Sweetener Linked to Increased Anxiety in Mice

read on Sat 2022-12-10 7:46 AM

The racist origins of Georgia’s runoff elections by Steven F. Lawson

Read Sat 2022-12-10 7:43 AM

There was a lot of talk about this run off, but this was the only article I saw referencing the historical political reasons why there was a runoff.

LA City Council members walk out as embattled colleague tries to return amid outrage over leaked audio<br /> by Lara Korte and Alexander Nieves<br /> 12/09/2022 04:18 PM EST

read on Fri 2022-12-09 5:16 PM