1,408 Matching Annotations
  1. Jul 2021
    1. who’s gonna let me create a digital garden / commonplace book on the blockchain

      Registering that this was a question in the wild. Crazypants, but there it is.

      What problem would this actually be solving though?!?

    1. Feature Idea: Chaos Monkey for PKM

      This idea is a bit on the extreme side, but it does suggest that having a multi-card comparison view in a PKM system would be useful.

      Drawing on Raymond Llull's combitorial memory system from the 12th century and a bit of Herman Ebbinghaus' spaced repetition (though this is also seen in earlier non-literate cultures), one could present two (or more) random atomic notes together as a way of juxtaposing disparate ideas from one's notes.

      The spaced repetition of the cards would be helpful for one's long term memory of the ideas, but it could also have the secondary effect of nudging one to potentially find links or connections between the two ideas and help to spur creativity for the generation of new hybrid ideas or connection to other current ideas based on a person's changed context.

      I've thought about this in the past (most likely while reading Frances Yates' Art of Memory), but don't think I've bothered to write it down (or it's hiding in untranscribed marginalia).

    1. I'm particularly interested here in the idea of interleaved books for additional marginalia. Thanks for the details!

      An aspect that's missing from the overall discussion here is that of the commonplace book. Edwards' Miscellanies is a classic example of the Western note taking and idea collecting tradition of commonplace books.

      While the name for his system is unique, his note taking method was assuredly not. The bigger idea goes back to ancient Greece and Rome with Aristotle and Cicero and continues up to the modern day.

      From roughly 900-1300 theologians and preachers also had a sub-genre of this category called florilegia. In the Christian religious tradition Philip Melanchthon has one of the more influential works on the system: De locis communibus ratio (1539).

      You might appreciate this article on some of the tradition: https://blog.cph.org/study/systematic-theology-and-apologetics/why-are-so-many-great-lutheran-books-called-commonplaces-or-loci

      You'll find Edwards' and your indexing system bears a striking resemblance to that of philosopher John Locke, (yes that Locke!): https://publicdomainreview.org/collection/john-lockes-method-for-common-place-books-1685

    2. Those interested in reading the contents of Edwards’ Blank Bible can either purchase the Yale print edition or read it online here. 

      Copies of print and digital editions of Jonathan Edwards' blank Bible are available.

      Apparently one can buy modern copies of interleaved bibles as well: https://www.amazon.com/Interleaved-Journal-Hardcover-Letter-Comfort/dp/078524316X/

      Video review of an interleaved bible:

      https://www.youtube.com/watch?v=L6EAu3nB1vk

      What other books can be found in interleaved editions? Ayn Rand perhaps?

    3. The miscellanies, numbered and indexed, would often be noted in the margins of his Bible as well, especially if the note was an expansion of an exegetical point.

      Interesting to see that Jonathan Edwards cross referenced his commonplace book to his bible as well.

    4. As I studied Edwards’ writings and insights, I realized that I might be sitting at the feet of not only Edwards’ intellectual genius but his organizational genius, too. 

      For what I expect to be a coming description of Jonathan Edwards' commonplace book, I'm surprised that the page doesn't use the word or even florilegium.

      Everhard here makes in one breath a common error I'm coming to notice. While it might be true that Edwards had some organizational genius, I think it's disingenuous to attribute his output to his intellectual genius. More and more I'm seeing that throughout history those who were thought of as intellectual geniuses really relied on the organization structures of their commonplace books (or similar devices). By writing, thinking, and producing in a commonplace tradition they were able to do far more, think more clearly, and accomplish more.

      This can be linked with the idea also espoused in Robert Greene's Mastery which seems to have some of the similar flavor.

    1. Best Bible Note-Taking System: Jonathan Edwards's Miscellanies

      https://www.youtube.com/watch?v=fqq-4-LiFVs

      Overview of Jonathan Edwards Miscellanies system along with a a few wide-margin bibles. Everhard apparently hasn't heard of the commonplace concept, though I do notice that someone mentions the zettelkasten system in the comments.

    1. Most of this is material I've seen or heard in other forms in the past. It's relatively well reviewed and summarized here though, but it's incredibly dense to try to pull out, unpack and actually use if one were coming to it as a something new.

      3 Productivity hacks

      • Zen Meditation (Zen Mind, Beginners Mind by Shunryū Suzuki
      • Research Process -- Annotations and notes, notecards
      • Rigorous exercise routine -- plateau effect

      The Zen meditation hack sounds much in the line of advice to often get away from what you're studing/researching and to let the ideas stew for a bit before coming back to them. It's the same principle as going for walks frequently heard from folks or being a flâneur. (cross reference Nassim Nicholas Taleb et al.) The other version of this that's similar are the diffuse modes of learning (compared with focused modes) described in learning theory. (Examples in work of Barbara Oakley and Terry Sejnowski in https://www.coursera.org/learn/learning-how-to-learn)

      I've generally come to the idea that genius doesn't exist myself. Most of it distills down to use of tools like commonplace books.

      Perhaps worth looking into some of the following to see what, if anything, is different than prior version of the commonplace book tradition:

      The Ryan Holiday Notecard System @Intermittent Diversion - https://youtu.be/QoFZQOJ8aA0

      Article On Notecard System [1] https://medium.com/thrive-global/the-notecard-system-the-key-for-remembering-organizing-and-using-everything-you-read-4f48a82371b1 [2] https://www.writingroutines.com/notecard-system-ryan-holiday/ [3] https://www.gallaudet.edu/tutorial-and-instructional-programs/english-center/the-process-and-type-of-writing/pre-writing-writing-and-revising/the-note-card-system/

    1. Reminded by Connor of Mortimer Adler's Syntopicon. I'm pretty sure I've got it in my list of encyclopedias growing out of the commonplace book tradition, but... just in case.

      If I recall it was compiled using index cards, thus also placing it in the zettelkasten tradition.

      (via Almay)

      If you’re generalizing Zettelkasten to “All Non-Linear Knowledge Management Strategies” You should include Mortimer Adler and the Syntopicon, and John Locke’s guide to how to set up a commonplace book<br><br>This isn’t a game of calling “dibs”<br><br>it’s about 🧠👶shttps://t.co/sH3JO6d9Jq

      — Conor White-Sullivan 𐃏🇸🇻 (@Conaw) July 8, 2021
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

    1. and bullet journal for more modern take on commonplace books

      Bullet Journals certainly are informed by the commonplace tradition, but are an incredibly specialized version of lists for productivity.

      Perhaps there's more influence by Peter Ramus' outlining tradition here as well?

      I've seen a student's written version of the idea of a Bullet Journal technique which came out of a study habits manual in the 1990's. It didn't quite have the simplicity of the modern BuJo idea or the annotations, but in substance it was the same idea. I'll have to dig up a reference for this.

    2. This isn’t a game of calling “dibs”

      It's definitely not a game of "dibs", but we're all fooling ourselves if we're not taking a look at the incredibly rich history of these ideas.

    3. Your post says nothing at all to suggest Luhman didn’t “invent” “Zettelkasten” (no one says he was only one writing on scraps of paper), you list two names and no links

      My post was more in reaction to the overly common suggestions and statements that Luhmann did invent it and the fact that he's almost always the only quoted user. The link was meant to give some additional context, not proof.

      There are a number of direct predecessors including Hans Blumenberg and Georg Christoph Lichtenberg. For quick/easy reference here try:

      If you want some serious innovation, why not try famous biologist Carl Linnaeus for the invention of the index card? See: http://humanities.exeter.ac.uk/history/research/centres/medicalhistory/past/writing/

      (Though even in this space, I suspect that others were already doing similar things.)

    4. Not all the ancients are ancestors.

      I'll definitely grant this and admit that there may be independent invention or re-discovery of ideas.

      However, I'll also mention that it's far, far less likely that any of these people truly invented very much novel along the way, particularly since Western culture has been swimming in the proverbial waters of writing, rhetoric, and the commonplace book tradition for so long that we too often forget that we're actually swimming in water.

      It's incredibly easy to reinvent the wheel when everything around you is made of circles, hubs, and axles.

    5. Would love links to any descriptions of the systems used by Conrad Gessner (1516-1565) or Johann Jacob Moser (1701–1785)

      I'm only halfway down the rabbit hole on some of these sources myself, a task made harder by my lack of facility with German. I am reasonably positive that the Gessner and Moser references are going to spring directly out of the commonplace book tradition, but include some of the innovation of having notes on slips of paper so that they're more easily re-arranged.

      I'm also sitting on a huge trove of unpublished research which provides a lot more evidence and a trail of context which is missing from the short provocative statement I've made. I've added a few snippets to the Wikipedia page on Zettelkasten which outlines pieces for the curious.

      I suspect soon enough I'll have a handful of journal articles and/or a book to cover some of the more modern history of notes and note taking that picks up where Earle Havens' Commonplace Books: A History of Manuscripts and Printed Books from Antiquity to the Twentieth Century (Yale, 2001) leaves off.

    1. <small><cite class='h-cite via'> <span class='p-author h-card'>Matthias Melcher</span> in About | x28's new Blog (<time class='dt-published'>07/06/2021 11:09:19</time>)</cite></small>

    1. Which makes them similar to “commonplace”: reusable in many places. But this connotation has led to a pejorative flavor of the German translation “Gemeinplatz” which means platitude. That’s why I prefer to call them ‘evergreen’ notes, although I am not sure if I am using this differentiation correctly.

      I've only run across the German "Gemeinplatz" a few times with this translation attached. Sad to think that this negative connotation has apparently taken hold. Even in English the word commonplace can have a somewhat negative connotation as well meaning "everyday, ordinary, unexceptional" when the point of commonplacing notes is specifically because they are surprising or extraordinary by definition.

      Your phrasing of "evergreen notes" seems close enough. I've seen some who might call the shorter notes you're making either "seedlings" or "budding" notes. Some may wait for bigger expansions of their ideas into 500-2000 word essays before they consider them "evergreen" notes. (Compare: https://maggieappleton.com/garden-history and https://notes.andymatuschak.org/Evergreen_notes). Of course this does vary quite a bit from person to person in my experience, so your phrasing certainly fits.

      I've not seen it crop up in the digital gardens or zettelkasten circles specifically but the word "evergreen" is used in the journalism space) to describe a fully formed article that can be re-used wholesale on a recurring basis. Usually they're related to recurring festivals, holidays, or cyclical stories like "How to cook the perfect Turkey" which might get recycled a week before Thanksgiving every year.

    1. Finding these kinds of sites can be tough, especially if you’re looking for authentic 1990s sites and not retro callbacks, since Google seems to refuse to show you pages from over 10 years ago.

      I think I've read this bit about Google forgetting from Tim Bray(?) before. Would be useful to have additional back up for it.

      Not being able to rely on Google means that one's on personal repositories of data in their commonplace book becomes far more valuable in the search proposition. This means that Google search is more of a discovery mechanism rather than having the value of the sort of personalized search people may be looking for.

    1. Linnaeus may have drawn inspiration from playing cards. Until the mid-19th century, the backs of playing cards were left blank by manufacturers, offering “a practical writing surface,” where scholars scribbled notes, says Blair. Playing cards “were frequently used as lottery tickets, marriage and death announcements, notepads, or business cards,” explains Markus Krajewski, the author of Paper Machines: About Cards and Catalogs.

      There was a Krajewski reference I couldn't figure out in the German piece on Zettelkasten that I read earlier today. Perhaps this is what was meant?

      These playing cards might also have been used as an idea of a waste book as well, and then someone decided to skip the commonplace book as an intermediary?

    2. Thomas Harrison, a 17th-century English inventor, devised the “ark of studies,” a small cabinet that allowed scholars to excerpt books and file their notes in a specific order. Readers would attach pieces of paper to metal hooks labeled by subject heading. Gottfried Wilhelm Leibniz, the German polymath and coinventor of calculus (with Isaac Newton), relied on Harrison’s cumbersome contraption in at least some of his research.

      Reference for this as well?

      Is this the same piece of library furniture that I've also recently read of Leibniz using?

    3. Many scholars, like the 17th-century chemist Robert Boyle, preferred to work on loose sheets of paper that could be collated, rearranged, and reshuffled, says Blair.

      Reference for this? Perhaps in the Ann Blair text cited in this piece?

    4. More than 1,000 of them, measuring five by three inches, are housed at London’s Linnean Society. Each contains notes about plants and material culled from books and other publications. While flimsier than heavy stock and cut by hand, they’re virtually indistinguishable from modern index cards.

      Information culled from other sources indicates they come from the commonplace book tradition. The index card-like nature becomes the interesting innovation here.

    1. Linnaeus had to manage a conflict between the need to bring information into a fixed order for purposes of later retrieval, and the need to permanently integrate new information into that order, says Mueller-Wille. “His solution to this dilemma was to keep information on particular subjects on separate sheets, which could be complemented and reshuffled,” he says.

      Carl Linnaeus created a method whereby he kept information on separate sheets of paper which could be reshuffled.

      In a commonplace-centric culture, this would have been a fascinating innovation.

      Did the cost of paper (velum) trigger part of the innovation to smaller pieces?

      Did the de-linearization of data imposed by codices (and previously parchment) open up the way people wrote and thought? Being able to lay out and reorder pages made a more 3 dimensional world. Would have potentially made the world more network-like?

      cross-reference McLuhan's idea about our tools shaping us.

    1. Von der Bücherordnung zur Buchführung

      From book keeping to bookkeeping

      Interesting to note that the German has two different physical words for these concepts which are more similar in English: keeping books (librarianship) to bookkeeping (accounting)

    2. Dafür spricht das Credo des Literaten Walter Benjamin: Und heute schon ist das Buch, wie die aktuelle wissenschaftliche Produktionsweise lehrt, eine veraltete Vermittlung zwischen zwei verschiedenen Kartotheksystemen. Denn alles Wesentliche findet sich im Zettelkasten des Forschers, der's verfaßte, und der Gelehrte, der darin studiert, assimiliert es seiner eigenen Kartothek.

      The credo of the writer Walter Benjamin speaks for this:

      And today, as the current scientific method of production teaches, the book is an outdated mediation between two different card index systems. Because everything essential is to be found in the slip box of the researcher who wrote it, and the scholar who studies it assimilates it in his own card index.

      Here's an early instantiation of thoughts being put down into data which can be copied from one card to the next as a means of creation.

      A similar idea was held in the commonplace book tradition, in general, but this feels much more specific in the lead up to the idea of the Memex.

    3. Gottfried Wilhelm Leibniz (1646-1716), der nicht nur angesehener Mathematiker und Philosoph war, sondern auch Bibliothekar der Herzog August Bibliothek in Wolfenbüttel, soll sich eigens einen Karteischrank als Büchermöbel nach eigenen Vorstellungen haben bauen lassen.

      Gottfried Wilhelm Leibniz (1646-1716), who was not only a respected mathematician and philosopher, but also librarian at the Herzog August Library in Wolfenbüttel, is said to have had a filing cabinet built for him as book furniture according to his own ideas.

      I'm curious to hear more about what this custom library furniture looked like? Could it have been the precursor to the modern-day filing cabinet?

      I can picture something like the recent photo I saw of Bob Hope amidst his commonplace book.

    1. Revisiting this essay to review it in the framing of digital gardens.

      In a "gardens and streams" version of this metaphor, the stream is flow and the garden is stock.

      This also fits into a knowledge capture, growth, and innovation framing. The stream are small atomic ideas flowing by which may create new atomic ideas. These then need to be collected (in a garden) where they can be nurtured and grow into new things.

      Clippings of these new growth can be placed back into the stream to move on to other gardeners. Clever gardeners will also occasionally browse through the gardens of others to see bigger picture versions of how their gardens might become.

      Proper commonplacing is about both stock and flow. The unwritten rule is that one needs to link together ideas and expand them in places either within the commonplace or external to it: essays, papers, articles, books, or other larger structures which then become stock for others.

      While some creators appear to be about all stock in the modern era, it's just not true. They're consuming streams (flow) from other (perhaps richer) sources (like articles, books, television rather than social media) and building up their own stock in more private (or at least not public) places. Then they release that article, book, film, television show which becomes content stream for others.

      While we can choose to create public streams, but spending our time in other less information dense steams is less useful. Better is to keep a reasonably curated stream to see which other gardens to go visit.

      Currently is the online media space we have structures like microblogs and blogs (and most social media in general) which are reasonably good at creating streams (flow) and blogs, static sites, and wikis which are good for creating gardens (stock).

      What we're missing is a structure with the appropriate and attendant UI that can help us create both a garden and a stream simultaneously. It would be nice to have a wiki with a steam-like feed out for the smaller attendant ideas, but still allow the evolutionary building of bigger structures, which could also be placed into the stream at occasional times.

      I can imagine something like a MediaWiki with UI for placing small note-like ideas into other streams like Twitter, but which supports Webmention so that ideas that come back from Twitter or other consumers of one's stream can be placed into one's garden. Perhaps in a Zettelkasten like way, one could collect atomic notes into their wiki and then transclude those ideas into larger paragraphs and essays within the same wiki on other pages which might then become articles, books, videos, audio, etc.

      Obsidian, Roam Research do a somewhat reasonable job on the private side and have some facility for collecting data, but have no UI for sharing out into streams.

    2. Where does this idea fit into the historical concept of the commonplace book?

    1. "I always get my jokes down on pieces of paper right away—backs of matchbos, whatever. No one is allowed to throw a piece of paper out in my house, because on the back of a laundry list there may be a joke."

      For Joan Rivers scraps of paper, receipts, laundry lists, and matchbooks served the function as waste books. She would eventually transfer them to 3x5" index cards using a typewriter.

    2. For the past thirty-some years, Rivers has been filing each and every joke she's written (at this point she's amassed over a million) in a library-esque card cabinet housed in her Upper East Side apartment. The jokes—most typed up on three-by-five cards—are meticulously arranged by subject, which Rivers admits is the hardest part of organizing: "Does this one go under ugly or does it go under dumb?"

      Joan Rivers kept a Zettelkasten of jokes in her Upper East Side apartment. They spanned over thirty years and over a million items, most of them typed on 3"x5" index cards and carefully arranged by subject.

    1. The Joke File has been scanned into an internal database that is accessible on-site in both the Recorded Sound and Moving Image Research Centers.

      Bob Hope's commonplace book of jokes has been scanned digitally and available at the United States Library of Congress.

    1. https://www.loc.gov/exhibits/bobhope/images/vcjokes1.jpg Annie Leibovitz. Bob Hope in his joke vault. Photograph, July 17, 1995. Courtesy of Annie Leibovitz

      Bob Hope amidst his commonplace book of jokes.

    2. The jokes included in the final script, as well as jokes not used, were categorized by subject matter and filed in cabinets in a fire- and theft-proof walk-in vault in an office next to his residence in North Hollywood, California. Bob Hope could then consult this “Joke File,” his personal cache of comedy, to create monologs for live appearances or television and radio programs. The complete Bob Hope Joke File—more than 85,000 pages—has been digitally scanned and indexed according to the categories used by Bob Hope for presentation in the Bob Hope Gallery of American Entertainment.

      Bob Hope's joke file of over 85,000 pages represents a massive commonplace book of comedy.

    1. A description of how George Carlin collected material for his comedy. No discussion of how he further worked on or refined it.

    2. “It certainly makes me want to improve my own record-keeping and organization,” he says. “I think there’s a lot people can learn not just about building a comedy routine but about approaching mortality honestly. There’s a real sense of impermanence in all of what he saved.”

      This links together the ideas of memory, commonplace books, and mortality.

      This also underlines the idea that commonplaces could be very specific to their creators.

    3. Over time, Carlin formalized that system: paper scraps with words or phrases would each receive a category, usually noted in a different color at the top of the paper, and then periodically those scraps would be gathered into plastic bags by category, and then those bags would go into file folders. Though he would later begin using a computer to keep track of those ideas, the basic principle of find-ability remained. “That’s how he built this collection of independent ideas that he was able to cross-reference and start to build larger routines from,” Heftel explains.

      George Carlin's process of collecting and collating his material. His plastic bags by category were similar to the concept of waste books to quickly collect information (similar to the idea of fleeting notes). He later placed them into file folders (an iteration on the Zettelkasten using file folders of papers instead of index cards).

    4. Seeing how his system worked is enough to inspire anyone not to let thoughts go to waste, notes Carlin estate archivist Logan Heftel. “A good idea,” Heftel says Carlin learned early, “is not of any use if you can’t find it.”
    1. In some sense, this very blog is a system for me to find out what I have: I take material from my notebooks and turn it into blog posts, and the posts become tags, which become book chapters, etc.
    2. Like William Blake said, you either create your own system or get enslaved by another’s.

      Interesting quote (direct attribution?) particularly within the context of commonplace books.

    3. I read that Brian Eno does something similar: he makes a tremendous amount of music, and then hits shuffle when he’s answering email, etc., and whatever catches his ear, he investigates.
    4. Chris Ballew, aka Caspar Babypants, aka the lead singer and songwriter for The Presidents of the United States of America, says he dumps all his raw song ideas into an iTunes playlist and then puts it on shuffle while he’s washing dishes.
    5. On Twitter the other day I saw someone point out that the longer you listen to Song Exploder, the more you discover that the Voice Memos app on the iPhone has probably had more of an impact on songwriting than any other piece of software. But recording things in Voice Memos is just one step. The next is listening back to things, finding diamonds in the rough.

      Voice recorder as a note taking device, particularly within the realm of music. A music commonplace.

    6. No matter what you make, if you produce a lot every day, you need some sort of system for going back and figuring out what you have.

      The purpose of a commonplace book.

    7. George Carlin’s file folders These filing systems are all analog examples, but one of my heroes, George Carlin, embraced an analog/digital system: I take a lot of single-page notes, little memo pad notes. I make a lot of notes on those things. For when I’m not near a little memo pad, I have a digital recorder… When I harvest the pieces of paper and I go through them and sort them, the one lucky thing I got in my genetic package was a great methodical left brain. I have a very orderly mind that wants to classify and index things and label them and store them according to that. I had a boss in radio when I was 18 years old, and my boss told me to write down every idea I get even if I can’t use it at the time, and then file it away and have a system for filing it away—because a good idea is of no use to you unless you can find it….[In my filing system there are files for all kinds of subjects] but then there are subfiles. Everything has subfiles….It’s like nested boxes, like the Russian dolls—it’s just folders within folders within folders. But I know how to navigate it very well, and I’m a Macintosh a guy and so Spotlight helps me a lot. I just get on Spotlight and say, let’s see, if I say “asshole” and “minister,” I then can find what I want find. “A lot of this,” Carlin said, “is discovery. A lot of things are lying around waiting to be discovered and that’s our job is to just notice them and bring them to life.”

      George Carlin's file system for jokes and ideas.

    8. get down daily thoughts and mine them for material for larger pieces

      this is the general pattern for commonplace books and zettelkasten

    1. <small><cite class='h-cite via'> <span class='p-author h-card'>Alan Jacobs</span> in the blog garden – Snakes and Ladders (<time class='dt-published'>07/01/2021 09:15:23</time>)</cite></small>

    2. Alan Jacobs seems to be delving into the area of thought spaces provided by blogs and blogging.

      In my view, they come out of a cultural tradition of commonplace books becoming digital and more social in the the modern era. Jacobs is obviously aware of the idea of Zettelkasten, but possibly hasn't come across the Sonke Ahrens' book on smart notes or the conceptualization of the "digital garden" stemming from Mike Caulfield's work.

      He's also acquainted with Robin Sloane, though it's unclear if he's aware of the idea of Stock and Flow.

    3. Blogging, I want to argue, is a seasoned technology that is ripe for lateral thinking.
  2. Jun 2021
    1. For example, the Wikipedia article on Martin Luther King, Jr cites the book To Redeem the Soul of America, by Adam Fairclough. That citation now links directly to page 299 inside the digital version of the book provided by the Internet Archive. There are 66 cited and linked books on that article alone. 

      I'd love to have a commonplace book robot that would do this sort of linking process within it for me. In the meanwhile, I continue to plod along.

      This article was referenced today at [[I Annotate 2021]] by [[Mark Graham]].

    1. This is awesome and moves a bit closer in functionality for how one might use the platform as a commonplace book. Not sure how it's different to the main search except that it's geared toward smaller groups rather than the public timeline which is too large to view.

      My first impressions:

      • It doesn't seem to show within Firefox.
      • It overloads in the Public timeline

      via: Michael mention at IAnno21

    2. This page needs to have some of the plugins for note taking added to it. Many are listed on Github. Circle back to this with a list of additions.

  3. booktraces-public.lib.virginia.edu booktraces-public.lib.virginia.edu
    1. Thousands of old library books bear fascinating traces of the past. Readers wrote in their books, and left pictures, letters, flowers, locks of hair, and other things between their pages. We need your help identifying them in the stacks of academic libraries. Together we can find out more about what books were and how they were used by their original owners, while also proving the value of maintaining rich print collections in our libraries.

      A cool looking website focused around curating an interesting collection of books.

      Mentioned by Nate Angell at I Annotate 2021.

    1. These markings sometimes shed light on the story of how a work was made or received. Researchers can understand more about the creative process, opinions and musings of people throughout the centuries by understanding these historical markings that are often, literally and figuratively, in the margins.

      In addition to looking in the margins, one must also look at contemporaneous copies of both printed and privately held (or collected) commonplace books to cast a wider net on these practices.

    1. Too many “Digital Gardens” end up as not much more than a record of someone dicking around with their note-taking workflow for a couple of months.

      I've seen this pattern. I suspect some of the issue is having a clean, useful user interface for actually using the thing instead of spending time setting it up and tweaking it.

    1. A memex is a device in which an individual stores all his books, records, and communications, and which is mechanized so that it may be consulted with exceeding speed and flexibility. It is an enlarged intimate supplement to his memory.

      His definition of a Memex is simply a mechanized (or what we would now call digitized) commonplace book, which has a long history in the literature of knowledge management.


      I'll note here that he's somehow still stuck on the mechanical engineering idea of mechanized. Despite the fact that he was the advisor to Claude Shannon, father of the digital revolution, he is still thinking in terms of mechanical pipes, levers, and fluids. He literally had Shannon building a computer out of pipes and fluid while he was a student at MIT.

    1. This gave me an epiphany — a grand vision of the future of social reading. I imagined a stack of transparent, margin-size plastic strips containing all of my notes from “Infinite Jest.” These, I thought, could be passed out to my friends, who would paste them into their own copies of the book and then, in turn, give me their marginalia strips, which I would paste into my copy, and we’d all have a big virtual orgy of never-ending literary communion.It was a hopelessly clunky idea: a vision right out of a Library Science seminar circa 1949.

      Goofy as this physical version sounds, I could imagine a digital overlay version that could go along with digital books in much the same way that Google Maps has digital overlays.

      The problem lies with registration and location of words to do the overlay properly. The UI would also be a major bear.

      Hypothes.is has really done a spectacular job in their version, the only issue is that it requires doing it all in a browser and isn't easily usable in any e-readers.

    2. Yet books are curious objects: their strength is to be both intensely private and intensely social — and marginalia is a natural bridge between these two states.

      Books represent a dichotomy in being both intensely private and intensely social at the same time.

      Are there other objects that have this property?

      Books also have the quality of providing people with identities.

    3. The author argued that you didn’t truly own a book (spiritually, intellectually) until you had marked it up.

      sentiment from “How to Read a Book.”

      Pull out the original quote of this.


      Note also that [[Mortimer J. Adler]] is saying this in a time period where books are far cheaper than in the past. An author from a few generations prior would have indicated that the quotes and marginalia should have gone in one's commonplace book.

    1. Reflecting on how new digital tools have re-invigorated annotation and contributed to the creation of their recent book, they suggest annotation presents a vital means by which academics can re-engage with each other and the wider world.

      I've been seeing some of this in the digital gardening space online. People are actively hosting their annotations, thoughts, and ideas, almost as personal wikis.

      Some are using RSS and other feeds as well as Webmention notifications so that these notebooks can communicate with each other in a realization of Vanmevar Bush's dream.

      Networked academic samizdat anyone?

  4. May 2021
    1. After suggestions from comments below, I read A Philosophy of Software Design (2018) by John Ousterhout and found it to be a much more positive experience. I would be happy to recommend it over Clean Code.

      The author recommends A Philosophy of Software Design over Clean Code

    1. Gwern.net was one of the earliest and most consistent gardeners to offer meta-reflections on their work. Each entry comes with:topic tagsstart and end datea stage tag: draft, in progress, or finisheda certainty tag: impossible, unlikely, certain, etc.1-10 importance tagThese are all explained in their website guide, which is worth reading if you're designing your own epistemological system.
    2. In performance-blog-land you do that thinking and researching privately, then shove it out at the final moment. A grand flourish that hides the process.

      This generally doesn't happen with IndieWeb-based sites where one often publishes all the smaller tidbits along the way and intersperses them with the longer articles.

      Of course, not everyone here necessarily publishes everything publicly either.

    1. he is focusing on the tensions that what he read causes with other things he knows and has read. He’s not just lifting things out that chime with him, but the things that cause friction. Because in that friction lies the potential of learning.

      Dissonance of juxtaposed ideas, and particularly those just at the edge of chaos, can be some of the most fruitful places for learning.

      Attempting to resolve these frictions can generate new knowledge.

      This is what commonplace books are meant to do. Record this knowledge, allow one to juxtapose, and to think and write into new spaces.

      It's also important to look more closely at things that don't cause dissonance. Is it general wisdom that makes them true or seem true? Question the assumptions underneath them. Where do they come from? Why do they seem comfortable? How could one make them uncomfortable. Questioning assumptions can lead to new pathways.

      An example of this is the questioning the final assumption of Euclid (the "ugly" one) which led mathematicians into different geometry systems.

    1. Your new home on the web

      Understory is a digital garden, a micro-publishing space for you to plant the seeds of your ideas and grow them into bi-directionally linked web portals.

      via IndieWeb Chat

    1. With some continued clever searching today along with some help from an expert in Elizabethan English, I've found an online version of Robert Copland's (poor) translation from the French, some notes, and a few resources for assisting in reading it for those who need the help.

      The text:

      This is a free text transcription and will be easier to read than the original black-letter Elizabethan English version.

      For those without the background in Elizabethan English, here are a few tips/hints:

      For the more obscure/non-obvious words:

      Finally, keep in mind that the letter "y" can often be a printer's substitution for the English thorn character) Þ, so you'll often see the abbreviations for "the" and as an abbreviation for "that".

      Copland's original English, first printing of Ravenna can be accessed electronically through a paid Proquest account at most universities. It is listed as STC 24112 if you have access to a firewall-free site that lets you look at books on Early English Books Online (EEBO). A photocopy can be obtained through EEBO reprints on Amazon. Unless you've got some reasonable experience with Elizabethan black-latter typography, expect this version to be hard to read. It isn't annotated or modernized.

      @ehcolston I'm curious to hear what the Wilson/Pena text looks like. I'm guessing it's not scholarly. I think Wilson is a recent college grad and is/was a publishing intern at a company in the LA Area. I'm not sure of Pena's background. I suspect it may be a version of the transcribed text I've linked with a modest updating of the middle English which they've self-published on Amazon.

      Of course, given the multiple translations here, if anyone is aware of a more solid translation of the original Latin text into English, do let us know. The careful observer will notice that the Latin version is the longest, the French quite a bit shorter, and the English (Copland) incredibly short, so there appears to be some untranslated material in there somewhere.

    1. MMScotofGlasgow

      @MMScotofGlasgow, Hopefully it's not too late...

      Francis Yates discusses Petrus Ramus as an educational reformer in Chapter 10 and onward in The Art of Memory. There she outlines Ramus' crusade against images (based in part on the admonition from 4 Deuteronomy about graven images) and on their prurient use (sex, violence, etc.) which were meant to make things more memorable. Ramism caught on in the late 1500's and essentially removed memory by the root from the subject of rhetoric of which it had been an integral part. Ramus felt that structure and rote memorization would suffice in its stead. As a result the method of loci decreased in prominence in schools and disappeared from the scene based on educational reform which was primarily pushed by Huguenot/Protestants. I've not read anywhere that the practice was ever banned, it just fell out of fashion due to these reforms.

      I'm sure it didn't help that printed books became ever cheaper during/after this time and so the prior need to memorize for those reasons wasn't helped either.

      I'm sure another confounding factor was Erasmus' Copia: Foundations of the Abundant Style (1512) which dramatically popularized the keeping and use of commonplace books by the learned and literate. These became a regular place in which people collected and kept their thoughts and ideas rather than memorizing them as they may have done in the past.

  5. commonplace.knowledgefutures.org commonplace.knowledgefutures.org
    1. This almost appears to be a small, community-based commonplace book.

      And apparently published on PubPub.

      <small><cite class='h-cite via'> <span class='p-author h-card'>Samuel Klein</span> in Samuel Klein on Twitter: "@flancian See also https://t.co/KMmU7pDuQx" / Twitter (<time class='dt-published'>05/18/2021 19:30:42</time>)</cite></small>

    1. One of the toughest parts of note taking systems can be moving from one to another, particularly digital ones, as the technical overhead is almost never easy and typically requires a huge amount of work. Wouter's description here may seem facile, but I'm sure it wasn't simple, not to mention the fact that he's got more facility with coding than the average person ever will.

      I do like the idea of basic text or markdown files that can be used in a variety of settings with relatively easy wiki mark up.

      Of the systems I've seen, this seems to be the most portable format, but it also requires software that supports it at the base level, but which still provides search and other useful functionalities.

    1. A relatively comprehensive view of Wouter Groeneveld's commonplacing workflow. There are a few bits missing here and there, but he's got most of the bigger basics down that a majority of people seem to have found and discovered.

      He's got a strong concept of indexing, search, and even some review, which many miss. There's some organic work toward combinatorial thought, but only via the search piece.

      I should make a list of the important pieces for more advanced versions to have. I've yet to see any articles or work on this.

    2. My wife taught me to add some color after some pages are filled and the more I do that, the more I like browsing through the journal. Watercolor is still too heavy for most notebooks and I don’t bother to bring colored pencils on location. That’s a relaxing activity to do at home.

      Color also adds creativity and additional loci to one's pages which also can help to make them more memorable.

    3. It does take a while to look at the scanned image to figure out where exactly I placed that particular piece of information - that’s one downside of the system. But as I journal “organically”, meaning putting everything in the same place from pictures to drawings, my brain can find what I need on the scan pretty quickly, compared to pages full of text between lines.

      This may not be as bad a thing as needing to reread a short section is also good for creating context of the original note as well as review for memory and retention.

    4. “but I how will I be able to find stuff later on?”. Good question we’ll answer later. A part of the answer is simply by re-reading. If you don’t re-read what you’ve written, nothing will ever happen with it. So, if you intent to simply write down thoughts in order to feel a temporary moment of relief, fine. But if you intent to change your life, that won’t suffice.

      One needs to re-read and reprocess things from time to time. This is a part of the combinatorial creativity that having notes is for.

      This is reminiscent of the CAA addage: "If you read something and then don't tell anyone about it, you may as well not have read it in the first place."

    1. My website is adactio.com. I love my website. Even though it isn’t a physical thing, I think it might be my most prized possession. It’s a place for me to think and a place for me to link.

      a stark statement to make about one's website

    1. For almost a decade from ~1988 I kept my reading & research commonplace book in Persoft's IZE, a DOS textbase -- orphaned all too soon -- that did simple but very useful things with keywords presented in an indented hierarchy. The more entries and keywords I gave it, the more the hierarchies took on increasingly interesting and suggestive sequences; i.e. they looked more like *outlines.* IZE seemed to understand the content of the passages.

      Noting that the idea of commonplace book appears here in the comments.

    2. The other thing that would be fascinating would be to open up these personal libraries to the external world. That would be a lovely combination of old-fashioned book-based wisdom, advanced semantic search technology, and the personality-driven filters that we've come to enjoy in the blogosphere. I can imagine someone sitting down to write an article about complexity theory and the web, and saying, "I bet Johnson's got some good material on this in his 'library.'" (You wouldn't be able to pull down the entire database, just query it, so there wouldn't be any potential for intellectual property abuse.) I can imagine saying to myself: "I have to write this essay on taxonomies, so I'd better sift through Weinberger's library, and that chapter about power laws won't be complete without a visit to Shirky's database."

      He's got a nice conceptualization here of a networked version of commonplace books for search and creation for one's own commonplace book.

    3. So the proper unit for this kind of exploratory, semantic search is not the file, but rather something else, something I don't quite have a word for: a chunk or cluster of text, something close to those little quotes that I've assembled in DevonThink. If I have an eBook of Manual DeLanda's on my hard drive, and I search for "urban ecosystem" I don't want the software to tell me that an entire book is related to my query. I want the software to tell me that these five separate paragraphs from this book are relevant. Until the tools can break out those smaller units on their own, I'll still be assembling my research library by hand in DevonThink.

      Search on documents returning something in the neighborhood of 500 words or so seems to be the right amount of information. One wants a few paragraphs related to an idea and not an entire book which takes longer to scan.

      Google search does this type of search and it's also what Google Books attempts to do as well when searching specifically there.

    4. Over the past few years of working with this approach, I've learned a few key principles. The system works for three reasons: 1) The DevonThink software does a great job at making semantic connections between documents based on word frequency. 2) I have pre-filtered the results by selecting quotes that interest me, and by archiving my own prose. The signal-to-noise ratio is so high because I've eliminated 99% of the noise on my own. 3) Most of the entries are in a sweet spot where length is concerned: between 50 and 500 words. If I had whole eBooks in there, instead of little clips of text, the tool would be useless.

      Stephen Johnson describes the reasons he thinks his DevonThink writing process works with semantic search.

    1. Compare that to the traditional way of exploring your files, where the computer is like a dutiful, but dumb, butler: "Find me that document about the chimpanzees!" That's searching. The other feels different, so different that we don't quite have a verb for it: it's riffing, or brainstorming, or exploring. There are false starts and red herrings, to be sure, but there are just as many happy accidents and unexpected discoveries. Indeed, the fuzziness of the results is part of what makes the software so powerful.

      What is the best word/verb for this sort of pseudo-searching via word or idea association for generating new ideas?

      I've used the related phrase combinatorial thought before, but he's also using the idea of artificial intelligence to search/find and juxtapose these ideas.

    2. But I'm not at all confident I would have made the initial connection without the help of the software. The idea was a true collaboration, two very different kinds of intelligence playing off each other, one carbon-based, the other silicon.

      Stephen Johnson uses the word collaboration to describe his interaction with his own notes in DevonThink, much the way Niklas Luhmann describes with working with his Zettlekasten.

      I'll also note that here in 2005, Johnson doesn't mention the idea of a commonplace book the way he does just a few years later.

    1. An interesting take from a significant modern researcher/writer about commonplaces in the digital era. He's particularly enamoured of the fact that Evernote dovetails with Google searches to show details from his own notebooks which he's saved in the past.

      Search in commonplace books is definitely a must have feature.

    1. The top starts out with some interesting articles in the past two decades and then delves into the writer's personal use of Evernote to create his digital commonplace book.

      Mildly interesting as a particular example.

    2. (dig into his process at his personal site
    1. We still do not understand how information practices from the worlds of learning, finance, industry, and administration cross-pollinated. From the fourteenth century onward, accountants developed complex instructions for note-taking to describe holdings and transactions, as well for the recording of numbers and calculations. By the seventeenth century, merchants, and indeed ship captains, engineers, and state administrators, were known to travel with trunks of memoranda, massive inventories, scrap books, and various ledgers and log books that mixed descriptive notes and numbers. By the eighteenth century, tables and printed forms cut down on the need for notes and required less description and more systematic numerical notes. Notaries also were master information handlers, creating archives for their legal and financial documents and cross-referencing catalogue systems.

      I'm noticing no mention here of double entry book keeping or the accountant's idea of waste books.

      There's also no mention of orality or memory methods either.

    2. As the erudite Samuel Hartlib explained in 1641, “Zwinger made his excerpta by being using [sic] of old books and tearing whole leaves out of them, otherwise it had beene impossible to have written so much if every thing should have beene written or copied out.”

      And to think of how I complain about how hard it is to excerpt notes from sources and get them into my own personal commonplace book?!

      Makes me wonder who the inventor of the first cut and paste was?

    3. Jesuit manuals such as Jeremias Drexel’s Aurifodina, subtitled The Mine of All Arts and Sciences, or the Habit of Excerpting, explained how to best take notes from reading to create commonplace books: personal notebooks of reading extracts that contained the religious, ethical, and political maxims deemed necessary to lead a good life. There were even admonitions about which texts not to read and how not to fold page corners or to mark texts with fingernail scratches.

      Fascinating to see that practices like folding page corners and marking texts are far from new.

    4. Ulisse Aldrovandi, the great Bolognese natural philosopher and collector of specimens (such as the large lizards that adorn his university library museum), wrote four hundred volumes of manuscript notes. Joachim Jungius, a German professor of mathematics, medicine, logic, and natural philosophy, was famous for having produced an estimated 150,000 pages of notes. But as Blair makes clear, the vast collections of scientific notes were not simply the mad scratchings of obsessive pedants. Commonplace notes comprised the data for internationally successful scientific works, such as Jean Bodin’s Universae naturae theatrum.

      Examples of significant collections of notes.

    5. To extract knowledge successfully from reading was to “deflower” a book, as explained by the preface to the twelfth-century Libri deflorationum.

      Libri deflorationum

    6. Blair’s previous work demonstrated that the practices of literary reading and writing were central to the rise of scientific method. Focusing on the lawyer and scientist Jean Bodin in the sixteenth century, she meticulously examined how Bodin collected commonplace reading notes and then stored and analyzed them as scientific evidence.

      I really do need to create a historical timeline for commonplace books already.

      Georg Christoph Lichtenberg also did this in the late 1700's and became famous for it after his death and the publication of his Waste Books. Worth looking into who his influences may have been?

    7. But in response there has been no serious attempt by digital media developers to engage in a constructive public dialogue with historians of information and leading librarians. There is, perhaps, a reason for this. As Geoffrey Nunberg starkly revealed in 2009 in the Chronicle of Higher Education, Google cannot celebrate the history of indexing and cataloguing because it would draw attention to its matrix of errors. As of yet, Google Books does not work as an accurate system of cataloguing and searching for books. Nunberg showed that the seemingly clunky nineteenth-century Library of Congress Classification system is still more accurate. So intellectual history can still offer practical models and lessons to the titans of the Web.

      The Information emperor has no clothes.

    1. That’s not the only inversion that blogging entails. When it comes to a (my) blogging method for writing longer, more synthetic work, the traditional relationship between research and writing is reversed. Traditionally, a writer identifies a subject of interest and researches it, then writes about it. In the (my) blogging method, the writer blogs about everything that seems interesting, until a subject gels out of all of those disparate, short pieces.Blogging isn’t just a way to organize your research — it’s a way to do research for a book or essay or story or speech you don’t even know you want to write yet. It’s a way to discover what your future books and essays and stories and speeches will be about.

      This is also roughly the way that zettelkasten and commonplace books have worked for centuries.

      This passage is an excellent reason for "why" to keep one, which few sources I've seen bother to mention.

    2. The auctorial equivalent to the artist’s sketchbook is the “commonplace book,” which can contain everything from newspaper clippings to grocery lists to attempts to capture those inspirational bolts out of the blue.

      This is a great analogy for a commonplace book

    1. The book is indestructible.
    2. When you have read the book, you will be full members of the Brotherhood.
    3. he had even (an infallible mark of good reputation) been picked out to work in Pornosec, the sub-section of the Fiction Department which turned out cheap pornography for distribution among the proles.
    4. he could describe the whole process of composing a novel, from the general directive issued by the Planning Committee down to the final touching-up by the Rewrite Squad. But she was not interested in the finished product. She 'didn't much care for reading,' she said. Books were just a commodity that had to be produced, like jam or bootlaces.

      What does this tell us about Julia? Very meta.

    1. Above you can browse Leonard Eckstein Opdycke’s 1902 translation of Il Cortegiano. While the book was first translated into English by Thomas Hoby in 1561, and again in 1727, Opdycke’s effort arose from the scarcity of copies available at the century’s turn.

      What other translations of Il Cortegiano exist?

      Is there a truly handsome volume of it currently in print?

    1. Two hundred years later, Blumenberg’s note cards, each of them number-stamped by him and thus carrying along a trace of their temporal order of origin, could be moved and rearranged continuously in ways that weren’t open to the entries confined to the bound pages of Lichtenberg’s books. Blumenberg relied on the new connections and constellations generated within his Zettelkasten throughout his life as a writer.

      Another major example of a significant zettelkasten.

    2. “If only I had channels in my head,” Lichtenberg had fantasized, “so as to promote domestic trade between the stockpiles of my thought! But alas, there they lie by the hundreds without being of use to one another.”

      A fascinating quote in the history of the commonplace book on it's way to becoming the Memex.

    3. “penny’s worth of thought” as Lichtenberg had called his entries

      a good name for entries in a commonplace

    4. Ruminant machines: a twentieth-century episode in the material history of ideas

      ruminant machines is an interesting concept, it sounds like a cross between a cow and Memex.

    1. Arthur Schopenhauer admired Lichtenberg greatly for what he had written in his notebooks. He called him one of those who "think ... for their own instruction", who are "genuine 'thinkers for themselves' in both senses of the words".[4] Other admirers of Lichtenberg's notebooks include Friedrich Nietzsche, Sigmund Freud, Ludwig Wittgenstein and Jacques Barzun.

      It would almost have to be the case that with his method and notebooks being so well known that they influenced Niklas Luhmann's idea of a zettelkasten.

    2. The scrapbooks reveal a critical and analytical way of thinking and emphasis on experimental evidence in physics, through which he became one of the early founders and advocates of modern scientific methodology. The more experience and experiments are accumulated during the exploration of nature, the more faltering its theories become. It is always good though not to abandon them instantly. For every hypothesis which used to be good at least serves the purpose of duly summarizing and keeping all phenomena until its own time. One should lay down the conflicting experience separately, until it has accumulated sufficiently to justify the efforts necessary to edifice a new theory. (Lichtenberg: scrapbook JII/1602)

      Georg Christoph Lichtenberg used his notebooks as thinking tools with respect to scientific methodology.

    1. Lichtenberg, on the other hand, used the term "aphorism" in his notes, but never referred to it in his own writing. [7] The name Sudelbuch goes back to him, as his brother Ludwig Christian Lichtenberg noted in the "preliminary report" for the first edition of a selection of Lichtenberg's notes the year after his death . [8] And there was already reference to Lichtenberg's own explanation of the use of the term: [9] “The merchants have their waste book (Sudelbuch, Klitterbuch, I believe in German), in which they enter everything they sell and buy from day to day, everything in a mess, from this it is carried into the journal, where everything is more systematically stands, and finally it comes to the Leidger at double entrance according to the Italian way of bookkeeping. In this, each man is accounted for separately, first as a debtor and then as a creditor. This deserves to be imitated by scholars. First a book in which I write everything, as I see it or as my thoughts give me, then this can be carried back into another, where the matter is more separated and ordered, - Georg Christoph Lichtenberg : Sudelbuch E, entry 46 [10]

      Here's translated quote from the 1700's in which Georg Christoph Lichtenberg directly links the idea of double-entry bookkeeping to the idea of a commonplace book (or waste book or in his tongue Sudelbücher).

      Not to dissimilar to my recent observation:

      Backlinks in digital gardens, commonplace books, or wikis are just an abstract extension of the accounting concept of double-entry bookkeeping.

    1. Waste books were also used in the tradition of the commonplace book. A well know example is Isaac Newton's Waste Book in which he did much of the development of the calculus.[4] Another example is that of Georg Christoph Lichtenberg, who called his waste books sudelbücher, and which were known to have influenced Leo Tolstoy, Albert Einstein, Andre Breton, Friedrich Nietzsche, and Ludwig Wittgenstein.[

      I added this section.

    2. I've heard references of people using these in combination with or also for commonplace books.

    1. Newton's Waste Book (MS Add. 4004) The most cherished legacy that Newton received from his stepfather, Barnabas Smith (1582-1653), seems to have been this vast manuscript commonplace book Add. 4004. Smith was rector of North Witham, a wealthy clergyman who married Newton’s mother on 27 January 1646. The immediate consequence of this union was that the three-year old Isaac Newton had to be sent to live with his grandmother. On Smith’s death, Newton appears to have inherited his library, most of which he gave away much later in life to a kinsman in Grantham. Smith himself had made extensive use of these books, in compiling a volume of theological commonplaces. This consisted of hundreds of folios bound in pasteboard, ruled at the top and in the margin of each folio to allow space for a heading and references to each entry. Newton was not interested by the very pedestrian efforts in divinity, largely the culling of quotations, with which Smith had begun to fill the book since its inception on 12 May 1612. He wanted its paper, as the title that he wrote on its original cover in February 1664 (‘Waste Book’) suggested.

      Here's the beginning of the digital example of Isaac Newton's Waste Book.

    1. Gimmick Book Pulp sci-fi author Alfred Bester kept a book of storytelling tricks. All I ever wanted was to be a great storytelling pitchman, which is why I collected the tricky devices and means which are entered in this Gimmick Book.

      It's been a while since I've seen someone mention either gimmick books or waste books in relation to commonplace books.

  6. gordonbrander.com gordonbrander.com
    1. There are rumors Pascal wrote the Pensées on notecards, and pinned these cards to a wall, connecting related thoughts with yarn. An early example of hypertext?

      This certainly fits into the broad general ideas surrounding note taking, commonplace books, and zettelkasten as tools for thought. People generally seemed to have used relatively similar methods but shoehorned them into the available tools they had at the time.

      This also, incidentally isn't too far off from how indigenous peoples the world over have used memory techniques (memory palaces, songlines, etc.) to hold together and pollinate their own thinking.

      Raymond Llull took things a step further with his combinatoric methods, though I've yet to see anyone attempting that in the area of digital gardens.

    1. The largest collection of Isaac Newton's papers has gone digital, committing to open-access posterity the works of one of history's greatest scientist. Among the works shared online by the Cambridge Digital Library are Newton's own annotated copy of Principia Mathematica and the 'Waste Book,' the notebook in which a young Newton worked out the principles of calculus.

      I've annotated something about Isaac Newton's Waste Book for calculus before (possibly in Cambridge's Digital Library itself, but just in case, I'm making a note of it here again so it doesn't get lost.

      In my own practice, I occasionally use small notebooks to write temporary notes into before transferring them into other digital forms. I generally don't throw them away, but they're essentially waste books in a sense.

    1. Despite the surprising lack of digital editions, the commonplace book, more than any other genre of writing, seems well suited to a digital format, since, by its very structure, it is a linked web of fragments that have been “coded” and “marked up” with metadata. For this reason, we have put much thought and planning into which tools to use and how design this digital edition.
    1. A standalone React/Redux web application for for presenting unique printed books and manuscripts in digital facsimile.

      <small><cite class='h-cite via'> <span class='p-author h-card'>Whitney Trettien</span> in Digital Book History (<time class='dt-published'>04/07/2021 12:59:11</time>)</cite></small>

    1. A Digital Garden Theme for Gatsby. Gatsby Garden lets you create a static HTML version of your markdown notes

      This also supports Obsidian wikilinks

    1. An interesting thread with some links to the [[agora]] and various pieces others are building.

    1. I love the phrase "elephant paths" (the correct translation?) for maps of content.

      I also like the idea of having a set up for doing digital captures of physical notebook pages. I'll have to consider how to do this most easily. I should also look back and evaluate how to continue improving my digital process as well.

    1. all active note-takers, life-hackers, and apparently also IndieWeb-enabled bloggers!

      We really need to get around to scheduling the second session of Gardens and Streams.

    2. esterday evening, Ton Zijlstra organized the first Dutch Obsidian meetup. I didn’t really know what to expect, and in the end I’m glad I let my curiosity get the better of me, as we chatted for almost two hours on various struggles with contemporary note-taking using the relatively new note-taking player, Obsidian. Read Frank Meeuwsen’s expectations and Ton’s afterthoughts on their respective blogs (in Dutch). Together with Sebastiaan Andeweg and myself, the four of us had a great time showing each other how we tackle digital note-taking. It turned out to be a small but quirky group of like-minded people: all active note-takers, life-hackers, and apparently also IndieWeb-enabled bloggers!

      This sounds like a fun way to get together. I'm personally curious to see people taking their Obsidian data and turning them into IndieWeb-friendly linked Memexes. It's interesting to use Obsidian to have a thought conversation with one's self, but it could also be interesting if they could have conversations with each other via Webmention.

      For me the more difficult piece is not so much getting the thing online, but setting it up so that the backlinks all work properly using the [[wikilink]] syntax.

    1. Now this is interesting, and it sort of hits on the difference between a personal blog and a blog that feels more like a personal brand exercise. The best personal blogs I’ve come across feel like a glimpse in to someone’s personal notebook, something filled mostly with notes written with the author in mind first and foremost vs notes that have been written with a wider audience in mind. A good personal blog can (and maybe should) contain a mixture of both, since they both can be absolutely great and useful. But when it is only ever writing for an audience… well that doesn’t feel like a personal blog, to me.

      This is much the way I feel and write. I keep my site more as a personal commonplace book and write primarily for myself. Others read it from time to time and comment, but in the end, it's really all just for me.

    1. Children of Ruin (by Adrian Tchaikovsky) you may like that deals with an uplifted octopus society. It's a sequel to a previous book (Children of Time)

      heard about this before, read

  7. Apr 2021
    1. This is a pretty solid overview of a literature review workflow. He doesn't use the words, but this is not a half bad way to build a digital commonplace book or digital garden/personal wiki for research use.

      I hadn't thought about using Grav as the method for storing and displaying all of it, but perhaps it's worth looking into?

    1. This looks fascinating. I'm not so much interested in the coding/programming part as I am the actual "working in public" portions as they relate to writing, thinking, blogging in the open and sharing that as part of my own learning and growth as well as for sharing that with a broader personal learning network. I'm curious what lessons might be learned within this frame or how educators and journalists might benefit from it.

    1. There are surprisingly few digital editions of commonplace books, especially given how the genre lends itself to digitization. What we've made isn't perfect but we hope it helps others think through/with these types of books. More about that here: digitalbookhistory.com/colletscommonp…

      I've seen some people building digital commonplace books in real time, but I'm also curious to see more academics doing it and seeing what tools and platforms they're using to do it.

      Given the prevalence for these in text, I'd be particularly curious to see them being done as .txt or .md files and then imported into platforms like Obsidian, Roam Research, Org Mode, TiddlyWiki, et al for cross linking and backlinking.

      I've seen some evidence of people doing some of this with copies of the bible, but yet to see anyone digitize and cross link old notebooks or commonplace books.

    1. An old bachelor is generally very precise and exact in his habits. He has no one but himself to look after, nothing to distract his attention from his own affairs; and Mr. Dodgson was the most precise and exact of old bachelors. He made a précis of every letter he wrote or received from the 1st of January, 1861, to the 8th of the same month, 1898. These précis were all numbered and entered in reference-books, and by an ingenious system of cross-numbering he was able to trace a whole correspondence, which might extend through several volumes. The last number entered in his book is 98,721.

      I'm curious what this system was? Was it influenced by systems of John Locke's commonplace book? It could also have been the sort of system which may have inspired Niklas Luhmann.

      Whatever it was, it must have been massive and somewhat well thought through if it reached such a tremendous size.

  8. Mar 2021
    1. He talks about stories being important to us.

      This is because there's an organization and order to our stories, which is important to our memory, individually and culturally.


      The idea of photographs helping to spark our memories of times and spaces.


      Urgency vs. acceptance


      h/t Jacky A.

    1. Folks like Ben Thompson are effectively writing books. Take a year of his essays, edit them for brevity and clarity, and you’d have a brilliant edition of This Year in Tech. And so in a strange way, Stratechery in paid newsletter form is as much a Future Book as a bounded Kindle edition.

      And this isn't a new thing, publishers were mining the blogosphere for books from websites in the early 2000s.

    2. Purchasing a book is one of the strongest self-selections of community, and damn it, I wanted to engage.

    3. Why the future book never arrived? I might posit that the book we want needs more context about us (perhaps a commonplace book?). If it had this then it could meet us where we are and help to give us the things we need.

      An Algebra text would be dramatically different things to a 4th grader, an 8th grader, and a college math major. It could still be the same book, but hide or reveal portions of it's complexity depending on our background and knowledge of its subject.

      Perhaps it would know our favorite learning modalities and provide them based on whether we're motivated by stories, audio, video, data visualizations, or other thoughts and ideas.

    1. Ravi outlines some of how he syndicates from his Drupal website to Twitter.

      I particularly appreciated that he's using a sort of taxonomy within Drupal to add some of his particular content to "books" which aggregate related content together. If this were done in an editable outline then it should be easier to aggregate and edit later into an actual book. This would be a cool UI to have within a website for writing and creating.

    1. <small><cite class='h-cite via'> <span class='p-author h-card'>hyperlink.academy</span> in The Future of Textbooks (<time class='dt-published'>03/18/2021 23:54:19</time>)</cite></small>

    1. Furthermore, web annotation also affords curation, creating a static but unstable record of this emergent and dynamic performance, accenting via hypertext particular ideas and moments from a malleable document.

      One of the pieces missing from Hypothes.is is the curateable notebook which more easily allows one to create new content from one's annotations.

      Search is certain there, but being able to move the pieces about and re-synthesize them into new emergent pieces is the second necessary step.

    2. Platforms like Hypothes.is, which afford social and collaborative web annotation, demonstrate the ease with which authors and their audience can create a sociotechnical milieu to share thinking in progress, voice wonder, and rehearse informal dispositions in service of publication.

      I personally identify with this since I'm porting my annotations and thoughts to a notebook as part of a process for active thinking, revision, writing, and eventual publication.

    1. Eva Illouz's Cold Intimacies: The Making of Emotional Capitalism and Georg Franck's Mental Capitalism

      Books to look into.

    1. engage in technology enhancedmultigenre research

      this will go nicely with a text from my Educational Ethnography class, Hybrid Ethnography

    1. I love this idea. I have a fairly extensive personal commonplace book and collect and archive tons of material, but really should delve more deeply into the topic. I'd be particularly interested in the taxonomies portions you've outlined.

  9. Feb 2021
    1. This website is an open notebook. The purpose of this is to share the ideas that I'm exploring and to think in public. This means that, unlike a traditional blog, I'm showcasing many ideas that are in development rather than complete. If you'd like to see more detail or have related thoughts, feel free to leave a comment or tweet at me @RobertHaisfield.

      Similar to my own ideas of networked digital commonplace books or the idea of a networked Memex.

    1. a MD notebook like Athens Research (another open collab project that makes a bi-directional linking markdown notebook, they even call it a Memex but their focus is more on the notebook and research side than on the data collection and annotation end that WorldBrain is focused on See here for AthensResearch/Athens vision: https://github.com/athensresearch/athens/blob/master/VISION.md 6 roadmap/mindmap: https://whimsical.com/TCeXP1dpRkdT8rpMvYci2P 4 notion: https://www.notion.so/Athens-67e1c6068cb449ff935d10e882fd9b05 1 they use clojurescript and datascript (which I have worked with professionally in the past, it is ideal for the backlinking notes graph problem they solve and is the same tech behind Roam which is closed-source software they are aiming to provide and opensource alternative for)

      I've heard one or two mentions of Athens before, but don't think I've actively bookmarked it. Here are some of the primary references.

    1. This project is somewhat related to getmemex.com

      Zegnat et al.: FYI WorldBrain's Memex (= getmemex.com) has some shared history with my WebMemex project; we collaborated for some months, then went in somewhat different directions; I focussed on web page snapshotting for a while, and got distracted with other things; WorldBrain's version added more and more features and got a lot closer to what I had in mind for WebMemex. — via treora # 21:34 on 2021-02-12

    1. Comments

      This word is exactly the point. What if this web page were a public thing within Roam? Then other people's notebooks could comment within their own, but using notifications (via Webmention) could be placed into a comments section at the bottom of one's page or even done inline on the portions they're commenting on using block references.