1,098 Matching Annotations
  1. Oct 2016
    1. Several studies found the decrease in comprehension on digital devices was more due to distractions on the internet than to the medium itself. Perhaps self-control is among the key skills to teach students expected to read more online.

      Distractions as a researched problem, but where is the citation?

  2. Sep 2016
  3. Aug 2016
    1. Page 8

      Jockers talking about the old approach in the 1990s to anecdotal evidence:

      … in the 1990s, gathering literary evidence meant reading books, noting "things" (a phallic symbol here, a bibliographical reference there, a stylistic flourish, an allusion, and so on) and then interpreting: making sense and arguments out of those observations. Today, in the age of digital libraries and large-scale book-digitization projects, the nature of the "evidence" available to us has changed, radically. Which is not to say that we should no longer read books looking for, or noting, random "things," but rather to emphasize that massive digital corpora offer is unprecedented access to literally record an invite, even demand, a new type of evidence gathering and meaning making. The literary scholar of the 21st-century can no longer be content with anecdotal evidence, with random "things" gathered from a few, even "representative," text. We must strive to understand the things we find interesting in the context of everything else, including a massive possibly "uninteresting" text.

    2. Pages 7 and 8

      Jockers is talking here about Ian Watt’s method in Rise of the Novel

      What are we to do with the other three to five thousand works of fiction published in the eighteenth century? What of the works that Watt did not observe and account for with his methodology, and how are we to now account for works not penned by Defoe, by Richardson, or by Fielding? Might other novelists tell a different story? Can we, in good conscience, even believe that Defoe, Richardson, and Fielding are representative writers? Watt’s sampling was not random; it was quite the opposite. But perhaps we only need to believe that these three (male) authors are representative of the trend towards "realism" that flourished in the nineteenth century. Accepting this premise makes Watts magnificent synthesis into no more than a self-fulfilling project, a project in which the books are stacked in advance. No matter what we think of the sample, we must question whether in fact realism really did flourish. Even before that, we really ought to define what it means "to flourish" in the first place. Flourishing certainly seems to be the sort of thing that could, and ought, to be measured. Watt had no yardstick against which to make such a measurement. He had only a few hundred texts that he had read. Today things are different. The larger literary record can no longer be ignored: it is here, and much of it is now accessible.

    3. Jockers, Matthew L. 2013. Macroanalysis: Digital Methods and Literary History. Topics in the Digital Humanities. Urbana, IL: University of Illinois Press.

    1. istinction between "writerly" writing and "readerly" writing to that made by Roland Barthes in his book on literary theory, The Pleasure of the Text.

      Compare with the definitions of these terms in original text by Barthes here: PDF of Pleasures. Relevant quote "If I read this sentence, this story, or this word with pleasure, it is because they were written in pleasure (such pleasure does not contradict the writer's complaints). But the opposite? Does writing in pleasure guarantee-guarantee me, the writer-my reader's pleasure? Not at all. I must seek out this reader (must "cruise" him) without knowing where he is, A site of bliss is then created. It is not the reader's "person" that is necessary to me, it is this site: the possibility of a dialectics of desire, of an unpredictabilIty of blIss: the bets are not placed, there can still be a game" (Barthes 4).

  4. Jul 2016
    1. But the passage from de man does disservice to the discussion of close reading in one important respect. It makes it sound as though all you need is a negative disci-pline, a refusal to leap to the kind of paraphrases one has been led to expect, so that effective close reading requires no technique or training, only an avoidance of bad or dubious training. The suggestion seems to be that if one strips away these bad habits and simply encounters the text, without preconceptions, close reading will occur. If, as de man puts it, you are “attentive” and “honest,” close reading “cannot fail to respond to structures of language” that most literary education strives “to keep hidden.” atten-tion is important but not, alas, enough. Readers can always fail to respond—though then de man might not want to dignify the practice with the name of reading.

      Discussion of the methodological difficulties involved in close reading: i.e. there is no such thing as "just reading."

    2. Culler, Jonathan. 2010. “The Closeness of Close Reading.” ADE Bulletin, 20–25. doi:10.1632/ade.149.20.

    3. Distant Reading: Performance, Readership, and Consumption in Contempo-rary Poetry, Peter middleton calls close reading “our contemporary term for a hetero-geneous and largely unorganized set of practices and assumptions”

      Discussion of the methodology of close reading: middleton, Peter. Distant Reading: Performance, Readership, and Consumption in Contemporary Poetry. Tuscaloosa: U of alabama P, 2005. Print.

    1. Page 16

      One benefit of traditional hermeneutical practices such as close reading is that the trained reader need not install anything, run any software, wrestle with settings, or wait for results. The experienced reader can just enjoy iteratively reading, thinking, and rereading. Similarly the reader of another person's interpretation, if the book being interpreted is at hand, can just pick it up, follow the references, and recapitulate the reading. To be as effective as close reading, analytical methods have to be significantly easier to apply and understand. They have to be like reading, or, better yet, a part of reading. Those invested in the use of digital analytics need to think differently about what is shown and what is hidden: the rhetorical presentation of analytics matters. Further, literary readers of interpretive works want to learn about the interpretation. Much of the literature in journals devoted to humanities computing suffers from being mostly about the computing; it is hard to find scholarship that is addressed to literary scholars and is based in computing practices.

    1. p. 6

      Retrieval methods designed for small databases decline rapidly in effectiveness as collections grow...

      This is an interesting point that is missed in the Distant reading controversies: its all very well to say that you prefer close reading, but close reading doesn't scale--or rather the methodologies used to decide what to close read were developed when big data didn't exist. How to you combine that when you can read everything. I.e. You close read Dickins because he's what survived the 19th C as being worth reading. But now, if we could recover everything from the 19th C how do you justify methodologically not looking more widely?

    1. (Crooks, 1933; De Zouche, 1945; Kirschenbaum, Simon, & Napier, 1971; Linder, 1940; Marshall, 1968)
    1. school often neatly reinforces the hierarchies of our socio-economic world

      Though it came out a few years after the texts listed in the previous paragraph, Randall Collins’s Credential Society would be relevant.

    2. The phrase comes from his 1973 book Tools for Conviviality, published just 2 years after the book he’s probably best known for, Deschooling Society.  These are just two of a number of very interesting, progressive if not radical texts about education from roughly the same period: Paul Goodman’s Compulsory Mis-education (1964). Jonathan Kozol’s Death at an Early Age (1967). Neil Postman’s Teaching as a Subversive Activity (1969). Paulo Freire’s Pedagogy of the Oppressed (first published in Portuguese in 1968 and in English in 1970). Everett Reimer’s School is Dead (1971).
    1. series of radical educational paperbacks, published by Penguin in the series Penguin Education Specials in the 1970’s. These included: Paulo Freire Pedagogy of the Opprressed ; Paul Goodman Compulsory Miseducation; Ivan Illich De-Schooling Society; Everett Reimer School is Dead. 
  5. May 2016
  6. Apr 2016
  7. Mar 2016
    1. It seems to me that by its very nature annotation would have to be lightweight.

      Lightweight is its own weighted phrase. It seems to suggest that nothing of meaning or value, beyond something skirting the surface, would be worth writing or reading. But I think it all depends on how one uses the margins of a text. If someone writes a racist post, I can't take it down, necessarily, but I can target the writer and the words with annotations, making my views known and inviting others to do the same. Perhaps then, the weight of the annotation protest might have some value. With annotation, we can target specific words and phrases and sentences, as opposed to comments, where observations are more general in nature. Maybe it is the comment bin that is lightweight.

    1. When I saw my students working in this hybrid fashion with the book, I realized that I have shifted into reading much the same way. Audio is for multitasking. Kindle is for quick reading and convenient reading. Print reading is for serious reading and studying.
  8. Jan 2016
    1. In this regard, it’s interesting to note that the viewing of TV programs at the time of their broadcast went up 20% with the advent of Twitter, indicating a desire to consume collaboratively. My ten year experience with social reading suggests that we might see a similar increase if long-form texts began appearing in platforms enabling people to gather in the margins with trusted friends and colleagues.
    1. If those same students expected on-screen reading to be as slow (and as effortful) as paper reading, would their comprehension of digital text improve?

      Maria Konnikova also cites a 2014 study in a New Yorker article on this topic that concludes by offering annotation as a kind of deliberate, slow online reading practice. (Note: the article has been annotated by two sets of college students!)

    2. But a 2011 study by the cognitive scientists Rakefet Ackerman and Morris Goldsmith suggests that this may be a function less of the intrinsic nature of digital devices than of the expectations that readers bring to them.

      Very interesting. So an intentional online reading practice--fortified, let's say, by a collaborative annotation tool--might produce different results...

    3. Done badly (which is to say, done cynically), the Internet reduces us to mindless clickers, racing numbly to the bottom of a bottomless feed; but done well, it has the potential to expand and augment the very contemplative space that we have prized in ourselves ever since we learned to read without moving our lips.

      Love this line!

    1. We can deflect the penalties of those who have done ill and throw them on those who have done better. We can take the rewards from those who have done better and give them to those who have done worse

      At first glance, Sumner seem to be saying: Let's punish those who are successful and reward those who are not. I think what Sumner really means by "penalties" is the consequences that come with not being successful (e.g. poor living conditions). Similarly, when he discusses giving the "rewards" to the less successful, he means that we should share the benefits of success (e.g. money) with those who may not have had the opportunities to succeed like their counterparts so that they may live better, healthier lives. For example, Carnegie had libraries built for the public so that they could access books for knowledge and entertainment, whereas they may never have had access to readily available, free books before.

    1. unlawfully assembling themselves together

      in other words, if you are black or mixed-race you have to have permission to gather in a group. Did they have permission to gather in churches? Might this be one way they "legally" gathered and help explain the prominence of black churches in the Civil Rights Movement many years later?

    1. Here’s what the Finns, who don’t begin formal reading instruction until around age 7, have to say about preparing preschoolers to read: “The basis for the beginnings of literacy is that children have heard and listened … They have spoken and been spoken to, people have discussed [things] with them … They have asked questions and received answers.”
  9. Dec 2015
    1. “distant reading”: understanding literature not by studying particular texts, but by aggregating and analyzing massive amounts of data.

      Nothing against this, but it's not the game I'm in.

      Question is, though, can the same tool be used to do both distant reading and close reading?

    1. slow readers down

      Does the slow reading movement parallel the slow food one? In some ways, there might be a point against “consumption” in both cases. Or, at least, utilitarianism.

  10. Nov 2015
    1. “When you see something that is technically sweet, you go ahead and do it, and you argue about what to do about it only after you have had your technical success.”

      Never heard this quote before, but it's great!

    2. When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.”

      One of my favorite quotes!

    3. “An ultraintelligent machine could design even better machines,” he wrote. “There would then unquestionably be an ‘intelligence explosion,’ and the intelligence of man would be left far behind. Thus the first ultraintelligent machine is the last invention that man need ever make, provided that the machine is docile enough to tell us how to keep it under control.

      An irreversible step.

    4. It is not far-fetched to suppose that there might be some possible technology which is such that (a) virtually all suffi­ciently advanced civilizations eventually discover it and (b) its discovery leads almost universally to existential disaster.”

      This is a pretty good point - but then why would we not see AI-based civilizations?

  11. Oct 2015
  12. Sep 2015
    1. Read fiction. Reading a great work of literature—or watching a film or play—allows us to temporarily step out of our own lives and fully immerse ourselves in another person’s experience. Indeed, research suggests that fiction readers are better attuned to the social and emotional lives of others.
    1. Should you wish to learn more about the language, I am happy to recommend the following titles: JavaScript: The Definitive Guide by David Flanagan Eloquent JavaScript by Marijn Haverbeke JavaScript Patterns by Stoyan Stefanov Writing Maintainable JavaScript by Nicholas Zakas JavaScript: The Good Parts by Douglas Crockford
  13. Jul 2015
    1. a number of text-mining tools aimed at supporting biomedical text extraction, fact finding and text summarization. Some of the better-known or more widely used tools include EBIMed (4), CiteXplore (5) and GoPubMed (6)

      would be good to check these out

    1. Levy, D.M. (1997) "I read the news today oh boy".

      Check out this article and share with JD.

  14. Jun 2015
    1. Demographics data with respect to age distributions and fecundity can be used to study human populations.

      textbook reading 36.9- The human population continues to increase, but the growth rate is slowing.

      textbook reading 36.10- Age structures reveal social and economic trends.

    2. A population can produce a density of individuals that exceeds the system’s resource availability.

      36.5- multiple factors may limit population growth

    3. Introduction of species

      Textbook section 37.13- Invasive species can devastate communities.

      Not Mathematical

    4. The structure of a community is measured and described in terms of species composition and species diversity.

      textbook 37.10- Species diversity includes relative abundance and species richness.

  15. May 2015
    1. Critical thinking disavows its own inventiveness as much as possible.

      This passage reminds me of Eve Sedgwick's essay on reparative reading.

    1. The focus on "decoding" should send shivers down the spine of every English teacher who has ever had a student demand they just tell them what the poem means.

      I think Billy Collins captures this tortuous pedagogy well in "Intro to Poetry":

      But all they want to do is tie the poem to a chair with rope<br> and torture a confession out of it.

      They begin beating it with a hose<br> to find out what it really means.

    1. I first discovered the power of collaborative annotation

      Collins actually imagines a moment of shared marginalia in his poem. In a copy of A Catcher in the Rye that he borrows from a library as a boy, he finds the following: “Pardon the egg salad stains, but I’m in love.” The young Collins imagines the note to be written by a beautiful girl and feels himself in a sense falling in love with that other reader. Though we need not develop a dating service out of the modern technologies that allow for social reading, we can at least see the humanity that can be shared in the margin of a digital page: the teachable moments, the conversations that might occur. We have glimpsed such moments on other social media like Twitter and Facebook, but I argue they lack the depth of annotation, which brings together text, comment, and now, readers.

    2. it slows the reader down,

      It's interesting to think about this idea of "slow reading" in relation to collaborative online annotation. So many traditional humanists complain of the cursory of the digital--hashtags on Twitter replacing sentences, Wikipedia summaries are replacing "actual" research. But web annotation requires readers to pause and consider in the very ways we have always taught our students to do in English classes.

    1. undetermined momentousness

      Such an ambivalent phrase. The narrator seems to be claiming that this is a "moment" unparalleled in its significance. Yet this significance is "undetermined"; it remains unclear exactly how the moment is significant.

    1. What killed the annotated web was a lack of interest. Few could be bothered to download and install the plug-in
    1. words and phrases

      Digital annotation powerfully visualizes this process, as the application allows the user to isolate a particular word or phrase, and then create a comment specifically on that piece of textual evidence.

    2. Read closely

      Image Description

      Close reading is a major emphasis of the Common Core Standards, though most English teachers since New Critic I.A. Richards would probably agree that is it essential to any humanities curriculum. As the "Introduction" to the ELA section states:

      Students who meet the Standards readily undertake the close, attentive reading that is at the heart of understanding and enjoying great works of literature.

      Digital annotation, though, is close reading 2.0. The major activity of a service like hypothes.is is "annotation," the highlighting and noting of words, phrases, and sentences, which demands that students keep their thinking and writing "close" to the text and its evidence.

      Moreover, because digital annotation has the potential to be collaborative. It links this mandate for close reading with later calls in the Standards for collaboration. I like to think of hypothes.is as a "A Social Network for Close Reading." Could we make students obsess with annotations on the web like they obsess with Facebook and Twitter posts?...

  16. Apr 2015
    1. Seems like an article worth reviewing when we dive into whatever changes need making to the fuzzy anchoring components.

  17. Mar 2015
    1. 1. books gave birth to copyright 2. books gave birth to industrialised knowledge production economics 3. books gave birth to the notion of the author genius

      Adam Hyde on proprietary knowledge culture

    1. SCENE I. Elsinore. A platform before the castle. FRANCISCO at his post. Enter to him BERNARDO BERNARDO Who's there? FRANCISCO Nay, answer me: stand, and unfold yourself.

      Image Description

      This has to be one of the most intense opening scenes in all of literature. We are immediately thrown into a moment of panic as each guard responds wearily to the other's approach. In general these opening lines set the tone of the play to be one of apprehension.

  18. Feb 2015
    1. Berlin

      Oh, again.

    2. The party in its original sense claims to articulate the general interest and will of the people. As an organizational form, the party is a sustainable structure that is here to stay regardless of its own fluctuations in the polls. But the party today is without passion and holds little relevance to people’s daily social lives and communication practices.

      This conclusion even accounts for the everyday rave in Berlin. A fatigue throughout devastated individuals is not to deny anymore.

    3. What is the broader potential of crypto?

      subsumption of this paragraph

    4. are

      typo

  19. Nov 2014
  20. Sep 2014
    1. "the scholarly and scientific record is rapidly evolving to become a formalized web of content, in which any node must be able to be linked to any other node, with formal, typed relationships" (2)

  21. Aug 2014
    1. So I put myself through a sort of course, reading that literature, and that led me to utopianism. And that led me, through Kropotkin, into anarchism, pacifist anarchism. And at some point it occurred to me that nobody had written an anarchist utopia. We’d had socialist utopias and dystopias and all the rest, but anarchism—hey, that would be fun. So then I read all the anarchist literature I could get, which was quite a lot, if you went to the right little stores in Portland. INTERVIEWER Where you got your books in a brown paper bag? LE GUIN You had to get to know the owner of the store. And if he trusted you, he’d take you to the back room and show you this wealth of material, some of which was violent anarchism and would have been frowned on by the government. I swam around in that stuff for a couple years before I could approach my lump of concrete again, and I discovered it had fallen apart. I had my character, and he was a physicist, but he wasn’t who I thought he was. So that book started not with an idea but with a whole group of ideas coming together. It was a very demanding book to write, because I had to invent that society pretty much from scratch, with a lot of help from the anarchist writers, particularly Americans like Paul Goodman, who had actually tried to envision what an anarchist society might be like.
  22. Feb 2014
    1. Chapter 1, The Art of Community We begin the book with a bird’s-eye view of how communities function at a social science level. We cover the underlying nuts and bolts of how people form communities, what keeps them involved, and the basis and opportunities behind these interactions. Chapter 2, Planning Your Community Next we carve out and document a blueprint and strategy for your community and its future growth. Part of this strategy includes the target objectives and goals and how the community can be structured to achieve them. PREFACE xix Chapter 3, Communicating Clearly At the heart of community is communication, and great communicators can have a tremendously positive impact. Here we lay down the communications backbone and the best practices associated with using it

      Reading the first 3 chapters of AoC for discussion in #coasespenguin on 2013-02-11.

  23. Jan 2014
    1. This suggests that peer production will thrive where projects have three characteristi cs

      If thriving is a metric (is it measurable? too subjective?) of success then the 3 characteristics it must have are:

      • modularity: divisible into components
      • granularity: fine-grained modularity
      • integrability: low-cost integration of contributions

      I don't dispute that these characteristics are needed, but they are too general to be helpful, so I propose that we look at these three characteristics through the lens of the type of contributor we are seeking to motivate.

      How do these characteristics inform what we should focus on to remove barriers to collaboration for each of these contributor-types?

      Below I've made up a rough list of lenses. Maybe you have links or references that have already made these classifications better than I have... if so, share them!

      Roughly here are the classifications of the types of relationships to open source projects that I commonly see:

      • core developers: either hired by a company, foundation, or some entity to work on the project. These people care most about integrability.

      • ecosystem contributors: someone either self-motivated or who receives a reward via some mechanism outside the institution that funds the core developers (e.g. reputation, portfolio for future job prospects, tools and platforms that support a consulting business, etc). These people care most about modularity.

      • feature-driven contributors: The project is useful out-of-the-box for these people and rather than build their own tool from scratch they see that it is possible for the tool to work they way they want by merely contributing code or at least a feature-request based on their idea. These people care most about granularity.

      The above lenses fit the characteristics outlined in the article, but below are other contributor-types that don't directly care about these characteristics.

      • the funder: a company, foundation, crowd, or some other funding body that directly funds the core developers to work on the project for hire.

      • consumer contributors: This class of people might not even be aware that they are contributors, but simply using the project returns direct benefits through logs and other instrumented uses of the tool to generate data that can be used to improve the project.

      • knowledge-driven contributors: These contributors are most likely closest to the ecosystem contributors, maybe even a sub-species of those, that contribute to documentation and learning the system; they may be less-skilled at coding, but still serve a valuable part of the community even if they are not committing to the core code base.

      • failure-driven contributors: A primary source of bug reports and may also be any one of the other lenses.

      What other lenses might be useful to look through? What characteristics are we missing? How can we reduce barriers to contribution for each of these contributor types?

      I feel that there are plenty of motivations... but what barriers exist and what motivations are sufficient for enough people to be willing to surmount those barriers? I think it may be easier to focus on the barriers to make contributing less painful for the already-convinced, than to think about the motivators for those needing to be convinced-- I think the consumer contributors are some of the very best suited to convince the unconvinced; our job should be to remove the barriers for people at each stage of community we are trying to build.

      A note to the awesome folks at Hypothes.is who are reading our consumer contributions... given the current state of the hypothes.is project, what class of contributors are you most in need of?

    2. the proposition that diverse motivations animate human beings, and, more importantly, that there exist ranges of human experience in which the presence of monetary rewards is inversely related to the presence of other, social-psychological rewards.

      The first analytic move.

    3. common appropriation regimes do not give a complete answer to the sustainability of motivation and organization for the truly open, large-scale nonproprietary peer production projects we see on the Internet.

      Towards the end of our last conversation the text following "common appropriation" seemed an interesting place to dive into further for our future discussions.

      I have tagged this annotation with "meta" because it is a comment about our discussion and where to continue it rather than an annotation focused on the content itself.

      In the future I would be interested in exploring the idea of "annotation types" that can be selectively turned on and off, but for now will handle that with ad hoc tags like "meta".

    4. The following selection from The Yale Law Journal is not paginated and should not be used for citation purposes.

      Note that this disclaimer only says the document should not be used for citation purposes, but doesn't say we can't use it for annotation purposes like testing out the Chrome PDF.js + Hypothes.is extension! :)

      You can install the extension from the Chrome Web Store with this link:

      https://chrome.google.com/webstore/detail/pdfjs-%2B-hypothesis/bipacimpfefoidapjkknffflfpfmjdog/related

    5. understanding that when a project of any size is broken up into little pieces, each of which can be performed by an individual in a short amount of time, the motivation to get any given individual to contribute need only be very small.

      The second analytic move.

    1. In the Middle Ages, just the opposite was true. Reading was generally done aloud, often to an audience. It was an active process, so active that Susan Noakes, in her analysis of medieval reading, points out “that it had been recommended by physicians, since classical times, as a mild form of exercise, like walking.”

      Reading in the Middle Ages considered a mild form of exercise.

  24. Nov 2013
    1. In a Literary Lab project on 18th-century novels, English students study a database of nearly 2,000 early books to tease out when “romances,” “tales” and “histories” first emerged as novels, and what the different terms signified.

      This may be a reference to the Eighteenth Century Collection Online-Text Creation Partnership (ECCO-TCP) project, which transcribed and marked up in XML ~2,200 eighteenth-century books from the Eighteenth Century Collections Online database (ECCO). The ECCO-TCP corpus is in the public domain and available for anyone to use: http://www.textcreationpartnership.org/tcp-ecco/

  25. Oct 2013
    1. For men of quick intellect and glowing temperament find it easier to become eloquent by reading and listening to eloquent speakers than by following rules for eloquence.

      Similar to what Quintilian said.

    1. I know it is an ordinary subject of inquiry whether more is contributed by writing, reading, or speaking. This question we should have to examine with careful attention, if we could confine ourselves to any one of those exercises. 2. But they are all so connected, so inseparably linked with one another that if any one of them is neglected, we labor in vain in the other two, for our speech will never become forcible and energetic unless it acquires strength from great practice in writing.

      Writing is essential to improve not only the way we speak, but how we organize our thoughts. It produces clarity

    1. READING remains to be considered.

      First time this has been addressed explicitly for education, though Cicero did mention the need to be well-read